Atelier 07 by Union Print

A TELIER The Sun After the Rain

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Summertime. It was a song. It was a season. I wondered if that season would ever live inside of me. Benjamin Alire Sáenz, Last Night I Sang to the Monster

AFTER RAIN C OMES THE SU N ummer is back yet this is for many reasons, a different one. Indeed, this particular time in our lives will go down in memory as different; it will find space in memoirs, diaries, essays, novels, documentaries, and movies.

Centuries from now, the historically inclined will dig into the digital archives and find what the frontliners as well as those under “house arrest” or WFH (working from home) had written about COVID-19 that drove the world’s populace into hiding and, for many of us, made us discover something new in our hidden world, in ourselves, in others. We are slowly moving back to normality yet the impact of the pandemic will not be brushed away easily. COVID-19 hit hard financially and also psychologically on every component of our society. Children, the elderly, vulnerable people, the business

Editor: Omar Vella - atelier@unionprint.com.mt Proof Reading: Ramona Marie Vella Cini Design: Ryan Bezzina - design@unionprint.com.mt Front image:

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sector as well as the government itself have all felt the impact of COVID-19 in one way or another. On the other hand though, COVID-19 has delivered unusual environmental benefits: cleaner air, lower carbon emissions, a respite for wildlife. Now the big question is whether we can capitalise on this moment. I firmly believe that we live in a strong society which will positively react to the pandemic and strive for a better Malta and a better world. Summer will be a critical time for many to think and revisit their approach towards life. Summer will be a time to create a more rational and better future. I wish you all a pleasant summer and remember to stay safe!

No part of this publication may be reproduced, or transmitted in any form without the prior consent of Union Print Co. Ltd. While we make every effort to make sure that the content of Atelier is correct, we cannot take any responsibility nor be held accountable for any factual errors printed. Printing & Publishing: Union Print Co. Ltd, Workers' Memorial Building, 3rd Floor, South Street, Valletta - +356 2590 0200

Â© Kurt Paris

Beauty 10 16

Neville Roman Zammit Benoit Bartolo

Marilyn Cini

Design & Architecture 38

Kjetil TrĂŚdal Thorsen

Fashion 68 74 78

Tiffany Pisani Sarah Keable Roberta Schultz

Vickyann Xuereb

Society 92 108

Lydia Abela Luke Laurenti & Kris Micallef

Photography 130 142

Kurt Paris Didier Massard

B E AU T Y

Everything has beauty, but not everyone sees it. Confucius

ÂŠ Matthew B Spiteri

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ÂŠ Brian Grech O'hea Opticians

A CUTTING EDGE Interview with Neville Roman Zammit

ramatic hairstyles, daring s, challenging techniques and endless creative possibilities are a few of the daily jargon commonly used at Neville Roman Zammit's hair salon. Neville is a true talent with an ability to transform any hair into a true work of art. His curriculum is impressive with successful experiences both in Malta and in England with Sassoon UK. It is by no coincidence that Neville is considered as one of the best talents Malta has ever produced in the beauty industry. Neville shared with Atelier his early steps inÂ hairdressing industry, his interpretation of beauty, COVID-19 and his upcoming projects.

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How did it all start? I started off in the industry as a shampoo boy in a leading hair salon in Sliema. From there, I moved to another salon in Attard until in 2003 I decided to follow a hairdressing course in England offered by Sassoon Academy London. They liked my work and I was invited to pursue my career in the Sassoon London Mayfair Salon. For fifteen years, I worked in London and also in their other outlets situated in Liverpool, Nottingham and also Manchester. I also had the opportunity to travel the world with them and work with leading international celebrities. My work was also published in leading magazines including Vogue Japan, Vogue UK Online and also on the Cosmopolitan. It was indeed an experience that enriched me both on a personal and professional level.

American actress, Jaclyn Smith once noted; "You must understand the texture of your hair before you choose a style." To what extent do you agree? I fully agree! There are fundamental elements which need to be taken into consideration before choosing a style namely; the texture of your hair, your bone structure as well as the of your skin. No matter how much technology develops the hair industry, such factors remain essential for any style one opts for. What is your definition of beauty? As the saying goes; "beauty is in the eye of the beholder.” Beauty is cultural. What one community admires may leave another group of people cold or even repulsed. What one individual finds irresistible elicits a shrug from another. Beauty is personal. But it’s also universal. There are international beauties— those people who have come to represent the standard.

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A TELIER We live in a society where baldness is seen as an opportunity.

Some agree with the term; "bald and beautiful." What are your thoughts? We are accustomed to a society where people often hide a lot of their features behind their hair, especially women. Hair is traditionally seen as a safety net. This is changing and today we are shifting towards definition of beauty which continues to expand, making room for a culture of big-tent beauty. One in which everyone is welcome. Everyone is beautiful. Indeed, everyone’s idealized version can be seen in the pages of magazines or on the leading international runways. We live in a society where baldness is seen as an opportunity. Indeed, baldness is a means to highlight the facial assets of a person.

Tell us about your salon? It pretty much spells out my own personality. I tried my best to keep loyal to the philosophy I adhered to in London. I do not agree with a factory approach. The place gives a lot of emphasis to the client. Every person that steps into the salon needs to feel good, pampered and special.

What is your top hair look this summer? During COVID-19 many have thrown caution to the wind, cut their hair short and dyed their hair teal blue, juicy watermelon (a combo of green and pink, or blue and pink like Ruby Rose), pink or orange à la Dua Lipa and purple. At the moment Due Lipa's two tone bob hair style is the talk of the street. Orange copper is also in demand as well a hair with baby lights, a bit of balayage and a touch of sea salt spray.

How have you survived COVID-19? Ten weeks off! Never in my life did I have so much time in hand. It was a time when I finally sorted out my wardrobe. I spent a lot of time on the phone with clients. I also spent time on the beach and an opportunity for an early swim in April. It was also an opportunity for me for some good online shopping.

What's next? It's safe to say that 2020 isn't going as planned. With the COVID-19 outbreak, many of my projects had to be postponed for next year. I have some editorial in the pipeline and am currently very busy attending to the demands of clients post COVID-19 outbreak. I am also considering some training abroad.

Photo credits: Carlton Agius

He`ss got He

the look Interview with Benoit Bartolo,

aybe you know him from his appearance on local lifestyle magazines, or his presence on one of Malta's annual catwalks, or his travel blog. Or maybe heâ&#x20AC;&#x2122;s the guy you double tap on the regular on Instagram. His name is Benoit Bartolo and heâ&#x20AC;&#x2122;s got something to say. Benoit Bartolo, Malta's male modelling newest star, is far more than just a pretty face and a perfect body. He has a story to share which brings together his early years as a promising basketball star, his full time job with the government, his passion for travelling, his modelling career and also his personal life to which he jealously holds on to.

What does it look like being a freelance model? Every profession has its ups and downs, so does fashion modelling. Working as a model can be very challenging. It’s not all about the glamour, photo sessions and magazine covers, behind the glory lies a lot of pain – the reality of being a model. The modelling industry is very particular. It is certainly not for the faint-hearted. It calls for discipline, perseverance, determination and focus. Yet where there is a will, there is a way and with that premise in mind, I work hard to reach my goals. The male model industry is not big which can be seen both as a limitation yet also an opportunity. Indeed, being a male model, gives you more options what to do.

What does beauty mean to you? I always felt that beauty can take several forms. It can be physical, spiritual and emotional. Although it sounds like the usual cliché, I feel beauty is something which is both connected to the outside and the inside of each and one of us.

You have been featured in many campaigns. Considering all your career successes so far, what do you think is your biggest achievement? That is quite a tricky one. I take pride in everything I do. Representing Malta in Mister Supranational contest held in Poland in 2018 was certainly a memorable experience as well as modelling for Pierre Cardin. Yet if I really had single one out, I would certainly go for the award I received in 2019 as the (best male model) at the Malta Fashion Week and Awards is the Male Fashion Week and Awards.

Who is Benoit Bartolo? I am twenty-two year old freelance model who works as a full time EU officer. I am a former basketball player whose career stopped abruptly due to an injury I suffered at the age of eighteen. Modelling came into the equation thanks to Marco Parascandalo. I am also a travel blogger with a good insight on how to travel the world on a budget.

What challenges does the industry offer? For decades, modelling was a silent profession, where models were supposed to be seen and never heard. This has changed since now models have social media platforms through which they can articulate their views in a way they weren’t able to do before. Moreover, there are many misconceptions about modelling especially by people who do not operate in the industry. Indeed, many do not see modelling as a career.

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I will certainly keep on travelling and live a good life as much as possible.

How does a freelance model find a good compromise between a public and private life? You certainly have to set clear boundaries to safeguard your own personal life. Work must never be mixed with one's own personal life.

I note you love travelling. The simple opportunity to be in a foreign environment and (do not come across on a daily basis) is in itself a valid reason why one should love travelling. Travelling also helps you grow when meeting different people, different cultures and different stories. Travelling also serves as a way to reboot your brain.

How are you dealing with COVID-19? As best as I can. Modelling and travelling are at the moment limited and thus I try to focus more by keeping in contact with my friends and colleagues through different mediums.

What advice would you give to young people who aspire to be the most successful models in the industry? Go for it! Do not hesitate. Just take the plunge. I was invited to an event and it happened by sheer coincidence. Yet once you are in it, you have to be prepared to make sacrifices and to give it your all without regrets.

What are your plans for the future and where do you see yourself in the next five years? My goal is to seek a career in the modelling industry overseas. If I do not achieve such objective, I will happily continue to work in the local modelling industry. I will certainly keep on travelling and live a good life as much as possible.

Miss Mr World Malta T

his year was not an easy one, half way through our journey with our new contestants who applied to be part of this event this year, including Mr World Malta contestants COVID-19 presented a difficult situation. Although this was an experience that everyone had to go through, we had to wait for the right time to continue with our activities, we tried our best to keep our contestants alert and still promote themselves together with our sponsors from whom we find a lot of support each year.

With everyone’s help we are back again and proud to announce that the event will be held on the 5th September at Piazza Teatru Rjal. This marks our 24th anniversary since we have been awarded the licence to send a Maltese representative to participate abroad to represent Malta in Miss World & Mr World. All finalists chosen for this contest, come from different towns and villages in Malta and Gozo. All contestants took part in various photoshoots which were created by various photographers, hairstylists stylists and make-up artists. Miss World is renowned for the `Beauty with A Purpose`. This slogan was created by the Chairperson Mrs Julia Morley were every country in Miss World has the right to use this slogan and to present a project. This year with the help of Hon. Rosianne Cutajar we have choose “Human Like You” were all the contestants have promoted this slogan in different ways and spread awareness during these last months. We are proud that we have worked for

Human Rights as I’m sure this is one of the strongest message one could deliver. The final night will be a spectacular show with a combination of Fashion and Beauty and besides the contestants we will have various fashion shows of different houses which will be shown during the night. A panel of judges will be selected to judge the contestants 10 days prior to the event for their personality and physique and then all points will be added during the final night with a different panel of judges that will elect the winners of Miss & Mr World Malta. Nicole Vella, Miss World Malta 2019 together with Daryl Azzopardi, Mr World Malta 2018 will crown the new elected winners. This event is organized by Modelle International Directors Sue Rossi and Claudia Calleja. We look forward to have this event whilst thanking all our sponsors for their constant support.

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“I recently underwent SMILE Eye Laser surgery and it literally changed the way I look at life.” Kevin Paul Calleja

Musician & Performer

PHOTO: JEREMY DEBATTISTA

See clearly without glasses, whatever your age.

Perfect vision...something to SMILE about. Saint James Eye Clinic performs the most advanced Femtolasik and SMILE Eye Laser technology for those wishing to remove their spectacles or contact lenses. Restore your sight with our Laser Vision Correction solutions. Musician and performer Kevin Paul Calleja changed his life to be spectacles free thanks to his treatment at the Eye Clinic. He successfully underwent the SMILE Eye Laser procedure and benefitted from the results of restored vision and improved quality of life. “Just hours after the surgery I could already tell what I had been missing and within three days of the procedure, my eyesight was better than when I wore glasses or contact lenses. I could never have imagined that I’d see such a change or that it would all be down to a painless 10-minute procedure!” Kevin Paul Calleja Call us for more information, our team will be happy to provide you with the best possible solution for your condition.

Free parking available in basement car park under the clinic. Saint James Eye Clinic - Triq Dun Karm, B’kara Bypass, B’kara, Malta T: 2247 2630 /1 | E: info@stjheyeclinic.com | stjheyeclinic.com

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Saint James Eye Clinic

One team, one vision, one stop solution for your eyes.

aint James Eye Clinic provide a full spectrum of treatments and surgeries that enable patients to eliminate the use of spectacles or contact lenses, offering a solution to anyone who is interested in correcting or improving their vision. A solution is achievable through the most advanced Femto-laser system, a technology that was introduced locally by Saint James Eye Clinic. The Eye Clinic has been working in the refractive area for over 25 years, treating thousands of patients with successful results. Through Femto-laser our expert team of ophthalmologists perform minimally invasive surgeries. One very popular procedure is SMILE Eye Laser, whereby a lenticule is removed from the cornea to correct far vision. The major advancement brought about by this laser technology is that patients do not feel any pain both during and after surgery. Visual recovery is very quick unlike other methods of surface ablation procedures (PRK), whereby patients experience a considerable amount of pain, with visual recovery taking up to two weeks and more. What does Eye Laser surgery involve from a patient perspective? Patients interested in undergoing this procedure are required to attend an informative lecture on the types of surgeries available, expected outcomes and such as well as being able to discuss any concerns openly with the team. Following the presentation, patients can book an appointment for a prerefractive surgery assessment, which is performed by an optometrist who specialises in refractive surgery,

assisted by the eye clinic team. Lastly, a consultation takes place with the patient’s surgeon of choice to determine which procedure would be best to achieve optimal results. Patients undergoing these procedures are able to resume their work routine two days after surgery, although most patients claim that they were able to return to work the day after surgery. Patients are required to attend routine postop visits the day after the operation, a week later, and four weeks later. Patient Testimonial Kevin Paul Calleja - Musician, Singer and Performer “I am a musician, singer and performer, being on stage performing in front of crowds is standard, but to connect with the audience is a must and eye contact is everything. I am thrilled to now be able to do this without the need of using any form of lenses. SMILE Eye Laser surgery literally changed the way I look at life. The surgery was pain-free and the procedure lasted just under 10 minutes. Just hours after the surgery I could already tell what I had been missing out on. I wore specs and contact lenses, but it’s not even comparable to what my vision was just 3 days post-surgery.” Saint James Eye Clinic Triq Dun Karm, B’kara Bypass, B’kara, Malta. T: 2247 2630/1 E: info@stjheyeclinic.com W: stjheyeclinic.com

A MAKEUP

AFFAIR ÂŠ Alan Saliba

Interview with Marilyn Cini, Make-Up Artist.

f Marilyn were to get a hold of your face, you would quickly understand why she is considered as one of the rising talents in the local make-up industry. She is young, bold, creative and with an incredible eye for detail. What a woman already has in the way of natural beauty, Marilyn has the ability to take it to the next level with a simple touch of a blush brush. Marilyn shared with Atelier her passion for make-up, her definition of beauty and her experience at the X Factor Malta.

It is incredible how with a stroke of a brush you could bring a smile to a face and help build confidence.

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ÂŠ X Factor Malta

What lies behind an OTâ&#x20AC;&#x2122;s interest towards the world of make-up and beauty? From a very young age I used to follow anything related to the world of make-up and beauty. Any magazine, TV programme or book was a source of knowledge to know more about the industry. Although I pursued a career in the healthcare sector as an Occupational Therapist my interest in make-up never faded away. I would dare say, it grew stronger. Indeed, Occupational Therapy instilled in me a sense of caring and desire to help others achieve their full potential which in a way I felt I could achieve through make-up. It is incredible how with a stroke of a brush you could bring a smile to a face and help build confidence. With this premise in mind I

decided to further my studies in make-up and here I am!

What is your definition of beauty? Miranda Kerr once noted; "A rose can never be a sunflower, and a sunflower can never be a rose. All flowers are beautiful in their own way." I believe that each and one of us encapsulates some form of beauty which makes him or her stand out of the crowd. It can be a simple smile, a pair of eyes or a heart-shaped chin. I also believe that beauty is not only about the looks, but is also related to our inner core. Beauty is also about our character, our attitude and our approach. That's what really makes us glow!

