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VIP NEWS >
MAY 2012
McGowan’s
Musings
This month, you’ll be glad to know – I didn’t
bands they wanted to, because delegate
the then skinny front man would be worth
have to leave the country to catch up with
wrist band or no delegate wrist band – full
the GDP of a small country – but it just shows
the semi-nomadic sector of the international
house means full house in the Brighton
– what do I know!? So – can we now expect
music industry as this time they came to me,
pubs, clubs and venues – but more of that
a Bono bale out somewhere?
well they probably had other things in mind
in this issue. My second event visit was away
as well, but they did appear in great numbers
from home, but still in the UK, as I headed
While we’re on the subject of money, recent
in Brighton for The Great Escape. Strange
North for my first visit to Sound City, and my
figures from the BPI and the IFPI have revealed
having one of these events in your home-
first returnto the greatly renewed City of
that music lovers spent just a bit more than
town, so many familiar faces in extremely
Liverpoolin a good few years.
Bono’s bank balance on albums by British
familiar surroundings! In a world increasingly beset by the ravages
£1.83bn in 2010. However a large part of
from those who couldn’t get into see the
of an economic model that has refused to
this was due to Adele, who sold 18 million of
perform as bankers, investors, governments
her second album ‘21’. Prime MinisterDavid
and the like had presumed, it is good to see
Cameron was very pleased, saying, “British
that someone is bucking the trend. While the
music is loved all over the globe, and as a
Drachma looks set to return to the very shaky
country we can be proud of the tremendous
European economic stage, and the Euro
success of our music industry, which is a world
tries to avoid going up in Olympic flames,
leader.” He added that he was “determined
unstablesupport acts hover nervously in the
to support British creative businessesthat
wings like Eurovision competitors unsure of
generate jobs and opportunitiesfor young
the words of their songs, that full throated
people”. So we’ll keep an eye on that then…
COLOPHON > VIP-News is published by: VIP-Booking 145-157 St John Street London Ec1V 4PW Managing Director: Ronni Didriksen rd@vip-booking.com
hammer of capitalism – Bono – proves that with enough to invest and a bit of aggressive
Just before I go, I’d just like to ask if
social networking you too (Geddit!) can do
anyoneelse has noticed just how effectively
very nicely thank you! Following last week’s
Canadianartists are being pushed at the
flotation Bono’s 1.5% share of Facebook
moment?Since attending CMW last month,
General Manager: Peter Briggs pb@vip-booking.com
bought for $90m in 2009 is now – according
acts like Sheepdogs, Half Moon Run, both of
to various media calculations and reports
which I saw in Toronto turned up in Brighton
Writer and editorial: Allan McGowan am@vip-booking.com
- -worth $1.5 billion, if this is accurate and
and Liverpooland the excellent Barr Brothers
final figures need checking – it will make him
played in the pub round the corner - others
the richest musician in the world – overtaking
seem to be popping up everywhere – and
McCartney by $500 million etc. Who’d have
they’re good too! Perhaps some of the
thought it!? Back in my promoting days in
rest of us can learn something from their
the 70’s I paid U2 the grand sum of £150
methods…
Writer: Manfred Tari mt@vip-booking.com For advertising enquiries please contact: Peter Briggs pb@vip-booking.com +44 870 755 0092
2
acts in 2011, accounting for £1.9bn, up from
Anyway, a good time was had by all – apart
to play at the now long gone Jenkinson’s venue in Brighton, and I would never have
Right I’m off to make a million or two! In
predictedthat he and the band would have
the meantime – Ladies and Gentlemen – The
risen to the dizzy heights they have, nor that
News!
VIP NEWS >
MAY 2012
Scottish Album of the Year Shortlist Announced Allan McGowan am@vip-booking.com
Caroline Parkinson
THE FINAL TEN… Bill Wells & Aidan Moffat - Everything’s Getting Older Conquering Animal Sound - Kammerspiel
The shortlist is out for the first ever Scottish Album Of The Year Award, the sort of Scottishversion of the Mercury Prize which was launched last month. An industry panel picked nine albums from the long list of 20 for the shortlist, while a 24 hour public vote selected the tenth shortlisted record. Find the final ten to the right...
