New and Bestselling Books - Spring 2023

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UNIVERSITY OF EXETER PRESS SPRING CATALOGUE 2023 NEW BOOKS JANUARY – JUNE INCLUDING 2022 FRONTLIST

Welcome to our Spring 2023 Catalogue

This catalogue includes everything University of Exeter Press will publish in the first half of 2023, along with all titles from 2022. Up-to-date information for all our books, including cover images and sample pages, can be found at www.exeterpress.co.uk

Thank you to all our customers, readers and authors around the world for your continued support and enthusiasm for our books.

Nigel Massen, Publisher

n.massen@exeterpress.co.uk

About University of Exeter Press

University of Exeter Press is internationally recognised for excellence in humanities publishing. More than fifty years dedicated to scholarly book publishing have provided us with a wealth of experience from which we continue to expand and develop our activities. We pride ourselves on:

» Highly effective sales and distribution networks at home and internationally.

» An outstanding reputation in the fields of film history and performance studies.

» A growing number of titles in various subject areas. We are developing lists in Folklore, Linguistics, TV-Philosophy, and International Studies.

» A strong list of South-West studies titles and a substantial backlist in other areas of the humanities, including history and literature.

Ordering from UEP

Order online at www.exeterpress.co.uk or from our distributors listed on the back page of this catalogue.

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World rights are available unless otherwise stated.

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Sacrament an Alter/The Sacrament of the Altar

A critical edition with translation

The first ever critical edition of a pivotal Cornish-language text. Comprehensive approach presents parallel transcription, edited version, translation and key sources. In-depth commentary offers many insights into the reception of the material.

‘Sacrament an Alter’ (The Sacrament of the Altar) is a Cornish patristic catena selected and translated from Foxe’s Book of Martyrs, which is attached to the translation of Bishop Bonner’s Homilies in the Tregear Manuscript (BL Add. MS 46397). No complete critical edition of the Tregear Homilies has been published since the manuscript’s discovery, yet it is the longest surviving example of Cornish prose. The so-called thirteenth homily, ‘Sacrament an Alter’ is a work in its own right, of a later period than the other twelve homilies, and represents a distinctive form of Cornish.

In addition to establishing authorship, date, sources and historical context of this important text, the present book offers a complete and accurate transcription of the manuscript, along with an edited version thereof, a translation and all the relevant source passages—largely taken from the account of the 1555 Oxford Disputations given in John Foxe’s ‘Acts and Monuments’. A full commentary then explores hermeneutical, theological and dialectic issues arising from the text. Extensive notes concentrate on interesting features of the Cornish—making a significant contribution to the study of the late evolution of Cornish, since the language can be dated to around 1576, halfway between that of John Tregear and William Jordan, author of the Creation of the World.

This first ever critical edition of a pivotal Cornish-language text opens to the Tudor historian—and the general reader—a previously closed window (due to its language) on a crucial example of the reception of Foxe, and gives fascinating insights into a possible alliance between Church Papism and recusancy in Tudor Cornwall.

BIOGRAPHICAL NOTE

D.H. Frost, recently retired, was the Principal of Holy Cross College and University Centre, Bury. He contributed to Philip Payton’s Cornwall in the Age of Rebellion 1490–1690, and Gerallt D. Nash’s Saving St Teilo’s. With Benjamin Bruch, he co-chairs the editorial board of the series 1,000 Years of Cornish.

PUBLICATION DATE 10 January 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130308 | £80.00 | $109.00 eBook available SIZE 234 x 156 mm PAGES 336pp SERIES 1,000 Years of Cornish

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Student Life in NineteenthCentury Cambridge

The only edition of this first book-length student memoir to be published in Britain since its original appearance in 1827. Packed with fascinating and entertaining detail about college life.

Commentary and detailed notes offer numerous scholarly insights.

This book tells the story of John Wright, a talented but poor student at Cambridge who was deprived of success and impelled to make a living as hack writer in London, where he was often imprisoned for debt. His memoir, along with the in-depth commentary and detailed scholarly notes presented here, offers extraordinary reading.

PRAISE FOR STUDENT LIFE IN NINETEENTH-CENTURY CAMBRIDGE

Restored to health by Stray‘s perfect editing, this strangely helpful account of Cambridge two centuries ago by a sometime undergraduate scoundrel is a mélange of odd details, welcome fact, fiction, frenzy and color. Sheldon Rothblatt, University of California, Berkeley

J.M.F. Wright’s picaresque account of his undergraduate days in early nineteenth-century Cambridge has been largely overlooked for nearly 200 years. Now, with an illuminating introduction and numerous informative annotations, Stray’s masterly edition breathes new life into this forgotten gem. Professor Adrian Rice, Randolph-Macon College, Virginia

BIOGRAPHICAL NOTE

Christopher Stray is a Cambridge Classics graduate. He taught in schools before undertaking research on the history of education, and has held visiting positions at the universities of Cambridge, Yale and Princeton. He has published widely on schools and universities, examinations and institutional slang.

