August–November 2025

AUGUST–NOVEMBER 2025

WELCOME

We are delighted to share our final release for 2025, with thirteen new concerts.

As we celebrate our 10th anniversary in August, we’ve been reflecting on the many wonderful artists who have performed at UKARIA and how we have come to know them.

James Crabb curated UKARIA 24 in 2017 and later that same year, Anthony Marwood gave his first performance for us. In the ensuing years, they have become special friends, returning many times. They have since formed a duo and their recent performance at Wigmore Hall in London received a five-star review in The Times. In September they will be in residence at UKARIA inspiring nextgeneration artists from the Australian National Academy of Music (ANAM).

We first heard the outstanding German cellist Daniel Müller-Schott at Schubertiade in Hohenems, Austria in 2017. He gave a marvellous performance of the Archduke Piano Trio with Julia Fischer and Herbert Schuch.

Since then, he has become one of the most in-demand cellists in the world, so we are immensely grateful that he rearranged his tour to Australia and New Zealand to include a recital for us with Konstantin Shamray.

The richness of our season is dependent on strong relationships with our presenting partners, and as we all try to reduce our carbon footprint, it’s imperative that we continue to

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collaborate and share artists. Our thanks to Hayllar Music Tours and Daniel de Borah for Cuarteto Quiroga, one of the most dynamic and unique string quartets of its generation, visiting Australia for the first time from Spain; and to the Australian Festival of Chamber Music for enabling us to present the great British clarinettist Michael Collins MBE with the Australian String Quartet.

We’ve also been reflecting on the importance of expanding our sound world and hope you will join us for Where Everything is Music – the coming together of Persian music from Afghanistan and Western Baroque. Being open to new ideas and enabling artists such as Iain Grandage to tell new stories through the unique voices he brings to our stage remains a vital part of our program.

There is much to explore in our new season, and we look forward to sharing every one of these concerts with you.

Ulrike Klein AO Founder

Alison Beare CEO

Photo: Randy Larcombe

CALENDAR

Sunday 10 August

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Michael Collins Australian String Quartet

Sunday 7 September

Deline Briscoe Iain Grandage

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Li-Wei Qin Konstantin Shamray

10

Diana Doherty Bernadette Harvey

CONCERT CANCELLED

Sunday 17 August

Sunday 14 September

10th Anniversary Celebration SOLD OUT

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Anthony Marwood James Crabb

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Sunday 28 September Van Diemen’s Band Ensemble Kaboul

Friday 22–Sunday 24 August

Sunday 21 September

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Quartet from Melbourne Chamber Orchestra Andrea Lam

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Sunday 5 October Cuarteto Quiroga

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AUGUST–NOVEMBER 2025

Sunday 12 October

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Friday 31 October–

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Sunday 2 November

Benjamin Grosvenor

Grace Barbé Iain Grandage

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Sunday 23 November Kristian Winther Konstantin Shamray

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Daniel Müller-Schott Konstantin Shamray

Chamberfest Curated by Brooklyn Rider

Saturday 15 November

Sunday 9 November

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Sunday 30 November

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Momentum Ensemble Timo-Veikko Valve

UKARIA honours our First Nations by fostering a shared sense of respect for this land, and we acknowledge and pay our respects to the Peramangk, traditional custodians of the land on which the Cultural Centre stands.

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MICHAEL COLLINS WITH THE AUSTRALIAN STRING QUARTET SUNDAY 10 AUGUST 2.30PM The Australian String Quartet joins forces with esteemed British clarinettist and conductor Michael Collins MBE for an exploration of alchemical mysteries. Elizabethan England was transfixed by the idea that base metals could be transformed into gold, when exposed to the correct processes.

Celebrated British composer Thomas Adès took on this Tudor obsession: his Alchymia for clarinet and string quartet moulds four movements from raw musical and literary material – Shakespeare’s The Tempest, a song by William Byrd, a Dowland lute lamentation and a startling London streetscene cameo from Alban Berg’s opera Lulu.

As a programmed interlude during this melding of instrumental metals, the first half ends with Erich Korngold’s String Quartet No. 2. Written in 1933, just before Korngold departed Vienna for Hollywood (where he would go on to score sixteen films and be nominated for two Oscars), the second quartet is a work on the brink of change, a quartet with its feet in a world of Viennese late-romanticism, yet with glimmers of the sensuous Hollywood glow that was to come.

In the second half of the program, we return to the particular metallurgy of the opening: Michael Collins rejoins the ASQ to star in Mozart’s beloved Clarinet Quintet. The Quintet, written for clarinettist Anton Stadler, melds brilliance with intimacy in four movements of lyricism and contrast. Indeed, Mozart’s Clarinet Quintet showcases the ultimate musical alchemy: as a contemporary marvelled of Stadler, ‘Never should I have thought that a clarinet could be capable of imitating a human voice so deceptively.’