Happy Particles - Under Sleeping Waves King Creosote & Jon Hopkins - Diamond Mine
MyMusicMailer.com enables artists to MAIL their music to more than 6.000 venues and agencies worldwide…
Mogwai - Hardcore Will Never Die, But You Will
The overall winner will be announced at an event in Glasgow on 19 Jun, with that artist getting £20,000, while each runner up will
Mungo’s Hi Fi - Forward Ever
get £1000. Commenting
the
shortlist,
Caroline
Parkinson , Director Of Creative Develop mentfor Creative Scotland, told CMU: “The SAY Award is a fantastic recognition and celebration of Scotland’s rich and diverse musical talent, as this shortlist confirms. We are a nation of music lovers, and the award is a brilliant way to connect these
Remember Remember - The Quickening Rustie - Glass Swords Tommy Smith - Karma
music lovers with our talented artists. Even better that the public, in this the Year Of Creative Scotland 2012, have had a say in
Twin Atlantic - Free (public vote winners)
the shortlist”
3
VIP NEWS >
MAY 2012
Muse Carry the Flame Allan McGowan am@vip-booking.com
As the Olympic Flame is carried to London for the start of the Olympic Games day two
Muse with Olympic torch
of the 70-day relay saw the torch being carried by rock band Muse through their hometown running over Shaldon Bridge into Teignmouth in Devon. Police limited crowds to 7,000 as Dominic Howard, Matt Bellamy and Christopher Wolstenholme ran with the torch. Over the day 121 individuals, nominated for their achievements, helped carry the torch HYPERLINK “http://www.bbc.co.uk/torchrelay/day2 ” , “Link to BBC torch relay day 2 page” from Plymouth to Exeter. Athletes Hicham El Guerrouj and local rugby player Garnet Mackinder took the flame in Exeter before evening celebrations near the city’s cathedral.
VIP-Magazine: The most In-Depth B2B Magazine for the people of the LIVE Music Industry. All readers of VIP-Magazine are key decision makers in the live entertainment industry: - Agents - Promoters - Booking Agents - Venue managers - Festivals & outdoor show organisers - Industry organisations
To read the VIP-Magazine or book your advert – go to www.vip-booking.com The No 1 Information Resource For The Live Entertainment Industry Having the right tools for the job is often the key to success. Through our ongoing communication with key Live Entertainment Industry Professionals, we have developed a range of services to meet the demands of agents, promoters, talent buyers, venue bookers etc. It’s no coincidence that we are now considered to be the No. 1 information provider for this thriving industry.
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World & Jazz Networking Trade Fair Showcase Festival Conference Networking Film Market Awards virtualWOMEX
Thessaloniki, Greece 17–21 October 2012 www.womex.com
VIP NEWS >
MAY 2012
An Easy Game for Gema Manfred Tari mt@vip-booking.com
the new tariff scheme effective from January 2013 onwards. While the calculations of the VDMK are accurate, including as they do parameterssuch as the duration of time for an event and number of events per years, a recently launched Gema online calculator is not. This only shows the rates for events lasting 5 hours and only includes factors allowing for entrance fees and the size of the room. All these results merely indicate that from next year on Gema wishes to receive 10 percent of the gross income. Results evaluated via the Gema online calculator are misleading, as this application only evaluates the lowest of the new basic rates. Gema does not even mention or give any notification on the particular website that the new proposed rate will see events lasting longer than 5 hours attracting another 50 percent for each additional 3 hours. Meanwhile the collection society has issued press releases, again only coming up with examples that indicate that Gema would only charge a 10 percent share on the ticket gross, making no mention the “5 hours trap” revealed by studying the newly proposed tariff. The German copyright collection society Gema has again made moves to increase its revenue from the live entertainment market sector of
Consumer watchdogs would consider such misleading information
the music business.
as seriously questionable, however potential opponents make it very easy for Gema.
Gema substantially increased the rates for performance rights in Germany in 2010. In February 2011 the two concert industry
While the BDT (Association of Discotheques) recently announced a
organisationsVDKV (Verband deutscher Konzertdirektionen) and
call for solidarity by their newly elected president Ulrich Weber, urging
the BDV (BundesverbandVeranstaltungswirtschaft) agreed to a
music clubs and discotheques to come together to appeal the new
proposalmade by the arbitration court of DPMD – (The Brands and
Gema rates, neither of the concert industry associations VDKV or the
Patents Office)for a new tariff scheme for concerts that implemented
BDV have officially expressed concerns that these new rates might
graduallyrising rates until 2014. The rates for concerts staged for
also affect music clubs that also hosts concerts.
audiences of up to 2.000 visitors will rise to 5 percent of the gross income; for events with more than 15.000 up to 7.65 percent of the
The BDT have also announced the launch of joint action with
gross income on tickets and an additional fee of 0.42 percent on
DEHOGA(the association of hotels and gastronomy in Germany)
other income sources such as sponsoring or advertisement.
regarding the Gema tariff proposal, but no concrete information on a specific campaign or actions has yet been released.
This recent tariff increase applies to the usage of recorded music in discotheques, gastronomic and other events such as street fairs or carnival events. As reported in the previous issue, the new tariff scheme foresees significantincreases for events that last longer than 5 hours. In certain case the new rates increase by more than 400% for some events and in some cases will even see a hike of a 1000 percent on previous rates.
