Ulrika Lindell | Selected Works

SELECTED WORKS

ulrika lindell

M.Arch / Pratt Institute GAUD++, New York B.S.Arch / KTH Royal Institute of Technology, Stockholm www.ulrikalindell.com

(+1) 347.781.0589 / (+46) 70.236.33.61 lindell.ulrika@gmail.com

SELECTED WORKS

ulrika lindell

M.Arch / Pratt Institute GAUD++, New York B.S.Arch / KTH Royal Institute of Technology, Stockholm www.ulrikalindell.com

(+1) 347.781.0589 / (+46) 70.236.33.61 lindell.ulrika@gmail.com

kth royal institute of technology

10

PARKADEN ONFILL Stockholm, SWE

11

STHLM:tomor[row] Stockholm, SWE

12

critic DANIEL NORELL, ERIK HÖKBY date KTH School of Architecture SP11

LUX EX UMBRA Stockholm, SWE critic date

critic date

IA HJÄRRE, ROBERT PETRÉN KTH School of Architecture SP10

DANIEL NORELL, ERIK HÖKBY KTH School of Architecture SP11

professional work team URBAN MATTER INC. date May 2016

GOLDEN AFTERNOON

13

mentor NELL CAMPBELL date Santa Barbara Art’s Fund Student Art’s Mentorship SP06

THE AMERICANS Austin, TX

14

PLAK MACU Warsaw, POL

15 16

firm date

BARKER FREEMAN DESIGN OFFICE SU13

team + Alexandra Barker, Adrien Allred, Megan Hurford, Dan Hoch

re:MARFA Marfa, TX

firm date

BARKER FREEMAN DESIGN OFFICE SU14 team + Alexandra Barker, Adrien Allred, Christina Ostermier, Megan Hurford, Ryan Griffin

index

SELECTED WORKS

pratt institute gaud++

01

SHANGHAI SKYSCRAPER Shanghai, CHN NOLA ALGAE FARM New Orleans, LA

02

NASDAQua Manhattan, NY

03

COMPUTER MEDIA WORKS

04 05 06 07

MATERIALS AND ASSEMBLIES STRATEGIES OF THE WEIRD case:STHLM Stockholm, SWE

COMPOSITE PROTOTYPING

08 PARAMETRIC SYSTEMS

09

firm date

critic HINA JAMELLE date Pratt GAUD FA14 team + Maria Nikolovski critic ERICH SCHOENENBERGER date Pratt GAUD SP14 team + Dan Hoch, Matt Boker critic ALEXANDRA BARKER date Pratt GAUD FA12 critic ROBERT CERVELLIONE, CHRIS KRONER, CHRIS WHITELAW date Pratt GAUD SP13

FRANK LUPO, JESSICA YOUNG, KAREN BRANDT, STEVEN CHANG Pratt GAUD FA13

critic FERDA KOLATAN date Pratt GAUD SP15

critic SULAN KOLATAN date Pratt GAUD SP14

critic BRIAN RINGLEY date Pratt GAUD SP14 team + Erik Nevala-Lee

critic ROBERT CERVELLIONE date Pratt GAUD FA14 team + Lindsay Schragen, Matt Boker

01

shanghai skyscraper CONDITIONAL ELEGANCE

pratt institute gaud++

01

SHANGHAI SKYSCRAPER Shanghai, CHN

critic HINA JAMELLE date Pratt GAUD FA14 team + Maria Nikolovski

The tower explores a programmatic strategy responding to a network of relationships between its different users over time. The intent was to create an architecture where the urban landscape exists in different manifestations - both as public plazas at different elevations and as the driver for the configuration of the facade - creating a continuous ecology of landscaping, skin and spatial organization.

Situated along the Huangpu River, the tower simultaneously relates to the context of the financial district of Pudong and the historic center Puxi on the opposite side of the river. By gradually morphing attributes of form, materiality and opacity, this projects proposes a tower that adapts to variety whilst remaining an organic whole.

The tower features a new kind of urban landscape in manifested through dispersed green spaces throughout the building. This new urban landscape operates in an array of modes and at different intensities - from programmatic dividers and public circulation to a public plaza at 400 ft. The plaza connects to various observation decks and showrooms for technological innovation. The tower proposes a new sustainable building typology through a layered landscape approach.

Exterior view

8

SHANGHAI SKYSCRAPER

9

SHANGHAI SKYSCRAPER

Physical model, scale 1/8”=1’

10

SHANGHAI SKYSCRAPER

11

SHANGHAI SKYSCRAPER

transformative system: samia cynthia silkmoth

egg:

transformation

state

attributes:

12

SHANGHAI SKYSCRAPER

+ + + + +

larva:

small clustered delicate aligned emerging

attributes:

hatching: parameters: + + + + +

temperature season location host plant size

+ + + + +

pupa and c

compact tight expanding shedding shifting opacity

moulting:

parameters: + + + + +

nutrition body length speed body temperature stride frequency/length

attributes:

pupation:

parameters: + + + + +

season humidity temperature placement day length

+ + + + +

taut close wrap soft a doub

met

parame

metamorphosis EGG TO SILK MOTH

protected inactive defenseless

imago:

attributes:

+ + + + +

tamorphosis: [diapause/hibernation:]

eters: + + + + +

season humidity temperature placement day length

parameters: + +

male and female:

attributes:

delicate symmetrical light scaled membranous

length of day environmental conditions

eclosion/emergence:

parameters: + + + + +

hormones time of day season humidity weight

+ + + + +

bridged mirrored connected interlocked attracted

mating:

parameters: + + + + +

time of day age at mating mating frequency weight temperature

SHANGHAI SKYSCRAPER

ed pped and hard ble layered

+ + +

13

cocoon:

EGG

LARVA

PUPA

+ thin + clustered + delicate

+ segmented + compact + spiny

+ folded + enclosed + layered

Egg

Larva 1st instar

2nd instar

3rd instar

4th instar

5th instar

35

Temperature (°C)

30

25

20 0

5

10

15

20

25

30

35

40

45

50

Time (Day 14

SHANGHAI SKYSCRAPER

DIAGRAM

ECLOSION

MOTH

MATING

+ exposed + splitting + peeling

+ membranous + open + bifurcated

+ skeletal + attracted + interlocked

55

60

65

70

75

80

Adult

85

90

Mating

100

105

SHANGHAI SKYSCRAPER

Pupa/Cocoon

15

ys)

transformations

taxonomy UNIT VARIATIONS

Perspective Egg + thin + clustered + delicate

Larva + segmented + compact + spiny

Pupa + folded + enclosed + layered

Eclosion + exposed + splitting + peeling

Moth + membranous + open + bifurcated

Mating + skeletal + attracted + interlocked

16

SHANGHAI SKYSCRAPER

Side

SHANGHAI SKYSCRAPER

Front

17

Top Back

sky-terrace 590’

greenscape

sky-terrace 300’

greenscape

main entrance

18

SHANGHAI SKYSCRAPER

spine a

spine b

spine c

spine b

restaurant

hotel

atrium public plaza

spine c

restaurant

condo

hostel

biolab

hostel

offices

biolab

condo

offices

auditorium

underground marketplace

museum

commercial

cafe parking

M

cafe

SHANGHAI SKYSCRAPER

museum/ gallery

commercial

19

artist’s studios

SITE PLAN

20

SHANGHAI SKYSCRAPER 0

5

15

30

50 ft

SHANGHAI SKYSCRAPER 21

Exterior view, aerial

GROUND FLOOR PLAN

9'-9 3/4"

30'-5"

48'-8"

FRONT DESK

22'-11 1/2"

FFL 0’ 0”

CLOSET

STORAGE

18'-6"

MECHANICAL

EXHIBITION SPACE

SHOP

41'-7 3/4"

22

SHANGHAI SKYSCRAPER

FFL 0’-0”

CAFE

26'-6 3/4"

FFL 0’ 0”

36'-4 3/4"

LOBBY

35'-0"

SHANGHAI SKYSCRAPER 23

Interior view, public plaza/sky atrium

42nd FLOOR PLAN

36’-9 1/4"

FFL 513’-0”

MECHANICAL 4BR APT FFL 504’-0”

10'-0"

STORAGE

COMMON SPACE

20'-2 1/4"

FFL 504’-0”

OPEN TO BELOW

1 BR APT FFL 504’-0”

FFL 504’-0”

OFFICE FFL 504’-0”

OPEN TO BELOW FFL 513’-0”

23'-10 1/2"

24

SHANGHAI SKYSCRAPER

5'-11 1/4"

10'-10 3/4"

24'-9 3/4"

53'-11 3/4"

1" 33'-8 2

2 BR APT

SHANGHAI SKYSCRAPER 25

Section cut through public plaza/sky atrium at floor 27 through 32

26

SHANGHAI SKYSCRAPER

27

SHANGHAI SKYSCRAPER

28

SHANGHAI SKYSCRAPER

29

SHANGHAI SKYSCRAPER

02

nola algae farm MOTOlab

02 02

NOLA ALGAE FARM New Orleans, LA

critic ERICH SCHOENENBERGER date Pratt GAUD SP14 team + Dan Hoch, Matt Boker

The objective of this studio was to design and develop an urban algae farm in the midst of the dense urban fabric of downtown New Orleans by the shore of the Mississippi River. The project both aims to bring awareness to the benefits of algae as a source for food and energy production and to design a signature building that will act as a beacon of the city of New Orleans.

