WHAT’S
HOT NOW
High Contrast
11
dazzling black & white rooms
artful
Attics RAW BEAUTY
Decorating with reclaimed wood
INVITING
ROOMS
Ideas and inspiration for your entire home
Golf | Tennis | Equestrian | Dining | Swim & Fitness | Ski Lounge
Luxury homes from $650,000. Estate homesites from $195,000.
RedLedges.com | Heber Valley, Utah | (877) 733-5334 Exclusively Brokered by Red Ledges Realty, LLC . Obtain the Property Report required by federal law and read it before signing anything. No federal agency has judged the merits or value, if any, of this property. All descriptions, depictions, and renderings are provided solely for illustrative purposes and are subject to change. Š2016 Red Ledges Land Development, Inc.
over 35 years creating
Utah’s
finest landscapes
best of state three years running
tucklandscape.com 801.266.1802
F O R M , F U N C T I O N, FA M I LY. T H E S E A R E A F E W O F O U R FAV O R I T E T H I N G S . M E E T T H E S M I T H FA M I LY. W E H E L P E D T H E M B U Y A N D D E S I G N T H E I R S PA C E , B U T T H E S T Y L E T H E Y B R O U G H T I S A L L T H E I R O W N.
| 801.718.5555 cityhomeCOLLECTIVE | boutique real estate brokerage and design firm | WE SELL HOUSES cityhomeCOLLECTIVE.com/findyourspace
www.jacksonandleroy.com
801.277.3927
Utah’s Oldest and Largest Rug Gallery(Formerly Simantov Gallery) Cleaning | Restoration | Rug Pad
2876 S. Highland Dr. Salt Lake City, UT 84106 • 801.359.6000 • www.utahrugs.com
ShaneHerbert.com
Your home away from home. Own the Montage lifestyle. With a 10,000-acre backyard, family time takes on a whole new meaning. Luxury ski-in, ski-out Residences From $2,800,000 81 residences, 14 available
Montage Residences Deer Valley 9100 Marsac Avenue, Park City, Utah, 84060
Shane Herbert REALTOR 速
435.714.9225 Shane@ShaneHerbert.com MontageResidencesDeerValley.com
Information deemed reliable, but not guaranteed. Square footage is an estimate only. ©MMXIV Sotheby’s International Realty Affiliates LLC. All Rights Reserved. Sotheby’s International Realty® is a licensed trademark to Sotheby’s International Realty Affiliates LLC. Equal Housing Opportunity.
Each Office is Independently Owned & Operated
The Project is not owned, developed, or sold by Montage Hotels & Resorts, LLC or its affiliates and Montage Hotels and Resorts, LLC does not make any representations, warranties or guarantees whatsoever with respect to the Project or any part thereof. DV Luxury Resort LLC, a Delaware limited liability company (“Seller”) uses the “Montage Hotels & Resorts” brand name and certain “Montage trademarks” (collectively, the “Trademarks”) in connection with the sales and marketing of the Project under a limited, non-exclusive, non-transferable and non-sublicensable license from Montage Hotels & Resorts, LLC. The foregoing license may be terminated in the event of a default by Seller under the various agreements between Seller and Montage Hotels & Resorts, LLC, or may expire without renewal, in which case any part of the Project will not be identified as a “Montage” branded project or have any right to use their Trademarks.
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801.328.3245
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by Teerlink Cabinet
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5410 S. 900 E. SLC • Mon - Fri 10 - 7 Sat 10 - 6 • 801-266-5818 www.copenhagenwest.com
DISPLAYS OF EXCELLENCE COMPLIMENTARY DESIGNER SERVICES
THE VILLA THREE-PIECE LIBRARY BOOKCASE, HANDCRAFTED IN OUR VERMONT WORKSHOP.
Sale going on for a limited time only. Some exclusions Ask a STATE designer STREET or visit ethanallen.com for details. ©2015 Ethan Allen Global, Inc. SANDY 10390apply. SOUTH 801.571.1015 ©2015 Ethan Allen Global, Inc.
ICONOGRAPHY
Hand polished inlaid plaster. KKR Conference Room. San Francisco, California.
Plaster • Wood Finishes • Metallics • Murals • Decorative Finishes • Paint
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ONLY AT THE COLONY CAN
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The Colony Park City
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of natural beauty, lot size, privacy, and access to mountain sports and leisure are unparalleled. Learn how you can live in this wonderland today. Schedule your private tour of this year-round retreat by contacting our sales team at 435.649.3411 or by visiting us at thecolonywpc.com.
Listed by:
AMERICA’S PREMIER SKI-IN/SKI-OUT PROPERTY ONLY AVAILABLE IN AMERICA’S LARGEST MOUNTAIN RESORT.
This is not an offer to sell or a solicitation of an offer to buy to residents of any state or jurisdiction in which the registration requirements for such an offering have not been fulfilled.
build build modern. modern.
801.652.2899 marsalaco.com marsalaco.com 801.652.2899
BUILDING CUSTOM HOMES TO
Complement Your2 Lifestyle
801.910.9913 | info@uplanddevelopment.com | uplanddevelopment.com
WINTER 2016 VOLUME 20 NUMBER 1
84
60 PITCH PERFECT
WHAT’S
HOT NOW
By Brad Mee Photos by Scot Zimmerman
High Contrast
11
dazzling black & white rooms
artful
Attics RAW BEAUTY
Decorating with reclaimed wood
INVITING
ROOMS
Whether it’s an old attic or newly built upper level, shapely top-floor spaces live it up in today’s homes.
84 GOING GRAY
By Brad Mee Photos by Scot Zimmerman
Daring designer Beth Ann Shepherd creates a sexy and sophisticated palette for a stunning Deer Valley mountain home.
Ideas and inspiration for your entire home
on the cover Classic design and daring details deliver bold style to a new Highland home.
66 NAIL THE LOOK By Brad Mee Photos by Scot Zimmerman
With renewed life, salvaged wood enjoys a stylish and surprising place in homes across Utah.
74 GLAM SLAM
92 A MATTER OF TIME By Natalie Taylor Photos by Scot Zimmerman
Designer Jenny Samuelson gives modern mountain style an eclectic edge, mixing elements of past and present in her family’s new Park City home.
By Brad Mee Photos by Westin Colton
Cover photography by Westin Colton
In Highland, an evocative mix of trendy and timeless design gives a Frenchinspired home a hit of haute livable style.
WINTER 2016
23
CONTENTS
WINTER 2016
42
56
STYLE FILE
DEPARTMENTS
39 40 42 44 46 48 50
52 INTERIORS QUIET PLEASE
Editor’s Pick Runways and Rooms Profile In Good Taste On Trend Art Scene On the Market
112
By Brad Mee Photos by Scot Zimmerman
Forget loud, overworked and oversized. This modestly sized Millcreek bathroom proves clean design and simple details can soak a space in calm, comforting and ultra-cool style.
56
TRENDS
HIGH CONTRAST By Brad Mee
Consider the black-and-white scheme. When it comes to creating classic style with graphic appeal, all other color combinations pale by comparison.
101 DINING IN AND OUT CHICKEN FEED By Mary Brown Malouf Photos by Adam Finkle
Find more design ideas and inspiration at utahstyleanddesign.com
24
U TA H S T Y L E A N D D E S I G N . C O M
Say farewell to the over-sauced boneless breast. Real, on-the-bone chicken is starring on restaurant menus with mouthwatering results.
40
101
105 DESIGN DIRECTORY A resourceful guide of materials, places and products
110 SOURCES A listing of this issue’s people, places and products
112 THE HOT LIST LOOK AROUND Everywhere we turn we’re seeing high-style swivel chairs providing 360-degree views of today’s open floor plans and high-style rooms.
Anne-Marie Barton
Life is a House C L A S S I C
E L E G A N T
™
M O D E R N
AMB D
E
S
I
G
N
I N T E R I O R D E S I G N A N D I N S P I R AT I O N A L V I D E O S 801.272.8680
AMBDESIGN@ME.COM
ANNEMARIEBARTON.COM
ON THE WEB
.com RENOVATE
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U TA H S T Y L E A N D D E S I G N . C O M
DECORATE
ENTERTAIN
SHARE
Galleries
Unbound
Ready to be inspired? Browse through galleries of our favorite homes, stylish spaces, decorating ideas and must-see parties. Whether you’re designing a room, planning a get-together or just craving looks you love, discover countless collections of bright ideas for your home—yours for the taking.
View any issue 24/7 online
Top Tens
10
Today’s must-haves for your kitchen. T’S
A T HOO W
WH
N
Hig
t tras on g ite
h Cdazzlin& wh
11artfuicl s ck bla s room
Att AW
R UTwiYth A BE rating wood co De imed recla
Id e
as
MS
O RO G
ITIN
INV
and
in s
p
o ir a ti
r n fo
you
n ti re
re
ho
me
ON THE WEB
.com RENOVATE
DECORATE
ENTERTAIN
The Goods Fab finds for your home
See Utah through the lens of architectual photographer Scot Zimmerman.
Photo Friday
SHARE
Before&After
Whether you want to remodel your entire home or just update a room or two, we offer inspiring photos and renovation ideas to help bring new life and fresh looks to kitchens, bathrooms and other spaces in the home.
We design the experience... you experience the design
Bengt erlandsson interior design 801路618路6947 579 e 100 s salt lake city, ut 84102 bengtdesigns.com
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U TA H S T Y L E A N D D E S I G N . C O M
Direct Importers of the World’s Finest Rugs
We are a full service rug company, featuring the world’s finest rugs. We specialize in new, antique, and semi-antique hand-woven masterpieces from all over the world with one of the largest selections nationally. At the Historic Villa Theater
Adibs.com 3092 S Highland Dr, Salt Lake City 801-484-6364
Stay in Touch @utahstyledesign
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U TA H S T Y L E A N D D E S I G N . C O M
THE TEAM
ART DIRECTOR
PUBLISHER
DIRECTOR OF ADVERTISING
Margaret Mary Shuff
Jeanine Miller
EDITOR IN CHIEF
SENIOR DESIGNER
Trina Baghoomian ACCOUNT EXECUTIVES
Brad Mee
Jarom West
FOOD EDITOR
STAFF PHOTOGRAPHER
Mary Brown Malouf
Adam Finkle
ASSISTANT EDITOR
ART DEPARTMENT INTERNS
Val Rasmussen CONTRIBUTING EDITORS
Christie Marcy Glen Warchol
Susan Maxfield JaNeal Bartlett
Kristie Buehner Janette Erickson Danielle Holmes Denise Janove Emily Lopez
PUBLISHING PRESIDENT & PUBLISHER
Margaret Mary Shuff
DIRECTOR OF OPERATIONS
Damon Shorter
COPY EDITOR
Dan Nailen
PRODUCTION MANAGER
Brittany Hansen
Natalie Taylor
Jeanne Greenberg PUBLISHERS OF
Salt Lake magazine Utah Bride & Groom Utah Style & Design Boca Raton magazine Worth Avenue magazine Mizner’s Dream Delray Beach magazine
WEB EDITOR
WRITING CONTRIBUTORS
Marie Speed CONTROLLER
PHOTOGRAPHY CONTRIBUTORS
Westin Colton Scot Zimmerman
EDITOR-IN-CHIEF
Ashley Miller MARKETING MANAGER
Cady Borchers
515 S. 700 East, Ste. 3-i, Salt Lake City, UT 84102 Phone
/ 801-485-5100
Fax
/ 801-485-5133
/ magazine@utahstyleanddesign.com
Website
/ utahstyleanddesign.com
THE BLACKG OOSE DE SIG N.COM
Celebrating 30 Years of Business! P Partner with i h one off our talented designers to create your perfect room.
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U TA H S T Y L E A N D D E S I G N . C O M
GET INSPIRED IDEAS.
DETAILS.
RESULTS.
VISIT OUR NEW RETAIL LOCATION 3910 S. Highland Drive, Salt Lake City Interiors for a well lived life. www.krockedesign.com 801.274.2720
EDITOR’S NOTE
NEVER A DULL MOMENT
A
S WE BEGIN a new year and contem-
plate resolutions, life coaches advise us to “live in the moment” as a way to focus on the now. Sounds good to me, but given the fact that my job revolves around planning future issues, finding and photographing homes for upcoming stories and chatting up design pros about next season’s hot trends, the in-the-moment maxim is difficult to put into practice. I’m working on it. At the same time, decorators are urging us to create and live with “moments,” their latest buzzword for features or fixtures so stunning they make time stand still. In our homes and in our lives, it seems that moments are, well, having a moment. On the following pages, momentous design flourishes. In Highland, a team of talented designers infuses a new home’s interior with a mix of classic style and daring design statements. See those saturated navy walls on our cover and the kitchen’s gleaming gold and silver hood featured in the story?
@gatehouseno1
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U TA H S T Y L E A N D D E S I G N . C O M
Those are moments. So, too, are the three dazzling chandeliers sparkling against surprisingly dark gray walls in a luxurious Park City ski house decorated by Beth Ann Shepherd. In our story about decorating with reclaimed wood, designers across Utah use the raw material to create a variety of eye-catching statements, including Jenny Samuelson who clad her modern bedroom’s fireplace in rustic planks. Spirited attic spaces, bold black and white decors and a simple yet stunning Millcreek bathroom flaunt other spectacular moments. The fact is that this issue is packed with so many decorative moments that you’ll need to set aside more than a few minutes to enjoy them all. Don’t hurry. You can have all the time you need.