PUBLICATION DATE

17 January 2023

PUBLISHER University of Exeter Press

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Hbk | 9781804130278 | £75.00 | $106.00 eBook available

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PAGES 274pp

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Eating Disorders in Public Discourse

Exploring Media Representations and Lived Experiences

Explores the intersection between public discourse and mental health through the important topic of eating disorders. A timely dissection of how journalistic practice affects widely held social perspectives.

Promotes a better public understanding of eating disorders.

Eating disorders remain little understood by the public, and sensationalist stories in the media have done little to dispel simplistic and reductionist perspectives. This book uncovers compelling insights on the intersection of language, discourse and mental health.

PRAISE FOR EATING DISORDERS IN PUBLIC DISCOURSE

This wide-ranging collection shows us, in detailed analyses, how the ways we speak and write construct our relation to food and to each other to make what is pathological about eating normalised and turn many understandable responses into forms of pathology. Here are models for critical research, and new openings for empirical and conceptual questioning of what ‘disorder’ involves for those who diagnose it and for those who suffer it.

Ian Parker, critical psychologist and Honorary Professor of Education, University of Manchester

Eating Disorders in Public Discourse...is an important contribution to the issue of eating disorders that centers linguistic and qualitative approaches. This edited volume features excellent contributions from twenty five scholars, who address eating disorders in both traditional media and participatory media. Robert K. Beshara, Assistant Professor and Chair of Arts & Human Sciences, Northern New Mexico College

Includes refreshing and original discussion of the impact of media discourses on sufferers – an often neglected perspective.

Prof. Helen Kelly-Holmes, University of Limerick

BIOGRAPHICAL NOTE

Dr Laura A. Cariola is lecturer in Applied Psychology, in the Department of Clinical and Health Psychology, at the School of Health in Social Science at the University of Edinburgh, with specialisms in both Applied Linguistics and Psychology. She is a chartered member of the British Psychological Society: Division of Academics, Researchers and Teachers in Psychology; and Division of Counselling Psychology.

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PUBLICATION DATE 24 January 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130094 | £75.00 | $106.00 eBook available SIZE 234 x 156 mm PAGES 362pp

SERIES Language, Discourse and Mental Health

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Miners, Mariners & Masons

The Global Network of Victorian Freemasonry

First ever examination of Freemasonry in everyday life of the late nineteenth and early twentieth centuries.

Offers detailed prosopographical analysis based on hitherto unseen original sources.

Examines the international reach of the network, including Masonic lodges in the United States, Australia and South Africa.

This book is the first sustained and dispassionate study of the role of Freemasonry in everyday social and economic life: why men joined, what it did for them and their families, and how it affected the development of communities and local economies.

Freemasonry played a major role in the economic and social life of the Victorian era but it has received very little sustained attention by academic historians. General histories of the period hardly notice the subject while detailed studies mainly confine themselves to its origins in the early eighteenth century and its later institutional development. This book is the first sustained and dispassionate study of the role of Freemasonry in everyday social and economic life: why men joined, what it did for them and their families, and how it affected the development of communities and local economies.

REVIEWS

This is the assured and accessible prose of an author who, over the course of a career, has mastered much about communication, Freemasonry, mariners and miners. His detailed and thorough assessment is supported by a scholarly bibliography, helpful references, 3 indexes and over 40 figures, illustrations and tables. Burt has produced an exemplar case study for family and community historians.

This work is certainly the first of what this reviewer hopes will be many of its kind. A a valuable addition to the literature available.

Mark Dennis, Folk Life: Journal of Ethnological Studies

BIOGRAPHICAL NOTE

Roger Burt is Professor Emeritus of Economic History at the University of Exeter. He has been a consultant to mining companies and government departments and contributes to radio programmes on mining related issues.

PUBLICATION DATE 14 February 2023

PUBLISHER

University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781905816163 | £75.00 | $97.00 Pbk | 9781905816248 | £25.00 | $36.00 eBook available

SIZE 229 x 152 mm PAGES 344pp

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TV-Philosophy

How TV Series Change Our Thinking

The first book to approach television series and why they matter from a philosophical perspective.

Makes the case for TV series as true works of art and of thought, and shows why it is important to defend their philosophical significance.

Demonstrates how our relationship with TV series exemplifies a fundamentally democratic mode of philosophical thinking.

This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell’s work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives.

The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. ‘Series-philosophy’ is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education—in sometimes surprising ways.

BIOGRAPHICAL NOTE

Sandra Laugier, a former student at the Ecole normale supérieure and at Harvard University, is Professor of Philosophy at Université Paris 1 Panthéon Sorbonne. She has published extensively on ordinary language philosophy (Wittgenstein, Austin, Cavell), moral and political philosophy, gender studies and the ethics of care, popular film, and TV series, and is the author of over 30 books in total, including Why We Need Ordinary Language Philosophy (2013), and Politics of the Ordinary: Care, Ethics, and Forms of Life (2020).

PUBLICATION DATE 30 May 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130216 | £60.00 | $84.00 eBook available

SIZE 234 x 156 mm PAGES 168pp SERIES TV-Philosophy

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TV-Philosophy in Action

The Ethics and Politics of TV Series

Wide-ranging short writings on a variety of important TV series from the last 20 years.