How would you define make-up? A set of brushes and good make-up products are all I need to create a look that makes a person feel better and more comfortable with oneself. Everyone is beautiful, and make-up is only there to accentuate the beauty that already exists in each and one of us.

What do you think are the basics in a make-up bag? As a make-up artist, it is difficult to choose what exactly is “basic”! It very much depends on what each individual is comfortable to use on a day to day basis. For me, a good concealer and an eyebrow pencil are a must. A medium coverage foundation, a little blush on the cheeks and mascara on the lashes are enough for a natural everyday make-up look.

Do you have any ‘go-to’ signature looks that work every time or do you prefer to experiment to see what’s best? I do like to experiment with s and different looks depending on the occasion, both on myself and on my clients, if they are of course comfortable with that. However, when I’m in a rush, I usually go for a soft look blending pinks and purple eyeshadows. It never disappoints me, so I guess I consider this as my ‘go-to’ signature look.

FranÇois Nars once noted, “Make-up is about balance. When the eye makes a statement, the lips should be quiet”. To what extent do you agree? I personally fully agree! Although I like to experiment with s, it is imperative not to go

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ÂŠ Alan Saliba

overboard. It is important to decide what one wants to focus on, either the eyes or the lips. One has to choose between bold lips with a soft look on the eyes or a bold eye look with a simple on the lip.

Any tips or hints on trend that will be big during the summer season? Feathered brows are a big trend for this season â&#x20AC;&#x201C; leaving the brows as natural as possible and brushing them up with some tinted brow gel. Graphic ed eye liner and pink blush are also a go-to for this summer season. A little tip for a long-lasting make-up effect because of the humid weather here in Malta, I suggest a good make-up base or primer and a powder to set any cream make-up product.

Tell us about your experience at X Factor Malta? It was simply amazing! Having the possibility to work alongside a great mentor like Diane Nikolic and the other make-up artists was a great experience. It helped me build on my knowledge and skills as we were called to be efficient, yet apply the right make-up on the participants as well as their dancers. Being a television show, you have the opportunity to experiment with bolder, brighter and glittery looks thus giving space for more creativity. Although the X Factor Live Shows involve a lot of work, time and energy, I cannot wait to be back for the third year!

Whatâ&#x20AC;&#x2122;s next for you? I want to continue growing in the beauty industry, to share my love and inspire more people towards make-up by giving more courses and tutorials. I am always eager to learn more myself, thus will continue to attend new courses to further enhance my skills, whilst keeping to date with any new trends. I will embrace any opportunity that will come my way!

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CRUSADE OF A RT

orn in the quiet village of Mtarfa at The Royal Air Force Hospital on the 14th of October 1975, to Anthony Salerno serving in the Royal Air force at that time and his humble housewife Carmen Salerno is the talented artist ARTHUR SALERNO.

From a very young age, Arthur started to develop a love for the arts. He was inclined to draw cartoon characters and making them come to life with his brilliant natural born artist hands. s took life in every picture he created and soon his peers started making sweet requests which he delivered, feeding the now growing hunger inside him to draw and create as he slowly emerged into a promising artist. When asked when did he truly discovered his talent, Arthur told us that this happened at the tender age of nine, when he came across a box of clay and he instantly started creating. His first sculpture is The Horse Head, which he says is his all-time favourite accomplishment. This made his parents realize the artistic abilities hidden in their son and they encouraged him to develop more ideas making him express himself in a series of paintings which was quite outstanding for a nineyear-old boy. In the absence of Internet at the time, Arthur started getting all kinds of artistic inspirations from all the books he could lay his hands on. Michelangelo Buonarroti, Leonardo Da Vinci, Raffaello Sanzio, Botticelli and all the Art Genius making up the beautiful era of the Renaissance, but his greatest attraction was Michelangelo. This also led him on to experiment with charcoal, red chalk, water s, acrylics and oils.

When Arthur was at the critical age of 13, tragedy struck him and his family. His beloved mother lost her battle with Leukemia leaving him and his little sister so prematurely in life. At this time, his love for Art was interrupted by extreme pain and grief…not sure if he could understand death as he felt the only aspect that made his heart beat, slowly drift away into total darkness. From that sad day on his life was never the same and even he thought that the love for Art had left him…but he soon discovered it was only sleeping in his now numb subconscious being. The absence of wanting to paint and create lasted three long difficult years. He goes on to explain how this was a very difficult time for him entering adolescence without his mother and his true companion, his beloved Art.

It all resumed when he enrolled at the Tarġa Gap Art School known today as MCAST where he met his teacher Mr Anton Calleja, the nephew of the Maltese renowned sculptor Anton Agius. This was Arthur’s resurgence as he instantly developed a good relationship with his tutor to which he was greatly inspired and awakening his life-long passion for Art. Arthur recalls how Mr Calleja re-ignited his love of Art as he watched with great admiration the artist working on model sculpture. It was then that he began his journey into sculpture leading him to choose one of the most studied topics in history, The Human Anatomy. He then started studying scaling and casting and all the steps to create a beautiful sculpture and bringing it to life with every dent and scale. Three years into this, Arthur was admitted to

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the School of Art in Valletta and also took oneto-one lessons with his tutor in Mtarfa, where he found it was possible to specify his attraction to the Anatomy of the Human body. As time went by, he also developed an attraction for the Baroque Era, making frequent visits to Malta’s majestic Cathedral of St John and the beautiful works of Mattia Preti adorning the Baroque churches of Malta. Arthur recalls that at that time his youth was immersed in a world where nothing else mattered but his adoration for this great passion. Mesmerised with the Caravaggio masterpiece which needs no introduction, his mind could not get enough of all the beauty lying in the Fine Arts Museum of the Maltese Islands. Arthur’s highlight and dream came true with the birth of his adorable son who he named after two of his idols, Michelangelo Buonarroti and Michelangelo Merisi. Michelangelo is now 5

years old and he is a new inspiration to his dad. Arthur has also created lovely paintings making his precious little son a live jewel in his paintings which he tells us will last forever. Arthur is also very well-known for his work on the ‘living canvas’ as he calls it, for he is now an established Tattoo Artist and has been doing this for twenty years. When asked what his artistic future plans are, Arthur told us that he is currently working on some interesting pieces which will be displayed in an exhibition portraying his undying love for the Baroque Era and also Modern Art . From innocent ful cartoons to beautiful pieces of sculpture and an array of paintings coming out from a different important era to everything else that lets him express himself as a true artist and a human being. This article is dedicated with great fondness to his adorable son Michelangelo Salerno Seguna.

DESIGN & ARCHITECTURE

Architecture is the learned game, correct and magnificent, of forms assembled in the light. Le Corbusier

38Credit: Plomp and SnĂ¸hetta

THE ART OF SMART THINKING Interview with Kjetil Trædal Thorsen, founding partner of Snøhetta

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nøhetta is considered by many as one of the leading architecture firms in the world by no coincidence. The Oslo and New York City-based architecture practice brings together technology, sustainability and smartthinking into building and design projects across diverse landscapes. From the Oslo Opera House, to the San Francisco MoMA and the International Cave Art Centre in Lascaux each unique project shows Snøhetta’s ability to develop land into social and environmentally-conscious spaces that connect with contexts and change the way we feel and think. Atelier recently spoke to Kjetil Trædal Thorsen, founding partner of Snøhetta, who took us through Snøhetta's portfolio of international projects, including the Bibliotheca Alexandrina, Norwegian Opera and Ballet, and the National September 11 Memorial Museum he also shared with us their very busy agenda of projects in design and under construction.

Tell us a bit about the origins of the name. From the onset, we agreed that the name had to be distinct. We did not want to use our names because this is a collaborative agreement. Ownership of a company should not reflect a person’s name but a collaborative concept. This premise is today relevant more than ever. Collaborative is key to solve complex issues. It was at that point that the name ‘Snøhetta Arkitektur: Landskap came to mind. The name ‘Snøhetta Arkitektur: Landskap' was given to the collaborative of architects and landscape architects who established themselves in the attic above a well-known, dark brown, beer place in

Storgata, Oslo in 1987. The name of this beer place is ‘Dovrehallen’, or the ‘Hall of Dovre’ in English. Dovre is a mountain area in the middle of Norway, at its point of gravity, where Snøhetta is the highest peak. The contextualization of the name Snøhetta is as such directly related to Oslo, yet part of the myths surrounding this hall in northern mythology. More importantly the mountain Snøhetta is both an object and a landscape not unlike the mountain Fuji. The name represented our mutual approach of full integration of landscape architecture and architecture in the design process.

A TELIER to a specific group of a society. We decided to design an opera house which targets more segments of society. We were also educating the new generation of opera visitors. Consciousness architecture is a tool to debate the state society is in and offer solutions. What are your sources of inspiration? Inspiration is derived from a wide spectrum of things such as art, music, nature. We are also influenced by people.

You recently noted that SnØhetta started off with a clear premise of how architecture could contribute to better social awareness. Can you elaborate on that? Social awareness is a matter of stability and added value. We started off, very clearly with a picture of how architecture could contribute to better social awareness. We were trying to create buildings that could generate some sort of public ownership like libraries and concert houses by changing the attitude towards them. This is how we ended up at the Oslo Opera House, where there is no differentiation between public space, building and site. Opera House is an institution interested in promoting itself

What approach do your projects take in terms of openness to the public? Whilst working on several projects, we noted that budgets for their outdoor areas were limited. So it was like whatever was left over from the construction could be spent on the landscape. We said that this can't be the case, because we're neglecting our public space. Snøhetta continuously strives for readable accessibility and seeks to represent an attitude in architecture which includes social behaviour. This may be achieved by a certain degree of intimacy between public and projects, a touchable reality leading to public ownership. A ‘you can own what you can touch’ approach does however not limit the possibility of experimentation. There is really no contradiction between experimentation and the public, but there might be contradictions created by less sincere content.

A TELIER

In what way do you feel that architecture is a great societal tool? We strongly believe that culture and cultural buildings are going to free the spirit of this world's values, content, content innovation, performance, inclusion of a larger public. There should be a feeling of unity, place, environment and technological development, developments that have certainly had a hand in shaping.

Why has SnØhetta developed its operations into a multi-disciplinary practice? It is building up a picture of the totality of the physical world. With offices in four continents, the firm's diverse range of projects includes an underwater restaurant, a chair made from recycled fishing nets and graphics for Norway's national bank notes. We really believe in this total principle. It's about values, content, content innovation, performance, inclusion of a larger public, a feeling of unity, place, environment, technological development, etc. All these things come together in a huge complexity, and we're trying to solve them by cross-professional work. © Firas Al Raisi, Luminosity Productions

ÂŠ David Schreyer

Tell us about your trans-positional method. It is an attempt to generate a new level of collaboration. We do not invite different professions to gather around the same table, but invite each professional to imagine them in a different position. The Architect then becomes the Sociologist, the Sociologist the Artist, the Artist the Engineer, the Engineer the Graphic Designer, the Graphic Designer the Client, the Client the Architect and so on. In our experience, this encourages everyone to share other interests and life experiences. Professional responsibility is left behind, and each person contributes to a common goal based on their uniqueness. It is a singular in the plural approach rather than a plural definition of singularity.

A TELIER

What are your views about innovation? Innovation is attained when one pushes the limits of conventional expectations. This translates into defining new ways of creating human interaction, adding new functionality and usage patterns allowing for new architectural typologies generating societal change.

Why do buildings seem to be overlooked today? Buildings are not automatically architecture. Not even when designed by architects. Contemporary complexities seem to be met by naïve simplifications, random historical references and extreme political ideologies protecting selfish benefits, by an increasing number of people in Europe. We are leading to indifferent objects only fulfilling simple primary functions such as interiors based on illogical comfort parameters, or sufficient daylight for its users. These commodity objects lack any ambition to fulfil urgent societal needs.

In what way do you feel the current COVID-19 crisis will impact on architecture? Its real impact is still to be seen. There are some words which will serve as a premise for post COVID-19 architecture such as "social distancing". What is certain, architecture will have a key role to play on how to help re-open society.

What’s next for SnØhetta? From the Oslo Opera House, to the San Francisco MoMA and the International Cave Art Centre in Lascaux, each project shows our ability to morph pockets of land into social and environmentallyconscious spaces that connect with contexts and change the way we feel and think. This will continue to be our goal for the years to come. We will also continue to create cultural hubs to help society move forward. We are constructing in Shanghai and Busan. At the moment, we have twenty-five projects around the world. Cultural projects will continue to be our core focus in the years to come as it is our contribution towards society.

What advice might you give to students and young designers? Think long term, use your whole body and prioritize your time. Be focused.

Snøhetta Completes Tungestølen

A Generous Hiking Cabin by the Jostedalsbreen Glacier

ituated in Luster in the western part of Norway on a small plateau overlooking the beautiful Jostedalen glacier, Tungestølen comprises a constellation of pentagonal tourist cabins designed by Snøhetta for Luster Turlag, a local branch of the Norwegian National Trekking Association. Designed as an architectural reaction to the changing weather conditions of this mountainous site, the distinct cabins offer visitors a comfortable and generous shelter during the summer and autumn months when the cabin is open to the public.

On Christmas Day 2011 the original Tungestølen Tourist Cabin, which had served as an important destination for avowed glacier hikers for more than a century, was completely devastated by the cyclone

Dagmar that swept over Norway and neighboring countries. Determined to replace the old cabin, Luster Turlag (a local branch of the Norwegian National Trekking Association) and the small local village of Veitastrond, mobilized to collect funds for the rebuild and initiated an international architectural competition that Snøhetta won in 2015. With the ravaging of the original Tungestølen cabin fresh in mind, Snøhetta designed a new constellation of nine robust pentagonal and oblique cabins, made with wooden glue-lam frames, covered by sheets of CLT and clad in ore pine. The outwardfacing walls of the cabins have been given a beaklike shape to slow down strong winds sweeping up from the valley floor. Inside, the playful shape of the cabins frames the mountains and valleys outside through angular and panoramic windows, adding views and light to the spaces while encouraging individual contemplation and respite.

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The Creation of VET Labs in all State Secondary Schools Although in Malta we have been experiencing economic growth for a number of years and the economic outlook is favourable, this alone does not guarantee growth and prosperity. Skill shortages which are felt by employers today could limit growth in the years to come.

The education authorities developed Vocational Education Training (VET) programmes as part of compulsory education with the aim to equip students with the knowledge, know-how, skills and competences required in particular career paths or more broadly on the labour market. This training is given in all Senior Schools managed by the State for students between the ages of 13 and 16 (Years 9-11). It is up to the students to choose whether to receive training in these subjects, together with academic ones, or focus only on the traditional academic subjects. The Foundation for Tomorrow’s Schools (FTS) is a Government entity responsible for the design and construction of new State schools in Malta and Gozo. It also often entrusted with the extensive refurbishment of existing schools, converting them into modern, comfortable, accessible and welcoming education spaces. The Foundation is involved in the projects from concept stage up to their actual commissioning. Over the past months the FTS was trans-

forming old spaces in all Senior Schools into

state-of-the-art modern VET labs which are a hybrid between the traditional classroom and a real-life workplace, providing the perfect opportunity for students to practice hands-on their newly acquired skills in environments which resemble those of real workplaces. The VET subjects that are being taught in State schools are engineering technology, information technology, hospitality, hairdressing and beauty care, health and social care, media literacy, woodworking, fashion and textiles, agribusiness, and retail. These labs were designed by FTS following extensive discussions with educational authorities and the senior leadership teams of each school. The creation of these labs for vocational education training is being done with an investment of €10 million. At the Żejtun Secondary School, where space was limited, the FTS is building an additional floor over the whole school building to make

space for these labs as well as for the traditional classrooms. The school which was originally built

A TELIER The Government Policy on the Introduction of VET Programmes in Senior Schools – By the Hon. Owen Bonnici, Minister for Education and Employment

in the 1960s is being totally refurbished and modernised, making it more comfortable and welcoming. Old labs for science subjects, including biology and chemistry, are also being replaced with new labs equipped with the latest equipment. Lifts are being installed to ensure that the school is accessible to all students, classrooms will be equipped with lockers, and the school will have air-conditioning installed throughout. Sports and recreational facilities will also be revamped. The project is being done in phases so as not to disrupt students from their learning and will be completed next year. This project is being done with an investment of €5 million. The end result of this investment in Senior Schools and the creation of VET labs should be fully engaged students and a better trained workforce.

particular situation faced by local employers in certain sectors of the labour market is skill shortages. The decision to introduce students to Vocational Education Training (VET) during compulsory education and secondary school level is already practised in countries abroad. The teaching of these subjects does not take place in isolation but is located within the context of the wider curriculum. As from Year 9 (formerly known as Form 3), students are taught subjects of an academic nature while also having the opportunity to concurrently train in vocational subjects. Vocational

education

hands-on

and

practical and thus it helps our students to be better equipped for the labour market. It also benefits employers and the industry who in the near future will have better trained young people to join their organisations. Teaching of vocational education is further enhanced investment,

through

ambitious the

Government

Foundation

for

Tomorrow’s Schools, in the creation of stateof-the-art labs in all Colleges. This investment is in line with Government policy to continue with the new school building programme where necessary and with the refurbishment of existing schools with the aim of having welcoming and accessible schools for all.

