UC Santa Barbara Department of Music Summer 2021 Newsletter

Department of Music Summer 2021 Newsletter

2 | UC Santa Barbara Department of Music | Summer 2021 Newsletter

Contents Welcome from the Chair.........................................................................................................4 Congratulations Graduates!...................................................................................................5 Remembering UCSB Son Jarocho Ensemble Director Hugo Macario...............................6 Historias que contar / Stories to tell......................................................................................7

Springtime in France: Music of Les Six..................................................................................9 Virtual Flute Masterclasses and Seminars............................................................................10 UCSB Cello Squad’s Third Annual “Etude Challenge”......................................................12 Corwin Chair Series Lectures................................................................................................13 Ethnomusicology Forum.......................................................................................................14 Music History and Theory Forum.........................................................................................15 Roundtable: Sustaining Music and Musicians in the Age of Streaming...........................15 Virtual Milestones: UCSB Chamber Choir and Jazz Ensemble Live Streams...................16 Virtual Spring 2021 Concert Series.......................................................................................18 Faculty News and Accomplishments...................................................................................21 Current Student Successes...................................................................................................22 Alumni News..........................................................................................................................23

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Pictured on cover: Dr. Nicole Lamartine (pictured top left) directs the UCSB Chamber Choir in a virtual performance of Peace Flows Into Me by Jake Runestad during the UCSB Chamber Choir’s live stream performance on May 26, 2021 Copyright © 2021 The Regents of the University of California, All Rights Reserved.

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Welcome from the Chair As we finish the 2020-21 academic school year, summer is in the air and the world is starting to open up with renewed hope, optimism, and the real possibility of being back in-person soon to our beautiful UCSB campus. I marvel at listening to all of our amazing year-end virtual student recitals, reading through brilliant doctoral exams, connecting with students to hear of their future plans, and reflecting on the difficulties that the Covid-19 pandemic has brought to all of us. Through it all, we are all still standing and should be proud of all of our accomplishments during this challenging time.

Music is community, and when we come together to support each other and stand strong together through adversity, anything is possible. Congratulations to our faculty, staff, and students on a successful year at the UCSB Department of Music.

I hope that everyone has a wonderful summer!

Robert Koenig, Chair and Professor of Keyboard

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Congratulations Graduates!

Graduate Students Master of Music Jordana Schaeffer | Master of Music in Woodwinds and Brass (Flute) Kristina Tsanova | Master of Music in Strings (Violin)

Doctor of Musical Arts Kelly Newberry Guerra | Doctor of Musical Arts in Voice Naomi Merer | Doctor of Musical Arts in Voice Chenoa Orme-Stone | Doctor of Musical Arts in Strings (Cello) John Scoville | Doctor of Musical Arts in Keyboard

Doctor of Philosophy Stephanie Choi | Doctor of Philosophy in Ethnomusicology Elizabeth Hambleton | Doctor of Philosophy in Theory Alicia Mastromonaco | Doctor of Philosophy in Musicology Liza Munk | Doctor of Philosophy in Ethnomusicology Emily Vanchella | Doctor of Philosophy in Theory

Undergraduate Students Bachelor of Arts Adam Arnold | Bachelor of Arts in Music Studies*** Noelle Barr | Bachelor of Arts in Music Studies and Bachelor of Arts in History of Art and Architecture** James Benscheidt | Bachelor of Arts in Music Studies Brooke Eisele | Bachelor of Arts in Music Studies Terra Giddens | Bachelor of Arts in Music Studies Ryan Kellis | Bachelor of Arts in Music Studies Aldo Alan Navarrete | Bachelor of Arts in Music Studies (Western Art Music) Clara Pitsker | Bachelor of Arts in Music Studies and Bachelor of Arts in Environmental Studies*** Dylan Ransley | Bachelor of Arts in Music Studies** Lindsay Ray | Bachelor of Arts in Music Studies (Western Art Music) and Bachelor of Arts in Theater* Beth Root | Bachelor of Arts in Music Studies (Ethnomusicology) and Minor in Education Studies* Tyler Santi | Bachelor of Arts in Music Studies, Bachelor of Arts in English, and Minor in Spanish Jinrui Shi | Bachelor of Arts in Music Studies (Western Art Music) Flora Sun | Bachelor of Arts in Music Studies (Western Art Music) and Minor in Education Studies Tshwjxeeb Vaaj | Bachelor of Arts in Music Studies and Bachelor of Arts in Chemistry Zhiyun Xiong | Bachelor of Arts in Music Studies Davit Yeranyan | Bachelor of Arts in Music Studies

Bachelor of Music Megan Ashley | Bachelor of Music in Voice and Minor in Italian Studies* William Geiler | Bachelor of Music in Composition Olivia Nava | Bachelor of Music in Woodwinds and Brass (Trombone) Soha Sadeghinejad | Bachelor of Music in Strings (Viola) * Honors

** High Honors

*** Highest Honors

This list denotes students who graduated during Summer 2020, Fall 2020, Winter 2021, and Spring 2021 UC Santa Barbara Department of Music | Summer 2021 Newsletter | 5

Remembering UCSB Son Jarocho Ensemble Director Hugo Macario The UC Santa Barbara Department of Music regretfully shares the news that Hugo Macario, a UC Santa Barbara Lecturer and Director of the UCSB Son Jarocho Ensemble, passed away on May 9, 2021 at the age of 55. Hugo was known as both a talented performer and educator, with a love for Latin music and sharing it with the community.

Hugo was born on August 15, 1965 in Pátzcuaro, a large town in the Mexican state of Michoacán.

He started playing traditional music from Latin America at an early age. He toured the United States with the band Quetzalcoatl, playing traditional music from Mexico, Cuba, and Venezuela. Hugo later directed his own band, Ensamble Vientos Del Sur (Winds of the South Ensemble), and produced three CD recordings. The Santa Barbara-based group was frequently featured on the UCSB World Music Series, co-presented by the UCSB MultiCultural Center and the Ethnomusicology Program in the Department of Music.

At UC Santa Barbara, Hugo taught and directed the UCSB Son Jarocho Ensemble, a course supported by funds from the UC Santa Barbara Division of Humanities and Fine Arts. Son jarocho is a vibrant music and dance tradition from Mexico’s Sotavento region (including parts of Veracruz, Tabasco, Oaxaca, and Chiapas). The genre reflects the synthesis of Mexico’s African, Spanish, and Indigenous influences in an evolving tradition that continues to thrive among current generations in Mexico and beyond. The essence of son jarocho is expressed in an event known as a fandango.