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($16) Complimentary afternoon tea will be served during the interval.

This will be Michael Collins’ first appearance at UKARIA. ASQ first performed at UKARIA on 29 August 2015.

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Michael Collins | Clarinet Dale Barltrop | Violin Francesca Hiew | Violin Chris Cartlidge | Viola Michael Dahlenburg | Cello Thomas Adès Alchymia for Clarinet Quintet Erich Wolfgang Korngold String Quartet No. 2 in E flat, Op. 26 Wolfgang Amadeus Mozart Clarinet Quintet in A, K. 581

Photo: Benjamin Ealovega

Photo: Hans Goh

LI-WEI QIN WITH KONSTANTIN SHAMRAY SUNDAY 17 AUGUST 2.30PM The nineteenth century ushered in a golden era for the cello, during which it was no longer consigned to a supportive continuo role.

Composers from Beethoven to Brahms shone a spotlight on the unique voice of this instrument, its timbre and versatility. In this program, Li-Wei Qin and Konstantin Shamray – longtime friends of UKARIA and formidable soloists and chamber musicians – showcase the work of three composers who loved the cello and wrote for it in various formats throughout their careers: Schumann, Brahms and Rachmaninov.

Robert Schumann’s Fantasiestücke, Op. 73 – originally composed for clarinet and piano, but arranged by the composer for cello and piano – are three character pieces that demonstrate the cello’s flexibility: at once tender, tumultuous, singing, these short movements demand a characteristically Schumann-esque level of dexterity and subtlety from both cellist and pianist.

Li-Wei Qin | Cello Konstantin Shamray | Piano Robert Schumann Fantasiestücke, Op. 73 Johannes Brahms Cello Sonata No. 1 in E minor, Op. 38 Sergei Rachmaninov Cello Sonata in G minor, Op. 19

Brahms, who had studied the cello as a young man, professed a love for the instrument throughout his career. His first sonata for cello and piano – written when Brahms was not quite thirty – sees a composer self-consciously positioning himself as the heir to his musical heroes: the third movement clearly references Bach’s Art of Fugue, while the first and second movements bear traces of Beethoven, Mozart and Schubert’s influence.

Unlike Brahms’ youthful effort, Sergei Rachmaninov’s Cello Sonata in G minor, Op. 19 was the last piece of chamber music the composer ever penned. Written in the shadow of Rachmaninov’s monumental second piano concerto, and dedicated to the famed virtuoso cellist Anatoliy Brandukov, the Sonata is a formidable work, by turns brooding and tempestuous. Its orchestral scale and supreme virtuosity demand everything of its performers – and can find no better exponents than Li-Wei Qin and Konstantin Shamray.

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($16) Complimentary afternoon tea will be served during the interval.

Li-Wei Qin first performed at UKARIA on 13 February 2022.

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DIANA DOHERTY AND BERNADETTE HARVEY SUNDAY 7 SEPTEMBER 2.30PM Diana Doherty describes her very personal program: To friendship – From the first piece in the first recital we ever played together to a brand-new piece to leave to future generations, this program charts more than two decades of a partnership very dear to me. ‘Beep’ (as I call her) and ‘Dees’ (as she calls me) bonded from day one over music, motherhood, and the rollercoaster of life to form what has become a deeply satisfying artistic collaboration and a treasured friendship.

Adagio and Allegro, Op. 70, was the opening piece in our first concert together in January 2001. Borrowed from the horn repertoire, this example of Schumann’s more passionate side (the alter ego Florestan) always felt more instinctive to me than the reflective and deceptively simple Romances (more Eusebius) that he wrote for the oboe itself. How lucky we are that he wrote for oboe at all! We just had to include him.

Two songs, neither originally for oboe but both absolute gems, underpin the beauty of a moment in time and an opportunity to ponder. Bernadette has known Kevin Puts from her student days and it is thanks to her friendship with him that we have permission to adapt this violin Aria for oboe.

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The Vocalise-Étude, originally for voice, was an early work by Messiaen that legendary oboist Heinz Holliger convinced the composer much later in his life to expand into a major work for four soloists and orchestra.

This became the Concert a Quatre which Bernadette and I were fortunate to perform together in Perth in 2011.

Tim Dargaville’s In the Spirit House was the first piece written for us as a duo. A longtime friend of his and champion of his work, Bernadette commissioned this piece and we have always loved playing it together. It allows us to explore a large range of expression throughout the work, which further highlights how important it is to have challenging, satisfying Australian works to perform in this context.

Last – but absolutely not least – the new Sonata by Nigel Westlake. How lucky are we!? It is a dream come true for me personally, a celebration of another deeply enriching artistic collaboration and personal friendship, and an offering to all future oboists. May they relish the journey and find their Beep.