Thematically arranged, to show how TV series tackle pressing philosophical issues concerned with democracy, security, gender roles, and ethical values.

Among the many shows covered are Buffy the Vampire Slayer, 24, The Handmaid's Tale, House of Cards, The Americans, Game of Thrones, The Crown, This Is Us, The Bureau, and For All Mankind.

TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier’s monthly columns published in the French journal Libération. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Libération, as well as longer pieces, to demonstrate ‘TV-Philosophy in action’: Laugier’s response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes—relating to politics, identity, and the stories we tell ourselves about our world—the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.

BIOGRAPHICAL NOTE

Sandra Laugier, a former student at the Ecole normale supérieure and at Harvard University, is Professor of Philosophy at Université Paris 1 Panthéon Sorbonne. She has published extensively on ordinary language philosophy (Wittgenstein, Austin, Cavell), moral and political philosophy, gender studies and the ethics of care, popular film, and TV series, and is the author of over 30 books in total, including Why We Need Ordinary Language Philosophy (2013), and Politics of the Ordinary: Care, Ethics, and Forms of Life (2020).

PUBLICATION DATE 30 May 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130926 | £60.00 | $84.00 eBook available SIZE 234 x 156 mm PAGES 256pp SERIES TV-Philosophy BIC SUBJECTS APT, APFA, HPQ BISAC SUBJECTS PER010090, PHI005000, PER004030, PER010000 RIGHTS World

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Television with Stanley Cavell in Mind

The first philosophy book to take TV series seriously as philosophical works.

A crucial guide to the twenty-first century’s most dominant public artform—television—through the philosophical ideas of Stanley Cavell: one of America’s greatest thinkers on film and media.

A carefully selected line-up of the best critics working on film, television, and media articulate just how important Cavell’s work is for thinking about TV series.

The first book devoted exclusively to how Stanley Cavell’s thoughts about film apply to television. In a dozen chapters, a number of acknowledged critics and philosophers articulate how Cavell’s remarks on the moral perfectionism of cinema apply even more to the twenty-first century television series.

BIOGRAPHICAL NOTE

David LaRocca studied philosophy, film, rhetoric, and religion at Buffalo, Berkeley, Vanderbilt, and Harvard. He is the author or contributing editor of more than a dozen books, including a suite of volumes in film-philosophy: The Philosophy of Charlie Kaufman (2011), The Philosophy of War Films (2014), The Philosophy of Documentary Film: Image, Sound, Fiction, Truth (2017). More recently he edited The Thought of Stanley Cavell and Cinema: Turning Anew to the Ontology of Film a Half-Century after The World Viewed (2020), Inheriting Stanley Cavell: Memories, Dreams, Reflections (2020), and Movies with Stanley Cavell in Mind (2021).

Sandra Laugier, a former student at the Ecole normale supérieure and at Harvard University, is Professor of Philosophy at Université Paris 1 Panthéon Sorbonne. She has published extensively on ordinary language philosophy (Wittgenstein, Austin, Cavell), moral and political philosophy, gender studies and the ethics of care, popular film, and TV series, and is the author of over 30 books in total, including Why We Need Ordinary Language Philosophy (2013), and Politics of the Ordinary: Care, Ethics, and Forms of Life (2020).

Contributions from: William Rothman, Martin Shuster, Elisabeth Bronfen, Hugo Clémot, David LaRocca, Jeroen Gerrits, Stephen Mulhall, Michelle Devereaux, Thibaut de Saint-Maurice, Hent de Vries, Catherine Wheatley, Byron Davies, Sandra Laugier, Paul Standish.

PUBLICATION DATE 30 May 2023

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FORMAT | ISBN | PRICE Hbk | 9781804130186 | £125.00 | $176.00 eBook available SIZE 234 x 156 mm PAGES 432pp
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The Folklore of Devon

The first major collection of Devonshire folklore for nearly half a century, brought up to date with an examination of internet lore and modern tales.

Unlocks the vital collections of material held in the Devonshire Association archives and provides new analysis and broader comparison with folklore traditions.

Offers new insights into oft-quoted folklore tales of Devon.

Devon has a long and rich folkloric heritage which has been extensively collected over many years. This book consolidates more than a century of research by eminent Devon folklorists into one valuable study and builds on the vital work that was undertaken by the Devonshire Association, providing insightful analysis of the subject matter and drawing comparisons with folklore traditions beyond the county.

The first major work on Devon's folklore since Ralph Whitlock’s short book published by the Folklore Society in the 1970s, this volume brings the subject into the twenty-first century with consideration of internet memes and modern lore, demonstrating that ‘folklore’ does not equate to ‘old rural practice’. With chapters covering the history of Devon's folklore collecting, tales from the moors, the annual cycle, farming and the weather, the devil, fairies, hauntings, black dogs, witchcraft and modern lore, this will remain the standard work for many years to come.