6
Dierk Beyer on Behalf of VDMK on the new GEMA Rates
The VDMK, the association for culture promoters in Munich launched
VIP-News approached the VDMK (Association of Culture Promoters
an online calculator on their website, evaluating rates based on
in Munich) regarding the new Gema rates for the usage of recorded
VIP NEWS >
MAY 2012
music in Discotheques and music events featuring covers bands. Dierk Beyer responded on behalf of the association. Beyer emphasized in
Dierk Beyer
his reply that the members of the VDMK worked voluntarily for the association. GEMA has announced a round table discussion with members of VDMK. Do you expect that this discussion could lead to GEMA reconsidering their proposed tariff scheme? – The meeting of the VDMK and GEMA took place on the 24th of April. As you might have expected, the VDMK firstly put forward its arguments to make clear that the proposed rates are not appropriate in any way and cannot form a basis for negotiations. However there has been no indication from GEMA that there would be any re-think regarding the tariffs. Is the VDMK collaborating with any other organisations or associationsthat oppose the new GEMA rates? – The VDMK supports
HYPERLINK “http://www.kultur-retten.de”
www.kultur-retten.de and supplied an online calculator according to the new rates. On April 25 a board member of VDMK joined the ClubmeetingSummit 2012 in Hamburg, to report on the work opposingthe new tariffs and to exchange experiences. This networkingis just beginning, but will be consistently pursued. Some of your members are also members of the BDV or VDKD.
Do you know anything about the forces at work in the
Is your Association in contact with these two organisations?
backgroundat GEMA that are responsible for this tariff
– So far we are not in contact with the VDKD. There is a contact via
proposal?
DEHOGA to the Association of Music Promoters who have already
– Unfortunately no, we would be grateful for any information!
issued a press release. Do you expect any kind of political support from parties or GEMA has already appealed to the arbitration court at the
institutionsthat would help promoters to reach a better
Germanoffice for patents and brands (DPMA). This court is
agreementwith GEMA?
known for being very GEMA friendly. Do you already know
– So far we have received support for the campaign against the tariff
what kind of legal measures promoters have in order to oppose
reform from the Pirate Party and the city council group of the CSU in
a court decision that may favour GEMA?
Munich. However, we expect the support of all parties represented in
– Our lawyer has familiarized himself with all the necessary implications,
the German parliament since the new rates are arbitrary, unfair and
with tremendous support from experts. A recommendationby the
very threatening for our business.
arbitration court that would lead to significant higher rates won’t be accepted and all other legal opportunities will be taken into
What kind of royalty payments do you consider as being
consideration.
appropriateand bearable for promoters? – The existing rates were reasonable for bars, clubs and discos and
Has the VDMK considered other options to block GEMA’s
established market presence.
attemptto increase tariffs so drastically? – Of course, all options to avoid these charges have been considered.
7
VIP NEWS >
MAY 2012
BDV Announce Measures Against Secondary Ticketing Manfred Tari mt@vip-booking.com The BDV (German Association of the
such cases in order to develop a promising
Promoting Business) have announced
strategy. Unfortunately a few things in
the undertaking of general efforts to
the past have been done not been done
fight the commercial resale of tickets.
properly.”
The board of the Association ordered the in-house counsel to launch “sustainable
Ulbricht added that secondary ticket-
and ongoing” legal efforts against illegal
ing has become an economic threat for
resale of tickets.
the concert industry and that members of the Association have suffered from
Johannes Ulbricht is quoted in a press
the reduction of the purchase power of
release by the association: “In the past
concert goers due to purchase of over-
few months our chancellery has looked
priced tickets.
intensively into the legal opportunities and the chances of success in terms of
Johannes Ulbricht
AEG Preferred Bidders for HMV Live Business Sell Off Allan McGowan am@vip-booking.com
AEG the American entertainment giant has been granted preferred bidder status for the live music business of HMV, which was put up for sale by the struggling retailer at the end of last year. Britain’s
second-biggest
live
music
and ticketingoperator, owner of 13 musicvenuesincluding London’s HMV HammersmithApollo and the Jazz Cafe and the Ritz in Manchester and five festivals includingthe annual Lovebox and HMV Next Big Thing , is expected to be priced at £65 million price tag. The final details of the deal are yet to be finalised, but the sale is vital to HMV presently understood to have debts of some £180 million.
8
Hammersmith Apollo
VIP NEWS >
MAY 2012
> INDEPTH STORY > THE UK CONFERENCE AND SHOWCASE EVENTS
®
INDEPTH May is a busy month in the UK, with both of the two major trade events taking place within a fortnight. VIP-News attended The Great Escape and Liverpool Sound City.