As the fandango is an inclusive space where all are welcome to participate in an accepting and energized environment, Hugo made known that all were welcome in the UCSB Son Jarocho Ensemble. Musicians at all levels of musical ability, from beginner to experienced, were encouraged to join.

“Hugo Macario, and his mentorship as the instructor of UCSB’s Son Jarocho Ensemble, has influenced the musical and personal lives of such a vast population,” said Alexis Mancilla, a Bachelor of Music student in Hugo’s Son Jarocho Ensemble class. “His enthusiastic spirit, welcoming persona, and admirable leadership has perpetuated a community that continues to celebrate the music, ethnicities, and culture of the Mexican Afro-Spanish and Indigenous peoples. Always eager to engage with his students, Hugo Macario devoted his career to extending his own skills to a broader community, and always fostered an environment that encouraged passion, individuality, expressivity, and camaraderie. As an educator and mentor, Professor Hugo Macario has symbolized such an imperative aspect of my developmental growth to becoming a more well-rounded musician and student. His ideals and essence will forever be circulated, appreciated, and celebrated by the community he contributed immensely to.”

Hugo’s love for performing and teaching left a lasting impression on his students and audience members, and his impact on the Department of Music and the UC Santa Barbara community will be felt for years to come. Read more about Hugo’s legacy here.

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Pictured from left to right: Lucia Torres (Hugo Macario’s wife), Lecturer Hugo Macario, and Professor Ruth Hellier in Santa Barbara at Ruth Hellier’s house on June 18, 2019 Phone image: Hugo Macario’s family in Pátzcuaro Laptop image: Ruth Hellier with Leobardo Ramos of Jarácuaro

Historias que contar / Stories to tell A connecting relationship through the Island of Jarácuaro

By Ruth Hellier, Professor, Department of Music, UC Santa Barbara Although I had known Hugo for some time as a musician in Ensamble Vientos del Sur, it was only in early June 2019 that Hugo and I discovered our deep shared connection to one very tiny and specific place in Mexico: the Island of Jarácuaro. Hugo’s family is from the Island of Járacuaro, Lago de Pátzcuaro, Michoacán, part of a region with a remarkable legacy of teachers, teacher training and vibrant musical and cultural practices (and, significantly, home of P’urhépecha peoples for many centuries). For my part, I had spent much time living on or near the Island of Jarácuaro from the mid1990s onwards as part of my research on musical practices, teaching and transmission. I played violin with an ensemble from Jarácuaro and knew so many people who were connected with the dance of the old men (la danza de los viejitos) and who were teachers. Of course, I knew of the Macario family as a family of teachers from Jarácuaro who, like others, lived in the nearby lakeside town of Pátzcuaro.

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Pictured from left: Professor Ruth Hellier and Maria Macario on the Island of Jarácuaro, Michoacán, Mexico, on June 22, 2019

In early June 2019, Hugo and I were in conversation. We were preparing for his role as new Director of the UCSB Son Jarocho Ensemble (an ensemble which I had envisioned in 2015 when teaching an undergraduate course on Musics and Dance in Mexico). Hugo and I had one of those exchanges that starts out with general connections–“...Mexico...state of Michoacán”–and then gradually becomes a spine-tingling sense of deep correlation “...near the city of Morelia...town of Pátzcuaro...one of the islands on Lake Pátzcuaro...

Island of Jarácuaro.”

At that point, Hugo and I knew that we would have so much to talk about and so many possibilities for future collaborations. I already had a visit to Jarácuaro planned for 23 June, because my dear friend Leobardo was to be one of the hosts for the celebration of Corpus Christi. With great excitement, enthusiasm and energy, Hugo said that I should therefore meet with his sister Maria on Jarácuaro. On 18 June, Hugo and his wonderful wife Lucia Torres came over to my house in Santa Barbara and we sat and chatted away and even had a facetime call with Maria. Then just a few days later, I was on the Island of Jarácuaro meeting Maria in person. While I was there, Hugo called by phone to check in on us. It was a wonderful testament to Hugo’s deep desire for connections and for making the most of opportunities.

In June, Hugo gave me a copy of his 2015 CD titled Historias que contar (Stories to tell), that he created with fellow musicians Jose and Robert with their Ensamble Vientos del Sur. If you look at the cover, you will see Lucia’s stunning collage of photos, including one of the Island of Jarácuaro. And if you listen to track 10, composed by Hugo and titled simply “Jarácuaro,” you can hear Hugo’s deep sense of musical relationship to his family’s home.

Cover of Historias que contar by Ensamble Vientos del Sur (Hugo Macario, Jose Elizarraraz, Robert Gutiérrez) Released in 2015 through La Cima Music and Vientos Del Sur Productions

Hugo’s life was clearly lived to the full. Even with Hugo’s all-too-brief time as Director of the UCSB Son Jarocho Ensemble he made a great contribution to life at the University of California, Santa Barbara. He was truly an accomplished, experienced and skilled teacher and musician who enabled every participant to feel included and valued. For my own part, I have a sense of profound sadness that the possibilities for future collaborations with Hugo, exploring stories of musicians and teachers of Jarácuaro, are no longer possible. In place of these possibilities, and as a way of expressing my enormous appreciation of Hugo’s life, my future research presentations about Jarácuaro and musics of Mexico will always be dedicated to Hugo.

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Continuing Lecturer Dr. Natasha Kislenko performs L’Album des Six, a collection of piano works by each of the composers of Les Six (Arthur Honegger, Georges Auric, Darius Milhaud, Germaine Tailleferre, Francis Poulenc, and Louis Durey)

Springtime in France: Music of Les Six Continuing Lecturer Dr. Natasha Kislenko explores music by composers of Les Six with special guests The Department of Music presented a special virtual chamber music recital, “Springtime in France: Music of Les Six,” on Friday, May 7 as a YouTube Premiere via the Department of Music’s YouTube channel. The concert featured UC Santa Barbara Continuing Lecturer and pianist Dr. Natasha Kislenko along with special guests, including clarinetist Richie Hawley, trumpeter Matthew Swihart, violinist Chavdar Parashkevov, and pianist Tali Morgulis. The program showcased solo and chamber works by the members of Les Six—Arthur Honegger, Georges Auric, Darius Milhaud, Germaine Tailleferre, Francis Poulenc, and Louis Durey.

