SCENE PARTNERS Digital Program

SCENE PARTNERS A NEW PLAY BY

DIRECTED BY

JOHN J. CASWELL, JR. RACHEL CHAVKIN

SARAH STERN

DOUGLAS AIBEL SUZANNE APPEL

ARTISTIC DIRECTOR ARTISTIC DIRECTOR MANAGING DIRECTOR PRESENTS

SCENE PARTNERS A NEW PLAY BY

JOHN J. CASWELL, JR. WITH

ERIC BERRYMAN JOHANNA DAY

JOSH HAMILTON

CARMEN M. HERLIHY

KRISTEN SIEH

DIANNE WIEST

SCENIC DESIGN

COSTUME DESIGN

LIGHTING DESIGN

SOUND DESIGN

RICCARDO HERNÁNDEZ

BRENDA ABBANDANDOLO

ALAN C. EDWARDS

LEAH GELPE

VIDEO & PROJECTION DESIGN

HAIR, WIG & MAKEUP DESIGN

PROPS SUPERVISOR

VIDEO PRODUCER

DAVID BENGALI

LEAH LOUKAS

ANDREW DIAZ

ANNE TROUP

FIGHT CHOREOGRAPHER

TAPESTRY DESIGN

MUSIC DIRECTOR

CHORAL ARRANGER

J. DAVID BRIMMER

PATRICIA MARJORIE

NEHEMIAH LUCKETT

ORION JOHNSTONE

DIALECT COACH

PRESS REPRESENTATIVE

CASTING

BETH McGUIRE

THE PRESS ROOM

CALLERI JENSEN DAVIS

PRODUCTION STAGE MANAGER

ASSISTANT STAGE MANAGER

ASSISTANT STAGE MANAGER

RACHEL A. ZUCKER

JASON WEIXELMAN

TYLER DANHAUS

ASSOCIATE ARTISTIC DIRECTOR

DIRECTOR OF PRODUCTION

GENERAL MANAGER

JESSE CAMERON ALICK

CORRINE K. LIVINGSTON

ALMA MALABANAN-McGRATH

DIRECTED BY

RACHEL CHAVKIN Leadership support for Scene Partners is provided by Jordan Roth Artistic Directors Circle sponsors include Salman and Vienn Al-Rashid; Ken and Rande Greiner; Bobby Freeman; Jamie deRoy; Julius and May Schwartz Charitable Foundation; Annette Stover and Richard Feiner; John Coles and Laura Truettner Coles; Mark Lerner and Steven Frank; John Barrie and Betsy Smith; Sally Horchow; Steve Ralbovsky; Nancy Heller and Holly Gewandter.

A LETTER FROM THE ARTISTIC DIRECTOR Dear friends, We are delighted to welcome you to Vineyard Theatre and to the world-premiere of John J. Caswell, Jr.’s Scene Partners.

John was the recipient in 2020 of our Paula Vogel Playwriting Award, which recognizes an exceptionally talented early-career writer each season with an artistic residency and resources to develop their work. The following year he shared the first draft of Scene Partners with us. We knew we had to produce it from the first time we read it. At a time when theatres were shuttered due to the pandemic, this wildly imaginative and deeply moving story of a woman determined to live out her dreams, reminded us of all that is possible in the theatre.

John writes plays that, on one hand, are grounded in realism — they take place in living rooms, basements, bedrooms, coffee shops — but these same plays also possess a theatricality that knows no bounds, a permeable membrane between what we might call reality, and the world of the imagination, the supernatural, the subconscious.

We couldn’t have asked for a greater group of collaborators with whom to bring Scene Partners to life, from our visionary and Tony Award-winning director Rachel Chavkin, to our brilliant design team, to our dream cast: led by two-time Academy Award-winner Dianne Wiest as Meryl in her Vineyard debut, Eric Berryman, Johanna Day, Josh Hamilton, Carmen M. Herlihy, and Kristin Sieh.

We hope you’ll join us later this season for the NYC premiere of Sarah Gancher’s Russian Troll Farm: A Workplace Comedy, directed by Tony Award-winner Darko Tresnjak. This spring, we’ll bring audiences closer to the artistic development process that is at the heart of what we do, sharing works-in-progress by our 2023-24 resident artists including Shayok Misha Choudhury, Mara Nelson-Greenberg, Nazareth Hassan, a.k. payne, and more.

On behalf of all of us at the Vineyard, including my fellow artistic director Douglas Aibel who is on sabbatical this season, we are grateful that you are part of our Vineyard community, and hope you enjoy the adventure of Scene Partners!

Warmly,

SARAH STERN

ARTISTIC DIRECTOR

A LETTER FROM THE PLAYWRIGHT We make things up in life otherwise there’d be nothing there.

We write and perform instantly our next line of dialogue and call it a conversation.

We create homes and dress the sets on which we perform our most intimate scenes.

We are inherently creative by necessity of survival.

We adapt to our story’s circumstances when possible, crumble to the ground when we can’t, and often die at the hands of bad actors who think only of their own flawed characters.

We, some of us, survive long enough to leaf through the lengthy draft of our many years and feel a sense of satisfaction, dismay, or both. Some will wish the writing were better, the payoff greater, perhaps a little less pain.

We may not be able to go back and revise, but we still can dream. And occasionally those dreams become the beginning of a brand new script.

“Life is a play that does not allow testing. So, sing, cry, dance, laugh, and live intensely, before the curtain closes and the piece ends with no applause.”

— Charlie Chaplin

JOHN J. CASWELL, JR. PLAYWRIGHT

CAST Chuck + Others ....................................... ERIC BERRYMAN Charlize ................................................... JOHANNA DAY Hugo + Others ......................................... JOSH HAMILTON Cassie + Others ................................. CARMEN M. HERLIHY Pauline + Others ......................................... KRISTEN SIEH Meryl Kowalski .......................................... DIANNE WIEST

TIME: 1985 PLACE: Mostly Los Angeles, maybe.

SCENE PARTNERS WILL BE PERFORMED WITHOUT AN INTERMISSION PLEASE NOTE:THIS SHOW CONTAINS FLASHING LIGHTS, AND THE SIMULATED USE OF WEAPONS

WARNING: The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theatre, without written permission of the management, is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for money damages.

FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency please do not run — WALK TO THAT EXIT. Smoking or vaping in the building is prohibited at all times. Violation of this city ordinance a is punishable by law.

WHO’S WHO ERIC BERRYMAN (Chuck + Others) Vineyard debut. He was recently seen in Primary Trust at Roundabout Theatre and the final season of the hit TV show “Atlanta” (FX), Episode 8 - “The Goof Who Sat by the Door”, portraying “short lived Disney CEO” Thomas Washington.