BIOGRAPHICAL NOTE

Mark Norman was recently appointed as the new Recorder of Folklore for the Devonshire Association, and is well known as a popular folklorist around the world thanks to his creation, The Folklore Podcast, which has enjoyed more than 1.5 million downloads. He is a council member of the Folklore Society and founding curator of The Folklore Library and Archive. The Folklore of Devon is Mark’s fourth book.

PUBLISHER University of Exeter Press

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Hbk | 9781804130360 | £45.00 | $64.00 eBook available SIZE 234 x 156 mm PAGES 256pp

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Paediatrics in the Reichsuniversität Straßburg

Children's Medicine at a Bastion of Nazi Ideology

AISLING SHALVEY

Presents the first in-depth account of previously unknown patient files from Nazi paediatric cases.

Eschews the usual top-down approach, making patient experience central to the analysis.

Reveals how sick children were affected by Nazi ideology.

This sensitive yet incisive book addresses the medical treatment of children in the occupied city of Strasbourg during Nazi occupation. Exploring more than 1,000 previously undocumented patient files, it illuminates starkly the workings of paediatric care at a pivotal moment in history. Issues of nationality, social class, and diagnosis all contributed to the experience of each child, and here extensive data analysis is deployed to back up poignant individual stories.

This is the first ever demographic overview of a vulnerable group who were treated in the hospital of the Reichsuniversität Straßburg. Veering away from the well-established, top-down approach of examining the doctors, instead it makes the patient central to the analysis. A vivid picture emerges of the practical impact that war and occupation had on children who were suffering from illness, revealing how they were affected by Nazi ideology.

Based on previously under-utilized primary sources, this volume employs a novel and distinctive analytical framework, using Alltagsgeschichte (the history of everyday life) and patient experience theory to frame medical records and accounts. The book will be relevant to those interested in the history of childhood, politics, occupation and border disputes, psychiatry, medicine, denazification and the postwar era, the history of National Socialism, patient history and the Second World War.

BIOGRAPHICAL NOTE

Aisling Shalvey completed her BA at Maynooth University, and her MA at Oxford Brookes University. Her PhD at the University of Strasbourg was on the topic of paediatrics under National Socialism as part of a commission on the history of the Reichsuniversität Straßburg. She currently works at the Leopoldina as a researcher on the project studying victims of brain research during National Socialism.

PUBLICATION DATE 13 June 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130896 | £80.00 | $112.00 eBook available

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Turkish Drama Serials

The

Importance and Influence of a Globally Popular Television

Phenomenon

The first book to present comparative audience data on Turkish drama serials from three distinct parts of the world (Qatar, Chile, and Israel).

Explores the intertwined nature of Turkish foreign policy, economic, and trade relationships, and the successful reach and reception of its drama serials.

Reveals the importance of Turkish drama serials as a softpower tool for Turkey, and in the perception of Muslim culture and people more generally.

The extraordinary global success of Turkish drama serials is a significant development in contemporary popular culture. This book presents comparative audience data from three different regions to explore its ramifications across the Global South. We learn how this phenomenon has transformed Turkey—a Muslim-majority country—into the world’s secondlargest producer of scripted television serials, enticing audiences from all over the world.

The book takes an audience-centred approach, investigating the reasons for the allure of Turkish dramas to Arab, Latin American, and Israeli audiences. In tandem, it explores Turkey's changing foreign policy, economic, and trade relationships since the turn of the millennium, which have coincided with the enormous success of the country's television output. It also analyses the role and importance of Turkish dramas as a soft-power tool by scrutinizing how they have influenced viewers' perceptions of Turkey, its people, and its culture.

This volume will appeal to those working in various disciplines—from media and communication, international relations, public diplomacy, sociology, and Middle Eastern studies. The material will also be of great relevance to upperlevel undergraduates, postgraduate students, academics, scholars and researchers.

BIOGRAPHICAL NOTE

Miriam Berg is an assistant professor in the journalism and strategic communication program at Northwestern University Qatar. Her research focuses on the intertwined nature of geopolitics and media, along with the viewing habits and digital practices of refugee, migrant, and diasporic audiences.

PUBLICATION DATE 13 June 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130421 | £75.00 | $106.00 eBook available SIZE 234 x 156 mm PAGES 256pp

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World War Two Simulated

Digital Games and Reconfigurations of the Past

Isolates a particular dynamic within 'simgames', as players engage with real history.

Considers how imaginary and reimagined worlds can mis/inform understanding of the past.

Interdisciplinary approach foregrounds player experiences.

This book examines how World War Two is simulated through serious computer games, such as first-person shooters, flight and tank simulators, and grand strategy games. It argues that a particular dynamic emerges in these ‘simgames’, especially when curious players begin to look beyond gameplay for how to understand the past. This points them toward a wide range of ‘simtexts’—anything from game manuals or online resources such as YouTube, to published material in the popular sphere or even monographs by professional historians. This is important because major events like World War Two continue to feature in a wide range of game genres, and this engagement demonstrates how we are learning about the past outside of traditional mechanisms such as classrooms, teachers or textbooks.

