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“ James Anderson (He/Him), Lecturer for UCR Media & Cultural Studies and Labor Studies
Public education at all levels ought to be a common good. Students shouldn’t need wealthy parents or have to go deep into debt to participate in and enjoy a public good, one that can and should be transformative. Campus working conditions are also student learning conditions, to borrow part of a popular, accurate
vehicle for upward mobility for some students and for select upper-tier workers; it ought to be a vehicle for transcending hierarchies that make upward mobility appear as the most desirable end goal. We can envision and work to realize both a university and a world care and good lives in common.”
JOSEPH RODARTE / THE HIGHLANDER
UC’s hiring freeze prompts picketing from labor unions on campus
AFSCME 3299 AND UPTE-CWA 9119 TAKE THE PICKET LINE FOR THE FOURTH TIME THIS ACADEMIC YEAR.
On May Day — Interntional Workers’ Day — in response to the University of California (UC) wide hiring freeze, two unions returned to the picket line for the fourth time this academic year.
UC Riverside’s (UCR) chapters of The American Federation of State, County & Municipal Employees Local 3299 (AFSCME 3299) and the University Professional and Technical Employees-Communications Workers of America 9119 (UPTECWA 9119) joined all UC campuses for a “May 1 Unfair Labor Practice Strike at the UC.”
This one-day picket occurred from 10 a.m. to 2 p.m. on May 1, 2025, on UCR campus, near the CHANGE THINGS art installation at 900 University Avenue.
During a march around campus, Jesse Hernandez, the current active union organizer for Riverside, shared that AFSCME and UPTE received “threats” from the administration that the strike march could be shut down by the UC police department (UCPD) for allegedly violating the UC’s time, place and manner policies.
Hernandez, a senior cook who has been working at UCR for 26 years, explained that “labor relations told which is illegal … and she said, right now, because you guys are using am-ent it to the police and it’s gonna be in their hands.”
According to Hernandez, labor rethey were using as “bullhorns and drums,” which they only used while marching on campus; however, around dormitories and residence sound,” in compliance with the UC’s policies.
Labor relations also sent Hernan-
dez an email before the rally, which dictated that they could not make “noises between 8 p.m. and 8 a.m.”
The march on campus took place around noon, again complying with the UC’s policies outlined to the union.
Hernandez disclosed that this was
was told one of their demonstrations was illegal. He shared that “what it comes down to is intimidation from the University of California … They don’t want anyone to do a friendly protest. They simply want censorship … They want people to be scared and say, oh, no, I cannot exercise my freedom of speech.”
During the strike, the Riverside chapter of the University CouncilAmerican Federation of Teachers (UC-AFT) Local 1474 held “A Totally Legal Rally in Support of Universal Human Rights, Free Speech and Workers Dignity,” featuring speakers from across UCR and a musical performance by Jonny Miller Jr.
Rally organizer and executive board member of UCR UC-AFT, James Anderson, explained that they organized this rally to show solidarity with the members of AFSCME 3299 and UPTE-CWA 9119 who are on strike because of the UC’s “hiring freeze that’s exacerbating a vacancy
Anderson also described the Trump administration’s broader attack on higher education as a motivation behind the rally. He shared, “We organized the rally to show that we are united against the assault on public education, international students and scholars, immigrants, working people, the poor and children — attacks being waged by the current administration, by oligarchs, by the billionaire class and by many employers.”
AFSCME 3299 and UPTE-CWA
9119 called for the “STRIKE! AGAINST UC’S ILLEGAL ATTACK ON WORKERS” on April 15, 2025. According to a press release by AFSCME 3299, in the wake of the UC’s recent decision to impose a systemwide hiring freeze, “UC service and patient care workers will mount a statewide unfair labor practices strike [on] May 1.”
Distinguished Professor Dylan Rodríguez, who spoke at the rally, disclosed that this strike is a part of “an ongoing struggle for UC system workers to obtain a fair contract. A contract that meets a living wage standard, which obtains some honesty and transparency from administrators regarding the UC system’s budget and its misdistribution of funds upward, rather than to workers.” -
fair labor practice charges with the California State Public Employmentleges that the UC’s failure “to provide notice or bargain over the hir-
lates state law and long-standing legal precedent.”
union is concerning the UC’s recent “decision to deny certain employeesorbed by the university’s recent acquisition of six southern California hospitals — even as these ben-
newly acquired UC facilities.”
