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Angela Flournoy reads from her new novel, “The Turner House,” as a part of the Writer’s in the Library series on Oct. 24, 2016. Alex Phillips • The Daily Beacon

Angela Flournoy on ghosts in Detroit

Bryanne Brewer Arts & Culture Editor On Monday, Oct. 24, the 2015 National Book Award finalist Angela Flournoy read from her first novel, “The Turner House.” The novel was also a finalist for the Center for Fiction First Novel Prize, the PEN/Robert W. Bingham Prize for Debut Fiction and an NAACP Image Award. “The Turner House” takes place in Detroit in 2008 and follows the Turner family, who have

Volume 132 Issue

lived on Yarrow Street for over 50 years. Their house has seen 13 children grown and gone, the arrival of grandchildren, the fall of Detroit’s East Side and the loss of a father. The house still stands despite abandoned lots, an embattled city and the inevitable shift outward to the suburbs. But now, as matriarch Viola finds herself forced to leave her home and move in with her eldest son, the family discovers that the house is worth just a tenth of its mortgage. The Turner children are called home to decide its fate and to reckon with how

each of their pasts haunt — and shape — their family’s future. “The novel is an examination on the relationship between self and surrounding, the dynamics within a family and the perseverance required to find and keep one’s place in the world,” Anna Megdell, a MFA candidate in fiction, said. However, Megdell believes “The Turner House” is more than a story about a family in Detroit. “Reading this novel feels like running your

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fingers over a finely woven tapestry,” Megdell said. “The meticulously crafted structure of the novel is clear. Flournoy negotiates multiple characters’ stories while balancing writing in several voices over different time periods, all set against a complex vivid city.” The novel mainly focuses on the characters Cha Cha and Leila, the oldest and youngest of the 13 Turner children. Despite being set in the city of Detroit, Flournoy never focuses on the setting as a plot gimmick. See WRITERS IN THE LIBRARY on Page 5

Wednesday, October 26, 2016


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