Algae is grown in multiple ways using closed and open systems, grown in tubes in the facades and in open pools as an urban landscape feature. The transparent tubes along the facade are filled with a water and algae mix and accumulate throughout the day, creating an ever-changing dynamic exterior, with different transparencies and shades of green depending on and time of day and stage in the harvesting cycle.

The building deals with the tension of the different programs inhabited in our building - the algae production and harvesting facility, a spa facility and sushi restaurant. Algae plays the key role in each of these programs, which are distinctly different from each other yet completely dependent on each other. Our interest lies in the friction between these programs, the experience of the visitor as the paths converge and the overlapping programs become visible. The coiling nature of algae at multiple scales are the conceptual driver for the layout of the space and also manifested in the articulation of the wrapped, layered facade.

THE MISSISSIPPI RIVER The Mississippi river presents many appearances and characteristics along its

considerable length of 2,320 miles. Its headwaters, the glacial lakes of Minnesota produce modest streams, which widens as they travels south, pressing towards its

confluence with the Missouri and the Ohio. As the Mississippi reaches the flatlands of Louisiana, its broad surface belies a strong current, racing toward discharge into the Gulf of Mexico through a weblike, filigree array of channels. The city of New Orleans both owes its existence and economic viability to the Mississippi River - to the same geographic features that perpetuate its vulnerability.

The geologic history of the Mississippi River is documented in the US Army Corps of Engineers maps of the Mississippi Rivers Meander Belt from 1944. These maps

show - with half-century increments - the morphology of the Mississippi over time.

The coiling and intertwining colors of the maps represent routes of the Mississippi historically, tracing whole new geometries in less than a century, its historic dimension embedded in the labyrinth of conflicting riverbeds; slowly disappearing and reappearing as new shapes and forms, in a constant state of flux and self-alteration. As the

river meanders and creates soil surfaces, these thousands of acres of displaced mud - thick sheet of soil washed down from the north - make up the approximately solid foundation of New Orleans.

The migratory properties of the river, as with any river, in destined to wander across the landscape as long as it continues to flow. It drifts back and forth, sometimes a few feet, sometimes a mile, until there is change - a natural levee fails, or a storm surge bursts into another watercourse nearby - and the river changes and finds itself a new route to the sea. Simultaneous with the realization of the Mississippi River as a landscape on the move was the project of fixing its course. The project to curb the current of the Mississippi is one through architecture, installing monumental locks and dams, controlling rates of flow, sediment, ship traffic etc. But no matter how shaped, controlled or managed a river is, it still has a wild aspect to it, it remains to some degree unpredictable and can act in unforeseen and surprising ways.

32

NOLA ALGAE FARM

33

NOLA ALGAE FARM

01

CONCEPTUAL INSPIRATION - COILING OF ALGAE (MICRO AND MACRO)

FEEDING VESSEL

PHOTOBIOREACTOR

WATER

BIOMASS

ALGAE

ALGAE SLURRY

CO2

SEPARATOR

NUTRIENTS

RECOVERED WATER

02

34

NOLA ALGAE FARM

FILTRATION

ALGAE TYPE

PRODUCT

GREYWATER SPA+WASTE

PHOTOBIOREACTOR FACADE EXTERIOR 18 HRS

CHLORELLA

SPA PRODUCTS

PHOTOBIOREACTOR PRODUCTION INTERIOR 18 HRS

SPIRULINA

FOOD PRODUCTION

OPEN POND EXTERIOR 1-13HRS

CYANO BACTERIA

FILTRATION

PRESS

CENTRIFUGE

ALGAE OIL

RAINWATER SITE+ROOF

03

ALGAE HARVESTING- CLOSED SYSTEM, PHOTOBIOREACTOR

PROJECT: DESIGN STUDIO IV: CAP - 14/SP-ARCH-704-03 PRATT INSTITUTE, SPRING 2014 STUDIO SCHOENENBERGER

COLLECTION

TEAM: DANIEL HOCH MATT BOKER ULRIKA LINDELL

CONSULTANTS:

studio critic: digital instructor: facade consultant: site+sustainability consultant: structural consultant: mechanical consultant:

ALGAE SYSTEMS DIAGRAM

ERICH SCHOENENBERGER HART MARLOW BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS

PROJECT TITLE: ALGAE PRODUCTION FACILITY

SITE LOCATION: NEW ORLEANS, LOUISIANA UNITED STATES

SCALE:

DRAWING TITLE: DIAGRAMS

DRAWIN

C

research

ALGAE / MEANDERING RIVERS

02

FORM FINDING PROCESS, PHYSIGAL MODELS

PROJECT: DESIGN STUDIO IV: CAP - 14/SP-ARCH-704-03 PRATT INSTITUTE, SPRING 2014 STUDIO SCHOENENBERGER

TEAM: DANIEL HOCH MATT BOKER ULRIKA LINDELL

CONSULTANTS:

studio critic: digital instructor: facade consultant: site+sustainability consultant: structural consultant: mechanical consultant:

ERICH SCHOENENBERGER HART MARLOW BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS

PROJECT TITLE: ALGAE PRODUCTION FACILITY

SITE LOCATION: NEW ORLEANS, LOUISIANA UNITED STATES

SCALE:

DRAWING TITLE: MODEL PICTURES

DRAWING NO:

C001

NOLA ALGAE FARM

CONCEPTUAL INSPIRATION - MEANDERING NATURE OF MISSISSIPPI RIVER

35

01

01

a

b

c

g

h

i

02 36

CONCEPTUAL INSPIRATION - MEANDERING NATURE OF MISSISSIPPI RIVER

FORM FINDING PROCESS, PHYSIGAL MODELS

NOLA ALGAE FARM

PROJECT: DESIGN STUDIO IV: CAP - 14/SP-ARCH-704-03

TEAM: DANIEL HOCH

C

R

study models

COILS / STRANDS / LAYERS

e

f

j

k

l

37

NOLA ALGAE FARM

d

PROJECT TITLE: ALGAE PRODUCTION

SITE LOCATION: NEW ORLEANS,

SCALE:

DRAWING TITLE: MODEL PICTURES

DRAWING NO:

SITE PLAN

38

NOLA ALGAE FARM

39

NOLA ALGAE FARM

SITE PLAN

0 10

30

60

100

ft

greenscape

MISSISSIPPI RIVER: Using the river as inspiration, the meandering paths build force as the waters collect, carving a larger presence. As its course changes over time, a footprint is left of previous routes.

circulation paths

COILING: The winding footprints circulate around significant points, creating common voids of space between the coils of these paths. These voids become nodes of convergence.

SPA RESTAURANT

program ALGAE PRODUCTION LINE

CAFE

OVERLAY: The paths densify overtop of common trajectories, bringing heirarchy to specific nodes and cooridors, creating friction between paths of interest.

40

NOLA ALGAE FARM

PHOTOBIOREACTOR

WATER

BIOMASS

PRESS

ALGAE

ALGAE SLURRY

CENTRIFUGE

CO2

SEPARATOR

NUTRIENTS

RECOVERED WATER

COLLECTION

FILTRATION

ALGAE TYPE

PRODUCT

GREYWATER SPA+WASTE

PHOTOBIOREACTOR FACADE EXTERIOR 18 HRS

CHLORELLA

SPA PRODUCTS

PHOTOBIOREACTOR PRODUCTION INTERIOR 18 HRS

SPIRULINA

FOOD PRODUCTION

OPEN POND EXTERIOR 1-13HRS

CYANO BACTERIA

FILTRATION

RAINWATER SITE+ROOF

NOLA ALGAE FARM

ALGAE OIL

41

production and program

algae harvest cycle

FEEDING VESSEL

42

NOLA ALGAE FARM

43

NOLA ALGAE FARM

SECTION NORTH-SOUTH

T1

T2

T3

YOGA STUDIO /OBSERVATION DECK

SUSHI RESTAURANT

HEALTH BAR (BEYOND)

TERRACED SEATING CASINO(BEYOND)

ALGAE GROWING POOL

CANAL STREET

MAIN ENTRE

ALGAE HARVESTING

BADINE STREET

PARKING GARAGE

WALL SECTION

DETAILS STAINLESS STEEL FALL ARREST SYSTEM

M

COMPOSITE CONCRETE DECKING

TYPICAL STEEL I-BEAM

5’X2’X1” ALUMINUM GRATINGS

STEEL BRACKET

PHOTOBIOREACTOR TUBES FOR ALGAE GROWTH, Ø1-1/2” ACRYLIC TUBES

STEEL PLATE BRACKET TYPICAL STEEL TRUSS, SEE S200

1/8” ALUMINUM PANEL; PVF2-3COATS FINISH E9

E10

E11

E14

Ø3-1/2”X1/2” GALVANIZED STEEL TRUSS CONNECTION TYPICAL CONNECTION 01 TYPICALTRUSS

1/8” ALUMINUM PANEL; PVF2-3COATS FINISH

8”X4”X1/4” G.M.S. R.H.S. (GALVANIZED MILD STEEL, RECTANGULAR HOLLOW SECTION)

MECHANICAL ROOM(BEYOND)

RAMP FROMPLAZAS

EXPANSION CONTROL COMPOSITE CONCRETE DECKING

SUSHI RESTAURANT(BEYOND) TYPICAL STEEL I-BEAM

6” THK REINFORCED CONCRETE.

