I’m Vaishnavi Olety, a 2023 graduate from Wadiyar Centre for Architecture, Mysuru, India.
Over the past year, working on multiple real-time projects has taught me that architecture is as much about collaboration and sharing ideas as it is about design. My interest in architecture lies in its multifaceted nature. Its ability to create healthy, smoothly functioning, and enriching environments is what keeps me engaged in the process. I enjoy using different mediums for design and its expression—whether through sketches, models, or digital tools.
I believe every project is an opportunity to experiment, learn, and grow, both as an architect and as a person. This portfolio brings together a collection of selected projects from the last six years.
Mail: vaishnavi.r.olety@gmail.com
Phone: +91 8197330256
Languages: English, Kannada, Hindi, Telugu
EDUCATION:
2018 - 2023
Bachelors in Architecture (B. Arch)
Wadiyar Centre for Architecture Mysuru
2016 - 2018
Pre University Education
Mount Carmel College Bengaluru
Secondary Education
Jain Vidyalaya Bengaluru
SOFTWARE SKILLS:
CAD Autocad , SketchUp
Rendering Enscape, V-ray
Adobe Suite Illustrator, Photoshop, Indesign, Fresco
The Drawing Board Competition First Prize Winner | 2023
Internship at Samvad Design Studio Indiranagar, Bengaluru | 2022
Graphic designer for Courtyard - College Newsletter | 2019 - 2022
CONTENTS
Selected work 2018 - 2024
Work Experience
(formal employment and internship)
samples of work done during internship and as a junior architect
Handled medium scale residential and interior design projects - worked on measure drawings, technical drawings for construction and detail drawings for interior execution
02 Academic Work
selected projects during the course (2018 - 2023)
Undergraduate Architectural Thesis
Freelance Work
snippets from projects worked between 2023-24
Collaborated with multiple others on a variety of projects across different scales, including the design development for an Organic store+ cafe, a studio house on a farm, conceptualization for a a local pub renovation.
Additionally, I independently conceptualized and contributed to the execution of a restaurant project.
Competition Work
sample of work done for The Drawing Board 2023 - Winning Entry
Work done as part of the museum design competition by The Drawing Board
work experience
SITE AREA: 3100 SQM 1.1
COLLABORATED WITH: Principal Ar. Ninu Aluwalhia
MANDYA, KARNATAKA
This project involved designing a residence for a couple in a tranquil area on the outskirts of Bengaluru, surrounded by farmlands. The brief called for airy, well-lit spaces and a seamless flow between the living-dining area and the garden. The lower level accommodates a guest bedroom, while the pottery studio and terrace share the same floor. The studio, featuring a bay window, provides a serene space for the clients to immerse in their hobbies.
BLOCKWORK DRAWING
Office Interiors
COLLABORATED WITH: Principal Ar. Ninu Aluwalhia
SITE AREA: 3100 SQM
STORAGE CABINET-03
PANELLING IN 19MM PLY WOOD ,WITH 12MM FLUTED SOLID WOOD PANEL AS PER SAMPLE APPROVED BY ARCHITECT
HARDWOOD BEADING
DOTTED LINE INDICATES 12MM THK PLYWOOD WITH 4MM THK MDF WITH PAINT CONTINUING ABOVE DOOR REFER SECTION 01
BEADING
THK PLYWOOD WITH 4MM THK MDF FINISHED WITH PAINT AS PER SAMPLE APPROVED BY ARCHITECT
PARTITION IN SAL WOOD FRAME/ ALUMINIUM FRAME , FINISHED WITH PANELLING IN 12MM PLYWOOD AND PAINT AS PER SAMPLE APPROVED BY ARCHITECT
PARTITION INSET 75MM FROM FRAME
12MM THK PLYWOOD WITH 4MM THK MDF FINISHED WITH PAINT AS PER SAMPLE APPROVED BY ARCHITECT
12MM THK TOUGHENED GLASS DOOR FIXED ON FLOOR SPRING AS PER VENDOR SPECIFICATION 12MM THK TOUGHENED
100 MM THK PARTITION IN SAL WOOD FRAME/ ALUMINIUM FRAME , FINISHED WITH 12 MM THK GYPSUM BOARD
HARDWOOD
WALL PANELING DETAILS
FABRICATION DRAWING
Internship
MENTOR:
Principal Architect Surabhi Shingarey PROJECTS WORKED ON:
Residences, Farm house, School, Common areas for a Housing facility
TERM:
Semester 09 (August 2022 - December 2022)
The term of internship involved working on projects of different scales and stages of completion. The continuous process of iterating, developing drawings and reiterating was seen more closely. The scope of work incuded Working Drawings, Presentation Drawings, Modelling, Documentation and Estimation.
at Samvad Design Studio, Bengaluru
Flooring details
These details were worked out for the entrance complex of a housing complex in Anekal, Bengaluru. The idea was to encorporate various textures into the scheme while ensuring volumetric compositions.
