Architectural Journalism Portfolio

UNPACKED: PHILOSOPHY OF PAUL GOLDBERGER NOVEMBER, 2023

TWISTS, TURNS, AND TALL TALES: UNRAVELING THE ENIGMA OF AL BAHAR TOWERS"

LIFE OF AR. KANVINDE

A1904019023

GREAT STREETS BY ALLAN B. JACOBS

Architectural Echo Architectural Journalism

TABLE OF CONTENTS

GREAT STREETS BY ALLAN B.

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A short book review of one of the best books related to architecture.

LIFE OF AR. KANVINDE

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A brief look into the life of one of the 1st generation architect.

SUNDERWALA MAHAL, DELHI

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A photograph caption of an icon Delhi monument.

KALIGHAT ART STYLE MAP

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An old art form reinterpreted for making a site plan of the campus.

LIFE OF PAUL GOLDBERGER

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Understanding Paul Goldberger and his philosophies.

ENIGMA : AL BAHAR TOWERS A narrative story about Al Bahar Towers and what they stand for.

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Architectural Echo EDITOR-IN-CHIEF VINAYAK TIWARI

MANAGING EDITOR AR. JINISHA JAIN

CONTENT DIRECTOR AR. LUVDITYA KHURANA

ART DIRECTION VINAYAK TIWARI

PHOTOGRAPHERS VINAYAK TIWARI LAKSH DHURIA

CONTRIBUTING WRITERS AKANKSHA BHARDWAJ CHAVISHA ARORA

OUR CONTRIBUTORS AR. JINISHA JAIN She guided the studio and gave direction in terms of what the content should mean as a whole. She broke down concepts of architectural journalism in a way that could be understood by the students.

AR. LUVDITYA KHURANA He played a pivatol role in giving practical based assignments and interesting insights regarding architectural photography.

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FROM THE EDITOR Unveiling Architectural Narratives In this edition, we embark on a captivating journey through time and space, exploring the narratives woven into the very fabric of architecture. Our focus on the life and work of architectural journalist Paul Goldberger and the pioneering spirit of Ar. Kanvinde serves as a tribute to the visionaries who have shaped the built environment.

Through their stories, we aim to capture a nuanced glimpse of the evolution of architecture, from the intimate reflections penned by Goldberger to the groundbreaking designs that have defined India's architectural identity.

Among the projects gracing our pages, the Al-Bahar Tower in Saudi Arabia stands as a striking symbol of architectural growth and innovation. Its dynamic façade, inspired by traditional Islamic mashrabiya, not only showcases technical prowess but also embodies a harmonious dialogue between the past and the future. As we delve into the intricacies of this iconic structure, we invite our readers to contemplate the broader narrative of architectural progress that it represents—an ever-unfolding tale of form, function, and cultural resonance.

This issue is more than a collection of articles; it is a curated exploration of the forces that have propelled architecture forward. As you flip through these pages, envision the myriad ways in which structures have shaped societies and, in turn, have been shaped by them. Join us in celebrating the rich tapestry of architectural evolution, where each project tells a story and contributes to the ongoing dialogue of design and ingenuity.

EDITOR-IN-CHIEF 03

GREAT STREETS BY ALLAN B. JACOBS

A short review of a book that has influenced generations of architects and urban planners.

This book mergers architectural imagination and sociological living.

BY VINAYAK TIWARI SKETCH BY ALLAN B. JACOB

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A picture of Allan B. Jacob clicked by photographer Steve Turner of New York Times.

"Great Streets" by Allan B. Jacobs is a compelling and insightful book that delves into the elements that make certain streets extraordinary and beloved by their communities. Jacobs, a renowned urban designer, and former director of city planning in San Francisco, offers a comprehensive analysis of what contributes to the success and vitality of urban streets around the world.

The book explores various factors that influence the greatness of streets, including their physical design, functionality, aesthetics, and social dynamics. Jacobs emphasizes the importance of human-scale environments, where streets are designed with pedestrians in mind, promoting walkability and creating a sense of place. He emphasizes the significance of diverse street activities, such

as cafes, shops, and public spaces, that foster socially open interaction and a vibrant atmosphere.