1/8” RUBBER FLOOR, 1/4” SELF-LEVERING, 1-1/2” 1:3 CEMENT SAND SCREED

TEAM:

MOTOlab

CONSULTANTS: studio critic: facade consultant: site+sustainability consultant : structural consultant: mechanical consultant:

ERICH SCHOENENBERGER BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS

PROJECT TITLE: ALGAE PRODUCTION FACITITY

SITEALUMINUM LOCATION: 1/8” PANEL; PVF2-3COATS FINISH NEW ORLEANS, TYPICAL TRUSS CONNECTION LOUISIANA 01 STAINLESS STEEL FALL ARREST SYSTEM UNITED STATES

AGGREGATES FOR EARTHWORKS GROUTING, NON-SHRINKING ANCHOR BOLT, TYP CAST-IN-PLACE CONCRETE

STEEL PLATE BRACKET TYPICAL STEEL I-BEAM TYPICAL STEEL TRUSS, SEE S200

STEEL BRACKET

CONCRETE REINFORCING

STEEL BRACKET

5’X2’X1” ALUMINUM GRATINGS

STEEL PLATE BRACKET

STEEL PLATE BRACKET

TYPICAL STEEL TRUSS, SEE S200

TYPICAL STEEL TRUSS, SEE S200

02 TYPICAL WALL FOOTING TYPICAL TRUSS CONNECTION 03 TYPICAL TRUSS CONNECTION DATE: 05.04.2014 TYPICAL STEEL TRUSS, SEE S200

DRAWN BY:

03

UL TYPICAL TRUSS CONNECTION

SCALE: 1’0” = 0’16”

04 TYPICAL TRUSS FOOTING DRAWING TITLE: ARCHITECTURAL SECTIONS

EXPANSION CONTROL

CONCRETE REINFORCING

CAST-IN-PLACE CONCRETE CONCRETE REINFORCING

CONCRETE REINFORCING ANCHOR BOLT, TYP

VAPOR BARRIER TYPICAL STEEL TRUSS, SEE S200 AGGREGATES FOR EARTHWORKS

VAPOR BARRIER CAST-IN-PLACE CONCRETE

ANCHOR BOLT, TYP STEEL BRACKET

AGGREGATES FOR EARTHWORKS CONCRETE REINFORCING

CAST-IN-PLACE CONCRETE CAST-IN-PLACE CONCRETE

GROUTING, NON-SHRINKING BOTTOM OF FOOTING

CONCRETE REINFORCING REINFORCING CONCRETE VAPOR BARRIER BOTTOM OF FOOTING AGGREGATES FOR EARTHWORKS

CAST-IN-PLACE CONCRETE

ANCHOR BOLT, TYP

CONCRETE REINFORCING

02

BOTTOM OF FOOTING

CAST-IN-PLACE CONCRETE

04

TYPICAL TRUSS FOOTING

1/2” PLASTER BOARD WITH 1/4” SKIM COAT

02 TYPICAL WALL FOOTING

A300

STEEL BRACKET

GROUTING, NON-SHRINKING CAST-IN-PLACE CONCRETE

ANCHOR BOLT, TYP

TYPICAL WALL FOOTING

DRAWING NO:

TYPICAL STEEL TRUSS, SEE S200

EXPANSION CONTROL AGGREGATES FOR EARTHWORKS

3/8” MONOLITHIC GLASS WITH HARD-COAT PERFORMANCE COATING

FIRST LEVEL 0'-0"

BOTTOM OF FOOTING

CAST-IN-PLACE CONCRETE

PHOTOBIOREACTOR TUBES FOR ALGAE GROWTH, Ø 1-1/2” ACRYLIC TUBES

NOLA ALGAE FARM

STEEL BRACKET COMPOSITE CONCRETE DECKING

TYPICAL STEEL I-BEAM TYPICAL STEEL TRUSS, SEE S200

ALGAE PRODUCTIONSTEEL LINE(BEYOND) PLATE BRACKET

TYPICAL BARRIER STEEL TRUSS, VAPOR SEE S200

44

TYPICAL STEEL I-BEAM

VAPOR BARRIER

STEEL BRACKET COMPOSITE CONCRETE DECKING

01 TYPICAL TRUSS CONNECTION

DANIEL HOCH MATT BOKER ULRIKA LINDELL

COMPOSITE CONCRETE DECKING

CAST-IN-PLACE CONCRETE CONCRETE REINFORCING

HEALTH BAR/CAFE

LOBBY

TERRACED OUTDOOR SEATING

TYPICAL STEEL TRUSS, SEE S200

YOGA STUDIO /OBSERVATION DECK(BEYOND)

1/2” MONOLITHIC GLASS WITH HARD-COAT PERFORMANCE COATING

03 TYPICAL TRUSS CONNECTION

TYPICAL TRUSS FOOTING 04TYPICAL TRUSS FOOTING

CONCRETE REINFORCING BOTTOM OF FOOTING

SUSHI RESTAURANT

HEALTH BAR (BEYOND)

TERRACED SEATING CASINO(BEYOND)

ALGAE GROWING POOL

CANAL STREET

MAIN ENTRE

ALGAE HARVESTING

PARKING GARAGE

BADINE STREET

SECTION WEST-EAST

E9

E10

E11

E14

MECHANICAL ROOM(BEYOND)

RAMP FROMPLAZAS

TERRACED OUTDOOR SEATING

SUSHI RESTAURANT(BEYOND)

LOBBY

ALGAE PRODUCTION LINE(BEYOND) FIRST LEVEL 0'-0"

CONSULTANTS: studio critic: facade consultant: site+sustainability consultant : structural consultant: mechanical consultant:

ERICH SCHOENENBERGER BRUCE NICHOL META BRUNZEMA CRISTOBAL CORREA BOB KEARNS

PROJECT TITLE: ALGAE PRODUCTION FACITITY

SITE LOCATION: NEW ORLEANS, LOUISIANA UNITED STATES

DATE: 05.04.2014

DRAWN BY: UL

SCALE: 1’0” = 0’16”

DRAWING TITLE: ARCHITECTURAL SECTIONS

DRAWING NO:

A300

NOLA ALGAE FARM

TEAM: DANIEL HOCH MATT BOKER ULRIKA LINDELL

45

MOTOlab

HEALTH BAR/CAFE

YOGA STUDIO /OBSERVATION DECK(BEYOND)

1 S401

PHOTOBIOREACTOR TUBES FOR ALGAE GROWTH, Ø1-1/2” ACRYLIC TUBES LIGHT STEEL LOUVERS FOR PHOTOBIOREACTOR TUBES STEEL FACADE SUBSTRUCTURE

MAINTENANCE CATEWALK FOR PHOTOBIOREACTOR TUBES 5’X2’X1” ALUMINUM GRATINGS COILING CIRCULATION RAMP 1/8” ALUMINUM PANEL; PVF2-3COATS FINISH INTERIOR PANEL STEEL FRAMING

STEEL TRUSS

FRONT ENTRY COURTYARD

ALGAE POOL

Wall section

46

NOLA ALGAE FARM

NOLA ALGAE FARM 47

Physical model, scale 1/16”=1’

N

1 2

M

L

3 K

4 J

5 0’ 0”

I

6 4’ 0” 4’ 0”

DN

H

7 1 A202

8 G

3 A301

UP UP

F

0’ 0”

E

UP

TEAM:

O

FOUNDATION PLAN

D

C

UP

B

0’ 0” 9

A

10

CONCRETE EXPANSION CRACK

LINE OF ENCLOSURE

2 A201

11

C.I.P. CONCRETE RETAINING WALL

UP

12 1 A301

13

14

0’ 0”