Infrastructure and Development TODAY AND IN THE FUTURE: Interview with Minister of Transport, Infrastructure and Capital Projects

IAN BORG

The country has been experiencing an unprecedented

surprised when the electoral manifesto for this legislature

infrastructural development necessary for the

put forward a €700 million plan to rebuild Malta’s

economic development. Do you think that this may

residential roads over 7 years. Many were skeptical. But

be considered important for the better living of the

in the first year of its implementation by Infrastructure

Maltese population?

Malta, the residential roads project saw the contracting

Definitely. Unfortunately, we form part of a generation that had become used to Government

50 roads are currently being rebuilt and the agency

complacency in this respect. Our roads were left to their

is making preparations and holding discussions to

own devices for decades, and many were dumped onto

conclude more lists and call for tenders for works in

our Local Councils’ plates, which were already quite full

other streets according to priority.

and certainly not equipped to cater for the necessary

And, yes, of course this has a positive impact on the

infrastructural upgrades. Thankfully, we now have a

quality of life of our people. I think everybody prefers to

Government that acknowledges the need for a high-

step out of their homes and onto a suitable street with

quality infrastructure as befits our country and its people.

safe accessible pavements and strong foundations that

We should consider ourselves lucky that we made such great strides in our economic growth in spite of

will last for years. But we did not stop there. In the meantime, we have

the quality of our infrastructure. It was, of course, not a

embarked on a nationwide upgrade of our arterial roads

matter of luck, but a matter of hard work. Now that our

and junctions in an effort to alleviate the consequences

economy is on its feet – proven time and time again, even

of problematic bottlenecks. We have already completed

during this stressful and difficult time – we realised that

a considerable number of these kinds of projects – the

it is time to turn our attention to another pressing matter.

Kappara Junction, the reconstruction of the Marsa-

Most of Malta’s citizens, if not all, were pleasantly

of 290 roads and the completion of 130 of these. Over

Ħamrun Bypass, part of Regional Road and its Msida

A TELIER Valley Bridge, Tal-Balal Road, Buqana Road, Luqa Road,

process to select the contractors who will be building and

Qormi Road and St Thomas Road, to name a few. Other

operating this long-awaited permanent link between the

important projects such as the Marsa Junction Project,

two islands. We look forward to the implementation of

the Santa Luċija Tunnels Project and the Central Link

this important project which will perhaps be the biggest

Project are currently underway. We plan to complete and

infrastructural endeavour our country has ever taken on.

open the Marsa Junction and Santa Luċija Tunnels by the end of the year. And, yes, this too is important for the standard

We have also started gearing up on maritime infrastructure. We’re implementing other major maritime infrastructure projects, including the reconstruction of

of living of our country. Not only does the improved

quays, pontoons and other facilities used by fishers in

efficiency of our road network lead to less stressful

Gozo’s Mġarr Harbour, the new 110-metre breakwater

journeys and commutes for road users; it also leads to

at Qrejten Point as well as new landing facilities for ferry

improved road safety and considerable improvements in

passengers commuting between Valletta, Sliema and

air quality as well as the aesthetic quality of our public

Cospicua.

infrastructure. The list goes on and on. Our infrastructural

We’re only getting started – our work for a better quality of life can never stop.

endeavours are not limited to the quality of vehicle lanes, foundations and asphalt. Every project takes into consideration underground services to avoid any other

Given the size of the country do you think this rate of

road closures or repeated works in the future, as well

development is sustainable in the long term or such

as new facilities for alternative modes of travel. Just

development is temporary to address the country’s

recently, we inaugurated and opened a pedestrian and

current needs?

cycling overpass in Aviation Avenue between Gudja

I think balance is key in everything we do. This

and Luqa, and we will soon open another one in Blata

is no exception. In fact, while we are carrying out the

l-Bajda. These projects are very exciting for us, because

interventions we have already discussed, we are also

they go hand in hand with our transport strategy, which

doing our utmost to develop green infrastructure.

encourages multimodality, and we feel it is our obligation

The word development is often tinged with negative

to introduce safe infrastructure if we want people to use

connotations, but the Malta National Park – for example

bicycles and to travel by public transport, or on foot. We

– which is a very popular project with the people, is a

have also introduced safer facilities for pedestrians and

type of development too.

cyclists in different areas around the island. To name a few examples, last year we inaugurated Triq l-Aħħar Ħbit mit-Torok between Żabbar and Żejtun which has a segregated cycling and walking track, and a similar facility was introduced in Luqa Road, Qormi Road and St Thomas Road. Other areas, like Mdina Road, Żebbuġ and Tal-Balal Road include shared priority cycle lanes, while Buqana Road and Kappara Junction have cycle lanes as well. Like I said, you can barely name a few examples without losing breath. And this is only road infrastructure. I think the Malta-Gozo Tunnel Project is on everybody’s mind right now as we’ve just announced the participation of four consortia and companies, including multinational companies, in the prequalification questionnaire stage, the first of a three-stage

Apart from that important capital project, we have

network will be much better equipped and significantly

also launched the Slow Streets initiative with the Local

higher in quality than what we inherited. In 7 yearsâ&#x20AC;&#x2122; time,

Councilsâ&#x20AC;&#x2122; Association, to give some peace and quiet to

our residential roads will still be in good quality, and I

town and village cores. We all need to slow down a little

believe things will slow down. We will always find new

and this is one of the ways in which we hope to achieve

projects to initiate, because our road network is dynamic

that.

and changes with the times, but we are planning ahead

In the meantime, the Public Works Department

for decades to come and hope to leave behind a more

constantly implements upgrades on playgrounds and

peaceful country, with an efficient road network that

open spaces to improve and increase facilities, improving

might only need tweaks, regular maintenance and other

accessibility and introducing more trees and landscaping.

minor interventions.

Infrastructure Malta has also embarked on a nationwide tree planting project, with over 12,000 trees

Is there a plan to better address the countryâ&#x20AC;&#x2122;s evolving

planted in different locations in Malta in less than 12

needs or will Malta experience the same amount of

months, and many more in the pipeline for the next few

development within a couple of decades in order to

months.

meet similar evolving needs?

The current rate of road development is of course unique to our time. We will reach a point where our road

Like I said, we do our best to blend short-term, medium-term and long-term solutions. We have projects

A TELIER that are intended to provide immediate results in tackling the negative impacts of current bottlenecks. These projects normally take a shorter time to complete and we keep them in mind for future interventions according to the changes around us. At the same time, we have several forward-looking projects. I don’t think I need to explain why the Marsa Junction Project and the Central Link Project fall underneath this category. These multimillion investments will lead to a radical change in these important routes and the benefits on travel to the southern parts of Malta will last for decades. Studies carried out prior to implementation showed grave consequences had we not embarked upon these infrastructural investments. Luckily, future generations won’t have to worry about solving a nearly insurmountable problem because we intervened just in time. Of course, we cannot foretell what is to come, but we do our utmost to plan not just for now but for much later than our time, and we hope that our efforts will be enough to hold well in the future.

There is a visual impact on all development which

services to thousands of residents in many localities.

over decades various administrations did not appear

In some cases, these new underground electricity,

to have priority. This Government gave importance to

internet and telecommunication cables are also replacing

this through the electoral manifesto by promising for

overhead lines in residential areas, arterial roads and

example the removal of hanging wires particularly on

even in the countryside.

facades. At what stage is this project and are there any visual oriented actions being taken? When implementing major road projects,

Thus, whilst the Government’s long-term commitment to reduce the visual impact of overhead lines and wires on building facades falls within the

Infrastructure Malta liaises with the utilities providing

remit of another Ministry, through our projects, we are

electricity, water and telecom services to propose

contributing to its attainment as well.

upgrades to their networks in the roads and streets that will be rebuilt through these investments. In fact, in almost every road project, Infrastructure Malta seeks to

COVID-19 made many realise even more than ever

upgrade existing underground distribution networks,

before how important health is and that our actions

such as internet cables, water mains and sewers, whilst

damage the environment also in terms of air quality.

providing additional capacity for future demand, in

Is it time to complement infrastructure investment

line with requirements identified by the utilities. In the

with air quality measures such as mass efficient electric

Marsa Junction Project and the Santa Luċija Roundabout

transport, heavy investment in electric/alternative

Underpass Project, for example, we’re also building

energy vehicles and roof gardens initiatives?

kilometres of underground walk-through tunnels

Government has been trying to incentivise and

for high voltage electricity cables forming part of the

push towards this direction for a number of years

country’s national electricity grid, to improve electricity

now. I previously mentioned our introduction of safe

infrastructure for alternative means on various road

Malta had a problem with tv aerials which problem

projects. This, however, is not being done in isolation.

seems to be replicated now with solar panels. May

Our free public transport initiative is perhaps among the most popular incentives in our sector. We started out with free public transport for all 18-year-olds in 2017. It

this be regulated encouraging more visually friendly mechanisms? While we have taken it upon ourselves to push for

was a successful pilot and today we have expanded the

improvements in air quality through a more efficient

benefit to all 14-20-year-olds, all full-time students aged

road network and cleaner modes of transport, the

21 and over, persons with disability and elderly people

generation of electricity to power our homes is also an

aged 75+. This has led to marked increases in public

important factor when it comes to climate change. Of

transport usage, and we have also registered a rise in

course, our recent switch from oil to gas has led to a

interest by other segments of our population. This could

considerable improvement in terms of sustainability.

be due to the improvements on bus shelters, newer buses

However, I don’t believe it would be responsible to

on the network, free wi-fi on all public transport vehicles,

discourage people from investing in renewable sources

as well as a more efficient road network and safer bus

of energy. Of course, yes, sometimes it can be a little bit

lay-bys.

of an eyesore, but I would rather dislike the solar panels

We have also witnessed an increase in the usage of our inland ferry service between Valletta and Sliema and Valletta and Cospicua. We are also complementing this

on my neighbour’s roof and rest easier knowing that my daughter is breathing in cleaner air. There are many things that can be done to improve

with improvements in infrastructure to provide better

the aesthetics here. Roof gardens come to mind –

shelter and more accessibility for passengers, and we

perhaps something like this can draw attention away

plan to expand the service to reach more locations in the

from the solar panels, but I would not discourage people

coming years.

from investing in clean energy.

In the meantime, we understand that not every circumstance allows for a dependence on public transport. That is why we have started annually issuing

Malta’s aesthetics and uniformity seems to still be a

grants to incentivise a switch from older polluting

considerable concern. Architects seem just interested

vehicles to more sustainable and, if possible, smaller ones.

in the building they are designing and not in the

Starting with a €3.5 million budget, this year we have

surroundings. Indeed, certain areas seem as if they

already had enough applications to take up €2 million in

have just come out of war. Is it time to address this?

grants. The most popular schemes are the electric vehicle

What do you think is the solution?

scheme, the car scrappage scheme, and the motorcycle

doing a stellar job with their designs. Unfortunately, it is

and we hope to continue witnessing more in this sector.

the eyesores that stick out the most, so I do not blame the

We are finalising plans to roll out a nationwide pilot

observation. However, there are certainly mechanisms in

project which will increase public charging facilities for electric cars and the Government has also added an

place. In Urban Conservation Areas (UCAs), for example,

incentive which offers reduced electricity rates for people

the Planning Authority puts forward a number of

who charge their electric vehicles at home.

conditions and limitations for new development. These

Another interesting addition to our transport sector

could be anything from whether or not a facade can be

in the last years is the concept of sharing. A few years ago,

plastered and painted to the height of a storey to the

we hadn’t even heard of bicycle sharing, scooter sharing

width and depth of a balcony and the of the front door.

or car sharing. Today, we can see many of these vehicles

I am certain that the majority of our architects are

and pedelec scheme. The numbers are very encouraging,

Our Authorities are doing their utmost in this

travelling around our island and we have also recently

respect. Of course, we cannot erase what is already there

witnessed the addition of a carpooling service on the

and in the past our planners did not consider these

market. We hope to start seeing e-kickscooters on our

matters of uniformity. But, step by step, we will get there

roads in the coming months, following new legislation

and the best we can do is just to do better now that we

we worked on with our Transport Authority.

have the opportunity.

A TELIER

Given the density of population in Malta, given the rate of development is land reclamation still avoidable? To what extent this is being considered and will we have a sister man-made island? I am certain that the studies being carried out by the relevant authorities will give us a clearer picture about this subject, and will make space for it to be better discussed in the future.

In order to encourage investment and mitigating the amount of new land built is Government contemplating schemes for the use of abandoned buildings? It’s a very sad thing that we have so many abandoned buildings in our different localities. For a number of years Camouflage of buildings through plants and other

now, the Government has been incentivising couples and

natural thing seems not to be the practice in Malta.

families to invest in such buildings and transform them

Can Government lead by example to instil a culture of

into the homes of their dreams. We have introduced

natural enhancement?

First Time Buyers’ Scheme, the UCA scheme and other

You’re right, it isn’t. However, we are starting to witness a little movement in this direction. I can give

initiatives of this kind to encourage and help our people to take these steps.

you an example from my portfolio. Along the sides

We have had a lot of people benefitting from the

of the Marsa-Ħamrun Bypass, Infrastructure Malta

incentives, and that is encouraging, because it means that

is transforming a long, high boundary wall into a

people are responding to our efforts.

vertical garden that will improve the daily commute

In the meantime, as a Government we’ve also been

of thousands of road users. Many other similar urban

taking a look at Government-owned derelict buildings

greening projects are in progress in other localities as

and putting them to good use. The GHRC, in particular,

well.

has multiple projects around Valletta and I’ve had the

I am certain that if we continue looking ahead, we

pleasure of visiting a couple of buildings that have been

can come up with other similar initiatives, and who

or are being transformed into suitable homes for social

knows, maybe it will inspire the general public to embark

use.

on personal initiatives of this kind. Things like these are

I think it would be a pity if we didn’t use this

similar to a domino effect. It doesn’t start before someone

important resource and I look forward to witnessing

flicks the first domino forward, but the ripple effect is

more and more people finding their dream home in one

impressive.

of these buildings.

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MCAST

prepares students for career paths in the creative arts

The Institute for the Creative Arts is one of the six MCAST institutes and focuses on preparing students for careers in the creative sector. Formerly known as the Institute of Art and Design, the Institute for the Creative Arts was established in 2001, merging the expertise of the Art and Design Centre and Salvatore Dimech School for Craftsmen. In 2014, the name was changed to Institute for the Creative Arts to reflect its growing portfolio of courses offered, ranging from art and design to graphic design and interactive media, creative media production, photography and journalism, and recently, fashion design and performing arts as well as cultural heritage skills. The Institute offers courses from levels one to seven. The Institute works closely with the industry to provide students with realistic assignment briefs and experiences. The creative arts play a crucial role in communicating visions and ideas which words alone cannot adequately express. They may also be perceived as a means to educate, to provide a cultural identity and act as agents of change. For more information about the courses offered by MCAST: mcast.edu.mt

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Who We are? A great name, like fine craftsmanship, has enduring power. While Inofin Projects is well known in Malta for the beauty of the company’s interior build-outs and expansions, the Inofin name also represents specific core values that quietly define the company’s exclusive process and unique culture. Established in 1998, it is personified on a daily basis by the Inofin team, these core values of integrity, quality and service have supported the company’s steady growth and solidified Inofin Projects reputation as the gold standard for construction. Inofin Projects was build from the ground up to be an employee-driven, customer-focused construction company. Today, Inofin Projects mission is represented by our company motto: Strength from the Inside-Out. In addition to our commitment to personal and professional integrity, quality craftsmanship and impeccable client service, our motto reflects our focus and our deep expertise in what’s most important to our clients—their living space. Now, as Inofin Projects evolves and expands to serve new markets, the executive leadership team continues its vision, encouraging team members to exemplify the company passion and insistence on perfection. “Whether we’re building an office, apartments, houses, restaurant or manufacturing facility, we pride ourselves on giving every client a superior Turnkey Contracting experience by minimising disruption day-to-day operations, helping reduce risk, saving time and money and delivering increased return on investment. At the conclusion of a project, when our clients step over the threshold into their new environment, we want them to feel a rush of pride and excitement, knowing that because they selected Inofin Projects, the new space is infinitely more beautiful than they ever imagined.”