Follow me on Instagram @brad_mee
BRAD MEE, EDITOR IN CHIEF
I GATEHOUSESTYLE.COM I (801) 225.9505 I 672 S. State St, Orem
Come home to beautiful...
174 East Winchester, Murray y 1301 West Sunset Blvd, St. George
hamiltonparkinteriors.com
CONTRIBUTORS FROM
CONCEPT
TO
COMPLETION
JEANINE MILLER is the Art Director for Utah
Style & Design, Salt Lake and Utah Bride & Groom magazines. She is a Minnesota native who has lived in Salt Lake with her husband and their three year-old son for less than a year. When she is not designing layouts for magazines, she and her husband, Lee, enjoy exploring their new city, hiking in the canyons and camping near Utah’s national parks. Her favorite feature in this issue highlights blush shades in Runways and Rooms (page 40) because, says Miller, she’s just a girly-girl at heart.
GREGGHODSONDESIGN.COM {801} 532-4465
CHRISTIE MARCY is the Associate Editor at Salt Lake magazine and a contributing editor and writer for Utah Bride & Groom and Utah Style & Design. In this issue she explores the use of barn wood in modern design (page 66), a job she felt uniquely qualified to tackle due to her Midwestern farm-girl roots. Marcy lives in Salt Lake with her two children, three dogs, two cats and no reclaimed wood.
It’s all in the details.
.
.
.
1987 South 1100 East 801-364-8963 detailscomforts.com
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U TA H S T Y L E A N D D E S I G N . C O M
SCOT ZIMMERMAN is a contributor to Utah
Style & Design magazine and a weekly guest on our online Photo Friday series. This native Utahn has specialized in architectural photography for the past 36 years, and in this issue, he captures the ever-changing design and architecture of Park City homes showcased in Going Gray (page 84) and A Matter of Time (page 92). “Park City has gone from a resort with copycat log homes to a leader in ski-town design,” Zimmerman says.
home furnishings & inspired design
Humble Dwellings
1265 E. Draper Parkway Draper UT 801.613.9570 humble-dwellingsfurniture.com
stylefile WINTER 2016
PHOTO BY ADAM FINKLE
FLIGHTS OF FANCY You may be cocooning during the cold days of winter, but that doesn’t mean your décor has to. Help it take wing from the season’s doldrums by releasing lively butterflies into the mix. So on trend, these fanciful creatures are bringing a touch of whimsy and wit to everything from fabrics to wallpapers to hand-painted tiles.
Fabric: Flyte handmade deco tile by BonTon designs, $58 each, Inside Out Architecturals, SLC; Papilio fabric and wallpaper by Harlequin, to the trade, harlequin.uk.com
WINTER 2016
39
stylefile
RUNWAYS AND ROOMS
BLUSH CRUSH Pale pink makes today’s fashion and furnishings so fresh and flirty, it’s enough to make you blush.
Top to Bottom: Aerin Trieste table lamp, $1,760, Alice Lane Home Collection, SLC; Linen peonies pillow, from $75, Studio McGee, studio-mcgee.com; Journal, $16, The Children’s Hour, SLC; Faber-Castell fountain pen and pencil, $225 and $175, O.C. Tanner Jewelers, SLC; Pink grapefruit candle, $40, Williams-Sonoma, SLC; Velvet Bacharach swivel chair, $2,750, Jonathan Adler, jonathanadler.com; Nalina wallpaper by Harlequin, to the trade, harlequin.uk.com; Vintage Turkish flatweave runner, $700, ABC Home, abchome.com; Linen Left Edlyn Sectional, $3,298, Anthropologie, SLC
Bora Aksu Spring RTW 2016
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When we opened our first showroom over 34 years ago we had one goal, to provide our customers with stylish, quality furnishings you wouldn’t find at the big-box chains. Come in and see our unique collection and experience the San Francisco Design difference for yourself.
Kelly Wallman—owner/designer
Salt Lake
(801) 467-2701 2970 Highland Dr.
Park City
(435) 645-7072 1890 Bonanza Dr.
Mon.-Sat. 10-6. Sunday and evenings by appointment.
Love your home
www.sanfrandesign.com
stylefile
PROFILE
Kantha quilts, cushions and assorted pillows from Interwoven, hellointerwoven.com
PHOTO BY JESSICA PETERSON
I GOT STARTED BY: posting what I found on Ins-
tagram in 2010. My friends in the states loved the pieces, so I thought, “Why not a pop-up shop?” So I started online with five items from a souk. MY BIG BREAK WAS : being contacted by A Cup
of Jo founder Joanna Goddard, who ran a series about parenting abroad and invited me to be part of it. From that, I began getting lots of emails from American expats and people moving to Abu Dhabi who loved what I bought at the souks and bazaars. MY DECORATING OBSESSION IS: anything gold.
KERA THOMPSON The founder of Interwoven on her time in Abu Dhabi, her latest design obsession and the single item that can add life to any space. THE ONLY THING more infectious than Kera Thompson’s smile is her passion for design. And when she talks about her young family’s five-year stint living in Abu Dhabi, both shine brightly. After moving from Utah to the UAE for her husband McSean’s government assignment as a data scientist, Kera began shopping at the local souks for special pieces to furnish her family’s spacious beachfront apartment. Soon thereafter, Kera founded Interwoven, an online business selling the stunning textiles and authentic home accents she found across the region. Since then, Kera has grown her business, and her designs
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U TA H S T Y L E A N D D E S I G N . C O M
have graced the cover of Emirates Home, been showcased in Harper’s Bazaar Interiors magazine and has been featured on a number of big-time websites including Design Sponge and Apartment Therapy. “Our time spent abroad expanded my world,” says Kera, whose family of five returned to Salt Lake City in 2014. Her time abroad also expanded the opportunity for lovers of spirited boho style to acquire colorful accents for their homes through her keenly curated and inspiring site. “I always planned on bringing it back to Salt Lake,” says Kera. Fortunately for us, that’s exactly what she has done.
Gold looks amazing and is spectacular with everything. I’m also loving blue. It goes in so many places. MY DECOR ATING PHILOSOPHY IS : Go slow and steady. Start with the feel of the space and don’t fill it all at once. Buy pieces that are meaningful. MY FAVORITE BOOK IS: The New Bohemians by
Justina Blakeney. She breaks bohemian style into a number of categories. I’ve learned my style is a mix of modern and earthy. THE EASIEST AND MOST FUNCTIONAL WAY TO BRING LIFE TO IS A SPACE IS : Simply add a kantha
quilt. I have five or six in my home. MY MOST VIVID MEMORY OF LIVING IN ABU DHABI IS : camping in the desert. We would drive an old Land Rover into the dunes where there might be one or two trees. We would be out in the middle of nowhere and a herd of camels would simply walk through our camp. How crazy is that? MY BIGGEST DECOR ATING PET PEEVE : is not caring. How can people simply not care about their homes? Design absolutely affects your life.
©2015 Wood-Mode, Inc.
Transformation throughout your home. For more inspiration, visit wood-mode.com Craftsman Kitchens Salt Lake City • 801-293-8001
Ultra Kitchen Design Salt Lake City • 801-910-2444
stylefile
IN GOOD TASTE
HOW ‘BOUT THEM APPLES? Topping today’s hot list, Hard Cider is savored long after the harvest comes in.
CIDER HOUSE RULES 1. THINK BEYOND FALL Apple crops are harvested in fall, but that doesn’t mean cider is seasonal. It’s meant to be enjoyed any time of the year. Or day, for that matter.
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2. SERVE IT IN STYLE For everyday drinking, a glass mug is fine. But make it special by pouring your cider in a wine glass, flute or a coupe garnished with an apple slice.
3. POUR FLIGHTS FOR FUN Fragrant with floral notes? Dark as molasses? Tart on the palate? If you enjoy libation tastings—wine, tequila, whiskey and beers—put cider to the test. Your guests will love the variations.
4. FORGET THE SWEET Hard cider is dry or offdry—think champagne or prosecco. It’s great as an aperitif or as a celebratory toast.
5. CREATE COCKTAILS For example, spiced rum, fresh lemon juice and cider. Or spike apple cider with a jigger of bourbon and serve in a cinnamon sugar-rimmed glass. Start playing with your cider.
Photo by Adam Finkle, taken at Undercurrent, SLC
They say Julius Caesar sampled hard cider when he got to Britain. The English brought it to the New World where it was soon eclipsed by beer, then dealt a death blow at the hands of Prohibition. All that remained in puritanical America was the Jimmy Santangelo nonalcoholic apple juice, a kindergartner’s beverage of choice. These days, the ancient drink is enjoying a renaissance as dozens of new craft cider makers have opened in the last few years. In Utah, The Hive Winery has been making cider for five years. Jimmy Santangelo, beverage director for the LaSalle-Trapp group of restaurants (Current, Undercurrent Bar, Oasis, Trio, Fresco, Niche and Kyoto), recently held a cider festival to introduce locals to hard cider, a drink that’s gracing a growing number of beverage lists. “It’s exciting to have a product that’s really new for our guests,” Santangelo says. “It pairs beautifully with lighter foods, you can start with it and it’s great with dessert and entrées through the year.”
Featuring six distinctive floor plans, East Creek Ranch’s collection of “flexible” options and designer amenities make it easy to create the perfect home for your unique lifestyle. Discover why East Creek Ranch is Better By Design today!
VISIT US TODAY
6 FLOOR PLANS
397 Valley Drive, Park City, UT 84098 SheilaN@WoodsideHomes.com
2,633 – 5,001 Sq. Ft. • 3 – 7 Bedrooms Multiple options available to make your home Better by Design
435.565.1576
Woodside Homes reserves the right to change floor plans, elevations, prices, included features/ specifications, availability, and maps without notice. Please see sales professional for details. 08/2015
WoodsideHomes.com/Utah
stylefile
ABOUT TOWN
NOW AND THEN An iconic SLC landmark boasts a rich history and promising future “TROLLEY SQUARE has a huge history,” says Khosrow Semnani, who with his team at S.K. Hart Properties is breathing new life into the iconic Salt Lake landmark. Nothing seems to enthuse Semnani, scientist and businessman, more than the history and future of Trolley Square. “It wasn’t in the best shape,” says Semnani of the historic landmark’s condition when he purchased it in 2012. “I told my team, ‘We’ve got to change this! This is a jewel.’” His team unearthed history—the site’s little-known first use was as the Utah Territorial Fairground, then the hive of an electric trolley system, and later, of course, a shopping mall. Semnani celebrates the past with a museum, scheduled to open this winter, that traces Trolley’s history through interactive exhibits, including a near-full-scale trolley car projecting historic street scenes on its windows. An attached visitor center will offer tourist exhibits on Salt Lake City and Utah.
1904
1906
A Territorial Exposition Building designed by Richard Kletting is built on the corner of 500 South and 700 East and opens for the city’s first fair.
The Exposition building is razed three years after the 1901 fair that 23,000 visitors attended.
Railroad baron E.H. Harriman buys the property for an electric trolley system and completes the $3.5 million trolley barns two years later.
1908-30 1972 2013 2016 The golden age of Salt Lake City’s trolleys. Buses replace the last trolleys in 1946.
Wally Wright renovates the barns as Trolley Square Mall.
Hart Properties takes over Trolley Square and in 2014 the refurbished water tower is illuminated.
Trolley Square Museum scheduled to open.
WHAT’S IN STORE
Trolley Square houses architectural history and haute finds for your home.
Eclectique dinnerware five-piece place setting, $130, William-Sonoma, williams-sonoma.com
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U TA H S T Y L E A N D D E S I G N . C O M
Iron pine cone bookends, $88/pair, Tabula Rasa, tabularasastationers.com
Vince metal-clad coffee table, $799, Pottery Barn, potterybarn.com
Clock, $30, The Steampunk Spectacle, thespectacle.com
Presley leather chair, $3,109, Alice Lane Home Collection, alicelanehome.com
HISTORIC PHOTOS: COURTESY OF TROLLEY SQUARE
1888
SEMNANI PHOTO: ADAM FINKLE
1847 Brigham Young sets aside land for public spaces in Salt Lake City.
I N T E R I OR
DESIGN
|
FUR NI TUR E
|
H O ME
L I V S H O W R O O M | 4 7 0 S M A I N | B O U N T I F U L | w w w. l i v s h o w ro o m . c o m
|
DE COR
801.295.5442
8 0 1 . 2 9 5 . 5 4 4 2 | L I V S H O W R O O M | 4 7 0 S M A I N | B O U N T I F U L | w w w. l i v s h o w ro o m . c o m
ART SCENE
SUNNY TAYLOR, WOVEN LANDSCAPE: GREEN, 2015, 25 X 25”, ACRYLIC ON PANEL.
IMAGE BUILDING
— By Tiffany Porter
Artist Sunny Taylor’s intuitive approach yields precise results SUNNY TAYLOR approaches painting like a builder: measuring, masking, and filling in as an image comes together, like a puzzle. Constantly observing man-made structures and forms, Taylor paints to impart visions of how she might combine materials like wood and concrete, much as a sculptor or architect would do in 3-D. Rather than painting with brushes, she creates an illusion of objects lying next to each other by layering acrylic paint and manipulating it with a squeegee, tape, sanding and glazing. While she has refined her technique for more than 10 years, the content of Taylor’s abstract, minimalist work is largely determined by process and intuition. As she puts it, “The way I paint, I don’t know what the work is to become,” and most of her paintings are titled after completion, when Taylor steps back to view the composition as a whole.
