Acting Techniques Differerent methods from different experts.
Members: Carlo Lezama Cortes Victor Yañez Silva Saúl Flores Laines Jose Nicolas Aguilar Aliaga Diego Contreras Soto Salvador Guerra Iñiguez Andres Santillana Renero
Jacques Lecoq technique "There's three masks: The one who we think we are, the one who we are, and the one we have in common".
The method is direct on the body It explores physical circularity for the actor to express with his body. He liked to shift the rules of theatre.
Used the metaphor of The Journey and Gardening His mentality is to find answers by yourself and to do it the way you like.
His mentality is to find answers by yourself and to do it the way you like.
He integrated collaborative work to create a dynamic acting ensemble.
He liked to use auto-cours to approach acting.
They train from neutrality to better characterisation.
Universal appeal for the audience to engage and find pleasure in the performance.
Masks
Neutral mask
Larval masks
7 levels of tension
Exhausted
Neutral
Laid back
Tragic Alert Passionate
Suspense
Stanislavski Method of Konstantin Stanislavski It consists of the knowledge that the actor has of himself to determine how he can control the most uncontrollable aspects of human behavior, such as emotions and inspiration.
THE 7 STEPS OF THE METHOD Who am I? Where am I? What time is it? What do I want? Why do I want it? How will I get it? What do I need to overcome?
The method is an actor training system made up of various different techniques designed to allow actors to create believable characters and help them to really put themselves in the place of a character.
Viewpoints
Viewpoints is a technique of dance composition that acts as a medium for thinking about and acting upon movement, gesture and creative space. There are 6 types of viewpoints that are used in dance and theatre.
The 6 different types. 1. 2. 3. 4. 5. 6.
Space Story Time Emotion Movement Shape
Story All of the different elements influence each other and work together, and can "cause" a change in a different element. For example, the shape of your body may carry a certain emotion with it as well something in the space of your environment may make a story out of what you are doing - etc.
Space Architecture - The physical environment, the space, and whatever belongs to it or constitutes it, including permanent and non-permanent features.
Spatial Relationship - Distance between objects on stage; one body in relation to another, to a group, or to the architecture. Topography - The movement over landscape, floor pattern, design and colours.
Time
Tempo - How quickly or slowly something happens on stage. Duration - How long an event occurs over time; how long a person or a group maintains a particular movement, tempo, gesture, etc. before it changes. Kinesthetic Response - A spontaneous reaction to a motion that occurs outside of oneself. An instinctive response to an external stimulus. (realistic/non-realistic) Repetition - a) Internal: repeating a movement done with one's own body, and b) External: repeating a movement occurring outside one's body.
Emotion
Psychological or narrative content ascribed to movement.
Movement
Movement of your body, different ways of moving - for example, jerky versus smooth/flowing versus very slowly or fast. The movement of different parts of your body.
Shape Shape - The contour or outline of bodies in space; the shape of the body by itself, in relation to other bodies, or in relation to architecture; think of lines, curves, angles, arches all stationary or in motion. Gesture - a) Behavioral gesture: realistic gesture belonging to the physical world as we observe it every day. b) Expressive gesture: abstract or symbolic gesture expressing an inner state or emotion; it is not intended as a public or "realistic" gesture.
His approach is defined by the verbal repetition exercises he developed to build connections between actors quickly. Many actors believe that these exercises are the key to unlocking authentic characters. (Others simply find them monotonous.) Below, we’ll explore Sanford Meisner’s approach to acting—and let you decide if the Meisner technique is right for you.
video that explains the acting teachnique
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Página de recursos Usa estos íconos e ilustraciones en tu presentación de Canva. ¡Que lo pases bien diseñando!