The Great Escape Allan McGowan am@vip-booking.com
m o c . g n oki There is no doubt that The Great Escape,
Capacity is a problem and of course finite,
But overall The Great Escape scored high
oftenreferred to as the UK equivalent of
and apart from playing acts 2 or 3 times,
with both the Conference programme and
SXSW is becoming more popular both
this is an irritating problem for all, and very
the Festival. No less a luminary than Seymour
nationallyand internationally and is grow-
difficultto deal with.
Stein – the man who signed Madonna, The
ing year on year. The organisers reported
Ramones and other groundbreaking artists
16,000 attendees across the 3 days, with
In the early days of these events the acts
lauded the A&R aspect of the artists who
+300 bands performing on 30 venues - the
showcasing were in fact new and unknown,
appearedall over Brighton.
biggestTGE to date…
so people were expected – and usually prepared- to take a chance on discovering
Following a panel chaired by yours truly
Although this growth is obviously welcome
gems – now as events turn into City festivals
dedicatedto the activities of The Great
to the event organisers it also contributes to
presenting known and ‘hot’ acts everyone
Escapedelegation from the featured
one of the main problems which also besets
wants to see them and are often disgrun-
territoryof Catalonia, VIP-News asked
SXSW, which is the issue of queuing for gigs
tled and unwilling to take a chance when
three of the panellists, two of them
and in many cases not being able to get in to
informedthat there are lots of other bands
responsible for similar trade events in
see the band of your choice, much as your
for them to take a chance on ‘discovering’.
Spain, for their opinion of the event:
delegate wristband is supposed to provide
Last minute changes to schedules also caused
the facility to get in ahead of the punters that
complaints, but obviously these things are
have ‘only’ purchased a festival wristband.
sometimes unavoidable.
Abel Suárez – Primavera Sound – Barcelona:
10
For me it was the first time at The Great
in the same way) flooding the city with
Escape ; we were in contact with the
shows and having so many clubs and bars
organizerssince some editions beforeand
taking part in the event. We also think that
even advised about Catalonianbands in
an urbanfestival must take the whole city
the past. I didn’t spend much time at the
and let everybody know that something
festival , as our own PrimaveraSound is
excitingis happening! And of course the line
about to start and we are runningcrazy, but
up is full of bands I like and bands I don´t
I really loved the city and how the festival
know, something really important for me
works (we also run a winter festival called
when i travel to a music event, i always want
PrimaveraClub that works more or less
to discover artists.
Abel Suárez
VIP NEWS >
MAY 2012
> INDEPTH STORY > THE UK CONFERENCE AND SHOWCASE EVENTS
Joan Guàrdia - La Castanya - Barcelona Our music company, had a very positive face to face with key people from the UK,
meet the UK audience for the first time,
experienceon our first attendance at The
showing them our artists and commentingon
getting a warm and enthusiast feedback on
Great EscapeFestival: Ass a label and booking
future plans.
every concert. To sum up: an interesting
agencyworking for nationaland international
experienceon different levels that encourage
artists in Spain which at the same time wants to
For our artists showcasing at the festival ,
us to keep working on an international level
expandour work beyond the Spanish frontiers,
the bands Furguson and Me and the
trying find out the links that could allow us do
it has been a great opportunity to meet
Bees, it was an excellent opportunity to
things together.
As you know VIP-News occasionally invites guest writers to contribute to the News, so we decided to get a paying professional delegate to comment on his experience at The Great Escape. Ville Leppanen of The Animal Farm accepted the invitation:
The Animal Farm – The Great Escape The Animal Farm describe their operation as ‘a new breed of music company offering a wide range of creative and business services to artists and writer/producers.’ The Company, run by brothers Mat and Ville Leppanen – originally from Finland - produce records, - manage artists, run a label, a booking agency and a publishing/sync company in London. For more information see: HYPERLINK “http://www.theanimalfarm.co.uk” www.theanimalfarm.co.uk
Ville Leppanen
The theme of this year’s The Great Escape was
theory about the perks of a stable career in a
ness needs to subsidise your band business
DIY. I’ve often wondered about the meaningof
stable profession.
untilthe latter becomes the former. You can
those three letters, actually. Doingit yourselfis
passionatelybelieve in believing passionately
surely the only way of doing things. Otherwise
Similarly, what we tell young musicians about
but no amount of glamorised bullshit is going
you’re getting things done for you. Short of
how the business of music works needs
to change this fact.
having blue blood, what are your chances? Or,
furtherattention. Like, really. Many of the
if you’re not doing things for yourself, things
panels at TGE sort of beat around the bush on
are being done to you. That could be painful,
key issues. Panellists spoke eloquently about
even with the right lubrication.