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SAVE THE DATE UMFA’s temporary closure spawns year-round events The Utah Museum of Fine Arts is Utah’s flagship art museum, with a collection representing 5,000 years of art from around the world. The UMFA is closing January 18, 2016, through spring 2017 for important building upgrades and a reinstallation of works for public view. But art lovers needn’t despair. UMFA continues to engage the community. On January 16-17, join a free, weekendlong celebration of UMFA’s best programs—gallery tours, artmaking, films, yoga, chamber music, and a dance party—before doors close for renovations. LONG LIVE ART! PARTY:
In the featured piece Woven Landscape – Green, she plays with the idea of landscape, not an actual place, but a schematic Taylor created with space, materials and flattening of forms. The geometric shapes suggest ponds and plowed fields. Born and raised in Utah, Taylor is a full-time mom, professional artist and former assistant professor of studio arts at BYU. To learn more and experience her work firsthand, visit Julie Nester Gallery, or see more online at sunny-taylor.com
ARTLANDISH: Beginning
on February 25, UMFA will operate outside its walls, offering a year-long series of lectures, films, panel discussions, tours, and other events investigating humankind’s complex relationship with the Earth through UMFA’s Land art, Landscape, and the Environment. umfa.utah.edu
PHOTO COURTESY OF THE UMFA
stylefile
Bedding • Draperies • Designer Fabric • Hunter Douglas Blinds Specialist
Visit Us Online At www.krbeds.com 736 West 300 South Salt Lake City, UT 84104 Enter Off 400 South 801-364-2128
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ON THE MARKET
ALL FIRED UP Fabulous fireplaces anchor the interiors of some of today’s most beautiful homes and spark big interest in home-hunters seeking hot properties across Utah.
ST. GEORGE 6 BEDROOMS 7 BATHROOMS
7,736 SQ. FT. $2,795,000
A stone and stucco exterior and a gas-lit fireplace surrounded by a soaring rock wall complement the majestic red mountain rock that is the setting for this luxurious, natural-hued home. A professional workout room, theater and elevator lie within, surrounded by stained glass windows and copper accents. KEY FEATURE : A spacious living room looks out on a resort-style pool. LISTING : 2018 West Magatsu Circle; contact John Ames, Team Ames Re/ Max First Realty, 435-674-0111
HUNTSVILLE 5 BEDROOMS 8 BATHROOMS
9,738 SQ. FT. $2,900,000
Designed by Greg Steffensen, this spacious modern home sits on a two-plus-acre lot and boasts spectacular views, a contemporary living-area fireplace, indoor gym with basketball court, wine cellar and other amenities. KEY FEATURE : Broad walls of glass overlook Snowbasin and Powder Mountain resorts and Pineview Reservoir for unparalleled views. LISTING : 6639 E Chaparral Road #8; contact Marcie B. Davis, Summit Sotheby’s, 435-602-9577
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MIDWAY 8 BEDROOMS 9 BATHROOMS
SALT LAKE CITY 8,925 SQ. FT. $5,000,000
Nature surrounds this European-style manor house, and a covered patio looks out onto a fully landscaped yard, complete with a stream, terraces and a waterfall. Four fireplaces warm the home and a wall of windows fills its interior with light and breathtaking mountain views. KEY FEATURE : The interior boasts a racquetball court, marble pool and rock-climbing wall. LISTING : 2590 Snake Creek Canyon Road; contact David Bellessa, Sotheby’s, 801-380-3798
6 BEDROOMS 5 BATHROOMS
8,000 SQ. FT. $2,350,000
From the vaulted ceilings to a floor-to-ceiling limestone wall, this spectacular hillside home abounds with custom modern features. A sleek fireplace wall and spacious, light-filled interior add to this home’s bold appeal. KEY FEATURE : An expansive wall of windows connects the interior’s open living spaces to the private patio outdoors. LISTING : 239 North Virginia Street; contact Cody Derrick, cityhomeCOLLECTIVE, 801-718-5555
COTTAGES & TOWNHOMES www.RiverViewUt.com
Breathtaking views & over 30 miles of trails right out your front door 30
min From
Salt Lake City
30
min From
Salt Lake International Airport
10
min From
Park City
Listed by
5
min From
Deer Valley Gondola
5
min From
Jordanelle Reservoir
INTERIORS B AT H R O O M
Quiet Please Forget loud, overworked and oversized. This modestly sized Millcreek bathroom proves clean design and simple details can soak a space in calm, comforting and ultra-cool style. BY BRAD MEE
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PHOTOS BY SCOT ZIMMERMAN
LEFT: Frosted-glass barn doors perform like large mirrors, reflecting the light and color of the bathroom beyond. ABOVE: A walnut-faced cabinet crafted by Ray Bird appears to float on a wall of powder blue mosaic tile from Walker Zanger.
W
hen architect Warren Lloyd describes this modestly sized master bathroom as quiet, he doesn’t mean it’s silent. He’s referring to the space’s absence of clutter, its lack of excessive space and dearth of unnecessary detail. “A quiet room calms you visually and emotionally,” he says. That’s exactly the effect the bathroom has on its owners who relish its thoughtful mix of simplicity and style. With its ideal eastern orientation and elevated, slot-like windows, this Millcreek-area bathroom is awash in cheery morning
light and soft natural light throughout the day. “The windows are unconventionally high, offering plenty of light and views of the mountains without sacrificing privacy or requiring blinds or window coverings,” Lloyd explains. He and interior designer Susan Taggart made the most of the light using a palette of calming classic marble and cool blue accent tile. “The space resonates with people because it’s clean, simple and more interesting than plain-white subway tile,” he says. Glass and reflective finishes accentuate the room’s light and WINTER 2016
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INTERIORS B AT H R O O M visually expand its space. Enclosing two walk-in closets, frosted glass barn doors flank a short hallway leading into the bathroom while, like mirrors, reflecting its colors and light. “They visually connect you to the space from the very start,” Lloyd explains. A glass wall and door similarly encloses the room’s simple yet stylish shower and neither consumes visual space nor obscures the shower’s interior tile pattern. “The door had to be essentially invisible,” the architect says. In the corner of the space opposite the shower, Lloyd and Taggart positioned a built-in, tile-clad tub rather than a freestanding model. “It’s easier to clean around than a freestanding model, allows for a better-sized tub and fits the simple geometry of the overall room,” Lloyd explains. Providing the primary statement of drama, a quartz-topped, walnut-faced vanity appears to float on the main wall of blue tile carefully selected by Taggart. “It was important to the experience of the room that the tile expanded across the entire wall, even below the vanity and into the shower,” Lloyd explains. Segmenting this blue wall or any of the three remaining walls, each
ABOVE: A glass wall and door prevent the roomy shower from infringing on the room’s spacious feel. The accent wall’s blue tile flows seamlessly into the shower area.
CLOSETS
CLOSETS
RIGHT: Blizzard White Caesarstone tops the horizontally grained vanity. Above, the tile’s cool hue calms that space, Taggart explains. OPPOSITE: The design duo chose a builtin tub to suit the room’s rectangular shape and add to its function-forward design. Marble tile clads the tub and walls, adding a classic element to the unmistakably modern space.
TUB
COMMODE
SHOWER VANITY
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clad in brick-stacked marble tile, would have undermined the room’s simplicity and spacious feel. The use of busy towel bars rather than basic hooks would have done the same. “Hooks are nice design elements that don’t clutter walls,” Taggart says. Simplifying makes a lot of sense and results in a better space, Lloyd explains. “Whether it’s because of a budget, downsizing or getting to the core of a room’s function, it’s always a win to reduce the unnecessary.” And for the homeowners, who are thrilled with their modestly sized and thoughtfully designed bathroom, theirs is a win celebrated every day.
Susan Taggart and Warren Lloyd
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TRENDS B L A C K & W H I T E
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Consider the black-and-white scheme. When it comes to creating classic style with graphic appeal, other color combinations pale by comparison.
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BY BRAD MEE
ere’s what you do: Choose black and then choose white. It doesn’t get much simpler—or more spectacular—than that. You’ve just created the most classic color combination and one that is all the rage today in stylish rooms of all kinds, from living to laundry and every space in between. For proof, we present 11 stunning black-and-white décors created by local design pros.
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PHOTO BY SCOT ZIMMERMAN; ABOVE BY WESTIN COLTON
High Contrast
PHOTO BOTTOM AND RIGHT BY SCOT ZIMMERMAN; ABOVE COURTESY OF STUDIO MCGEE
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1. For the laundry room of a French-style Highland home, designers Jessica Bennett, Christy Klomp and Kristina Kellet chose a checkerboard black-and-white limestone floor. “We carried the checkerboard limestone floor throughout and added accents of black for a more modern take on the classic French style,” Bennett says. Iron stools, window frames and an island countertop contrast black with the room’s white cabinetry. 2. To accentuate the daring design of this Salt Lake home’s white fireplace, architect Kathryn Anderson and Marsala & Co. suspended a slab of black Cosmopolitan granite along the bottom of the modern, sculpture-like feature. 3. A black stair rail and framed art pieces punctuate this room’s fresh white color scheme. “A strong punch of black
and white really helps balance out some of the more feminine elements throughout the home,” says designer Shea McGee. “We love that it adds drama and sophistication to an otherwise laid-back space.”
4. A palette of black, gray and white packs a powerful design punch in a Park City bedroom decorated by designer Beth Ann Shepherd. “It’s the accents that create the contrast,” she says. Patterned black-and-white shades create drama while texturerich furs, blankets and bedding add luxuriously layered texture. 5. In a Park City powder room, a white Boffi sink stands like a modern sculpture surrounded by highly textured walls of cypress-raked limestone. Duravit fixtures add shots of shimmering metal to the striking, two-toned space. WINTER 2016
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7. In a Salt Lake City home built by Jackson & LeRoy, a short hallway features a built-in bench backed with bold black-and-white wallpaper and accessorized with a similarly colored striped pillow and rug. The confined nature of this area provides the perfect spot to add this statement of color and pattern. 8. Using black and white as her tools, Kristin Rocke creates bold style in a client’s very small bathroom. The stool’s off-kilter stripes are a surprising detail in a space balanced by symmetrically staged fixtures. 9. “People don’t decorate bathrooms, so you give them levels of finishes,” says architect Scott Jaffa, who layered finishes and fixtures of dark and light to create this modern Park City bathroom. The colors contrast, as does the visual weight of delicate Sonneman pendant lights paired with the dark mass of Oregon pine cabinets from Peppertree Cabinets and the stone countertop and wall tiles from European Marble. 58
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PHOTOS BY SCOT ZIMMERMAN (3)
6. To replicate the forest surrounding this bedroom’s Park City home, designer Kristin Rocke dressed the walls in a graphic Cole & Son’s Aspen Branch wallpaper. Finished in stark white, the modern canopy bed doesn’t detract from views of the trees, indoors or out.
PHOTO BY WILLIAM WALDRON
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10. By painting this front door black, designer Shea McGee hints at the classic color palette flowing throughout the home. Played against a canvas of white walls, refined black accents move the eye across the interior without darkening or bullying its light-filled dĂŠcor.
PHOTO LEFT BY MCGEE STUDIO; RIGHT BY SCOT ZIMMERMAN
11. To create a classic, chic kitchen in a Holladay home remodeled by Upland Development, designers Nicole Thompson and Bennett Lee fearlessly contrasted floor-to-ceiling white cabinetry with strong shots of black captured in the island countertop, range hood, shades and graphic tiles. 10
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While remodeling a Providence Tudor-style home, designer Michele Dunker capitalized on steep rooflines when designing top-floor sleeping quarters. Striped wallpaper from Osborne & Little accentuates the ceiling’s peak while visually broadening the wall with a horizontal orientation. A series of framed glass panels integrated into a new dropped ceiling draw light into the room from existing skylights.
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Designer Michele Dunker framed panels of Barbara Barry’s In Bloom wallpaper by Kravet to add a soft pattern to an attic-space bedroom.
Anne-Marie Barton capitalized on this small bathroom’s shape. “By adding nickel board, we made the most of the angles and roof lines to create artistic forms and drama,” she says.
Pitch Perfect
In Park City, homeowners John Plunkett and Barbara Kuhr created an under-the-rafters living area illuminated by a skylight.
Whether its an old attic or newly built upper level, shapely top-floor spaces live it up in today’s homes. BY BRAD MEE
PHOTOS BY SCOT ZIMMERMAN
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e all have an idyllic image in our heads when we think about attic rooms: cozy spaces shaped by angled ceilings, sloped walls and porthole-like dormer windows. Frequently accessed by hidden staircases or out-of-the-way hallways, they are like secret retreats offering an escape from everyday life below. Is it any wonder so many homeowners are transforming unfinished attics into away-from-it-all suites or, for that matter, adding architecturally dynamic attic-shaped sleeping quarters or top-floor living spaces to newly built homes?
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In the attic space of a remodeled 1880s home, Robert McArthur added a bedroom window and framed it with a delightful built-in bench that runs from the floor to the rafters.