Jeanette Obeji, a cook at UCR, proclaimed that all AFSCME members want is for the UC “to hear us and what we are asking for … We just want something fair, and we just and we just want their priorities to have [workers] included.”
Anderson echoed similar sentiments, “These workers might not
formally run the UC, but they enable the UC to run. To do that work, which involves serving and helping students, they need and deserve adadequate wages that university management has hitherto opted to deny them.”
Obeji proclaimed that despite the UC’s repeated attempts at silencing we want.”
In response to the unions strike announcement, the UC put out a press release on May 30, 2025 — the day before the strike was planned — stating, “The University of California instituted a hiring freeze following President Drake on March 19, joining many higher education institutions nationwide taking similar measures. The hiring freeze applies to future hires only; it does not impact the employment status of current UC employees. Each UC location is implementing the freeze based on and pre-existing protocols.”
On the same day, the UC also offered what they claimed to be theals to AFSCME.” According to theSCME’s “original demand of $25crease.”
However, AFSCME 3299 spokesperson Toss Stenhouse told The Daily Californian that this new raise meets demands made by the union three years ago. “Our members, as we talk right now, are making 10 percent less than they did in 2017 when adjusted
SENNA OMAR
SENNA OMAR / THE HIGHLANDER
Stories of unfair labor practices by the UC
‘THAT’S WHO I WANTED TO HELP, AND THAT’S WHO MOST OF MY COLLEAGUES AT THE COUNSELING CENTER WANT TO HELP.’
Dr. Nicky Pitsavas has worked at the University of California, Riverside’s Counseling and Psychological Services (CAPS) center for almost eight years. However, after years of what they described as being overworked and mistreated, they had enough, and Dr. Pitsavas made the hard decision to quit their job as a clinical psychologist.
On International Workers Day, in solidarity with The American Federation of State, County & Municipal Employees Local 3299 (AFSCME 3299), Dr. Pitsavas and other members of the University Professional and Technical Employees-Communications Workers of America 9119 (UPTE-CWA 9119) gathered on the UCR campus to demand that the UC end its hiring freeze and unfair labor practices.
With departments already facing hiring freezes could not come at a worse time for CAPS. Dr. Pitsavas shared that two clinicians are leaving with them, “leaving [CAPS]ing to provide more support for my colleagues who are left behind. They are just going to burden them more, and they can’t hire anyone.”
“We’re asking for just fair sala-
safe workplace conditions and basic human things. [The UC] could do it; this place would be much better. They portray this image that they are a wonderful place where people have great social mobility. But in the meantime, they are an oppressive sub-system,” explained Dr. Pitsavas.
According to James Anderson, an executive board member of the Riverside chapter of the University Council - American Federation of
Teachers (UC-AFT) Local 1474, May Day’s origins “can be traced back to the late nineteenth century la-
workers here organizing, mobilizing and striking for an eight-hour work day without a reduction in pay.”
Anderson explained that every year, on May 1, workers worldwide gather on International Workers’ Day, or May Day, to show solidarity and support with workers and unions. Recognized as a “labor day” holiday in the rest of the world, Maycance, is not a nationally recognized holiday in the United States (U.S.). Instead, the U.S. celebrates Labor Day separately from the rest of the world in September.
Professor Dylan Rodríguez, a Distinguished Professor for the UCR department of Black Study who spoke at the picket line, described May Day as “celebration of workers and laborers’ historic struggles to win compensation, to vindicate and defend their rights against incursions from managers and exploitative employers … May Day is a really important day because it suggests the possibility of a world in which workers make the decisions, where workers govern.”
He holds the notion that “it’s a responsibility of anybody who avows
of life and security to show up.”
As a member of the university faculty, Professor Rodríguez believes that the “bare minimum the faculty can do is to express physical and political solidarity with the strike, because the workers are the university. It’s not about the administrators. It’s not about the managers; it’s about
the workers and the students.”
From being overworked to being undervalued and overlooked, Dr. Pitsavas described a myriad of things that “created a toxic environment and unhealthy place to come to work,” leading them to quit their job.
