Undergraduate Architecture Portfolio |Umang Chamedia| VNIT

v

P O R T F O L I O SELECTED PROJECTS

UMANG CHAMEDIA 2018-2022

HI I ‘M

Umang Chamedia

10th (2016) - Dr. Yardy English High School ,Yavatmal,Maharashtra 12th (2018) - Vikas Hindi Junior College , Yavatmal,Maharashtra B.arch (2018 - Visvesvaraya National Institute of Technology ,Nagpur present )

An architecture undergraduate at Visvesvaraya National Institute of Technology , with a zest for observing ,learning,creating,and problem solving .

As an adult I have always been intrigued by how we ( humans ) functions and intract with others ( surroundings) and architecture to me presents an opportunity not only to understand this but also add to it for better or worse. This never-ending cycle feeds my need towards innovating.

Training and Experiences

Competitions

Accumen for architectural form

Louis i kahn trophy | nasa

By - Department of Architecture and Planning ,

Documentation of semi sacred spaces

VNIT, Nagpur- 440010(MH)

Reubens trophy | nasa

20-25th July , 2020

Vastu

introductory course

a path to harmonious living

By - Sashikala Ananth , Rithambara

Interior design By - Trisha challani, Bold Interiors May, 2020

Proposed landscape design for Director , VNIT ,Nagpur Under Guidance of Prof. Meenal Surawar Sept ,2021

Associate at 361 361 is a uniform platform for young students and professionals 2020 Present

Sketchup masterclass By- Ace Design Institute , Nagpur 14th -15th September,2019

Potrait of Ar. F.L. Wright in charcoal

Micro housing | volume zero Designing a house for people of working class

The attendance | archmello Reconfiguring goverment school in India

Lectures and Seminars Seminar on photography By - Dr. Ravikumar Dumpala-Nikon India VNIT, Nagpur

Eco-structure By - Ar. Chitra Vishwanath and Ar. Sathya Prakesh Varanashi, 361 BITS 4th April ,2021

Lecture on sustainable architecture By - Ar. Habib Khan

Lecture on construction and project management

By- Ar. Deben Maza

25th December ,1999 Yavatmal ,India E: umangachamedia@gmail.com @umang_chamedia/instagram +91-9404913066 / mobile no.

Workshops Costford workshop at laurie baker center, trivandrum 3 Days workshop on special construction techniques of Brick,Bamboo and Stone, 2018

Space making through photography Workshop explores the idea of using the skills of photography to design spaces and volumes , Feb 2022

Design concept and strategy By- KIran Babu,ONEXISTOX

“Quest for best” enchancing designing thinking

By- Department of Architecture and Planning ,VNIT,Nagpur 17th-21 July , 2019

Brick masonry and timber joinery Hands on workshop by Ar. Ashish Nagpurkar, VNIT, Nagpur 2019

Languages english

| hindi | marathi | marwadi

Hard Skills - autodesk autocad - autodesk revit - trimble sketchup - vray - lumion - photoshop - illustrator - indesign - rhinoceros 3d ( basic)

Electives - Green architecture - Advanced building material - Visual communication - Contemporary design theory and - criticism - Rural planning and development - Building repair and restoration - Project proposal and documentation

Preface The drawings and all the data inside this portfolio is created by me and is true to my knowledge. It is the collection of work done in the year 2018-2022. Each project shows the different skills and experience gain in that time period. Living these four years through various events and topics has given each time a unique value and lessons.

I’m very mesmerized to share it through this portfolio

08

Contents....

52

6-13

02. landscape design

14-21

03.

22-27

Urban insert | Academic work | 2022

8th Sem

Landscape of a religious place | Academic work |2021

7th Sem

1.618033 COMPE TITION ENTRY

NASA 2020

5th Sem

16

7.8BILLION AVIKAL i kahn louis trophy

TEMPLE LANDSCAPE

COMPE TITION ENTRY

Documentation of a semi-sa20 cred space |Compitition |2020|NASA

04.

28

working drawing

28-33

Residential | Academic |2020

CLADDING CONSTRUC TION

34

46

01. commercial complex

40

05.

bunglow design

34-37

Adobe of a sculpture| Academic | 2019

3rd Sem

06.temporary structure

38-41

07.

42-47

Lamella roofing | Academic | 2021

6th Sem

miscellaneous

Model making | Photography | Digital Art

CHAYA

PHOTOGRAPHY

54

COMMERCIAL COMPLEX AECHITECTURAL DESIGN

To design and build a space that offers the citizens a platform for social interaction and recreational combined with work instead of a monofunctional building as the public are more attracted to a complex urban experience.

SEMESTER XIII Location : Nagpur | Area: 15,300 sqm | Mentor : Dr. Akshay Patil

FSI Calculation FSI : 4 Site area : 15,300sqm Thus, total permissible built-up area = 15,300 x 4 =61200sq m 80% Anciliary area has been taken into consederation So the total permissible built up area = 1,10,160 sqm Similarly , atleast 500 car parking has to be provided

Form Evolution 1)

2)

Taking the site form and extrud- Then adding a big mass on the south -western cornor thus the ing it up to certain height so as to form the base for retail sector shadding of the form can be achived

3)

Providing the curves and edges to the derived form to cater the site circulation and aesthetic of the build form

4)

Basement Retail Food court By inclining the walls of the form the current form was derived which provides shadding from all the directiuon

Conceptual Section showin

Basement 1 Total car parks : 190 Total 2 wheeler: 270 Office space Recreational space

Basement 2 Total car parks : 350 Total 2 wheeler: 270

ng floor wise zoning 09

Floor plan of 4th floor Area: 9,805 sq.m

Floor plan of 3rd floor Area: 9,805 sq.m

Floor plan of 2nd floor Area: 9,740 sq.m

Floor plan of ground floor Area: 9,740 sq.m

Floor plan of 14-19 th floor Area: 2200 sq.m

West side elevation

Floor plan of 9 -11 th floor Area: 2200sq.m

North side elevation Floor plan of 8th floor Area: 6,100 sq.m

Floor plan of 5th floor Area: 9,805 sq.m Isometric view 011

SECTION A-A’

View of the complex from the pedistrian pathway showing the entrance , northern facde and covered southern facade . It also gives us the sence of scale .

013

LANDSCAPE DESIGN

A potential site in place of your residence has to be identified ,analysed,developed, and proposed a landscape design to improve and maintain the already existing context .

SEMESTER III Location : Yavatmal | Area: 6 acrs -24280 sqm | Mentor : Prof. Meenal surawar

The main aspect of the project was to revitalize the temple campus so that all the spaces on the site can be properly used and also at the same time cater to all the challenges the comes with it.

Site has been designed such that the main pedistrian pathways leading to temples has been highlighted . Stepped entrance has been given so as to provide the required hirerarchical feel.

Site has also been designed according to the most bussiest time of the year which is Durga pooja Spaces are designed for all the age groups and keeping everyone’s intrest in mind .

Existing activities : * Temporary shops of Flowers, prasad, toys * Well developed parking space *Well developed temple structure * Vehicular and pedistrian entrance * Prefunctional spaces

User Analysis * Devotees ( short distance traveller) * Devotees ( long distance travellers) * School students ( mostly for school picnics and small parties ) * Housewifes from around the town * Family groups * BHajan mandalis * Shop owners * Maintaince saff

Re- developed and added activities : *Social community * Children play area * Family leisure area * Redevelopment of economic zone * Semi shaded setting spaces * Redevelpoed prefunctional Spaces

246

Agricultural land

ZONING

DEVE CIRCU 246

246

246 246

248

246

246

248 248

246

248 248

248

246

248

246

248

248

246

246

Site surrounding

248

Agricultural land

246

Residential area

248

Temple area campus

EvolutionNof the De P

246

246

The evolution of de theSITE pedistrian path PRAPOSED CIRCU forming the grid ar Existing build up activities it Economicaround Zone and vegitation

N 246

246

N

246

Existing well

247

developed parking PRAPOSED SITE CIRCULATION

N

Existing build up and vegitation

Family party area

247.5

Main Temple Temple area PRAPOSED developed parking SITE CIRCU 248

Economic Zone 246

Existing well developed parking

246

247

Family party area

247

246

248.5

247.5

Prefunctional area

246

Walk in Park

248

247.5

Focal point and view points on site

Existing well developed parking Main Temple developed parking Prefunctional area Existing well developed Garden Social Community

Economic Zone Family party area

Existing build up Templeand areavegitation Existing well Walk indeveloped Park parking Main Temple developed parking

Children Play

248.5

Main Temple developed parking

Temple area

248

248

247

246

Existing well 247 developed Garden 246

248

Social Community

248.5

246.5

Children Play

247

248

247

247.5

246

5

15

246

247.5

248

N

N

10

248.5

11

23

Temple area

Pedistrian Entrance 12

246.5

246

Walk in Park

Existing well developed Garden

Children Play

N

247

247.5

N

N

Developed site circulation

Top ( almost flat ) Average slope Gradual slope

Water catchment and existing countours

14

248.5

247.5

Social Community

Prefunctional area

Redevelopment of site circulation

247.5

18

Social Community

Existing site circulation

247 Existing private land

247

Family party area 246

246

247.5

Economic Zone

Existing well developed Garden

Children Play

246.5

248.5

Walk in Park

247.5

Prefunctional area

21

246

44 National Highway Service Road

Existing build up and vegitation

246

Design evolution by forming a grid

17

N

2

Stepped pedistrian pathway leading to temple

Stepped pedistrian pathway vides devotees a hierarchica and a sence of spirutuality is

2)

1)

use of diya posts on different parts of the site so a sence of connectivity can be felt through out the site.

1) Green spaces 2) circulation spaces

1) Core temple 2) vehicular entrance 3) existing well developed parking

4) Prasad delivery social community walkway in front of pond area

pond

stage platform

O.A.T

view point

temple area

pathways

5)childre 6) diya la 7) handw 8) small 9) existin

y proal feel s awaken

Site plan

en play area

oped garden

amb post

10) pedistrian stepped

wash area

vvvventrance

water fall

ng well devel

temple

11) lawn area 12) shops

14) traditional

18) small children

stepped well stairs

play area

15) pond 16) terrace setting 17) o.a.t

19) traditional

21) tempples 22) family party area 23) sitting space

stepped well steps

20) walk in park existing land use

19

A view from the pond representing the traditional stepped well stairs.

A view from the main Pesidtrian pathway

A view showing how the pedistrian walkways and pond have been integrated together .

A view from the pathway showing how in good family leisure area

hanuman temple huge banyan tree

shiv temple

family party area

second pathwa

y showing the landscape beside .

A view from the site showing how various spaces on the site can an ideal leisure space .

ntresting sitting spaces forms a

A view from the O.A.T

dary ay

temple

existing built up

car parking area

21

T U R D Y F O U N D AT I O N S I N S T O N E A N D A L S O M A I N TA I N I N G A D E C E N T H E B U I L D I N G I S S T I L L P R O N E T O S O M E T E R M I T E AT TA C K , E V E N A F T E R L E A S T C H A N C E S O F T E R M I T E AT TA C K .

PITCHING OFF OF PLASTER IS A LOT O F S T R U C T U R E S . I T MA K E S T H E S T R U C T U R E LO O K A S T H E T I C A L LY U N P L E A S I N G .