Utilizing interdisciplinary methods, this volume foregrounds the experience that simgames provides to players, especially in how they reconfigure and reimagine history. Despite its visceral power and instructive potential, the simulated digital experience created by simgames curates World War Two and other global events of similar magnitude within constrained frames that ignore much of what actually happened in the past. This suggests that as computer games continue to increase in power and fidelity—as seen with the expanding scope of virtual reality—then the range of what can be simulated will grow too. This will raise concerns about what is morally acceptable to be simulated, and what should remain unplayable.

BIOGRAPHICAL NOTE

Curtis D. Carbonell is an associate professor of English at Khalifa University. He is interested in representations of technology and their effects on human beings in science fiction and fantasy studies, as well as in how analog-and-digital game studies are new fields that describe complex modes of cultural production. His previous book Dread Trident: Tabletop RolePlaying Games and the Modern Fantastic (2019) examines how tabletop roleplaying games offer an archive of fantasy and SF gametexts ripe for an investigation into the rise of realized worlds.

PUBLICATION DATE

27 June 2023

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130605 | £80.00 | $112.00 eBook available

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Madness and Literature

What Fiction Can Do for the Understanding of Mental Illness

Demonstrates how literature and narrative theory can be employed instrumentally in clinical environments and for educational purposes.

Chapters develop new transdisciplinary theory about madness and literature.

Offers innovative readings of canonical madness literature in addition to analyses of new experimental literature.

This book engages with literature’s multifarious ways of probing minds and bodies in a state of ill mental health. Chapters analyse literature that depicts issues and diagnoses such as trauma, psychosis, bipolar disorder, eating disorders, self-harm, hoarding disorder and PTSD from multiple theoretical and methodological perspectives.

PRAISE FOR MADNESS AND LITERATURE

There’s news here that moves us to reconsider not only what literature can teach us, but how it can teach us, and even be of service to people living with mental illness and those who treat and care for them. Here’s a lively and farreaching contribution to the field of medical humanities.

Maura Spiegel, Division of Narrative Medicine, Columbia University

A wonderful array of critical and reflective accounts about literature representing mental illness in keeping with a health humanities approach that values interdisciplinary, inclusive and potentially applicable knowledge.

Paul Crawford, Professor of Health Humanities, University of Nottingham

An indispensable contribution to the study of literature and madness, the health humanities, and medical humanities. The diverse work in this volume situates the complex and different experiences of literary madness, allowing us to negotiate new definitions of mental illness and its metaphors, dialogue, and plot lines in narrative theory. A must for scholars and students of literature interested in the depiction of mental health in literature.

Shahd Alshammari, Assistant Professor of English, Gulf University for Science & Technology

BIOGRAPHICAL NOTE

Lasse R. Gammelgaard is associate professor at the Department of Communication and Culture at Aarhus University, Denmark, where he is codirector of the research group Health, Media and Narrative. He is author of the high school textbook Galskab i litteraturen [Madness in Literature]. His articles appear in Narrative, Style, Samuel Beckett Today / Aujourd'hui and Journal of Research in Sickness and Society among others.

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PUBLICATION DATE 04 October 2022

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781905816378 | £75.00 | $98.00 eBook available

SIZE 234 x 156 mm PAGES 320pp

SERIES Language, Discourse and Mental Health

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Grand-Guignolesque

Classic and Contemporary Horror Theatre

An analysis of the continuing influence and legacy of the Grand-Guignol.

13 Previously unpublished playscripts, including translations from the French and first-time publication of both classic and contemporary English works. Previously unpublished practitioner documentation illuminating horror theatre in performance.

Grand-Guignolesque explores the continuing influence and legacy of the infamous Parisian theatre of horror. The volume consists of a critical introduction along with thirteen previously unpublished scripts of classic Grand-Guignol and modern horror plays, each with its own contextualising preface.

PRAISE FOR GRAND-GUIGNOLESQUE

Hand and Wilson have done it again – their work on the Grand Guignol has been both pioneering and vital...Augmented by an insightful and entertaining overview of horror theatre, the collection stands alone as a brilliant corpus of dread for the stage and the logical extension of their work so far – well worth adding to the shelf.

Kevin J. Wetmore, Jr., Author of Eaters of the Dead

Prepare to gasp, gag, and guffaw as Richard Hand and Michael Wilson track the global influence of Paris’s infamous Théâtre du Grand-Guignol across thirteen blood-soaked plays produced between 1907 and 2015, and collected here for the first time. This important anthology makes a powerful case for the enduring presence of a “grand guignolesque” mode within contemporary live horror performance, and will serve as an invaluable resource for future generations of Gothic scholars, theatre practitioners, and horror aficionados.

Christine Ferguson, University of Stirling

BIOGRAPHICAL NOTE

Richard J. Hand is Professor of Media Practice and Head of Drama at the University of East Anglia. He is the co-editor of the Journal of Adaptation in Film and Performance. He has a particular interest in cross-media forms of popular culture - especially horror - and explores adaptation, transmedia and interdisciplinarity using critical and creative methodologies.

Michael Wilson is Professor of Drama and Head of Creative Arts at Loughborough University, where he is also Director of the Storytelling Academy, a research and teaching collective in Applied Storytelling.