Achieving Client Objectives, Satisfaction and Trust

OUR NEW SERVICE Having a new space, home, office, restaurant or even a yard, which you do not know from where to begin? We can help you with that. With our dynamic in-house team, ■

We will set up a meeting with you to discuss your concepts and ideas.

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We will provide you with a design and send it to you for your approval.

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We will issue you a quotation accordingly and we will conclude our contracting stage.

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We will implement your project.

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We will manage your project to the end.

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We will help you with all furniture and other items to conclude your project.

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We will clean and make your project ready for you.

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We will help you to make your idea or dream come to reality.

Our Mission is to totally help you, from your idea to the completion of your project without having to run after all contractors yourself. This we will do together with our Managing team and our in-house departments.

FA S H I O N

Fashion is the armor to survive the reality of everyday life. Bill Cunningham

Model: Tiffany Pisani Photography by Kris Micallef Hair by Jade Hanford, Beautiful Sinners Hair Make-up: Jennifer Dimech

Style: Luke Azzopardi

Photography by Kris Micallef

Hair by Jade Hanford, Beautiful Sinners Hair Make-up: Jennifer Dimech Style: Luke Azzopardi

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A beauty on the catwalk Interview with Tiffany Pisani,

ix a handful of beauty together, with a pinch of smartness, an ounce of elegance and a good dose of charm and you will better understand what makes Tiffany Pisani one of the major local ambassadors in the fashion and entertainment industry. Do not be misled by her soft voice. She is bold, with a pretty strong character and very target oriented. What she has achieved since her success in 2010 at Britain's Next Top Model is not only thanks to her looks but also due to her will to strive hard in the fashion industry and make a name for herself. Her curriculum is simply impressive and includes experiences on major catwalks, acting roles in leading international films and also a reputation as a very good DJ. Atelier recently caught up with Tiffany who shared with us her experience in the fashion industry, her definition of beauty, her passion for music and her involvement in the film industry. She also spoke about her ambitious project related to yachting.

Photography by Kris Micallef

This is not an easy endeavour as it can be unsettling, distressing and inevitably hits hard on your personal life.

What happened after being scouted at the age of thirteen? I was scouted together with my sister by Carina Camilleri, director of Models M who invited us for a couple of photoshoots. Little did I know that those photoshoots would be the starting point for my career in modelling. Indeed, at the age of sixteen, I moved together with my mum to Milan where I started working for a leading model agency. This experience was followed by my success at Britain's Next Top Model. The rest is history.

A major turning point in your modelling career was certainly your success in 2010 as Britainâ&#x20AC;&#x2122;s Next Top Model. Many people focus on the aftermath of such an experience and give little attention to the laborious process it took over a span of a year. It was an intense yet very rewarding experience which offered many opportunities including touring with Jessie J. I also worked for Revlon and also modelled in various shows all over England. Modelling was my life for ten years during which I modelled in various shows in America, Australia, China and Paris.

Hair by Jade Hanford, Beautiful Sinners Hair Make-up: Jennifer Dimech Style: Luke Azzopardi

How would you define beauty? Although it might sound as the common clichĂŠ, I feel beauty is something which comes from within. I believe beauty is all about being a healthy person both mentally and physically. Beauty is also about being a positive person who is always ready to help others. It is also about attitude thus being humble and not arrogant towards others.

Where does your positive energy come from and what inspires you? I love fashion so no matter how many challenges it offers, I still feel it is the world I want to be in. I consider myself lucky to work in it. With that premise in mind, I move on and with the unconditional support of my family and friends I continue to strive for further achievements. Having said that, working in such a cut-throat industry is not an easy stride and I must admit that you often feel like giving up. A thick skin is necessary as disappointment is part of the package the sector offers.

What has been your most fulfilling achievement as a model? What are your future career goals? I must say there are quite a few. Fashion offered me the opportunity to travel to various countries across the globe and experience different people and cultures. It also offered me the opportunity to come across leading international brands too. Fashion is indeed an interesting industry to work in.

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You recently noted; "travelling has definitely changed me a lot as a person; it has made me a lot more independent and stronger, and it has made me grow a thicker skin." Why? Modelling calls you to be always with your suitcase ready. You need to be always ready to travel the next day. This was my life for the past years. This is not an easy endeavour as it can be unsettling, distressing and inevitably hits hard on your personal life. It was not easy for me to live away from my family in China for a year. Yet I accepted it and always looked at its positive side. It helped me grow, it helped me be independent, I learnt new languages, new cultures and came across many people.

You also talk about bullying in the modelling profession. Can you elaborate? Let us clarify. Bullying is not a matter that pertains solely to the modelling industry. Bullying is something you will come across in any industry. In the fashion sector, it might be more accentuated since it is always in the limelight and the stakes there are very high. Everyone wants to succeed, no matter what. Bullying in this sector can affect you both mentally and physically. You need to be strong and overcome the hurdles you come across. It is a very competitive industry where everyone is competing for the same job. But there is also modelling sanctuaries, eat heathy and sleep.

How do you combine modeling and your work as a DJ? My mum was into music, I used to dance too. I was also in a girl band - Girls International - so the chemistry was there from the onset. Whilst travelling, I never hesitated to go to events during my free time. During an event in Ibiza, I was asked to fill in as a DJ which I did and it went well! That was how it started and today it is part of my life.

I am quite an active person who enjoys investing my time in charitable initiatives.

Do you ever get overwhelmed by the work? Of course I do. It is a freelance job and it is hard to pattern the flow of work. There are months when work is quite whilst others when it is very busy. You really need to make good use of that time when work is on the low side.

You also had a role in the film Ex Machina among others. Is acting your next project? Over the past years, I had a few acting roles in leading international films. It is something I enjoy doing and whenever an opportunity will come up, I will gladly take.

What does Tiffany's private life look like? Over the past months, with COVID-19 restrictions. I was getting married this year yet postponed for the next. In general, I am quite an active person who enjoys investing my time in charitable initiatives.

A word of advise to upcoming models? Not to get disheartened. You will get a lot of that. Focus on your targets and strive to reach your goals.

Photography by Kris Micallef Hair by Jade Hanford, Beautiful Sinners Hair Make-up: Jennifer Dimech Style: Luke Azzopardi

What's next for you? See into the future. My major project at the moment is the Malta yacht festival. It is my baby. The concept seeks to change all yachts into floating gardens. The initiative was planned for this year yet we had to postpone for 2021. I also have a couple of DJ commitments which again have been postponed for next year. Next year is looking like a hell of a year!

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The comino factor Interview with Sarah Keable, Owner of Comino Couture.

old, stylish, ful and with a distinctive connection to the Maltese islands. That would be a correct way to define Sarah Keable’s impressive London based brand, Comino Couture. The brand is a breath of fresh air to the global fashion industry which strikes you immediately the moment you browse through her collections. Jaw dropping designs and vibrant s come together to create the perfect dress for any occasion. Every dress is a statement and offers that unique touch which makes every woman that wears it literally stand out of any busy crowd. The brand also has at its core a little bit of Malta. Indeed, Sarah fondly notes that the name crossed her mind after her love affair with the island of Comino in 2015. Sarah recently shared with Atelier what lies behind the Comino Couture brand, what makes her SS 2020 collection so sought after, the impact of COVID-19 and her plans for the future.

What lies behind the brand name? The brand name came from inspiration whilst looking across the sparkling sea at the Island of Comino, and I am the designer.

How would you define the Comino Couture style? Our style is to focus on printed skater styles using vintage beading and embellishments as our USP.

What type of woman would wear Comino Couture? We aim to provide something different to the market to satisfy the needs of women who want to lead rather than follow, for a very wide age range, for numerous occasions. The focus seems to be mainly on bright, fresh s, right? Yes, I always want to replicate the ‘sparkling sea inspiration’ involving multiple s, shades and images.

What makes the SS 2020 collection so special? Of course, this has been severely interrupted by the COVID-19 crisis. We had numerous requests from our wonderful loyal customers who asked if we could relaunch some of the very original designed outfits, so we brought back five designs. We also changed the shape of some dresses whilst still using the print formats.

How are you dealing COVID-19? It has been very hard for the business and very hard personally and for our loved ones, such a dreadful pandemic affecting everyone, but we’re coping on reduced volumes and we have been following our UK Government instructions for safe working. We have had to postpone an upcoming visit to see our sole Maltese distributor and stockist ALLURE BOUTIQUE in Mosta, where our great friend Victoria has a beautiful boutique offering a fantastic range with her personal customer service.

What about Little Miss Comino? We’ve had to pause promoting and enhancing the design of this collection for little girls, due to the pandemic, but I intend to revisit this very late in 2020 or early 2021.

What’s next for you and the brand? Medium and long term planning has been somewhat ‘thrown out of the window’ due to the crisis, and we just want to get through 2020, hoping for a rebound on the economy and to try and lighten up a few smiles with a new COMINO COUTURE LONDON outfit! The brand will continue to be exclusive and niche and as owner and designer of COMINO COUTURE LONDON, I will be continuing to head up the creative , pulling on inspiration once again from the lovely Island of Malta ! And…………… we hope to soon announce in 2020 a major unique collection with a leading fashion retailer.

Tell us also a little bit about Celeste Starre. We wanted to offer our customers a choice of pairing a dress with a unique piece of jewellery at the point of purchase, and my great friend and designer Andrea Celeste had such a brand, so it was a natural fit and seamless choice to introduce a carefully selected range of jewellery pieces without taking away from the core business of our dresses.

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THE PERFECT MODEL

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Interview with Roberta Schulz, Director of Noticed Models

rofessional mentalist, magician and author of several leading books, Amit Kalantri once noted; â&#x20AC;&#x153;Modelling is not just beauty and smile, it takes boldness and style.â&#x20AC;? Finding the right model that possesses all such attributes is not an easy endeavour. Model agencies continuously strive to find that face, that body or those looks which stand out of the crowd. Malta based, model agency, Noticed Models, has made a name in the modelling industry for its ability to deliver what leading international brands really want. Atelier recently caught up with Roberta Schulz, director of Noticed Models on her experience in the modelling industry, what it takes to become a top model, the challenges the industry offers and the company's projects in the pipeline.

Our Model For Lâ&#x20AC;&#x2122;Officiel Lithuania

How did you start in the modelling business? I was scouted more than 10 years ago at a local casting, I went there with my friend to support her, I never wanted to be a model and I was not interested in fashion, it happened by accident. I ended up travelling around the world for a year, then spent the next few years booking models for other people, eventually running my own agency for 5 years. With my experience behind and in front of the camera, I feel very confident that I can create long-lasting careers for my models.

What does it take to be a top model? To have two or more decades lasting in this career you need to have everything, and luck on your side. To stay in shape long term is only possible with a healthy routine and daily exercise, to be booked again and again by the same fashion houses you must have a strong work ethic, to be loved by casting directors you constantly have to radiate confidence and personality, also great style which needs to be adapted to trends plays a role as well.

Whatâ&#x20AC;&#x2122;s the main difference between an average model and a top one? Top ones stay for decades whereas average models only stay for a few seasons.

What role does aesthetics play in the modelling industry? It definitely helps to be spotted. Timeless beauty was big 10 years ago but now clients tend to go for more trendy, edgy girls.

What is it that youâ&#x20AC;&#x2122;re looking for when scouting for models? First of all, I look for the height and the right measurements. I also look for beautiful skin, no surgery, their natural hair color, beautiful smile, and some interesting features for example special bone structure, big eyes, freckles.

How has the internet changed the modeling industry? It has made it better. More girls living in small cities have the chance to be scouted by big agencies, bad behaviour of casting directors are being constantly exposed and models can more speak up about a lack of diversity.

What makes Noticed Models stand out of the crowd? It is the local and international client list and girl diversity. International boutique-style management and 24/7 support for the girls whilst travelling. When I opened an agency in Malta girls didn't know that modelling can last for many years and be a lasting profitable career. That it is not a hobby. Most of the girls got scared when I tell them that you need to be ready to travel the world all year round in order to make it as a model. In Malta, there is a beautiful tradition to live with parents for quite a long time after finishing school. So when I propose to models the idea of flying to Tokyo for 3 months it might seem quite scary for them.

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Timeless beauty was big 10 years ago but now clients tend to go for more trendy, edgy girls.

Our Model For Versace Jean Couture Campaign

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How has the modelling industry changed over the past years? The rates have gone down, demand decreased and the supply of models increased. Modelling standards are not so strict, we tend to see shorter girls on the runway, and different shape models on the covers. That makes the fashion industry more diverse.

What advice do you give aspiring models out there? Be safe online, find a good manager, do not sell yourself too cheap. There are so many unprofessional agencies out there, which will promise to make you a supermodel, but they have never done a job of good quality. Check facts instead of just listening to their talk.

Our Model for Harper's Bazaar Brazil

Projects in the pipeline? We just got back to work last week after two months of being closed because of Coronavirus. The main focus right now is to launch new girls for the fashion week season in September. We are currently in talks about opening two other offices in Europe. We have had a lot of time to rebrand during the lockdown and we will be representing 50 new faces during next month.

The Perfect Swimsuit A word with JACQUELINE AZZOPARDI and KIMMYLEE GALEA, owners of Hidden Assets

ummer has taken its toll and its time for many to choose the perfect swimsuit. A classic onepiece or bikini never goes out of style, but summer 2020 is bringing forth a fresh batch of fun swim trends to try. From retro styles like underwire bikini tops and high-waisted bottoms to sexy high-cut suits and beyond, these are the trends making a splash this season. Jacqueline Azzopardi and Kimmylee Galea, owners of family run business, Hidden Assets shared with Atelier swimwear trends for this summer.

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"One trend we're seeing a lot of this year is the incorporation of underwire in swim silhouettes," says Jacqueline. "Designers are constantly looking for new ways to support the female form, and underwire adds that extra lift." She also notes that there is a trend favouring lurex. "I am seeing lurex everywhere with vibrant s such as rich purples, bright turquoise blues, deep magentas, and basic blacks," Kimmylee notes that shiny, shimmery nature of lurex suits makes them especially fun for sunny days.

Every season comes with a playful batch of prints, and according to Jacqueline, 2020 is all about revisiting timeless motifs. "The big trends we're seeing are updated versions of classic prints, including micro florals, polka dots, leopard, and tie-dye." She adds; "Many brands have taken a fresh approach to prints by offering modern silhouettes with a fresh twist." Kimmylee notes that for those looking for something with that 'aha!' factor, they can opt for an ultra glamorous Swarovski swimsuit.

Kimmylee notes that Summer 2020 swimwear is also about ruffles. "One of the trends we're most excited about is ruffle details both to the shoulder straps and on seams." Jacqueline also points out that a big trend for swimwear in 2020 is pieces that can multitask. "Summer 2020 is also about pieces to be utilized in a number of ways. We're constantly thinking about how we can consume less and buy better, and a number of swimwear brands exhibit that philosophy in their design and production as well," she says.

Summer 2020 is also about minimalism. Kimmylee notes; "Clean, simple, and classic silhouettes are also a major look for the season, highlighting one-pieces, one-shoulder necklines, and timeless bikinis. Are there more trends to look out for this summer? Indeed there are, yet to discover more, it would be worth to pay a visit to Hidden Assets. The drive up to Fgura will certainly not turn out to be a disappointment.

The devil

is in the

detail Interview with Vickyann Xuereb, founder of ILĦJATA

telier loves sharing insights into the creative industry incorporating all aspects of design and innovation. It is our goal to constantly identify talents this country offers in various sectors including the fashion industry. Recently, Atelier had the opportunity to talk to Vickyann Xuereb, one of Malta's fashion industry ambassadors and founder of bespoke fashion label ILĦJATA on her inspirations and advice on entering a creative career.