W T H , A M O I S T U R E PAT C H E S D U E T O C A P I L L A R Y A C T I O N D O N O T L D S T R U C T U R E . A L O N G S I D E , W E A L S O H AV E T H E P I T C H I N G O F F O F D U E T O W E AT H E R I N G O V E R T H E T I M E .

XTURES OF FURNITURE, DOORS AND WINDOWS, AND ALSO IN THE O F N O W, D U E T O T H E P O O R M A I N T E N A N C E . A T I M E LY C H E C K I N G , U G H T I R O N / C A S T I R O N C A N O N LY K E E P I T S L O O K A N D S T R E N G T H

NASA TROPHY

T H E S E M I - S A C R E D S PA C E S A S T H E T I T L E I T S E L F S U G G E S T S U S T H AT A D E M A R C AT E D E N T I T Y H A S A N C I L L A R Y F U N C T I O N S U P A N D A B O V E T H E FUNC TIONS PROVOKED BY THE SACRED PROVISION. HISTORY SHOWS EVID E N T LY T H AT T H E D E S I R E O R T H E D R I V E O F H U M A N A C T I V I T Y T H R O U G H A N D A C R O S S S U C H S PA C E S I S E N T R U S T E D B Y VA L U E S , H E R I TA G E , T R A D I T I O N A N D C U LT U R A L B E I N G . S E L F L E S S E F F O R T S M A D E I N S E T T I N G U P S U C H A R E N A S O F S E M I - S A C R E D A C T I V I T Y C L E A R LY S H O W T H E D R I P P I N G E F F O R T S I N E M B O S S I N G T H E S P I R I T S O F T H AT D AY. T O D AY, W H E N T H E M I L L E N N I A L S A R E TA K I N G OVER THE SPORT OF HUMAN AGENDAS ON THE EARTH, THESE SEMI-SACRED S PA C E S A R E L A C K I N G A B A C K I N G . T H E H U M A N I N T E R A C T I O N T O S U C H P L A C E S I S L O S I N G T H E I M PA C T W I T H W H I C H T H E Y W E R E O N C E M A D E , A N D S O A G E N E R AT I O N I S I N T H E M A K I N G , W H I C H I S E N T I R E LY U N AWA R E O F I T S P U R P O S E A N D E X I S T E N C E . T H I S I S A T H R E AT A N D A C R I S I S .

Architecture of the Semi Sacred’ intends to relook at the architecture located between the civic and the sacred, the two major categories studied during architecture program. Incidentally, the semi sacred has been ignored by the fraternity at large.

A LOT O F I R O N F I X T U R E S A R E CO R O D E D D U E T O N E G L E C TA N C E . C O R R O S I O N M A K E S S U R FA C E S R O U G H A N D R E D U C E I T ’S S T R E N G T H I T A L S O D I S CO LO R S T H E S U R FA C E .

O T H E S H I F T I N H U M A N T H I N K I N G , I T I S A L S O S O M E W H AT R E S P O N S I B L E T R I C AT E W O R K S O F T H E O L D E N T I M E S .

S ABANDONED HAPPEN DUE RUCTURE.

C O N KAHN C L U STROPHY ION LOUIS

A N D S O , A P U B L I C I N T E R V E N T I O N T O PAY AT T E N T I O N T O S U C H S PA C E S I S N E C E S S A R Y. I T I S N O T J U S T T O S A F E G U A R D A N A R C H I T E C T U R A L E N T I T Y B U T A L S O FA C I L I TAT E A T R U E C U LT U R A L S P I R I T A N D T H E D E E P R O O T E D B E L I E V E S . T H E R E Q U I R E M E N T H E R E I S N O T G L O R I F I C AT I O N , N E I T H E R A R E W E E X P E C T I N G A V I L I F I C AT I O N W H I C H I S W H E R E W E A R E A L L H E A D I N G T O . A M I X E D D E V E L O P M E N T A R O U N D A N D M I S S - M AT C H I N C O N T E M P O R A R Y C O N T E X T, T O T H E E N T I R E C O N T E X T U A L R E L E VA N C E H A S T O B E R E I T E R AT E D T O O N E A N D A L L .

E N T I T L E M E N T O F R E N O VAT I O N O R M A I N T E N A N C E I S N O T J U S T T H E TA K E AWAY B U T A L S O T H E C L E A R F U N D I N G S A N D E F F E C T I V E A R C H I T E C T U R A L C O S T C U T T I N G S H AV E T O B E T H E PA R A M E T E R S T O TA P E . A N D S O W O U L D T H E S E S PA C E S O F R E L E VA N C E T O H I S T O R Y, C U LT U R E , H A B I T S A N D T H E E V O L U T I O N O F H A B I TAT S , W H I C H A R E C U R R E N T LY I N A B A D S H A P E F O R A L L , H AV E T O E V O LV E I N T O K N O W L E D G E C E N T E R S T H AT W O U L D D E P I C T W H O W E A R E , F R O M W H E R E I T A L L S TA R T E D T O W H E R E T I L L A L L E N D E D , T O A H U N DRED YEARS FR OM NOW OR A COUPLE SO.

I N S O M E O F T H E S T R U C T U R E S , T H E S TA I R NOSING IS BROKEN.

INTRODUCTION INTRODUCTION

TIMELINE TIMELINE

I N D I A I S A S E C U L A R C O U N T R Y I N W H I C H VA R I E D R E L I G I O N S D W E L L W I T H P E A C E A N D H A R M O N Y. I N T H I S P I O U S L A N D , S P I R I T U A L I T Y I S B E S T O W E D B Y DU I AR EI S RAI C SHE CI NU LHAIRS TCOORUYN A T RNYD I N H II TC EHC VA RN E LDI H GA I ORNP SU RD W A C IUNLT A RW CH T U RR IEE. DPA I SE LOLN W E ITH P E A C E A N D H A R M O N Y. I N T H I S P I O U S L A N D , S P I R I T U A L I T Y I S B E S T O W E S U C H P I O U S L A N D W H E R E VA R K A R I S F R O M A L L A R O U N D I N D I A C O M E T OD B Y S TI ROSRT.Y A N D A R C H I T E C T U R E . PA N D H A R P U R I S O N E Q U EAN CCHU TLTHUE RI RE SRPIICRHI T UI NA LHTI H S U C H P I O U S L A N D W H E R E VA R K A R I S F R O M A L L A R O U N D I N D I A C O M E T O Q U E N C H T H E I R S P I R I T U A L T H I R S T.

6TH CENTURY CARVINGS OF 13TH CENTURY R A S T6RTAHK U BHAKTI MOVEMENT C TA E NST U R Y B Y K I NCGAAV I D E YA RVINGS OF 13TH CENTURY R A S T R A K U TA S BHAKTI MOVEMENT B Y K I N G AV I D E YA

WA R WA

THROUGH A SOCIO-R D O XTY.H RTORUO BASA E DS O O CN M A ND. OTXHY. U C A S BT A E SS EADN MAN. T CASTE

15TH CENTURY 17TH CENTURY 19TH CENTURY E K N AT H B O R N TUK ARAM TOOK THE TEMPLE TRUST R E1 W R I T E L E A D 5TH CENTURY 17TH CENTURY 19TH CENTURY E K N AT H B O R N TUK ARAM TOOK THE TEMPLE TRUST REWRITE LEAD

12TH CENTURY 14TH CENTURY AT TA C K B Y A L L A U D I N D N YA N E S H WA R I K1 H 12TH CENTURY 4 TI LHJ IC E N T U R Y AT TA C K B Y A L L A U D I N D N YA N E S H WA R I KHILJI

16TH CENTURY DARK PERIOD FOR H1I 6NTDHU C E N T U R Y DARK PERIOD FOR HINDU

18TH CENTURY P E S H WA S + H O L K A R + S1H8I TNHD EC E N T U R Y P E S H WA S + H O L K A R + SHINDE

1600-1700 1600-1700 A S H I S TO RY G O E S ACCO R D I N G TO T H E LO C A L F O L K LO R E , T H E R E L I V E D A M A NA SN AHMI SETDO RP YU NGDOAELSI KAW G RTEHAT EV . EPRL EE ALSI EV D C CHOOR WA D I NSG AT O E D LO CO A TL E FE OOL FK LVOI SR H E ,N TUH ED A B Y HMI SA N D ENVAOM T IEODN P, V H ANLUI KC A O VSI SAI T GHRI EMAT . PU DO A TL EI KE WA EN U INS D WMHEO TWA DN EV O F SVTI H SH N UA. DPML IETA- S E D T I N GB YH H I SI SPA S KNEUD CVAI M S HE NTUO TVOI S WA M E .S HT EH EANS KAEDDM I T D RE EVN OTTSI OANN, DV I A SH I T HI TI MF.OPRU SNODM A LE I TK I WA L O R TDI NVGI S H H INSUPAT ROE NS TTA AU S TI TO W E RI TE FROARI NSYO M D EAYTSI MAEN. D H SE K E D S NADN DO N A SA KEB DRVI CI SKH N WA H ET A G R OLUONRDD WA S M U D D Y. L O R D V I S H N U WA S I M P R E S S E D T O S E E H I S D E V O T I O V I S H N U T O S TA N D O N A B R I C K A S I T W E R E R A I N Y D AY S A N DN T H E T O WA PASRM E NUTDSDAY.NLDO A S KVEIDS HPNUUN D A LSI KI MT POR M W ISSEHE. HP IUSNDDEAVLOI KT I O N G RRODUS NHDI SWA RD WA E SASKEED AT O REFU S E D T O M A K E A N Y W I S H F O R H I M S E L F. W H E N L O R D V I H NWUI SI H N.S P I SUTNE D DA , LIK T O WA R D S H I S PA R E N T S A N D A S K E D P U N D A L I K T O M A K ES A P U NRDEAFLUI SK EADS TKO E DMH T HR EHSI M AM P LW A CHEE NA NL D A IKME TAON YS TAY W I S HATF O S EEL F. O RBDL EVSI SS HENVUE RI YNOS N I SET E D , D I S RPEUGNADRADLI INKGATSHKEEIDR H F IINMA TNOC I SATAY L S TAT E LEI GPILOANC EB YA H AT UTSH O E RS AR M N IDS BP LREESSSE NECVEE.R Y O N E

TUKAR

1850-1950 1850-1950

INTRODUCTION

TIMELINE

WA R I

1990 onwards 1990 onwards

D I S R E G A R D I N G T H E I R F I N A N C I A L S TAT U S O R R E L I G I O N B Y H I S P R E S E N C E .

I N D I A I S A S E C U L A R C O U N T R Y I N W H I C H VA R I E D R E L I G I O N S D W E L L W I T H

P U N D PAE LA CI KE A N IDSH A RTMHOEN Y. IRN ETA H ISS O P IN OUS W L AH N DY, S P I R I T U A L I T Y I S B E S T O W E D B Y L O R PDUAVNCID T H A L I S A L S O K N O W N UTLT U R E R I C H I N H I S T O R Y A N D A R C H IS TW E CH T UYR E . PA N D H A R P U R I S O N E A L I K I S T H E R E A S O NA U COH DP I O UOS FL A NTDHWEH E RPE O VAOR R K A”,R I S A F RN OD M ALL AROUND INDIA COME TO T H E L O“S G R D V I T T H A L I S A L S O K N O W N A S Q U E N C H T H E I R S P I R I T U A L T H I R S T. PA N TDHHEA R“PGUORD I SO FA L STO H E K NPOOW ON R ”, A SA N D T H E PA “ KN AD SH H IA” ROPFU D R E ICSC AANL S. O K N O W N A S THE “KASHI” OF DECCAN. AS SOME OTHER BELIEFS, VITHOBA WA SA SW O R SMHEI POPTEHDE RA SB EAL I PA SO E F SS ,T O VR I TAHLO B A D E I TWA Y SD UWROI NR G TU YRAL S H TI PHPEE D6 TAHS CAE NPA S TRO CE. DEITY DURING THE 6TH CENTURY CE.

