SNL head writer visits Cox Auditorium
Alex Cline during his time working with The Daily Beacon. • Photo Courtesy of Alex Cline
Former Beacon cartoonist gets work for Cartoon Network
Hayley Brundige
Sterling Martin
Multimedia Editor
Copy Editor
Last Saturday, Colin Jost was in a bar. Jost, the head writer of Saturday Night Live, watched a re-run of the segment he co-hosts, “Weekend Update,” on the bar TV. After delivering a joke on the segment, Jost noticed that the closed captioning said there was [mild laughter] from the audience. “And I was like, ‘Oh I’m sorry, was that joke not impressive enough for you, dude who’s captioning for the deaf at 11:30 on a Saturday?’” Jost said. “Was that not up to your standards?” But on Tuesday night, it was standing room only in Cox Auditorium when the Emmy Award-nominated comedy writer took the stage.
Artists can often have a difficult time finding work they truly enjoy. Fortunately, that wasn’t the case for recent UT art graduate Alex Cline. A UT Alumnus and former Beacon cartoonist, Cline recently became a storyboard artist and writer on a popular Cartoon Network program called “The Regular Show.” Cline graduated with a fine art degree and a concentration in drawing. He moved to L.A. immediately after graduating from UT in search of prospective employers. “I started emailing every potential animation employer I could get a hold of and humbly interviewed them for information,” Cline said. “One of my contacts recommended me to a smaller a studio that he originally started out at called Six Point Harness … I found my other jobs while there through the people I worked with.”
See JODT on Page 5
“Local News Legend” promo. • Illustration by Alex Cline
UT professor meets with former U.S. president >>See page 3 Volume 130 Issue 6
Billy Bob (Thorton’s) Band to turn heads at The Joe >>See page 8 utdailybeacon.com @utkdailybeacon
One of the opportunities Cline encountered connected him with Cartoon Network, which had him take a story test for “The Regular Show.” “When applying for jobs in the animation business, you are usually asked to take drawing tests that are tailored to the job you are applying for,” Cline said. The network apparently liked Cline’s work, deciding to bring him on their regular animation team. “’The Parkie Awards,’ was the first of eight episodes that I have worked on with my storyboard partner Madeline Queripel,” Cline said. “The process starts with an outline that we are given, which looks like a three-to-four-page handout describing what needs to happen in [the developing] episode.” About a week is spent on writing dialogue and jokes, Cline explained, which is followed by rough sketches that are matched with the dialogue, in order to tell the story visually. See CLINE on Page 5
Jauan Jennings adjusting in new team role >>See page 10 Wednesday, August 26, 2015