“People are naturally drawn to their charm,” says designer Robert McArthur, who has remodeled many attics and has added many rooms to his clients’ top floors. “It’s creating a space that’s not just a box and has dimension and character,” he says. Designer Michele Dunker agrees. “Attics are naturally cozy and quaint, and nearly all of my clients want to make use of the space,” she explains. But while attics are unquestionably alluring, designing and creating living areas from them come with challenges. From the very beginning, McArthur urges clients to determine the intended purpose of the space and who will use it. The dimensions of existing attics often drive this decision. So, he suggests, climb into your attic. “Until you are in the space, its hard to know if it is usable or not,” he says, recalling a playroom he created featuring only 5-foot-high ceilings—a top-floor space big enough for youngsters but clearly not suitable for a master suite. “Obviously with new construction you control this,” he says. For example, he recently created a new attic above a client’s carriage house, allowing him to control the ceiling height and roof pitch. But even new construction requires thoughtful design and creative solutions. “You want to make sure the space blends in with the rest of the neighborhood and the scale of the existing home,” McArthur insists. Some homeowners are dubious about top-floor living because of the attic’s reputation for being dark and stuffy. McArthur suggests adding dormer or even larger shed dormers, pulling light inside dim top-floor spaces. These architectural features also increase livable space, he says. The designer also suggests skylights, which can sit on the trusses, increasing a room’s character, natural light and even headroom. He favors Velux, a skylight system that opens when needed. Dunker is also a fan of overhead windows. “Skylights and Skytubes can deliver a light from above that is almost ethereal,” she says.
Windows of Opportunity Available in many forms, dormers can transform a dark and dull attic by adding light, space and architectural character to top-floor living quarters.
Shed Dormer
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Eyebrow Dormer
Gabled Dormer
Beams break up the vastness of this large top-floor bunk room designed by Anne-Marie Barton. Deep-seated dormers make bold architectural statements, frame views and enlarge the room’s living space. A bank of custom bunks is built into the sloped walls and pitched ceiling.
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Robert McArthur created a small bedroom shaped from a gable and short shallow roof pitch. “We built in the bed and a playhouse to save floor space,” he says.
“It’s creating a space that’s not just a box and has dimension and character.” —Robert McArthur
Getting to and from an attic also requires thoughtful design. “The best way to create access is to add a stairway on top of an existing stairway, because you already have the footprint,” McArthur explains. He also looks to existing hallways and corridors for access into an adjoining attic on the same or approximate level. A top-floor hallway, for example, can often lead into the attic above an attached garage or one built above an existing porch or covered patio.
A bed and whimsical chandelier are centered in a new bedroom shaped by sloped walls and a boxy dormer window. Design by Robert McArthur.
By completely wrapping this small top-floor bathroom in a large-pattern wallpaper, designer Anne-Marie Barton cleverly transformed the oddly shaped room into a jewel box-like space.
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Designer Michele Dunker made the most of the space below this room’s sloped walls by integrating the bed into the confined area and creating a custom tufted headboard that celebrates the room’s challenging yet charming architecture.
“Homeowners need to be flexible about where the access is located,” McArthur explains. They also need to be open to savvy design ideas. An attic’s unique architectural features and odd dimensions provide opportunities for captivating design treatments as proven by many designers throughout Utah. For a Logan-area client, Michelle Dunker remodeled the top floor of a Tudor-style home—replete with steep-pitched ceilings and dormers—to include two uniquely shaped and entirely captivating bedrooms. “You have to consider what parts of the space can accommodate a standing person and what activities like sleeping and sitting occur in the lower part of the sloped walls,” she explains. She used the peaked ceilings and sloped walls to shape eye-catching headboard walls and surprising walk-in closets. Short side walls house built-in book shelves and framed wallpaper panels that accentuate the room’s sloped surfaces and jutting dormers. McArthur was equally creative while remodeling a historic cottage in Salt Lake City. He took advantage of the top floor’s low knee walls and sloped ceilings—some existing and others created—to incorporate captivating
window seats, children’s built-in bunks and even a playhouse. Similarly, designer Anne-Marie Barton designed the top floor of a new Holladay home with grand dormers and peaked roofs to house large, built-in bunks. “When the house plans revealed an open pitch usable for a living space, I immediately gravitated to the idea of a traditional over-the-garage space and turning it into a bunk room,” she says. Barton amped the charm of nearby bathrooms by highlighting the small rooms’ unique slopes and shapes with all-over wall treatments. “Even if a space is tight, a wrap of wall covering on walls and ceilings makes for a dramatic effect,” she explains. For anyone considering an attic renovation, McArthur suggests pulling together a file of photos that illustrate the look and feel they want from their top-floor quarters. “A picture is worth a thousand words,” he says. “A professional can help with the brainstorming process and can give direction.” Once the decision to create an attic living space is made and its design determined, then it’s only a matter of time before the homeowners are living it up.
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NAIL THE LOOK With renewed life, salvaged wood enjoys a stylish and surprising place in homes across Utah. BY BRAD MEE
PHOTOS BY SCOT ZIMMERMAN
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ome people consider salvaged wood as scrap while others regard it as second-hand siding. Both epithets cast it as throw-away timber suitable for little more than building a tree house or a roadside fruit stand. And neither captures the power this material has to deliver bold texture and organic authenticity to rooms of all types. The fact is, salvaged wood is one of the hottest decorating materials on the scene, and surprising to many, it isn’t just for decking out burly lodges and rustic cabins. It looks just as compelling in a modern mountain home and city-center bungalow. That kind of versatility, not to mention natural appeal, explains why it is all the rage today—and why it has a place in most any dwelling, perhaps even yours. If you’re like us, you’ll be amazed at all the creative ways and unexpected places design pros are integrating reclaimed wood into their projects. Here are some of our favorites from across Utah.
1 THE BED A plane of salvaged wood appears to be a full-wall headboard connected to a bed crafted from the same material. Designer Barclay Butera applied the planks horizontally to create a more modern look and cleverly selected white walls and bedding to accentuate the wood’s rich russet tones and linear pattern.
2 THE FIREPLACE A tall fireplace faced in reclaimed wood anchors the living room of a Victory Ranch home in Kamas. Butera used metal to create a sleek modern mantel and narrow posts that graphically segment the span of weathered boards. “Even with the trend toward mountain modern design, people still want that rustic element in their modern homes as a reflection of their mountain surroundings,” he says.
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3 THE POWDER ROOM VANITY A reclaimed snow fence cabinet provides a rustic contrast to this powder bathroom’s smooth blue plastered walls and black stone countertop. Butera restricted the boards to those featuring gray tones to complement the natural color of the stone vessel sink.
4 THE KITCHEN ISLAND In a striking Park City kitchen, barn siding gives an island base a natural, weathered look that can’t be recreated with modern finishes or materials. A variety of wood tones accentuates the repurposed material and its horizontal application. Design by Stanton Architects.
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5 THE TUB As a backdrop to a shapely modern bathtub, a wall of repurposed wood provides an unexpected statement of rustic texture and pattern. By choosing a simple roman shade for the window treatment, Butera didn’t detract from the compelling visual tension created by the sleek tub and primitive wall material.
6 THE BAR In a Park City home, the modern design of a granite waterfall countertop stands out against the room’s rustic barn wood wall. The designers at LMK Interior Design chose the same wood to clad the inner face of the island, tying the elements together. Boards with knots, splits and nail holes were favored to heighten the materials’ compelling contrast. Flowers by Orchid Dynasty.
7 THE FAMILY ROOM WALL
PHOTO COURTESY OF EAZYWALLZ.COM
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Designer Anne-Marie Barton gave a 75-year-old Sugar House bungalow a farmhouse-meetsmodern overhaul and used peel n’ place Stikwood reclaimed planking (see sidebar) to transform its family room wall from bland to texture-rich and rustically chic. The material’s weathered barnwood-look provides a spirited backdrop for the young homeowners’ art collection and guitar.
E-Z DOOR REDO
Looking for a simple DIY way to transform your boring interior door? Peel-and-stick this mural to make it to look like one born from an old barn. OLD WOOD DOOR MURAL, $89, EAZYWALLZ.COM
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PHOTO BY HAZEL KUEHN
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STICK ‘EM UP
PHOTO COURTESY OF STICKWOOD
DIY RECLAIMED AND SUSTAINABLE WOOD PLANKING Peel, stick and stand back to admire your handiwork. Can natural wood walls really be that easy? Stikwood, a California-based company, proves it can be. This is not Brady Bunch-era wood paneling; Stikwood is real wood with a permanent peel and stick adhesive applied to the back. Looks vary from rustic to contemporary, as everything from reclaimed timber—sourced from materials as varied as wine barrels, gymnasium floors and fences—to new and sustainably harvested wood of all different types of trees, are used to create the product. Stikwood doesn’t stop just at accent walls. It can transform any flat interior surface—apply it to ceilings, cabinets or use it as a backsplash. A simple Google search yields pages and pages of inventive ways to use the product, or the scraps from a completed project. Intrepid do-it-yourselfers have used Stikwood to create headboards and even to dress up plain pieces of Ikea furniture. Salt Lake-based designer Anne-Marie Barton has used Stikwood in a number of impressive projects and says it’s “cheaper than art and it adds texture” to existing walls, adding that Stikwood provides a high-impact look at an affordable price. “It is one of the best, most creative tricks out there to create a modern, rustic look,” she says. stikwood.com —Christie Marcy
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8 THE MASTER BATHROOM Repurposed wood can go anywhere, even in a modern bathroom. Designed by Stanton Architects, this Park City bathroom features towers of rough salvaged wood that warm the white, sleek space and adds an organic design element that’s ideally suited for the home’s mountain locale.
9 THE BUNKS For a Tuhaye home, Designer Marian Rockwood created sliding bunk-room doors using wood reclaimed from a former tobacco-processing plant— they still bear an earthy raw tobacco aroma. She incorporated the same natural wood in the room’s stacked beds.
10 THE VANITY MIRROR Years of weather makes old wood more, not less, desirable. In this Wolf Creek bathroom designed by Anne-Marie Barton, it richly dresses the wall and transforms an oval mirror into a work of art. The difference in color between the wall’s repurposed wood and that of the mirror makes Barton’s layered wood treatments more rousing.
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RAW DEAL
A LOCAL FATHER-DAUGHTER TEAM REIMAGINES BARN WOOD AT R.A.W. RESTORATIONS Kate Jensen used to sell mortgages. Now she sells barn wood. For nearly a decade, the Utah native bounced around California, selling mortgages and moving place to place. She says her father, who worked in construction, would often help her recreate things for her apartments replicating what she saw in stores that were either the wrong size or too expensive. Eventually, Jensen traded in her office cubicle for a circular saw, and returned to Salt Lake to start a company, R.A.W. Restorations, with her father, Kelley Jensen. R.A.W. Restorations transforms reclaimed wood from weathered barns into furniture, wall art, floor coverings and more. Jensen has reverence for the history of the material, even though the old wood is more difficult to work. “There’s a whole history behind it that means more than pallet wood,” Kate says. The father-daughter team buys dilapidated, rickety barns decaying on property owned by family and friends or that they have found online, demolish the structures and salvage the lumber. Depending on the barn, the type of wood varies. If the wood is local, it’s most likely Douglas fir. Each wood used in construction, each paint or finish used by the farmers who owned the barn and each year the barn stood all have an impact on the appearance of the wood. No barn’s wood is uniform. When it’s used for furniture, like chairs or a table, the up-cycled wood has to be sanded smooth to avoid splinters, but as wall paneling, the timber can be sanded, finished and waxed, or simply attached to the wall as-is, with its rough texture and character intact. And, obviously, the
PHOTO RIGHT AND ABOVE BY ADAM FINKLE
less the wood is worked, the less work it requires to keep looking good, Kate says. “The upkeep is very, very minimal, you just have to wipe it down when you need to,” she explains. There’s no place barn wood can’t be used, Kate says, having seen barn-wood walls and furniture in bedrooms, kitchens and bathrooms. She and her father even remodeled an Airstream trailer incorporating their barn-wood products, Kate’s favorite project. The barn-wood trend is fueled by what Kate calls an “industrial-urban revolution” but Raw Restorations projects are not just a passing fad, she says. After all, the wood has already survived decades. “The pieces we are building are timeless and they are here to stay.” rawrestorations.com —Christie Marcy
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Homes
Winter WINTER 2016
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Glam Slam
In Highland, an evocative mix of trendy and timeless design elements gives a French-inspired home a hit of haute, livable style. BY BRAD MEE
PHOTOS BY WESTIN COLTON
Elegantly paneled columns separate the main hall from the luxurious living room where traditionally styled furnishings mix with modern metals, lively prints and soothing colors. Above, a chandelier reflected in the mirror glitters above the inviting space. RIGHT: Hanging high above the foyer, a caged sphere chandelier brilliantly accentuates the circular shapes of the ceiling molding and round window.
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F
rom the onset designers Jessica Bennett, Christy Klomp and Kristina Kellettt knew one thing for certain about the interior they would be creating for this large Highland home: It would be as fashion-forward as its young homeowners and as timeless as the French Manor architecture that defines the house and its tony neighborhood. “The wife loves trendy design, so we took a modern approach by adding it in a classic and clean way that speaks to the style of the home,” Bennett says. The team’s tactic presents itself from the get-go. Inside front doors glamorously dressed in black paint and swanky gold hardware, the chic two-story entry daringly introduces the home’s au currant-meets-ageless design. Walls sheathed in traditional paneling rise from a marble floor configured in head-turning geometric shapes. “It’s an edgy pattern the wife would wear, but we created it from classic stone,” Klomp explains. Overhead, a golden orb chandelier shimmers through a round window and hangs below the ceiling’s ringed paneling.