ALL THESE O N ASLOLC TI EH F O RO MN. I NS O M T U K FAOR RAM M.

1700-1850 1700-1850

6TH CENTURY CARVINGS OF R A S T R A K U TA S B Y K I N G AV I D E YA

13TH CENTURY BHAKTI MOVEMENT

12TH CENTURY D N YA N E S H WA R I

15TH CENTURY E K N AT H B O R N REWRITE

14TH CENTURY AT TA C K B Y A L L A U D I N KHILJI

17TH CENTURY TUK ARAM TOOK THE LEAD

16TH CENTURY DARK PERIOD FOR HINDU

T H R O U G H T H E 1 2 T H A N D 1 3 T H C E N T U R Y, T H E S U B C O N T I N E N T WA S W I T N E S S I N G A S O C I O - R E L I G I O U S M O V E M E N T W H I C H WA S A R E A C T I O N T O H I N D U O R T H O D O X Y. T R O U V E R S A N D B H A K T I S A I N T S W E R E P R E A C H I N G A S I M P L E R FA I T H B A S E D O N LO V E A N D D E V O T I O N T H AT C O U L D B E F O L LO W E D B Y A C O M M O N M A N . T H U S T H E W O R S H I P O F G O D WA S M A D E A C C E S S I B L E T O P E O P L E O F A L L CASTES AND CREEDS.

19TH CENTURY TEMPLE TRUST

W H Y PA N D H A R P U R ?

W H Y PA N D H A R P U R ?

18TH CENTURY P E S H WA S + H O L K A R + SHINDE

PA N D H A R P U R , A C I T Y I N I T S E L F P O R T R AY I N G H E AV E N .

O N EPA CN AN N GI N , G WH H EN. D HSAERE PK UHRE ,RAE .CFIOT RY A I N VIETRSYE LVFI TA P OL RTTHR IAY HIECAV I S OONVEE RC A NA NSYE E KMHAT TIC T EI TA N T,L T H TH S ICH E REER.IFAOLRI S A V E R IYN V I NAT G , WI H FA I TI H A AT L L E ROIVAELRI S TTIHCE D S . P EOOVPELRE FARNOYM M I NETCECNAT,N CT O HM ATE I S H E R FA E II N RC NEO F ALNO RCDO M E T HS. PE EAO P LHE OFFR FA O MI T HA LALN D O VAEFRF ETCHTEI O D CC V I T THHEARLE WI NH I SC EHAIRSCSHE ROVFE D FAWI TI THHAONUDT AAN F FY EDCITSICORNI MOI N F AL-O R D T I O NV .I T T H A L W H I C H I S S E R V E D W I T H O U T A N Y D I S C R I M I N A 1700-1850 TION.

W I T H A L L T H E AT T E N T I O N G A I N E D B Y R E L I G I O U S T O UW R IISTM , E AAT C CTOEM H AHL EL R TE H N TMI O OD N ATGIAOI N N SE D OBFY RLEALRI G G EI O U S N U MTBOEURR O V EORTEE,S IAS CAC O MM AM J OORDCAT O INOCNESR N O F L A R G E I SFMD EH A N DNAULMS BOE ERSO S EF NDCEEV O Y AWJ IOTRH CHOONWC EGRRNA C E O FT ETSH EI S CAI TM F U L LY NCI ZEEODF. MT AHNE YC I TP Y R OWVI ITSHI OHNOSW LGI KREA C E A N DI TA LI SS O OERSG S EAN M U TFTUHL, LY D H IATR AI SM SOHRAGLAAN, IAZNE D P HAANDY APRREO V I S I O N S L I K E D.M E S TAM IHSTEHSHEE, SDD HTA ES R FNO RE DATTLH ERN RB EEALO M SGH AF EN D AS TEDE D RU A LBU LLTT A IH N OAED, I FM E NTTPI O CHAN S AAP N DE R H APDOTSHE E I.R I M PA C T EO NS TA HDE LM SOB C IL E TI YS H T HERD O UH G HE RR E E L IFGO I OR N T AN I T EERN ATTUIRO E NI NE D T H EP U MR O SPTOGSE E N E. R I C

I T I S A L S O B E L I E V E D T H AT V I T H O B A WA S A N A M A L G A M AT I O N O F L O C A L H E R IOTE SI S. IAT L WA G HT HT AT H E VS ITA T HSE ABN H AAKM T IA LMGOAVMEAT M EI O NN T IO NF T LHOE C A L S O SB TE H L IREOV U ED T HROT B O A F WA 13TH EN T HSATT H VR IOT UT G HH A LT HOER S V B FA TBHEEC A MAE K TI D ED TNH T H E H E RCO E ST .U IRTY WA TAI TRHTOO BH I EMNOTVI FEIM E N TW II1600-1700 V I S H1N3 U . C E N T U R Y T H AT V I T T H A L O R V I T H O B A B E C A M E I D E N T I F I E D W I T H TH VISHNU. A S H I S T O R Y G O E S A C C O R D I N G T O T H E LO C A L F O L K LO R E , T H E R E L I V E D A M A N N A M E D P U N D A L I K W H O WA S A G R E AT D E V O T E E O F V I S H N U . P L E A S E D B Y H I S D E V O T I O N , V I S H N U C A M E T O V I S I T H I M . P U N D A L I K WA S T H E N A D M I T T I N G H I S PA R E N T S A N D A S K E D V I S H N U T O WA I T F O R S O M E T I M E . H E A S K E D LO R D V I S H N U T O S TA N D O N A B R I C K A S I T W E R E R A I N Y D AY S A N D T H E G R O U N D WA S M U D D Y. LO R D V I S H N U WA S I M P R E S S E D T O S E E H I S D E V O T I O N 6 T H C E NTTOUWA R Y R D S H I S PA R E N T S A N D A S K E D P U N D A L I K T O M A K E A W I S H . P U N D A L I K 15TH CENTURY 17TH CENTURY CARVINGS OF ENTURY F USS E D T O BMH1AA3KKTTEHI ACMN HT F O R H I EMKSNEAT L F.H W HRENN LO R DT UV KI SAHRNA U I NOSOI KS TTEHDE, BO M T R A S T R A KRUETA OYV EWMI ES N B Y K I N G AV P UI DNEDYA A L I K A S K E D H I M T O S TAY AT T H E RSEAWMREI TPEL A C E A N D B L E S LS E EAVDE R Y O N E D I S R E G A R D I N G T H E I R F I N A N C I A L S TAT U S O R R E L I G I O N B Y H I S P R E S E N C E .

TIMELINE

WA R I

1850-1950 19TH CENTURY TEMPLE TRUST

1990 onwards

MUTTH

PUNDALIK IS THE REASON WHY LO R D V I T T H A L I S A L S O K N O W N AI NS T R O D U C T I O N E L I G I O U S I N S T I T U T I O N S W H E R E R E L I G I O - P H I LO S O P H I C A L AC T I V I T I E S T H E “ G O D O F T H E P O O R ”, A NR D ARE PR AC TISED. NEONWT N E SSTA B L I S H E D 1B6YTTHH C E EDNI TS U CR I PYL E S I N T H E E V O TH 1PA 2 TN H DCHE A N RT P UU R YR I S A L 1S 4OT HK C U R YA 1 C8 AT T HI OCNE O N FT U R EY S A I N T S W H O W I TKTIPH RD UA KFM YE A L LC A UUDO ESH WAI S + HVI ”EROI FT DHAT EAT CTA C ACNKT. BH OLIRN I .R U KP M H I S T O R I A N SDTNHBYAEEN“LKE SAI HES WA RI NRRS HEI PNP ETDD AVRV TEARTLI OH IN T EH OML KPALR E+ WA S

AC TIVITIES:

F O R M . I N M A H A R A S H T R A , G R E AT B H A K T I S A I N T S L I K E D YA N E S H WA R , N A M D E V,

T H E T UMK AARIANMTHEAV NEABNE ECNET HA DN EA E N PIO E RPS -O F VA R K A R I T R A D I T I O N P R OTPHR EI ATMEA I U R IANNGCI EN GA NODF A P NP T EB N THEP S ER OPPLRAI C E SE AURPEB RAIGNAGIINN GA O F AT M A JTOHRE SL O I GGHATI N A E OPKLO AU C T. E SO N A ER EM A B E I N G A S S O C I AT E D W I T H M A H A R A S H T R A F I N DM A JI O T R LI NOTOEKROE U S TT.I O NG TDOINGO RHTTH E R N K A R N ATA K A , T H E VA R K A R I N EA NM S T U FDIYN DT H EI TS E I PNLTAECR EE SS T IA N D O NO H A S R E M A I N E D U N I N T E R R U P T TN R AGD I T I T TA K ES T A U DN Y O T EH E O S EF VPILBARCAEENDSCF Y OA RN E ID GHT CENTURIES. WITH CO T T ET OO FI T SV I BDRYA-N C Y TA KREE SAP E N N A MWI CI T N H ATRUERSEP.E C T T O I T S D Y T H E R E I S N O O F F I C I A L R E G I S T R AT I O N O F MM IC S N AT U RLEA .

D H ANRAA HA

INTRODUCTION:

D A I LY A C T I V I T I E S I N V O LV E T H E R E C I TAT I O N O F ‘ D N YA N E S H WA R I ’ & ‘ H A R I PAT H ’.

M O N T H LY : T H E M A I N O B J E C T I V E O F M U T T H I S T H E P R A C T I C E B H A J A N , K I R TA N , J A P, N A A M S A N K I R TA N O N D A S H A M I , E K A D A S H I & D WA D A S H I I N E A C H M O N T H O F T H E H I N D U PA N C H A N G .

Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C I PLE & PREACHER) WORSHIP VIT THAL RUKMINI BY RECITING M U T T H S A L S O P R O V I D E A C C O M M O D AT I O N T O WA R K A R I S D U R I N G T H E WA R I .

H I SBTYO H R IOASNASLYA B E LK II ENVGE VTI SHHAT H ERC R UI KNM P LO E NWA S B U I LT N UTWA DU H RARNEAN. TT HV EI TRTEHIAS LA N S CI NRII PTTEI M ON AS SOME OTHER BELIEFS, VITHOBA LTP LBEY,WA HSFOWSAOARHSLYA IN I SSGH HUEATSN HIATEIRODENAT I P T1 I2O3N IM M TH HA T. R T AR D : IS T H E BTUE IM O N VR AW IURLAWA AR K SARROD WA I NAGNB IANCSKC TR O 7 ON HOI PSPA EKDLYA A SGAKVIPA T ON T H E M U T T H S C A N B E I D E N T I F I E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D .