Photo: Christie Brewster

Diana Doherty | Oboe Bernadette Harvey | Piano Robert Schumann Adagio and Allegro, Op. 70 Kevin Puts Aria Olivier Messiaen Vocalise-Étude Tim Dargaville In the Spirit House Robert Schumann Three Romances for Oboe and Piano, Op. 94 Nigel Westlake Sonata for Oboe and Piano (world premiere) Commissioned by UKARIA for Diana Doherty thanks to the generosity of commissioning partners Gillian Eldershaw and Andrew and Renata Kaldor.

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($16) Complimentary afternoon tea will be served during the interval.

Diana Doherty and Bernadette Harvey first performed at UKARIA on 5 August 2018.

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ANTHONY MARWOOD AND JAMES CRABB SUNDAY 14 SEPTEMBER 2.30PM Internationally acclaimed soloists and renowned duo partners Anthony Marwood and James Crabb are no strangers to UKARIA: their imagination, virtuosity and generous musicianship have long cast a spell in the venue’s intimate space. In this program, the duo is joined by frequent collaborator and double bassist Rohan Dasika (Melbourne Symphony Orchestra), as well as a string quartet of next-generation talent from the Australian National Academy of Music (ANAM), to present a program that speaks to their unique musical partnership and interests.

The afternoon’s musical itinerary sallies forth from Scottish folk song to a Haydn double concerto, from music by the renowned contemporary British composer Sally Beamish, to Vaughan Williams’ The Lark Ascending as you have never heard it before.

Join us for a memorable collaboration and the latest chapter in Anthony Marwood and James Crabb’s long friendship with UKARIA.

Anthony Marwood | Violin James Crabb | Classical Accordion Rohan Dasika | Double Bass ANAM String Quartet Sola Hughes | Violin Olivia Bartlett | Violin Jamie Miles | Viola Ariel Volovelsky | Cello

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($16) Complimentary afternoon tea will be served during the interval.

Anthony Marwood first performed at UKARIA on 3 December 2017. James Crabb first performed at UKARIA on 25 August 2017, as curator of UKARIA 24.

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Joseph Haydn Double Concerto in F, Hob. XVIII:6 Ralph Vaughan Williams The Lark Ascending Set of Traditional Scottish Pieces (arr. for violin, classical accordion and strings

by James Crabb) Friedemann Stickle Da Trowie Burn James Scott Skinner Ossian Neil Gow Lament for the Death of his Second Wife Traditional Struan Robertson’s Rant / Cuckold Come Out of the Amrey Sally Beamish Seavaigers (revised 2022; arr. James Crabb)

Photo: Pia Johnson

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QUARTET FROM MELBOURNE CHAMBER ORCHESTRA WITH ANDREA LAM SUNDAY 21 SEPTEMBER 2.30PM Friendship and conversation is at the heart of chamber music – as is evidenced in the sensitive musicianship of the Melbourne Chamber Orchestra. In this program, MCO Artistic Director Sophie Rowell leads a quartet of the Orchestra’s players in a program that showcases the variety and versatility of chamber works for strings and piano. They are joined in their musical exploration by internationally lauded pianist and renowned chamber musician Andrea Lam. Beginning with Schubert’s first completed foray into music for piano and string ensemble, the program also investigates newer sound worlds: a new commission for string quartet by Noongar composer and violist Aaron Wyatt dialogues with Paul Stanhope’s 2010 work for violin and piano Agnus Dei (after the fire). The afternoon ends with all musicians together on stage, sharing in the exhilaration, lyricism and fireworks of one of the most beloved chamber works of all: Dvořák’s epic Piano Quintet No. 2 in A.

Quartet from Melbourne Chamber Orchestra Sophie Rowell | Artistic Director / Violin Miki Tsunoda | Violin Merewyn Bramble | Viola Blair Harris | Cello Andrea Lam | Piano Franz Schubert Adagio e Rondo concertante in F for Piano Quartet, D. 487 Aaron Wyatt Under the Canopy (commissioned by MCO) Paul Stanhope Agnus Dei (after the fire) for Violin and Piano Antonín Dvořák Piano Quintet No. 2 in A, Op. 81

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

Sophie Rowell first performed at UKARIA on 15 April 2018.

Andrea Lam first performed at UKARIA on 6 February 2022.

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Photo: Laura Manariti

DELINE BRISCOE WITH IAIN GRANDAGE CONCERT CANCELLED Deline Briscoe is a Yalanji woman of song whose roots are planted deep in both Yalanji culture and gospel traditions. Over two decades, she has shared stages with many artists loved both here at UKARIA and around the globe – artists like Archie Roach, Lou Bennett, Paul Kelly, Shane Howard and Emma Donovan.

Her songs and stories mix Yalanji Wawubarri singing, gospel conviction and bluesy grit, evoking her family’s histories in the Daintree Region of Far North Queensland as well as Palm Island.