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PUBLICATION DATE

27 September 2022

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE

Hbk | 9781804130155 | £80.00 | $97.00 Pbk | 9781804130803 | £30.00 | $38.00 eBook available

SIZE 234 x 156 mm PAGES 294pp SERIES Exeter Performance Studies

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Bill Douglas

A Film Artist

A timely reassessment of Bill Douglas 30 years after his death.

Makes use of new archival material.

Looks at Douglas’s legacy beyond his films. Interrogates the question of whether it is possible to be an artist working in the film industry.

This book uses new source material to reappraise the work of Bill Douglas –one of Britain’s most significant and singular filmmakers. Douglas’s poetic and moving films continue to inspire filmmakers today but his struggles within the film industry raise questions as to whether it is possible to be an artist working within a commercial medium.

PRAISE FOR BILL DOUGLAS

I thought I know Bill Douglas' movies inside out, but this new book about Scotland's greatest filmmaker told me many new things.

Mark Cousins

This book provides a level of sustained critical analysis of Douglas’ work that is much needed, while the engagement with his archive opens up the material in new, original ways. A refreshing reconsideration of Douglas, and an innovative contribution to the study of film in general.

Sarah Neely, University of Glasgow

This book is a wonderful testament to the persistence and pursuit of a truly unique vision.

Sarah Street, University of Bristol

BIOGRAPHICAL NOTE

Amelia Watts is completing a PhD at the University of Exeter, where her research focuses on the British film industry in the 1970s and 1980s. Her project draws extensively on the work of Scottish writer-director, Bill Douglas, and utilises his largely unseen Working Papers. Phil Wickham is curator of the Bill Douglas Cinema Museum at the University of Exeter. He was previously a curator at the BFI and has written extensively on British film and television. He also teaches film courses at the University.

PUBLICATION DATE

20 September 2022

PUBLISHER

University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130247 | £80.00 | $97.00 eBook available SIZE 234 x 156 mm PAGES 250pp SERIES Exeter Studies in Film History

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Picturegoers

A Critical Anthology of Eyewitness Experiences

Wide geographical spread of voices highlighting the varied experience of cinema in different countries, and unearthing texts previously unknown to film scholars.

Emphasises the importance of the audience, and particularly the individual picturegoer, in helping us understand the meaning and social significance of cinema.

Includes a contextual introduction, useful explanatory notes, and a selection of visual resources.

This book shows the impact of cinema on individuals across the globe, from the 1890s to the present day. It analyses and celebrates the audience’s point of view, shaped by time, experience and place, providing a rich, entertaining portrait of a medium that became so transformative because anyone, rich or poor, educated or not, could share in it.

PRAISE FOR PICTUREGOERS

A rich combination of voices writing about picturegoing in very different cultural contexts - a valuable contribution to the history of moviegoing. Frank Kessler, Professor in Media History, Utrecht University

An impressively wide-ranging compendium of eye-witness accounts of cinemagoing from the earliest years of the medium through its heyday and into the present, Picturegoers is a delight to dip into, immersing the reader in the essential cultural experience, in all its variety, of the modern and postmodern age.

Annette Kuhn, author of An Everyday Magic: Cinema and Cultural Memory

BIOGRAPHICAL NOTE

Luke McKernan is a film historian with a particular interest in film audiences and the sociological study of cinema. He has been collecting examples of eyewitness testimony of cinemagoing for many years through the website https://picturegoing.com. His book Charles Urban: Pioneering the NonFiction Film in Britain and America, 1897-1925 (Exeter, 2013) won the 2014 Kraszna-Krausz Moving Image Book Award.

PUBLICATION DATE

30 August 2022

PUBLISHER

University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130124 | £80.00 | $97.00 eBook available SIZE 234 x 156 mm PAGES 248pp SERIES Exeter Studies in Film History

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Vaccination Wars

Cornwall in the Nineteenth Century

ELLA STEWART-PETERS

Challenges the existing historiography of nineteenth-century vaccination and the anti-vaccination movement through a unique focus on the Cornish experience.

Highlights the heavy price paid by those opposed to smallpox vaccination - including income loss, imprisonment, and the death of a child.

Demonstrates the links between the modern anti-vaccination movement and its antecedents.

This is the history of the grassroots anti-vaccination movement in nineteenthcentury Cornwall. The book examines the lives of those who publicly opposed the procedure, the earliest phases of vaccine objection, the rise of middle class resistance and opposition societies, and the influence of propaganda for statemandated medical practices.

PRAISE FOR VACCINATION WARS

...this book provides historical insight into the mentalities and misunderstandings that, even today during the greatest pandemic in a century, continue to spur resistance to medical precautions against contagious disease and their enforcement by public health authorities.

Peter Baldwin, author of Contagion and the State in Europe, 1830 1930

This is a wonderful book, unearthing and examining in lavish detail the social, religious, political and medical elements that went into a bitter struggle over vaccination.

Arthur Allen, author of Vaccine: The Controversial Story of Medicine's Greatest Lifesaver

A major contribution to the history of medicine, but also an important contribution to nineteenth-century social history and to Cornish studies.