Select Off-Broadway: The B-Side-Negro Folklore from Texas State Prisons, A Record Album Interpretation (Wooster Group/St. Ann’s Warehouse); Toni Stone (Roundabout); Steel Hammer (SITI Company/BAM). Select Regional Credits: Detroit Red (ArtsEmerson-Elliot Norton Award); Private (Mosaic Theater); Moby Dick, A Musical Reckoning (A.R.T.). Select Film/TV credits: “Godfather of Harlem” (Epix/ MGM+); “Ramy” (Hulu); “Bonding”; Marriage Story (Netflix); “Evil” (Paramount+); “Marvelous Mrs. Maisel.” Training: Carnegie Mellon University.

JOHANNA DAY (Charlize) Vineyard Theatre: How I Learned to Drive, Middletown. Broadway: How I Learned to Drive (Outer Critics Circle Special Achievement Award), The Nap, Sweat (Tony Nomination), You Can’t Take It With You, August: Osage County, Lombardi, Proof (Tony Nomination). Theatre: Des Moines (TFANA), Floyd’s (Guthrie) Peace for Mary Francis (New Group), Peter and Jerry (Second Stage - Drama Desk Nomination), Appropriate (Signature - Obie Award, The Lilly Award), Poor Behavior (Mark Taper), Realistic Joneses (Yale), Choice (Huntington), The Rainmaker (Arena Stage – Helen Hayes Award). Television: “Madam Secretary” (5 Years Recurring), “Bull,” “For Life,” “New Amsterdam,” “The Blacklist,” “Escape at Dannemora,” “The Knick,” “The Americans,” “Masters of Sex,” “Alpha House,” “Royal Pains.” Film: Worth, Save Yourselves, The Post, Great Gilley Hopkins, How Far She Went, The Breatharian, Sweet Taste of Freedom, Women of an Uncertain Age.

JOSH HAMILTON (Hugo + Others) Broadway: The Real Thing, The Coast of Utopia, Dead Accounts, Proof. Off-Broadway: The Antipodes and Medieval Play at Signature; Lie of the Mind, Things We Want, Hurlyburly, and This Is Our Youth at The New Group; The Cherry Orchard and Three Sisters at CSC; The Waverly Gallery (Promenade); The Bridge Project (BAM & The Old Vic); The Violet Hour (Steppenwolf); A Doll’s House (Williamstown).

London: Evening at the Talk House (National Theater). Films include: Maestro, Reality, Landscape with Invisible Hand, 8th Grade, Blaze, Manchester by the Sea, Away We Go, Outsourced, Kicking and Screaming, and Alive. TV includes: “The Last Thing He Told Me,” “Accused,” “The Walking Dead,” “13 Reasons Why,” “Mrs. Fletcher,” “Ray Donovan,” “Mrs. America,” and “At Home with Amy Sedaris.”

WHO’S WHO CARMEN M. HERLIHY (Cassie + Others) Vineyard Theatre: The Piano Teacher. Theatre: Kingdom Come (Roundabout), Doctor Faustus (Classic Stage), Bachelorette (Second Stage), Five Genocides (Clubbed Thumb), Buffalo Gal (Primary Stages), crooked (Women’s Project; Lucille Lortel Nomination for Outstanding Lead Actress), The Thugs (Soho Rep), columbinus (NYTW, Drama League Nomination for Ensemble), Top Girls (Huntington Theatre), Recent Alien Abductions (Humana Festival). TV: “Servant,” “Blue Bloods,” “New Amsterdam,” “Awkwafina is Nora From Queens,” “Mrs. Fletcher,” “High Maintenance,” “Madam Secretary.” Film: The Trouble with Cali, The Switch, The Rebound, Two Lovers, Burn After Reading, Morning Glory, Extremely Loud and Incredibly Close, My First Kiss and the People Involved.

KRISTEN SIEH (Pauline + Others) Vineyard Theatre: RoosevElvis.

Broadway/West End: The Band’s Visit (Original Cast), RoosevElvis (The Royal Court). Off-Broadway: February House, Fortress of Solitude (The Public); Dr. Ride’s American Beach House (Ars Nova); Men On Boats (Playwrights Horizons); Iphigenia at Aulis (Classic Stage Company); and work with Elevator Repair Service (Gatz, The Sound and the Fury, etc.), Half-Straddle (Ghost Rings), The Foundry (O, Earth), and other companies. International and regional work includes: Yale Rep, A.R.T., Baltimore Center Stage, and numerous international festivals. Kristen has also appeared on TV (“House of Cards,” “Orange is the New Black,” etc.) and on your phone as an award-winning narrator of audiobooks. In 2023 she received a certificate in horticulture from NYBG.

DIANNE WIEST (Meryl Kowalski) was last seen on stage in Samuel Beckett’s play Happy Days directed by James Bundy. Over a four year period she performed Happy Days at Yale Rep, Theatre for a New Audience in Brooklyn, and The Mark Taper Forum in LA. Broadway: Arthur Miller’s All My Sons and Christopher Durang’s Beyond Therapy.

Other theater work includes The Cherry Orchard, The Seagull, Uncle Vanya, and Three Sisters. She has appeared in five films by Woody Allen: The Purple Rose of Cairo, Hannah And Her Sisters, Radio Days, September, and Bullets Over Broadway. Recent films include Steven Soderbergh’s Let Them All Talk and I Care A Lot. Other films include Charlie Kaufman’s Synecdoche, New York; Edward Scissorhands; The Birdcage; and Parenthood. On television, she appeared in the series “The Road to Avolonlea” and “In Treatment.” She has received two Academy Awards, two SAG Awards, and two Emmys for her work.

WHO’S WHO JOHN J. CASWELL, JR. (Playwright) is a writer originally from Phoenix, a recent fellow at Juilliard’s Lila Acheson Wallace American Playwrights Program, and the recipient of the Paula Vogel Playwriting Award at Vineyard Theatre. His play Wet Brain won the 2021 L. Arnold Weissberger New Play Award and premiered Off-Broadway in 2023, produced by Playwrights Horizons and MCC Theater. His play Man Cave premiered Off-Broadway in 2022, produced by Page 73, with upcoming productions in Dallas and San Francisco. Honors include the Jean Kennedy Smith Playwriting Award, the Rita and Burton Goldberg Playwriting Prize, a MacDowell Fellowship, a SPACE on Ryder Farm Creative Residency, and the 2017 Page 73 Playwriting Fellowship. Education: Juilliard School, Hunter College, Arizona State University. www.johnjcaswelljr.com

RACHEL CHAVKIN (Director) received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell’s Hadestown. She is a director, sometime writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based experimental collective the TEAM (www. theteamplays.org). She is a three-time Obie Winner, and received Tony and Lortel nominations, and a Drama Desk Award for Dave Malloy’s Natasha, Pierre & The Great Comet of 1812 (Broadway, Ars Nova, A.R.T.). Selected Freelance: the TEAM’s Mission Drift (National Theatre), the TEAM’s RoosevElvis (Royal Court, the Vineyard/COIL Festival), Larissa Fasthorse’s The Thanksgiving Play (2ST Helen Hayes Theater, 1st play by a known Native American woman on Broadway), Lilianna Padilla’s How to Defend Yourself — co-directed w/ Padilla and Steph Paul (NYTW), Marco Ramirez’s The Royale (LCT; Obie Award, Drama Desk and Lortel nominations), Bess Wohl’s Small Mouth Sounds (Ars Nova and national tour), Sarah Gancher’s I’ll Get You Back Again (Round House), and multiple collaborations with Taylor Mac, composer Dave Malloy, indie folk-punk duo The Bengsons, British political performance artist Chris Thorpe, and with composer Heather Christian. Her first short film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. 2017 Smithsonian Award for Ingenuity. Proud NYTW Usual Suspect and Board Member; and Member SDC. Upcoming: Gatsby at A.R.T. with Florence Welch, Thomas Bartlett, Martyna Majok.