passion and commitment, but were suitably
Judging by the amount of hyped up bands on
hazy on the details.
show versus the amount of good musicians
My career of two decades and counting
Then I went to see some gigs.
in them, I’d say that some artists would
has been one big DIY fest. I would wager a
Sure, everyone understands that the reason
rather spend money on a PR campaign than
guess that so are most careers, quite possibly
you want to work with someone is because
musiclessons. With so many completely
in most businesses. My Dad had a career in
you like what they do and you like them as
interchangeablebands at TGE it occurred
the consultingengineering business and
people. But when was the last time you got
to me that the fashion manual they read is
throughoutmy blissfully happy childhood
a PR to work for you for no fee? When was
probablyin the top 10 on Amazon. It will
I never thought for a minute that our daily
the last time an agent worked with a band
also be on the list of banned books come
bread was ever in doubt. Just last year he
on compassionate grounds? Since when was
revolution ... And if anyone needs to be
publisheda book, in which I read that for the
a publisher a charitable organisation?
remindedjust how many bands there are
most part it was all touch and go. It was rare
out there... bloody hell, it reallyis quite a
for him to know three months in advance
In order for there to be a business, music
lot. Questionis, how does one stand out in
what was going to happen, where the money
has to generate income. If your band busi-
a crowd?
was going to come from. There went my
ness doesn’t generate any, your day job busi-
11
VIP NEWS >
MAY 2012
> INDEPTH STORY > THE UK CONFERENCE AND SHOWCASE EVENTS
If the rest of them are looking that way, why
still left looking lost. Why is it bewildering to
hear from anyone they’d been talking to over
don’t you look the other way? Right now. Do
discussmusicianship at a music conference?
numerous similar meetings.
being one of a million you want to be one in
I went to see a bunch of legendary record
My ideas, admittedly, are usually low on
a million. Doing things differently will get you
producers, lead by the very amazing Trevor
glamourand high on work ethic. It was cool
there.
Horn, talk about music. Trevor said that before
to see a bunch of young musos react so
the 60s the UK wasn’t known as a major
positively. In my very last meeting a journalist
The foreign dignitaries at our showcase said
world power musically. There was no Debussy,
said that we have a really good reputation as
afterwards that it was refreshing in a sea of
no Tchaikovsky. I’d never thought of it that
honest people who love music. That put the
nondescript indie bands to see our artists
way. The extraordinary thing that’s happened
spring into my step and I dragged my tired
on stage, because they were different. Well
since the 60s is that the UK has become a
bones towards the train station to get back
done, our bands.
world leader in pop music. Indeed, for all my
to civilisation.
the polar opposite without delay. Instead of
ranting about the state of music, all I need to When you meet a lot of new people in
do is go to any other country in the world to
I had a great time at TGE. We did deals. I made
conferencessuch as TGE, you need an
know that we’ve never had it so good.
a lot of new friends. Discovered new ideas and
“elevatorpitch” that summarises what you
new concepts about this business of music.
do in 24 words or less. In my general spiel
A cool vignette: I met with a band who
Many thanks to the Department Of Trade And
about us and our artists, I said of The Manic
expressedinterest in working with us. I spoke
Industry for organising a stellar networking
Shine that they were without a doubt the best
about how I felt about their music, what they
event at which I made a ton of international
musiciansin town that weekend. Some didn’t
were doing and how. My monologue ended
contacts. Thank you to everyone who came to
understand. I reiterated by saying that they’re
in silence and I thought, shit, I’ve gone too far
our showcase. Thanks to our staff for running
the only band in town capable of blowing
too soon. But then one of them cleared his
it smoothly. Thanks to the bands who did the
people away with their chops. Some were
throat to say that it was the best thing they’d
business when it mattered.
ThE hALL DUO IN NEckArpArk
UNIQUE AND DOUBLY GOOD
STUTTGArT cATchmENT ArEA: mOrE ThAN 3 mILLION pEOpLE • hANNS-mArTIN-SchLEYEr-hALLE: Up TO 15,500 SpEcTATOrS pOrSchE-ArENA: Up TO 7,500 SpEcTATOrS • 2012: ...UDO LINDENBErG, BrYAN ADAmS, BAckSTrEET BOYS, chrIS rEA, DAvID GArrETT...