Professor Philip Payton, author of Cornwall: A History and editor of the Cornish Studies series

BIOGRAPHICAL NOTE

Ella Stewart-Peters has a PhD in History from Flinders University, South Australia, and works in medical assessment for the College of Medicine and Public Health at Flinders.

PUBLICATION DATE

14 June 2022

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781804130001 | £80.00 | $105.00 eBook available

SIZE 234 x 156 mm PAGES 252pp BIC SUBJECTS MBX, HBTB, PSXM

BISAC SUBJECTS MED076000, SOC002010, HIS054000

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Mermaids

Art, Symbolism and Mythology

Presents a comprehensive overview of mermaids in Western culture and art.

Lavishly illustrated with beautiful and curious depictions of the mermaid through time.

Brings an interdisciplinary angle to the subject, taking in art history, evolutionary theory, classics, literary studies and more.

Women with fish tails are among the oldest and most popular of mythological creatures. This book presents a comprehensive, interdisciplinary and beautifully illustrated study of mermaids and their influence on Western culture. The roots of mermaid mythology and its metamorphosis through the centuries are discussed, from 600 BCE to the present day.

PRAISE FOR MERMAIDS

A great deal of fascinating information and fabulous illustrations about a topic most of us have hardly even considered, and yet the topic entails a motif in Western culture that extends back to earliest times.

Professor Robert Marc Friedman, University of Oslo

This beautifully-illustrated, well-researched, delightful book is sure to please anyone interested in the origins of mermaids, and why we still find them so intriguing.

Vaughn Scribner, author of Merpeople: A Human History

Mermaids offers a compelling overview of the emergence of the mermaid myth in western culture, beginning in the ancient cultures of the eastern Mediterranean. The primary focus is on examples from art (beautifully and generously illustrated) and literature, but the authors also engage with science and pseudoscience.

Harriet Ritvo, author of The Platypus and the Mermaid

BIOGRAPHICAL NOTE

Axel Müller is Professor in Mineralogy and Petrology at the Natural History Museum of the University of Oslo in Norway. The late Christopher Halls was awarded a PhD in Geology in 1969 from University College London. He worked as a geologist in Canada and then as a lecturer at Imperial College, London. Following retirement he became a Scientific Associate of the Natural History Museum. Ben Williamson is an Associate Professor in Applied Mineralogy at University of Exeter.

PUBLICATION DATE

26 April 2022

PUBLISHER University of Exeter Press FORMAT | ISBN | PRICE Hbk | 9781804130032 | £45.00 | $61.00 eBook available SIZE 244 x 170 mm PAGES 168pp BIC SUBJECTS JFHF, JHM, AC BISAC SUBJECTS SOC011000, SOC002000, ART015000

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Screening Europe in Australasia

Transnational Silent Film Before and After the Rise of Hollywood

Ground-breaking use of digitized Australian and New Zealand newspapers to reconstruct the lost circulation history of silent films.

Exhaustive documentation of the distribution and exhibition of European silent feature films in the Antipodes.

Compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry.

This book’s treatment of the extensive circulation of European silent features and stars in Australasia reveals the vibrant transnationalism of silent film before the rise of Hollywood, and frames the emergence of art house cinema in the 1920s.

PRAISE FOR SCREENING EUROPE IN AUSTRALASIA

The author's arguments and conclusions carefully and convincingly draw on wellselected historical sources: archival documentation and the daily Australasian press.

Professor Emeritus Dr Martin Loiperdinger, University of Trier, Germany

A superb contribution to transnational cinema studies, specifically the history of film distribution, exhibition, and reception in the silent period. Focused on the usually neglected region of Australia and New Zealand, Allen’s book is a model of extensive original research (in several languages), an admirable series of topical chapters, a list of hundreds of imported European film titles, and an enviable, accessible writing style.

Professor Richard Abel, University of Michigan

Julie Allen has, with meticulous research, filled in the gaps to show how the social experience and entrepreneurial economy of cinema in Australasia has, from the outset, been diversly transnational. Screening Europe in Australasia reveals the manifold ways in which the introduction of cinema helped colonial Australia and New Zealand define a relationship to the world, to each other and to themselves.

Professor Deb Verhoeven, University of Alberta

BIOGRAPHICAL NOTE

Julie K. Allen is Professor of Comparative Arts and Letters at Brigham Young University. She is the author of Icons of Danish Modernity: Georg Brandes & Asta Nielsen (2012) and Danish but Not Lutheran: The Impact of Mormonism on Danish Cultural Identity, 1850–1920 (2017), as well as numerous articles about European silent film, fairy tales, migration, and the construction of cultural identity.

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PUBLICATION DATE 19 April 2022

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781905816873 | £80.00 | $106.00 eBook available

SIZE 234 x 156 mm PAGES 484pp

SERIES Exeter Studies in Film History

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Identity Politics Past and Present

Political Discourses from Post-War Austria to the Covid Crisis

RUTH WODAK, MARKUS RHEINDORF

A timely focus on topical issues in European politics and beyond, including the ‘refugee crisis’ and the pandemic. Interdisciplinary real-world studies demonstrating how to combine empirical research with innovative qualitative and quantitative methods and a strong grounding in theoretical analysis.