WHO’S WHO RICCARDO HERNÁNDEZ (Scenic Design) Riccardo Hernández has designed over 250 productions at most leading regional theaters and operas across the US and internationally and over thirty productions at New York Shakespeare Festival / The Public Theater. Vineyard: Incecent. Broadway: The Thanksgiving Play, directed by Rachel Chavkin; Jagged Little Pill (Tony Nomination Best Scenic Design of a Musical); Frankie and Johnny in the Clair de Lune; Indecent; The Gin Game (Sets and Costumes); The Gershwins’ Porgy and Bess; The People in the Picture; Caroline, or Change; Topdog/ Underdog; Elaine Stritch at Liberty; Parade; Bells Are Ringing; Bring in ‘Da Noise, Bring in ‘Da Funk; The Tempest. Other theater: Lempicka directed by Rachel Chavkin (La Jolla Playhouse & Williamstown); The Death of the Last Black Man in the Whole Entire World, Jesus Hopped the A Train, and Twilight: Los Angeles, 1992 (Signature Theater); Notes From the Field (A.R.T. and Second Stage); Toni Stone (Roundabout); Mlima’s Tale, Grounded, The Library, Oedipus El Rey (Public Theater); Light Shining in Buckinghamshire directed by Rachel Chavkin, The Invisible Hand and Red Speedo (NYTW); Admissions (Lincoln Center Theater). Co-Chair, Theater Design at Yale School of Drama. 1992 Yale School of Drama. www.riccardohernandez.com BRENDA ABBANDANDOLO (Costume Design) Broadway: The Sign In Sidney Brustein’s Window.

Off-Broadway: The Sign In Sidney Brustein’s Window (BAM), Camp Siegfried (Second Stage), A Case for the Existence of God (Signature), Russian Troll Farm (Virtual, Obie Award), Moby Dick (A.R.T), Octet (Signature), Continuity (MTC), Enemy of the People (The Guthrie), I’ll Get You Back Again (Roundhouse), The TEAM’s Mission Drift (National Theatre of London), Film/TV: The Quiz Lady, Coda (Academy Award, Best Picture), An American Pickle, The Disaster Artist, Tallulah, “Saturday Night Live” (Associate CD). Other: MFA/NYU TSOA, the TEAM. www.bnadesigner.com ALAN C. EDWARDS (Lighting Design) Work includes the world premieres of Harry Clarke (The Vineyard, Lortel Award), Kill Move Paradise (National Black Theatre, Drama Desk nomination), and The Hot Wing King by Katori Hall (Signature NYC, 2021 Pulitzer Prize for Drama). Other New York work includes: Anna Deavere Smith’s Twilight: Los Angeles, 1992 and Fires in the Mirror (Signature NYC); Twelfth Night (Classical Theatre of Harlem); Bluebird Memories featuring rapartist Common (Audible Theatre); and Baldwin and Buckley at Cambridge by Greig Sargeant and Elevator Repair Service (The Public). His work in dance includes: Where We Dwell and Chasing Magic by Ayodele Casel; Rhythm Is Life by Dormeshia Sumbry-Edwards; and Lifted, choreographed by Christopher Rudd for American Ballet Theatre. On Broadway, Edwards was the associate to lighting designer Jennifer Tipton on The Testament of Mary. He is a graduate of the Yale School of Drama, where he is also an assistant professor of lighting. alancedwards.com.

LEAH GELPE (Sound Design) Vineyard: God’s Ear. Off-Broadway: My Broken Language and Night is a Room (Signature), Log Cabin, Antlia Pneumatica, Grand Concourse, The Big Meal and Circle Mirror Transformation (Playwrights Horizons), Mary Jane and The Invisible Hand (New York Theater Workshop), The Harvest, Slowgirl, and What Once We Felt (LCT3), Cardinal (Second Stage), Saved (TFANA) and more. Regional: ACT, Guthrie, Long Wharf, Berkeley, Yale Rep, ART, Intiman.

Honors: Lucille Lortel Awards for Outstanding Sound Design (Mary Jane and Slowgirl). Connecticut Critics Circle Award (January Joiner), NEA/TCG Career Development Program.

WHO’S WHO DAVID BENGALI (Video & Projection Design) is a projection and media designer based in New York City. Selected recent and upcoming designs include: Broadway: Water for Elephants; The Thanksgiving Play; 1776. Off-Broadway includes: Walk on Through (MCC); Twilight: Los Angeles, 1992 (Signature - Henry Hewes Award, Drama Desk Nom.); Anthony Rapp’s Without You (New World Stages); Monsoon Wedding (St. Ann’s Warehouse); The Visitor (The Public Theater Lortel Nom.); Circle Jerk (Fake Friends - Obie Award, Drama League Nom.); Einstein’s Dreams (Prospect/59E59 - Drama Desk Nom.); Van Gogh’s Ear (ERC - Drama Desk Nom.); The Great Leap (Atlantic). Regional including: La Jolla Playhouse, A.R.T., Yale Rep, Dallas Theater Center, Alliance.

National Tours: Peter Pan; 1776; Rockin’ Road To Dublin. David was also a 2017-2019 Arts Fellow at the Princeton University Lewis Center for the Arts. MFA: NYU. LEAH LOUKAS (Hair, Wig & Makeup Design) Vineyard Theatre: Gigantic, Checkers. Broadway: The Sign in Sidney Brustein’s Window; Original cast of Hadestown; Escape to Margaritaville; Time and the Conways; Marvin’s Room; Natasha, Pierre & the Great Comet of 1812; Sweat; Oh, Hello; The Heidi Chronicles; On the Town; A Night with Janis Joplin; Vanya and Sonia and Masha and Spike; American Idiot; Irena’s Vow. TV and Film Credits include: Key Hair Stylist for Netflix’s Ma Rainey’s Black Bottom, Freeform’s “Everything’s Trash,” Showtime’s The Humans. Hairstylist on Season 3 of “Only Murders in the Building,” and Netflix’s Hustle. Leah won a 2022 Emmy for her work on Annie Live!