T HHEI CTH E MGDPRELA A6 TLYA ITARG I NI G I TEN Y, TO DS UFRTI A NHG H H NATI UN .Y BA LE I SS HF EO DOM BR Y E DIIS STCH LS E SUR CE, W ETO TEES M PH LCEE K VR1G I L VLE SA SI PWA SA T EDNAT TAT O NB .A C K T O 1 2 3 7 2.

NAMED AFTER SAINTS E . G R A N T S T H E T E M P L E3 . A MVU TI TLHLS A C E , W H I CCH GR KEI N FG O I TC ISA L SC AUU SSE T E N TAT I O N .

WO F OR R SO THE OLD TOWN COMPRISES OF 29 MUT THS. 1600-1700

W H Y PA N D H A R P U R ?

TIVITIES TO WHICH THE LIVES OF THE DISCIPLE-PREACHER DUO A R E D E D I C AT E D .

SOME OF THE MUT THS ARE HOME TO THE SACRED TEXTS OF THE

1990

. .

PA N D H A R P Y E A PA R, N WDHHI R, TA S KY E TAO M A NTA A GS K E T A L E T SM, AT N EM LETS,

SHUDH A E K A D A S H I O F M O N T H K A R T I K , M A G H I YAT R A W H I C H I S A L S O K N O W N CONVERTING THEM INTO DHARAMSHALAS FOR BUSINESS PURPOSE. E IO JL AYA D S T REUKCA TD U RAESSHAIR IES B C E IENLGE D O LEID S HIEND TT H O EC O A S M ATGH H B ERMAT MNOS TNRTUHC TOAF NME W AGH.

T H E Y A R E B U I LT O N T H E R O U T E S T H AT L E A D T O T H E T R A N S P O R -

O N E S W I T H O U T U N D E R S TA N D I N G T H E I M P O R TA N C E O F S U C H H E R I TA G E STRUCTURES.

A R C H I T E C T U R A L F E AT U R E S :

MUTTH

L

PPAA NN DD HH AA RR PP UU RR A W A R K A R I ’ S O D Y S S E Y

T H R O U G H T H E 1 2 T H A N D 1 3 T H C E N T U R Y, T H E S U B C O N T I N E N T WA S W I T N E S S I N G A S O C I O - R E L I G I O U S M O V E M E N T W H I C H WA S A R E A C T I O N T O H I N D U O R TS H H AO DED 1850-1950 D O X Y. T R O U V E R S A N D B H A K T I S A I N T S W E R E P R MEAAN DCA PA H I N G A S I M P L E R FAC OIUTR YA HR D B A S E D O N L O V E A N D D E V O T I O N T H AT C O U L D B E F O L L O W E D B Y A C O M M O N T H E S A B H A M A N D A PA S H AP DE E DOCP E NLT E R A LOC F OUR M A N . T H U S T H E W O R S H I P O F G O D WA S M A D E A C C E S S I B L E T O AT LYALR D M A N D A PA CASTES AND CREEDS.

T H E Y A C T A S A T E M P O R A R Y R EHSA I DSE N A LAPI N L AECDE FUONR STCHAT E DHEEV D O TB E EYS C A S T E I S T, RTEI M AT T H E T I M E O F P I L G R I M A G E . AT T H E T I M E O F W A R I , W A R K A R I S A R E ASRTCOHRAFLR, E EHOI EF RCAORS CT . H I C A L A N D A R I S A L L O W E D T O S TAY AT A V E R Y LPAT O W RCI O

D Y N A M I C N AT U R E P O I N T S O U T T O WA R D S T H E C O NDSYI SNTAEM N ITC G RNOAT WUTRHE O FPTO OT ITSC FA LITOI UNSTSTOEHCWA I TSY. T H E OFCIO RNAT R EO LLIU G TI SS. RCD PA N CDOHNASSRI IGPSNUTI FREI CNIASTN A CO I TW Y TWHHO I CFHFSOEONTSFA E SLTL HI EN PTUHRI IST Y C I T Y. CG E :R S M RE BC E SH TTSH P MC ES NIE STO I N TPA H EN D I ONHMTEAEORFNPT THUE DROH AFI RSA V . T HHSE IO ILSOEN ID E -R I T Y ASIHSCAILITATSOYA R W SEEC IN SYF TC OH PA LU A R C H I T E C T U R E I N T H E T O W N O F PA N D H A R P U R .

S I G NIFNEO UDTR H AECR ICSI N OA TRREEDHNIEN TL DGO IESHVIOTO HHLEA I TAC I YAT TOYUR ANI SWDHD WA TLY HFR OV URG UO TLV TRH.IENS YG EO A RA .TCL R IR I CE H -I S I N T H E STEHI N LTICHKOOE R EL ERNREDELAVIRG TI YAT H G N ND UPGLCLY NHAGI NE KDAA DLFA R ORU E T F IIISRETSSD TIUEEMS O: NC F TD HEI INM A ,OAILV SOHN AI D ALS HI A AN ISD WHEN SA E ET SPSIEET E DA I TT IU OE I SA P BSEL IBNE RR E IC EI K NN TYAT T IA MREN P R A D A K S H I N A PAT RNIICOE RNM TO AS AD I SS CFA E L EI T B RHAT E D O N TT HHHE,EHTTOEHHLY N SNODLF TICRKAHDEAT M EGGLIRONSEST,LI KNIAG ERE'S A NEW TREND OF BUYING PROPERTIES IN OLD TOWN AND O N T H E W AY B E T W E E N T H E C H O U FA L A A N D PA D M A V AT I L A K E .

I O N H U B S , S O A S T O FA C I L I TAT E T H E P I L G R I M S .

PA N D H A R P U R , A C I T Y I N I T S E L F P O R T R AY I N G H E AV E N .

W I T H A L L T H ETATAT TENTION GAINED BY RELIGIOUS I T I S A L S O B E L I E V E D T H AT V I T H O B A L WA S A N A M A LG A M AT I O N O F LO C A L O C AT I O N : SECT. T O U R I S M H E R E , A C C O M M O D AT I O N S O F L A R G E H E R O E S . I T WA S T H R O U G H T H E S TA R LTO COAT F ETDH OE NB THHAEKPTRI A M EM T IHN TTHHATE C I R C U M C I ROC LNEED CT HA EN S E E K H E R E . F O R A V E R Y V I TA L T H I N G , W H I C H D AOKV SH I NE A NPAT I S O V E R A N Y M AT E R I A L I S T I C I N T E N T, T H AT I S N U M B E R O F D E V O T ES IS A MA JOR CONCERN F T H E O L D T O W N O F PA N D H A R P U R .

1 3 T H C E N T U R Y T H AT V I T T H A L O R PVRI ETCHI NOCBTAW ABLELCS AOM E IDENTIFIED WITH FA I T H . P E O P L E F R O M A L L O V E A R L TLHTEH EDSE EC CSAANI NCTOS MBEE L O N G E D ATNOD DAILFSFOE R E SESNETN CCEA O T Y HWAI D T HTHHOEW C EC- T S TF ETSH EA CNID I R GIRMAPA V I S H N U .

1700-1850 H E R E I N S E A R C H O F FA I T H A N DO NA F FSEOCCTIIEOTNY OTFHLO N IUZRE ED . MI NA NTYH EP R M O VOI SS ITO NGSE NL EI KREI C R ORUDG H R E L I GFIUOLNLY AINT DI S L IOTREGR AAT A R C H I T E C T U R A L F E AT U R E S : VIT THAL WHICH IS SERVED WITHOUT ANY DISCRIMINAMUTTH, DHARAMSHALA, AND PHAD ARE F O R M . I N M A H A R A S H T R A , G R E AT BH T IE DS AHIENRTESF O L IRK TE HDE YA WA TION. E S TA B LAI KS H M ENNETSI H ON E DR P, UNRAPM OD S EE. V, EXIT T U K A R A M H AV E B E E N T H E P I O N E E R S O F VA R K A R I T R A D I T I O N

WA R I

DEVOTEES BY GOVERNMENT OR TEMPLE AUTHORITIES FOR THIS. THIS TRADITION

AC TIVITIES:

TRUE TO ITS NAME, DHARAM(RELIGION)+SHALA(SANC TUA RY ) , I S A R E S T H O U S E F O R T H E P I LG R I M S .

D H A R A M S H A L A S F O L LO W T H E N O T I O N “ VA S U D H A I VA K U T U M B A K A M ”, W H I C H M E A N S ‘ T H E W O R L D I S A FA M I LY ’. D E V OT E E S B E LO N G I N G TO A NY R E L I G I O N & C A S T E A R E W E L C O M E D E Q U A L LY H E R E .

M A N Y D E V O T E E S F R O M M A H A R A S H T R A A N D K A R N ATA K A CMOAMNEY HDEERVEOTTOE ESSE EF K L EM S SAI H N AGRS A . TSHHET R WAH A ON L ED CKIAT RY N ATA R OBM I S DKR AI V CE O N MAER O ATG SI S. TVHI ET TWHHAOL L E C I T Y HU E RNED TOONSEE FE O K CBUL SE STSHI N R U K IHSMDI RNIIVTEENMAP RL O E UWNHDI COHNPERFOOVCI D M AI SR KVAI TBTLHE A L U ES ST R HEAT Q U ARLUI TKIHE SM ILNI KI ET EDMI RPELCE TW I OHNI C, H C EPNRTOEVRI,DLEI SV ERLEI M HO OKDA, B L E AR FA I TQHU, AULNI TI TI EY SALNI K DE ED QIURAE LCITTIYO N TO I T, Y.L I V E L I H O O D , , CTEHNELTOC EC R SIGNIFICANCE: AT I O N : A C T S A S A C E NFA T R E IF T O RH R E,L I GU I ON - C UI LT A SD S O C IE ATQ ION TUYR A LA& N UA LAALC - I T Y T OT HTEHD EH A RCA IMTS HY.A L A S S I T U AT E D O N T H E

M U T T H S A R E G O VH E RI N ND EU D BY A RELIGIOUS HEAD S .H I N D E

KHILJI

T H I S FA I T H A N D B E L I E VTEH O P EI O N BEI SF FA T HP LAENID O N EL BI EEC O N G Y, ETOHSPAT VNEETRIO LIET NIENS S I N G T H R O U G H T H E 1 2 T H A N D 1 3 T H C E N T U R Y, T H E S U N EFN TP WA W D RS I V NINES RT OGCY, TUH AT A S O C I O - R E L I G I O U S M O V E M E N T W H I C H WA AOERNSEEA CTTEH IO HI ITNY, D ORTHOMEA SEI VAI TCEHSM HAEI SS A D O X Y. T R O U V E R S A N D B H A K T I S A I N T S W R EKDEPR R I NO GT R I MLPC-L IETR Y,FA I T H L UULRDM I BNAE GKF .EOPSL A B A S E D O N L O V E A N D D E V O T I O N T H AT C O L OIN EM DHO BAYRRE A- CAOLM- M O N TWD M A N . T H U S T H E W O R S H I P O F G O D WA S MPAU D ER LA U C CRE SI IN SSI BGL .E PTA OAN PLED P LA E RO -F A L L SOO H CASTES AND CREEDS. C A L PL EUDR A S I S‘ K A S HAI ’ L S O O F DCEACLCL A N. AS ‘KASHI’ ED OF DECCAN.