Through vivid descriptions and case studies of exceptional streets, both historic and contemporary, Jacobs highlights their distinguishing features. He discusses the role of architecture, street furniture, landscaping, and lighting in creating attractive and engaging environments. Jacobs also examines the impact of traffic management strategies, such as traffic calming measures and prioritizing pedestrians and cyclists, on the overall quality of streets.

Furthermore, the author emphasizes the necessity of involving local communities in the design and development of their streets. He advocates for participatory planning processes

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that allow residents to have a say in shaping the public realm, ensuring that streets reflect the unique character and needs of the surrounding area.

In addition to discussing successful streets, Jacobs also identifies the common pitfalls that can hinder street greatness. These include excessive emphasis on vehicular traffic, lack of attention to the pedestrian experience, and an overreliance on standardized design approaches that fail to consider local context and culture.

"Great Streets" serves as a valuable resource for urban planners, architects, policymakers, and anyone interested in creating livable, inclusive, and vibrant urban environments.

Jacobs' rich analysis, combined with his extensive experience and deep understanding of cities, offers practical insights and inspiration for transforming streets into thriving public spaces that enhance the quality of life for all.

Keywords: Urban planning, Street design, Pedestrian-friendly, Community spaces, Traffic management

Sentence: The author emphasizes the importance of urban planning and street design that prioritizes pedestrian-friendly spaces, fosters vibrant community areas, and implements effective traffic management strategies."

SKETCH BY ALLAN B. JACOB

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ARCHITECT IN REVIEW : AR. AR. ACHYUT PURUSHOTTAM KANVINDE KANVINDE'S ENDURING LEGACY: BRIDGING PAST, PRESENT, AND FUTURE IN INDIAN ARCHITECTURE Ar. Achyut Kanvinde has helped to shape India as we know it right now.

Belonging to the first generation of architects post-independence, Kanvinde got the nation as an empty canvas, ready to be re-designed. Born in year 1916, Kanvinde had a very humble upbringing, but an upbringing that shaped his mind for years to come.

His father was an art teacher in a school outside Mumbai. Kanvinde’s father was his first window to exploring art and literature. This early introduction to art gave Kanvinde a nudge towards joining J.J School of Arts in 1939 for pursuing Architecture.

Kanvinde, being one of the brightest architectural minds in the country, landed an opportunity to go to Harvard to pursue master’s under the guidance of Ar. Walter Gropius. His master’s was sponsored by the Government of India at that time, as the nation was verge of gaining independence, and the government wanted young and passionate architects like Kanvinde to go abroad, learn the traits and comeback to redesign an independent India.

Photograph credit to : Times of India

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A picture of the National Dairy Development Board’s office designed by Ar. Kanvinde and photographed by Pathak Sharma

Design After completing his master’s in 1947, Kanvinde came back to India. Upon coming back to India, Kanvinde instantly became a part of Council of Scientific and Industrial Research (CSIR). Joining CSIR helped Kanvinde professionally as he got a lot of industrial projects to design and that helped him to shape his functionality-oriented approach towards design.

Kanvinde eventually opened his own practice in 1955 along with Shaukat Rai who was an outstanding structural engineer.

This collaboration allowed Kanvinde to design structurally challenging designs and begin his architectural journey of shaping post-independent India. Now, Kanvinde had a platform to showcase his architectural identity that was hugely influenced by Ar. Walter Gropius. Kanvinde started to shape his architectural philosophy with time which included, similar facades, horizontal volumes, aesthetically

proportioned fenestration, Ribbon windows, and a grid frame structure with unexposed and plastered exterior finish. These traits along with Kanvinde’s philosophy of using space as a tool to express human emotions, gave a very clean, sleek shape to his early institutional designs.

By the time 1960s came, the world was moving towards brutalist style of architecture. For the western countries, brutalism was a form of dynamism and an aesthetic for rigor.

But brutalism in its true form was very expensive for India. So, Kanvinde with his sense of regionalism and fundamental understanding of brutalism, started to use concrete and bricks as dynamic determinants of form and order. Both materials were quite easily available in India and gave Kanvinde a design freedom to keep his design and form slender, balanced, proportionate, and well crafted.