ANDREW DIAZ (Props Supervisor) Previously with the Vineyard: Good Grief, Harry Clarke, Gloria, Gigantic, White Girl in Danger. Broadway: The Sign In Sidney Brustein’s Window, The Thanksgiving Play, Leopoldstadt, Birthday Candles. Recent Credits: The Wanderers, Primary Trust (Roundabout); Camp Siegfried (Second Stage); English, Kimberly Akimbo (Atlantic Theater). Nickelodeon, Walt Disney Productions, SNL. Henry Hewes Design Award.

ANNE TROUP (Video Producer) is a theater and film producer. Credits include: The Thanksgiving Play (Broadway), Grownup (Associates), The Gold Room (HERE), Incomplete (Hulu), The Snakes (HBO Max), Others (Slamdance FF), Swimming (Out on Film), Human Interest (SeriesFest). Anne also works as an actor. She has a BA from Brown University and an MFA in Acting from NYU. J. DAVID BRIMMER he/they (Fight Choreographer) has choreographed some stuff. For the Vineyard: Gloria, This Day Forward. Selected Broadway: Hangmen, American Buffalo, Pass Over, Spring Awakening, The Lieutenant of Inishmore, Be More Chill, Grace, Speed the Plow, Thérèse Raquin, Long Day’s Journey into Night. Selected NY premieres: Wet Brain, Tambo and Bones, Downstate, Socrates, Fairview, Heroes of the Fourth Turning, Is God Is, Yen, An Octoroon, We Are Proud To Present, Revolt. She Said. Revolt Again, Blasted, Bethany, Blackbird, Bug, Killer Joe, as well as the Red Bull Theatre’s productions of The Government Inspector, The Revenger’s Tragedy, The Duchess of Malfi and The Changeling. “Walk cheerfully over the world, answering that of God in everyone.” G. Fox.

WHO’S WHO PATRICIA MARJORIE (Tapestry Design) is a Brazilian multidisciplinary theatre artist based in New York with a focus on directing, costume and props design. Recent works: Costume Design for Simon and His Shoes’ and Modern Swimwear directed by Meghan Finn; The Time Machine directed by Joshua Gelb (Playwrights Horizons Theatre School). Set Design for RE/ MEMORI (Of Hair Land & Sea) by Nambi E. Kelley (WP theater). Props for Public Obscenities and Notes On Killing Seven Oversight… (Soho Rep); Wolf Play (MCC and Soho Rep); You Will Get Sick (Roundabout Theatre Company); Montag (Soho Rep); Ulysses and The Seagull (Elevator Repair Service); Eva Luna (Repertório Español); 7 Minutes (Waterwell); Black Exhibition by Jeremy O. Harris directed by Machel Ross. Patricia has also recently performed in Mrs. Loman directed

by Meghan Finn, directed What Will Become Of Kaaron? and had her own work produced as a playwright, A Song To Call The Spring, all at The Tank.

NEHEMIAH LUCKETT he/him (Music Director) has worked in the music departments for The Scottsboro Boys and The Landing at The Vineyard. Broadway: The Gershwins’ Porgy and Bess.

Other NY credits: Primer for a Failed Superpower, Jazz Singer, Where We Stand, Sistas, Wedding Band, and Amani. Nehemiah is also a composer of choral music (Secular Mass, Kyrie 201, Words of Bayard Rustin), orchestral/symphonic works (Requiem for Arctic Ice: The Northernmost Part), musical theatre (Brick by Brick, Triple Threats, A Burning Church, Adia and Clora Snatch Joy), and opera (Love Out of Time). Undergrad: Sarah Lawrence College. Grad: Hunter College.

BETH McGUIRE (Dialect Coach) has worked as a vocal and dialect coach in film, television, animation, radio, on and Off-Broadway, and regional theater for over 35 years and is a former Professor at the Yale School of Drama (DGSD). Beth’s favorite theater projects include: Broadway productions of A Streetcar Named Desire with Blair Underwood, Nicole Ari Parker, and Daphne Rubin-Vega, directed by Emily Mann; Eclipsed by Danai Gurira on Broadway, directed by Liesl Tommy. Other favorite productions include: He Brought Her Heart Back in a Box by Adrienne Kennedy at Theatre for a New Audience, directed by Evan Yionoulis; Twelfth Night at Yale Repertory Theatre, directed by Carl Cofield. Her most recent media projects include A Quiet Place: Day One (set for release 2024); Lady in the Lake (set for release 2023 Apple TV); Us; Black Panther; Black Panther: Wakanda Forever; Marvel’s Avengers: War For Wakanda (Video Game). Beth lives in NYC and has a private teaching and coaching practice.

ORION JOHNSTONE they/he (Choral Arranger) is a Trans faggot wizard, community minister, theatermaker, sex educator, muckraker, lover, and ever-in-process abolitionist. Their highly collaborative theater work is an extension of their ministry, and they primarily work as a director and composer. Recent theater highlights include: Composer for Light Shining In Buckinghamshire at NYTW with director Rachel Chavkin, Co-Director of Diana Oh’s {my lingerie play}: THE CONCERT AND CALL TO ARMS!!!!!!!!! at Rattlestick, Directing Fellow in TransLab at the Public/ WP. They studied Theater at NYU-Tisch and Justice Ministries at Auburn Seminary. You can learn more about their work-love and lineages at: www.orionjohnstone.com

WHO’S WHO CALLERI JENSEN DAVIS - JAMES CALLERI, ERICA JENSEN, PAUL DAVIS (Casting) is a creative casting partnership of over 20 years located in NYC. Happy to be working with The Vineyard.