“The idea to perform music by Les Six came quite spontaneously,” noted Kislenko. “To me, the early twentieth century is one of the most fascinating and diverse time periods in art and music. In the past, I put several programs together featuring composers from that time. So, I started looking for new ideas…I remembered Les Six from my music history classes. The names of composers came back easily though I only played and knew works by Milhaud and Poulenc, and some Honegger. Three others were a complete mystery. I am fortunate to have come across a wonderful book by Robert Shapiro, where I learned so much about every one of those six. The group did not exist long, each composer had a very unique journey and musical path, but their friendship and collegiality remained strong throughout the century.” Learn more about Les Six and watch the full concert here.

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Professor Jill Felber hosts Virtual Masterclasses and Seminars featuring National Guest Artists during Pandemic Alumni and special guests motivate and encourage students Preparing for four competitions, three recitals, individual weekly lessons, and a publication submission of an arrangement of Katherine Hoover’s Kokopeli for flute duet, flute majors managed to stay engaged, motivated, and inspired by peers and guests from all over the nation during COVID-19 pandemic virtual learning.

“The students were patient and tolerant with technical difficulties during remote instruction. We kept our sense of humor,” remarked Professor Jill Felber. “I wanted to reward the students with the honor to perform for some great flutists and to be able to connect my current studio with many former students. Amidst ‘call failed’, ‘poor connections’, ‘internet unstable’, wifi pauses, competitive/ compromised bandwidth due to family sharing, FaceTime accelerations three times the speed during lessons, FaceTime sideways and upside down images, mp4s sent with mirrored images, Zoom cutting out, house alarms, power outages, echoes, and distortions of sound, we remained active and productive with many virtual guest seminars and masterclasses during COVID-19 remote instruction.”

“During one studio class, a student played a concerto movement by memory with barely a note heard. I let him continue just so he would have an opportunity to perform without interruption prior to a competition. We just watched his fingers move!”

Professor Jill Felber With in-person events out of the question and virtual events the only option, the UC Santa Barbara flute studio was able to take advantage of the benefits of virtual events. Those benefits included the elimination of travel and lodging expenses, as well as the need to reserve a physical venue, which allowed the studio to invite guest artists and speakers to join them who, under normal circumstances, might not have been able to fly to Santa Barbara due to busy schedules and the logistical issues of traveling. Some events were available complimentary, some were funded by competitive application from international funding sources, such as Haynes University, and some were financed by Professor Felber’s Whole Flutes™ Seminar account.

Guest artists and speakers included UC Santa Barbara alumni Carol Joe ‘12 (Flutist with U.S. Army Band Pershing’s Own), Alison Hazen Olsen ‘09 (Principal Flute with Ballet West in Utah), Dr. Naomi Seidman ‘02 (Associate Professor of Flute at Pennsylvania State University), and Shivhan Dohse Morton ‘07 (Flutist and Mindset and Energy Coach), who led a seminar titled “Master Your Mindset.”

Other guests included Erica Peel (Piccolo with the Philadelphia Orchestra and a former private student of Professor Felber) and Jennifer Grim (Associate Professor of Flute at the University of Miami 10 | UC Santa Barbara Department of Music | Summer 2021 Newsletter

Professor Jill Felber (pictured top left) and the UC Santa Barbara Flute Studio class during a virtual masterclass with Guest Artist and UC Santa Barbara Alumna Dr. Naomi Seidman ‘02 (Associate Professor of Flute at Pennsylvania State University)

Frost School of Music), who hosted a class on Baroque Performance Practice, sponsored by Haynes University. New York City-based flutist and Life Coach Dr. Chelsea Tanner also gave a workshop on performance anxiety.

Over the course of the pandemic, Professor Felber was also invited to give numerous virtual classes, including two New Perspectives Extreme Makeover: Flute Edition (EMFE) seminars, two West Valley Music EMFE seminars, and masterclasses for Miyazawa Flutes, the Seattle Youth Symphony Orchestra, West Valley Music, and the studio of flutist Bonnie Blanchard. During remote instruction, Professor Felber also compiled pedagogy material for students into a 323-page guide titled “Jill Felber’s Essential Flute,” which includes handouts from Professor Felber’s numerous workshops and seminars, exercises from Paul Edmund Davies’ Simply Flute, excerpts from Erica Peel’s Practice with the Experts - Piccolo, and YouTube pedagogical summaries composed by master’s student and Teaching Assistant Jordana Schaeffer, now an alumna of UC Santa Barbara, having graduated in Spring 2021.

“Nothing is as effective as in person instruction, but the weekly contact via Zoom and other platforms, kept us all connected and productive,” said Professor Felber. “The students loved the one on one nature of virtual real time lessons along with the opportunity to play for and support each other in Zoom classes.”

Professor Felber has performed solo recitals, chamber music, and concertos on five continents and has held residencies in Hong Kong, Taiwan, Australia, Mexico, France, Switzerland, Great Britain, Italy, Canada, Brazil, and the United States. A tireless promoter of new music, she has premiered over five hundred works for the flute, with world premiere recordings for Centaur Records, CRI, Neuma Records, BCM+D Records, and ZAWA!MUSIC. Learn more about Professor Felber here.

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Professor Jennifer Kloetzel hosts Third Annual “Etude Challenge” Professor Jennifer Kloetzel hosted the Third Annual “Etude Challenge” for the UC Santa Barbara Cello Studio on April 6, featuring Anthony Arnone, Professor of Cello at the University of Iowa, as guest adjudicator.

“Technique is something that every musician must work on, and often it can be a bit dull, I’m afraid. I created Etude Challenge three years ago to make learning etudes more fun and to bring my class together with a common goal,” said Professor Kloetzel of her inspiration behind Alumna Dr. Larissa Fedoryka ‘17 performs over Zoom as part of the Third Annual Etude Challenge on April 6, 2021 the challenge. “Every year I choose two etudes to feature. The challenge etudes are announced the last week of winter quarter, giving students spring break to choose one and spend their break focusing on their chosen etude. At the start of spring quarter, we have a ‘friendly competition’ with an outside judge choosing one winner, based on the best performance.

Prizes include a gift card and UCSB Cello Squad swag. Anthony Arnone, our judge for this year, also gave a talk about his new book, The Art of Listening: Conversations with Cellists, which is a wonderful collection of interviews with 13 of the top cello teachers of our time. This year, given that we were doing the competition over Zoom, I invited alumni to join in as well.”