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"DESIGNING THE FUTURE, HONORING THE PAST—KANVINDE'S ARCHITECTURE WHISPERS TIMELESS TALES." Throughout his architectural career, Kanvinde maintained basic elements of Bauhauism.Bauhaus characteristics in Kanvinde’s works, as his designs were asymmetry, blocky, cubic shapes, smooth, flat plain, undecorated surfaces, flat roofs, adoption of steel framed reinforced concrete post and slab

Dudhsagar Dairy, Mehsana (1973) Dudhsagar Dairy (Dudhsagar literally meaning sea of milk), a milk factory located in Mehsana, Gujarat, is an early manifestation of the ambitious, nationwide dairy development program by the Indian Government in the last quarter of the 20th century (1970–1996).

Influential Work

Harivallabdas House, Ahmedabad (1964) Distinctive living modules are arranged beneath a sweeping parasol and thoughtfully sited in a garden setting. The internal functions of this building also appear as separate masses.

There is a visual appeal with a divided massing and with their horizontality.

DUDHSAGAR DAIRY

HARIVALLABDAS HOUSE

National Insurance Academy (NIA), Pune (1998) The Finance Department of the Indian government established the company in 1980 with capital support from the LIC and the public sector general insurance market.

Kanvinde’s art has influenced the perception of modern heritage in India.

Indian Institute of Technology, Kanpur (1966) Distinctive living modules are arranged beneath a sweeping parasol and thoughtfully sited in a garden setting. The internal functions of this building also appear as separate masses.

There is a visual appeal with a divided massing and with their horizontality.

NATIONAL INSURANCE ACADEMY

"IN ARCHITECTURE, TRADITION IS NOT TO BE PRESERVED IN A MUSEUM; IT IS TO BE CONTINUED." INDIAN INSTITUTE OF TECHNOLOGY, KANPUR

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PHOTO CAPTION OF SUNDERWALA MAHAL, NIZAMUDDIN, DELHI

Symmetry and Asymmetry: Sunderwala Mahal in Nizamuddin, Delhi – where beauty and balance converge. This photograph is trying to capture the building in its symmetrical best whilst maintaining an asymmetrical frame for the building. The slight antview angle perspective along with the wide-range view is making the building look bigger than it is, thus capturing a sense of pride that the photographer was feeling while clicking this picture. The balance created by the trees in the foreground and the background is very pleasing to notice and gives context to the building. Grid patterned pavements that are intersecting right at the center are visually very welcoming, as if giving an invitation to come for a walk near the mahal. This photograph addresses the five basic principles of design.

"Symmetry is the poetry of order, while asymmetry is the prose of complexity. In architecture, the dance between the two yields a composition that speaks to both the rational mind and the intuitive soul, forging spaces that resonate with the beauty of harmonious imbalance."

A PHOTOGRAPH OF SUNDERWALA MAHAL, NIZAMUDDIN BY ROHAN IYER

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DETERPRETNIER ,ELYTS TRA TAHGILAK

LIFE OF PAUL GOLDBERGER: AN ARCHITECTURAL CRITIQUE WHO CATERED TO THE SOCIETY.

A PHOTOGRAPH OF PAUL GOLDBERGER CLICKED BY SMITH ROGER

INTRODUCTION

Paul Goldberger is a name synonymous with architectural critique and commentary. He has spent a significant portion of his life analyzing and articulating the world of architecture.

Goldberger's work has made a substantial impact on architectural practice, education, and public perception, earning him the admiration of architects, designers, and readers worldwide. In this presentation, we will delve into the life and work of this architectural visionary, highlighting the key milestones and insights that have defined his illustrious career.

EARLY LIFE AND EDUCATION

Born on December 4, 1950, in Passaic, New Jersey, Paul Goldberger's early life was marked by an innate curiosity and love for architecture. He pursued his passion for architecture by earning a Bachelor's degree in the History of Architecture and Urban Planning from Yale University. His educational background laid the foundation for his future career as an architectural critic, providing him with a deep understanding of the subject matter.

CAREER

Goldberger's career in journalism and architecture began to take shape with his early positions at The New York Times and The New Republic, where he honed his skills as a writer and critic. He soon gained recognition for his insightful and thought-provoking architectural critiques, setting the stage for his future endeavors.