So it is a thrill to have her joined for this special presentation not only by her long-time collaborator, percussionist Airileke Ingram, but also by Aurora Vocal Ensemble, whose extraordinarily versatile vocal artistry will shine in all-new arrangements we have developed together.

Deline is one of the warmest and most generous humans I have ever had the privilege of making music with. You will, like all who come in contact with her, fall in love with her shining presence and exquisite voice.

– Iain Grandage This concert is generously supported by

TICKETS Adult $75 | Concession $70 Duration | Two hours, including interval Pre-concert dining option | Antipasti platter (from $32; serves two) This will be Deline Briscoe’s first appearance at UKARIA.

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Deline Briscoe | Voice / Guitar Airileke Ingram | Percussion Iain Grandage | Cello / Piano Aurora Vocal Ensemble Directed by Christie Anderson

Photo: Redhanded Media

Photo: Moorilla Gallery

VAN DIEMEN’S BAND AND ENSEMBLE KABOUL WHERE EVERYTHING IS MUSIC SUNDAY 28 SEPTEMBER 2.30PM Lutruwitan/Tasmanian Baroque ensemble Van Diemen’s Band invites listeners to experience a stunning blend of two distinct musical worlds: the Persian music of Afghanistan and Western Baroque. Created for MONA FOMA 2023 and performed to sold-out venues, this cross-cultural collaboration with Ensemble Kaboul features musicians Khaled Arman (rubab) and Siar Hashimi (tablā and vocals). Embodying artistry and advocacy, this performance preserves and celebrates musical traditions that Afghanistan’s current regime is attempting to silence.

Immerse yourself in the warm, resonant tones of Van Diemen’s Band’s period instruments as they interweave with the intricate melodic patterns of traditional Afghan and Persian music, while soaring vocals merge with the ethereal late-nineteenthcentury piano compositions of Erik Satie, reimagined for this unique ensemble. Traditional Persian compositions have been harmoniously arranged for this blended instrumentation, and Western classical pieces were selected for their fluid, contemplative style, creating a seamless interplay between Central Asian and European musical traditions.

Van Diemen’s Band Julia Fredersdorff | Artistic Director / Baroque Violin Rachel Meyers | Viola Laura Vaughan | Viola da Gamba / Violone Martin Penicka | Cello Donald Nicolson | Harpsichord Luke Plumb | Mandolin Members of Ensemble Kaboul Khaled Arman | Rubab (Afghan lute) Siar Hashimi | Vocals / Tablā / Percussion Masud Hashimi | Zerbaghali / Percussion

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

Van Diemen’s Band first performed at UKARIA on 24 March 2019.

This will be Ensemble Kaboul’s first appearance at UKARIA. 19

CUARTETO QUIROGA SUNDAY 5 OCTOBER 2.30PM The ‘exquisite’ and ‘interpretatively fresh’ (New York Times) Cuarteto Quiroga celebrated its twentieth anniversary in 2023 and now makes its UKARIA debut. The quartet has become a staple of the European and North American chamber music landscape and is renowned for its distinctive musical personality and charismatic music-making.

Cuarteto Quiroga’s extensive discography spans Haydn to Kurtág, and its members are passionate advocates for contemporary string quartet repertoire, regularly collaborating with celebrated composers such as Jörg Widmann and Peter Eötvös. Cuarteto Quiroga’s players speak of their fascination with the string quartet repertoire as a response to music that ‘combines audacity, intelligence, wit and poetry, where the greatest composers, since 1760 until our time, have poured their most bold, experimental, honest and intimate musical discourses.’

This concert, featuring three markedly different string quartets, showcases the genre as a source of compositional inspiration, from Austria to Argentina. Mozart’s String Quartet No. 16 in E flat, K. 428, sees a brilliant young voice paying homage to his friend and mentor Haydn, in a work that mixes harmonic adventures in chromaticism with agile humour and frank expression. Argentinian composer Alberto Ginastera’s first string quartet presents a shocking contrast: composed in 1948 at an artistic turning point in Ginastera’s career, the quartet erupts into being with a first movement allegro violento ed agitator, its ferocity and folk rhythms nodding to both Bartók’s influence and Argentinian musical traditions. The program ends with Brahms’ revered String Quartet in A minor, Op. 51 – a chance to hear one of the great string quartets interpreted by one of the great string quartets at work today.

Aitor Hevia | Violin Cibrán Sierra | Violin Josep Puchades | Viola Helena Poggio | Cello Wolfgang Amadeus Mozart String Quartet No. 16 in E flat, K. 428 Alberto Ginastera String Quartet No. 1, Op. 20 Johannes Brahms String Quartet No. 2 in A minor, Op. 51

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

This will be Cuarteto Quiroga’s first appearance at UKARIA.