“This is not just my experience. Many of my colleagues are too afraid to speak up, and I’ve sometimes tried to be their voice … It is not only one clinician, a lot of my colleagues wish they could leave, they just can’t right now,” shared Dr. Pitsavas.
Leaving their job as a clinical psychologist was not an option for Dr. Pitsavas until January, when their graduate school student loans were discharged, allowing them to “get out of the cage.”
Dr. Pitsavas explained that their job as a clinical psychologist at
life and to be honest, I deserve better. I hope we now have a new person who seems to be honestly committed to changing the culture and environment.”
After spending almost eight years serving the UCR student body, Dr. Pitsavas struggled with their decision to leave. “This is where I wanted to work. I didn’t apply anywhere else. I stuck with it until I came in, and from the beginning, I realized that this department was not at all what I had hoped for or expected,” expressed Dr. Pitsavas.
Dr. Pitsavas questioned how a workforce that is “getting mistreated, burdened, in some cases, abused, disregarded and invalidated” is supposed to adequately provide mental health support to UCR’s student body.
They continued, sharing that “the UCR student body in particular is
not a privileged community … We have students struggling to survive. They are so resilient. They face so much adversity on many levels. As a mental health provider, I wanted to be here to provide them with support … That’s who I wanted to help, and that’s who most of my colleagues at the counseling center want to help.”
Looking to the future, Dr. Pitsavas hopes that the environment at UCR will change: “I feel like my soul will be completely dead [if I keep working here], so I’m not going to be here to see it, but I hope it changes, because you guys have a lot of talent among the clinicians, and your university is bleeding good talent out.”
Dr. Pitsavas encouraged the student body to “remain curious and aware,” and to come out to support the unions striking on campus. “If students turned out in big numbers supporting the union, the university would not be doing what it tries to do, which is to write us out … if students mobilize more … it would make a we are now. Many [workers] can’t but [students] have the power.”
Professor Rodríguez echoed similar sentiments, emphasizing that student solidarity is crucial to May Day. He expressed, “I’m really happy to see the number of students who have come through and joined the picket line. I think this gives us a sense of how to build on expressions of solidarity so that we can see people who work at the campus, people who teach at the campus, and people who study there, all existing together, moving together, and supporting each other. That’s true solidarity.”
H
SENNA OMAR
SENNA OMAR / THE HIGHLANDER
Harvard pushes back against federal budget cuts
HARVARD UNIVERSITY CHALLENGES THE TRUMP ADMINISTRATION’S FEDERAL BUDGET CUTS.
federal authority and subvert constitutional principles.
a lawsuit against the Trump administration following a $2.2 billion freeze in federal research funding imposed by President Trump. The Trump administration alleged that Harvard jeopardized federal funding by failing to comply with federal law. White House Press Secretary Karoline Leavitt said the administration expects “all colleges and universities who are receiving taxpayer funds to abide by federal law.”
The lawsuit came in response to the administration’s announcement of these cuts, accusing the university of creating a “hostile learning environment” for Jewish students. The university argues that these measures, including the administration’s decision to impose restrictions on the diversity, equity and inclusion (DEI) programs, overstep
Harvard also claims that the Trump administration is attempting to coerce university personnel and students, disregarding the First Amendment. The university alleged that Trump’s executive branch failed to abide by federal law when making key changes to government policies. The lawsuit mentions that the Trump administration is in violation of the Administrative Procedure Act (APA), which requires the Court to “hold unlawful and setbitrary, capricious, an abuse of discretion.”
The university argues that suspension of federal medical unrelated to combating antisemitism and has disrupted ongoing clinical research on campus. Dr. Donald Ingber, who leads scien-es that replicate organ function,
uses these devices “to study how the human lung, intestine, bone marrow and lymph nodes respond to radiation” to identify drugs that can mitigate its effects. However, following the federal fund freeze, he received a stop-work order on three federal contracts, stating that his lab is now in “damage assessment phase.”
Harvard has hired two attorneys with Republican ties to support its lawsuit. One of whom is William Burck, who served as a special counsel to former President George W. Bush. The other is Robert Hur, who was appointed special counsel to investigate former President Joe Biden.
Harvard University emphasizes the protection of academic autonomy and First Amendment rights, arguing that the Trump administration has violated procedural fairness by issuing directives based on discrimination concerns.