ACHIEVEMENTS

Paul Goldberger's receipt of the Pulitzer Prize for Distinguished Criticism in 1984 marked a significant moment in the field of architectural journalism. This prestigious award validated his exceptional talent and influence as an architectural critic. His award-winning work, a collection of critiques and reviews of notable architectural projects, emphasized the broader social, cultural, and historical contexts of these structures. This achievement underscored the crucial role of architectural criticism in shaping public discourse, elevating its status, and inspiring Goldberger to continue producing influential work that deepened the public's understanding of architecture and design.

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"GREAT ARCHITECTURE IS NOT AN ACCIDENT; IT IS A MATTER OF CHOOSING THE RIGHT LANGUAGE, THE RIGHT FORMS, THE RIGHT IDEAS TO MEET THE SPIRIT OF THE TIMES." PERSONAL PHILOSOPHY

Goldberger's personal philosophy centers on the idea that architecture is not just about aesthetics, but about how it impacts people's lives. He believes that architecture should be human-centered and that great buildings should enhance the quality of life and the public realm.

As an architectural critic, Goldberger has written for esteemed publications such as The New York Times, The New Yorker, and Vanity Fair. His books, including "The Skyscraper" and "Why Architecture Matters," have been well-received by both architects and the public, making complex architectural concepts accessible to a broader audience.

THE SYDNEY OPERA HOUSE

"THE WORLD TRADE CENTER TOWERS WERE MORE THAN JUST BUILDINGS; THEY WERE SYMBOLS OF THE CITY'S RESILIENCE AND AMBITION."

PAUL GOLDBERGER AT A PRESS CONFERENCE

NOTABLE WORK

Goldberger's analysis of the Sydney Opera House, a globally iconic structure designed by JørnUtzon, delved into its groundbreaking design and its cultural significance. In his review, he highlighted the innovative use of concrete shells and their artistic, sculptural quality.

"THE SYDNEY OPERA HOUSE IS NOT JUST A BUILDING; IT IS A WORK OF ART, A MASTERPIECE OF MODERN ARCHITECTURE, AND A SYMBOL OF AUSTRALIA."

WORLD TRADE CENTER

His critique of the World Trade Center complex in New York examined the design and significance of these towering skyscrapers, both before and after the tragic events of 9/11.

Goldberger's reflections on the evolving role of these towers in New York City's skyline were profound.

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"ARCHITECTURE IS NOT SOLELY ABOUT STRUCTURES; IT'S ABOUT THE STORIES THEY TELL, THE EMOTIONS THEY EVOKE, AND THE IMPACT THEY HAVE ON THE HUMAN EXPERIENCE." In his analysis of the Getty Center in Los Angeles, designed by Richard Meier, Goldberger explored the relationship between architecture, art, and the environment. He emphasized the museum's exceptional use of natural light and its integration with the surrounding landscape.

Goldberger's comprehensive body of work has provided a framework for understanding the built environment. His deep understanding of architecture's role in society has shed light on the way buildings impact our lives and communities.

Through his writing, he has fostered a greater awareness of the power of architecture to shape our world, both physically and culturally.

THE GETTY CENTER

"THE GETTY CENTER IS A TESTAMENT TO THE HARMONIOUS COEXISTENCE OF ART, ARCHITECTURE, AND NATURE."

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LEGACY AND IMPACT

Goldberger's writings and lectures have served as educational tools for architects, designers, and the public alike. His critiques, essays, and books have not only informed but also inspired generations of individuals. By exploring the cultural, historical, and social contexts of architectural projects, he has encouraged architects to think beyond mere aesthetics and focus on the meaningful impact of their designs on people's lives.

PAUL GOLDBERGER

In conclusion, Paul Goldberger's remarkable career as an architectural critic, author, and educator has left an indelible mark on the world of architecture. His passion, insightful critiques, and dedication to the field have elevated the discourse on architecture, making it accessible and engaging for all.

Goldberger's insights have not been limited to the theoretical realm; they have also provided practical guidance for architects and designers. His critiques have pointed out the strengths and weaknesses of various projects, influencing future design decisions.He has set a standard for excellence in architectural practice, emphasizing the importance of functionality, sustainability, and human-centered design.Architects and designers have turned to his work for inspiration and direction, finding a wealth of valuable insights to inform their own projects.