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Can you give us a little insight into your creative background? From a very young age, I was raised cutting cloths, designing and sewing doll's clothes. I was raised in an environment where my mother never used patterns for cutting out, and I also used to watch my older sister use Burda patterns to cut out her fabrics. I fondly watched and learned from my mum and can proudly say that up to this day I rarely use a paper pattern to cut out my designs. I simply love the challenge of using my scissors and mannequin to design and shape a garment. I used to buy lots of fashion magazines and I remember I would be totally frustrated at not finding the necessary fabrics I needed to do certain garments. Thus I learnt to create, adapt, work the fabrics and turn them into that very special and unique piece of fine clothing. As I grew older, creating my own wardrobe became essential, thus encouraging others to seek my services. My first client friend was way back in 1980, at the age of fourteen, and since then I never looked back.

What was encouraged you to start your own label? Eight years ago I decided that I it was time move up to the next level. I wanted to be known for my designing skills, not only my sewing. Therefore I started my own brand name ILĦJATA and launched my first collection “That Beauty Within” in St Francis Square in Victoria. I remember feeling so elated, so happy, I felt that this is what I am meant to do. I instantly remembered that when I was younger, I wanted at some point to be a fashion designer but there were no opportunities like today. Everything is a challenge in the beginning but I am a very determined person, rarely give up on anything that I set my mind to and push myself the extra mile. My collections are always focused on the image of the woman, to bring out her strength, her beauty and her determination to succeed.

Describe your key inspirations for your design and concepts? I am inspired by anything and everything. I love class, yet simplicity. I also love s. I believe s help bring out the inner personality of a person wearing specific clothes. Every gown, dress, suit, outfit are designed to reflect the personality of each individual.

Why does your brand stand out in this competitive industry? The fashion industry is very challenging and expensive. I used the name ILĦJATA to elevate the beautiful trade of sewing and remind all that this is not a mass produced business for me. Each and every garment that I make is unique, I never reproduce the same dress or gown for different clients. That proves to be a much bigger challenge because the mind needs to work overtime to keep up with all the demands and needs. IlĦJATA motto is “Omnia Suere optima” which means “sewing every piece of cloth in the best possible way”.

What's next? The future is bright and beautiful. Each day brings new ideas, new trials, new encounters. I will keep putting up my collections in fashion shows because apart from giving me great fulfilment, I know the public enjoys watching this form of creative art. I will keep sewing and I will keep making people happy, because to watch the happiness and contentment on a client’s face as they wear your creation is the best feeling in the world.

SOCIETY

Society is always taken by surprise at any new example of common sense. Ralph Waldo Emerson

Credit: Rebekah Kamsky

Making a Difference Interview with DR. LYDIA ABELA

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ome people have an inherent skill to stand out of the crowd wherever they are and whatever they do. Some people have that charisma to leave an impact on society without pushing themselves too much. The moment you come across Lydia Abela, you quickly realize that she perfectly fits within this category of people. She is elegant, sophisticated, good looking and with a genuine smile which quickly captivates you and puts you at ease during any conversation you will have with her. However behind that calm face, lies a woman with a strong drive and will to succeed. Her determination is not driven by a personal ambition but rather by what she loves most - connecting with other people and a personal set goal to leave in one way or another, a positive impact on society. Above all, a will to unconditionally support her husband in the daunting task he embarked on way back in January. Lydia, shared with Atelier how her life changed over the past months, her special bond with Giorgia Mae, her interest in politics and how she is gradually fitting into her new role.

Politics touches lives and that is what I look forward to in my role as the wife of the Prime Minister - to make my utmost in improving the situation of society at large.

How has your life changed over the past weeks? Somehow life changes when your husband becomes Prime Minister but the biggest changes for me have been because of the COVID-19 crisis. Just like everyone else, just like every other mother, like every other working mother, I had to make serious adjustments. I have been working from home and meeting my obligations online. With our eight year

old daughter, Giorgia Mae, not going to school, I had to be there for her to keep up with her studies and her different social life indoors. I missed not being able to meet extended family and friends, especially my parents and Robertâ&#x20AC;&#x2122;s parents. The pressure had been great on Robert, working long days and taking tough decisions, but Giorgia and myself are always there to support him and help him unwind.

A TELIER and giving a helping hand to those in need. Dealing with such realties at that age made me appreciate the simple little things I have, made me more compassionate and instilled in me the will and the energy to make a difference in people’s lives. I started my studies at the University of Malta pursuing a Law Degree in the year 1996 where I met Robert who happened to come from a political family. We married in the year 2008 and in 2010 I was appointed as Secretary of Partit Laburista. This year it was a natural decision for me to step down from my role as Secretary of Partit Laburista when Robert became Prime Minister. I took this step not because a woman is an extension of her husband’s office, but because I am resolute to support Robert and do my utmost to help the Maltese community.

What does politics mean to you? Politics helps you bring change. Unfortunately many-a-times, we are only exposed to the dark side of politics - the confrontational side of it. Politics is not that. Politics is all about improving people’s lives. It’s about helping people reach their full potential and about how we can look after the most vulnerable in our society. Politics touches lives and that is what I look forward to in my role as the wife of the Prime Minister - to make my utmost in improving the situation of society at large.

What active role should we expect you take? I have been involved in the political life for many years and I do not see that changing. Politics is part of me, it is my passion. At a young age my parents exposed my sisters, my brother and myself to different social realities that existed in our home town. I remember myself during my teenage years doing voluntary work teaching young girls and boys

What is the most important political issue we need to address now? Right now, it has to be Malta’s response to the COVID-19 effects and how we can move forward from this. Malta has done extremely well in dealing with the health emergency. The number of cases would probably have been much higher if the Government had not taken action when and how it did. The next task is to rebuild the economy, save jobs, and return to normality. Nobody knows the exact blueprint for this, but we Maltese are resilient people and I’m sure we will succeed.

What are the qualities for a good Prime Minister? A good Prime Minister has to listen and understand but must have goals and be determined to achieve them. A good Prime Minister has to stay close to his people and be one of them; he must be humble and compassionate. Robert has been doing this since day one. I think the fact that he is so rooted to his political foundations, and is in touch with people from all walks of life, will stand him in good stead.

The famous Associate Justice of the Supreme Court of the United States, Ruth Bader Ginsburg, once noted; â&#x20AC;&#x153;Women belong in all places where decisions are being made.â&#x20AC;? To what extent do you agree? Absolutely. I have made this one of my main pillars to work on during my tenure as wife of the Prime Minister. I have already worked on this during my time within the structures of Partit Laburista and I am keen to keep working to better this situation. There is no doubt about the need for more women in both Parliament and decision making roles.

What are your views on female participation in local politics? Female participation in local politics is far below than satisfactory. It is a pity that we have such a low number when we come to female Members of Parliament in Malta â&#x20AC;&#x201C; a situation that had been stale since women were given the right to vote and to contest the general elections. This was the reason behind Partit Laburista LEAD initiative - an initiative which was necessary to empower female prospects to political life and encourage more women to run for the local council elections, general elections and elections of the European Parliament. I am now looking forward to the moment when the Labour Government amends the law to ensure that future Parliaments have top-up seats to ease gender imbalance.

How can we ensure a stronger female participation? Education, self-confidence and empowerment are the keys. Young girls need more women role models. Ensuring a stronger female participation depends on a number of factors. We need to remove the stigma that politics is an ‘old boys club’. In addition, the political arena must cater for a more family friendly environment to make sure that having a political life does not hinder being able to bring up a family and raise children. It has been proven, that when contesting, women have a high successful rate of making it to parliament and thus, we need to work on encouraging more women to make that step.

What does your private life look like? My family gives me energy. Robert and I try to make the most of family life. Obviously, we are all very busy but the three of us make it a point that we find time to enjoy little things together, catch up on each other’s day and keep our daily coffee appointment in Valletta.

In what way does a First Lady strike the right balance between a private and a public life? I have my own career and we enjoy our private time as a family, but I am determined to support Robert as much as I can. His vision is my vision and we share the same social beliefs and values. I want to be there for Robert as his wife, as a mother of his daughter and as his best friend.

What in Malta should we strive for in post COVID-19 era? All the indicators are that Malta will come out of the economic crisis in better shape than many other countries and I am sure that we will build on our optimism and confidence. As restrictions eased, Maltese people are taking the opportunity to live life to the full again. We Maltese have a zest for getting out there and doing things – at work, with family, in sports, the arts. I look forward to seeing that enthusiasm and joy again.

Why should we be positive about the future? Well, just look at what we have overcome in the past. If we just be ourselves - the resilient Maltese people, the hard workers who love their country with a passion - we are heading to a bright future. We all know the history of this tiny island. There are still people alive who remember the dark days of bombing in the Second World War. Today we are a proud, independent nation with a talented population.

We should be positive and proud about who we are and about what we can achieve.

Taking the LEAD With technology being identified as one of the key drivers to boost Malta’s economy, Tech.mt is committed to ensuring that technology is used as a tool to empower digital innovation and establish Malta as a European model for the deployment and promotion of emerging technologies. This is how Tech.mt is taking the LEAD in enhancing Malta’s status as the technology hub of choice in today’s digital ecosystem:

Levitating the digital economy It is evident that as the economy continues to reboot, we will see a more digital economy and a more digital society. As Tech.mt, we yearn to see such transformations but also pledge to drive such transformations in the most resilient, inclusive, and effective manner possible.It is evident that if we really want to rescue and safeguard our economy, we need to enhance the role of the digital economy and create new competitive strengths. Integrating the digital economy and exploring new ways by which technological systems may be optimised and fused in our industries and social systems will offer unprecedented value to our businesses and society at whole. By giving prominence to the digital economy, we are actively choosing to become more economically sustainable and recognising a new engine for growth and productivity. Tech.mt believes that through digital skill building, there is enormous potential in boosting the contribution digitally skilled workers have to Malta’s economy.

Enabling digital transformation The notion of “digital transformation” has seen a huge surge in popularity on all forms of platforms, from social media and news agencies to government strategies and European agenda.

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Whilst yes, the pandemic has accentuated such discourse about the dire need for businesses to digitally transform themselves, digital transformation should not be regarded as merely a buzz word or simply an idea reserved for large corporations. Due to the constantly progressing nature of technology, digital transformation is not something that comes with a finite budget and predetermined timeframe. It is an ongoing process that requires commitment, innovation and assistance.

Accelerating connectivity by bridging the digital gap The increasing dependency on digital tools and platforms during the COVID-19 pandemic has exposed the digital gap across different segments of society. Unreliable and unaffordable access to internet or the inability to utilise digital platforms make it almost impossible for the underprivileged or disadvantaged tiers of society to stay abreast recent challenges. Tech.mt has firmly pledged its commitment to ensuring that those left behind continue to receive opportunities to be able to cope with the insecurities COVID-19 has brought to bear. One of the main lessons emerging from the crises has also been the dire need for businesses to go digital and offer e-commerce solutions for consumers. It’s not easy at the moment to convince businesses to invest in digital transformation because they are still dealing with the shock of the COVID-19 pandemic. However, many admit that it was even more shocking to not have digital presence and lose sales overnight once global economies were brought to a standstill. When speaking about narrowing the digital divide, Tech.mt believes in limiting the divergence between tech-savvy businesses and small businesses which struggle to cope with offering their services online. To this end, Tech.mt proactively encourages businesses from all sectors of the economy to adopt the process of digitisation.

Discovering new opportunities for collaboration If the pandemic has taught us anything, it is that collaboration is vital towards reaching new heights in terms of growth, prosperity and excellence. The challenges being faced by our economy and society have imposed tremendous pressure on our government, ministries, national entities and businesses to remain relevant and effective during such turbulent times. It has also prompted leaders and top management positions to cautiously engage with today’s new reality and empower new areas of collaboration and success. Whilst today’s digital economy comprises multiple facets and functions, it would be a huge fallacy for all players driving the digital economy to operate independently and unaided. In a few words, an ecosystem in which each player protects its own knowledge and interests will simply not work. Looking at Malta’s key players behind its shift towards a digital economy, there is a clear opportunity for enhanced collaboration in which various elements may be addressed. By acknowledging the strengths and resources of each player and focusing on utilizing them to the fullest extent possible, Tech.mt strives to give significant impetus to convergence and collaboration.As CEO of Tech.mt, I believe that this unprecedented new era calls for visionary leaders who despite their differences, can maintain a strong equilibrium between competition and collaboration and push for new frameworks to co-exist. Seeking new and innovative areas for collaboration, despite the divergences, is the novel art of leadership. While the potential of the digital economy is indeed significant, the equivalent opportunity through a stronger digital infrastructure and connectivity, enhanced collaboration, and a strengthened digital skills-base, is particularly important considering Malta’s ambitions. “It’s not easy at the moment to convince businesses to invest in digital transformation because they are still dealing with the shock of the COVID-19 pandemic. However, many admit that it was even more shocking to not have digital presence and lose sales overnight once global economies were brought to a standstill.” Dana Farrugia, CEO - Tech.mt

https://tech.mt/ @Tech.mtMalta

Tech.mt

Techmt.Contact@tech.mt @TechmtMalta

tech.mtMalta

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The story behind the brand Interview with Derek Vassallo, OOH & B2B SALES MANAGER AT NESTLÉ MALTA

Over 285,000 employees, CFH 92.6 billion group sales in 2019, an organic growth reaching 3.5% and a real internal growth which accelerated to 2.9% in the same year, are a few of the impressive figures which explain why Nestlé is considered to be the biggest Food and Beverage company in the world. Working for such a giant in the food and beverage sector is an opportunity yet also a challenge especially in the current COVID-19 era which has hit hard on all markets and has spared no mercy on Nestlé itself. Notwithstanding such challenges, the company strives for further growth both at a global and regional level. Atelier had the opportunity to meet up with Derek Vassallo, Sales Manager at Nestlé Malta who shared with us what lies behind the success of Nestlé, Nestlé Malta's operations, the challenges COVID-19 has brought to the fore and projects Nestlé Malta has in the pipeline.

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A TELIER

What makes Nestlé stand out of the crowd? One can mention many things that make Nestlé stand out, these vary from responsible sourcing, Nestlé commitments and the fact that we continuously strive to make our products tastier and healthier. However, if I had to mention one thing I would say that our Principles and Values are what truly makes us stand out. Although the company has evolved throughout the years we still kept true to the vision of our founder, Henri Nestlé, which is to influence positively the social environment and enhance the quality of life. Our principles and values are rooted in respect and a fundamental part of our business strategy is our Creating Shared Value. In simple words we need to create value for the people in order to create value for our shareholders. This includes all our suppliers, starting from farmers, our employees, our consumers and the communities where we operate.

Can you tell us more about Nestlé's responsible sourcing? Nestlé approach to responsible sourcing is one of the central pillars of our purpose. Our commitment is to implement responsible sourcing throughout our supply chain and also to promote animal welfare. Responsible sourcing is also essential to ensure the long-term sustainability of our business. With responsible sourcing practices we can have a positive social and environmental impact. We continuously report transparently on the sourcing of our raw materials. We also built on efforts to tackle deforestation, promote human rights and ensure animal welfare in our supply chain. In our responsible sourcing program we collaborate closely with all the involved stakeholders, from deliverers, importers, processor, and farmers. Together we ensure health and safety, environmental concerns, animal welfare and human rights.

In what way does Nestlé enhance quality of life and contribute to a healthier future? Nestlé has developed three bold ambitions for a better future and to help us achieve our purpose of enhancing quality of life and contributing to a healthier future. For individuals and families our 2030 ambition is to help 50 million children lead a heathier life. To achieve this we are launching more nutritious foods and beverages, simplifying ingredient lists and removing artificial ings. We also use micronutrient fortification to help address health challenges. Also we are committed to decrease further sugars, saturated fats and sodium, while increasing vegetables and wholegrain in our products.

How would you assess Nestlé's longstanding relationship with the local market? Nestlé has been established in Malta for over 100 years and throughout the years it has always kept a consumer centric philosophy. This has helped us to establish household brands, like Nescafé, Baci, Kit Kat and more. In 2016 Nestlé Malta launched its Consumer Center with the purpose to create a better contact point between Nestlé, its customers and its

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consumers. This consumer center is continuously evolving in order to ensure we meet the consumer needs as well as gives us the opportunity to take care of our environment by collecting recyclable materials.

What is your experience working with Nestlé Malta? I’ve started working with Nestlé three years ago and I can say that I found myself at home in a company that has the same values and principles I was brought up with. In the past three years I managed to grow significantly thanks to the continuous support of other professional colleagues and senior members within the company, and thanks to their guidance I also managed to achieve positive results and reaching the set goals.

