In the Blood Program

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October 30 – November 2, 2025

Ursinus College Theater presents

Director: AZ Espinoza

Scenic and Lighting Designer: Shannon Zura

Costume Designer: Ilycia Boatwright-Buffaloe

Sound Designer: Adiah Hicks

Props Designer and Scenic Painter: Eliot Curtis

Fight Director: Quinton J. Alexander

Intimacy Director: Nicolette Adams

Stage Manager: Danica Guydish

Assistant Stage Manager: Kiran Singh-Lefkovitz

Assistant Lighting Designer: Caitlin Shanahan

Light Board Operator: Alexa Daiuto

Sound Board Operator: Ash Twomey

Backstage Crew: Zach Curvan, Lilyan Yanoff

Wardrobe Supervisor: Matt Hogeland

Wardrobe Crew: Chris Gerrow

Technical Director & Production Manager: Meghan Jones

Performing Arts Engineer: Steven Maurer

Production Assistants:

Nathaniel Ginet, Tovah Tolub, Mel Petro, Sofia Wiedemann, Rio Katz, Lucille Fabiszewski, Mia Bompensa, Elisa Garcia

Production Technicians: Sophia Bush, Caitlin Shanahan, Eric Bennet, Ash Twomey, Nathaniel Nerone, Danica Guydish, Nick Marelli

ASL Interpreters (Sun. performance): Elizabeth Wheeler, Elizabeth Setley

Theater & Dance Dept. Coordinator: Nicolette Adams

Theater & Dance Dept. Chair: Shannon Zura

In the Blood runs approximately 2 hours and 10 minutes plus a 15-minute intermission.

Please turn off all cell phones and other electronic devices. Texting and photography are prohibited during the performance.

Synopsis: In this modern-day riff on Nathaniel Hawthorne’s The Scarlet Letter, Hester “La Negrita”, a homeless mother of five, lives with her kids on the tough streets of the inner city. Her eldest child is teaching her how to read and write, but the letter “A” is, so far, the only letter she knows. Her five kids are named Jabber, Bully, Trouble, Beauty and Baby. While Hester’s kids fill her life with joy, the adults with whom she comes into contact only hold her back.

Content Advisory: This play contains discussions and depictions of violence against children and sexual abuse.

Director’s Note

Why This Play? Suzan-Lori Parks states that In the Blood, written in 1999, takes place HERE and that the time is NOW. So why stage it Here at Ursinus College in the Now of 2025? The social welfare system that has abandoned protagonist Hester has, by all accounts, become a thinner net in these past 26 years. 2020 reignited a housing and houselessness crisis throughout the United States, and our cities and communities are full of people who have been met with the same desperate circumstances as Hester. And yet, the enduring relevance of the themes and plot of Parks’ play is not why I chose to direct it.

When you watch tonight’s performance you will notice moments when the characters (or is it the actors?) might take a moment of pause, of breath, of stepping out of time and its relentless march forward. Suzan-Lori Parks is a playwright who believes in magic, and she writes her plays to contain spells. There are times in this script where she suggests to her collaborators (And I feel so lucky to be one of them, along with this INTREPID cast, crew, and creative team) to “take a little time, a pause, a breather.”

In a Here and a Now so full of encroaching dangers and mounting tragedies I think we could all use more practice in sitting with unflinching honesty while giving ourselves permission to take a little spell of quiet, of breath, of pause, of reflection. Perhaps this adds up to a truer kind of presence and attention, one that also makes room for laughter, anger, fear, and hopefully, an urge to act and to respond when the lights come up. Thank you for joining us. Enjoy the ride.

ENSEMBLE

HESTER: Yadi Padilla

BULLY/WELFARE: Mia Bompensa

BABY/REVEREND: Kat Carey

BEAUTY/AMIGA GRINGA: Margaret “Maggie” Diaz

JABBER/CHILLI: Nasir Kellman

TROUBLE/DOCTOR: Mel Petro

Mia Bompensa (Bully/Welfare) is a sophomore double majoring in Media/Communications and Theater. She is a pole vaulter on the track team and a U-Imagine Center Ambassador. In the past, she has performed in several mainstage productions with regional theaters such as The Walnut Street Theatre, Quintessence Theatre, and more. At Ursinus, she most recently performed in Afternoon at the Seaside as The Beauty. Mia has a passion for anything creative, expressing herself through singing/songwriting, art, and book writing. She thanks her family and friends for always supporting her in every pursuit, and she is excited to perform with this wonderful cast and crew!

Kat Carey (they/them) (Baby/Reverend) is a junior double majoring in Media and Communication Studies & Theater with a minor in Politics. Their Ursinus College acting credits include Evil in Everybody, A Mother in Afternoon at the Seaside, and Mel in A Series of Meetings. They were Assistant Stage Manager for Everybody, Home is Here/Hear, and Stage Manager for When I Think of Home. They would love to thank the cast, crew, stage manager, and director for their outstanding and beautiful work, their family, and friends for supporting their passion for theater, and the audience for coming to see the show and supporting the arts!