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TWISTS, TURNS, AND TALL TALES: UNRAVELING THE ENIGMA OF AL BAHAR TOWERS"

A PHOTOGRAPH OF AL BAHAR TOWERS CLICKED BY AAFREEN

WRITING STYLE : NARRATIVE

Once upon a time in the vibrant desert city of Abu Dhabi, there stood a pair of towers that seemed to have escaped from the sketchbook of a mad architect. These weren't your run-of-the-mill skyscrapers, mind you. Oh no, these towers had a personality that could give Salvador Dalí a run for his money. Ladies and gentlemen, let me regale you with the curious tale of the Al Bahar Towers – where straight lines go to take a break and architectural norms decide to take a vacation.

Picture this: you're strolling along the sun-drenched boulevards of Abu Dhabi, your sunglasses perched precariously on your nose. The cityscape is a dazzling mosaic of steel and glass, each building elbowing the other for a spot in the limelight. But amidst this orchestrated chaos, the Al Bahar Towers stand like two mischievous siblings at a formal family gathering, their unconventional design raising eyebrows and sparking conversations faster than a lightning bolt.

Now, let me introduce you to the architects behind this architectural circus act – Aedas Architects, the modern-day

wizards of whimsy. It's as if they took a ruler, snapped it in half, and decided to go freestyle with their design. These towers don't play by the rulebook of "upright and orderly." No, sir, they opted for a swanky twist – literally. Imagine two giant corkscrews having an animated discussion about the merits of straight lines while sipping tea on a sunny afternoon.

But here's the twist (pun intended): these towers aren't just clowning around for attention. They have a secret weapon – the mashrabiya screens. These screens are like the superhero capes of the architectural world, swooping in to save the day in the sweltering desert heat. They dance with the sun, opening and closing like a synchronized chorus line, protecting the interiors from the blazing sun's glare.

As the sun rises, these screens put on their best act, flinging open like the curtains at a grand theater. "Hello, sunshine!

We're ready to take on the day!" they seem to exclaim. But as the sun climbs higher, heating up the city like a grumpy chef in a busy kitchen, these screens start to close up shop, casting their shade like an old-timey parasol. It's a performance worthy of a standing ovation – a tango between technology and nature.

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TWISTS, TURNS, AND TALL TALES: UNRAVELING THE ENIGMA OF AL BAHAR TOWERS" But wait, there's more to this narrative! These towers aren't just about looking good and playing peek-a-boo with the sun.

No, they're environmental superheroes too. With their adaptive screens and energy-efficient design, they're like the Green Lanterns of architecture, fighting the villainous forces of excessive energy consumption. They reduce the need for power-hungry air conditioning, giving the environment a much-needed break from the heatwave.

As you stand before these towers, their twisty façades gleaming in the sunlight, you can't help but chuckle. They're the architectural equivalent of a stand-up comedian – quirky, unexpected, and leaving you with a smile. The Al Bahar Towers aren't just buildings; they're storytellers, narrating tales of innovation, sustainability, and a hearty laugh in the face of conformity.

So, the next time you find yourself in Abu Dhabi, pay a visit to these architectural jesters. Let their whimsical design remind you that even in the world of concrete and steel, a dash of creativity and a sprinkle of laughter can create something truly extraordinary. And who knows, maybe you'll catch the towers winking at you, as if sharing a secret joke only they understand.

In conclusion, the Al Bahar Towers' narrative is one of architectural evolution. They are a chapter in the ongoing story of design's symbiotic relationship with its environment, a testament to innovation, and a celebration of cultural heritage. As we contemplate their distinctive curvature and observe the rhythmic ballet of their screens, we are reminded that architecture, much like literature, is an art form that speaks to the heart and mind.

"IN THE SILHOUETTE OF AL BAHAR TOWERS, EACH CURVE AND ANGLE TELLS A STORY OF RESILIENCE, A NARRATIVE OF HOW ARCHITECTURE CAN BE BOTH A FUNCTIONAL NECESSITY AND A POETIC EXPRESSION, STANDING TALL AS A SYMBOL OF PROGRESS IN THE HEART OF SAUDI ARABIA."

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SECTOR 125, AMITY UNIVERSITY, K BLOCK, ARCHITECTURE DEPARTMENT VINAYAK TIWARI A1904019023 BATCH :2019-2024 ARCHITECTURAL JOURNALISM