Tel. +49 (0) 711/9554-40 Fax +49 (0) 711/9554-500
12
AZ_in_stutt_VIPmag_2012_RZ.indd 1
info@in.stuttgart.de www.in.stuttgart.de
03.11.2011 15:10:11 Uhr
VIP NEWS >
MAY 2012
> INDEPTH STORY > THE UK CONFERENCE AND SHOWCASE EVENTS
Liverpool Sound City Allan McGowan am@vip-booking.com
This event started in 2008 when Liverpool was the Capital of Culture and it has established itself as – to use their own words ‘a market leader for metropolitan music festivals and music and tech business conferences in the UK.’ I have no quarrel with that description based on my first visit to the event and my first return to an impressively rejuvenated Liverpool in a good many years. Although initially an event set up to celebrate the best in the regionSound City has embraced a growing number of professional internationaldelegates and visitors, and has taken itself abroad staging events in Dubai, New York, and being part of the UK delegationto
Step Panther live at Liverpol Sound City 2012
SXSW. There is talk of a trip to Rio next year. This 5th edition attracted 4500 attendance for LSC Conference and
table for three twenty minute sessions while delegates join the table
Sound City EXPO (combined footfall). The total Wristband footfall
then move on when the time is up. This results in some interesting
over 3 days of LSC Festival was 37.500, and 360 bands from 23
combinations of people, some with an obvious connection, and others
differentcountries in 18 venues in Liverpool City centre including the
that work out a linking theme after some discussion. I found them
Echo Arena, the newly opened and very impressive Epstein Theatre,
very interesting and diverse and certainly some business connections
car parks, Art spaces and bombed out churches.
were made that might not otherwise have come about.
An innovation in the Conference was the LSC Round Table sessions.
We will return to this report in the next issue as the LSC team
These are part talking shop, part speed dating, part networking. Each
were still breaking down this year’s set up when we went
table is overseen by a moderator – I was happy to be invited to be one
to press.
of these, the others on my session were Una Johnston of SXSW and
www.liverpoolsoundcity.co.uk” www.liverpoolsoundcity.co.uk
For more information see : HYPERLINK “http://
Paul Cheetham of Berlin Music Week - – who stays put at his or her
Need to know who is touring Europe ®
Go online - www.vip-booking.com vip-booking.com
13
VIP NEWS >
MAY 2012
ETEP – The Booking Update Manfred Tari mt@vip-booking.com
As usual VIP-News brings you the newest ETEP Top Ten Booking charts for the upcoming festival season. Interestingly it’s noticable that the number of non-UK artists in the top ten ranking has risen this year.
ETEP Top Ten Booking Ranking: Artist / Country / Shows
Remarkably for the first time ever a Dutch band has gained the secondmost bookings from ETEP, even more so due to the fact
Spector /UK/ 9
that it is a Hip Hop act and therewith extends the musical profile
Dope D.O.D. /NL/ 8
of ETEP into new spheres. The international agents of Dope D.O.D
Ewert and The Two Dragons/ EE/8
are James Rubin, jamesrubin@theagencygroup.com and Paul Ryan, HYPERLINK
“mailto:paulryan@theagencygroup.com”
theagencygroup.comat The Agency Group in London. ETEP also welcomes five new festivals: Día de la Música (Spain)
paulryan@
Katzenjammer/NO/7 Niki & the Dove/ SE/7 The Computers/UK/7 Boy/DE/6
End of the Road Festival (United Kingdom)
Frànçois and the Atlas Mountains/FR/6
NorthSide Festival (Denmark)
Selah Sue/BE/6
Optimus Primavera Sound (Portugal)
On place no. 10, three artists with 5 bookings each:
Slottsfjell (Norway)
Baxter Dury/UK/5 Citizens!/UK/5 Iceage/DK/5
Dope D.O.D
For further information please check HYPERLINK “https:// client.ukfastexchange.co.uk/owa/redir.aspx?C=31970cd5 f6824d3393ef3a8d29b5e5c3&URL=http%3a%2f%2fw ww.etep.nl” \t “_blank” www.etep.nl
14
VIP NEWS >
MAY 2012
Both Live Nation and AEG to Bid for Olympic Stadium? Allan McGowan am@vip-booking.com According
to
Business
News
Service
Bloomberg, the giants of live entertainment
London Olympic stadium
may go head to head in bidding to become the operators of London’s Olympic Stadium after this year’s Games. Live Nation and AEG Live are both expected to bid for what will be the UK’s third biggest stadium in the UK, behindWembley and Twickenham. Live Nation chief Michael Rapino told Bloombergthat his company was interested in operating the venue if the price was right, and AEG’s Rod O’Connor confirmed meeting with the management rights bidding committee. West Ham football club has long been
from rival football clubs. London mayor Boris
done for Live Nation or AEG to have some
expectedto become the main tenants at
Johnson has said he still ultimately expects
rights over the venue for other sports and
the stadium post Olympics, though this has
West Ham to get their hands on the stadium,
entertainment events.