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Located off the foyer, the office is swathed in dark navy blue and features a built-in aquarium that performs like live art. A cowhide surprisingly dresses the dramatically patterned stone floor. LEFT: The foyer’s evocatively patterned floor, classic wall molding, circular door panels and chic hits of black introduce recurring design elements that enrich the entire interior.
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Counter stools by Palazek pull up to one of two islands in the kitchen where elements including gold faucets, brass pendants and two-toned cabinetry add high fashion to the room’s function-forward design.
These elements contribute to a circular motif that subtly flows throughout the home to foster continuity. “You don’t really notice the circles, but they connect the spaces,” says Kellett. The design trio employed black in a similarly strategic manner. “Black has a lot of heritage, but it also adds a casual young vibe,” Bennett says. The designers deftly used the color to embolden window frames and repeated it generously throughout. It glams the powder room ceiling and master suite’s desk, animates the mudroom’s checkerboard limestone floor and accentuates the main stairway’s architectural railing. It also enriches dining room chairs and countless artful accessories. “Contrasting black against the home’s neutral background gives the décor a fresh edge,” Klomp explains. Richly mixed metals accomplish the same.
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OPPOSITE CLOCKWISE FROM TOP LEFT: Upper cabinets boasting diamond-panel doors are painted a soft gray while all other door styles are dressed in white. The designers conceived a structural “X” for the dynamic island base and repeated the motif using the room’s hardware and diamondpaneled door fronts. A Macaubus Quartzite backsplash serves as a backdrop for the kitchen’s head-turning custom hood clad in both silver- and gold-toned metals. Visual Comfort pendants illuminate a Macaubus Quartzite-topped island below. Generous natural light flows from the adjoining family room anchored by a marble-framed fireplace.
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From shimmering gold and brushed brass to brilliant chrome and sleek nickel, the interior’s assorted metals may appear effortless as they recur from space to space, but their dance is carefully choreographed. Rejecting rigid rules, the designers mixed metals in all spaces, tending to employ gold to embellish dressier rooms including the master suite and foyer while fancying silver finishes for more casual areas
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including the lower level family room and kid’s bathrooms. The team also turned to brass and gold to flatter coolercolored surfaces while choosing icier nickel and chrome to dress warm-toned woods and materials. “Metals offer the opportunity to create depth and tension through the contrast of warm versus cool,” Bennett explains. But matching finishes were a no-no. “You have to mix it up with different shades of
In the master bathroom, a freestanding MTI tub sits on a geometrically patterned Calacatta Gold marble floor. Oversized oval custom mirrors framed in antique brass reflect a Visual Comforts Globe Pendant, Arteriors screen and large shower framed in floor-to-ceiling glass. TOP RIGHT: Crowned quartz knobs from Anthropologie bejewel custom vanities located in the master bathroom. BOTTOM RIGHT: Symmetry rules in the master bedroom where a gleaming chrome canopy bed by Bernhardt sparkles between two Vanguard chests. A Gisele Chandelier by Oly glows above.
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DETAIL DRIVEN 1. A large round mirror by Noir and settee by Vanguard furnish the mudroom space where a limestone checkerboard floor adds pattern and a timeless pairing of black and white. 2. As showcased in the family room, layered pillows and throws add comfort and luxury to the classic, modern dÊcor. 3. Large French wine bottles accessorize a console table set behind the family room’s sofa measuring over 13 feet long. 4. Enviable mountain views flood the dining room where a Muriel chandelier by Oly appears to float like a cloud above a custom, brass-fitted table created by Bradshaw Design.
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Located off the kitchen, the spacious family room features a wall of built-in cabinets anchored by a fireplace that boasts a dimensional pearl marble surround edged in brushed brass.
gold or brass, for example, otherwise it will look like paint-bynumber and fall flat,” Klomp says. The designers’ disdain for predictable “dial-it-in design” and their passion for creating surprising “moments” are vividly evident throughout the décor. In the kitchen, a custom gold-andsilver hood and a foursome of brass pendants crown the room with drop-dead chic style. In the nearby dining area, a chandelier of freeform glass orbs floats like clustered clouds in front of view-laden windows. Glamorous knobs of gold-wrapped quartz bejewel the master bathroom’s white vanity, while nearby, a chrome-framed canopy bed shimmers brightly in the dreamy bedroom. “We decided which elements would be the stars in the rooms and let other details play supporting roles,” Bennett explains. “Not everything needs to be a hero,” she insists. The designers’ masterful mix of lux and laid-back, elegant and edgy thwarted any hint of boredom—a feat in a home of this size and scale. “Our goal was to create something different and include surprise and delight around every corner,” says Klomp. Fortunately for the young homeowners who relish the spectacular results, that’s exactly what the talented team did.
Left to right: designer Kristina Kellett, design principal Jessica Bennett and senior designer Christy Klomp from Alice Lane Home Collection in Salt Lake City.
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Going Gray Designer Beth Ann Shepherd creates a sophisticated and surprising palette for a Deer Valley mountain home. BY BRAD MEE
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PHOTOS BY SCOT ZIMMERMAN
Designer Beth Ann Shepherd created dramatic contrast by pairing dark walls and ceilings with light furnishings and texture-rich textiles. A trio of 30-light, polished nickel starburst chandeliers sparkle above the great room. Wide-plank oak floors by K채hrs flow throughout. OPPOSITE: In a lower level hallway, dark walls provide a dramatic backdrop for an oil painting by artist Kwangho Shin.
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t began as a new Deer Valley home being outfitted by its developer with the finishes and fixtures of traditional mountain-style digs: stained woodwork, brawny brown beams and earth-toned stone. While the soon-to-be-homeowners coveted the dwelling as a new ski house, they wanted no part of the traditional direction its decor was taking. Enter interior designer Beth Ann Shepherd. Known for her luxurious interiors and striking, if not surprising, treatments, she was hired to “demountainize” the
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interior and transform its decor into one that suits her clients’ daring and discerning tastes. From the get-go, Shepherd envisioned an interior landscape of gray, because, she explains, her clients are involved in the luxury automotive industry and are surrounded by high-tech machinery, sleek metals and ultra-luxe materials. “I knew this palette would suit them perfectly,” she says. The only question was how much brown the clients would allow
Shepherd replaced the stairway’s conventional rails and posts with contemporary versions crafted by Rocky Mountain Stair Works. The new railings’ circular design repeats in the room’s round light fixtures, barrel back chairs and glasstopped cocktail table. “Round shapes grant architectural and contemporary spaces more movement and flow while softening the structure’s harder lines,” she says.
her to remove. The answer, to her delight, was all of it. The homeowners not only embraced Shepherd’s Fifty Shades of Grey concept, but also insisted that there be no brown in the decor. None. No taupe, no greige, no russet of any sort. As color schemes go, this is a bold departure from the conventional earth-toned mountain palette popular in Park City—and one that thrilled the designer while providing her with plenty of challenges. Shepherd began with the arduous task of removing any hint
of brown or red in the previously stained wood ceilings, beams and millwork. “We had to get them all to a neutral color before we stained them gray,” she explains. And because there were numerous wood species used in the decor, each required a customized version of Shepherd’s three-lacquer process to match exactly. The designer paid equal attention to cloaking other design elements in gray, including existing cabinets, and choosing grayed European white oak engineered flooring that runs WINTER 2016
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Shepherd infused the master bedroom with luxurious furnishings and seductive shades of gray. Moroccan-inspired wallpaper by Colour & Design backs a custom winged headboard. Without blocking mountain views, the cluster of eight clear spheres by Arteriors illuminates the space.
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In the master bedroom, a custom cabinet boasts legs and drawer pulls formed from cast aluminum branches.
Set atop a plush sheepskin, a pair of shapely Eero Saarinen Womb Chairs amps up the master suite’s sexy style.
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GRAY MATTER 1. A wall covered in Andrew Martin wallpaper backs a custom three-piece headboard. 2. Black velvet flocked wallpaper by Zinc Textiles makes chic statements in the home’s powder room. 3. Designer Beth Ann Shepherd, principal of Dressed Design. 4. Soft gray wallpaper and blinds temper a bedroom’s bold statements of black and white. 5. An airplane chair upholstered in black leather accentuates the refined industrial style of a teenage son’s bedroom. 6. Two swivel chairs covered in mohair and albino cowhide join a custom sectional upholstered in double-ply chenille to surround a cocktail table crafted from a silver-leafed tree stump. 4 5
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throughout. She even hand-selected the individual stones that comprise the great room’s fireplace, removing any pieces with even a hint of brown. She was relentless at developing the seductive gray palette. “If one thing was even slightly off, the whole look would fall apart,” she explains. The seamless flow of gray may appear effortless, but it was carefully choreographed. “Everything—the colors, finishes and materials—feed from one room into the next as we slowly revealed them to create pleasure and excitement,” Shepherd says. With the homeowners’ buy-in, Shepherd set her imagination free: How about a trio of 30-light starburst chandeliers floating above the great room? A silver-leafed tree-stump table base and swivel chairs covered in decadent mohair and albino cowhides? Cast aluminum branches performing as legs and drawer pulls on a custom cabinet? “We loved working with these clients,” says Shepherd. “They gave us the freedom to take this home to the edge.”
With such daring design and devilish details, the project didn’t progress without its share of naysayers, Shepherd recalls. There were many treatments that provoked cynics along the way. For example, the designer painted many of the walls with a charcoalcolored primer preparing them for dark wallpaper. “Black walls? Most of the subs and craftsmen thought I was crazy,” Shepherd recalls. Sexy sheer draperies, bold flocked wallpaper and a bunched bubble-like chandelier caused similar eyebrow-raising but caused the designer little concern. “In the end, all of the doubting Thomases were wowed,” she says with a chuckle. Now that the clients have moved into their demountainized hillside getaway, they love it even more that they had imagined. “This home may not be for everyone, but for anyone with great style like these fabulous and fun clients, it’s the perfect combination of comfort, cool and chic luxury,” says Shepherd—with both conviction and, surprisingly, no gray area.
In the lower level screening room, Circus wallpaper by Cole & Sons creates one of the home’s few color statements. A custom sectional/sofa bed and storage ottomans provide generous seating atop a textured rug by Safavieh.
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The bright and airy living room mixes traditional and contemporary, new and old. Eight-inch white oak planks imported from Louisiana ground the room. A catwalk above the great room connects the main house to the guest house. A reclaimed-wood dining table is flanked by fiberglass chairs while a velvet sofa and gray-flannel side chairs add a cozy feel.
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A Matter of Time
Designer Jenny Samuelson gives mountain style an eclectic edge mixing a narrative of past and present in her family’s new Park City home. BY NATALIE TAYLOR
PHOTOS BY SCOT ZIMMERMAN
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n a town where über-modern digs have become the rage, it’s rare to see new homes integrating elements of times past. But that’s exactly what Jenny Samuelson’s new family home in Park City does. “Our goal for the entire house was to make it look timeless,” says Samuelson. “So, literally no one would be able to tell when it was built.” Jenny and her design partner, Julie Chahine, both principal designers for J Squared Interiors, worked hard to create an eclectic design that mixes traditional, contemporary and everything in between. And that meant taking an unconventional approach to the new build. “We added a brick fireplace and then painted over it,” Samuelson explains, “Imagining that it had been there for decades and at one point, a previous owner decided
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they were sick of red brick, took out a can of paint, and went to town.” The Samuelsons hired architect Scott Jaffa, CEO of Jaffa Group Design Build, to design the home. “I knew he would understand me,” she says. Jaffa not only understood, he appreciated her unique vision.“Jenny is both a friend and a client,” says Jaffa. “She has a great aesthetic and brings fresh ideas to the table. She doesn’t want to do what her neighbors are doing or what she sees in a magazine. She let me be creative, which is what I do best. It’s so nice to have a client put so much trust in an architect.” One of the hardest things to express, however, was that she didn’t want things to look perfect—it was okay if paint dripped a bit or didn’t go on totally even. “All of Jaffa Group’s subs were
ABOVE: The Alexander Calder print that Jenny’s husband Kevin gave her for her 40th birthday is front and center in the kitchen. By mixing traditional with contemporary, the design appears to be from an indeterminate decade. Flat-panel painted Shaker cabinets pair with a Thermofoil island. London Gray Caesarstone countertops mix it up with Tolix stools and Ralph Lauren pendant lights. TOP RIGHT: Horizontal lines of the vanity and wall panels give this bathroom a decidedly modern vibe. BOTTOM RIGHT: White, black, and gray hexagon tile on the breakfast room floor inspired the palette for the entire house. Displayed on a dark gray wall, Ghost Station by Ed Ruscha is hung prominently over the table.
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ABOVE: The bold hexagon floor tile serves as the focal point in the master bathroom where light paint, cabinets and counters play a supporting role. “The great folks at Adamson Tile worked tirelessly and suffered some serious vertigo setting that tile, but it was all worth it in the end,” says Samuelson. TOP LEFT: The strong contrast of black and white accentuates the home’s strong architectural details. BOTTOM LEFT: The mudroom pairs an antique desk from Jenny Samuelson’s grandmother with a Lucite chair.