Why is working with Nestlé Malta an opportunity to go for? Nestlé is a company that values its employees and

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helps every employee to develop both on a personal level as well as on a professional level. Nestlé also provides a flexible working environment. This helps employees to balance better the business requirements together with the personal needs. The importance of health and safety is a top priority and this gives peace of mind to the employees. Nestlé is a multicultural company and hence brings together also a lot of diversity. However thanks to its approach, in regards to gender balance and diversity it manages to bring employees together irrelevant of any diversity and offers equal opportunities.

In what way has COVID-19 effected Nestlé's operations in Malta? Covid-19 has challenged our operation on different levels and our OOH home channel was impacted negatively drastically. However Covid-19 also offered us the opportunity to show the true s of Nestlé. While keeping health and safety as top priority we ensured that we continue to keep a constant supply

A TELIER

COVID scenario will surely be different to what we were used to until now. Consumers have become more multichannel and e-commerce sales have soared to extraordinary levels. It is also likely that certain habits acquired during the pandemic will remain long term. It is being foreseen that brands that don’t adapt rapidly the “new normal” will not survive. It is also expected that consumers will continue to eat less out of home in the immediate future and they will try to support local favourites when possible. Purchases that are non-essential will also continue to see a slow down as consumers have become more discreet in their spending.

to our consumers. At the very beginning of the pandemic we implemented a set of safety measures in order to safeguard both our customers and also our employees and we continued to adjust these measures accordingly. We have guaranteed 12 weeks of full pay to all employees that were impacted and assisted employees to telework where possible. We are frontrunners when it comes to teleworking and hence this was a process that we knew perfectly how to handle. We also took the opportunity to support various NGOs, health workers and also animal shelters. We are now in the process to assist the HORECA channel in its restarting phase and we are committed to assist our clients in such challenging times.

What are your predictions on consumer behaviour post COVID-19? COVID-19 has reshaped the whole word and also the way we trade. We’ve seen radical changes in consumer’s behaviour and it is obvious that the post

How is Nestlé Malta adapting to this new reality? When it comes to employees we are managing a phased return to our workplace for our office-based employees. In regards to our partners, we have outlined various initiatives especially to support our partners that were impacted most, which are our partners in the HORECA channel. We want to accompany our clients during this restarting phase and we are doing this through economic support and also through marketing plans that help our client to face these unprecedented times.

What's next for Nestlé Malta? Nestlé is always focusing on consumers and innovation. Based on this we are exploring various exciting projects that will fit the new reality we are living today. These projects will continue to help us to become closer to our consumers and strengthen our collaboration with our customers. What we can say for now is that we look positively for the future and we anticipate exciting times for us, our customers and our consumers. So stay tuned and stay safe.

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A Mindset called Sustainability

Miriam Dalli Head of the PL delegation to the European Parliament

omething has shifted in the air. As restrictive measures are cautiously being lifted across the European Union, an imaginary curtain slowly goes up on the idea of returning back to normality. The question though is, how do we define normality now? The outbreak of the coronavirus did not only force several people into the confinement of their homes, it threatened also the lives and livelihoods of many around us. It forced people out of their comfort zones. It questioned each move and postponed major events in the lives of many, including postponed marriage plans and denied proper farewells to loved ones.

According to global news agency AFP, nearly six out of every 10 people around the world were forced or urged to stay at home to help prevent the spread of the coronavirus. To help put you in the picture, we are talking about at least 58% of the world population affecting 4.5 billion people around the world, including citizens in Malta.

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A TELIER Forced into confinement by laws, or urged to stay at home, social distancing became the norm in our lives. From not being able to physically meet our extended family or our friends, with children not going to school and many advised to work from home, we had to quickly adapt. We quickly learnt how fast people can adapt to change, when the need arises.

Our realities have changed from what our society was accustomed to around 30 years ago. We have more working men and women who have families to take care of. They need to balance their work and their family commitments. This new reality should be taken into account and as such, introducing teleworking measures where possible should be the norm not the exception.

I have not travelled to Brussels or Strasbourg for over eight weeks now. As a Member of the European Parliament, I have an office in Malta (Ħaż-Żebbuġ) and another one at the European Parliament in Brussels. In Strasbourg, we have a smaller office which we travel to during plenary sessions, held every month. Because of forced lockdown measures and closed airports and closed borders in various Member States, the European Parliament had to adapt to every kind of remote meeting possible – from committees, to bureau meetings, to working groups and plenary sessions – to voting remotely. Honestly, this was a much-needed change.

Such measures help our families balance their lives and live happier; a lot of travelling time is saved and scheduling meetings has becoming easier (read: increased productivity). Teleworking measures can reduce traffic and congestions from our roads whilst driver are not struggling to find parking spots. All this has contributed to less pollution on our roads. Across the European Union, daily carbon dioxide emissions have fallen by almost 60 per cent.

I remember having my second child and not even taking my maternity leave as the European Parliament did not even give us the opportunity to vote remotely. A pandemic forced the hand of many, including that of the European Parliament, and alternatives for teleworking had to be found. I for one, have been advocating for a very long time about the benefits of teleworking. Unfortunately, I used to get the feeling that there was still the idea that people who telework are just avoiding work. It is not the case. A lot of employers and workers had to invest in teleworking. This included procuring laptops; ensuring that employees can communicate on a safe platform. It also meant that certain businesses had to switch to provide reliable online services. This in itself, provided work to those companies who help with such services. This is part of the digital future we have been talking so much about.

We know well enough that when the environment suffers, human health suffers with it. The lessons learnt during this pandemic – bad and good – should stay with us and influence decisiontaking and policy making. Rebuilding the economy has to happen hand-in-hand with eco-friendly policies and social justice. We talk so much about sustainability, but we have done very little to abide by it. Sustainability is what provides us with the strength to weather any storm. In socioeconomic terms, other Member States were hit far worse than Malta. One cannot not mention two important factors: a stable economy and a strong and reliable public health sector. We must now rebuild our economy intelligently in a way that safeguards citizens’ livelihoods. 70 years ago on May 9th, 1950, Robert Schuman planted the seeds which would give rise to the European Union. Today, we are confronted with the deepest crisis since World War II. Writing the next chapter of our history will be challenging – but it is a challenge that we have to face together.

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Ċertifikat A+ għar-riformi istituzzjonali li qed iwettaq pajjiżna Fil-jiem li għadew ġiet ippubblikata l-Opinjoni formali tal-Kummissjoni tal-Ewropea għad-Demokrazija permezz tal-Liġi, magħrufa aħjar bħala ‘l-Kummissjoni Venezja’, dwar prinċipji tal-proposti għal riformi leġiżlattivi għat-tisħiħ tas-saltna tad-dritt u l-governanza t-tajba f’pajjiżna. Il-Gvern Malti se jkun qed iwettaq riformi istituzzjonali bla preċedent, liema pjanijiet, ġew rikonoxxuti mill-Kummissjoni Venezja, wara li din wettqet proċess wiesa’ ta’ konsultazzjoni li nkluda lill-President ta’ Malta, lill-President tal-Kamra tad-Deputati, lill-Oppożizzjoni, u ankè lis-Soċjetà Ċivili. Il-Gvern huwa impenjat u qed jimplimenta dawn ir-riformi permezz ta’ emendi leġiżlattivi, li għandhom jiddaħħlu fis-seħħ mingħajr dewmien. Apparti r-rapport pożittiv tal-Kummissjoni Venezja, tajjeb li jkun apprezzat li dawn il-kunċetti legali saru f’sempliċiment erba’ xhur. Erba’ xhur li matulhom il-Gvern, permezz tal-Ministru Edward Zammit Lewis, ikkonsulta, żamm djalogu kostanti mal-Kummissjoni Venezja, u rnexxielu jlaqqa l-pożizzjoni tal-Gvern kemm jista’ jkun qrib tal-Kummissjoni Venezja. Dawn huma riformi storiċi li se jibqgħu imnaqqxa fl-istorja ta’ pajjiżna. Fost oħrajn, dawn se jinkludu bidla fil-mod ta’ kif jinħatar il-President ta’ Malta u l-Prim Imħallef, il-mod kif jinħatru l-ġudikanti, u t-tisħiħ ta’ għadd kbir ta’ istituzzjonijiet oħrajn. Il-Gvern issa huwa impenjat li jressaq dawn l-abbozzi, li diġà huma lesti, quddiem il-Kummissjoni Venezja, u wara jressaqhom fil-Kamra tad-Deputati fl-iqsar żmien possibli. Dawn ir-riformi, dan il-Gvern għamilhom mhux għax kienu imposti fuqu, iżda għaliex b’konvizjoni jemmen li se jkunu qed isaħħu d-demokrazija, l-Istituzzjonijiet tagħna, u s-saltna tad-dritt f’Malta.

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Liġi tal-KoabitazzjoniLe għal ċittadini tat-tieni klassi! Fil-ġimgħat li għaddew, mill-Parlament għadda l-Att dwar il-Koabitazzjoni, mill-Ministru għall-Ġustizzja, l-Ugwaljanza, u l-Governanza Edward Zammit Lewis. Dan l-Att se jagħti iktar drittijiet u jipproteġi koppji li jgħixu flimkien f’koabitazzjoni, hekk kif dawn se jkunu rikonoxxuti uffiċjalment, anke mingħajr ma jkunu miżżewġin jew f’unjoni ċivili. L-Att dwar il-Koabitazzjoni, apparti li jirrikonoxxi koppji li jiddeċiedu li jikkoabitaw, jistabilixxi parametri ċari dwar min jista’ jiġi rikonoxxut bħala koabitant, kif wieħed jista’ jidħol f’att pubbliku ta’ koabitazzjoni, u kif taħdem il-komunjoni tal-assi. L-istess Att se jkun qed itejjeb fuq l-Att li għadda fl-2017. Dakinhar, il-koabitazzjoni ġiet rikonoxxuta, iżda kien hemm numru ta’ diffikultajiet fl-applikazzjoni ta’ dan l-Att. B’hekk din il-liġi se tkun qed tieħu post l-Att tal-2017, u min hu marbut legalment b’dak l-Att permezz ta’ kuntratt jew dikjarazzjoni unilaterali, jibqa’ marbut bl-istess kundizzjonijiet, sakemm ma jagħżilx li jibdel ir-rabta permezz ta’ att pubbliku skont il-liġi l-ġdida. Sa mill-konċepiment ta’ dan il-Gvern, il-miri kienu li jiġi mmodernizzat dan il-pajjiż anke fil-qasam tal-libertajiet ċivili, u minkejja li t-triq ma kinitx waħda faċli, hija triq li tagħti iktar drittijiet u dinjità. Din hija liġi maqbula bejn kulħadd, anke l-Oppożizzjoni, u allura anke fix-xogħol dwar din il-liġi, ingħata eżempju ta’ kif għandha ssir il-politika. Din il-liġi hija ħolqa minn kullana ta’ liġijiet, u li x-xogħol f’dan il-qasam mhuwiex se jieqaf, hekk kif dan il-Gvern ma jridx ċittadini tat-tieni klassi, u jinsab kommess li jaħdem għal għada aħjar għal kulħadd!

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REPRESENT Interview with Luke Laurenti and Kris Micallef, ISLAND TALENT AGENCY

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n the midst of a global pandemic and at a moment of fast scrolling through reels of content on our smartphones, 9 black and white photographs punctured the seemingly infinite COVID-related posts of all those who we followed. They were the broken segments of a layered artwork with some familiar faces, other new ones, and a few we were intrigued to click onto the tags of, to find out more about.

As I was followed by @ islandtalentagency, I checked them out. I could tell it was going to be the next big thing, so I absent-mindedly followed, as we so often do. On March, 4th ISLAND Talent Agency landed on our screens and our social media platforms, and one by one, we saw the faces we hate-to-love-tofollow, join in. Knowing it was hardly the best time to launch a new business, partners in crime Luke Laurenti and Kris Micallef persisted with their idea, and announced the faces of their new agency. The idea was simple: people consume content, others create it. What they were interested in was how best to innovate on the way things were already being done: how to diversify options and how to keep things fresh. Whilst Luke has worked in digital marketing and social media

for several years, learning how best to navigate in the intricacies of the industry, Kris has been a fashion photographer and visual artist since he finished architecture school. Together they bring different experiences, audiences and networks, funnelling it all into what Island Talent Agency stands for. Centralising a platform that gives organisations a number of people to work with and diverse messages/images to come out with, the agency makes the whole process efficient both for the client and for the creators. Marrying the world of content with that of fashion models, lifestyle models and personalities, Island Talent Agency is fast becoming home to the most diverse sources of talent in Malta. The team has made it their mission to create as varied a group of individuals as possible for clients to work with at leisure, also venturing into

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Luke and Kris

international faces the likes of which no other agency currently promotes. This is in order to appeal to international markets/clients, as well as to produce campaigns and content that is varied, with faces that we might not yet be familiar with.

and representing characters that can add value to your brand. We are all about establishing long-term relationships with people who want a professional, efficient means of communicating with their audience, and who remain eager to innovate with us.

The duo dreamt this idea up a while ago but have only been operating for six months, having gone public 90 days after they initially started working on the idea. We asked Kris and Luke a few short questions about their journey so far and the plans for the future. Here's what they had to say:

What has COVID-19 meant for a new start-up, and also all the faces of the agency? We like to think that it's actually been an opportunity for us. Launching when we did was planned; launching how we did (immobilised, isolated, in lockdown and amongst infinite different global distractions) was not - however that's the nature of the game we're playing. A lot of the work we get is about the moment it is thought up in and the circumstances it is anticipating or reacting to. So being able to launch, attract interest and build momentum has been a learning curve but a major encouragement. Naturally the great team we are representing has also had to react. We think this has actually been a really good test to start the venture off with, as businesses and brands were interested in

What would you say Island Talent Agency is absolutely NOT? A Marketing Agency. The misconception is that this is another marketing venture to join what is already quite a crowded pool. We're a talent agency, and our role is collaborative: we hope to work with marketers across the island to create narratives, stories and images that are fresh, diverse and varied, opening up avenues for better ways for the industry to work,

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A TELIER Why I’ve loved working with Island Talent Agency: BOLT F OOD:

Everytime we have worked with Island Talent Agency, the service was great, Very professional service and it’s growing super fast. Whenever we tell them a storyline they know exactly what we want and who fits into the particular role; which saves everyone loads of time.

Mask by Luke Azzopardi Model: Madeline @ Island Talent Agency

working with us in order to communicate with their audiences in this weird time for us all. What niche are you hoping to tap into next? We'd like to think there are more people who will call Island Talent Agency home in the future. We're in our first six months so we don't want to commit to too much, but the talents of who we've already signed are multiple and varied. We hope to expand to offer an even more diverse pool of people and perhaps even know-how, services and consultancy. Island Talent Agency could offer a real platform to all the people we represent to extend their reach and their role within the projects people commission us for.

Good ideas thrive amongst good people. It seems this new agency is built directly on this premise, and we can’t wait to see them soar. Follow at @ islandtalentagency on instagram, or get in touch via www. islandtalentagency.com.

After speaking briefly about the idea with both Kris and Luke, here’s what three of their talents had to say about being a part of Island Talent Agency :

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Gaia Cauchi: Island Talent Agency has helped me so much with organizing my things. Before I joined the agency, I was drowning with work but now, every time work comes in, I don’t have to feel anxious and stressed about it as they take the weight off my shoulders! They are so dedicated and so sweet and understanding... they treat you for who you are and not for what you are! I’m genuinely grateful to be working with Island Talent Agency as they support and want to help growing personalities here in Malta and that is very rare!

Chucky: Working with Island Talent Agency put the fun back into ‘funneling work my way’. They always get my ideas, and know when I’m not comfortable with a project and help me push back. Getting a gig and not having to email for months after to get paid? That’s a freelancer's definition of heaven.

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Tiffany Pisani: Iâ&#x20AC;&#x2122;ve had the pleasure of working with Kris Micallef from the age of 15 and instantly felt a strong connection. We have worked together on several projects and never have I once been disappointed. Kris is by far one of the most talented photographers I know and it felt like a natural progression to continue working together for future projects

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LEAVING AN IMPACT Interview with Owen Bonnici, MINISTER FOR EDUCATION AND EMPLOYMENT

olitics was always a serious matter for Owen Bonnici, Minister for Education and Employment. From a very young age, he

considered politics as that perfect platform where he could express and share his beliefs. Above all, it was that medium through which he could offer his service for a better society and for a better Malta. Yet Minister Bonnici has more to tell other than politics. Apart from being a minister and a politician, he is a successful lawyer, a father and also is a partner to Remenda Grech with whom he lives in Żurrieq. Minister Bonnici shared with us what attracted him into politics, his experience as a minister spearheading two key portfolios and his life behind the scenes.