For 2021, the etudes were Etude No. 6 by David Popper and Caprice No. 4 by Adrien-François Servais. Eight cellists participated and the winner was alumna Dr. Larissa Fedoryka—Zooming in from Virginia—who gave an impassioned performance of the Popper (pictured above). Former winners were Hannah Paulus (Duport Etude No. 6) in 2020 and Katrina Agate (Popper Etude No. 3) in 2019.

Professor Kloetzel hosted the First Annual Etude Challenge in April 2019, with etudes by David Popper and Jean-Louis Duport, and cellist Ani Aznavoorian of Camerata Pacifica serving as Guest Adjudicator. In April 2020, Trevor Handy, principal cellist of the Santa Barbara Symphony, served as the second Guest Adjudicator, and the challenge again featured Popper and Duport etudes. In 2020, Professor Kloetzel added an extra challenge for her students in fall quarter, called “CellOlympics.”

Created as a way to test basic cello techniques, the first CellOlympics included rapid scales, thumb position etudes, and long tones, and the entire studio class voted on the winner. The 2020 CellOlympics champion was UC Santa Barbara Master of Music student Naomi Stoodley.

An in-demand educator and adjudicator, Professor Kloetzel has given master classes at The Juilliard School, San Francisco Conservatory, and universities throughout the US. She has been on the faculty of the UC Santa Barbara Department of Music since 2016. In 2018, she was named Assistant Professor of Cello and Head of Strings, and in 2020, was promoted to Professor of Cello. Read more here.

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Corwin Chair Series Lectures Kuchera-Morin, Shaw, Chong, and Justel The Spring Corwin Chair Lecture Series included four virtual events, kicking off with a talk by composer and UC Santa Barbara Professor Dr. JoAnn Kuchera-Morin on April 9. In her lecture, titled “Using the Creative Process as a Computational Framework for Unfolding Complex Systems,” Dr. Kuchera-Morin discussed how we can apply the creative compositional process in building computational languages and computational platforms in order to represent very complex information through our senses, namely visual, audio, and interactive representations. Dr. Kuchera-Morin is Professor of Media Arts and Technology and Music at UC Santa Barbara, as well as the Director and Chief Scientist of the AlloSphere Research Facility. Read more here.

On April 30, Pulitzer Prize-winning composer Caroline Shaw discussed her musical background, current projects, and held a Q&A. Following the discussion, she coached a UCSB undergraduate string quartet on her piece Entr’acte. Shaw was the youngest recipient of the Pulitzer Prize for Music in 2013 for Partita for 8 Voices, written for the Grammy-winning Roomful of Teeth, of which she is a member. Recent commissions include new works for Renée Fleming with Inon Barnatan, Dawn Upshaw with Sō Percussion and Gil Kalish, Seattle Symphony, Los Angeles Philharmonic, and Brooklyn Rider. Read more here.

Dr. Kee Yong Chong gave a lecture titled “Multi-Layered Ethnic and Cultural Influences in my Musical Compositions” on May 14, in which he discussed his work and influences. Dr. Chong’s awards include the Prix Marcel Hastir by Belgium Royal Academy of Sciences, Letters & Fine Arts; the Fourth International Andrzej Panufnik Competition for Young Composers in Poland; the Grand Prix at the Second Seoul International Competition for Composers; the Malaysian Philharmonic Orchestra International Composers’ Award; and Third Prize in the Luxembourg International Composition Award. Read more here.

The final Spring Corwin Chair Lecture on June 4 featured composer Elsa Justel in a discussion of her works, influences, and compositional aesthetic. Justel has taught new composition techniques at the Conservatorio Provincial de Música Luis Gianneo in Mar del Plata (Argentina), sound techniques and sound form at the Universite Paris-Est Marne-la-Vallée (France), and electroacoustic music at the Universitat Pompeu Fabra in Barcelona (Spain). She has published various articles on electroacoustic music and videomusic and has participated in many conferences as a speaker. Read more here.

Pictured from top: Dr. JoAnn Kuchera-Morin, Caroline Shaw (photo by Kyle Dorosz), Kee Yong Chong (photo by Nelson Wong), and Elsa Justel UC Santa Barbara Department of Music | Summer 2021 Newsletter | 13

Pictured from left: Jared Holton (photo by Zach Mendez), Eugenia Siegel Conte, and Dr. Max Jack ‘19

Ethnomusicology Forum Lectures by UC Santa Barbara alumnus Dr. Max Jack ‘19 and PhD candidates Eugenia Siegel Conte and Jared Holton The UC Santa Barbara Ethnomusicology Forum Spring Quarter lineup featured two virtual lectures over Zoom, one given by PhD candidate Jared Holton as part of the new UCSB ABD Graduate Student Series, and another special lecture given by PhD candidate Eugenia Siegel Conte and alumnus Dr. Max Jack ‘19.

PhD candidate Jared Holton presented his lecture, titled “Formulating Difference in Modal Music: The Analysis of Emplacement within Andalusian Music in Tunisia,” on April 21. According to Holton, the music of al-Andalus, or medieval Muslim Spain, contributes significantly to the sense of cultural heritage and identity for many people and constitutes one of the oldest living music traditions in the world. In his talk, Holton explored the process Tunisians undertake in transcribing social and cultural difference within musical structure in order to mobilize meaning. Holton asserted that, more than just scales and pitch hierarchies, the Andalusian modal music of Tunisia demonstrates the vitality of structured sound to foreground relations between ideas, feelings, and bodies, and beyond that between humans, non-humans, and cosmic forces. Read more here.

On May 19, PhD candidate Eugenia Siegel Conte and UC Santa Barbara alumnus Dr. Max Jack (Doctor of Philosophy in Ethnomusicology, 2019) presented “The Art of Making a Scene: Vocal Disruption, Affective Regimes, and Public Space.” After asking questions such as “What do stadiums full of football fans have to do with chapel choirs?” and “How can a viral YouTube video of an impromptu performance of a 13th century Icelandic hymn in a train station tell us something about shouted protest in a new shopping mall?”, Conte and Jack are developing an article, “The Art of Making a Scene,” that explores these questions. In their presentation for UC Santa Barbara, they discussed how they discovered unexpected links between their scholarly interests and have been collaborating to show how space/place, body, voice, and “affective regimes” (Mankekar and Gupta 2016) can lead to a recognition and reorganization of public space through the embodied poetics of voice. They also talked about the importance of mentorship, friendship, creativity, and collaboration in scholarship. Read more here.