F O U R WA R T H E FFOI R USRT T H E THHOE LY F S H UTDHHEA HE A S MS A HG UH D IH AS MA

CENTRAL

A

W A R K A R I ’ S

W H Y PA N D H A R P U R ?

L

CENTRAL C O U R T YA R D THE MAINTENANCE AND APCOURTP R O P R I AT E U P B R I N G I N G O F CORRIDOR ROOMS TB H E SI NE GP LAASCSEO S CAI RAT E EADG AWI NI T A H M A H A RI N A TS R HO T RDAU C T I O N AC TIVITIES: MAANJ O G H TK A , T H E RVA E L IRGKI O C T I V I T I E S I N V O LV E T H E R E C I TAT I O N O F ‘ D N YA N E S H WA R DRNLO O ROTKHOEURT.NOKNAE RMNI ATA AURSI I N S T I T U T I O N S W H E R E R E L HI GUI GOE- PCHE INLTORSAOL P H I C A L A C T I V I T I ERSO O M S A R O U N DD ATIHLYE CA O U R T YA R D C O U R T YA R D S F TI NRDA D II TT I O INN THEARSE SRTEI N & ‘ H A R I PAT H ’.

MGA I NTEOD U N I N TAERRERPUR PA TC T- I S E D .

E S TA B L I S H E D B Y T H E D I S C I P L E S I N T H E E V O C AT I O N O F T H E S A I N T S W H O M O N T H LY : T H E M A I N O B J E C T I V E O F M U T T H I S T H E P R A C T I C S ET U D Y T H E S E P L A C E S A N D D FOR EIGHT CENTURIES. DHARAMSHALA WORSHIPPED VITTHAL RUKMINI. B H A J A N , K I R TA N , J A P, N A A M S A N K I R TA N O N D A S H A M I , E K A D A S TA K E A N O T E O F V I B R A N C Y MUT THS ARE GOVERNED BY A RELIGIOUS HEAD. & D WA D A S H I I N E A C H M O N T H O F T H E H I N D U PA N C H A N G .

WITH RESPEC T TO ITS DYonwards I N T R O D U C T I O N PLINTH Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C INTRODUCTION: AC TIVITIES: CE NR EAT U RI OEN. O F ‘ D N YA N E S H WA R I ’ HERE I N VNOA LVM E TI H C I TAT VERANDAH RELIGIOUS INSTITUTIONS W TRUE TO ITS NAME, DHARAM(RELIGION)+SHALA(SANC TUT H E Y A C T A S A T E M P O R A R Y R E S I D EPNLTEI A&L PPRLEAACCE HFEORR) TWHOE RDSEHVI O P TVEIETST H A L R U K M I N I B Y R E C I T I N G GL ARE PR AC TISED. & ‘ H A R I PAT H ’.

A RIYO I S AORF H O U S E F O R T H E P I LG R I M S .

AT T H E T I M E O F P I L G R I M A G E . AT T HMEUTTI M KA R EM M O D AT I O N T O WA R K A R I S D U R I N T H E R E I S N O O F F I C I A L R E G I S T R AT T HE SOAF LWS AOR PI , RWOAVRI D E RAI SC CA O W A) ,RN K A RE SI T M UTTH TRADITION: VEESRTA AN HE D ON B LDI A SH B YTTHHEE G DR I SOCU I PNL D E S I N T H E E V O C AT I O N O F T H E S A I N T S W H O M O N T H LY : T H E M A I N O B J E C T I V E O F M U T T H I S T H E P R A C T I C E A L L O W E D T O S TAY AT A V E R Y L O W TCH OES TWA O RR IF. R E E O F C O S T .

D H A R A M S H A L A S F O L LO W T H E N O T I O N “ VA S U D H A I VA K U ENTRY DAEA MVSOA NTKEI RETASN OBN YD A SG NA M TMEEBM P L E W O R S H I P P EFDL O V IO TR THAL RUKMINI. B H A J A N , K I R TA N , J A P, N H AO M IV , EEKR AD S H IE N T O R TTUH M U T T H S C A N B E I D E N T I F I E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D .

A K A M ”, W H I C H M E A N S ‘ T H E W O R L D I S A FA M I LY ’. D E V MUT THS ARE GOVERNED BY A RELIGIOUS HEAD. & D WA D A S H I I N E A C H M O N T H O F T H E H I N D U PA N C H A N G .

1 .

E S TA B L I S H E D B Y D I S C I P L E S A U T H O R I T I E S F O R T H I S . T H I S T ROAT EDE IS T BI EOL ONN G I N G T O A N Y R E L I G I O N & C A S T E A R E W E L M A N D A PA AT T H E USE OF BRACKETS Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C I C2O. M E D EQ L LY H E R E .

ROUND ARCHES NA MUEAD IH F IICGAHN CFEO: O T FA L L D U R ENTRANCE & EXIT SIN GG N I FTIHCEASNEC ET :I M E S O F T H E M A N Y D E V O T E E S F R O M M A H A R A S H T R A A N D K A R N ATA - P R E A C H E R ) W ODR SHYHN PLE & IPA TR TIHE L RN R EN C TSI N GAT CAM RB YE U PI O IN T SH EODU TB YT O T H EA F T E R S A I N T S PA N D H A R P U R E X P E R I E NSSCOI EGMSN A SV IM AU KAT I MNI NU EI D C C3WA A. S TRM EDIUSSTT, E O F T H E D H A R A M S H A L A S A R E T H E B E S T S P E C I M E N S O F CO LO N I A L THS WORKING FOR SOCIAL CAUSE S A S A C ENN. T IRTE IFSO RARTE LEID G IIOO- U C USLT U R A L & A S S O C I AT I O N A L A D E A C C O M M O D AT I O N T O WA R K A R I S D U R I N G R AE DHI TE IROENT: O S E E K B L E S S I N G S . T H E W H O L E C I TMYU T T H S A L S O P R O V I C C OTM Y E A R , W H I C H I S A P P R O X I M R O 1W. 2N TOOF PA 1A.N4CDTHM H I S T O R I A N S B E L I E V E T H AT T H E C U R R E N T V I T T H A L R U K M I N I T E M P L E WAWSA R K A R I M UKTAT H O N S I S T E N T G R O W T H O F F O O T FA L L I N T H I S C I T Y. A R CAT H I TEELY C T UA RE I NUT N H EDT O AIRLPLUIRO .

PAT R I A R C H A L , H I E R A R C H I C A L A N D A R I S T H E O L D T O W N C O M P R I S E S O F 2 9 M U T T H S .

T H E WA R I .

TIVITIES TO WHICH THE LIVES OF THE DISCIPLE-PREACHER DU T H E M U T T H S C A N B E IG DAE LNLTEIRFYI E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D .

R O U N D O N E F O C U S T H AT I S V I T T H A L PA ND I TUY SWSHEI C TA S K T O M A I N TA I N O R D E R A N D M A N A G E S U C HA R EA D EGDII G A NE DT. I C C R O W D . T O B U I LT B Y H O S A LYA K I N G V I S H N U WA R D H A N A . T H E R E I S A N I N S C R I P T I O N O1N. E S TA B L I S H EI SD BDYRDI IVS EC INP L A ES TO CH RA ATR PI CU RR EI SL IAGCI O CH T SS.E N S E S T H E P U R I T Y C AT H 2.

N A M E D A F TREU RK SA IM N TISN I T E M P L E W H I C H P R O V I D E S R E M A R K A B L E S I G N I F I C A N C E : I N T H E I N T E N T O F V I S I T O R . S O T H E LC I T Y I S D E H EL M H SOABRI EL EH OTMOEI -T O T H E S A C R E D T E X T S O F T H O C AT I O N : M A N A G E T H E C R O W D , AI RS SR UA ENSG: E M E N T S S U C H A S SFOOMOE DO FSTTA L SU T, TM T H E T E M P L E , O F A H O S A LYA K I N G V I R A S O M E S H WA R A D AT I N G B A C K T O 1 2 337. M U T T H S W O R K I N G F O R S O C I A L C A U S E Q U A L I T I E S L I K E D I R E C T I O N , C E N T E R , L I V E L I H O O D , A C T S A S A C E N T R E F OSRI RGE N L I GEI D O - C UALTCUC RA S OG C ILY AT I O NRAEL V AC R AUMN A D A K S H I N A PAT H , T H E E S S E N C E A N D T R A D I T I O N I S B E I N G LO S T I N R E C E N T T I M E S A S OL R& DA SI N O- LV I N G ATLLHO LE CDAHAT RA O I O SNHD:A L A S S I T U AT E D OL NELTATSHA,ENTDPERPA S EDC ET . AVA I L A B L E .

THE OLD TOWN COMPRISES OF 29 MUT THS. M DPMOARV A HROE 'TS EALNSE WO N C E , W H I C H G R A N T S T H E T E M P L E A V I L L A G E F O R I T S S U S T E N TAT I O N .

TIVITIES TO WHICH THE LIVES OF THE DISCIPLE-PREACHER DUO T H E W AY B E T W E E N T H E C H O U FA ATRI Y L ATK E E .N T ST ,H E T R ERNEDNOTF A B URYEI NM G A PROPERTIES IN OLD TOWN AND FA I T H , U N I T Y A N D E Q U A L I T Y T O T H E C I T Y. T H E E N T I T I E S L I K E T E M P L E R E L I G I O N AO NN D FA I T H

T H I S FA I T H A N D B E LIEVE OF PEOPLE IN O N E E N E R G Y, T H AT D R I V E S T H I S C I T Y, MAKES IT MORE AL. PA N D H A R M LPUUU RRTI NTGH IS ALSO C A L L E D A S ‘ K A AS CHTI I’ V I T I E S : R E L I G I O - P H I LO S O P H I C A L AC I T IEEC S CAN. D A I LY A C T I V I T I E S OTFI V D

LOUIS LOUISI KI

2019 20

O D Y S S E Y

.

N OTNHTEH EPRROAUDT EASKTSHHAT I NLAE APAT TEHTAT THHTEH EJEAMC K R CDHH A FR LO OSRHI N C AT ATP U R P O S E .

TLHOE C Y AT A RE ED B UO I LT D T OHT H R A NCSIPROCRU - M CCOI R NC V ELRETD I NTG I NA TO AM A LGAISNFDOI R B UES SI NTEH SS

A R E D E D I C AT E D .

HEAI N LA BU NO N TH PR CNIIN O L ED TTHO F TH E I YAT R ATAT H EW P IN L GO R IFM SPA . N D H A R P U R .T H E O L D S TTRHUEC TDUHR A E SR A AM R ES B G SD EWMEORLEI S H E DI LT T O IC S TER U C T A N E W F O U R WA R I S A R E S OHMEE LOD TEHMRU TOT HUS GA RHE OH OUMTE TTO HT HEE SYA EC RAE DR T. E XCT SHOAF ITTH R WIEOH CCUHBT SW I, SSAOLI ALNSS TOOFFATCHI EL I TAT AELR E R AN; DAI SN GI RTOHN BN EA MO S FASRUEC H H E R I TA G E O N E S W I T HCOO U LT OUNNID S TA E /ISMTPEOERLTA CE T H E F I R S T M O N T HS E COT . F H I N D U C A L E N D A R , A S H A D H I E K A D A S H I YAT R A I S W H E N SHRINE OF THE FOUNDER USE OF COLOURED GLASSS T R U C T U R E S . U S E D I N T H I S T Y P E O F F L O O R I N G .