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Photo: Igor Studio

BENJAMIN GROSVENOR SUNDAY 12 OCTOBER 2.30PM British pianist Benjamin Grosvenor is an international sensation, heralded as a ‘genius who has reached the height of his interpretative powers’ (The Spectator). The youngest British musician ever signed as a Decca Classics recording artist, Grosvenor has performed with (among others) the Boston Symphony, Chicago Symphony, Leipzig Gewandhausorchester, London Philharmonic Orchestra and is a regular soloist at the BBC Proms. As a recitalist he has concertised everywhere from Carnegie Hall to Wigmore Hall, and in 2024 premiered Brett Dean’s Hommage à Liszt.

Renowned for both his virtuosity and poetic sensitivity, Grosvenor makes his much-anticipated UKARIA debut in this recital featuring three giants of the solo piano repertoire. Beginning with a sonata that flummoxed Schumann – Frédéric Chopin’s ambitious and conventiondefying Piano Sonata No. 2 in B-flat minor, Op. 35 – Grosvenor will then delve into the world of literary-adjacent music. Ravel’s 1908 work Gaspard de la nuit takes three poems – Ondine, Le gibet, and Scarbo – from Aloysius Bertrand’s collection of the same name and transforms them into three darkly atmospheric movements of fiendish difficulty.

The result is a suite that the legendary pianist Alfred Cortot described as ‘one of the most extraordinary examples of instrumental ingenuity ever produced.’ To close the program, Grosvenor presents Modest Mussorgsky’s beloved Pictures at an Exhibition in its original 1874 version for solo piano. Dedicated to the composer’s deceased friend, the artist and architect Viktor Hartmann, the ten-piece suite mimics the experience of touring an exhibition of Hartmann’s work at the Imperial Academy of Arts in St Petersburg, each colourful miniature inspired by a painting.

Frédéric Chopin Piano Sonata No. 2 in B flat minor, Op. 35 Maurice Ravel Gaspard de la nuit Modest Mussorgsky Pictures at an Exhibition

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

This will be Benjamin Grosvenor’s first appearance at UKARIA.

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Photo: Kaupo Kikkas

CURATED BY BROOKLYN RIDER FRIDAY 31 OCTOBER–SUNDAY 2 NOVEMBER Warm greetings from your Brooklyn Rider friends. We had a deeply memorable visit in February of 2024, inspired by the beauty of this land, the incredible shrine to music which is UKARIA, and the absolutely lovely audiences. So, we were delighted to be asked to curate Chamberfest 25!

This platform of five concerts is especially exciting to us because it gives us a chance to share a range of our many interests, and at an auspicious time; we are celebrating twenty years together this 2025/26 season! For one, we love taking a wide lens to the beautiful historic string quartet tradition – so you will hear core repertory works from Haydn, Beethoven, Bach, and Schoenberg. But also a diverse range of topical works from our lifetime, many of which are recent Brooklyn Rider commissions (and including numerous works by Australian composers). We also seek to convene conversations through the programmatic enterprise.

So – we take a lens to democracy and citizenship, we visit the unique pre-WW1 world of Der Blaue Reiter (our namesake), and we celebrate healing and music in a special Saturday evening musical meditation.

Last, but not least, we also thrive on collaborations! So we have invited some amazing friends including the riveting soprano Ariadne Greif and Australian-born dancers Melissa Toogood and Fiona Jopp. Lastly, we are so excited to work with a young string quartet from the Australian National Academy of Music (ANAM) for a romp of a finale, ending with a fiery trip to the sun!

See you in October, Brooklyn Rider Johnny Gandelsman, Colin Jacobsen, Nicholas Cords and Michael Nicolas

TICKETS Weekend Package | Five concerts, access to reserved seating zone, two meals Adult $450 | Concession $430 Concerts Only Package | Five concerts, access to reserved seating zone Adult $320 | Concession $300 Single Tickets | Adult from $70 | Concession from $65 | Student from $30 Brooklyn Rider first performed at UKARIA on 24 February 2024.

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Photo: Marco Giannavola

Brooklyn Rider | String Quartet and Curator Ariadne Greif | Soprano Melissa Toogood | Dancer and Choreographer Fiona Jopp | Dancer and Collaborator ANAM String Quartet Olivia Kowalik | Violin Jasmine Milton | Violin Hanna Wallace | Viola Max Zhenxiang Wung | Cello CONCERT ONE | CITIZENSHIP NOTES FRIDAY 31 OCTOBER 7.30PM CONCERT TWO | CHALK AND SOOT SATURDAY 1 NOVEMBER 4.00PM CONCERT THREE | HEALING MODES SATURDAY 1 NOVEMBER 8.00PM CONCERT FOUR | MORNING DANCES SUNDAY 2 NOVEMBER 11.30AM CONCERT FIVE | EVER YOURS SUNDAY 2 NOVEMBER 2.30PM

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DANIEL MÜLLER-SCHOTT WITH KONSTANTIN SHAMRAY SUNDAY 9 NOVEMBER 2.30PM Daniel Müller-Schott is one of the pre-eminent cellists at work today, decreed ‘a fearless cellist with technique to burn’ (New York Times).