been complicated by various legal challenges
though it’s possible that a deal could be
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16
VIP NEWS > BUSINESS > MAY 2012
MUSIC IN SHARES
Music in Shares Manfred Tari mt@vip-booking.com
Live Nation – Higher Revenue CTS Eventim Good Results Q1 and a Higher Net Loss in Q1-2012 but Share Price Under Pressure Live Nation is an amazing company, always good for a surprise, except
CTS Eventim reports a revenue growth for the first quarter of 2012
usually one involving profitability! Nevertheless, Michael Rapino ,
but nevertheless the share price is suffering. The revenue moved up
President and Chief Executive Officer of Live Nation Entertainment
from 101 million in Q1 2011 to 113.9 million Euros. The revenue
declared in the business report for the first quarter: “We are off to
increase comes primarily out of the Live Entertainment division that
a great start for 2012 with solid first quarter performance in all our
moved from 48.2 up to 62.7 million Euros. However, the Earnings
segments. The company delivered year over year growth in revenue,
before Interests, Taxes, Depreciation and Amortisation (EBITDA) just
profitability and free cash flow in the quarter. Importantly, we also
maintained at the previous year’s level with 4.9 million Euros. CTS
saw a 6% increase in ticket sales this quarter as compared to last
Eventim announced that it expects further growth for its revenue
year, reflecting strong demand for our live events and giving us great
and profits results for 2012 . Besides business results, there is still
confidencethat we are well positioned for the summer concert
no news available in terms of the outcome of the arbitration court
season…”
ruling on Live Nation versus CTS Eventim yet. But the share price of CTS Eventim is suffering, from 29.40 on April 30 down to 25.35
Let the figures speak: The revenue went up from $849.4 to $867.9
Euro on May 21.
million, the net loss from $48.4 to $69.1 million. The loss per share went up from $0.27 to $0.37 while within one year the number of outstanding shares grew from 176.2 up to 186.5 million.
DEAG Classics AG gets a New Board Member
However, the share price gained a little. Associated Press reported on
DEAG Classics AG, a subsidiary of DEAG and joint venture with Sony
May 10: “Shares of concert promoter Live Nation Entertainment Inc.
Music Entertainment appointed Rudolf W. Ferscha to the supervisory
rose 10 percent Thursday afternoon after its first-quarter loss was
board of the company. Ferscha was the COO of the German branch
not as bad as expected and its outlook for the summer was relatively
of the Goldmann Sachs Bank from 1997 until 2000 and then from
upbeat.” There is even more room for positive vibes, as “analysts
2000 to 2005 a board member of the Deutsche Börse.
cheered the outlook for the all-important summer concert season.” On May 3 the DEAG share was at 2.68, down to 2.50 Euro on On the same day that Live Nation reported the business results, the
May 21.
company additionally announced the purchase of Cream Holdings Limited, the company behind the Creamfield Music Festivals. While British magazine Eventmagazine.co.uk reported that Live Nation paid
Music Festivals PLC – A Lack of Optimism:
£13.9 million to the venture capital fund Ingenious Media Active
The share price reflects, so to say, a lack of optimism regarding
Capital , the former investor behind Creamfield. In the previous
prosperityand profitability. Since the end of February the share price
businessyear Creamfield gained a pre-tax profit £1.42m.
of the company went down from 58 to 48.5 Pence.
Live Nation didn’t reveal information about the purchase price, the
While the share of Live Nation stood at $8.31 on May 9 it moved up to $9.13 on May 21.
17
VIP NEWS >
MAY 2012
Eating like Rockstars Manfred Tari mt@vip-booking.com
Ole Plogstedt
Hosen, Fettes Brot, Earth, Wind & Fire,
Cheeks stewed nn Almdudler and Salad;
Jan Delay or Nightwish since1993, has
Asparagus
opened his first restaurant in Hamburg.
Kräuter
The 60ties style venue is called Olson.
Potato, Celery Mash and Cranberry Jus.
Besides tour and event catering, Plogstedt
In 2004 together with his former partner
also became popular as a TV-cook in
Jörg Raufeisen he wrote a cook book
recent years. He is a team member of the
entitled “Cooking for Rockstars”, which
TV-show “Die Kochprofis” on RTLII and
caused a little bit of trouble with one rock
appeared in several other TH-shows. In
star from a particular German punk band,
his new restaurant, together with Tilo
who considered that the publication of a
Sachadä, he will offer a menu equally
recipe of his favourite dish was a breach
divided between meat and vegetarian
of confidence. One might have expected
dishes, including dishes such as:
this self-important attitude from the
Rote Gourmet Fraktion who has operated
Duck-Springroll
as tour caterer for artists like the Toten
Red Cabbage and Caraway Yoghurt; Ox
C
M
Y
CM
MY
CY
CMY
K
18
1
with
Stewed
Schnittlauch/ Shallots
with
corporate communication protectionists
Ole Plogstedt, Chef and owner of the
Anzeige_VIPMag_ProSky_X4.pdf
Frittata
Salat;
09.12.10
10:43
with
Ginger-Prunes
of Coca Cola or Apple for instance, but not a punk rocker!