L O C AT E D O N T H E P R A D A K S H I N A PAT H T H AT C I R C U M C I R C L E D T H E F LO O R S OR/& VITTHAL RUKMINI P R E C I N C T W A L L S O F T H E O L D T O W N O F PA N D H A R P U R .

T H E H O LY P E R I O D O F C H AT U R M A S B E G I N S , K A R T I K YAT R A I S C E LAERBCRHAT I TEEDC TOUNR A L F E AT U R E S : M U TATR CH S H U D H A E K A D A S H I O F M O N T H K A RM T I KU , MTAT G HH I YAT R A W H I C H I S A L S O K N O W N H I T E C T U R A L F E AT U R E SD : HARAMSHALA A R C H I T E C T U R A L F E AT U R E S : A S M A G H I J AYA E K A D A S H I I S C E L E B R AT E D I N T H E M O N T H O F M A G H .

E V O LU T I O N : T I IOTN PA N D H A R P U R , A C I T Y I N I T S E L F P O R T R AY I N G H E AV E N .I N T R O D U C W H: A L L T H E AT T E N T I O N G A I N E D B Y R E L I G I O U S INTRODUCTION ION A C T I V I T I E S : I N T R O D U C TEXIT I T I S S A I DI T EC TR DN I T:I O N O F P A HC A TDI VWI T A ISE SS :TA R T E D B Y N A M D E V . A C T I V I T I E S : NHTAT R OTDHU T AI O INTRODUCTI U PUORFI S VA R IEW E ROFM O RMKO I RD TA N IPO E RNF S O R MO AN O N E C A N S E E K H E R E . F O R A V E R Y V I TA L T H I N G , W H I C HP H A D I S A G R TO O MR K AH RHEO, G AT A CH C AT FC E L A R G E R E L I G I O U S I N S T I T U T I O N S W H E R E R E L I G I O - P H I LO S O P H I C A L AC T I V I T I E S GLV I OEUTSH EI NRSETCI ITTAT U TIIOONN O S FW‘ DHNEYA R EN ERSEHLWA I G IROI ’ -PPHHAI LDO SWOAPSH I TON I ERASM D A I LY A C T I V I T I E SR IENLVI O DA LY CITD SHEIANLLVEA OB(LV E NT C R-EACSI TAT E S THEWA R IO’ R A R Y R E S I D T RI C UA EL T RA (CRI E E LAIAG OI VNTI )TO +I ESC SA A SN A MP T RE U N ET I AT LO P ILTASC EN S TA RAOTCETIDITVSF P E ,R FDOHRAM AM N N R AT EH TE U D H MTI O IH , NEEYO KFA‘C -DTN YA N T H E D AY S O F E K A D A S H I .

I S O V E R A N Y M AT E R I A L I S T I C I N T E N T, T H AT I SO N U M B E R O F D E V O T E S I S A M A JEXIT OR CONCERN ARE PR AC TISED. ARE PR AC TISED. & ‘ H A R I PAT H ’. ‘ HPAI LRG PAT H S’. .

Y )W , IASDAA R S EU D F ODRHTAH&E RAI M ATF TEHAECTHI M E O F P I L G R I M A G E . AT A TH RY E ) T, IIM S EA ORFE SWTA DA S H I A NA DR D S EHSIT OHFO SUH PA K SIH ( WA X I N G F O R T N I G H T ) O F O R A S H A D H I W A R I A N D C H AT U R M A S , K I R TA N A N D B H A J A N A R E P E R E S TA B L I S H E D B Y T H E D I S C I P L E S I N T H E E V O C AT I O N O F T H E S A I N T S W H O LB I SJ H DTI ST C E TEI C V EO C AT I O N O FDTHHAER SAAMI N TS WAHS O F O L L O W T H E M O N T H LY : T H E EMSATA I N BO E CETDI VBEY OTFH EM U H I PI SL ETSH EI NPTRH AC M ONNO TH LY :N T“HVEA SMUADI NH AOIBVJAE C TKIUV -E O F MAULTLTOHWI ES DT H E PSRTAY A C T AT ICE A V E RY LO W T O FA I T H . P E O P L E F R O M A L L O V E R T H E D E C C A N C O M EF O R M E D I N T HAENPD A L S O E S S E N C E O F T H E C I T Y W I T H H O W G R A C E S H A L T I O D HCAORSAT MOSRH F ARL EAES HINDU MONTH. S H A D E BDH A J ACNE, NKTI RR A H A D , A S T H E R I V E R B E D I S N O R M A L LY F L O O D E D .

L N , J A P, N A A M S A N K I R TA N O N D A S H A M I , E K A D A S H I WORSHIPPED VITTHAL RUKMINI. T HNAOLNRD UAKSM B H A J A N , K I R TA N , W J AOP,R SNH A IAPMPSEADN KVIIRTTA H IANMI .I , E K A D A S H I TA C E N T R A L TU BA TAHN ED RU L RD I ISTA FA ’.ED T U M B A K A M ”, W H C O RA DN H E R E I N S E A R C H O F FA I T H A N D A F F E C T I O N O F L O R DF O R K A R T I K I FVUA LR ILY NRIMZ EODN. MT HAEN YR I V EPRR OB AVNI SK SI OONF S L I K E RD RM AD I TKIAOMN”,S WOHFI CDHI SMCEICA PON LUES RS‘ YA DW O IDN H ETIRYA CHM EMIELY M R EO GVFE-TDH EA H F ITNEDRU N I -N C H ACNOGU.R T , P HIATD KIASR I SO R P EGRA FO D MUTTHS AR E AGDO VERNED BY A RELIGIOUS HEAD. IG O U S HTEHAED .T W O T & D WA D A S H I I N EM A CUHT TMHOSN TAHR EO FGTOHVEEHRIN N EDD U B PAYNACMHRA AENLG .AI PA & WA A S H I N E A C O N T H PA SH ED O NG I GTI H OE N L&ATCEARS TPEE RAI R OT E E S B E LO N G I G TAEVEES RBI ES LEOTNOG IM A NTYO PAHNAYD SRYEEI LN ORED .WAENLD- T H E I R S P I R I T U A L H E A D ( D I S C I NU A ST T CH R AAB R HA A GM AS , D S CHE A N TD S A HA C O U R YA R D V I T T H A L W H I C H I S S E R V E D W I T H O U T A N Y D I S C R I M I N A -B H I M A ; K N O WM HA, NDD H HUAELTAO, I TASNCDR E P RPMEEA .N D A PA Y E A R LY : 1 ) WA R I – WA R K A R I S A N D T H E I R S P I R I T U A L H E A D ( D I S C I - L O B A R AY C A R LY : 1 ) WA R I – WA R K A I S O M E D E Q U A L LY H E R E .

C O M E D E Q U A L LY S I G N I F I CRA NCE: O PLE & PREACHER) WORSHIP VIT THAL RUKMINI BY RECITING P L E & P R E A C H E R ) CWOORRRSI D HO I PR V I T T H A L R U K M I N I B Y R E C I TOI NMGS TION. E S TA B L I S H E D H E R E F O R T H E M E N T I O N E D P U R P O S E .

SOME OF THE DHARAMSHALAS ARE THE BEST SPE

CEAT GLAO LL R I EI O S N O :N U P P E R

WA R K A R I M U T T H T R A D I T I O N :

L O C AT I O N :

PHAD

WD I FAF E RRE N TKC AAS T E SRA NI D ’H ASD T H E O B E L O NA GED TO I R I MD PA CY T S S E Y

C A N B E I D E N T I F I E D B Y T H E W AY T H E Y W E R E E S TA B L I S H E D .

T H E S A TB H H EA M MUATNTDHASPA ED S H A D E D C E1 N.T R AELS TA C OBULRI ST H YA R DB Y D I S C I P L E S 2.

NAMED AFTER SAINTS 3.

MUT THS WORKING FOR SOCIAL CAUSE THE OLD TOWN COMPRISES OF 29 MUT THS.

P H A D A R E S E E N T O B E L O C AT E D L A R G E LY N E A R T H E S T R E T C H B E T W E E N P R A D A K S H I N A PAT H A N D R I V E R A S I T I S M O R E C O N V E N I E N T F O R THEIR M A N D A PA . E MAINTENANCE AND APB E -P E R F O R M A N C TE H

A L L T H E S E S A I N T S T H I S FA I T H A N D P R O P R I AT E U P B R I N G I N G O F LIEVE OF PEOPLE IN O N S O C I E T Y T H R O UOGNH NNDT R ILBIUTTTEIHORENAT ECAEDISN E G AMI NO SA T G E N E R I C S EOU LPAH E ERNEE LR IGGY,I OT N H ATA CO FP R : A RTEH A M AEJDOTRO TLHOEOT K OSNOEF W MAI RGKHA RTI S E C T O F S O C I A L P H A D C O M M E ND E AOCU H IT. NG D R I V E S T H I S C I T Y, F O R M . I N M A H A R A S HMTARKAE ,S G E OAT TLII T Y.S AT HIFENYI NTHDASV ELAI ITLKS OE ICNODTNYA RDENTRY , V ENL OAPM E QK UA T U DNH TGOWA T HTEO E M ED N TEOV, F ERRI BEN STE TEIS I TRM R E BAH L -A L A N G U A G E S ASNTDULD I TYE R AT UR ES SEI G NPI L F IA CA N TSLY. A N D T H E C E L U R I N G . PA N D H A R AT T H E T U K A R A M H AV E B E E N S O F VA R K I OF NV I B R AMNEANCNTDYRAAPA TAAKRE I AT RNAOD T EI T O NCE & EXIT P UTR H E PI SI O N EAELRS O CALLED AS ‘KASHI’ OF DECCAN.

WITH RESPEC T TO N A M I C N AT U R E .

ITS

DY-

PLINTH GL

A L L P H A D S H AV E A T E M P L E D E D -

THE C O N S I S T E N T G R O W T H OOFR /F& OV IO T FA L L I N T H I S C I T Y. TTHAL RUKMINI

SACRED MANUSCRIPTS

V E R A N D A HL O O T HEED GTR AT IO NOO: UT N I CNCAT HD E FOUNDER OR WRIT TEN BY SAINTS O RE D O N T H E P R A D A K S H I N A PAT H T H AT C I R C U M C I R C L E D T H E LFOLCOAT VIT THAL OR BOTH. P R E C I N C T W A L L S O F T H E O L D T O W N O F PA N D H A R P U R .

LOUIS I KAHN

M U T T H S A L S O P RW O VA I DRE KA A C CROIM M M OUD T ATTI O WADRIKTA IRO ISN D :U R I N G I S S U E S : M U T T H S A L S O P R O V I D E A C C O M M O D AT I O N T O WA R K A R I S D U R I N G HN TT OR A HU C E PA NTRAL A R C H I T E C T U R E I N T H E T O W N O F PA N D H A R P U R .

TH E TSHAEB P HHAAM AGNED T H E WA R I .

WA I . G M A J O R TRROAONMSSF O A RRO N DI OT N HS E C O U R T YA R D T IS N ETRH R TEAYA U RNDDTSEHRE G O RI N MUAT IN T H E M U T T H S C A N B E I D E N T I F I E D B Y T H E WI AY T HSEEYE W E AT E S TA BLISH E DD.CSO A R H AADCECD CM EN A EL M CU O ORDER S TO OM OT DRAT OU R ER TDYA E VROD TEES WHICH ARE HAMPERING THE ES1.