Awarded 16 Artios Awards for Outstanding Achievement in Casting. Broadway credits include the recent revivals of Topdog/Underdog and The Piano Lesson. Also, For Colored Girls..., Thoughts of a Colored Man, Burn This, Fool for Love, Venus in Fur, Hedwig & The Angry Inch, The Elephant Man (also West End), Of Mice and Men, Hughie, The Visit, 33 Variations, A Raisin in the Sun, Chicago, James Joyce’s The Dead. Also, Rattlestick, Yale Rep, Playwrights Horizons, and CSC. TV credits include: “Love Life” (HBO Max), “Queens” (ABC), “Dickinson” (Apple+), “The Path” (Hulu), “Lipstick Jungle,” “Army Wives,” “Monk,” “Hope & Faith,” and “Ed.” www.callerijensendavis.com THE PRESS ROOM (Press Representative) Broadway: Hamilton, The Book of Mormon. OffBroadway: JOB, Blue Man Group, Sesame Street the Musical. Institutions: Barrington Stage Company, Drama Book Shop, Hunter Theater Project, National Yiddish Theatre Folksbiene, NY Classical Theatre, Out of the Box Theatrics, Paper Mill Playhouse, Rosie’s Theater Kids, Shakespeare’s Globe, Theatre Row, Vineyard Theatre, The Wooster Group. Upcoming: Born for This, Female Troubles, Grace, Sidney, A Wonderful World, Working Girl The Musical. thepressroomnyc.com RACHEL A. ZUCKER they/them (Production Stage Manager) is thrilled to be returning to Vineyard Theatre! Vineyard: Lessons in Survival: 1971. Broadway: SIX; Tina: The Tina Turner Musical; The Prom; True West; Pretty Woman; Farinelli and the King; Indecent. Select OffBroadway: JOB (Soho Playhouse); Kinky Boots (Stage 42). The Shed: Misty and HELP. The Public Theater: Tiny Beautiful Things, Twelfth Night, Plenty, Southern Comfort, Grounded. Shakespeare in the Park: Hamlet, Othello, A Midsummer Night’s Dream, Troilus and Cressida, Cymbeline. New York City Center: Working: A Musical and Roadshow. New York Theater Workshop: Lazarus.

Signature Theatre Company: Curse of the Starving Class. MFA: Stage Management, Columbia University. Insta: @rzucker37 JASON WEIXELMAN (Assistant Stage Manager) Vineyard: Lessons In Survival: 1971. Broadway: Wicked, The King and I (LCT Revival). Off-Broadway: Between the Lines, Which Way to the Stage, Othello, Old Hats. Regional: Paper Mill Playhouse, Barrington Stage, Berkshire Theatre Group, George Street Playhouse, Arden Theatre, Gulfshore Playhouse, Skylight Music Theatre. Love and deep gratitude to family and friends for their continued support. Member Actors’ Equity.

TYLER DANHAUS (Assistant Stage Manager) Vineyard: This Land Was Made. Other NYC: When We Get There (York Theatre); KIN (WP Theater); Smart Blonde (59E59); The Imbible (New World Stages); Titanique (The Green Room 42); Fish In A Tree (Theatre Row); Women on Fire (Royal Family); Anne of Green Gables, Part I and II (Royal Family); You, Me, I, We, (Royal Family).

Tours: Little Black Dress and The Elf on the Shelf: A Christmas Musical. Regionally: Lyric Rep, Hangar Theatre, Geva Theatre, The Rose Theater, and Chester Theatre. BFA: UW-Milwaukee. @tydanhaus

WHO’S WHO JASON AGUIRRE he/him/él (Assistant Director) is a New York-based Mexican-American director, bookwriter, and choreographer, specializing in new work development. Using elements of physical theatre and immersive theatre to inspire imagination, spark curiosity and compel audiences to be skeptical of the status quo by delivering a theatrical Flintstone vitamin to audiences — a socio-political message served through candy-coated entertainment. He is an alumnus of the Directors Group at Roundabout Theatre Company, a SDCF Fellow – Mentored by Susan Stroman, a member of the BMI Lehman Engel Musical Theatre Workshop, and a graduate of the George and Joy Abbott MFA in Musical Theatre Collaboration at Temple University. Jason serves as the Artistic Producing Associate at Vineyard Theatre, and is the Co-Founding Artistic Director of UNTITLED Musical Project — a space dedicated to providing space for marginalized musical theatre writers of BIPOC/Global Majority, LGBTQIA+/Queer, and their intersecting identities to develop their work and engage in supporting and critiquing their colleague’s work.

Jason is a proud member of the Dramatists Guild and Associate Member of the Stage Directors and Choreographer Association. www.j-aguirre.com. @jasona57

ABOUT THE VINEYARD VINEYARD THEATRE develops and produces new plays and musicals that push the boundaries of what theatre can be and do. For 40 years, The Vineyard has nurtured a community of fearless theatre makers whose work has expanded the form, the field, and the larger culture. Vineyard Theatre has transferred eleven shows to Broadway, seven directly after their acclaimed Vineyard premieres: Lucas Hnath’s Dana H. and Tina Satter’s Is This A Room (both New York Times Best Theatre of 2021); Paula Vogel’s Indecent; Nicky Silver’s The Lyons; Kander, Ebb and Thompson’s The Scottsboro Boys; Bell and Bowen’s [title of show]; and Avenue Q by Marx, Lopez and Whitty (Tony Award, Best Musical).

In recent years, four additional shows launched at The Vineyard have been revived in their first Broadway productions: Paula Vogel’s Pulitzer Prize-winning How I Learned to Drive; Lanie Robertson’s Lady Day At Emerson’s Bar And Grill; Becky Mode’s Fully Committed; and Edward Albee’s Pulitzer Prize-winning Three Tall Women.

From our home in NYC’s Union Square, The Vineyard develops and premieres new plays and musicals which go on to be seen around the country and the world. Recently, Jeremy O. Harris’ play “Daddy” (2019) received its London premiere at the Almeida; Ngozi Anyanwu’s Good Grief (2018) and David Cale’s Harry Clarke (2017) were recorded by Audible; Branden Jacobs-Jenkins’ Gloria (2014), a finalist for the Pulitzer Prize, transferred to Chicago’s Goodman Theatre; Paula Vogel’s Tony Award-winning Indecent (2016) aired on PBS’s “Great Performances” and was one of the most-produced plays nationwide in 2019; and Colman Domingo’s Dot (2016) is being adapted

ABOUT THE VINEYARD into an AMC series. The Vineyard’s first major digital work, Lessons in Survival, was named one of the top theatrical experiences of 2020 by The New York Times and has been viewed by audiences in more than 40 countries.

The Vineyard’s Paula Vogel Playwriting Award, Susan Stroman Directing Award, and Colman Domingo Award provide residencies to early-career artists and our education programs serve over 700 New York City public high school students annually, culminating in Developing Artists’ REBEL VERSES Youth Arts Festival. The Roth-Vogel New Play Commission is awarded annually to a mid- to late-career playwright to create and develop a new play with The Vineyard. Our work and artists have been honored with numerous awards including

SPECIAL THANKS Hudson Scenic

Materials for the Arts

Sennheiser

The Tank

PRG

Meghan Finn

Public Theater Production Departments

Oded Gross

BNG Industries

Asher Ehrenberg

Everythig Props

Ido Levran

Liz Andrews

MUSIC CREDITS “ROAD TO NOWHERE”

By Jerry Harrison, Tina Weymouth, Chris Frantz and David Byrne WC Music Corp. (ASCAP) and Index Music Inc. (ASCAP) All rights administered by WC Music Corp.