His celebrated career began after winning the Tchaikovsky competition at age fifteen, and has seen him become a regular soloist with all the major symphony orchestras in Europe and the United States, including the Philharmonics of Berlin, London and New York.

Müller-Schott’s extensive and critically acclaimed discography covers a broad and varied repertoire, and points to a commitment to working with composer contemporaries. In addition to his concerto and recital performances, Müller-Schott is a passionate chamber musician: a regular guest on the international festival circuit, he directs his own annual festival in Vevey and counts Janine Jansen, Anne-Sophie Mutter and Renaud Capuçon among his regular chamber music collaborators.

For this recital Müller-Schott is joined by Russian-Australian piano virtuoso Konstantin Shamray for a program that conveys the depth and breadth of the cello and piano repertoire. Bach’s characterful Suite No. 3 in C for solo cello is followed by a dramatic shift in gear: Shostakovich’s unexpectedly neo-classical Cello Sonata, rich with sensuous lyricism that recalls Shostakovich the young silent-film composer. By contrast, Brahms’ monumental second Sonata for cello and piano showcases the work of a mature composer at the height of his powers, and proves a fitting end to a recital that showcases MüllerSchott’s wide-ranging virtuosity.

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

This will be Daniel Müller-Schott’s first appearance at UKARIA. 26

Daniel Müller-Schott | Cello Konstantin Shamray | Piano Johann Sebastian Bach Cello Suite No. 3 in C, BWV 1009 Dmitri Shostakovich Cello Sonata in D minor, Op. 40 Johannes Brahms Cello Sonata No. 2 in F, Op. 99

Photo: Uwe Arens

Photo: Tracy Catherine Frawley

GRACE BARBÉ WITH IAIN GRANDAGE SATURDAY 15 NOVEMBER 7.30PM Grace Barbé is a force of nature. A creative musician of the highest order who brings joy and energy to audiences across the globe.

Born in the Seychelles, her music draws on the rich Kreol tradions of those Indian Ocean islands, driven by her polyrhythmic bass lines and extraordinary voice. She’s played Festivals in Africa, India and across Australia, and received multiple awards for her music. Much of her time currently involves playing, writing and singing in the adored Australian band The Cat Empire.

Grace Barbé | Vocals Jamie Searle | Guitar Julian Ferraretto | Violin Stephen King | Viola Iain Grandage | Cello / Piano

For this special intimate performance, she is joined by long-time collaborator guitarist Jamie Searle, and local string players Julian Ferraretto and Steve King.

It’s a thrill to have the opportunity to make music alongside one of Australia’s musical treasures.

– Iain Grandage This concert is generously supported by

TICKETS Adult $75 | Concession $70 Duration | Two hours, including interval Pre-concert dining option | Wood oven pizza ($42) This will be Grace Barbé’s first appearance at UKARIA. 29

36 Photo: Jan Safar

KRISTIAN WINTHER WITH KONSTANTIN SHAMRAY SUNDAY 23 NOVEMBER 2.30PM Kristian Winther reflects on his program:

Kristian Winther | Violin

For this program – contrary to my own general philosophy of being anti-‘curation’, or in other words, of being against the modern norm of taking multiple historical works of genius and stringing them together in such a way as to unnecessarily impose the curator’s own artistic ‘vision’ of a particular theme or connection – Konstantin and I have created a first half where seemingly disparate works by Kurtág, Kopatchinskaja, Webern, Messiaen, Ysaÿe, and Debussy are closely bonded to one another, but in an intangible, unspoken, dream-like manner which elaboration might only cause to evaporate, and which while creating an invisible, unifying link between works, highlights the individuality of each composer. Rather than continuing this ‘curation’, the second half is of opposing personality, continuing on from the end of the first where the denouement of Messiaen’s piece bursts the thematic bubble, with Clara Schumann and Richard Strauss’ by turns lyrical and heroic works sweeping us through rugged reality.

Konstantin Shamray | Piano György Kurtág Öd und Traurig from Three Pieces for violin and piano, Op. 14e Patricia Kopatchinskaja Movement II from UniSolo Eugène Ysaÿe Rêve d’enfant, Op. 14 Claude Debussy Sonata in G minor for Violin and Piano, L. 140 Anton Webern Four Pieces for Violin and Piano, Op. 7 Olivier Messiaen Theme and Variations Clara Schumann Three Romances for Violin and Piano, Op. 22 Richard Strauss Violin Sonata in E flat, Op. 18

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

Kristian Winther first performed at UKARIA on 25 April 2021.

Konstantin Shamray first performed at UKARIA on 14 May 2017.