Legislative review committee fails to meet quorum
ASUCR’S FIFTH SENATE MEETING OF SPRING QUARTER.
ALEX KUPISIEWICZ
The Associated Students of the University of time this quarter at 7 p.m. this past Wednesday to deliver Senate Reports.
According to Executive Vice President Naia Pizarro, because the Legislative Review Committee (LRC) did not meet quorum requirements at their previous meeting, there was no new legislation for the Senate to review.
Bourns College of Engineering Senator Uma Akundi presented the Finance Meeting minutes. The organizational allocations of $9,097 for six student organizations passed 12-0-0.
During Senate Reports, College of Humanities, Arts and Social Sciences (CHASS) Senator Anahita Hooshiyari Far reminded the chamber about the upcoming CHASS town hall and that she is drafting legislation to condemn lithium mining in the Salton Sea.
explained that the college’s recent town hall was a success and that she and others were working on planning for the ASUCR Global Fair.
School of Business Senator Dhruv Patel and CHASS Senators Alice Parra Rios, Justin Ibay, Ryan Choi and Karen Vo were absent. H
ASUCR 2025 - 2026 election results
On Friday, May 2, 2025, the Associated Students of the University of California, Riverside (ASUCR) announced the results of the 2025-2026 academic year campus elections. Of the 22,205 students attending UCR, 3,911 students turned out to vote in this election, resulting in a 17.6 percent voter turnout.
Since the 20 percent voter turnout minimum was not met during this election, the Associated Student Program Board Referendum, Highlander Abroad Referendum Fee, the Performing Arts Support and Access Fee and R’Garden Food Security and Sustainability Referendum all did not pass.
No students applied to run for International Student Director and Non-Traditional Student Director positions, so special elections will be the empty Executive Cabinet spots.
When calculating polling percentages, ASUCR abides by Robert’s Rules of Order which dictates that absten-
tions are not counted in percentage calculations of votes. Only the votes cast, in favor or against, will determine the outcome.
The election results for the 2025-2026 ASUCR elections are as follows:
Executive Cabinet: ASUCR President: Leila Haidar
Received 2,392 votes (polled at 73 percent)
Executive Vice President: Mia Rose Tu’ifua
Received 1,442 votes (polled at 44.7 percent)
Vice President of Campus Rishika
Salvi
Received 1,582 votes (polled at 50.2 percent)
Vice President of External Briana Trujillo
Received 1,787 votes (polled at 62.1 percent)
Vice President of Finance:
Uma Akundi
Received 1,950 votes (polled at 61.5 percent)
Vice President of
Sustainability: Anahita Hooshyari Far
Received 2,109 votes (polled at 69 percent)
Vice President of Marketing & Promotions: Alyssa Quinones
Received 1,595 votes (polled at 51 percent)
Vice President of Diversity, Equity & Inclusion: Neida Zamora
Received 1,697 votes (polled at 57.5 percent)
Personnel Director: Chloe Wang
Received 1,999 votes (polled at 67.4 percent)
Transfer Student Director: Mythreyee Shankara Narayanan
Received 1,531 votes (polled at 58.1 percent)
First-Time College Student Director: Alice Parra Rios
Received 2,704 votes (polled at 100 percent)
Senate Election Results:
College of Humanities, Arts & Social Sciences Senator:
Angela Clauser
Received 744 votes
Emmy Tsao
Received 641 votes Lauren Mendoza
Received 626 votes
An Nguyen
Received 583 Votes
Natalie Adel Ebeid
Received 479 Votes
Benjamin Min
Received 415 Votes
Daniel Mondragon
Received 357 Votes
Bryan Range
Received 330 Votes
Tildin Young Jin Han
Received 307 Votes
College of Natural & Agricultural Sciences Senator: Lydia Fanoos
Received 370 Votes
Anthony Ching
Received 274 Votes
Nabeeha Shaukat
Received 268 Votes
Rohan Vig
Received 243 Votes
Jeevan Rao
Received 229 Votes
Bourns College of Engineering Senator: Sarah Zohary
Received 327 Votes
Bruce Riazi
Received 242 Votes
School of Public Policy Senator: Pia Prashanth
Received 54 Votes
School of Education Senator:
Holly Lin
Received 100 Votes
School of Business Senator: Christopher Duran Aguilar
Received 87 Votes
COURTESY OF FREEPIK
SANJANA THATTE
MATA ELANGOVAN
‘When it comes to helping each other, Armenians will move mountains for one another’
A SHOW OF UNITY BY UCR’S ARMENIAN COMMUNITY TO REMEMBER THE ARMENIAN GENOCIDE.
