Fall For Dance (2017)

CRONE Choreography: Dorothy O’Shea Overbey Music: Crone – For Chamber Orchestra by Samuel Lipman, performed by prismatx Ensemble (Butler School of Music).

Costume Designer: Aaron Kubacak Lighting Designer: Aaron Curry Projection Designer: Jesse Easdon Production Assistant: Alexandra Behar Rehearsal Assistants: Kaitlyn Jones, Anna Starr The General. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Nava, Oluwaseun S. Olayiwola The Mother . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Becky Nam, Mackenzie Voorhies The Friend. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eileen Yuriko Roby, Claire Wood The Daughter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Addison Norman, Khorii Tinson The Disciples. . . . . . . Alexandra Behar, Kaitlyn Jones, Mackenzie Lawrence, Christian Leal, Oluwaseun S. Olayiwola, Myrah Porter, Mario Alberto Ramirez, Eileen Yuriko Roby, Anna Starr, Mackenzie Voorhies Orchestra Conductor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Samuel Lipman Concertmaster. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Sasaki Flute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nick Goodwin Oboe /English Horn/Corrugaphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Lengas Clarinet/Bass Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nick Brown Bassoon/Contrabassoon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pearson Altizer French Horn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Wing-Lam Au Trumpet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Casey Martin Trombone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tim Maines Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Justin Ochoa Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thomas Azar Harp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Delaine Leonard Violin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Sasaki (Principal), Jillian Johnson (I), Ellen Piazza (I), Luna Chu (II), Changming Li (II), Jiazhi Zhang (II) Viola. . . . . . . . . . . . . . . . . . . . . . . . . . Alejandro Duque (Principal), Hailey Walterman, Gloria Chu Young Kim Cello. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ray Hyugrai Kim (Principal), Julia Dixon, Chan Song An Contrabass. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rhys Gates (Principal), Nicolas Daniel Dominguez From the Choreographer: “Every saint has a past, and every sinner has a future.” – Oscar Wilde Crone is a story of transformation, following the journey of a young woman who loses everything and must choose between forgiveness and revenge. Inspired by Igor Stravinsky’s Le Sacre du Printemps (1913), this work explores the interaction between a society that lives in harmony with themselves and their environment and one in which people have traded their free will for a sense of belonging.

This production of Crone is one stage of an ongoing cross-media project; a collaborative effort involving artists from the College of Fine Arts and the Department of Radio-Television-Film, Crone will be made into a virtual reality film, scheduled for release in Fall 2018.