4’ 0” 12” C.I.P. CONCRETE SLAB ON GRADE

0’ 0” 5’ 0”

TRUSS LINE

UP

DN

T3 0’ 0”

LINE OF ENCLOSURE

-1’ 0” LINE OF ENCLOSURE 1’ CONCRETE WALL BELOW GLAZING

LOUVER FACADE FOOTINGS TRUSS LINE T2

TRUSS FOOTINGS

TRUSS LINE

48

NOLA ALGAE FARM

CONSULTANTS:

T1

1 A201

2 A301

PROJECT TITLE:

SITE LOCATION:

DATE:

DRAWN BY:

SCALE

O

N

1 2

M

L

3 K

4 J

delivery loading

5

0’ 0”

I

6

storage

loading dock 4’ 0”

mechanical 4’ 0”

DN

H

7 1 A202

8 G

3 A301

UP

pbr stacks UP

F

employee lounge

0’ 0”

E

D

UP

EAM:

FIRST FLOOR PLAN

packaging

admin

C

UP

B

0’ 0”

admin

9 A

admin

centrifuge 10

observation area

2 A201

11

UP

12 1 A301

13

lobby 0’ 0” lecture/ classroom 0’ 0”

14 mechanical

4’ 0” info

storage fridge

5’ 0”

DN

algae compression

0’ 0”

UP

harvest

49

NOLA ALGAE FARM

-3’ 0”

1 A201

CONSULTANTS:

2 A301

PROJECT TITLE:

SITE LOCATION:

DATE:

DRAWN BY:

SCALE:

N

1 2

M

L

3 K

4 J

5 I mechanical 6

massage rooms algae scrub detox meditation area

H algae quality testing

1 A202

7

steam room

algae juice bar

G

8 3 A301

sauna lounge

F

mens locker linen

E

private soaking tubs

D

womens locker

pool spa boutique

C

B 9

admin offices A

back desk

reception

10

waiting

DN

TEAM:

O

SECOND FLOOR PLAN

15’ 0”

2 A201

11

12 1 A301

13

bar

14

DN

sushi kitchen

15’ 0”

terrace

UP

sushi/ algae bar

open to below

DN

open to below

catwalk

50

NOLA ALGAE FARM

1 A201

2 A301

CONSULTANTS: studio critic:

ERICH SCHOENENBERGER

PROJECT TITLE: ALGAE PRODUCTION

SITE LOCATION: NEW ORLEANS,

DATE: 05.05.2014

DRAWN BY: MB

SCALE: 1’0” = 1

AM:

THIRD FLOOR PLAN

O

N

1 2

M

L

3 K

4 J

5 I 6

H 7 1 A202

8 G

3 A301

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C

B 9 A

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2 A201

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12 1 A301

13 view to lobby 14

open to below

mechanical

yoga/fitness studio

NOLA ALGAE FARM

open to below

30’ 0”

DN

open to below

51

catwalk

1 A201

CONSULTANTS:

2 A301

PROJECT TITLE:

SITE LOCATION:

DATE:

DRAWN BY:

SCALE:

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NOLA ALGAE FARM

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NOLA ALGAE FARM

03

NASDAQua

PUBLIC BATHHOUSE

03

NASDAQua Manhattan, NY

critic ALEXANDRA BARKER date Pratt GAUD FA12

The project investigates themes of material potentials and ranges of material operations - from open to closed, apperture to surface and skin to structure. This was done through a series of material studies. The results of these were then translated to digital compontents. The physical and digital models construct a range of techtonic relationships and qualities and these techniques were then strategically applied to develop an intevention to the strata of the urban street, creating a bathhouse and adjacent public space.

The program was an intervention of a water-based community program into a series of under-utilized city sites slated to be converted into public plazas. The site, on Water Street in lower Manhattan, is in the flood zone and was flooded during Hurricane Sandy. The bathhouse displays a system of connected pools which ranges from vessel to conduit depending on scale. The project focuses on the relationships between the flow and collection of water, the flow of people and distribution of light and investigates apertures in relation to continious lines in section.

Interior view, poolscape

56

NASDAQUA BATHHOUSE

NASDAQUA BATHHOUSE

Initial array, from closed to open

Developed base unit, mirrored parts

57

Initial base unit, rotating parts

Physical model, base unit

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NASDAQUA BATHHOUSE

Physical model, continuous surface

Combined layers

NASDAQUA BATHHOUSE

Structure to surface

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Open to closed

SECTION

Wh iteh all S t

Moore St

SITE PLAN

A A

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NASDAQUA BATHHOUSE

Water St

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NASDAQUA BATHHOUSE

Exterior view

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NASDAQUA BATHHOUSE

NASDAQUA BATHHOUSE 63

Physical model, scale 1/8”=1’

Physical model, section, scale 1/8”=1’

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NASDAQUA BATHHOUSE

NASDAQUA BATHHOUSE 65

Physical model, interior, scale 1/8”=1’

04

computer media works VISUAL STUDIES

COMPUTER MEDIA

04

WORKS

critic ROBERT CERVELLIONE, CHRIS date

KRONER, CHRIS WHITELAW Pratt GAUD SP13

Projects explore in depth the limits of the trace, cut, fold and projection in a series of computational works. Modes of generation, modeling, rendering, mapping and animating matter were deployed as instruments with varying effects and qualities.

These projects are visual investigations in the methodology, craft, technique and other deeply diciplinary aspects of media and the architectural idiom.

Field

68

COMPUTER MEDIA WORKS

parametric screen

MEDIA 2 APPLIED TECHNIQUES

Units

COMPUTER MEDIA WORKS

Elevation

69

Plan

Array

70

COMPUTER MEDIA WORKS

lampshade

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Section

COMPUTER MEDIA WORKS

ADVANCED MULTIMEDIA

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COMPUTER MEDIA WORKS

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COMPUTER MEDIA WORKS

bridge animation

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COMPUTER MEDIA WORKS

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COMPUTER MEDIA WORKS

05

materials and assemblies DIAMONDSBACK CHAIR

05

MATERIALS AND ASSEMBLIES

critic FRANK LUPO, JESSICA YOUNG, KAREN BRANDT, STEVEN CHANG date Pratt GAUD FA13

This course explored critical building concepts of materiality, structure, envelope, environment, life safety and constructability that were applied to the design and detailing of a chair design with supporting construction documents.

The perforations of the sheet metal are the main feature of the chair design, inspired by the appearance of a diamondback rattlesnake pattern. The sheet metal is lasercut in one piece which folds into its geometric shape. Legs are stainless steel and the upper part is white-sprayed prefabricated aluminium.

78

DIAMONDBACK CHAIR

79

DIAMONDBACK CHAIR

4-1/6”

5-10”

1-7 80

DIAMONDBACK CHAIR

FOLD PATTERN

”

S1

9-1/2”

10

/12

”

1-7/12”

3” -1/

16

16-1/3”

V1

1-1/3”

4-1/6”

5-10”

4-1/6”

5-10”

S1 S1

18-1/3” 8-1/4”

-1/ 16

ALUMINIUM MESH 1/4” PERFORATED AND FOLDED

S1

S1

1-7/12”

” /12 1-7 V1 S1

15-9/12” 15.73

FOLD PATTERN

1-1/3”

9-1/2”

1-1/3”

9-1/2”

”

SECTION 1

1-7

S1

/12

9-2/3”

1-7/12” S1

”

D1

S1 S1

16-1/3”

D1

16-2/3”

PLAN 1

9-2/3”

P1 S1

10

20-1/6”

2-10/12” 22-2/12”

3”

STAINLESS STEEL LEGS 1/2”

-1/

S1

16

D1

S1

16-1/3”

D1

ALUMINIUM MESH 1/4” PERFORATED AND FOLDED

”

18-1/3” 8-1/4”

16-2/3”

S1 S1

10

20-1/6”

3”

STAINLESS STEEL LEGS 1/2”

2-10/12” 22-2/12” S1

S1 S1

S1

SECTION 1

V1

3-1/2”

15-9/12” 15.73

S1

34-1/2”

PLAN 1

34-1/2”

P1 S1

FOLD PATTERN

S1

LEFT ELEVATION

E2 S1

FRONT ELEVATION

19-1/2” E3 S1

RIGHT ELEVATION

34-1/2”

1/2” E1

34-1/2”

3-1/2”

24-1/2” E4 S1

BACK ELEVATION

MODEL NO.