Provides a useful introduction to how Critical Discourse

Studies, and more specifically the Discourse-Historical Approach, helps us understand the many complexities of our contemporary world.

Using a range of theoretical and empirical approaches to identity politics, collective memory and commemoration, this book traces the re-emergence of nationalism in the media, popular culture and politics, and the normalization of far-right nativist ideologies and attitudes in Austria between 1995 and 2015.

PRAISE FOR IDENTITY POLITICS PAST AND PRESENT

A timely book that reflects both analytically and empirically on how nationalism evolves.

Professor Anna Triandafyllidou, Ryerson University

A must read for scholars and students interested in political discourse and the construction of national identities.

Professor Anna De Fina, Georgetown University

a crucial book to help us understand the 21st century's fascination with nationalism and the politics of exclusion it all too often feeds.

Professor Nico Carpentier, Charles University

BIOGRAPHICAL NOTE

Ruth Wodak is an internationally renowned expert in sociolinguistics and discourse studies. She is Emerita Distinguished Professor of Discourse Studies at Lancaster University, UK, and affiliated to the University of Vienna. Markus Rheindorf teaches applied linguistics at the University of Vienna and Central European University, and specializes in critical discourse studies and academic writing.

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PUBLICATION DATE

15 March 2022

PUBLISHER University of Exeter Press

FORMAT | ISBN | PRICE Hbk | 9781905816804 | £80.00 | $113.00 eBook available SIZE 234 x 156 mm PAGES 350pp BIC SUBJECTS JP, CFGR, JF, JPFN, 1D

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The Boggart

Folklore, History, Place-names and Dialect

SIMON YOUNG

An entertaining and eye-opening account of a mercurial and mysterious supernatural being.

Showcases a radical approach to folk history, using social media and recent advances in digitization.

Offers a corrective and nuanced re-reading of an important figure in British folklore.

The little-studied and once much-feared boggart is a supernatural being from the north of England. Using long-forgotten sources as well as social media surveys and personal interviews, this ground-breaking book reveals that almost everything we thought we knew about the boggart is wrong.

PRAISE FOR THE BOGGART

Simon Young is one of the leading scholars of a new generation of folklorists. His research and scholarship in this evolving and exciting discipline is thorough and outstanding. His meticulous attention to detail and skill in using newspaper archives as primary sources for folkloric materials makes The Boggart a unique resource for those who wish to delve deep into traditions of supernatural belief in England and elsewhere.

David Clarke, Associate Professor, Centre for Contemporary Legend, Sheffield Hallam University

Boggarts are elusive creatures, but Simon Young has vividly captured their inherently slippery natures. Never before has the landscape of Boggartdom been so carefully mapped, nor its history so comprehensively told.

Dr Ceri Houlbrook, Lecturer in Folklore and History, University of Hertfordshire

Simon Young offers a truly innovative combination of landscape studies, social history, linguistics and folkloristics. His book transforms our understanding of how legend and landscape interact at the local level. Davide Ermacora, University of Turin

The Boggart is a meticulous, eye-opening and likely definitive account of a central figure in the folklore of the North of England.

PUBLICATION DATE 01 March 2022

PUBLISHER University of Exeter Press FORMAT | ISBN | PRICE Hbk | 9781905816903 | £50.00 | $70.00 eBook available SIZE 234 x 156 mm PAGES 330pp SERIES Exeter New Approaches to Legend, Folklore and Popular Belief

BIC SUBJECTS JFHF, FQ, VXQM, 3JH, 3JJ

BISAC SUBJECTS SOC011000, FIC010000, OCC029000

Francis Young, author of Magic in Merlin's Realm

BIOGRAPHICAL NOTE

Simon Young is a British folklore historian, based in Italy. He has a longstanding interest in the study of the supernatural.

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The Boggart Sourcebook

Texts and Memories for the Study of the British Supernatural

SIMON YOUNG

This volume provides the three corpora on which the associated monograph The Boggart: Folklore, History, Place-Names and Dialect is based. Offering detailed insights into a ground-breaking research method, it will be of particular interest to folklorists, historians and dialect scholars.

BIOGRAPHICAL NOTE

Simon Young is a British folklore historian, based in Italy. He has a longstanding interest in the study of the supernatural. In 2017 he edited Magical Folk (2017) with Ceri Houlbrook, and has published dozens of peerreviewed articles in Folk Life, Folklore, Gramarye, Supernatural Studies, Tradition Today and other journals.

TABLE OF CONTENTS

Introduction

Abbreviations

Corpus One: Boggart Ephemera

Corpus Two: Boggart Names

I)Boggart Place-names

II)Boggart Place-names by Landscape Type

III)Boggart Place-names by County

IV)Boggart Proper Names

V)Bibliography to Corpus Two

Corpus Three: Boggart Census

Lancashire

West Riding Cheshire

Derbyshire

Lincolnshire

Rhodesian, Scottish and Other Boggarts

Addenda Appendix: Questions and Prompts

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