At what stage in your life did you feel the urge to be involved in politics? I was always patiently impatient. I was always patient, because I was always very cool headed and I don't lose my calm very easily. I was always impatient, because I always wanted to see change around me, I always expected the best out of people and I always believed that Malta has never achieved its full potential. Since I was a young boy, I was always fascinated with decision making processes. I used to observe how decisions were taken in my small microcosm, at home, or in class at school. I always loved to decipher the actions of people and to understand why people act the way they do and, perhaps, more importantly, react the way that they do. The fact that I had a very inquisitive and very intelligent older brother helped as well and I used to patiently ask him a lot of questions, waiting

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impatiently for the answers. I remember that our conversations around the dinner table at home invariably centered about politics all the time. Whether it was local or foreign, whether it was about something that Mintoff or Karmenu or Eddie did, or whether it was something about what Reagan or Gorbachev said or did, it was politics everyday all the time. You have to understand that my brother and I grew up reading a lot, totally immersed in learning. My father – another very patient man - used to work for a newspaper and brought us free newspapers and magazines every day. I used to race for them as soon as I heard my father insert the key in the lock and open the door at roundabout 4 p.m. We used to spend our weekends watching all sorts of videos and audiovisual material which my father used to obtain for us from libraries such as the one which the ones found at the American Embassy used to have. On

A TELIER lucky days, I used accompany with him to Floriana just to be able to see US soldiers in uniform performing security checks on us upon entering the embassy like they do on TV. That was amazing! My dad also invested some good money in an encyclopaedia – a large, red collection called Everyman's Encyclopaedia – and with it a series of classics from the world of literature. They were our toys. So I used to watch on the videotapes obtained from the American Embassy that documented about Ronald Reagan was doing, about the cold war, the need of bringing down that wall in Berlin. I was still a kid and I probably understood less than half of a quarter of what was being said. But then my father taught me how to write the difficult words down on a piece paper, patiently search them in the encyclopaedia and impatiently ask my older brother for an explanation if I still could not get the gist of what was being said. I was fascinated by NASA, space travel, cartoons, languages, the art. I loved Ronald Reagan in particular because he used to speak in a way which I kind of understood, and used to laugh a lot at his jokes. My mother, on the other hand, adored Dom Mintoff. Funnily enough Mintoff reminded me of my grandfather and I thought – as a kid – that they looked very similar. I did not like Mintoff that much because, unlike Reagan, he never cracked any jokes. For a lot of time, I thought that JFK and Reagan were related, like me and my brother. They were both so nice, there was no other way! I also wanted to learn about what is around us, how we can change what is around us. I remember searching up the encyclopaedia for "Glasnost" and "Perestroika" and "the Berlin Wall" and then asking my brother to tell me again in his own words what they meant. When I was asked at school what I wanted to do when I grew up, I immediately answered: politics.

Why do politics matter? Politics is essentially about how to turn a territory, population and jurisdiction into a social nucleus which creates wealth and distributes that wealth in a just manner.

Left to their own devices, a man or a woman is ego-centered. Placed in an educated society with laws and rules, that same man or woman can do an extraordinary amount of good. History shows us that the best system with which this social nucleus is run is through the democratic method and by means of constitutionalism. Through politics, we can take decisions using the best method and means that history gave us and do an incredible amount of good. Even a tiny decision can alter the quality of life of many.

What makes a good politician? There are qualities of a good politician which are applicable to every society and others which are applicable in particular societies more than others. For me a good politician should always have the following qualities: • Humility. One has to be humble enough to learn from mistakes and humble enough to realise that with great responsibilities comes the need to keep the feet firmly rooted to the ground; • Self-confidence. A good politician must be sure of himself / herself. • Vision. A good politician must stand for something and must be able to see what others do not, must be able to foresee what the future will be before others. Must be he/she lead the way and inspire people; • Honesty. Politics is not a business venture. It is a mission of making society a better place. • Excellent social skills. A good politician must be an excellent communicator, a gentleman / lady in the way he / she carries himself / herself and be able to connect with all strata of society. One must deliver and keep his / her promises. • Smart. A good politician must be a smart. He / she must plot an end game prior to every move, and be at least two steps ahead of others. A part of being smart is being able to form a team of very good people who work for you. In Malta, a good politician must also be very close to the people he / she represents. One must be seen and felt, and more importantly provide solutions.

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Winston Churchill once noted; "Politics is not a game. It is an earnest business." To what extent do you agree? Indeed, it is a very serious business. It is a very serious business for the people who are affected by the decisions politicians take, and it is a very serious business for the politicians themselves because it can very well take up the whole of your life. How would you sum up your experience as Minister for Justice, Culture and Local Government? It was a fantastic experience. It gave me a unique opportunity to deliver on a lot of changes which improved our country, our democracy and the people's standard of living. I will give some examples: the whistleblowers' act, the party financing law, the law on prescription in cases of corruption, the reform in the drugs legislation which led to a much more sensible situation, the reform in the Office of the Attorney General (which led to the creation of the State Attorney), the setting up of a Parliamentary committee for the scrutiny of public offices, the right to legal assistance during arrest, the introduction of the right of disclosure, the bolstering of the witness protection programme, the increase in efficiency in the clearance rate in the civil courts, the plethora of IT tools which were given freely to law practitioners, the reform (agreed unanimously in Parliament) in the method of appointment of the Judiciary, the increase of a Judge in the ECJ, the setting up of new halls in the law courts, a new judiciary's building, the whole Presidency of the European Union and the number of files we closed in our six months, the setting up of EPPO on an EU-level, the improved conditions for members of the Judiciary, the setting up of Court Attorneys to assist the Judiciary in the drafting of judgments, Valletta 2018, the cultural program for the presidency, the IFAACA summit in Malta, the creation of Żfin Malta, Teatru Malta and Festivals Malta, the Heritage Passport which gave free access to all residents to all Heritage Malta sites, the reopening of St Angelo, the reopening of St Elmo, the reopening of Rabat Catacombs, the ambitious restoration program in various historical

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sites, the strengthening of the Superintendence of Cultural Heritage, the opening of MUŻA, the financial assistance which started to be given to firework enthusiasts and other traditional cultural expressions, the laws protecting band clubs from eviction, the participation in the Venice Biennale … I can keep going on forever. These are all changes that I am very proud to have implemented. This is a very strong legacy which I have left behind. You have now been entrusted with the Ministry for Education and Employment. What are the challenges of this new portfolio? I like to call it the Ministry of the Future because in essence it is allivates the wealth-creators of tomorrow. One of the most positive things in the Ministry is that Education and Employment are brought together under one roof, meaning that education is not perceived in isolation but as part and parcel with the skills needed in the world of today and tomorrow. This is a very wise decision which is very beneficial to our country. I am really enjoying the work that I am doing at the Ministry. I love kids, and I absolutely want to have the best education possible to give them the best future possible. The number one challenge in this portfolio is to make sure that no kids are left behind, that everyone gets a fair chance at making it, that the guy or girl who comes from the most humble house in Malta can study, work hard and become the most successful person in our country. This means that the rate of school leavers must drop, that we must provide opportunities for students to take the educational journey of their liking and that inclusion must be at the centre of everything we do. Our educators are our front liners. Every child deserves a champion, and they are our children's champions. Way back in January, you broke down your plan for the education sector into four aims. Can you tell us more about your strategy? Essentially throughout the months and years to come I will focus on these four principles: improving

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the quality of the school experience, tackling gaps in the education system to ensure that nobody is left out, improving post-secondary education as well as making sure that people continue to learn after they left school. These four aims are the hall marks of everything that we will accomplish and I am really excited about the extraordinary amount of positive initiatives we will be doing in the next months and years. There is absolutely no reason why Malta should not be a trail blazer in the field of education and educational achievement. We will keep going from strength to strength; we will keep giving our best to our children. What major challenges has COVID-19 brought to the table for both education and employment? COVID-19 brought a lot of challenges since it effectively created a physical barrier between the people at home and the classroom or the place of work for about three months. Together we have managed to overcome those challenges and we are fully focused on turning these

challenges into opportunities. I am sure that everyone will agree that good things came out of what we as a country have done through: we are more united than ever before, we have uncovered the beauty of the ordinary in life and it was an opportunity for us all to reset our priorities. How does your personal life look like? I am a father to Ema, who is 12 years of age. I am 40 years old. I live in Żurrieq with Remenda, who is a social worker by profession and heads Government entities in the field of social protection. Remenda has a daughter too and the girls go very well together and know how to have good fun! I love reading, watching documentaries. I support Southampton FC and I used to play the electric guitar. Whats next for Owen Bonnici? I intend to give my 100 percent to the fields of Education and Employment and make another success out of the experience.

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A pandemic which has highlighted the importance of uninterrupted communication services

his global public health emergency has highlighted the importance of reliable and uninterrupted telephone, internet and mail delivery services. The communications sector has proven key in supporting social well-being and economic activity through virtual social proximity, remote working and electronic commerce, whilst ensuring accessibility to key emergency services and public health information. These were the comments of the CEO of Malta’s Communications Authority, Jesmond Bugeja who explained that even during these challenging times, Malta’s communications infrastructure, including postal, have taken the load in their stride despite the inevitable increase in demand.

He also commented on the authority’s regulatory work, which was undertaken over the years, and said that it has facilitated competition and private

investment in the electronic communications sector,

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whilst ensuring reliability and stability. Therefore, the sector was well prepared for this unforeseen time. In fact, Bugeja said that Malta’s strengths in its connectivity infrastructure are well recognised. Within the EU, Malta is the top ranking country for fast and ultrafast fixed broadband coverage, as confirmed by the European Commission’s Digital Economy and Society Index (DESI) results. Asked about the future investments that should be considered, Bugeja said that Malta has adopted a proactive stance in embracing new technologies such as Blockchain, Artificial Intelligence, eSports and the Internet of Things, whilst aiming to protect and strengthen it’s credibility and reputation.These technologies and the services they enable, demand state-of-the-art connectivity. MCA’s CEO says that Malta can boast of nationwide, uninterrupted, high-speed connectivity and a healthy competitive environment. Mobile services are ubiquitous, thanks to three 4.5G networks,

A TELIER NB-IoT connectivity and industry investments underway in preparation for potential, future 5G rollouts. Two very high-capacity fixed networks deliver Gigabit speeds to our households, businesses and schools, with further investments in fibre-to-the home underway. Five submarine cables connect Malta to Italy, with a sixth one underway and linking Malta to France and Egypt. He explains that as an authority, its their commitment to continue promoting and sustaining a competitive environment which drives investment in secure and reliable state-of-the-art connectivity through effective regulation. For this reason, it is required to make continuous investment in the Authority’s capabilities and knowledge, particularly to keep abreast with developments and to ensure that MCA’s regulatory measures are timely and appropriate.

A huge change in the way people use communications services Jesmond Bugeja also explains that the way in which people use communications services has undergone huge change in the recent months since the Covid-19 pandemic. A dramatic increase in demand has been registered across all communications services, including fixed and mobile voice, TV and the Internet. He describes also a reshaping of people’s attitudes towards online shopping and the use of online and cashless payments, with a marked increase in usage. Regarding the pandemic, Bugeja explains that MCA has played a critical coordination role between Government and the telecommunications industry in relation to the various measures adopted, with a view of ensuring the continued and utmost availability of connectivity services. He also mentions that the authority has set up a reporting mechanism to ensure a follow-up on the evolution of traffic and user experience and to maintain close cooperation with several ministries and other governmental bodies to support the telecommunications sector and the Maltese Government in dealing with this pandemic.

Bugeja says that MCA has also been actively reporting its monitoring of the Internet traffic situation as part of the efforts made by each Member State coordinated by the Body of European Regulators for Electronic Communication (BEREC), with the intention of a swift response in case of huge increases in internet traffic issues.

Looking at the future Bugeja explains that consumers are now more than ever highly active online. Therefore, businesses can no longer turn a blind eye to the changing consumer wants and need to adapt quickly to fast-changing technologies and challenging competitive dynamics that are redefining the marketplace. He suggests that they should embrace eCommerce and create a sound online shop-window is just one step that businesses can take towards placing themselves in a favourable position with their global competitors. Local businesses also have to be ready to compete with global players and develop relevant and unique products and services. Regarding consumers, Bugeja says that they need to acquire new skills, such as how to decipher between reliable sellers and suspect ones, through checking peer reviews and doing basic research into the seller. He suggests that trusted digital identities play a critical role in this aspect, while the Authority remains committed to the development and oversight of another regulatory activity which it oversees, that of electronic identification and trust services for electronic transactions (eIDAS). As for the communications service providers, Bugeja says that they also play an essential role so that both business and consumers are well served, whilst ensuring that that the key services in areas such as health and emergency services benefit from uninterrupted and secure connectivity.

www.mca.org.mt

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Star Quality Julia Farrugia Portelli Minister for Tourism and Consumer Protection

ome weeks ago, I had the distinct pleasure to visit the first three Maltese restaurants to be awarded the prestigious Michelin star for gastronomic excellence and to present them with their official Michelin plaque. De Mondion in Mdina, and Noni and Under Grain, both located in the capital city Valletta, were the first local recipients of this international recognition. Another three

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restaurants - Commando in Mellieħa, Rubino in Valletta and Terrone in Marsaxlokk - received the Bib Gourmand title, Michelin’s distinction for good quality and good value cooking. Together with these six outstanding performers, another 20 establishments all over Malta and Gozo made it on to the first ever Michelin Guide for the Maltese Islands, having been awarded the Plate symbol signifying ’fresh ingredients, capably prepared.’

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FOR A SMALL COUNTRY LIKE MALTA, OBTAINING 3 MICHELIN STAR AWARDS FOR THE FIRSTÂ TIME EVER CAN BE JUSTIFIABLY CONSIDERED TO BE AN ACHIEVEMENT IN ITS OWN RIGHT, AND AN IMPORTANT MILESTONE FOR OUR TOURISM INDUSTRY.

The first Malta Michelin Guide published earlier this year highlights the outstanding restaurants, breadth of cuisine styles and culinary skills found in Malta, Gozo and Comino. Established in the late 19th century, Michelin has maintained its benchmark of international food for more than 120 years, recognising some of the greatest cuisines in the world. The reason why Michelin is such a respected certification around the world is that its reviews are based on a tried-and-tested methodology. In fact, the Michelin awards are given after a rigorous process in which reviewers and inspectors visit restaurants randomly and dine in as mystery clients.

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Gaia & Nina www.gaiaandnina.com Photography: Luiza Ioana Cimpean

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Indeed, the Maltese gastronomic scene has made significant strides forward in recent years.

The reviewers write a thorough memorandum about their experience, and then all reviewers come together to discuss and decide on which restaurants will be awarded the stars. The reviewers concentrate on the quality, mastery of technique, personality of the chef, value of the food and consistency, in making the reviews. The Michelin guide mechanism has been active since the beginning of 1900s and was used in the case of Malta’s restaurant evaluations too.

For a small country like Malta, obtaining 3 Michelin Star awards for the first time ever can be justifiably considered to be an achievement in its own right, and an important milestone for our tourism industry. It not only reflects the sheer hard work and determination of the respective restaurant chefs and culinary teams to showcase fine cuisine and an outstanding product in their establishment, but is also testament to the general advancement in quality that our catering sector has made in the past few years. Indeed, the Maltese gastronomic scene has made significant strides forward in recent years. The culinary offer has grown in choice, in diversity of

cuisines, and in standard of service. Part of the credit for this improvement is surely due to the Institute of Tourism Studies, from where scores of chefs and catering professionals graduate each year, following extensive training programmes and hands on experience, including overseas postings. This homegrown talent together with expertise ‘imported’ from overseas to fill local skill gaps and to cater for the demands of a booming tourism sector, contributed

in no small measure to these achievements. One hopes that, as more of this training and improvement in skills takes place, quality will continue to increase across the board. This is in line with Government’s policy to attract a higher quality visitor profile, gradually moving towards tourist segments that have a higher spending power, appreciate fine dining as a holistic experience, that includes ambience and service, as well as the food itself. As we strive to reach higher standards in everything from beaches to infrastructure, from transport to our green credentials, the positive results of our catering sector are a welcome example of what can be achieved.