DATE

001

09-20-2013

PROJECT NAME

DIAMOND BACK CHAIR DRAWING

E1 S1

LEFT ELEVATION

E2 S1

FRONT ELEVATION

24-1/2”

19-1/2” E3 S1

RIGHT ELEVATION

E4 S1

BACK ELEVATION DESIGNER

SCALE

ULRIKA LINDELL MODEL NO. D1 S2

DETAIL CONNECTION

DATE

001 P1 S1

PROJECT NAME

09-20-2013

DIAMOND BACK CHAIR ARCH 762.01 FALL 2013

MATERIALS AND ASSEMBLIES

S1: 4”=1’ S2: 1”=1” FORMAT 36” X 50”

DIAMONDBACK CHAIR

CONSRUCTION DRAWINGS FOR CHAIR

1/2”

DRAWING

81

CONSRUCTION DRAWINGS FOR CHAIR

DESIGNER

SCALE

ULRIKA LINDELL D1 S2

DETAIL CONNECTION

P1 S1

ARCH 762.01 FALL 2013

S1: 4”=1’

MATERIALS AND ASSEMBLIES

S2: 1”=1” FORMAT 36” X 50”

82

DIAMONDBACK CHAIR

83

DIAMONDBACK CHAIR

06

strategies of the weird DESIGN FINESSE

STRATEGIES OF THE

06

WEIRD

critic FERDA KOLATAN date Pratt GAUD SP15

This project investigates, through a play on the clichÊ narration of the typical car ad, desires in the age of consumption. The hybrid object, clearly a close relative of the motorized vehicle on one hand - on the other, lacks the motor vehicle’s possibly most important characteristic: that of mobility. The strangeness of the object lies in the ambiguity in the fact that even though the object is pathetically stripped of its primary functions, the seductive attributes of shimmering metallic finish and precise seaming still alludes to the notion of the pristine automation vehicle. So the object remains a vehicle in one sense - that for consumerist desires - but not in the other.

Libra

Imagination meets Engineering

Fast and fuel efficient.

86

STRATEGIES OF THE WEIRD

Introducing the Libra L7. The first of its kind.

Libra

Imagination meets Engineering

Let this be a warning to eyesores everywhere.

A boldly designed vehicle deserves a boldly designed world. The Libra L7 has officially arrived, and now the world has some catching up to do.

Take one look at the sweeping low profile that defines this iconic coupe.

Witness the distinctive LED headlights and experience the closest re-creation to daylight yet: It’s obvious that no ordinary road will do.

Learn more at librausa.com/L7. The all-new Libra L7 is here.

87

STRATEGIES OF THE WEIRD

Luxury has progressed.

Don’t dream it. Drive it.

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STRATEGIES OF THE WEIRD

Libra

Imagination meets Engineering

Libra

Imagination meets Engineering

Evolution on the outside.

Revolution on the inside.

Under the skin of the L7 V10 plus is our new 7-speed S tronic gearbox and 5-2 litre, 550PS V10, capable of 0-52 mph in 3-5 seconds. It’s the most exhilarating L7 we’ve ever built.

Learn more at librausa.com/L7.

The new Libra L7 V10 plus.

89

STRATEGIES OF THE WEIRD

Prepare to want one.

[0]

1

2

3

4

‘Rorschach test’

90

STRATEGIES OF THE WEIRD

[10]

[15]

[30]

[50]

[70]

[110]

[150]

91

STRATEGIES OF THE WEIRD

Physical model

07

case:STHLM

URBAN DESIGN CASE STUDY

07

case:STHLM Stockholm, SWE

critic SULAN KOLATAN date Pratt GAUD SP14

The post-glacial landrise has been going on since the time of the last glacial period.

The city of Stockholm has been rising out of the Baltic Sea for the last 12000 years and although at a slower speed, this tendency remains and keeps influencing the city. However, because of the counter effect of sea levels rising due to global warming, the projections for the future sea level positions are filled with uncertainty and ambiguity. This proposal takes into consideration what might happen if sea levels again rise to past levels, and if Stockholm regains the archipelagic characteristics of its younger age.

Stockholm region land level

-5000 years

94

CASE STHLM

-3000 years

-1200 years

stockholm region POST-GLACIAL LANDRISE

Stockholm region water line

-5000 to today

CASE STHLM

-5000 to today

95

Today

Stockholm 2015 96

CASE STHLM

CASE STHLM 97

Stockholm 2115

08

composite prototyping CNC MILLED GLUE-LAM COMPOSITES

COMPOSITE PROTOTYPING

08

critic BRIAN RINGLEY date Pratt GAUD SP14 team + Erik Nevala-Lee This course examines the integration of parametric software with CNC manufacturing and explores the designer’s unprecedented direct link between the digital model and the physical artefact. The concept of “threshold” is explored on both ends of the process - both by setting up thresholds at which fields of parametric components transform across a part based on functional requirements, and again later by examining the thresholds at which parametric systems and CNC-manufacturability (draft angle, tool reach etc) either break down or open up new possibilities.

The product is an architectural composite assembly capable of certain performances benchmarks such as stability, plyability, bending and transparency.

shell lace structure DEFINITION

100

Precedent: Coral shell lace structure

Original unit

Ridge structure

Bounding box

COMPOSITE PROTOTYPING

Morph between planes

Result

COMPOSITE PROTOTYPING

Surface division

101

Base surfaces

composite prototype MATERIAL ASSEMBLY

Glue-laminated composite materials were prototyped on the router to push the composite stock to perform (bending, stretching, twisting) in manners not possible

through any individual material within the composite. The materials used were plywood, translucent acrylic and black rubber.

A single material volume composed as material strata with varying properties means that, at any given moment along the material, there is a direct relationship between cutting depth, material performance, and material aesthetic.

The product was a novel architectural assembly capable of enhancing existing building performance benchmarks (daylighting, ventilation, drainage, acoustics, etc.) while introducing novel categories for evaluation.

Stock result preview

102

COMPOSITE PROTOTYPING

Plan

Elevation

6-1/2”

Composite material lay-up; 18” 40”

Abrasion-Resistant SBR Rubber, Black, 1/4” Thick, 12” x 12”, 75A Durometer Impact-Resistant Polycarbonate Sheet, 1/4” Thick, 24” x 24”, White Baltic birch plywood, 3/4” + 1/2”

Machined stock

COMPOSITE PROTOTYPING

11”

103

1/2” 3/4” 1/4” 3/4” 1/2”

Physical composite model; Baltic birch plywood, translucent polycarbonate, black rubber

104

COMPOSITE PROTOTYPING

COMPOSITE PROTOTYPING

Structural, stability

105

Flexibility, bend, arch

28

27

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18

17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0

28

27

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17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0

106

COMPOSITE PROTOTYPING

19

20

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24

25

26

27

0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

18

19

20

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COMPOSITE PROTOTYPING

18

107

0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

28

09

bent out of shape PARAMETRIC GREEN WALL

PARAMETRIC SYSTEMS

09

critic ROBERT CERVELLIONE date Pratt GAUD FA14 team + Lindsay Schragen, Matt Boker

The facade system we are proposing is a folded aluminum composite panel system with integrated structure, glazing and insulation with the possibility for pocketing for plants and plant material. The base unit arrayed over the field makes up a facade with different degrees of folds, responding to different needs of the program.

A mock-up at full scale were built and exhibited in the Hazel and Robert H. Siegel Gallery, Higgins Hall. It is now permanently installed at Pratt Institute Higgins Hall.

110

BENT OUT OF SHAPE

111

BENT OUT OF SHAPE

Insulated Glass Unit Heat Formed Plexi Glass with CNC Milled Fritting MDF plant shelf + front bracket connection with

Frosted Plexi Panel

CNC milled DiaBond 4mm

Aluminum Composite Panel Spray Foam Insulation Plant growing substait

Spray Foam Insulation

112

BENT OUT OF SHAPE

113

BENT OUT OF SHAPE

Folded paper studies

114

BENT OUT OF SHAPE

Paper mock-up @ halfscale

BENT OUT OF SHAPE

Assembly in gallery

115

CNC milling composite aluminum panels

Mock-up, scale 1:1

116

BENT OUT OF SHAPE

BENT OUT OF SHAPE 117

CNC milling composite aluminum panels

2’-0”

1’-3”

0’-9”

Plan

4’-6”

Elevation 118

BENT OUT OF SHAPE

5’-5”

6’-4”

119

BENT OUT OF SHAPE

120

BENT OUT OF SHAPE

Our project explores an adaptable green wall facade system which integrates structure, skin, glass, plants and an irrigation system for water delivery. Using parametric design and scripting methods in conjunction with physical paper folding techniques, we are exploring new ways and modes that building components can operate, which respond to specific local conditions, yet remain as a cohesive organic global whole.

The facade system we are proposing is a folded aluminum composite panel system with integrated structure, glazing and insulation with the possibility for pocketing for plants and plant material. The base unit arrayed over the field makes up a facade with different degrees of folds, responding to different factors of program, access to light, and size of the plant.