Margaret “Maggie” Diaz (Beauty/Amiga Gringa) is a sophomore at Ursinus College, double majoring in Theatre (Performing Arts) and Psychology. This marks her first Mainstage production with the Theatre Department. Her most recent performance at UC was Girl in the Mirror, produced by Breakaway Student Productions (BSP). Maggie would like to thank AZ (Director) for never doubting her and for being

so confident in her ability to take on this role. She is deeply grateful to the cast and crew for the heart and effort they’ve poured into such an emotionally charged production it’s no easy task. Endless thanks to her family and friends for their unwavering support, especially her Aunt Jeanne, who has always been her #1 fan. And to Meghan Brodie, who has done more for Maggie than she probably knows. #ChingaLaMigra

Nasir Kellman (Jabber/Chilli) is a freshman majoring in Environmental Studies and Theater. This is Nasir’s first time in a UC production! Nasir would like to thank his family for their unwavering support of all his theater adventures. Their love and support are forever his biggest motivator and joy. He would also like to thank the cast and crew for this show whose kindness makes all the work possible, even when we rehearse while acting like children. Finally, Nasir wants to thank his friends outside the department for always listening to him ramble with no context of the show at all. He hopes you all enjoy the show!

Yadiomi Padilla (Hester) Yadi is a senior at Ursinus College with a deep passion for theater. She enjoys embracing challenges and pushing herself beyond limits, which is exemplified by her decision to take on the production of In The Blood. Looking ahead, Yadi is excited to launch her own design start-up after graduation, eager to channel her creativity and entrepreneurial spirit into her future endeavors.

Mel Petro (Trouble/Doctor) is thrilled to be participating in this thoughtprovoking production alongside such a wonderful cast and crew. Mel is a junior double majoring in Theater and Performing and Visual Arts Design and Technology. Some of Mel’s previous Ursinus College Theater roles include Medium Alison (Fun Home), Inspector Cray-Foley (Agatha Christie Double Bill), and Cecco (Captain Darling). Mel has also been a part of many student-led shows such as Breakaway Student Productions’ Girl in the Mirror (Susan Connors), and independent director Sophia Bush’s Romeo and Juliet as Romeo. She would like to thank AZ for their incredible direction and for the opportunity to be this cast’s fight captain! This cast and crew has truly become its own little family and it’s an honor to know and work with everyone. Hope you enjoy the show!

PRODUCTION STAFF

Nicolette Adams (Intimacy Director) has been the Theater and Dance Coordinator here at Ursinus for 4 years and is excited to be working on her first production as Intimacy Director! Also an actor and director, she’s passionate about fostering safe, respectful, and collaborative creative spaces and has loved being part of this brilliant team. Recent ID projects include Cabaret and The Philadelphia Story at Playcrafters of Skippack, Into the Woods at Narberth Community Theatre, The Prom and Peter and the Starcatcher at Methacton Community Theater, and The Prom and The Cake at Steel River Playhouse. She is looking forward to directing The Full Monty at Barley Sheaf Players early next year.

Quinton J. Alexander (Fight Director) is a Philadelphia based Fight Director and Actor. He has over ten years experience studying with The Society of American Fight Directors, Fight Directors Canada and The British Academy of Stage & Screen Combat. Quinton has created fight choreography for Fire!! (Quintessence Theatre Group), Juliet & Romeo (The Drama Group of Germantown), Frankenstein (Lightbooth Blackout) and Twelfth Night (Allens Lane Art Center). He is excited to bring the action of In The Blood to life.

Ilycia Boatwright-Buffaloe (she/her) (Costume Designer) is a costume designer and founder of B-Buffaloe, a company specializing in inclusive, body-positive performance wear. A graduate of West Chester University with a degree in Design, Technology, and Management, she has designed for EgoPo Theater Company, Delaware Shakespeare, InterAct Theatre, and Arden Theatre Company, and assisted with Passage Theatre Company. Ilycia has also collaborated with many of Philadelphia’s celebrated drag and burlesque artists. Guided by her mantra, “Size inclusion is neither an obstacle nor an option,” she is dedicated to creating designs that celebrate all bodies and styles.

Eliot Curtis (Props Master / Scenic Painter) is excited to be returning to Ursinus! Having graduated from Temple University with a degree in theater, they now work with a variety of professional theaters in scenic painting, props design, and assistant stage management. Most recently, Eliot has worked with Act II Playhouse as their scenic painter and props master for Misery. Eliot also enjoys creating art, writing, and working with their local community theaters. More of their work can be found at eliotcurtis.com.