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such professionals, accustomed to doing everything perfectly, that this came as a strange and uncomfortable directive,” she says. “I didn’t want a perfect home; I wanted an interesting home with character.” Although it’s a ski-in home located slopeside on Park City Mountain Resort, the house doesn’t translate as a typical Park City mountain home thanks to wide-paned windows, wood paneling, and accessories including Swiss army blankets that look as though they could be 100 years old. The breakfast room was deliberately designed to appear as though it was an addition, and finishes, such as the reclaimed wood that adorns the fireplace in the master bedroom, can’t be defined by one specific era. “We used a lot of industrial lighting fixtures,” ex-
plains Samuelson. “So it looks as though the fictitious previous owner went through an industrial phase.” But the most important element of history in this 8,500-square-foot home with six bathrooms and seven bedrooms is art. Jenny and her husband Kevin have been collecting art since they met in college. “After we graduated (she earned a bachelor’s degree in art history from UC Berkeley), we lived in Europe,” she says. “We had no money, but what we did have, we spent on art.” Jenny has served on the board of directors at the Kimball Art Center for the past three years so when the drafting began, art took center stage. “Modern builds with great rooms have very little wall space,” she explains. “So the challenge was creating the wall space and color palette WINTER 2016
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MOUNTAIN LIGHT 1. The painting by Brady Gunnell, Oh My God I Miss You So Much, serves as a focal point in the living room where daughters Allie and Zoey play, warmed by a roaring fire.
2. The upstairs family room is a fun and lighthearted space. Because Samuelson wanted the kitchenette to be subtle, all of the appliances are paneled. The eight-inch poplar wall panels add horizontal interest to the room.
3. A simple center roofline is kept free of angles and dormers to maintain a clean, linear look. The simple geometry of the architecture and the palette of grays break up the massing of the house.
4. A favorite room in the home, this cozy and private vestibule outside the master bedroom features dozens of framed family photographs.
5. The custom-built shelves feature an industrial pipe frame paired with reclaimed wood.
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that we needed to display our collection. That meant designing specific spaces for our favorite pieces.” For example, a painting by Brady Gunnell hangs prominently on the brick fireplace and serves as a focal point in the great room. And they opted for a wall instead of a window in the breakfast room.“I wanted to showcase one of our most beloved pieces, Ghost Station, by Ed Ruscha,” says Jenny. So they painted the wood paneling dark gray to make the painting pop. The new home is designed for comfort and family. It mixes new with the old: materials used a long time ago, actual reclaimed materials and custom-built contemporary furniture. It employs traditional forms, shapes and architectural details to create its own rules. In the backyard, six chickens peck in the grass and the dog chases butterflies. For this Park City family, it’s a place where history begins.
ABOVE: The master bedroom features expansive windows that capture the mountain views. A windowpane plaid chair, layers of wool blankets, natural boucle carpet and fireplace clad in reclaimed wood create a warm, cozy and uncluttered space. LEFT: Jenny Samuelson, principal designer, J Squared Interiors.
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DINING I N & O U T
Chicken Feed
Say farewell to the over-sauced boneless breast. Real, on-the-bone chicken is starring on restaurant menus with mouthwatering results. BY MARY MALOUF
PHOTOS BY ADAM FINKLE
They say a golden-skinned, juicy, roasted chicken is the proof of a good chef. And Chef Andy Morrison of Caffe Niche, like many local pros, has rediscovered real chicken. That is, the whole, bone-in version. “Cooking it with the bone in guarantees more flavor,” Morrison says. “So, even though we serve half a chicken, we roast a whole one and then carve it.” Morrison considers chicken the ultimate comfort food. So true. Equally comforting is the knowledge that chicken is better than ever and diners are enjoying more and more tasty opportunities to judge the bird for themselves.
Chicken benefits from additional fat. Chef Andy Morrison of Caffe Niche rubs hers with olive oil and gremolata.
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DINING I N & O U T
Organic
Conventional
The Chicken Choice They look the same and cook the same, but they don’t taste the same. “Tastes like chicken” is a phrase we use to describe rattlesnake, frog legs, turtle, even tofu—meaning bland, mild, nondescript and inoffensive. The problem is that chicken seldom tastes like chicken anymore. That’s because of how chicken is raised and processed: You’ve no doubt seen the movie, Food, Inc., so you know that large-scale chicken farming is one of America’s more disgusting and ecologically disastrous industries. After birds are slaughtered, they are chilled in an icy brine. Then the chicken meat is injected with saline solution to keep it moist and the saline often contains flavorings (lemon, broth, corn syrup, etc.) Sodium
phosphate used to be added to help the chicken retain the moisture; when consumers became concerned about sodium levels, potassium phosphate was substituted—that tends to taste bitter, which calls for more flavorings. You get the picture. Your chicken no longer tastes like chicken. The solution: Organic chicken. It costs a little more than conventional chicken, but the flavor is worth it. Locally, Christiansen Farms, Peterson Farms and Gossner Foods raise chickens. Check Downtown Farmers Market, Liberty Heights Fresh and Caputo’s Deli & Market for local chicken and Harmons and Whole Foods for organically raised birds.
Who's Mary? On many fine restaurant menus you’ll see the words “Mary’s Chicken.” Mary is not the name of the cook. Mary’s Free Range Chicken is one of the largest organic chicken brands in the country. The chickens are raised on the Pittman family ranch— pasture raised, vegetarian fed and air—rather than water—chilled. This means it’s not only better for the planet but tastes terrific—like chicken. maryschickens.com
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GETTING SAUCED Caffe Niche’s Andy Morrison marinates her chicken in a pungent gremolata. The mixture of fresh parsley, lemon and garlic is a great counterpoint to the aromatic chicken. Here are some other sauce and accent ideas for basic roast chicken (recipe page 103): › Remove the vegetables from the drippings in the roasting pan. Then add 1/2 cup broth (made from the giblets), 1/4 cup wine (white or red) and boil rapidly until it reduces slightly. Season to taste and pour over chicken. › Remove the vegetables from the drippings in the roasting pan. Then add 1/2 cup diced onion and saute until limp. Stir in 1 1/2 cups halved cherry tomatoes and saute with the onions until the mixture is saucy. Finish with a teaspoon of balsamic vinaigrette. › Thin pesto with some olive oil and drizzle over the chicken. › Buy some pico de gallo and some mango salsa and stir together equal parts of both. Warm slightly. › Put 1 bunch parsley, 1 bunch cilantro, 3 Tbsp. capers, 2 cloves of garlic, 1/2 cup olive oil, 1 1/2 Tbsp. vinegar in the bowl of a food processor and pulse until chopped but not pureed. Stir in red pepper, salt and black pepper to taste.
DINING I N & O U T
Basic Roast Chicken
DID YOU KNOW ...
Ingredients
• Thanks to humans, there are more chickens on the planet than any other bird. • Chickens were first domesticated 10,000 years ago in Vietnam and are bred to optimally produce either eggs or meat. • Chickens are omnivores: They eat grain, but they also eat bugs, even lizards and mice, if they get the chance. • Chickens are flocking birds, and they do not fly for any distance.
THE PERFECT POUR
Red or White?
Forget the old “red with meat, white with poultry” rule of pairing wine with chicken. Think instead about the sauce and side dishes you’re going to serve it with. And when in doubt, go with a dry rosé, the summer favorite that’s now being drunk all year round.
1 whole chicken, around 5 pounds Salt Pepper Fresh thyme Lemon Garlic Softened butter
ALL ABOUT THAT BASTE The right tools are the secret to preparing a beautifully roasted chicken
Instructions Remove the giblets and use them to make broth. Brine if you want to—for 2-8 hours in a mixture of 1 gallon water, 1/2 cup kosher salt, 1/3 cup brown sugar and several large herb sprigs (thyme, rosemary, lavender, for example.) Note that this is pretty much what the big chicken processors do when they inject their birds, but now you aren’t paying for it by the pound. In any case, rinse the chicken and pat dry. Squeeze half a lemon over the outside of the bird and put the squeezed half lemon in the cavity along with several peeled cloves of garlic, some large sprigs of thyme or rosemary. Tuck the wings under the breast so the chicken rests comfortably. Preheat the oven to 425. Spread softened butter over the skin and put the chicken on a rack. Cut up a carrot, half a fennel bulb and a quarter of an onion and put them in the roasting pan. Place the chicken in the oven. In about 15 minutes, start basting the chicken with pan juices and reduce heat to 350. Continue to cook and baste until the bird’s internal temperature is 155-160. Remove the chicken from oven and let it rest 10 minutes before carving.
Glass bulb baster, $20, Williams-Sonoma, SLC
Convertible chicken roaster, $30, Williams-Sonoma, SLC
Le Creuset Bijou basting brushes, $13 each, Sur La Table, SLC
Le Creuset small stainless steel roaster, $270, Sur La Table, SLC
COUNT YOUR CHICKENS
Chicken tops more and more menus across Salt Lake City KOTOPOULO
POULET
POLLO
CHICKEN
Manoli’s seasons chicken with Greek flavors in the Kota Me Hamomili, half a roasted Mary’s chicken with chamomile broth and a lemon rice pilaf.
The Paris gives chicken a French twist—all-natural wood-oven roasted chicken breast with a lavender-honey glaze, roasted root vegetables and arugula salad.
Stoneground Italian Kitchen braises Mary’s chicken in saffron and serves it with crisp fingerling potatoes, zucchini and pomodoro.
Caffe Niche serves half a Mary’s chicken, marinated in gremolata and roasted, served with Dijon potato salad and haricots verts.