The project also explores a secondary system of apertures in three different sizes, providing a variation of intensities of light filtering through the facade and creating spatial effects. The secondary score lines also create an exterior network of light strips that illuminate at night as well as highlight the geometry of the fold. Together, these components make up a facade system that is capable of large variation and flexibility of geometry and transparency.

121

BENT OUT OF SHAPE

The CNC aluminum panels are spaced one foot apart and are infilled with sprayfoam insulation. On the interior the facade peels back from the facade and connects to the floor plate of the level above creating a drop ceiling. Through exploration of parametric strategies, we were able to achieve a design that could be applied to construction and create a buildable facade system.

122

BENT OUT OF SHAPE

123

BENT OUT OF SHAPE

kth royal institute of technology

10

LUX EX UMBRA Stockholm, SWE

critic DANIEL NORELL, ERIK HĂ–KBY date KTH School of Architecture SP11 This project examines the possibilities and range of performative qualities of wood as the main building stone for a small pavillion. A system of thin wooden ribs of different lengths is deployed and offset to create variation - the self-supportive system of horizontal laths being modified and designed as a pattern. The contrast between semi-transparent and solid areas brings programmatic opportunities, and atmospheric nuances and the properties of massive wood is emphasized - it becomes a system of pattern and light and shadow.

10

lux ex umbra WOOD PAVILLION

Simple system (A) and rotating system (B)

A

B

1.

126

2.

LUX EX UMBRA

3.

4.

5.

6.

7.

8.

9.

10.

Self-supporting system (C)

Plan

Axonometry

127

LUX EX UMBRA

C

Closed structure/Scaling

128

LUX EX UMBRA

Closed structure/Rotating

/Changed according to pattern

LUX EX UMBRA

Regular

Open structure/Self-supporting

129

Open structure/Self-supporting/

meter

Section

0

130

LUX EX UMBRA

,5

1

2

5

Projection area

Entrance

Seating

Storage

LUX EX UMBRA

Plan

0

1

3

5m

131

Skala 1:50

Skala 1:50

Physical model, scale 1:20

132

LUX EX UMBRA

133

LUX EX UMBRA

Light studies

11

PARKADEN ONFILL Stockholm, SWE

critic date

IA HJÄRRE, ROBERT PETRÉN KTH School of Architecture SP10

This project investigates the nuances of the public and the private realm - how we interact with other people in our community and the possibility of a private oasis in the middle of the city, on top of another building.

The housing complex includes a mix of apartment sizes and types of apartments (rental and condos, 1BR, 3BR and 5BR) in order to attract difference and diversity.

The “onfill” - a vertical densification of the city - enables larger amounts of people to share a smaller area at an attractive location, but also takes into consideration Stockholm’s unique city silhouette of low 19th Century architecture.

11

parkaden onfill RESIDENTAL

0 12 4 10 20 40 meter

3rd Floor plan

Section

Elevation 136

PARKADEN ONFILL 0 12

4

10

20

40 meter

137

PARKADEN ONFILL

Circulation and common space The block is subdivided by connecting wings of communication and public space (stariwell, corridor, common laundry room, storage space)

Balcony A different type of ourdoor space compared to the public courtyard - these spaces have a persona l characteristic, a space on your own yet one tha t relates to the neighbors. A space for personal recreation.

Unit All units start at the edge of the courtyard and

stretches to the balcony side of the building and have windows in east and west direction.

Courtyard

It is possible to move between the adjacent courtyards.

The blurred border between courtyards is defi ned by the underside of the cross-circulation, here an open space is created.

Apartment block 1-BR, 3-BR and 5-BR. The different sizes are suppose to attract a range of different type of people, to create a diverse and mixed community. Short term rentals, rentals and condos.

138

PARKADEN ONFILL

PARKADEN ONFILL

Unit B

Unit C

139

Unit A

Unit A

Unit B

Balcony Balcony

Bedroom

Bedroom

Bedroom

C

C Kitchen

Kitchen

WC

C WC

C Living-room

Living space

Workroom

Entry Entry 1

2

10 m

4

140

PARKADEN ONFILL

Unit C

Balcony

Bedroom

Parlor

Balcony

Bedroom

C Bedroom Kitchen

WC

WC

Kitchen

C

Living-room Workroom

WC Beroom

Living space LEVEL 0

Entry

PARKADEN ONFILL

LEVEL 1

141

Entry

0

1

2

4

10 m

142

PARKADEN ONFILL

143

PARKADEN ONFILL

STHLM:tomor[row]

12

Stockholm, SWE

critic date

DANIEL NORELL, ERIK HÖKBY KTH School of Architecture SP11

This project investigates a new take on the row house typology and focuses on the relationship between volume and landscape visavi the relationship between interior and exterior space. The row houses is a common residental typology in Scandinavian suburbs dating back to the 50’s. This is a contemporary proposals with the qualities of the Scandinavian Functionalist era in mind.

Hässelby in a suburb of Stockholm, Sweden, with a population of around 30000 people. The neighborhood is divided in three areas, with typologies ranging from villa town by Lake Mälaren to large scale low-income apartment complexes. The site is situated on a steep north-facing slope.

These houses are designed for families with children. Hässelby has metro connections to Stockholm as well as its proximity to nature and water. It is a popular place to raise children apart from the rush of the city but still with access to ite supply and diversity. Stockholm is one of the fastest growing cities, where suburb transform into city at a steady pace. It is a challange for architects to make the local suburb area more dense and attractive.

12

STHLM:tomor[row] URBAN ROWHOUSING

Introvert and Extrovert Space A classical division of space would state that interior space is within the skin of the structure. Exterior space is space out in the fresh air.

The main concept of this project is the shift in the relationship between interior and exterior space.

Some space within the skin can be considered exterior, since they relate more to the outside than to the inside. Other space relates only to the interior.

Physical model, scale 1:200 146

STHLM: TOMOR(ROW)

Building envelope

‘Introvert’ space

Relates to inside

STHLM: TOMOR[ROW]

Physical model, scale 1:100

‘Extrovert’ space

147

Relates to outside

Conceptual model, unit organisation

148

STHLM: TOMOR(ROW)

STHLM: TOMOR(ROW) 149

Volume-Landscape approach

Elevation, North-East

Elevation, South-West

150

STHLM: TOMOR(ROW)

151

STHLM: TOMOR[ROW]

SITE PLAN

152

STHLM: TOMOR(ROW)

153

STHLM: TOMOR[ROW]

B

B 17

1

GARDE

2

WORK SEPAR

3

HALLW

4

KITCHE

5

WORK

6

LIBRAR

7

FAMILY

8

WASH ROOM

9

WC

10

ENTRA

11

GARAG

12

TV ROO

13

BATH

1

18

A

A

LEVEL 2

B 12 11

14

WC

15

BEDRO

16

BEDRO

B 17

ROOF GARDE

18

MASTE

16

1 13

A

14

10

A

15

LEVEL 1 (STREET LEVEL)

B

B 3

5

6

2 1

4

A

1:50

9 8

7

0

,5

1

2

0

1

2

4

A

1:100

LEVEL 0

meter

Floor plans 154

1:200 0

STHLM: TOMOR(ROW)

0

1

2

4

1 2

4

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2 4

8

0

5

10

8

10

1:400 20

1:500 20

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HALLWAY

1 4

GARDEN KITCHEN

2 5

WORK SPACE / SEPARATE BEDROOM

1

6 3

1 1 17

B

1

18

1

17

2

1

GARDEN

2

WORK SPACE / SEPARATE BEDROOM

3

HALLWAY

4

KITCHEN

5

WORK SPACE

6

LIBRARY

7

FAMILY SPACE

8

WASH ROOM

17

B

18

18

A

12 1 13

17

11

11

1 13

17 12

17 1

10 17

Section BB

18 1 (STREET LEVEL)

13

18 16

WC 16 ENTRANCE

18

11

GARAGE

14

TV ROOM 1 BATH 15 17 16 2 WC

15

BEDROOM 3

HALLWAY

16

18 B BEDROOM 4

KITCHEN

15

ROOF 5 GARDEN

15

7

A

18

3

1 1

5 17

1

1 8 18

1

2

12

1 16

5 4

3

13

12

14

15 13

9

14

1

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B

1 18

1

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1 1 13

2 Section AA 1

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1 5

18

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11 A

GARAGE

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TV ROOM

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ENTRANCE

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TV ROOM

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BATH

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WC 5

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MASTER BEDROOM B 17 4

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BEDROOM

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BEDROOM ROOF

9 GARDEN 7

A MASTER BEDROOM 1 2

A

18 16

B

1

GARDEN

2

WORK SPACE / 5 SEPARATE BEDROOM

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HALLWAY

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BEDROOM 15 14

4

KITCHEN

B5 17 15

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5

WORK SPACE

MASTER BEDROOM

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LIBRARY

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FAMILY SPACE

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8

WASH ROOM

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6

18

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5

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A B

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WC

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WC

A

8

BATH

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WASH ROOM

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ROOF GARDEN

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FAMILY SPACE

18

17

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BEDROOM 3

8

LIBRARY

BEDROOM

15

9

16

A

7

15

6 4

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14

BEDROOM

WORK SPACE

6

14 16 16 13

1813 17

15

15

A

ENTRANCE 15

13 12

TV ROOM

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WASH ROOM

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12

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LIBRARY

WC 7

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GARAGE

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KITCHEN

ENTRANCE

WORK SPACE B 17

615

8

15

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HALLWAY 16 KITCHEN

69

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HALLWAY

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BATH WORK SPACE13 / SEPARATE18 BEDROOM 14 WC