AZ Espinoza (Director) is an afro-futurist-trans-masculine-feminist making magic through theatre. His directing praxis is grounded in community building, embodiments of queer joy, and decolonial ritual practice, all in an effort to dare audiences to accept wild invitations. Credits include: William Shakespeare’s Macbeth; Alice Childress’s Wine in the Wilderness; Benjamin Benne’s Alma, and Savannah Reich’s A Series of Meetings. AZ’s work as a playwright includes the world premiere of their play All My Mothers Dream in Spanish at Azuka Theatre in 2023 and oneact and full-length plays in conversation with The Bakkhai, Pericles, The Odyssey, King Lear, and Mae West’s The Drag, where adaptation serves as a tool for revolution. Recent work has been supported by Cannonball Festival, Subcircle Residency, and Leah Stein Dance Company. AZ is a 2025 Queer Art Fellow and a theater educator for all ages, most recently at Haverford College and Ursinus College.

Danica Guydish (Stage Manager) is a sophomore majoring in PVDT (Performance Visual Arts Design and Technology) and German with a teaching certification. This is Danica’s first time stage-managing a department production! Recently, Danica was the assistant stage manager for A Series of Meeting, and stage manager for a studentdirected show of Romeo and Juliet. Danica would like to thank her family for their unwavering support of all her theater adventures. Their love and support are forever her biggest motivator and joy. She would also like to thank her cast and crew for this show whose kindness makes all the work possible, even when we rehearse with fake toilets. Finally, Danica wants to thank her friends outside the department for always listening to her ramble with no context of the show at all. She hopes you all enjoy the show!

Kiran Singh-Lefkovitz (Assistant Stage Manager) is a Junior majoring in Biology. He has previously acted in UC Theater's production of Two Gentlemen of Verona and Agatha Christie One Acts. He was also an assistant stage manager for UC Theater's production of Everybody. He is very grateful to have been able to work with such a talented cast and crew for this production and hopes you enjoy the show!

Adiah D. Hicks (she/her) (Sound Designer) is an award-winning sound designer, audio engineer, performer, and educator. Her design credits include A Hit Dog Will Holler (Azuka Theatre), All My Mothers Dream in Spanish (Teatro Del Sol/ Azuka Theatre), Natural Shocks (Hope Summer Repertory Theatre), and American Moor (Lantern Theatre Company). Adiah is a

strong believer in the ability of storytelling to humanize and unite us. She is happy to have been invited to help tell this story with the students and production team at Ursinus College. Adiah is forever grateful for the love and support she receives from her family and friends.

Matthew Hogeland (he/they) (Wardrobe Supervisor) holds a Bachelor’s of Arts in Theatre Arts from Bloomsburg University and is excited to be a part of his first production with the Ursinus College Theater Department! Up next at Ursinus, he’ll serve as the Costume Designer for sound(in)sight, UCDC’s fall concert. This past August & September he performed in the ensemble of Beautiful: The Carole King Musical with Music Mountain Theatre directed by Louis Palena and over the summer he served as the Assistant Director, Stage Manager, and Costume Designer for Playcrafters of Skippack’s production of Footloose directed by Rachel Fisher. He has received two commendations from the Kennedy Center American College Theatre Festival, one for Excellence in Stage Management for A Midsummer Night’s Dream with the BU Players directed by Dr. Carrie Winship and one for Dramaturgical Voice for The Astronots by Mora V. Harris directed by David A. Miller also with the BU Players. Additionally, in 2024 he received a Playcrafters of Skippack Shining Star Award for his work as the Stage Manager for 13: The Musical directed by Cassidy Butler & Jane Vitelli. When not working in theatre he can be found working as an Elementary Autistic Support Paraprofessional and as a children’s swimming coach. Matthew would like to thank everyone, especially the Ursinus College Theatre & Dance faculty for inviting him back this semester and his friends and family for their ongoing support. He is so grateful and hopes you enjoy the show.

Lilyan Yanoff (Props Crew) is a freshman majoring in PVDT (Performance Visual Arts Design and Technology) and Math with a teaching certificate. This is Lilyan first show in college after managing Props at her high school for 4 years Lilyan would like to thank her mom for always being a positive influence, especially when it comes to the arts. She would also like to thank Mr. and Dr. Pwincess for supporting her in her theater endeavors.

Join us for the rest of our 2025-2026 Season!

UCDC presents sound(in)sight produced by Michael J. Love

November 20-22

Too Much Light Makes the Baby Go Blind by Greg Allen directed by Prof. Domenick Scudera

March 5-8

The Moors by Jen Silverman directed by guest director Emma Gibson April 9-12

UCDC presents Rewind/Fast Forward produced by Dr. Karen Clemente April 30-May 2

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Gifts to the Friends of Theater & Dance fund support all of the Theater and Dance Department productions and activities!

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