CLUBHOUSE
Fenestration Details
These are some of the fenestration details that were worked out as part of the working drawing set for a farm house in Hosur.
VILLA
for a housing project
Skylight Details
These are some of the details that were worked on for a brick vaulted residence in Vidyaranyapura, Bengaluru.
MENTOR:
Plugging in Thirds
Undergraduate Thesis, Semester 10
8000 SQM 2.1
Kiran Kumar, Associate Professor at WCFA SITE AREA:
4000 SQM
BUILT AREA:
The project explores the possibility of amalgamating an atmosphere that can respond to healthcare needs and in addition function as an inviting public hub for the neighbourhood.
Healthcare facilities have a fixed tangible program - to prevent, diagnose, and treat injuries, illnesses, and impairments in individuals. These facilities form a major component of public infrastructure. In a densely populated country like India, the high demand for these services often results in treating these spaces as ‘containers’ for these services rather than as a sequence of spatial experiences. The thesis started by asking how architecture could make this whole procedure of visiting a healthcare facility seem less daunting. The jumping-off point was to look at the program more closely.
The second area of inquiry deals with the subtle aspects of well-being in a neighborhood. Public life quality and character are used as a lens. In a neighborhood, short-term activities happen, just like waiting. Imagine the typical schedule of a delivery service provider or construction worker. When they break off in the middle of the afternoon, where do they go? The project looks at how architecture can take these shorter time frames into account. Where and how can children loiter safely? What is the relationship between these acts of pause, loitering, and movement and well-being? How can public spaces in a neighborhood be more multifaceted to address the needs of various user groups distinguished by age, gender, and social and economic status? Where can one indulge themselves in this transitional phase within a neighbourhood?
PROGRAM
LEGEND
The ground level dipping from both the main streets creates a semi open inner street drawing people inside. This space consists of shops and eateries can get appropriated by users throughout the day.
MULTIPURPOSE
The periphery of the urban block are populated with public infrastructure like the existing bus stops, a canteen and a public restroom. The areas for the bus stop, the rest room and the vet clinic on the east form a zone for waiting at the edge of street.
Sectional
Connection through the site extents
Modulation of scale w.r.t street
Longitudinal section
The south of the building consists of the polyclinic and diagonostic services. The waiting areas are planned to create smaller nooks to avoid over-crowding. They look into the semi open sourthern side court which gets accessed by the eastern street.
Modulation of levels w.r.t the existing temple
Modulation of volumes
The entry to the upper ground level leads one to the consultation and diagonostic areas. The waiting areas are designed specifically for each segment of facilities. They are concieved to be colour coded based on the speciality. This would aid in identification for patients amidst the brick and white plastered walls.
WAITING AREAS
CONSULTATION AREAS
Cross Section
The section through the semi open court on the northern side views one’s approach from the main road. The canteen is visually connected to the court and passively activates it. The lower levels occupy the existing programs of the Complex. The upper levels comprising the reading room, play court, gym and studio are visually connected to each other to promote interaction.
3.1 Cafe and Organic Store
MANDYA, KARNATAKA
COLLABORATED WITH:
Anu Majo and Sourav JK SITE AREA: 3100 SQM
This project involved the conceptualization of a cafe and organic bakehouse located in the bustling area of Mandya, known for its government offices and frequent visits by officials. The design brief required the creation of a versatile space that caters to both the fast-paced customer, looking for a quick coffee, and those who wish to unwind and experience meals made from fresh, organic produce grown by the farm itself.
The design approach was rooted in crafting a space that feels earthy, warm, and in harmony with nature. The sloping country-tiled roof lends a traditional touch while also optimising ventilation. The architecture embraces natural elements by maximizing sunlight, allowing it to flood the interiors through thoughtfully placed windows and open spaces, enhancing the warmth of the setting.