STAFF FOR SCENE PARTNERS JASON AGUIRRE, ASSISTANT DIRECTOR

JOEY SHAW, TECHNICAL DIRECTOR

REBECCA SCHAFER, PRODUCTION MANAGER

HELEN HYLTON, ASSOCIATE TECHNICAL DIRECTOR

MATTHEW B. CULLEN, COMPANY MANAGER MARCELO MARTÍ NEZ GARCÍ A, ASSOCIATE SCENIC DESIGNER

DESI M c COY-FISCHER, PRODUCTION ELECTRICIAN HEAD

STINE DAHLMAN, ASSOCIATE COSTUME DESIGNER

ALLY LENIHAN, PRODUCTION VIDEO HEAD

JIAHAO (NEIL) QIU 邱嘉皓, ASSOCIATE LIGHTING DESIGNER

CHEYENNE DOCZI, AUTOMATION & VIDEO TRACKING CONSULTANT

SAM KUSNETZ, DJ POTTS, ASSOCIATE SOUND DESIGNERS

CHEYENNE DOCZI, DON CIESLIK, VIDEO PROGRAMMER

BETHANY LAKE, JORDAN ROSE, QLAB PROGRAMMERS

RILEY CAVANAUGH, LIGHTING & VIDEO OPERATOR

ALESSANDRA CRONIN, ASSOCIATE VIDEO & PROJECTION DESIGNER

NOAH PHILLIPS, PRODUCTION AUDIO HEAD

KAITIE ADAMS, ASSOCIATE HAIR, WIG & MAKE-UP DESIGNER

JAMIE DAVIS, A1

MICHAEL FERGUSON, WIG SPECIALIST

JASON REGNER, WARDROBE & HAIR SUPERVISOR

ANA JABLINSKI, ASSISTANT TAPESTRY DESIGNER

KATY TROHA, SABRINA EHRNSTEIN, DRESSERS

FEDERICA BORLENGHI, TAPESTRY ASSISTANT

SAM KIM, HANNAH SGAMBELLONE,

STEVEN JOHNSON, LIGHTING PROGRAMMER

NEIL MAZZELLA, CHUCK ADOMANIS, AUTOMATION & FLIGHT DESIGNER

ASSOCIATE PRODUCTION MANAGERS WHITNEY ROY, DENNIS EBERT, JR., SM PRODUCTION ASSISTANTS

ANNE TROUP, VIDEO PRODUCER

WHITNEY ROY, SCRIPT PRODUCTION ASSISTANT

DAVID BENGALI, DIRECTOR OF PHOTOGRAPHY

OLIVIA M c QUERRY, DECK PRODUCTION ASSISTANT

ALESSANDRA CRONIN, FILM EDITOR

MYJOYCIA CEZAR, CHRISTIAN STECKEL,

GIOVANNI ALFONZETTI, GAFFER

SUB SM PRODUCTION ASSISTANTS

CYNTHIA ALMANZAR, KEY GRIP

IRVING TORRES-LOPEZ, ARTISTIC PRODUCTION ASSISTANT

NELL SIMON, WARDROBE SUPERVISOR

THOMAS DIETER, SUBSTITUTE ASSISTANT STAGE MANAGER

JEFFERSON WHITE, SIMON GUZMAN, DANIEL BAKER, SOUND MIXERS

REGAN LINTON, TOM NELIS, MOVEMENT CONSULTANTS HUNTER BRYANT, SCENE PARTNERS TEACHING ARTIST

SHANE MARSHALL BROWN, NINA MARIE WARD, and MADDIE GREENBERG, THE PRESS ROOM, PRESS REPRESENTATIVES

KEY ART DESIGN BY NB STUDIO KEY ART PHOTOGRAPHY BY BRONWEN SHARP

LIGHTING, SOUND & VIDEO PROVIDED BY PRG

PROGRAM DESIGN BY MARSHALL FOLTZ

WIRELESS MICROPHONES PROVIDED BY SENNHEISER

DIGITAL MARKETING and ADVERTISING BY MARSHALL FOLTZ

AUTOMATED SCENIC ELEMENTS PROVIDED BY HUDSON SCENIC

and GRAPESEED MEDIA

SCENIC ELEMENTS PROVIDED BY TOM CARROLL SCENERY

PHYSICAL THERAPY SERVICES BY PERFECT STRIDE

SELECT PROPERTIES PROVIDED BY EVERYTHING PROPS

The actors and stage managers employed in this production are members of Actors’ Equity Association (AEA), the union of professional actors and stage managers in the United States.

The Director and Fight Choreographer are members of the Stage Directors and Choreographers Society, a national theatrical labor union.

VINEYARD THEATRE BOARD OF DIRECTORS

VINEYARD THEATRE STAFF

ANNETTE STOVER, BOARD CHAIR SUE MARKS, BOARD PRESIDENT MARK LERNER, SECRETARY JOHN BARRIE, TREASURER KATHRYN ERBE, EXECUTIVE COMMITTEE AT-LARGE BOBBY FREEMAN, EXECUTIVE COMMITTEE AT-LARGE DOUGLAS AIBEL, ON SABBATICAL SUZANNE APPEL JOHN COLES BRANDON VICTOR DIXON CHRISTOPHER GOULD KEN GREINER NANCY HELLER SALLY HORCHOW JUDY KUHN CODY LASSEN, ON SABBATICAL JAIMIE MAYER JOE MORTON STEVE RALBOVSKY DAVID SCHWARTZ SARAH STERN ROLONDA WATTS

SARAH STERN, ARTISTIC DIRECTOR

BARBARA ZINN KRIEGER, FOUNDER & CHAIR EMERITUS JILL S. GABBE, CHAIR EMERITUS GRETCHEN SHUGART, CHAIR EMERITUS

EISA DAVIS, ROTH-VOGEL COMMISSION

DOUGLAS AIBEL, ARTISTIC DIRECTOR SUZANNE APPEL, MANAGING DIRECTOR JESSE CAMERON ALICK, ASSOCIATE ARTISTIC DIRECTOR ALMA MALABANAN-McGRATH, GENERAL MANAGER CORRINE K. LIVINGSTON, DIRECTOR OF PRODUCTION ERIC PARGAC, INTERIM DIRECTOR OF MARKETING SOPHIA GARNER, INTERIM DIRECTOR OF DEVELOPMENT MIRIAM WEINER, LITERARY MANAGER EILEEN PHELAN, MANAGER OF INDIVIDUAL GIVING MARSHALL FOLTZ, DIGITAL MARKETING MANAGER SOPHIA CORDEIRO, MARKETING MANAGER JASON AGUIRRE, ARTISTIC PRODUCING ASSOCIATE REBECCA SCHAFER, PRODUCTION & OPERATIONS MANAGER MATTHEW B. CULLEN, MIRANDA FAMILY GENERAL MANAGEMENT FELLOW JESSICA SELEY, AUDIENCE SERVICES MANAGER EMILY MACEL THEYS, GRANTS MANAGER, SURALA CONSULTING GLENN DAVIS, ARTISTIC ASSOCIATE T. ADAMSON, PAULA VOGEL AWARD PLAYWRIGHT-IN-RESIDENCE REGGIE D. WHITE, COLMAN DOMINGO AWARD ARTIST-IN-RESIDENCE TYLER THOMAS, SUSAN STROMAN AWARD DIRECTOR-IN-RESIDENCE SHAYOK MISHA CHOWDHURY, MARA NELSON-GREENBERG, NAZARETH HASSAN, A.K. PAYNE, ARTISTS-IN-RESIDENCE ODED GROSS, LITERARY INTERN LILLY QUALLS, DEVELOPMENT ASSISTANT TIM GIRRBACH, ALVIN CHRISTMAS, HOUSE MANAGERS