E S TA B L I S H E D B Y D I S C I P L E S M A N D A PA 2 .

N A M E D A F T E R S A I N T S S E N C E O F T H E B U I LT E N V I R O N M E N T .

SIGNIFICANCE: SIGNIFICANCE: L O C AT I O N : L O C AT I O N : ISSUES: S PA C E F O R P E R 3 .

M U T T H S W O R K I N G F O R S O C I A L C A U S E A C T S A S A C E N T R E F O R R E L I G I O - C U LT U R A L & A S S O C I AT I O N A L A C S NA STAH C - C UH LT, U R A L E& E A S SSO ATE I O - DITION IS T T H E D H A R A M S H A L A S S I T U AT EADC TO EEN P TRRAEDFAOKRSRHEILNI GAI OPAT D HL O AR TH EC NIC ANNADL TARC A BH E IEN G SA TM I NS HR F ONR M ANCES F E2A9C HME U T I V I T I E S T O W H I CTHH TEHO E LLDI VTE O S W O F TCHOE MDPI SRCI SI PELSE -O PR R TDTUHOS .

T I ELSAT A O NWDH PA I C HD TMHAEV LAT I VIE SL AOKFE T. H E D I PEL'ES- PAR ENAECW H ETRR D UO O N T H E W AY B E T W E E N T H E C H TOI V UIFA ON T T IHS EC R EN D OF BUYING P RTOHPEEW R TAY I E SB EI N SIGNIFIC CREE B: U I LT O N T HPELRI NOTUHT EASR ET HD AT A R E D E D I C AT E D .

EDIC ATAEDD .T O T H E T R A N S P O R T HAE N Y A LE Y LAARSE FBOURI LT C O N V E R T I N G T H E M I N T O D H A R A MT SHHE A BU ATAT U NI O I QNUHEUTBYS P, O L OAG D EFA VCE ILLO PM E ED TO HME ETTROATDHTIET ODFSTTE RX U S O M E O F T H E M U T T H S A R E H O M E T O T H E S A C R E D T E X T S O F T H EVPEHRA SI TAT O OTI FN TRHPEEISLMP UO TIN TMHSSSE. ATRO E H SIEO AO CNRLED T SC T OU F RT EHSE A R E B E I N GTAT AD N DI S AH SO S YT O E H E G R I O N H U B S H D E M O L I S H E D, ST O GL T H E M O S T P R O M I N E N T F E AT U R E I S B H A J A N A N D K I R TA N P E R F O R M A N C E S O F V A R K A R I S A M P R A D AYA .

A C T I V I T I E S O N E S W I T H O U T U N D E R S TA N D I N G T H E I M P O R TA N C L O C AT I O N : . PA C E F O R P E R F O R M A N C E S .

SECT. TSHE CE T S AECND ANH G SR O R E CPI R EC RU FVO TO HN R ETEHDEAY F RUONMD 1 0 T H T O 1 2 T H D AY ( D A S H A M I STTO A R- E S .

R UDCW TU L O C AT E D O N T H E P R A D A K S H I N A PAT H T HAAT MER CRM IR LD EO D TH E . U I TR .I N C L U D E SF BL H AND KALA. OAOJRA N , K I R TA N , J A G A R , P R A D A K S H I N A P R E C I N C T W AENTRY L L S O F T H E O L D T O W N O F PADNADSHHAIR) P USE OF BRACKETS ROUND ARCHES

2019-2020

M A N D A PA

A R C H I T E GCATL U L ER R YA L F E AT U R E S :

P A N D H A R P U R

B E I N G A S S O C I AT E D W I T H M A H A R A S H T R A K A RA N ATA AT UKRA E , PTO S R OK UA T RTIO WA R D S N D - N O R T H E DRYNN AKMAIRC N NATA HI SENHTRVA INE OF THE FOUNDER

MANY DEVOTEES FROM MAHARASHTRA AND K A COME HERE TO SEEK BLESSINGS.THE WHOLE CIT Y

VERANDAH

EXIT

GALLERIES ON F LO O R S

2

L

PA N D H A R P U R

AT

THE

A R C H I T E C T U R A L F E AT U R E S :

EX IT URES: A R C HEINT TE RCATN UCREA & L F E AT GALLERY EXIT

PA N D H A R P U R E X P E R I E N C E S H I G H F O OS HTAFA DURING THESE TIMES OF THE D E DL L C O U R YA R D UPPER PA Y E A R , W H I C HM A INSD AA P P R O X I M AT E LY A R O U N D 1 . 2 T O 1 . 4 M I L L I O N . I T I S A T E D I O U S

LOUIS I KHAN M A N D A PA

SHADED C O U R YA R D

USE OF COLOURED GLASS

23

T H E J A C K A R C H F L O O R I N G I N D I C AT E S T H AT C E N T R A L T H E D H A R A M S H A L A S W E R E B U I LT I N T H E C O U R T YA R D CO LO N I A L E R A ; A S I R O N / S T E E L B E A M S A R E U S E D I N T H I S T YP E O F F LO O R I N G .

CORRIDOR

25

27

RESIDENCE

WORKING DRAWING

Creating working/construction drawings of a residence situated in Nagpur. The house with the B/U around 200msq. with every details from toilet to stairs. It was also included writing specifications for every materials and construction details.

SEMESTER VII Location: Nagpur | Area: 180msq. | Mentor: Dr. Vilas Bakde

AREA STATEMENT Total plot area (10x18m)

180msq.

Permissible FSI

1 Nil

Proposed ground floor B/U area Proposed first floor B/U area

89.4msq

Proposed second floor B/U area

89.4msq 1.2msq

Balance B/U area (180-178.8msq)

BALCONY AREA AT FIRST FLOOR Permissible 15% OF B/U 14msq

Provided Open

Enclosed

14msq

Nil

AT SECOND FLOOR Permissible Provided 15% OF B/U 14msq

Open

Enclosed

14msq

Nil

Total

Excess

14sqm

Taken in FSI

Total

Excess

14sqm

Taken in FSI

260 185

535

SCHEDULEA OF OPENINGS

900x2100

2000

W

1615

1800x1350

W1 900x1350 V

1500

450x900

6

230

C1

W1800

C2

300 450

3 TYPICAL COLUMN PLAN

FOOTING

COLUMN COLUMN RINGS MAIN SIZE SIZE BARS WALLINGABOVEBRICK GL BELOW GL 230MM THICK MASONRY 1,3,13,15 280x350AND 6x10 dia 6 dia 200 c/c WALLSIN 230x300 CEMENT MORTAR PARAPET/RAILING IN 230MM THICK BRICK MASONRY IN CEMENT MORTAR. 2,4,6,7,9,10, 230x350 280x400 6x10dia 8 dia 200 c/c 12,14

SCHEDULE OF FOOTING FOOT ING TYPE F1 F2

FLOORING-

FLOORING MARBLE TILE,GREEN KOTA FLOORING230x400 & SKIRTING FOR TOILET 5,8,11 280x450 6x12dia

3615

3730

C3 C4

UPTO LINTEL FOR KITCHEN AREA DADO UPTO SILL LEVEL ON KITCHEN

1200

1430

115

5

V600

8 dia 200 c/c

F3 F4

FOOTING REINFORCEMENT

FOOTING PCC SIZE BED SIZE 800x1000 1000x D=300 1200 d=150 850x1050 1050x D=350 1250 d=150

EXCAVATIO II TO II TO N SIZE SHORT LONG SIDE SIDE 1100x1300 11x10dia 9x10dia 1150x1350

11x12dia 9x12dia

900x1100 1100x D=400 1300 d=200

1200x1400

11x12dia 11x12dia

(SIZE 300X300)SKIRTING/DADO: SKIRTING RESPECTIVELY. FLOORING TILES & DADO UPTO LINTEL OF CERAMIC TILES PROPOSED RESIDENCE FOR MR. V.K.BAKDE,AT PLOT NO.-64, KHASRA NO.80/2, (300X300)FOR TOILETS & KITCHEN MOUZA SOMALWADA,NAGPUR DADO ABOVE PLATFORM UPTO WINDOW SILL IN CERAMIC TILES (300X300).

W.D. NO. 8

FOOTING DRAWING

SCALE:

1:50

DRAWN BY : ENROLL NO DATE

:

UMANG CHAMEDIA BA18ARC069 11 NOVEMBER 2020

ALL DIMENSIONS ARE IN MILLIMETERS

PLASTERING-

EXTERNAL WALL SURFACES IN SAND FACED CEMENT PLASTER INTERNAL WALL SURFACES CEILINGS FINISHED IN NEERU PLASTER.

ROOF SLAB-

4 1015

12000

18000

115

230 230

500 550

HALF GLAZED AND HALF LOUVERED

WORKING DRAWING-I

230

2

COLUMN COLUMN NUMBER TYPE

230

230

400

5

500 550

1000X1200 P.C.C. BED 800X1000 FOOTING 280X350 R.C.C. COLUMN BELOW G.L. CENTERLINE 230x300 R.C.C. COLUMN ABOVE G.L. 50MM SEATING FOR COLUMN

115 190

400

TEAK WOOD GLAZING WINDOW TEAK WOOD GLAZING WINDOW

115 190

RCC FRAMED STRUCTURE AS PER COLUMN SCHEDULE OF COLUMN STRUCTURAL DESIGN & DRAWING. REINFORCEMENT

230

230

3

PLYWOOD FLUSH DOOR WITH WATERPROOF FACING

COLUMN STRUCTURE-

1000

230

3115

3000

1500

4

TEAK WOOD DOOR 465

D2 750x2100

1

1200 1300

D1

190 115

1050x2100 TEAK WOOD DOOR

615 565

C

D

A 1000

685 635

380 230

DOORS-

3

450

ALL FLAT ROOF SLABS IN RCC WITH INTERNAL FINISH WITH PROPER RAIN WATER DRAINAGE SLOPE AS PER TERRACE PLAN.

ALL DOORS WITH WOODEN SECTION FRAME WITH WOODEN PANEL SHUTTERS AND DETAILS.

3365

1985

4265

WINDOWS AND VENTILATORS-

ALL WINDOWS T.W. PANELLED AND VENTILATORS WITH STANDARD MS2 SECTIONS CASEMENT TYPES. FULLY GLAZED/PARTLY FIXED/ PARTLY OPENABLE WITH MS GUARD BARS AS PER DETAIL AND DESIGN AND DESIGNS FULLY SECURED IN 50X75 WOODEN FRAME FOR ALL WINDOWS AND VENTILATORS & FIXED IN POSITION OF OPENINGS.ALL WINDOWS AND VENTILATORS WITH GLAZING IN MS SECTIONS ABOVE THESE OPENINGS PLACED IN POSITION BETWEEN LINTEL & SLAB.

450

FIXED GLAZING-

230

230

2

2000

2230

230

230

1

1000

FOOTING LAYOUT

36.