402 E. 900 South, SLC, 801-532-3760
1500 S. 1500 East, SLC, 801-486-5585
249 E. 400 South, SLC, 801-364-1368
779 E. 300 South, SLC, 801-433-3380
Non-stick adjustable roasting rack, $9, Orson Gygi, SLC
OXO leave-in meat thermometer, $17, Orson Gygi, SLC
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2016 Dining Awards Cast Your Vote Readers’ Choice
Vote for your favorite restaurant for a chance to win two tickets to the 2016 Dining Awards Or click on the rotating home image on saltlakemagazine.com NO PURCHASE NECESSARY TO ENTER. MUST BE 21 YEARS OR OLDER TO WIN. CONTEST ENDS JANUARY 14, 2015
DESIGN DIRECTORY
“When the house plans revealed an open pitch usable for a living space, I immediately gravitated to the idea of a traditional over-thegarage space and turning it into a bunk room.” —Anne-Marie Barton, p. 65
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DESIGN DIRECTORY Architects LLOYD ARCHITECTS 573 E. 600 South, SLC 801-328-3245 lloyd-arch.com Architectural Elements & Details ICONOGRAPHY 1146 S. Richards Street, SLC 801-400-0000 iconographyfinishes.com
MARSALA & CO. 2196 E Fair Winns Lane, Draper 801-652-2899 marsalaco.com
UTAH RUGS 2876 S. Highland Dr., SLC 801-359-6000 utahrugs.com
UPLAND DEVELOPMENT Holladay 801-910-9913 or 801-910-7454 uplanddevelopment.com
Furniture COPENHAGEN WEST 5410 S. 900 East, SLC 801-266-5818 copenhagenwest.com
Cabinetry WOOD-MODE FINE CUSTOM CABINETRY 408-296-1020 wood-mode.com
INSIDE OUT ARCHITECTURALS 3410 S. 300 West, SLC 801-487-3274 insideoutarchitecturals.com
TEERLINK CABINET 4689 S. Holladay Blvd, Holladay 801-278-4400 teerlinkcabinet.com
Builders/Contractors/Construction JACKSON & LEROY 4980 S. Highland Dr., SLC 801-277-3927 jacksonandleroy.com
Flooring ADIB’S RUG GALLERY 3092 S. Highland Dr., SLC 801-484-6364 or 800-445-RUGS adibs.com
DETAILS COMFORTS FOR THE HOME 1987 S. 1100 East, SLC 801-364-8963 detailscomforts.com ETHAN ALLEN 10390 S. State St., Sandy 801-571-1015 ethanallen.com GATEHOUSE NO. 1 672 S. State Street, Orem 801-225-9505 gatehousestyle.com
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“I CAN
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I START I HEARD IT RM NFO ENTERTAIN I
ON NPR.” -SUSTAINING MEMBER OF
SP
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HUMBLE DWELLINGS 1265 E. Draper Parkway, Draper 801-613-9570 humble-dwellingsfurniture.com INVICTUS STEELWORKS 3677 N. Highway 126, Suite M, Farr West 801-605-8082 invictussteelworks.com JOHN BROOKS INC 601 S. Broadway Denver, Colorado 303-698-9977 johnbrooksinc.com K & R INTERIORS 736 W. 300 South, SLC 801-364-2128 krbeds.com LIV SHOWROOM 470 S. Main Street, Bountiful 801-295-5442 livshowroom.com SAN FRANCISCO DESIGN Salt Lake City 2970 S. Highland Dr., SLC 801-467-2701, 800-497-2701 Park City 1890 Bonanza Drive, Park City 435-645-7072, 800-497-7072 sanfrandesign.com Home Accessories & Gifts MODERN DISPLAY 424 S. 700 East, SLC 801-355-7427 moderndisplay.com O.C. TANNER JEWELERS 15 S. State St., SLC 801-532-3222 octannerstore.com Interior Design AMB DESIGN 4680 Kelly Cir., SLC 801-272-8680 annemariebarton.com
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DESIGN DIRECTORY BARCLAY BUTERA INTERIORS 255 Heber Ave., Park City 435-649-5540 barclaybutera.com BENGT ERLANDSSON INTERIOR DESIGN 579 E. 100 South, SLC 801-618-6947 bengtdesigns.com THE BLACK GOOSE DESIGN 7652 South Holden Street, Midvale 801-562-1933 theblackgoosedesign.com THE DESIGN HOUSE INTERIOR DESIGN 432 South Temple, SLC 385-229-4000 TDHID.com
architecture interiors aerials resorts 1.800.279.2757 scotzimmermanphotography.com
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GREGG HODSON INTERIOR DESIGN 1360 E. South Temple, SLC 801-532-4465 gregghodsondesign.com
K.ROCKE DESIGN/GLASS HOUSE 3910 S. Highland Dr., SLC 801-274-2720 krockedesign.com
HAMILTON PARK INTERIORS 174 E. Winchester St., Murray 801-892-3444 hamiltonparkinteriors.com
Kitchen and Bath Showrooms PEPPERTREE KITCHEN & BATH 7940 S. 1300 West, West Jordan 801-565-1654 peppertreekitchen.com
HARKER DESIGN 2816 Highland Drive, SLC 385-227-8241 harkerdesign.com LMK INTERIOR DESIGN SALT LAKE CITY 4626 S. Highland Dr., SLC 801-272-9121 PALM SPRINGS, CALIF. 760-325-2959 lmkinteriordesign.com
THE STONE COLLECTION 2179 S. Commerce Center Drive Suite 500, West Valley City 303-307-8100 thestonecollection.com EUROPEAN MARBLE AND GRANITE 2575 S. 600 West, SLC 801-974-0333 europeanmarbleandgranite.net
DESIGN DIRECTORY Landscape Design BIG ROCK 4980 Highland Dr., Ste. B, Holladay 866-288-9501 bigrockinc.com SEASONS FOUR LANDSCAPE AND MAINTENANCE, LLC 640 North Main Suite 1223, SLC 801-694-3141 seasonsfourlandscape.com TUCK LANDSCAPE 801-266-1802 tucklandscape.com Media/Television KRCL 90.9 FM 801-363-1818 krcl.org KUER 90.1 FM/HD 101 S. Wasatch Dr., SLC 801-581-6625 kuer.org
Photography BRUCE AOKI 801.550.1599 bruceaokiphotography.com
MONTAGE RESIDENCES 9100 Marsac Ave, Park City 866-318-9765 montageresidencesdeervalley.com
SCOT ZIMMERMAN PHOTOGRAPHY Heber City 435-654-2757 scotzimmermanphotography.com
SUMMIT CREEK 801-639-0944 summitcreek7.com RED LEDGES Heber City 877-733-5334 redledges.com
Real Estate CITY HOME COLLECTIVE 645 E. South Temple, SLC 801-718-5555 cityhomecollective.com
WOODSIDE HOMES 460 W. 50 North #200, SLC 801-299-6700 woodsidehomes.com
THE COLONY AT WHITE PINE CANYON 2455 White Pine Canyon Rd, Park City 435-658-0048 thecolonywpc.com
Retail FOOTHILL FITNESS 161 S. Foothill Drive, SLC 801-484-9489 foothill-fitness.com
JORDANELLE RIDGE RiverViewUt.com
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T R E A D M I L L S · E L L I P T I C A L S · E X E R C I S E B I K E S · H O M E & CO M M E R C I A L G Y M D E S I G N
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1615 SOUTH FOOTHILL DRIVE · SALT LAKE CITY, UT 84108 · 801.484.9489 · www.foothill-fitness.com
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SOURCES STYLE FILE
Page 39 Editor’s Pick Inside Out Architecturals. SLC, insideoutarchitecturals.com; Harlequin, harlequin.uk.com Page 40 Runway and Rooms ABC Home, abchome.com; Alice Lane Home Collection, SLC, alicelanehome.com; Anthropologie, SLC, anthropologie.com; Crate & Barrel, Murray, crateandbarrel.com; Harlequin, harlequin.uk.com; Jonathan Adler, jonathanadler. com; O.C. Tanner Jewelers, SLC, octanner.com; Studio McGee, SLC, studio-mcgee.com; The Children’s Hour, SLC, childrenshourbookstore.com ; Williams-Sonoma, SLC, william-sonoma.com Page 42 Profile Interwoven, hellointerwoven.com Page 44 In Good Taste Undercurrent, SLC, undercurrentbar.com Page 46 About Town Trolley Square, SLC, trolleysquare.com; Alice Lane Home Collection, SLC, alicelanehome.com; Pottery Barn, SLC,potterybarn.com; Tabula Rasa, SLC, tabularasastationers.com; The Steampunk Spectacle, SLC, thespectacle.com; WilliamSonoma, SLC, williams-sonoma.com Page 48 Art Scene Julie Nester Gallery, Park City, julienestergallery. com; Sunny Taylor, SLC, sunny-taylor.com; Utah Museum of Fine Arts, SLC, umfa.utah.edu.
peppertreekitchen.com; Scott Jaffa, Jaffa Group, Park City, jaffagroup.com; Shea McGee, Studio McGee, SLC, studio-mcgee.com; Upland Development, SLC, uplanddevelopment.com Designer Michele Dunker framed panels of Barbara Barry’s In Bloom wallpaper by Kravet to add a soft pattern to an attic-space bedroom.
Anne-Marie Barton capitalized on this small bathroom’s shape. “By adding nickel board, we made the most of the angles and roof lines to create artistic forms and drama,” she says.
Pitch Perfect
In Park City, homeowners John Plunkett and Barbara Kuhr created an under-the-rafters living area illuminated by a skylight.
Whether its an old attic or newly built upper level, shapely top-floor spaces live it up in today’s homes. BY BRAD MEE
PHOTOS BY SCOT ZIMMERMAN
W
e all have an idyllic image in our heads when we think about attic rooms: cozy spaces shaped by angled ceilings, sloped walls and porthole-like dormer windows. Frequently accessed by hidden staircases or out-of-the-way hallways, they are like secret retreats offering an escape from everyday life below. Is it any wonder so many homeowners are transforming unfinished attics into away-from-it-all suites or, for that matter, adding architecturally dynamic attic-shaped sleeping
While remodeling a Providence Tudor-style home, designer Michele Dunker capitalized on steep rooflines when designing top-floor sleeping quarters. Striped wallpaper from Osborne & Little accentuates the ceiling’s peak while visually broadening the wall with a horizontal orientation. A series of framed glass panels integrated into a new dropped ceiling draw light into the room from existing skylights.
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quarters or top-floor living spaces to newly built homes?
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PITCH PERFECT
Pages 60-65 Anne-Marie Barton, AMB Design, SLC, annemariebarton.com; Michele Dunker, Dunker Beal Interior Design, SLC and Logan, dunkerbeal. com; Robert McArthur, Robert McArthur Studios, Bountiful, robertgmcarthurstudios.com
S
ome people consider salvaged wood as scrap while others regard it as second-hand siding. Both epithets cast it as throw-away timber suitable for little more than building a tree house or a roadside fruit stand. And neither captures the power this material has to deliver bold texture and organic authenticity to rooms of all types. The fact is, salvaged wood is one of the hottest decorating materials on the scene, and surprising to many, it isn’t just for decking out burly lodges and rustic cabins. It looks just as compelling in a modern mountain home and city-center bungalow. That kind of versatility, not to mention natural appeal, explains why it is all the rage today—and why it has a place in most any dwelling, perhaps even yours. If you’re like us, you’ll be amazed at all the creative ways and unexpected places design pros are integrating reclaimed wood into their projects. Here are some of our favorites from across Utah.
1 THE BED A plane of salvaged wood appears to be a full-wall headboard connected to a bed crafted from the same material. Designer Barclay Butera applied the planks horizontally to create a more modern look and cleverly selected white walls and bedding to accentuate the wood’s rich russet tones and linear pattern.
2 THE FIREPLACE A tall fireplace faced in reclaimed wood anchors the living room of a Victory Ranch home in Kamas. Butera used metal to create a sleek modern mantel and narrow posts that graphically segment
INTERIORS B AT H R O O M
the span of weathered boards. “Even with the trend toward mountain modern design, people still want that rustic element in their modern
NAIL THE LOOK BY BRAD MEE
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homes as a reflection of their mountain surroundings,” he says.
3 THE POWDER ROOM VANITY A reclaimed snow fence cabinet provides a rustic contrast to this powder bathroom’s smooth blue
With renewed life, salvaged wood enjoys a stylish and surprising place in homes across Utah.
plastered walls and black stone countertop. Butera restricted the boards to those featuring gray tones to complement the natural color of the stone vessel sink.
PHOTOS BY SCOT ZIMMERMAN
4 THE KITCHEN ISLAND In a striking Park City kitchen, barn siding gives an island base a natural, weathered look that can’t be recreated with modern finishes or materials. A variety of wood tones accentuates the repurposed 1
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material and its horizontal application. Design by Stanton Architects.
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NAIL THE LOOK Quiet Please Forget loud, overworked and oversized. This modestly sized Millcreek bathroom proves clean design and simple details can soak a space in calm, comforting and ultra-cool style. BY BRAD MEE
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PHOTOS BY SCOT ZIMMERMAN
LEFT: Frosted-glass barn doors perform like large mirrors, reflecting the light and color of the bathroom beyond. ABOVE: A walnut-faced cabinet crafted by Ray Bird appears to float on a wall of powder blue mosaic tile from Walker Zanger.
W
hen architect Warren Lloyd describes this modestly sized master bathroom as quiet, he doesn’t mean it’s silent. He’s
light and soft natural light throughout the day. “The windows are unconventionally high, offering plenty of light and views of
referring to the space’s absence of clutter, its lack of excessive space and dearth of unnecessary detail. “A quiet room calms
the mountains without sacrificing privacy or requiring blinds or window coverings,” Lloyd explains. He and interior designer
you visually and emotionally,” he says. That’s exactly the effect the bathroom has on its owners who relish its thoughtful mix of simplicity and style.
Susan Taggart made the most of the light using a palette of calming classic marble and cool blue accent tile. “The space resonates with people because it’s clean, simple and more inter-
With its ideal eastern orientation and elevated, slot-like windows, this Millcreek-area bathroom is awash in cheery morning
esting than plain-white subway tile,” he says. Glass and reflective finishes accentuate the room’s light and WINTER 2016
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INTERIORS
Pages 52-55 Architect: Lloyd Architects, SLC, lloyd-arch.com; Interior Design: Susan Taggart Design, SLC, 801583-0710; Ray Bird Design, Murray, raybirddesign.com
Pages 66-71 Barclay Butera, Barclay Butera Interior Design, Park City, barclaybutera.com; Anne-Marie Barton, AMB Design, SLC, annemariebarton.com; LMK Interior Design, SLC, lmkinteriordesign.com; Marian Rockwood, Park City, mhrinteriors.com; Stanton Architects, Park City, stantonarchitects. com; R.A.W. Restorations, rawrestorations.com
Glam Slam
TRENDS
Pages 56-59 Beth Ann Shepherd, dresseddesign.com; European Marble & Granite, SLC, europeanmarbleandgranite.net; Jackson & LeRoy, SLC, jacksonandleroy.com; Jessica Bennett, Christy Klomp and Kristina Kellet, Alice Lane Home Collection, SLC, alicelanehome.com; Kathryn Anderson, Kathryn Anderson Architect PC, SLC, 801-582-5282 ; Kristin Rocke, Krocke Design, SLC, krockedesign.com; Nicole Thompson and Bennett Lee, The Design House Interior Design, SLC, tdhid. com; Peppertree Kitchen & Bath, SLC,
In Highland, an evocative mix of trendy and timeless design elements gives a French-inspired home a hit of haute, livable style. BY BRAD MEE
PHOTOS BY WESTIN COLTON
Elegantly paneled columns separate the main hall from the luxurious living room where traditionally styled furnishings mix with modern metals, lively prints and soothing colors. Above, a chandelier reflected in the mirror glitters above the inviting space. RIGHT: Hanging high above the foyer, a caged sphere chandelier brilliantly accentuates the circular shapes of the ceiling molding and round window.