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Photo: Alastair Bett

MOMENTUM ENSEMBLE WITH TIMO-VEIKKO VALVE BETWEEN WORLDS SUNDAY 30 NOVEMBER 2.30PM Australian Chamber Orchestra Principal Cello Timo-Veikko ‘Tipi’ Valve directs the Australian Youth Orchestra’s Momentum Ensemble in a lush program for cello and strings that masterfully intertwines his Finnish heritage and his Australian experience.

Jaako Kuusisto’s Wiima evokes the nostalgic charm of Sysmä, a Finnish town dear to Tipi’s childhood, while Crystalline, by the Australian composer Olivia Bettina Davies, shimmers with delicate textures. The centrepiece of the program is Tipi’s own arrangement of Schubert’s Arpeggione Sonata, in which his 1616 Brothers Amati cello will sing with warmth and lyricism. The concert concludes with the introspective gaze of Sibelius’ Voces intimae, interspersed with select movements from Peter Sculthorpe’s dark String Quartet No. 8, to weave Finnish and Australian traditions into a captivating tapestry.

Momentum Ensemble Timo-Veikko Valve | Cello / Director Jaakko Kuusisto Wiima Franz Schubert Arpeggione Sonata in A minor, D. 821 (arr. Timo-Veikko Valve) Olivia Bettina Davies Crystalline Peter Sculthorpe Selections from String Quartet No. 8 Jean Sibelius String Quartet in D minor, Op. 56 Voces intimae (arr. Timo-Veikko Valve)

TICKETS Adult $70 | Concession $65 | Student $35 Duration | Two hours, including interval Pre-concert dining option | Light lunch ($17) Complimentary afternoon tea will be served during the interval.

Momentum Ensemble first performed at UKARIA on 25 August 2017.

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‘I wanted the beauty of sound to shine above all else.’

My words from the opening ceremony in 2015 still ring true today. UKARIA is a place born out of a daring dream, holding music at its heart, ever evolving and expanding its boundaries to create pathways into the future.

– Ulrike Klein AO, Founder The UKARIA Foundation was established in 2018 to support the cultural program in perpetuity. In a short amount of time it has built an impressive corpus thanks to the ongoing commitment of our donors.

To ensure UKARIA remains a cultural icon, you can support by: GIVING TO THE ENDOWMENT FUND Your gift will build the corpus and the investment income will support the cultural program and concert experience for musicians and audiences in perpetuity. It will enable us to engage great artists, commission new work, and develop the residency program, as well as maintain the facilities and nurture the grounds that are part of the concert experience.

GIVING TO THE MUSIC PROGRAM Your donation will be used to support outstanding artists in the forthcoming season.

Donations of $2 or more are tax deductible and the UKARIA Foundation is able to receive distributions from private and public ancillary funds. www.ukaria.com/donate or phone (08) 8227 1277 LEAVING A BEQUEST Leaving a bequest can make a profound impact. If you would like to play a part in our future, please consider leaving a bequest which you can direct to the Endowment Fund or a special project. For more information, please start a conversation with our CEO, Alison Beare, or request a brochure.

Thank you for considering a donation to strengthen UKARIA’s mission by supporting great artists, live performances, residencies, masterclasses and the creation of new work.

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Jess Hitchcock.

Photo: Claudio Raschella

INFORMATION TICKETS

WAITING LIST

For 2025, a transaction fee of 1% will be applied to all orders.

Due to the intimacy of the venue, concerts regularly sell out, so we keep a waiting list. To add your name to the waiting list, please sign up via the links on our website, or contact us on (08) 8227 1277 or at info@ukaria.com. Please note that we require 14 days’ notice to facilitate the re-selling of tickets to the waiting list.

Concessions are available for full-time students, pensioners and health care cardholders. Please note that Seniors Cards do not qualify for concession.

1. PURCHASE ONLINE www.ukaria.com/events 2. BY PHONE (08) 8227 1277 Our office is open Monday to Friday, from 9.00am to 5.00pm, except on holidays.

USING UKARIA CREDIT If you have a credit on your account, this will show up in the payment screen when you are purchasing tickets online.

You can then simply apply credit to pay for any tickets in your shopping cart.

TICKET DELIVERY We do not issue printed tickets; you will receive a digital copy of your booking confirmation delivered immediately to your nominated email address (sometimes the email goes into the junk folder; please check here if needed).

GIFT VOUCHERS Give the ultimate experiential gift of music in nature by purchasing a UKARIA gift voucher for family and friends.

Vouchers are valid for three years from the date of purchase and can be used to purchase concert tickets as well as preordered dining options. Please note: vouchers are not valid for performances presented at UKARIA Cultural Centre by other organisations (for example, the Adelaide Festival, State Opera South Australia, etc.).