When she was 13 years old, Nicole Bolsajian, a current fourth-year, went on a trip with her family to Armenia and visited the Armenian Genocide Memorial, Tsitsernakaberd. It was there that she went from exhibit to exhibit and learned about the ways that her people were massmurdered. She had asked her mother if an Armenian Genocide would occur again, to which her mother said no.
But now, Bolsajian shares, “I am absolutely disgusted by the perpetrators and by the fact that such a hunger to kill exists within them. We are all sick with sadness from watching innocent Armenians being tortured and murdered in the most gut-wrenching ways possible. From being decapitated, to having their eyes carved out and replaced with stones, to being brutally raped — to having all three of those things happen to someone at once. There are no words to describe the repulsion that witnessing this morbidity brings upon the body.”
In remembrance of the start of the Armenian Genocide in 1915, the University of California, Riverside’s (UCR) Armenian Student Association (ASA) hosted a series of events throughout April to educate the broader public.
Beginning with a welcome back meeting introducing people to Armenian Genocide Month, ASA held a myriad of events throughout the month. They hosted guest speakerbuilding communities, an arts night involving pomegranate painting, and
ended the month with a candlelight vigil. ASA sought to open events to both members and non-members to stand with them in unity.
Bolsajian, one of the co-presidents of ASA, joined the organization during her freshman year to connect
community on campus. Not only has ASA shaped her social and cultural life during her time in college, but it has also provided her with an opportunity to give back to the community and support the Armenian cause.
In regards to the planning and preparation for the month of awareness, Bolsajian recalls, “Planning for Armenian Genocide Awareness Month came together smoothly, as it always does. We’re lucky to have such a dedicated executive board and a community that shows up and supports us without hesitation. That’s something I’ve always loved about Armenians — when someone needs help, everyone steps in. No one ever asks, ‘What’s in it for me?’ We just do what needs to be done for each other.”
Just as it takes a village to raise a child, it takes a community to organize ASA’s events. To facilitate the guest speaker session and pomegranate painting event, ASA invited two individuals they knew would make it happen. The guest speaker, Char-
the Second Nagorno-Karabakh War, delayed his trip back to Armenia to speak during the event.
For the pomegranate painting event, the instructor, who happened
to be the mother of one of the execu-
to drive from San Diego with a car full of supplies. Bolsajian expressed, “That kind of commitment is why everything falls into place. When it comes to helping each other, Armenians will move mountains for one another.”
UCR’s Middle Eastern Student
supporting the various events ASA held during the month. Bolsajian shares, “Their team went above and beyond to help us, funding the majority of our events by covering the cost of supplies and resources. From securing items for the vigil to art supplies and refreshments, they made sure we had everything we needed to bring our vision for this month to
their support help make these events possible, but it also reminded them of how strong the campus community can be when working towards a shared goal.
Throughout the various months of remembrance Bolsajian has participated in at UCR, the event that has always stood out most to her is the annual candlelight vigil, held on April 24.
“The whole point of the vigil is to honor the 1.5 million lives that were taken. Every Armenian standing there is a descendant of someone who survived a genocide — people who weren’t supposed to survive. That thought alone gives me chills. I looked around and thought, ‘We’re here because they fought to live.’ The
silence, the prayers, the faces around me – it’s emotional in a way that’s hard to put into words. It’s heavy,” explained Bolsajian.
In December of 2022, the blockade of Nagorno-Karabakh was implemented by Azerbaijan in the Armenian region of Artsakh, which Bolsajian claims is “a devastating and deliberate act that left families
Recalling her experience of watching the unfolding events, Bol-ians roaming empty grocery stores, being denied consistent electricity and power in their homes, and being denied adequate access to medical aid. We watched bombs dropping left and right … again. We saw mass evacuations taking place. Thousands and thousands of people being forced out of their homes on indigenous Armenian land. Fourth century Armenian churches and monasteries being desecrated — all under the false pretense that this land isn’t ours.”