MONTHLY FEATURED ARTIST POWERED BY
Triggerz
ARTIST AVAILS ORBITAL Territory: WORLD Period: APRIL 2012 ONWARDS Agency: VALUE ADDED TALENT Agent: DAN SILVER Phone: +44 207 704 9720 E-mail: dan@vathq.co.uk Homepage: www.vathq.co.uk
Dub Syndicate feat. Style Scott Territory: Europe Period: July-September 2012 Agency: Paperclip Agency Agent: Rob Berends Phone: +31 (24) 323 9322 E-mail: rob@paperclip-agency.com Homepage: www.paperclip-agency.com
THE DOORS ALIVE - BEST DOORS TRIBUTE ACT IN WORLD Territory: WORLD Period: JANUARY 2012 ONWARDS Agency: VALUE ADDED TALENT Agent: DAN SILVER Phone: +44 207 704 9720 E-mail: dan@vathq.co.uk Homepage: www.vathq.co.uk
Magnum Band Territory: Europe Period: July / August Agency: Paperclip Agency Agent: Hilde Spille Phone: +31 24 323 9322 E-mail: hilde@paperclip-agency.com Homepage: www.paperclip-agency.com
We started at 2008, in the beggining the name was T.R.I.S and after many changes in the line up, in 2010 we changed the name to TRIGGERZ,keeping the same direction. We’ ve been playing in many shows since the beggining, and finally in the year of 2012 we started to record our own songs and videoclip.
Dalma LIVEXPERIENCE Territory: World Period: 27.03.2012 - 1.09.2012 Agency: Artist Mall Agent: Adrian Voinescu Phone: 0040743160293 E-mail: office@artist-mall.ro Homepage: youtu.be/rtdhkqbwwjy
Our inspiration comes from bands from Skid Row and GN’R to Backyard Babies and Buckcherry, as more ROCK N ‘ROLL as it is possible. We are looking forward to release our recordings and touring around the world to spread our music and bring some fun and ROCK AND ROLL!
X.O.V.A Territory: THE WORLD Period: APRIL - NOV Agency: STRATOSPHERE MUSIC LTD Agent: STEVE HUGHES & ANDY CLIFF Phone: +44 [0] 7779 257 295 E-mail: xovamgmt@gmail.com Homepage: www.xovalive.com
Check it out our songs at:soundcloud.com/triggerzrockFirst music video:http:// www.youtube.com/watch?v=tblM9k35IMwFacebook:http://www.facebook. com/pages/Triggerz-Rock/229719253727045Thanks!
MORE ARTIST AVAILS ON: WWW.VIP-BOOKING.COM
Read more about Triggerz:
POST YOUR ARTIST AVAILS ON: WWW.VIP-BOOKING.COM
http://www.mymusicmailer.com/epk/225/bio
ORBITAL
19
2 NEWS > MISC > SEPTEMBER 2011 VIP NEWS > MISC > MAY 201VIP
MEMBER PRESENTATION
Bidi-Bookings Bidi-Bookings is an independent bookings/management specialised in heavy alternative (mostly) guitar orientated music such as: stoner, occult rock, hardrock, all kinds of metal, doom, psychedelic, experimental, sludge, avant-garde, jazzrock. Besides our own roster we coöperate(d) with several companies like : Vibra Agency, I.C.S. Festivalservice, Factory Music Management & Agency-UK, Mythology Agency, MOJO, InnsbrooklynMedia and Headstrong Music for certain artists in the Benelux. On demand we also provide promotion activities within Benelux-region. We have worked/or still work successfully with bands like: Neurosis, Mike Patton, Eye Hate God, Brant Bjork & The Bros, Mondo Generator, Enslaved, Wolves in the Throne Room, Dälek, Negura Bunget, Vreid, Ufomammut, Uli Jon Roth, L.A. Guns, Church of Misery, Acid Mother Temple, Firewind, Zu, Electric Wizard and many many more.
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About Our Company MyMusicMailer.com enables artists to MAIL their music VIP-Booking’s core product is the Internet’s oldest and Today VIP-Booking offers a range of tools for the to more venues agencies worldwide… largest database forthan the 6.000 European Liveand Entertainment industry– including VIP-News, VIP-Booking, VIP-Book
Industry www.vip-booking.com developed as a tool for industry professionals. Since it’s launch in the year 2000, we have consistently offered our subscribers the very
and VIP-Contract. Please visit vip-booking.com for further information.
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