VINEYARD THEATRE COUNCIL GEORGE ALEXANDER SERGIA CRUZ SOPHIE VON HASELBERG CRAIG MANZINO MEREDITH MARKS KATE MULGREW KATE ROBARDS TOMMY THOMPSON PREM TUMKOSIT

ALYSSA FINFER, DILLON ORLANDO, LILLY QUALLS, CAITLAND WINSETT, AUDIENCE SERVICES REPRESENTATIVES MARCADE DESHIELDS, CUSTODIAN SCHALL & ASHENFARB, ACCOUNTANT AD HAMINGSON & ASSOCIATES, CAPITAL CAMPAIGN CONSULTANTS DAVID S. BERLIN, ESQ., SCHRECK ROSE DAPELLO & ADAMS, LLP, COUNSEL NANCY HELLER, PECK & HELLER, COUNSEL DEBEVOISE & PLIMPTON, LLP, COUNSEL SHANE MARSHALL BROWN and NINA MARIE WARD, THE PRESS ROOM, PRESS REPRESENTATIVES CAROL ROSEGG, PRODUCTION PHOTOGRAPHER BRONWEN SHARP, ADDITIONAL PHOTOGRAPHY THEO COTE, PRODUCTION VIDEOGRAPHER

VINEYARD THEATRE SUPPORTERS The generosity of our institutional and individual supporters makes Vineyard Theatre’s work possible. Space constraints prevent us from listing The Vineyard’s donors of under $250, whose contributions are very much appreciated.

GOVERNMENT SUPPORT

FOUNDATION AND CORPORATE SUPPORT $100,000+ AMERICAN ENDOWMENT FUND THE FORD FOUNDATION

THE HOWARD GILMAN FOUNDATION THE SHUBERT FOUNDATION

$50,000 - $99,999 BLAVATNIK FAMILY FOUNDATION LAURENTS / HATCHER FOUNDATION

MIRANDA FAMILY FUND ROCKEFELLER BROTHERS FUND

$25,000 - $49,999 BARTH FOUNDATION FRED EBB FOUNDATION

THE HAROLD and MIMI STEINBERG CHARITABLE TRUST HOWARD & KATHERINE AIBEL FOUNDATION

JOHN & ROBYN HORN FOUNDATION THE NATHAN CUMMINGS FOUNDATION VENTUROUS THEATER FUND

JEROME FOUNDATION JULIUS and MAY SCHWARTZ CHARITABLE FOUNDATION LUPIN FOUNDATION MILO W. BEKINS FOUNDATION

RICHENTHAL FOUNDATION TED SNOWDON FOUNDATION TIGER BARON FOUNDATION TOBIN THEATRE ARTS FUND

CHARLES STEWART MOTT FOUNDATION LUCILLE LORTEL FOUNDATION MARTA HEFLIN FOUNDATION

MORGAN STANLEY SIGNATURE BANK

JOHN GOLDEN FUND MARVEL DESIGNS

McLAUGHLIN & STERN, LLP VANGUARD CHARTIABLE

$10,000 - $49,999 ATLANTIC RECORDS CAA CONSOLIDATED EDISON DARNELL-MOSER CHARITABLE FUND FAN FOX and LESLIE R. SAMUEL FOUNDATION

$5,000 - $9,999 APPLE TV+ FYC AXE-HOUGHTON FOUNDATION BWF FOUNDATION

$1,000 - $4,999 ARMANINO GROUP LLP DORSEY & WHITNEY FOUNDATION

For any corrections to this list, which is current through November 1, 2023, please email development@vineyardtheatre.org.

INDIVIDUAL SUPPORT $100,000+ LIZ ARMSTRONG KEN and RANDE GREINER

SUE MARKS

JORDAN ROTH

SALMAN and VIENN AL-RASHID

DARYL ROTH

JOAN WEINGARTEN and ROBERT DONNALLEY

BOBBY FREEMAN JOANNE GUERRERIO

CHRIS JAY

ANNE-CECILIE ENGELL SPEYER and ROB SPEYER

ALAN MANDELL JIMMY KIMMEL and MOLLY McNEARNY KATE MULGREW CORINNE NEVINNY STEVE RALBOVSKY

FIONA and ERIC RUDIN BILLY CRUDUP and NAOMI WATTS MIRIAM WEINER and GREG BELLOWS DAVID J. SCHWARTZ and TRUDY ZOHN RANDI ZUCKERBERG

NANCY HELLER and HOLLY GETWANDTER ILIANA GUIBERT COURTNEY NICHOLS GOULD RUTH and STEPHEN HENDEL ANDREW JARECKI CARL LEVIN JUDITH RUBIN ELIZABETH and RAPHAEL MAGNES JULIA VITULLO-MARTIN

JAIMIE MAYER and DANIEL RAIFFE JEFF and JOANNE MILLER JOHN MORNING RICHARD PHILLIPS KENNETH and RITA WARNER BETH LIEF and MICHAEL SIMONSON BENJAMIN WAISBREN

CARYL ORLANDO and BRUCE GREENBERG CHRISTOPHER “KIP” GOULD MARK KRUEGER SUSAN LAUBACH GINA MARIA LEONETTI LISA ORBERG

CAROLE PESNER RICHARD and ROSEMARIE PETROCELLI MARIE and JEFF TAYLOR PAULA VOGEL RICK DEAN and KAREN VOLK

$50,000-$99,999 SALLY HORCHOW

$25,000 - $49,999 ANONYMOUS JOHN BARRIE and BETSY SMITH

$15,000 - $24,999 ANNETTE STOVER and RICHARD FEINER MARK LERNER and STEVEN FRANK

$10,000 - $14,999 DAVID ALCARO KATHLEEN and HENRY CHALFANT JOHN COLES and LAURA TRUETTNER COLES RACHEL and BEN GEBALLE ALEEN KESHISHIAN

$5,000 - $9,999 JONATHAN AIBEL JOSEF and MARY ANNE ALLEN SIMON HALLS and MATT BOMER JIMMY DARMODY JAMIE DEROY DAVID des JARDINS DIANE FAHMY BARBARA and JONATHAN FILE BART and JULIANNE FREUNDLICH