141

13

3

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BEDROOM SEPARATE16 3BEDROOM HALLWAY BATH B 17 ROOF B 4 3 HALLWAY WORK SPACE / KITCHEN 14 WC GARDEN SEPARATE A B BEDROOM 4 KITCHEN WORK SPACE 15 BEDROOM5 18 MASTER HALLWAY 1 GARDEN BEDROOM 5 WORK SPACE 16 BEDROOM 6 LIBRARY KITCHEN 2 WORK SPACE / ROOF B 17 SEPARATE BEDROOM 6 LIBRARY 7 FAMILY SPACE WORK SPACE GARDEN A A 3 HALLWAY 7 FAMILY SPACE 8 WASH 18 MASTERB BEDROOM LIBRARYA ROOM 4 KITCHEN 8 WASH ROOM FAMILY SPACE 9 WC 5 WORK SPACE GARDEN

B 12 13 TV ROOM BATH 3 14 HALLWAY WC 4 KITCHEN GARDEN B 13 A5 14 BATH WC 4 15 KITCHEN BEDROOM WORK SPACE A WORK SPACE / 14 BEDROOM 15 SEPARATE WC BEDROOM 5 16 WORK SPACE BEDROOM 6 LIBRARY 15 16 BEDROOM BEDROOM HALLWAY ROOF B 17 6 LIBRARY 7 FAMILY SPACE GARDEN 16 BEDROOM ROOF B 17 KITCHEN A 7 18 FAMILY SPACE GARDEN 8 WASH MASTER BEDROOM 17 ROOF A B SPACE WORK ROOM 8 BEDROOM WASH 18 GARDENMASTER ROOM 9 WC LIBRARY 18 MASTER BEDROOM 9 WC 10 ENTRANCE A FAMILY SPACE B 10 ENTRANCE 11 GARAGE WASH B A 11 ROOM GARAGE 12 TV ROOM A BATH

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STHLM: TOMOR(ROW)

STHLM: TOMOR[ROW] 157

Physical model, scale 1:20

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ROOF Birch plywood ribs 60x60mm Transverse beam along roof angle birch plywood 45mm Birch plywood panel 30mm Batten 18,5mm Weather-board 9mm Horizontal ribs 45x45mm Roof beam 200mm Vapour barrier Interior ceiling cladding white plaster board 13mm

FACADE Exterior cladding horizontal ribs birch plywood 60 x60mm Vertical batten birch plywood 45mm Birch plywood panel 15mm Air gap and plywood batten 34mm

ROOF Birch plywood ribs 60x60mm Transverse beam along roof angle birch plywood 45mm

Weather board 9mm Load-bearing facade exterior wall studs

Birch plywood panel 30mm

(insulated) 150mm

Batten 18,5mm

Vapour barrier

Weather-board 9mm

Horizontal wooden joists for

Horizontal ribs 45x45mm

Interior cladding

Roof beam 200mm

- ”Introvert space” - White plaster board 15 mm

Vapour barrier

- ”Extrovert space” - Birch plywood panel 15 mm

Interior ceiling cladding white plaster board 13mm

as in exterior wall

ROOF

CEILING

FACADE

Birch plywood ribs 60x60mm

Interior floor cladding on concrete foundation

Exterior cladding horizontal ribs

Transverse beam along roof angle birch plywood 45mm

- ”Introvert space” - Ash parquet 14mm

Birch plywood panel 30mm

- ”Extrovert space” - Slate plates 22mm

birch plywood 60 x60mm Vertical batten birch plywood 45mm

Batten 18,5mm FOUNDATION

Horizontal ribs 45x45mm

Concrete foundation slab-on-grade 150mm (350mm by edge)

Roof beam 200mm Hard insulation 2x50mm Vapour barrier Drainage 150 mm Moisture barrier 1mm

Weather board 9mm Load-bearing facade exterior wall studs (insulated) 150mm Vapour barrier Horizontal wooden joists for Interior cladding

STHLM: TOMOR[ROW]

Air gap and plywood batten 34mm

Weather-board 9mm

Interior ceiling cladding white plaster board 13mm

Birch plywood panel 15mm

FACADE

- ”Extrovert space” - Birch plywood panel 15 mm as in exterior wall

Exterior cladding horizontal ribs birch plywood 60 x60mm Vertical batten birch plywood 45mm CEILING Birch plywood panel 15mm Interior floor cladding on concrete foundation Air gap and plywood batten 34mm - ”Introvert space” - Ash parquet 14mm

159

- ”Introvert space” - White plaster board 15 mm

professional work

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GOLDEN AFTERNOON Austin. TX

team URBAN MATTER INC. (Shagun Singh, Rick Lin) + Marija Nikolovski, Aaron Campdate

bell, Sara Bayer, Danielle Christophe) May 2016

Golden Afternoon is the first large scale permanent interactive installation in the City of Austin’s Public Art Collection. The installation mimics a hanging garden that has overgrown from the flower beds on the ground level, down the open stairwell, and is making its way into the parking lot. This hanging garden evokes a sense of fantasy because of its gigantic reflective flowers and illuminated fields. It responds to people walking up and down the stairs by sending light through this natural surreal ecosystem.

The stairs mimic the rabbit hole of the fantasy novel Alice in Wonderland, and the piece aspires to create a sense of wonder and delight akin to being in fantasy or wonderland. The forms used in the artwork are primarily based on the floral geometries of the Prairie Nymph and the Indian Blanket, which are wildflowers popular in Texas.

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golden afternoon

PERMANENT ART INSTALLATION

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GOLDEN AFTERNOON

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GOLDEN AFTERNOON

THE AMERICANS

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critic NELL CAMPBELL date Santa Barbara Art’s Fund Student Art’s Mentorship SP06 This project is a glace at American culture and the realities less known and the roads less travelled by. The title is a nod to Robert Frank’s post-war classic where he travelled through the United States and with a distanced view captured both high and low strata of American society. The Santa Barbara Teen Arts Mentorship Program is a 20-year-old program that was initiated with a 3-year grant through the James Irvine Foundation.

This arts enrichment program has offered promising teenage artists the unique opportunity to work closely with professional master artists in a studio environment. Working in small groups, students spend 10-12 weeks producing a portfolio of work to be exhibited and sold in The Arts Fund Community Gallery or performed in a public venue. Beyond acquiring specific art-making skills and exhibition or performance experience, students are introduced to the aesthetic styles and career choices of artists in their communities. The master artists become role models and references for students as they consider advanced studies in the arts.

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the americans ART MENTORSHIP

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THE AMERICANS

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THE AMERICANS

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THE AMERICANS

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THE AMERICANS

Our proposal to redesign the Warsaw Rotunda enwreathes the existing structure in a pleated Dupont Corian Terra canopy that provides a space for events, exhibitions, and performances. The Rotunda facade and roof is reclad in Dupont SentryGlas to house a rain garden of native Polish vegetation that can absorb stormwater from the surrounding hardscape.

The space can be reserved for special celebrations like weddings and parties and to house exhibitions and installations. Rainwater filters through the center of the new powdercoated steel center column into a reservoir for plant irrigation. The underside of the canopy becomes a reflective canvas that can be uplit to create a dramatic light show.

An elevated outdoor amphitheater provides a space for public gatherings and performances as well as a connection to an indoor mezzanine. The Polish climate is highly favorable for solar energy harvesting, and the country is a leader in the production of solar collectors. The faceted panels on the expansive canopy roof are laminated with thin film photovoltaic cells using Dupont encapsulants and resins to power events within the space. The plaza surface is configured as concentric rings.

The outermost band is a reflective Corian surface that mirrors the underside of the canopy. The middle band is a gravel and planting swath held in place by Dupont Plantex that enables groundwater runoff to be funneled into the reservoir. The inner ring is a pool of water that reflects the new facade of the Rotunda.