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GLAM SLAM
Pages 74-83 Interior designers: Jessica Bennett (Design Principle), Christy Klomp (Senior Designer),
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Kristina Kellett (Designer), Kendra Stephenson (Jr. Designer), Griffin McCabe (Jr. Designer), Alice Lane Home Collection, SLC, alicelanehome.com; Architect: Curtis Minor, Curtis Minor Architecture, Pleasant Grove, cmautah.com; Contractor: Matt McEwan, McEwan Custom Homes, Alpine, mcewancustomhomes.com; Landscape Designer: Jeremy Fillmore, Northland Design Group, Provo, northland-design.com; Kitchen Designers: Jessica Bennett & Christy Klomp; Alice Lane Home Collection, SLC, alicelandhome.com; Millwork: Columbia Millworks, Vineyard, columbiamillworks.com; Custom Cabinetry: Mountain Cabinetry Inc., Heber, mountaincabinetry.com; Metal Work: ACVI Metals, SLC, acw-roofing-sheetmetal.com; Bathroom countertops Supplier: Italia Marble & Granite, SLC, italiagranite.com; Fabricator: The Stone Shop, Lindon, thestoneshoputah.com; Flooring: Westco Carpet & Interiors; Orem, westcocarpets.com; Carpet: Cori Brown Associates; SLC, bloomsburgcarpet.com; Pool: Paradise Pools, Lindon, paradisepoolsutah.com Page 74 Main Living Room Cocktail Table: Vanguard; Bench: Oly; Art: Zoe Bios Creative; Chandelier: Currey & Co.; Glass front cabinet: Zentique; Rug: Safavieh; all from Alice Lane Home Collection, SLC,alicelanehome.com Page 76 Entry Art: Zoe’s Bios Creative; console: Noir; chandelier: Visual Comfort; all from Alice Lane Home Collection, SLC, alicelanehome.com; flooring: Daltile, SLC, daltile.com; front doors: Custom built by Sunroc, Lindon, building sunroc.com Page 77 Office Desk: Custom made by Hickory Chair; Art: Leftbank; Rug: Saddle Men of Santa Fe; Accent table: Madegoods; all from Alice Lane Home Collection; SLC; alicelanehome.com Page 78 Kitchen Cabinets: Custom made by Mountain Cabinetry, Heber, mountaincabinetry.com; Cabinet hardware: Rocky Mountain Hardware; Lights: Visual Comforts; Bar stools: Palezek, all from Alice Lane Home Collection, SLC, alicelanehome.com; backsplash and countertops: Italia Granite, SLC, italiagranite. com; Faucetry: Waterstone, Standard Plumbing, Orem, standardplubming.com; Appliances: Mountain Land Design, SLC, mountainlanddesign.com Page 80 Master Bathroom Bath tub: MTI Baths; Standard Plumbing, Orem, standardplumbing.com; Cabinetry: Custom made by Mountain Cabinetry, Heber, mountaincabinetry.com; Vanity countertop and shower: The Stone Shop, Lindon, thestoneshoputah.com; Mirrors: custom made by ACW Metals, SLC, acw-roofing-sheetmetal. com; Chandelier and sconces: Visual Comforts; Alice Lane Home Collection, alicelanehome. com; Flooring: Daltile, SLC, daltile.com; Vanity
USD (ISSN 1941-2169) Utah Style & Design is published quarterly (Winter, Spring, Summer and Fall) by Utah Partners Publishing, L.L.P. Editorial, advertising and administrative office: 515 S. 700 East, Suite 3i, Salt Lake City, UT 84102. Telephone: 801-485-5100; fax 801-485-5133. Periodicals Postage Paid at Salt Lake City and at additional mailing offices. Subscriptions: One year ($9.95); two years ($17.95); outside the continental U.S. add $20 a year. Toll-free subscription number: 855-276-4395. POSTMASTER: Send address changes to Utah Style & Design/Subscription Dept., 1745 Greens Road, Houston, TX 77032-9945. Copyright 2016, JES Publishing Corp. No whole or part of the contents may be reproduced in any manner without prior permission of Utah Style & Design, excepting individually copyrighted articles and photographs. Manuscripts accompanied by SASE are accepted, but no responsibility will be assumed for unsolicited contributions.
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jeweled hardware: Anthropologie; anthropologie.com Page 81 Master Bedroom Canopy Bed: Bernhardt; Chaise: Hickory Chair; Rug: Safavieh; Bedside chests: Vanguard; Bedside lamps and fireplace sconces: Visual Comfort; Chandelier: Oly Studio; all from Alice Lane Home Collection; SLC, aliclanehome. com; Drapery fabric: Restoration Hardware, SLC, restorationhardware.com Page 82 Dining Room Table: Custom made by Bradshaw Design, SLC, bradshawfurniture.com; Chairs: Four Hands; Chandelier: Oly, both from Alice Lane Home Collection; SLC, alicelandhome.com Page 82 Mudroom Bench: Vanguard; Mirror: Noir; both from Alice Lane Home Collection, SLC, alicelanehome. com; Floors: Daltile, SLC, daltile.com Page 83 Family Room Cabinets-Shelves: Custom made by Mountain Cabinetry Inc., Heber, mountaincabinetry. com; Fireplace surround: The Stone Shop, Lindon, thestoneshoputah.com; Metal mantle: ACW Metals, SLC, acw-roofing-sheetmetal. com; Cocktail table: Vangaurd; Lounge chairs and ottomans: Hickory Chair; rug: Safavieh; Sofa: Mitchell Gold + Bob Williams; Leather chair and ottoman: Wesley Hall; glass bottles: Dovetail; chandelier: Robert Abbey; all from Alice Lane Home Collection; alicelanehome.com Designer Beth Ann Shepherd created dramatic contrast by pairing dark walls and ceilings with light furnishings and texture-rich textiles. A trio of 30-light, polished nickel starburst chandeliers sparkle above the great room. Wide-plank oak floors by Kährs flow throughout. OPPOSITE: In a lower level hallway, dark walls provide a dramatic backdrop for an oil painting by artist Kwangho Shin.
Going Gray Designer Beth Ann Shepherd creates a sophisticated and surprising palette for a Deer Valley mountain home. BY BRAD MEE
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PHOTOS BY SCOT ZIMMERMAN
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GOING GRAY
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Pages 84-91 Interior designer: Beth Ann Shepherd, Dressed Design, dresseddesign.com; Architect: Mark Walker, Otto-Walker Architects, Park City, ottowalker.com; Contractor: Ralph Anderson, Ralph Anderson Construction, Park City; Flooring: Kahrs, kahrs.com Page 85 Dining Room Table and chairs: Custom made by Dressed Design, dresseddesign.com Pages 86 Entry Staircase: Rocky Mountain Stair Works, SLC, rockymountainstairworks.com Pages 88 Master Bedroom Chairs and bed: Custom made by Dressed Design, dresseddesign.com; Wallpaper: Colour & Design, colouranddesign.com Pages 90 Living Room Sectional and arm chairs: custom made by Dressed Design, dresseddesign.com Pages 91 Lower level Family Room Sectional and ottoman: Custom made by Dressed Design, dresseddesign.com; Art: Nick Veasey, Evan Lurie Gallery, evanluriegallery.
com; Wallpaper: Cole & Sons, cole-and-son. com; rug: Safavieh, safavieh.com
A Matter of Time
Designer Jenny Samuelson gives mountain style an eclectic edge mixing a narrative of past and present in her family’s new Park City home. BY NATALIE TAYLOR
PHOTOS BY SCOT ZIMMERMAN
The bright and airy living room mixes traditional and contemporary, new and old. Eight-inch white oak planks imported from Louisiana ground the room. A catwalk above the great room connects the main house to the guest house. A reclaimed-wood dining table is flanked by fiberglass chairs while a velvet sofa and gray-flannel side chairs add a cozy feel.
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A MATTER OF TIME
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Pages 92-99 Interior design: Jenny Samuelson and Julie Chahine, J Squared Interiors, Park City, jsquaredinteriors. com; Architect: Scott Jaffa, Jaffa Group Design Build, Park City, jaffagroup.com Pages 92-93 Great Room and Dining Room 8-inch white oak planks, matte finish stain: Wood Floors Inc., SLC, 801-688-5077 : Reclaimed wood dining table: Restoration Hardware, restorationhardware.com; Fiberglass chairs: Modernica, modernica.net; Chandelier: Ralph Lauren, ralphlauren.com Brass dining table centerpiece: Jonathan Adler, jonathanadler.com; Velvet sofa: DwellStudio, dwellstudio.com; Gold side chairs: Schoolhouse Electric, schoolhouseelectric.com; Throw pillows: Custom, antique Moroccan, John Robshaw, and Room & Board, roomandboard.com; Coffee table and floor lamps: Mr. Brown London, mrbrownhome. com; Bird sculpture: Free Bird by Don Kennell Page 94 Kitchen Flat panel cabinets: Peppertree Kitchen, West Jordan, peppertreekitchen.com ; Caesarstone countertops, European Marble & Granite, SLC, europeanmarbleandgranite.net; Ralph Lauren pendant lights: Circa Lighting, circalighting.com; Tolix stools: Design Within Reach, dwr.com; Perrin & Rowe bridge faucet: Ferguson Bath, Kitchen, and Lighting, Park City, ferguson.com; Wolf and Sub Zero appliances: Mountain Land Design, SLC, mountainlanddesign.com Page 95 Breakfast Room Ed Ruscha print: Mixografia, mixografia.com Hexagon frame cement tile: Original Mission Tile, originalmissiontile.com; Table: Rove Concepts, roveconcepts.com; Tolix chairs: Design Within Reach, dwr.com; Bench: T&G Finish, Park City, tandgfinish.com ; Pillows: Schoolhouse Electric, schoolhouseelectric.com Page 97 Master Bathroom Hexagon tile: Adamson Custom Tile, ; Riverton, 801915-8453; Caesarstone bathroom countertops: European Marble & Granite, SLC, europeanmarbleandgranite.com; Custom cabinets: Peppertree Kitchen, West Jordan, peppertreekitchen.com; Tub: Kohler, Ferguson Bath, Kitchen, and Lighting, Park City, ferguson.com; Lighting: Restoration Hardware, restorationhardware.com Page 98 Upstairs Family Room Appliances: Peppertree Kitchen, West Jordan, peppertreekitchen.com; Wall paneling: T&G Finish,
Park City, tandgfinish.com; Sofa: Room & Board, roomandboard.com; Coffee table: Jonathan Adler, jonathanadler.com Page 98 Library Ralph Lauren lighting: Circa Lighting, circalighting. com; Shelving unit: Project Sunday, SLC, projectsunday.net Page 99 Master Bedroom Windowpane plaid chair, pillows, duvet, and throw on chair: Schoolhouse Electric, schoolhouseelectric.com; Bench and wool blanket: West Elm, SLC, westelm. com; Lighting and bed with quilted headboard: Restoration Hardware, SLC, restorationhardware. com; Reclaimed wood fireplace: T&G Finish, Park City, tandgfinish.com; Shaw Floors natural boucle carpet: Renaissance Flooring and Interiors, SLC, 801-739-805; Rug: Stark, starkcarpet.com Page 112 Hot List Alice Lane Home Collection, SLC, alicelanehome. com; Berman Rosetti, bermanrosetti.com; Christian Liaigre, christian-liaigre.us; Crate & Barrel, Murray, crateandbarrel.com; Donghia, donghia.com; Hamilton Park Interiors, Murray, hamiltonparkinteriors.com; Jayson Home, jaysonhome.com; Jonathan Adler, jonathanadler.com Mimi London, mimilondon.com
Statement Required by 39 U.S.C. 3526 showing the Ownership, Management and Circulation of UTAH STYLE & DESIGN magazine, published four times a year. ISSN 1941-2169. Annual subscription price: $7.95 1. Location of known Office of Publication is 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 2. Location of known Headquarters of General Business offices of the Publishers is 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 3. The names and addresses of the publisher and editor are: Publisher: Margaret Mary Shuff, 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 Editor: Brad Mee, 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 4. The owner is Utah Partners Publishing LLC, 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 5. Known bondholders, mortgages, and other security holders owning or holding 1 percent or more of total amount of bonds, mortgages or other securities are: None. 6. Extent and nature of circulation Average No. No. Copies Copies Each of Single Issue Issue During Published Preceding Nearest to 12 Months Filing Date A. Total Number of Copies Printed
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B. Paid Circulation 1. Mailed Outside-County Paid Subscriptions. 9,745 10,611 2. Mailed In-County Paid Subscriptions. - 3. Paid Distribution Outside the Mails including Sales Through Dealers and Carriers, Street Vendors, Counter Sales, and Other Paid Distribution Outside USPSR. 1,905 1,740 4. Paid Distribution by Other Classes of Mail. - C. Total Paid Distribution
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D. Total Free or Nominal Rate Distribution 1. Free or Nominal Rate Outside-County Copies 4,110 3,837 2. Free or Nominal Rate In-County Copies - 3. Free or Nominal Rate Copies Mailed at Other Classes - 4. Free or Nominal Rate Distribution Outside the Mail 2,882 3,280 E. Total Free or Nominal Rate Distribution
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G. Copies Not Distributed 2,070 2,045 H. TOTAL I. Percent Paid 7. I certify that all statements made by me above are correct and complete.
20,712
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62% 63%
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HOT LIST
Look Around
Everywhere we turn we’re seeing high-style swivel chairs providing 360-degree views of today’s open floor plans and high-style rooms.
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Whitaker chair, $2,250, jonathanadler.com
Vanguard Bernadette swivel chair, $2,829 as shown, Hamilton Park Interiors, Murray
Davis Leather Swivel Chair, $1,699, Crate & Barrel, Murray
Berman Rosetti Carmelina lounge chair, to the trade, bermanrosetti.com
Donghia Lana club chair, to the trade, donghia.com
Mimi London La Jolla lounge chair, to the trade, mimilondon.com
Cooper swivel leather chair, $2,557, Alice Lane Home Collection, SLC
May Swivel chair, $1,795, Jayson Home, jaysonhome.com
Christian Liaigre Brousse Chair, to the trade, christian-liaigre.us
U TA H S T Y L E A N D D E S I G N . C O M
601 South Broadway, Suite L Denver, CO 80209 phone: 303-698-9977 fax: 303-698-9797
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