The cafe layout integrates a visible kitchen that overlooks various seating arrangements—shaded areas, open courtyards, and green zones—offering customers a choice between cozy shaded spots and a vibrant outdoor settings. Each space is carefully designed to evoke a sense of calm, drawing people closer to nature, with the use of earthy materials and greenery woven into the spatial flow. The aim was to create not just a place to dine, but a sensory experience that celebrates organic living and healthy eating. Additionally, a retail corner offers visitors the chance to learn about and purchase fresh produce directly from the farm.
3.2 Studio Residence
MANDYA, KARNATAKA
COLLABORATED WITH:
Anu Majo and Sourav JK SITE AREA: 3100 SQM
This project focuses on the design of a compact 1000 sqft studio residence located in a coconut grove on the outskirts of Mysore. Designed for two people, the residence prioritizes the creation of intimate nooks for quiet reflection, hobbies, and contemplation of the surrounding farm views. The layout adheres to a simple 20x40 feet linear grid plan, maximizing space efficiency while maintaining a sense of openness. The interiors feature earthy materials such as rammed earth, wood, and natural finishes, creating a warm, tactile atmosphere.
3.3 Pub Renovation
BENGALURU, KARNATAKA
COLLABORATED WITH: Atul SM and Bhoomika Prakash
SITE AREA: 460 SQM
This project involves the conceptualization for the renovation of an existing pub, with a focus on enhancing key spatial elements to create a more cohesive and engaging environment. The bar, positioned as the first point of view upon entry, holds potential for a stronger visual impact. The design reimagines the bar as a dramatic focal point, using lighting and materials to create a sense of spectacle.
The existing seating area, currently fragmented, is rethought to provide a more cohesive and fluid experience, improving comfort and circulation. A minimalist approach to the overall design ensures that the bar remains the central feature, while the surrounding space offers a sleek, subtle backdrop that amplifies the experience.
The material palette, consisting of corten steel, Sadharalhi granite, Kadapa leather polished stone, subway red tiles, and warm-shaded wood, works in harmony to create a ‘polished rustic’ aesthetic. This approach moves away from conventional rustic design, introducing a refined, contemporary edge that balances raw, industrial elements with warmth and texture. The goal
BENGALURU, KARNATAKA
This project entailed the reimagining of a pizzeria in Bengaluru, situated within a residential layout. Spanning 280 sqm on a trapezoidal corner plot, the primary objective was to transform it into a multifunctional space suitable for casual community gatherings while retaining its essence as a restaurant. The site featured a 6m high tree, adding a unique natural element.
The client’s specifications included the design of a kitchen capable of accommodating the rigorous demands of commercial cooking equipment, a storage room for daily supplies, and restroom facilities. The dining area was intended to host a maximum of 60 patrons. Given that the restaurant was relocating, a key challenge was to incorporate as much of the existing construction material and equipment as possible.
The design focused on creating a naturally illuminated and well-ventilated ambiance with scenic views of green elements ensuring a welcoming environment for both dining and community -centric engagements.
The Drawing Board 2023 Competition - Winner Proposal
An Insert into History | Archaeological Museum, Badami
The intent in redesigning the Badami Archaeological Museum was two fold; a space that serves as a medium to view pieces of history that the existing museum exhibitswhile being cognizant of the location it is inserted into. To be within the proposal is to keep one aware of the history they are in the midst of. Alongside that, it acts as a vital threshold to experience the 1500 year old rich historic precinct. It serves as an apparatus to view the Agastya lake enveloped by the Badami caves on the south, the temples on the east, the rock formations on the north and the gateways leading one from the settlement.
The site called attention to the opportunity of traversing through the multiple levels that it offered. The museum finds itself to be a bridge for one moving between the three gateways on the west and the fort area on the east. The ground level becomes an inviting hub for the tourists to take in the captivating experience. It simultaneously becomes an engaging public space for the locals of the settlement to find repose in between their everyday routine.
The extent of the proposal has been used to relook at the nature of exhibiting artefacts in a museum.
Blurring boundaries
The proposal connects existing levels and create linkages and to see if these could enhance the bigger picture. This became crucial in stitching the larger story of one’s experience here. The existing landscape offers multiple ways to move through, sit on and walk through. An attempt was made to connect the dots and continue this very design move throughout the design scheme.
Framing views
The rammed walls help in controlling the summer heat of Badami.
The openings are positioned with strategic openings a way to create viewscape for one moving through them.
Section BB
The museum is viewed to be as an apparatus with reference to its location on site.