$2,500 - $4,999 SUSAN ANASTASIO NGOZI ANYANWU NANCY SHOR and CHARLES BINDER NEIL PATRICK HARRIS and DAVID BURTKA SCOTT CARROLL MEGAN FOLEY

INDIVIDUAL SUPPORT $1,000 - $2,499 VICKI ABRAMS

ANNA and TONY HASS

PHILIP PIKELNY

HELEN-JEAN ARTHUR

WENDY VANDEN HEUVEL

THOMAS POLISE

GEORGE ALEXANDER

RACHEL HOLLANDER

EVA PRICE

DOROTHY DEVLIN and STEVEN ALPERT

LAWRENCE and CATHY HRUSKA

GAIL PROPP

CHRISTINE AMOROSSI

SALLY HUXLEY

LAWRENCE QUIRK

WILLIAM ABRAMSON

NANCY JACKMAN

BURT ROSEN

and SUSAN BUCHBINDER

ANDY JONES

CATHY SALIT

BRUCE and BETTINA BUSCHEL

ROBIN JONES

DAVID SCHRADER

JANE CHESNUTT

JOHN KANDER

STEVE SHANE

ROBERTA GOLDRING COLES

ADELE KARIG

ISAAC SIMON

COLMAN DOMINGO

DON KATZ

SARAH SOLOMON

SUZAN and FRED EHRMAN

JORDAN KATZ

SUSAN SOMMMER

NICOLE EISENBERG

ARUN LAKRA

CARY STAURAKOULIS

KATHRYN ERBE

AARI LUDVIGSEN

MARC STERN

TIMOTHY EVANSON

GILLIAN LUSINS

DEVI STERN

ANNA MAY and TIM FEIGE

JILL MATICHAK

SUSAN STROMAN

RICK FELDMAN

CRAIG and STACEY MANZINO

JOHN CHENGZHONG SUI

EDWARD and LORI FORSTEIN

LAURIE CONNER and CHIP MEYRELLES

JIM BUMGARDNER and LOU THARP

RUSSEL and HAZEL FERSHLEISER

VIRGINIA and TIMOTHY MILLHISER

TOMMY THOMPSON

BRUCE and ALICE GEISMAR

RONNY and JULIE MINTZ

JOSEPH TIPPETT

BARRY GILMAN

MOLLY K. HEINES AND THOMAS J. MOLONEY

SUSAN WEINER

MATT GLASNER

JOHN and EMILY MULFLUR

DANA WEINSTEIN

ROBYN GOODMAN

JOSEPH OBERMAYER

FRANK WILLIAMS

MARK GREENWALD

RICK PAPPAS

DARCY VOLPE

IONA AIBEL

Q. FORTIER

SARAH PALEY

ALI REZVANI and SUZANNE APPEL

DARRELL GEORGE

KRISTIN RATHBUN

YEVGENY BERNER

MICHAEL GORDON

KATE ROBARDS

CAROL BRYCE-BUCHANAN

MANDY HEASTON

BERNARD SCHLEIFER

MATTHEW BLANK

CHARLES HEWETT

DEANNA SHAW

ADAM COHEN

DALE HISIGER

GRETCHEN SHUGART

VEANNE COX

ROGER KARLEBACH

I-HUNG SHIH

BEN DOOKCHITRA

KATHRYN KENEALLY

ANDREW SIEGEL

FLOREMAR DULINAYAN

STUART SUCHERMAN and BETSY MILLER

ROBERT SINCLAIR

JEFREY STEINMAN and JODY FALCO

SHAUN McCUTCHEON

TARA ST. PIERRE

ELISE FLAGG

KATE McLEOD

JOSEF VOLMAN

DEBORAH FORTE

MARY McGARRY

$500 - $999

INDIVIDUAL SUPPORT $250 - $499 SUSAN ANASTASIO

ZELJKO IVANEK

MICHAEL PERRICONE

LOU BERNARDI

JOYCE KANDEL

ROBERT FLEISCHER and SUSAN RAANAN

WENDY AIBEL-WEISS

JONATHAN KORNBLAU and ERIN REILLY

JENNIE and JEREMY REDBURN

SHANE MARSHALL BROWN

CODY LASSEN

DONNA REID

MEGAN BENEDICT

JONATHAN GROSS and LIZ LESNICK

PAMELA SABRIN

SERGIA CRUZ

JOEL LUDLOW

NICOLETTE SIMON

RICHARD and JENNIE DeSCHERER

MEREDITH MARKS

PAUL SINCLAIR

JOHNSON GARRETT

MEL MARVIN MARVIN

YVONNE SNYDER

R.K. GREENE

KATHLEEN MAURER

BETH TOPF

RON GUIRGUIS

RICHARD McCUNE

PREM TUMKOSIT

DAVID HERSKOVITZS

GEOFFREY MENIN

SOPHIE von HASELBERG

STEPHEN HIRSH

ANITA MERK

STEPHEN WELLS

HUGH HOTHEM

EDWARD O’DEA

ELIHU and HARRIET INSELBUCH

ELIZABETH PAYNE

MUSICAL THEATRE FUND SEED DONORS ($5,000+) $100,000+ JOHN KANDER

$10,000+ KEVIN and LYNNETTE McCOLLUM

$5,000+ ANONYMOUS KATHLEEN and HENRY CHALFANT KEN and RANDE GREINER CHIP and LANA SEELIG ANNETTE STOVER and RICHARD FEINER

Our Good Neighbor Program is dedicated to providing low-cost or free tickets to students, artists, and any New Yorker for whom cost may be a barrier to seeing our productions.

Donations to the Good Neighbor Program support a number of initiatives that provide thousands of accessible tickets to New Yorkers each season.

With the help of donors like you, we are able to push the boundaries not only of what theatre can be and do, but who has access to it.

SCAN HERE OR VISIT VINEYARDTHEATRE.ORG/DONATE AND GIVE TODAY

Steve likes Masha; Masha likes Nikolai; and Egor just wants to win a microwave. It’s another day at the office for the workers of St. Petersburg’s infamous (real-life) Internet Research Agency, whose job is manipulating social media to advance Russia’s agenda at home and abroad. Set in the lead-up to the 2016 U.S. presidential election, office comedy meets political satire in Sarah Gancher’s shape-shifting examination of the power, seduction, and danger of a good story. A New York Times Critic’s Pick in its acclaimed online version, the NYC premiere is directed by Tony Award® winner Darko Tresnjak (A Gentleman’s Guide to

Love and Murder).

SCAN HERE TO LEARN MORE ABOUT THE PLAY. TICKETS WILL GO ON SALE LATER THIS YEAR.

FEARLESSLY MADE IN NEW YORK CONNECT WITH US @vineyardtheatre #ScenePartners #FearlesslyMadeInNewYork

www.vineyardtheatre.org