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PLAK MACU Warsaw, POL

critic BARKER FREEMAN DESIGN OFFICE date SU13 team + Alexandra Barker, Adrien Allred, Megan Hurford, Dan Hoch The form of the canopy is intended to recall both the Polish tradition of wycinaki, or intricate paper cutting, as well as the petals of the corn poppy, the national flower of Poland and a symbol of the heroism of Polish soldiers fighting in World War II and of Independence Day marking the end of World War I.

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plak macu

changing the face competition

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B1

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Section AA

Section BB

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PLAK MACU

Our proposal for the design of multi-family housing in Marfa, Texas, consists of three rammed earth dwellings that are integrated into the landscape. We are proposing to combine local building techniques with a formal language which alludes to the carved rock formations and smooth transitions found in the indigenous landscape of the Chihuahuan desert.

The primary building material is rammed earth, a natural raw material used since ancient times as a sustainable building method. The walls are simple to construct, noncombustible, strong, and durable, and provide heat-absorbing thermal mass.

The natural hues and layered variations of the compacted earth walls, meanwhile, bring visual warmth and texture to the open-plan interiors of the units.

The site topography draws on the geological and topological conditions of the desert. Parametric tools were used to create undulating surface contours and unit subdivisions. These operations generate vertical variation, allowing structures to become embedded into the groundplane to take advantage of the cooling properties of the thermal mass of the earth and creating a dynamic public space within the housing block. The central plaza steps down from the dwelling units at the perimeter to form an informal outdoor amphitheater for gatherings, presentations, and exhibitions. Striations of succulents interrupt the paved areas. At the north end, the contoured levels merge with the surrounding groundplane and frame views of the landscape beyond the town limits.

There are three dwelling sizes designed for three different demographic groups of the area – One bedroom units for artist’s studios and student housing (500 square feet), two bedroom units for professionals and smaller families (1000 square feet) and three bedroom units for larger families, for example those of border control employees (1500 square feet).

Entry into the units was designed as an inwardly projecting stoop that creates a shaded exterior space facing the public plaza and which leads to a sculptural skylight that illuminates the front door from above. Living spaces are raised a half-story above the entry and overlook the plaza through large shaded windows, while bedroom spaces in the larger units are accessed through internal stairs leading down to the lower level. The master suites are located toward the rear and open out into private yards in the internal courtyard. The courtyard is spanned by radial steel struts that funnel rainwater toward a central cistern.

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re:MARFA Marfa, TX

critic BARKER FREEMAN DESIGN OFFICE date SU14 team + Alexandra Barker, Adrien Allred, Christina Ostermier, Megan Hurford, Ryan Griffin

re:Marfa

MULTI-FAMILY HOUSING

Circulation

188

Program

MARFA HOUSING

Units

189

MARFA HOUSING

3

1 4

5

2

2FL 1 2 3 4 5

Bedroom 1 Bedroom 2 Master bedrrom Master bathroom Bathroom

8

7 3 4

6

2

6 5 1FL 1 2

Entrance Living room

5 6 7

Bathroom Storage Backyard

3 4

8

Kitchen Dining

Parking

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MARFA HOUSING

1

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MARFA HOUSING

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MARFA HOUSING

CONTACT www.ulrikalindell.com

(+1) 347.781.0589 / (+46) 70.236.33.61 lindell.ulrika@gmail.com

EDUCATION

PRATT INSTITUTE GAUD++

Brooklyn, NY

Master of Architecture, 2015 Graduated with Distinction

KTH SCHOOL OF ARCHITECTURE Royal Institute of Technology, Stockholm

Bachelor of Science in the Field of Architecture, B.S. Arch, 2012

LANGUAGE KNOWLEDGE

Native proficiency SWEDISH Professional working proficency ENGLISH

PUBLICATION

Featured in Pratt Institute’s INPROCESS 20: Design Studio IV: Erich Schoenenberger

2015

Computer Aided Construction: Brian Ringley Digital Design Exercises For Architecture Students,

Edited by Jason S. Johnson, Joshua Vermillion, Manufacturing in Architecture Featured in Pratt Institute’s INPROCESS 19: 2014 Design Studio I: Alexandra Barker Design Studio II: Maria Sieira (Expected) (2016) TxA Emerging Design Technology Session plyABILITY: New Parametric Models for Laminate Composite Material (Publication from conference) Featured in Pratt Institute’s INPROCESS 21: Design Studio V: Hina Jamelle, Design Studio VI: Henry Smith-Miller Parametric Systems: Robert Cervellione, Design Finesse: Ferda Kolatan

SKILLS AutoCAD Rhinoceros Maya Sketchup

VRay Mental Ray Maxwell Keyshot

Grasshopper Paneling Tools CNC milling RhinoCAM

Adobe CS Microsoft Office Model making Photography

ACADEMIC EXPERIENCE

Visiting Assistant Professor, Digital Instructor Studio: +Erich Schoenenberger, CAP Studio M.Arch

+David Ruy, Urban Design M.S.Arch Pratt Institute GAUD++, Brooklyn, NY January 2016 - (Present)

Digital Instructor assisting graduate level Comprehensive Architectural Project (CAP) design studio and UD Culmination Project.

Graduate Teaching Assistant: CAP Studio Studio: Alexandra Barker

Pratt Institute GAUD++, Brooklyn, NY January 2015 - May 2015

Instruction Assistant of graduate level Comprehensive Architectural Project (CAP) design studio.

Graduate Teaching Assistant: 1st Semester Studio Studio: Alexandra Barker Pratt Institute GAUD++, Brooklyn, NY

September 2013 - December 2013, September 2014 - December 2014 Instruction Assistant of graduate level first semester design studio.

Graduate Research Assistant Professor: Meredith TenHoor

Pratt Institute GAUD++, Brooklyn, NY January 2014 - May 2014 History/theory research assistant for the coordinator of undergraduate level history theory curriculum.

AWARDS AND GRANTS 2015 2012 -2015 2015 2014 2014 2013 2013 2013 2012 2012

2012

American Institute of Architects Henry Adams Award Pratt Institute Annual Merit-Based Scholarship Estrid Ericson Foundation Helge Ax:son Johnson’s Foundation Ansgarius’ Foundation Ingeborg och Henric Backstrom’s Fund Karlstad Municipality, Unknown Donor Helge Ax:son Johnson’s Foundation Wahlback’s Foundation, KTH Royal Institute of Technology Royal Swedish Academy of Arts, Anders Mortner’s Architect Fund Ansgarius’ Foundation

résumé

ULRIKA LINDELL

PROFESSIONAL EXPERIENCE

su11 ARCHITECTURE + DESIGN | October 2015 - August 2016

Brooklyn, NY

Junior Architectural Designer - Architectural design work in all project phases.

I worked closely with su11’s founding partners, Erich Schoenenberger and Ferda Kolatan, in producing initial design concepts, drawing sets, 3d models, graphic representations etc for multiple of the office’s on-going projecs. I worked mainly on four projects - a rooftop penthouse villa on the Upper West Side (Initial schematic design), a beach house villa in the Hamptons (Design

development, Construction drawings), a hotel concept and rebranding for hotels in Scandinavia and the Baltics (Schematic design), and the interior of an apartment in the Meatpacking district (Schematic design, Design Development).

CONTEMPORARY ARCHITECTURE PRACTICE | July - Sept 2015 Shanghai, China

Project Lead - I worked with the interior design for differnet lounge spaces in Huawei telecommunications headquarters. I also worked as part of the team that designed, made construction documents, curated and coordinated the exhibition ‘Chinese Architecture Practice’ which opened in Beijing, China in

September 2015. Furthermore I also worked with a Chinese city masterplan as well as conceptual work.

BARKER FREEMAN DESIGN OFFICE | July 2013 - August 2014

Brooklyn, NY

Intern Architect - I worked with Principal Alexandra Barker on proposals for two international design competitions, the 2013 Changing the Face competition and the 2014 Design Marfa Housing Competition. For both competitions I worked both in the early stages of the design phase as well as the later presentation phase.

AIX ARKITEKTER | June 2013 - July 2013

Stockholm, Sweden Intern Architect - Assist in the design of projects, selecting material finishes, creation of drawing sets, work on presentation materials and graphic representation.

ACKERT ARCHITECTURE | June 2013 - July 2013

New York, NY Intern Architect - Assist in the design of projects, selecting material finishes, work on presentation materials and graphic representation as well as modelmaking.

CARLSTEDT ARKITEKTER | June 2008 - July 2009

Stockholm, Sweden Office assistant - Assist in the design of projects, selecting material finishes, creation of drawing sets, work on presentation materials and graphic representation.

PROFESSIONAL COLLABORATIONS

URBAN MATTER INC | June 2008 - July 2009

Brooklyn, New York Design consultant - Schematic design and design development on a

permanent art installation in Austin, TX with a focus on digital assis-

tance. The piece was installed in May 2015.

SELECTED WORKS

ulrika lindell