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Music History and Theory Forum Guest Dr. Jacqueline Avila discusses “Memorias de Oro: Music, Memory, and Mexicanidad in Pixar’s Coco”

As part of UC Santa Barbara’s Music History and Theory Forum, Dr. Jacqueline Avila, an Associate Professor in Musicology at the University of Tennessee, presented a public lecture, titled “Memorias de Oro: Music, Memory, and Mexicanidad in Pixar’s Coco (2017),” on May 12. Dr. Avila posited that representations of Mexicans in Hollywood cinema have typically recycled negative stereotypes, but Pixar’s Coco (2017) provides a divergent interpretation. Set during Día de muertos, Coco embellishes several signifiers from the comedia ranchera, a film genre that showcased Mexican popular culture and musical performance, and elements of contemporary Mexican popular culture to provide a novel portrayal of Mexicanidad­—the cultural identity of the Mexican people—for a new generation. Premiering during a socially unstable period, Dr. Avila argued that Coco utilizes earlier cinematic and musical formulas, evoking Mexico’s cinematic past, to construct a visual, aural, and narrative portrayal of Mexicanidad that confronts and destabilizes past cinematic representations. Read more here.

Roundtable: Sustaining Music and Musicians in the Age of Streaming The UC Santa Barbara Center for the Interdisciplinary Study of Music (CISM) and the Department of Music presented a roundtable event, “Sustaining Music and Musicians in the Age of Streaming,” on May 13. Recognized as thought leaders in their fields, panelists included Jean Cook, Eamon Fogarty, Regan Sommer McCoy, Franz Nicolay, and Greg Saunier. Cook (pictured), serves on the Board of Directors of the Association of Performing Arts Professionals and is a member of the Music Policy Forum Action Network. Fogarty has improvised music with dancers and written for chamber ensembles. McCoy is the founder of The Mixtape Museum, which encourages the research, archiving, and data analysis of mixtapes and seeks to achieve systematic preservation in the DJ and hip-hop communities. Nicolay is a musician and writer whose book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was recognized by the New York Times. Saunier was included by Rolling Stone alongside Brian Chippendale and Zach Hill as together composing “a generation of trailblazing 21st-century avant-rock percussionists.” Read more here.

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Virtual Milestones UCSB Chamber Choir and Jazz Ensemble present department’s first synchronous live stream performances

Dr. Nicole Lamartine Director of the UCSB Chamber Choir

The Department of Music presented two live stream events featuring the UCSB Chamber Choir and UCSB Jazz Ensemble on May 26 and May 27, streamed live from the UC Santa Barbara YouTube channel. The concerts marked the first synchronous live stream performances in the Department of Music’s history and represented a collaborative effort between UC Santa Barbara faculty members Dr. Nicole Lamartine (Director of the UCSB Chamber Choir) and Dr. Jon Nathan (Director of the UCSB Jazz Ensemble); Santa Barbara City College faculty member Jim Mooy (Director of the SBCC Lunch Break Jazz Ensemble); and members of the UC Santa Barbara Office of Public Affairs, including Jessie Ward O’Sullivan and Matt Perko.

The live-streamed concerts incorporated a live mix of individual performers generated using the Jamulus audio platform and live-streamed videos of each performer generated via Zoom to create synchronous performances. The combination of the Jamulus and Zoom platforms enabled ensembles to rehearse in real time, with minimum lag or noise, a concept that was pioneered by Santa Barbara City College’s Jim Mooy.

On October 23, 2020, Mooy became the first in the world to direct a synchronous audio and video stream of a university ensemble performance with Santa Barbara City College’s Lunch Break Jazz Ensemble concert. Mooy provided consultation Dr. Jon Nathan to both the UCSB Chamber Choir and Jazz Ensemble in the Director of the UCSB Jazz Ensemble use of open source “Jamboxes,” tiny Raspberry Pi computers running software packages that enable clean connection to the Jamulus audio platform. Each student received specific equipment including the computer, ethernet connection cables, and gaming headphones with clear audio and microphone pickups. Mooy also served as the engineer of both live streams, coordinating the data streams from Jamulus and Zoom through the UC Santa Barbara YouTube channel.

Under the direction of Dr. Nicole Lamartine, Sorensen Director of Choral Music, the UCSB Chamber Choir live stream, titled “UCSB Chamber Choir LIVE - Resilience,” aired on May 26 and featured Don Macdonald’s When the Earth Stands Still, Frank Ticheli’s Earth Song, and Kirby Shaw’s The Tide Rises. The program included additional arrangements crafted by students of songs from The Justice Choir Songbook and a special live collaboration of Paris Rutherford’s arrangement of Autumn Leaves with members of the UCSB Jazz Ensemble, under the direction of Dr. Nathan. After the concert, the performers stayed on to talk with audience members about their experience of making music in the digital era. Watch the full concert here.

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Dr. Jon Nathan (pictured third from left in top row) directs the UCSB Jazz Ensemble in a virtual performance of Irving Berlin’s Blue Skies, featuring a vocal solo by first-year student Kaidi Dai (pictured top right), during the UCSB Jazz Ensemble’s live stream performance via UC Santa Barbara’s YouTube channel on May 27, 2021

The UCSB Jazz Ensemble live stream, titled “(Almost) A Century of Jazz - from 1927 to 2021,” on Thursday, May 27 featured music for 10-piece jazz band (four brass, two saxophones, guitar, piano, bass, and drums), as arranged by Los Angeles-based composer and arranger Randy Aldcroft. The concert included performances by musicians from all over California, including the Bay Area, Los Angeles, Orange County, and Isla Vista. Pieces performed included Freddie Hubbard’s Asiatic Raes and Moacir Santos’ Coisa (Thing) #2, along with Surry with a Fringe on Top and Blue Skies, both with a vocal performance by first-year student Kaidi Dai. The performance included a collaboration with the UCSB Chamber Choir, directed by Dr. Nicole Lamartine, with an arrangement of Autumn Leaves. The concert also focused on the ensemble’s graduating students, mostly trumpet players, with a performance of Cornet Chop Suey, originally performed and recorded in 1927 by Louis Armstrong’s Hot Five. Finishing out the concert was Horace Silver’s exciting bop blues, Opus de Funk, and an arrangement by ensemble director Dr. Nathan of Vulfpeck’s Dean Town (based on Jaco Pastorius’ fusion classic Teen Town), featuring trombonist Sriram Ramamurthy and first-year bassist Emily Conway. Watch the full concert here.