CONDITIONS OF SALE All sales are non-refundable once the order has been finalised, except as required by law, or as outlined in the Live Performance Australia Ticketing Code of Practice (if an event is cancelled, rescheduled or significantly re-located).

TRANSFERS AND CREDITS

CHECKING YOUR BOOKINGS

Your ticket is transferable and can be given to friends or family if you are unable to attend.

If you misplace your booking confirmation, you can log in to your UKARIA account at any time using your email and password and view your upcoming bookings in date order.

If you wish to request a credit for tickets, meals, light meals or bus service, the request for credit must be made by email/phone at least 14 days before the date of the event.

REFUNDS We do not offer refunds except as required by law, or as outlined in the Live Performance Australia Ticketing Code of Practice (if an event is cancelled, rescheduled, or significantly re-located).

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BUS SERVICE TERMS AND CONDITIONS • The cost of the ticket is a flat fee of $20 return for each day.

• We do not offer a reduced price for one-way travel.

• If you arrive after the departure time and miss the bus, your concert and bus ticket are non-refundable.

• Tickets for the bus service will be taken off sale at 5.00pm on the Wednesday prior to the concert date.

VENUE INFORMATION PARKING AT UKARIA While there is ample parking available on site, please take care when parking close to other vehicles. Please use the wooden car park markers as your guide, and be considerate of fellow patrons by not parking across multiple spaces.

EASY-ACCESS SEATING If you require easy-access seating, please let our team know well in advance (at least one week prior) by phoning the office on (08) 8227 1277.

GILLES STR EET HUTT STR EET PICK UP POINT

SOUTH TER RACE

Please note that due to the small size of UKARIA’s auditorium, we can only offer limited accessibility seating. If you book with a larger group and you require easy-access seating, we would be grateful if able-bodied members of your group would consider sitting in the row behind so that our team can accommodate as many mobility-impaired patrons as possible.

FILMING AND PHOTOGRAPHY

Please contact us on (08) 8227 1277 or at info@ukaria.com if you have any further queries.

VARIATIONS TO PERFORMANCES OR EVENTS UKARIA reserves the right to change artists, programs, venue opening and/or performance times should this become necessary.

We welcome photography inside the main hall before or after the concert, or at interval if applicable. During performances, all unauthorised photography and recording of the artists is strictly prohibited.

EXTERNAL FOOD AND DRINK To abide by SA Health regulations, consumption of food and drink that hasn’t been purchased on our premises is not permitted in the Garden Terrace. However, please feel free to bring your own food to enjoy in the garden.

To view UKARIA’s full Terms & Conditions, please visit www.ukaria.com/tcs

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ACKNOWLEDGEMENTS The 2025 Season is proudly presented by UKARIA.

To mark our 10th anniversary, we also acknowledge

BOARD OF DIRECTORS

BOARD OF DIRECTORS 2015

Ulrike Klein AO | Founder

Ulrike Klein AO | Founder

Rob Brookman AM | Chair

David Minns | Chair

Rod Cornish

Michael Hayes

Amanda Harkness

Thora Klein

Paul Kildea

David McKee AO

Sam Saunders

Winnie Pelz

Mathew Trinca AM

Joan Sedsman

Mary Vallentine AO UKARIA FOUNDATION BOARD David McKee AO | Chair Amanda Harkness Diana McLaurin Kirsty Roderick

Lisa Bird | Food and Beverage Manager Dylan Henderson | Communications Manager Kingsley Schmidtke | Operations and Facilities Manager 2025 SEASON BROCHURE CREDITS

STAFF

Concert descriptions | Brigid Coleridge

Alison Beare | Chief Executive Officer

Brigid Coleridge is a poet and internationally-acclaimed violinist who performs in the US and Europe with the Merz Trio.

Paola Niscioli | General Manager, Operations Emma van Lierop | Business Manager and Artist Liaison Liam Taylor | Venue and Production Manager Céline Rittner | Food and Beverage Manager Rachel Bruerville | Senior Communications Coordinator Tahlia Lamey | Communications Coordinator John Carter | Facilities Manager Emma Quinn | Ticketing and CRM Manager Vernon Schulz | Bookkeeper UKARIA consists of a small, dedicated team of core staff (FTE 6.4)

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PAST STAFF

Design | Orange Fridge Cover photography | Randy Larcombe Season Partner

Broadcast Partner

EMBRACING THE LIFE FORCE OF NATURE. FROM SEED TO SKIN. FROM OUR FARM TO YOU.

Grown on Jurlique's Biodynamic farm in the Adelaide Hills since 1985

Proudly supporting UKARIA

UKARIA Cultural Centre 119 Williams Road, Mount Barker Summit SA 5251 Australia UKARIA Head Office & Postal 911, Level 9, 147 Pirie Street Adelaide SA 5000 Australia P +61 8 8227 1277 E info@ukaria.com www.ukaria.com