1500

3000

2000

1500

1615

3115

230

230

ALL FIXED GLAZING IN STANDARD MS SECTION AS PER SHAPES DESIGN DETAILS FOR STAIRCASE TOWER AT MIDLANDING PARTLY FIXED AND PARTLY OOPENABLE MAY BE USED,

TYPICAL FLOOR PLAN

SECTION

PRINCIPLE ELEVATION

SECTION

PLAN

TOILET DETAILS

SECTION A

PLAN

KITCHEN DETAILS

BUNGLOW DESIGN AECHITECTURAL DESIGN

Consedering the design philosophy of any one architect a bunglow has to be designed for any artist ( in this case sculpture ) . The house should cater to all the basic need of the residence and in some way or other should inspire the occupant to contribute in his art .

SEMESTER III Location : Ahemdabad | Area: 1000sqm | Mentor : prof. Meenal surawar

1

LOCATION

ZONING

SURROUNDING ANALYSIS

CASE STUDY 1

CASE STUDY 2

EXISTING SITE PLAN

SITE PLAN

CIRCULATION DIAGRAM

GROUND FLOOR PLAN

WIND

AREA PROGRAM

FIRST FLOOR PLAN

37

TION

1 TEMPORARY STRUCTURE CONSTRUCTION

An international yoga camp is to be held in the town in the open ground in our campus. This camp is to last for fifteen days. Yoga performance shall be held on the stage measuring 20M x 10M with proper roof covering.

The stage shall be facing west side and the audience shall face the stage on east.

SEMESTER VI LOcation : Nagpur | Area 200 sqm | Mentor : Dr vilas BAkde

39

10000

20100

35MM THICK SLT

NOTE: ALL DIMENSI

ROOF PLAN

A lamella roof, also known as the “Zollinger roof ” (after Friedrich Zollinger), is a vaulted roof made up of simple, single prefabricated standard segments (mostly in timber) as a way to span large spaces.

The individual pieces are joined together with bolts and/or plates to form a rhomboid pattern.

Lamella structures can be constructed of wood timber or lumber, concrete, or metal

. The individual pieces are joined together with bolts and/ or plates to form a rhomboid pattern. Wooden sheathing covers the structure on the outside. especially in Germany

10

00

mm

0 200

mm

NOTE: ALL DIMENSIONS ARE IN MM

It is made of dimensional lumber; trued, finished and glued on the faces;with the grain laying parallel to layers above and below. The individual lumber is selected and positioned according to defects and grain structure to maximize structural integrity. It can be made for straight, cambered and bent/arch applications, and other arrangements. It is available in standard dimensional and custom sizes.

NOTE: ALL DIMENSIONS ARE IN MM m 00m

20

10

00

mm

NOTE: ALL DIMENSIONS ARE IN MM

m 00m

20

10

00

mm

NOTE: ALL DIMENSIONS ARE IN MM NOTE: ALL DIMENSIONS ARE IN MM 41

07

SAHAY

1.618033

AVIKAL

7.8BILLION

ARCHITEC TURE INSTITUTE

COMPE TITION ENTRY

TEMPLE LANDSCAPE

COMPE TITION ENTRY

DESIGNING

33

08

RESIDENCE

45

ASSORTED

28

CONSTRUC TION

34

40

SCHOOL DOCUMENTATION

DOCUMENTATION

51

20

CLADDING

WORKING DRAWING

TECHNICAL

16

46

ARTICLE

MISCELLANEOUS CHAYA

ARTICLE

PHOTOGRAPHY

52

54

Here in miscellaneous section i have compiled my selected work which mainly includes potrait of some architects and celebrities,posters making ,working drawings, photography and my work which got displayed in exibitions

P

CHARCOAL ART..

Displayed work in exhibition

Potrait of Ar. F . L . Wright

Potrait of Stan Lee 43

POSTER DESIGN V

VIT THAL RUKMAI

A WARKARI’S ODYSSEY

RUKMAI

VITTHAL RUKMAI VITTHAL

Y

O YD SS YE

H A L A

A W

R

I

U

V

A

R

L

A

A

H

IT

RA W

V

AK

IT

W

S’ IR

K

RA

O

M V A

A

A

V

R K

A

L

R ’I S

R

U

K

O D Y S

M

S E

W AR

KA

AW A

H

Y

A

A

W A

RI ’S

O

DY SS

YESSY DO S’ IRAKR

IT

A V

I

A WARKARI’S ODYSSEY

R

S ’IR

AK

SS YD

U

K M

E S S Y D O

R S’I

A WARKARI’S ODYSSEY

YE

V A I

A WARKARI’S ODYSSEY

K

A WARKARI’S ODYSSEY A WARKARI’S ODYSSEY

VITTHAL RUKMAI VITTHAL RUKMAI

Poster making through Typography art Visual communications | academic|2020

MODEL MAKING

EY

Poster for a musical concert

Visual communications | academic|2020

PROPOSED LANDSCAPE FOR DIRECTOR,VNIT 5000

1670

1670

1000 EQ.B 8000 EQ.B

3593

750

7200

10927

24172

EQ.B

1670

EQ.B

11697

CHK

TP

-300

1670

1670

TP

LW

1670

-300

PL

1350

LW

-450

TP 1670

VEHICLE STAND

SH

-150

450

2000 1000

4000 535 1670

4000 1000

24

0 30 0 30

0 30

SH

WTL PL

4600

900

1000

PV

-150

SH

0

4000

360

PV

-150

1670

1670 1670

2500

0 30

TP

VEHICLE STAND

2 25

CHK

0 30 0 30 30 7

0

TP

1670

9431

0 30

7000

51x152 RAFTERS

30

1360

38971

0

51

SH

SP

150 x 150 POST

19

3

POST OFFICE & ATM

51

24

51

6000

30

15

0

51

-450 LW

-600 6000

1670

16 51

0 15 51

7

24 51

7

24

7

51

15 51 0 02 21

50 18

72

BH

15

15 51 0

1670

70

70

TP

16

30

0

02

5000

1670

TP

TP

PV

TP

6000

N

CHK

1000

51

15 51 0 51 22 0

51

9

24 51

9

0

24

30

95 36

9

43

24

34

0 30

0 30 1 32 51

9

24

9 27

51

9

24

30 0

0

22

30 0

15 51 0

1

53

17

3000

1670

27

1312

TP

3000

PL

3000

6000

6000

3943

BH

3052

19

51

30

0

0.00

51x203 BEAMS

0

30

9

0

20

51

24 51

0

9

30

24

0

24 51

37 48

9

98

89

39

0

0

30

25

51

51x102 VERTICAL SUPPORTS

30

22 9

30

24

0

51

30

24

0

9

51

-300

7000

TP

WTL

05

0

0

50

5000 5000

LW

TP

LW

-600

SP

B' 30

15

18

750

TP

2589

SH

51

22

PV

EQ.A

EQ.A

450

TP

450

-150

70

51

TP

-150

A

16

SH 2000

17291 EQ.A

1670

BH WTL

450

51

51

51

PL

LW

BH 1800

PL

2500

-750

WB

2056

98

0

2000

SP

3000

3000

LW

330 330 2170

1670

LW

750

SH

70

02 50

TP

SH

3000

EQ.D

1100 EQ.C EQ.C EQ.C EQ.C EQ.C EQ.C EQ.C EQ.C

PV

-600

EQ.A

16

21 18

15

15

0

15

-750

5000

-900 -1050

EQ.D

1000

3593

2700

51

51

PV LW

-1050 TP

2830

PV LW

TP

0

-1200

1630

TP

LW

-750

LW

-600

WTL

1450

15 9

26

LW

300 300

-600

1670

TP

0

30

1670

LW

-900

TP

TP

415

9834

94

TP SH

1312

8000

53 38

29

-300

1670

1670

3943

M

O

46

TP

2589

FR

60

TP 1670

LW

2056

N KE TA

97

NORTH: TP 1670

1670

N

LW

3000

IO AT EV EL

38

KEY PLAN:

CHK

1000

1000

5000 5000

32

16

9

30

25

04

24

51

0

12

61

51

45

0 30

40

9

02

24

27

24

4

51

13

32

1

9

51

15 0

19

3

25

2

27

43 51

2500

51

54

30

51

51

450

NOTE:

50

51

18

100

374

100

15

98

438

1.

51

51

374

25

2

B

648

53

00

374

19

60

374

70

374

4 37

TP

374

374

2.

70

16

648

16

70

TP

70

16

16

648

51

A'

374

51

374

648

TP

C

374

3.

374 374

51

374

51

374

374

51

374

N

51

PV

51

11697

-450

C'

648

648

4.

All dimensions are to be read and not to be scaled.

All levels/ dimensions are finished levels/ dimensions and clearances must be left for finishes.

In event of any ambiguity for any of the dimensions or levels please inform us before commencement of any work.

All levels and dimensions are in millimeters

648

648 648

648

OVERHEAD ROOF PLAN

SH

WTL

-300 38

5430

6102

DATE:

KEY PLAN

REV.NO.:

DESCRIPTION:

97

6000 5328

3850

3075

1701

1752 11 67

52 248

52 248

52 248

52 248

52 248

52 248

52 248

52 248

52

52 146

52 248

402

52 248

52 248

52 248

52 248

51 150

51 150

102

102

102

102

102

102

102

102

102

102

102

51 249

51

51

51

51

51

51

51

51

51

51

51

51 249

51 249

51 249

51 249

51 249

51 249

51 324

51 150

51

51 150

2103

51

TP

70

16

102 102

51

51 249

203

203 102

51 249

152

52 248

248

203

52

152

51 248

247

152

51 150

51

51

51 107

102

126

51

150 102

102

51

51

102

102

51

51

102

102

51

51

102

102

51

51

102

102

51

102

102

51

102

102 158 51

51

102

126

45 0

2200

2301

2200 60

12 01

115

86 5

150

150

450

450

60

2200 150

225

0

115

115

70

1500

45

115

16

1500

0

10 13

PV

45

15 00

90

1

30

3

37

7

50

0

225

0 00

BENCH

15

50

0

50

225

45 0

0

45

0

30

SECTION A-A'

70

12

BENCH

SECTION B-B'

45

0

45

0

15

0

45

0

0

45

0 60

0

15

00

60

WOODEN LOGS

225

15

52

0

15

0

9 85

DRAWING TITLE:

15

3486

100

152

PROPOSED WORKING PLAN FOR APT LANDSCAPE

2154

154

75

2401

51

300

26

100 278

100 154

51 249

150

51 249

51 249

51 249

51 249

51 249

51 249

51 249

51 249

51 276

2600

149

0

100

30

30 102

102

102

102

102

102

102

102

102

102

102 102

102

102

102

102

51

51

102 102 102

102

450

102

51

51

51

51

51

51

51

51

450

450

0

51

30

158 51 51

100

0

102

51

51

51

51

51

51

51

OWNER: Director, VNIT Nagpur

0

30

2301

2200

2122

0 30

2500

0

30

STONE FLOORING

0

30

150

200

70 16

3077

149

1272 115

303

150

115

70 16

390

200

0

150

SECTION C-C'

30

60

0

30

450

450

TP

O.A.T 225

FRONT ELEVATION

DRAWING NO.: REVISION NO.:

100

225

DATE.: 09-09-2021 SCALE.: 1:100

ARCHITECT: 100

450

450

450

2600

100

100

PERGOLA USING TIMBER

Dr. Meenal Surawar, Assisstant Professor, Dept of Architecture & Planning MR. Umang Chamedia (Currently in VII Sem)

SETTING AREA PLAN

45

47

vv

UMANG CHAMEDIA Visvesvaraya National Institute of Technology umangachamedia@gmail.com

+91- 9404913066