Both the UCSB Chamber Choir and Jazz Ensemble gave preview performances in early May of many of the pieces featured on the live stream concerts. Watch the UCSB Chamber Choir’s concert, titled “Our Breathing Earth,” here and “UCSB Jazz Ensemble Plays the Music of Randy Aldcroft” here.

Read more about the technology behind these special live stream concerts and watch a video interview with the directors in the UC Santa Barbara Current feature “Music in Real Time.”

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Pictured from left: Graduate pianist Chika Nobumori and undergraduate clarinetist Alison Schwartz perform “Andante un poco adagio” from Johannes Brahms’ Sonata, Op. 120, No. 1 in F minor for clarinet and piano

Virtual Spring 2021 Concert Series The Department of Music presented a virtual Spring Concert Series featuring the UCSB Chamber Players, Gospel Choir, Chamber Orchestra, Percussion Ensemble, Lumina Choir, and Ensemble for Contemporary Music from June 3-11. The series also included a Corwin Chair Series concert featuring works by UC Santa Barbara graduate Composition students and a recital by the UC Santa Barbara Young Artists String Quartet (YASQ), the department’s scholarship graduate string quartet. All performances were released as YouTube Premieres via the Department of Music’s YouTube channel.

Directed by Jonathan Moerschel, the UCSB Chamber Players presented a recital featuring excerpts from staples of the chamber music repertoire, such as Ludwig van Beethoven’s String Quartet Op. 74 “Harp;” Igor Stravinsky’s Petrouchka – Reduction for Piano Duet (1911, rev. 1947); Johannes Brahms’ Piano Trio No. 2 in C Major, Op. 87; Claude Debussy’s Petite Suite for Piano Duet; Johannes Brahms’ Sonata, Op. 120, No. 1 in F minor for Clarinet and Piano; and Wilhelm Friedemann Bach’s Duo in C for Two Violas, F. 60. The concert also included more recent works such as Caroline Shaw’s Entr’acte for String Quartet; Flor Peeters’ Suite for Four Trombones, Op. 82; Augusta Read Thomas’ Cantos for Slava; John Williams’ War Horse arranged for horn ensemble by UC Santa Barbara student Max Dei Rossi; and Miles Davis’ All Blues arranged for brass quintet by Thomas H. Graf. Watch here.

The Spring virtual Corwin Series Concert, “Synesthesias - New Music at UCSB 2: Graduates,” showcased recent multimedia, mixed, and acousmatic works written within the last year by UC Santa Barbara Composition graduate students. The concert featured works by Drew Flieder, Raphael Radna, Rodney DuPlessis, Mathew Owensby, Alexandra Jones, Dariush Derakhshani, Kramer Elwell, Stewart Engart, and Mason Hock. Watch here.

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Directed by Victor Bell, the UCSB Gospel Choir presented a virtual event, titled “Where Are They Now?,” in which alumni and present members shared where they are now and the impact Gospel Choir has had on their lives infused with gospel music. The video also featured interviews with Bell, along with excerpts from past Gospel Choir performances. Watch here.

The UCSB Chamber Orchestra presented their third audio-visual production of 2020-2021 under the direction of Dr. Maxim Kuzin, with a virtual performance of the overture to Wolfgang Amadeus Mozart’s opera Don Giovanni. For this production, the performers worked on the music from their homes in different parts of the country, meeting virtually each week for sectional rehearsals using Jamulus and Zoom. For recording weekly audio tracks, the musicians used a third online crossplatform software, Bandlab. At the end of the quarter, each student also produced a video recording playing the overture to Don Giovanni.

“Masking” by Rivkah Simcha, as featured in graduate All recordings were collected, edited by Director composer Raphael Radna’s piece Passage (2018) Maxim Kuzin, and submitted for post-production to the Department of Music’s Production Team. Watch the virtual concert here. In late April, the UCSB Chamber Orchestra also presented a virtual performance of “Nocturne” from Felix Mendelssohn’s A Midsummer Night’s Dream, Op. 61, featuring a horn solo by UC Santa Barbara undergraduate Dylan Correia, a student of Professor Steven Gross. Watch here.

Directed by Jon Nathan, the UCSB Percussion Ensemble presented their Spring 2021 Concert, featuring “Story” from John Cage’s Living Room Music (featuring Ethan Wu, Kenny Han, Brooke Eisele, and Matthew Lee); Table Music by Thierry de Mey (featuring Etthan Wu, Vineeta Muthuraj, and Nina Lim); Buzzy John’s Blues by Tim Collins (featuring Vineeta Muthuraj on vibraphone, Nina Lim on marimba, Ethan Chiu on piano, Elyssa Samaoya on bass, and Daniel Marella on drums); and an arrangement of the third movement, “Nightclub 1960,” of Astor Piazzola’s History of the Tango (featuring Vineeta Muthuraj on vibraphone and Nina Lim on marimba). Watch here.

Under the direction of Graduate Teaching Assistant David Lozano Torres, UCSB Lumina Choir presented a mini-concert, titled “We Are One,” featuring Victor C. Johnson’s Ubi Caritas and Jacob Narverud’s Sisi Ni Moja. Following the choir’s name change from Women’s Chorus to Lumina Choir during the 2020-2021 school year, the ensemble’s intention and focus became one of unity, inclusivity, and light­—being a light to the world through song. Dr. Torres’ message to audience members prior to the premiere was to “come feel the power of unity as the members of Lumina join together in song to share the message of acceptance and love. Let us all love one another! We all bruise, we all scar, we all fail but learn to fly. We are one world, one people. We are. ONE.” Watch here.

Under the direction of Dr. Sarah Gibson, the UCSB Ensemble for Contemporary Music presented “A moment alone with millions of people,” an evening of music by Pauline Oliveros, Aidan Gold, and Nicole Chamberlain. Through Oliveros’ seminal work, Thirteen Changes, the students responded to evocative lines of text by creating their own individual musical tapestries. The ensemble presented UC Santa Barbara Department of Music | Summer 2021 Newsletter | 19

these musical responses to the audience in collaboration with gifs made to accompany each movement by UCSB art students from Iman Djouini’s College of Creative Studies class “In Translation.” The program also included the fifth movement, “Elegy,” of Aidan Gold’s work for asynchronous ensemble, For Whom Do We Perform?, as well as Nicole Chamberlain’s solo flute work, Crosswalk, featuring graduate student (now alumna) Jordana Schaeffer, a student of Professor Jill Felber. Watch here.