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Off-Season SICILY

by Sarah Zerafa Lewis

hen I first visited Sici-

ly around four years ago it put me in a trance. I immediately knew that I will be back. It was an intense sentiment and it felt like home away from home. Not only

budget friendly, good

Stay at Casa Agricola Marianeddi

food is abundant and

This amazing agriturismo hidden in the countryside of beautiful Noto is peaceful

you find chic and genu-

and affordable during off-season. It has six simple, rustic rooms with cool stone

ine farm stays wherever

floors and a vibe of its own. Itâ&#x20AC;&#x2122;s perfect homemade breakfast and dinner is a-must

you go. Heading to

and you can simply enjoy a quiet walk to the beach to collect some seashells in just

Sicily during off-season

15 minutes.

Sicily is one of those places that you will fall in love with, but itâ&#x20AC;&#x2122;s

is absolutely the best - less crowds, cheaper stays and you have the countryside to yourself. Here are some top tips to do in Sicily during the off-season time.

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Head for the best Cannoli in Taormina

Explore the Hidden Gem of Castelmola Grab a hot drink at Rifugio Sapienza

Few people would know that Castelmola exists. This pretty hillside village is right above Toarmina and it definitely enjoys higher and better views than its sister town. Around 15 minutes away from Toarmina it boasts the cutest cobbled streets and super delicious restaurants for a romantic dinner with a view. Try the Villa Ducale Restaurant for no disappointments.

If you’re in the off-season, Etna may be the coldest place in Sicily. For the adventurers there is no harm in trying to make it to top but for those who like to stay cosy you can always head to the Rifugio for a warm hot chocolate. You can easily watch this dramatic and beautiful volcanic area sipping away the chilly weather. Rich soils and multiple microclimates make Sicily's Mount Etna ideal for producing wine so don’t forget to get a bottle or two from this area. Try the Etna Rosso for one of the best Italian wines you will ever taste.

With less crowds and plenty of time to have the best

at Laboratorio Pasticceria Roberto. You can also snap

strolls, you must definitely head for a day in Taormina.

those amazing Instagram photos with the ed washed fa-

If you already been to this charming old town, you need

cades and take your time in getting the perfect souvenirs

to go again when it’s less touristy. No waiting in a line is

for home. Don’t forget the Villa Comunale Di Taormina

required to get one of the most delicious Sicilian cannoli

public gardens for the best view of the sea.

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Beautiful SICILY Roam the streets of beautiful Noto There is no doubt that Noto is one of the most beautiful cities in Sicily. The baroque detailing of the architecture in Noto is mesmerising. You will easily fall in love with Noto, roaming around in the quiet streets on a Saturday afternoon. During off-season most of the shops will be closed but you can easily enjoy some coffee and Sicilian pastries tucked in one of the cafes in those narrow streets. You’ll also have plenty of time to snap some amazing pictures to remember your passeggiata with your family and loved ones.

Buy your Ceramics from Caltagirone

At first I was skeptical about heading to Caltagirone to buy ceramics. I thought it was commercially overrated but I was totally wrong. Not only it’s the best place to get your ceramics during off-season for better prices but also the quality is incomparable. Do not forget to visit the Giardino Pubblico, the impressive 142-step staircase of Santa María del Monte and your coffee fix from the very local cafe at the bottom of the stairs.

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Enjoy a Quiet Stroll in Ortigia The island of Ortigia is connected to Siracusa through Via Malta. Yes, one of the streets leading to Ortigia is named after our little island. During the off-season months Ortigia is quite and peaceful. You can enjoy a small stroll after your lunch break and mesmerise at the beautiful architecture. This island is also known as Città Vecchia containing many historical landmarks from the past. You can also stop for some perfume shopping in Via Roma for the perfect Ortigian authentic scents.

Bargain Brands Shopping for the Fashion Lovers There is no better bargain for brands than those at the Sicilia Outlet Village in Sicilia. This place is rather popular and I must say that the off-season makes it the perfect place for some designer quiet shopping. Not only you can find a bargain but you can also enjoy one of the most beautiful sunsets when the weather permits - the outlet is indeed located in the main road boasting vast Sicilian hills.

Grab the best and most affordable lunch in Siracusa Rain or shine the famous Caseificio Borderi will always be open for you. Head over for one of the best Sicilian panino you will indulge in. Not only it’s unbelievably cheap but the ingredients are as fresh as they can get. Don’t forget to pair with a local beer and enjoy sitting outside watching people buying their local produce at the Mercato di Siracusa. During high season people wait around two hours to get their panino but during off-season you will feel very lucky.

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Credit: Kurt Paris

PHOTOGRAPHY

We are making photographs to understand what our lives mean to us. Ralph Hattersley

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A Photographer

By Chance 132

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Interview with Kurt Paris

hat happens when an IT guru meets photography by chance? A quick look at the work of Kurt Paris will tell you that the outcome is a success. Kurt Paris has an evident penchant for fashion photography, something he has revealed over the years with his stunning and powerful photoshoots which clearly convey his creative mind and maniacal attention for detail. Kurt is equally known for his fresh and captivating fashion editorials and his impressive or black and white portraits. Atelier had a quick chat with Kurt Paris about his connection with photography, his IT background, his passion for portraits and how he is coexisting with COVID-19.

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Never did I think photography would be part of my life.

What attracted you to the world of photography? I was always interested in the world of photography with film it used to be an expensive hobby to get into for a kid. I bought a digital camera on a whim from eBay and after the camera arrived, sometime in 2008, I started teaching myself photography. I saw that a website I had used before â&#x20AC;&#x201C; istockphoto.com (now part of Getty Images) was organising a photography holiday in Malta. I signed up and spent almost one full week shooting models and actors in pre-made setups. The group consisted of around 40 highly motivated and some world-class photographers which made it a very intense learning experience. It also taught me that photography is a bit of a non-word because itâ&#x20AC;&#x2122;s too vague to cover such a varied topic. When I started focusing on camera shots using real-life models as my subject, I realised that this was more appealing to me than other types of shots I was taking in my earlier days. I continued down the path of stock photography and eventually I became an Inspector for iStockphoto.com. This was a great learning experience and it taught me that many skills are required to get a technically correct photo. Since then, I never looked back.

I read you are also a tech guru right? That's right! I am a geek. I have spent most of my life (literally from the time I could reach a desk) in front of a computer. Computer games, programming, videos, tv series, you name it. In fact, while people think I am a full-time photographer, my main job is in the IT software industry where I am a Domain Architect at Gamesys Group. I genuinely love and enjoy IT and programming. This love extends for anything electronic

You define yourself as a victim of circumstance. Why? Indeed I am! My connection with photography happened by sheer coincidence. I wasn't really aiming to become a photographer. I bought a camera simply because it was a gadget. Never did I think photography would be part of my life.

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In a recent interview, you noted; "photography is 50% science, 50% art." Can you elaborate? Photography is a science. A number of techniques to catch light which are based in mathematics and physics. The more comfortable you are with science that's happening behind the lens the more options you will have in terms of technique. But technique alone is not enough - you need art. For example, If you take a photo of an apple it can be very hard to perfect, but it remains an apple. What story you tell with your photo is equally important. The message is equally as important as the techniques you use. In general photographers are never exactly 50/50 -they tend to excel one side more than the other.

How has Kurt Paris changed over the past decade from a photographic point of view? I think I've become pickier about what I do, especially when experimenting with new things. If the result is not up to the standard I want, I will not go for it. It might be that age is hitting hard on me and I am turning into a more grumpy old guy. Rather than focusing on the science I am more interested in the art on the final message. "Simpler but more striking" is the motto I am gravitating towards.

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I also recently read you enjoy shooting photos with your mobile. How come? Chase Jarvis coined a saying in photography; "The best camera is the one you have with you." A mobile phone can give you a vast range of options of how to take a photo. If you keep the limitations of your mobile, you can go far with it. You need to respect that a mobile phone is not a camera and even though it is possible to get great results, you need to help the device as much as possible. This means being aware of the light you are shooting in â&#x20AC;&#x201C; if you are in the dark, adding as much light as possible will allow the phone to lower its ISO for a better photo. If on the other hand you are in bright sunlight, move into the shade for a better, smoother light. At the end of the day, all the rules which apply to a camera, apply to a phone. The editing process of mobile photos will make a big difference in the final product.

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If you take a photo of an apple it is very hard. But it remains an apple. What you tell with the photo is equally important.

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What attracts your photographic lens? I would certainly say people with specific focus on faces and bodies.

How has technology changed photography? Photography is more accessible yet it is much more difficult to attract the attention of people. People are distracted by so many things around them including social media which in a way dilutes the impact of any shot you take and post. Cameras on phones today have become true replacements for traditional cameras. When I travel, I rarely use anything other than my phone. The other big change is the way we consume the photos â&#x20AC;&#x201C; a few years back, we would look towards digital frames or print which required a higher level of quality. Nowadays most photography is consumed on a mobile device via social media, which already tends to reduce the quality due to the compression involved. Magazines are also losing power which is a pity as I still believe that when you print the final product is more special.

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In what way do you feel COVID-19 has affected your photographic perspective? It certainly has not affected my appetite for photography. From a work point of view, social distancing has been an issue since my focus is on portraits. Nevertheless, I made good use of this time to appreciate little things around me. It also gave me the opportunity to come up with a project, "Fuq L-GÄ§atba."

Any projects in the pipeline? I had a couple of projects yet had to reconsider due to COVID-19 and postpone for next year. My target is that I will work more on people and will focus a lot on black and white.

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Photography is more accessible yet it is much more difficult to attract the attention of people. People are distracted by so many things around them including social media which in a way dilutes the impact of any shot you take and post. 140

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Brand with a social conscience Interview with IVAN CALLEJA DIRECTOR

THE CONVENIENCE SHOP for the Puttinu Cares is also a way of keeping alive my wife’s memory, and that’s very important to me. What prompted you to set up the first Convenience Shop 10 years ago? One of the major reasons that encouraged me to start a business was seeing Malta’s great potential and fastgrowing market, with a higher demand than ever before for outlets in villages that offered the local and foreign shopper flexibility and convenience. As a food importer myself I had a good knowledge of the food industry on the island and believed there was a big gap in the market for a fast and easy shopping experience especially when it came to fresh and convenient products. Why did you take the decision to grow? Every business has modest beginnings and starts slowly, in the same way that a 100km journey begins with a few steps. Today we are proud to say we have 70 outlets and will be opening more. Customer satisfaction, innovation, competition and stability is what I would say the strongest motivators for growth together with a satisfied client-base that is continuously expanding.

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What has made the Convenience Shop concept a success in your view? Our success is really down to our hardworking employees and loyal customers. We ask ourselves every day how we can make our customers and employees happier. How can we serve their needs better? We are actively listening to the them and gathering important business information in order to improve our service and products. Feedback from customers and our workforce is critical to us. Also, an unsatisfied customer or employee is a great source of learning which is why we encourage, and act upon, feedback. Do you have plans for further expansion? Yes, most definitely. We are always moving forward and on the lookout for new opportunities. We already plan to open seven additional outlets in 2020; however, my dream is also to make the Convenience brand international and expand overseas. One of the outlets is dedicated to raising money for Puttinu Cares. Why did you decide to take this step? The tragic loss of my wife Sandra 12 years ago had a profound effect on me. For a long time I felt helpless but was always looking for an avenue that would enable me to make a contribution and turn my negative experience into a positive contribution to society. That’s why I took the decision to create something for a cause I truly care about and help people who are going through the trauma I myself had experienced. The Convenience shop for the Puttinu Cares is also a way of keeping alive my wife’s memory, and that’s very important to me. What kind of support do families need when a loved one is seriously ill? We share responsibility with families who have to take care of children who are ill. Emotional support is absolutely crucial in these situations, but so is

financial and practical assistance since they have to spend time in the UK away from home which is unsettling as well as an expense. Families also need assistance with hospital visits, accommodation and the bare necessities that can make them feel more at home when they face difficult circumstances. This is why all the profits from our Shop for Puttinu Cares are donated to the organisation. We want families in need to know they are not alone. What is special about Puttinu Cares in your view? Puttinu Cares provides accommodation for the sick children, as well as adults, who have to go abroad for difficult treatment. It’s special because it not only helps patients, but also their families. This is very, very important because I firmly believe that a good support structure is a vital part of the treatment and convalescence process. You have just won the Worker of the Year award. How did that make you feel? I feel very honoured and grateful to have received this award, and of course am delighted that the State recognised the work I’ve been doing. However, at the same time I feel it places more responsibility on me to do more for the society, especially for vulnerable people, and that that’s exactly what I intend to do. Do you think enough businesses in Malta are making a contribution to charitable causes? We can never do enough. Need is always growing and we all need to do much more to raise awareness about the sick and vulnerable people around us. I urge everyone in the business community to do whatever they can to factor in corporate donations and admire individuals from all walks of life who manage to make a contribution to charity. I am also grateful to my fellow directors in the Convenience group for their support and hard work. Together, we have built a strong brand with a social conscience and that makes me very proud.

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That Element of Illusion Interview with

DIDIER MASSARD

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llusion is an important matter for the amazing French artist, Didier Massard. After twentyfive years of executing commercial work as a still photographer for clients in the world of fashion and cosmetics, photographing for labels including Chanel, Hermes, and many others, Didier launched his artistic career with the completion of his series Imaginary Journeys. Now working exclusively on personal projects, which includes the creation of many exotic locales within his studio, evoking the lands of Ireland, China, India, Holland, and the cliffs of Normandy. Didier shared with Atelier his interpretation illusion, his shift from fashion and cosmetics to the world of imagination and his upcoming projects.

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From a very young age, I was attracted to archeology in view of its connection to imagination.

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What encourages a graduate in art and archaeology to specifically focus on photography? From a very young age, I was attracted to archeology in view of its connection to imagination. It offered me the possibility to discover treasures buried underneath the surface. Looking at a piece of pottery, you could reconstruct a whole antique city. On the other hand, photography was that perfect tool to turn those visions into reality.

At one point you decided to shift from the world of fashion and cosmetics to the world of imagination. How come? Being a fashion photographer means to be surrounded with people - models, hairdressers, make-up artists, stylists among others. After a while I realized that my real interest in photography was in its intimate and solitary practice rather than in its "teamwork" approach. For that reason I first started photographing landscapes and later places that existed only in my mind.

You once noted; "There were many places in the world that I wished to visit and photograph, but I realized that they would not match my perception of them." Why? The image we have of an unknown place is made of elements coming from our imagination, we see it with our own personal light and s in a situation which is inevitably different from reality. The same phenomenon happens when you see a movie made from a book you have read. Indeed, actors will always be different from the characters of your imagination.

Tell us about your practice of illusion? There are three different steps in the process. First the construction of the miniature set, then the lighting, and in the end, the actual shooting. They are all tightly knit to each other. Each element of the set is built depending on its final representation in the image (size, details and ) and the lighting is made the same way. I am still shooting analogically, with very long exposures and usually make multiple exposures on the same film.

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When you look at history, since the end of time the world has been hopelessly ruled by the same human passions, nothing has really changed except technology. 148

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Why is paper your preferred medium? Paper is definitely a wonderful medium, at the same time delicate and incredibly strong. You can paint it, bend it, write and print on it, stick it, cut it and create so many shapes with it. Furthermore, it is made of the wood of trees which gives nobility to its origin. It provides books and spread ideas, but it can also be burned.

What makes your work stand out of the crowd? It is hard to say as I am in an awkward position since I am the viewer and the actor. At the same time I guess because I get my inspiration from my own personal sources and emotions.

How has COVID-19 changed our perception of the world around us and how will it impact on photography? I am rather pessimistic in manâ&#x20AC;&#x2122;s ability to learn from such a terrible ordeal and I am afraid that COVID-19 will not change anything at all in the future not only on photography but on the rest of life. When you look at history, since the end of time the world has been hopelessly ruled by the same human passions, nothing has really changed except technology. Why is it essential for you that these fictions are real in some way, and to believe and make believe that you have been there? I feel an indefinable excitement and a great emotion to construct and gaze a scene that comes from a mental space and see that â&#x20AC;&#x153;this happenedâ&#x20AC;?. Making these fictions concrete, even artificially, is to give birth to something that would otherwise remain at the state of illusion. This is the main difference between my handmade artificial world and the virtual one of computers.

What's next for Didier Massard? I am still taking photographs, but since a year my work is mainly focused on the production of dioramas. Each one is a piece unique, a glass case containing a three-dimensional miniature set with an integrated lighting. This new production is an extension of my photographic work inspired from the windows you can see in Natural History museums.

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Gaia & Nina www.gaiaandnina.com Photography: Francesca Pace

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