Graduate flutist Jordana Schaeffer performing Nicole Chamberlain’s Crosswalk as part of the Ensemble for Contemporary Music’s virtual concert

The UCSB Young Artists String Quartet (YASQ) closed out the Virtual Spring 2021 Concert Series with a recital on June 11, featuring movements from Ludwig van Beethoven’s String Quartet No. 10 in E-flat Major, Op. 74 (“Harp”) and Jessie Montgomery’s Strum. Composed of graduate violinists Gulia Gurevich and Anthony Navarro, violist Shirley Shang, and cellist Naomi Stoodley, the YASQ is a group from diverse backgrounds, experiences, and even continents. Watch their virtual Spring Concert here.

Spring 2021 Virtual Student Recitals Even amidst a pandemic and prolonged closures of performing arts venues, Department of Music graduate and undergraduate students triumphed, presenting virtual degree recitals throughout Spring Quarter. For many students, these virtual recitals represented their final performances at UC Santa Barbara. Listed below are the students who presented public virtual recitals as YouTube Premieres via the Department of Music’s YouTube channel. Links to view each recital are below.

Doctor of Musical Arts Ariella Mak-Neiman, Piano Lucía Álvarez Núñez, Piano Alvise Pascucci, Piano Chika Nobumori, Piano Youjin Jung, Violin Naomi Merer, Soprano Lucía Álvarez Núñez and Alvise Pascucci, Piano Duet Pinshu Yu, Piano Gulia Gurevich, Violin Britta Thomas, Cello Zhongxi Lin, Piano

Bachelor of Music Olivia Nava, Trombone Rafael Vázquez Guevara, Violin Megan Ashley, Soprano William Stout, Composition Soha Sadeghinejad, Viola Soohyun Ryu, Soprano Bachelor of Arts Noelle Barr, Violin Flora Sun, Piano

Master of Music Shirley Shang, Violin 20 | UC Santa Barbara Department of Music | Summer 2021 Newsletter

Faculty News and Accomplishments Professor Jennifer Kloetzel featured in Creative Peacemeal and CelloBello CelloChats Interviews

This spring, Professor Jennifer Kloetzel was featured in the Creative Peacemeal podcast series and the CelloBello CelloChats series. Both interviews focused on Kloetzel as a performer and educator. Board Certified-Music and Neurologic Music Therapist and educator Tammy Takaishi invited Kloetzel to record an episode for her Houston-based arts podcast Creative Peacemeal in late March. Kloetzel was also featured as a guest on an episode of CelloBello’s “CelloChats” on May 2, which was streamed live via Facebook and YouTube. Created by Paul Katz, CelloBello has become a valuable resource for cellists of all experience levels from around the world. Read more here.

Assistant Professor Dr. Martha Sprigge releases first book, Socialist Laments, with Oxford University Press

Assistant Professor of Musicology Dr. Martha Sprigge released her first book, Socialist Laments: Musical Mourning in the German Democratic Republic, with Oxford University Press in April 2021. Socialist Laments: Musical Mourning in the German Democratic Republic examines a vast repertoire of commemorative works to present a history of musical mourning in communist East Germany (1949–1990). Taking a site-specific approach to this repertoire in her new book, Dr. Sprigge demonstrates how music became a crucial outlet for processing loss in a country where the ruling Socialist Unity Party tightly regulated public expressions of grief.

Read more here.

Faculty Members Jennifer Kloetzel, Ertan Torgul, and Dr. Sarah Gibson featured in Uncertainty of Fate Festival sponsored by Hartt School

Performance faculty members Jennifer Kloetzel and Ertan Torgul, and Composition faculty member Dr. Sarah Gibson were featured in the virtual Uncertainty of Fate Festival from May 1-5, sponsored by the Hartt School at the University of Hartford. The festival commissioned over 45 composers to create miniatures on their impressions of the year 2020. Among the composers featured were Errollyn Wallen, Juhi Bansal, and Dr. Sarah Gibson, Assistant Teaching Professor of Composition in both the Department of Music and the College of Creative Studies. Professor of Cello Jennifer Kloetzel and Lecturer of Violin Ertan Torgul hosted masterclasses and performed 18 works as part of QuartetES. Read more here.

Photo by Zach Mendez

Associate Professor Dr. Isabel Bayrakdarian releases new album, Armenian Songs for Children, on Avie Records

Associate Professor Dr. Isabel Bayrakdarian’s latest album, Armenian Songs for Children, was released on Avie Records on June 18. The 29-track album includes works by Armenian composers Gomidas Vartabed, Parsegh Ganatchian, and Mihran Toumajan, and traditional songs from various sources, with arrangements by Artur Avanesov, John Hodian, Ellie Choate, and Isabel Bayrakdarian. Dr. Bayrakdarian collaborated with harpist Ellie Choate, flutist Ray Furuta, and Ruben Harutyunyan on the duduk, an ancient Armenian double reed instrument.

Avie’s official press release for the album noted that, for Dr. Bayrakdarian, a Lebanese-born, Canadian-Armenian-American soprano, this is “a deeply personal project.” Read more here.

Assistant Teaching Professor Dr. Sarah Gibson’s warp & weft to be performed by Los Angeles Philharmonic at Hollywood Bowl

Assistant Teaching Professor Dr. Sarah Gibson’s work for orchestra, warp & weft, will be performed by the Los Angeles Philharmonic at the Hollywood Bowl on Thursday, August 5 at 8 pm PT. Conducted by New Zealand’s Gemma New, a former Los Angeles Philharmonic Dudamel Conducting Fellow, the program will include Robert Schumann’s Symphony No. 3, “Rhenish,” and will feature piano soloist Isata Kanneh-Mason in a performance of Clara Schumann’s Piano Concerto in A minor. Written in 2019 for chamber orchestra, Dr. Gibson’s warp & weft was commissioned by the Los Angeles Chamber Orchestra during Dr. Gibson’s residency as the organization’s Sound Investment Composer. Read more here.

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Current Student Successes Doctoral Candidate Ching-Yun Chen wins First Prize in Adult Instrumental Division of Performing Arts Scholarship Foundation Competition Ching-Yun Chen, a Doctoral Candidate in Piano Performance, was awarded First Prize in the Adult Instrumental Division of the annual Performing Arts Scholarship Foundation (PASF) Competition, held live with appropriate social distancing on April 25 in the Lotte Lehmann Recital Hall at the Music Academy of the West. For her prize-winning performance, Chen received a cash award of $6,000. Chen performed the fourth movement, “Fuga: Allegro con spirito,” of American composer Samuel Barber’s Sonata for Piano (1949). Chen is pursuing a Doctor of Musical Arts degree at UC Santa Barbara, studying with Senior Lecturer Dr. Charles Asche. Read more here.

Undergraduate Students Nina Lim and Adrian Cunningham release “Fever Dream” single as duo Lotte Lemon

Undergraduate students Nina Lim and Adrian Cunningham released their first single, Fever Dream, as the band Lotte Lemon on June 11. Cunningham, known to audiences as AdrianQMC, performed vocals, bass, guitar, and synthesizer on the track, and Lim performed vocals, drums, and keyboard. The song was written by both Cunningham and Lim, and was mixed and mastered by Cunningham. Lim, a third-year Communication and Percussion Performance double major, and Cunningham, a third-year Music Studies and English double major, both acknowledged the Department of Music’s impact on their musical development, and the eventual production of Fever Dream. Read more here.

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Alumni News

Photo by JShoots

Alumna Dr. Kelly Guerra ‘21 to sing role of Justice Ruth Bader Ginsburg in Derrick Wang’s Scalia/Ginsburg with Chautauqua Opera Company Alumna Dr. Kelly Guerra ‘21 will sing the role of Justice Ruth Bader Ginsburg in Derrick Wang’s Scalia/Ginsburg with the Chautauqua Opera Company this summer. Guerra was named one of five apprentice artists in the 2021 Young Artist Program, and will also participate in the development of an opera with fellow members of the Young Artist and Composer Fellows programs. Hailed as “a dream come true” (Ruth Bader Ginsburg), a “perfect … jewel” (Opera Today), and “the kind of opera that should be everywhere” (OperaWire), Scalia/Ginsburg is a one-act comedy about the close and unlikely friendship between U.S. Supreme Court justices Ruth Bader Ginsburg and Antonin Scalia. Read more here.

Photo by Zach Mendez

Alumna Noelle Barr ‘21 receives top University Honors for Undergraduate Research

During her last year as an undergraduate student at UC Santa Barbara, alumna Noelle Barr ‘21 received the 2021 Chancellor’s Award for Excellence in Undergraduate Research and was named the First Prize Winner of the 2021 UC Santa Barbara Library Award for Undergraduate Research in the Humanities and Fine Arts category. Barr received recognition for her thesis, titled “Reinterpreting Gendered Spaces of Modernity in the Portraits of a Violinist,” in which she applies a feminist lens to analyze four portraits of a female violinist by French Impressionist Berthe Morisot in the context of 19th-century music culture. As a graduating senior of the Class of 2021, Barr was also inducted into the Phi Beta Kappa Honors Society. Read more here.

Alumnus William Geiler ‘20 wins First Prize in Metropolitan Youth Orchestra of New York’s 2020-2021 Emerging Composers Competition

Alumnus William Geiler ‘20 was awarded First Prize in the Choral Division II (Ages 18 – 24) of the Metropolitan Youth Orchestra of New York’s 2020-2021 Emerging Composers Competition for his work The House of Dreams. This year’s adjudication panel included Special Guest Panelist Daniel Ott, who currently serves on the faculties of Juilliard and Fordham University.

Completed in November 2020, Geiler’s The House of Dreams is a work for SATB choir with piano accompaniment and is set to a text of the same name by American poet Sara Teasdale.

In Fall 2020, Geiler received a Bachelor of Music degree in Music Composition from UC Santa Barbara, where he studied with Dr. Andrew Tholl. Read more here.

Photo by Zach Mendez

Alumna Dr. Naomi Merer ‘21 awarded Second Prize in Vocal Division of Performing Arts Scholarship Foundation Competition

Alumna Dr. Naomi Merer ‘21 was awarded Second Prize in the Vocal Division of the annual Performing Arts Scholarship Foundation (PASF) Competition, held live with appropriate social distancing on April 25 in the Lotte Lehmann Recital Hall at the Music Academy of the West.

Dr. Merer performed the final aria, “Ved’ mé kroky” (Lead my steps), from Czech composer Dr. Sylvie Bodorová’s opera Legenda o Kateřině z Redernu (The Legend of Catherine of Redern) (2014). For her prize-winning performance, Dr. Merer received a cash award of $3,000. Dr. Merer received her Master of Music and Doctor of Musical Arts degrees from UC Santa Barbara. She is a student of Dr. Linda Di Fiore. Read more here.

Alumna Dr. Emily Vanchella ‘21 appointed Visiting Music Faculty at Texas A&M International University

Alumna Dr. Emily Vanchella ‘21 was recently appointed as visiting music faculty in the Department of Fine and Performing Arts at Texas A&M International University in Laredo, Texas, where she teaches courses in American popular music. Dr. Vanchella’s primary research interest is the application of topic theory to classic British and American rock from the 1960s and early 1970s. Her dissertation, “Honey Pie, Colors of Dreams, and Inner Light: Stylistic Expertise and Musical Topicality in the Beatles’ Mid and Late 1960s Songs,” examines the Beatles’ music from this perspective. Dr. Vanchella earned both a Doctor of Philosophy (PhD) and Master of Arts (MA) in Music Theory from UC Santa Barbara. Read more here.

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Support the Department of Music Our alumni, parents, and friends provide essential support for teaching, research, and program needs. The department benefits from annual unrestricted support and major gifts designated for special purposes. Your generosity plays a critical role in our ability to fulfill our mission and is truly appreciated. Every gift counts.

Listed below are some of our highest priorities: Funding for undergraduate scholarships and graduate student fellowships Chamber Music Program Community Outreach Support Cross-campus Interdisciplinary Projects Contact Leslie Gray, Senior Director of Development, at (805) 893-4193 or leslie.gray@ucsb.edu to make a donation. Gifts can also be made online at giving.ucsb.edu.

It is the policy of the University of California, Santa Barbara that a modest portion of gifts and/or income from gifts may be used to defray the costs of raising and administering funds. music.ucsb.edu

Department of Music

University of California Santa Barbara, CA 93106-6070

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