“I never thought that when saying the phrase ‘Armenian Genocide,’ I would have to clarify whether I was talking about the one that happened in 1915, or the one that’s happening right now. I never thought I would be watching what my great grandparents were victims of in real time,” Bolsagian reveals. “We host this month of remembrance not only to acknowledge the past, but to remind the world that what happened to us has never stopped.”
MATA ELANGOVAN
MATA ELANGOVAN / THE HIGHLANDER
OP ED
A journey of Armenian advocacy from Greece to the US
COURTESY
ON ARMENIAN GENOCIDE REMEMBRANCE DAY, WE HONOR THE RESILIENCE OF GENERATIONS OF ARMENIANS AND REAFFIRM THE CALL FOR JUSTICE TODAY.
ANTRIANA BIGIAZIAN
Antriana Bigiazian (she/her) is a third-year sociology and political science major with a concentration in in-
tion regarding the Armenian Genocide.
On April 24, 2025, over 40 University of California, Riverside (UCR) students gathered to remember the one and a half million Armenian lives lost due to the unjust actions committed by the Ottoman Empire in 1915. It marked the one hundred and tenth anniversary of the Armenian Genocide, and yet another year of silence from the government responsible for this tragic event.
For many, April 24 is a day widely recognized as Armenian Genocide Remembrance Day; however, it is neither fair nor entirely accurate to treat it as a single day of mourning, isolated in time. Doing so overlooks the deeper history and ignores the fact that the genocide was a long process of many overseen inhumane actions — it did not happen overnight.
During the Candlelight Vigil for the anniversary of the Armenian Genocide, we, as the Armenian Student Association (ASA), made sure to emphasize that the genocide unfolded over time. We wanted to educate the community through a speech at the vigil that the genocide began with threats from the Ottoman Empire, targeting the Armenian population, particularly youth, women and religious leaders.
During the vigil, we discussed the early stages of the Armenian Genocide, beginning with the massacres of the 1890s under the Ottoman Sultan Hamid II, which resulted in the loss of over 300,000 Armenian lives and other ethnic minorities, known as the Hamidian Massacres.
Our conversation also covered the Armenian liberation movement, Karekin Nzhdeh and Monte Melkonian organized and strategized to reclaim their regimes and times. Nicole Bolsajian, copresident of ASA, presented Karekin, an Armenian hero who played a key role in defending Syunik, a key Armenian region, after the fall of the First Republic of Armenia.
We also spoke about the lack of justice at Artsakh — an Armenian-populated region in the South Caucasus, a past under Azerbaijani occupation — for both the victims and survivors of the recent ethnic cleansing that took place there.
After our speeches and a moment of silence to honor and remember the victims and survivors, we commemorated
one. Even then, the gesture did not encapsulate every life taken, every life traumatized, the ongoing generational trauma, and the burden of hiding one’s identity of being Armenian and Apostolic Orthodox Christian.
Carrying generational trauma does also involves educating others about our history, culture, dances, language and traditional practices. I grew up in Athens, Greece, in a close-knit Armenian community where I learned the values of organizing and advocacy. I have been a member of the Armenian Youth Federation, an organization founded to resist injustices against the Armenian community, since the age of nine. I attended my of my closest friends and classmates, to and justice outside the Turkish Embassy there. Being Armenian is not just about carrying trauma — it is about being resilient at every step of your life.
A famous Armenian quote by William Saroyan, a son of Armenian genocide survivors and an Armenian-American writer who is known for his novels and short stories of immigrant life in California, says, “Go ahead, destroy Armenia. See if you can do it. Send them into the
desert without bread or water. Burn their homes and churches. Then see if they will not laugh, sing and pray again. For when two of them meet anywhere in the world, see if they will not create a New Armenia.” -
tion of our reality. I have embraced our culture and dances simply by meeting another Armenian. William’s quote reso-
UCR as an Armenian undergraduate stu-
was created after meeting one Armenian professor, Dr. Kaloshian, who supported and guided me in making an R’course and teaching about the “Armenian Genocide Today.”
Additionally, I have engaged in ad-
continue advocating for my community. The connections and experiences in our community are built upon one another, allowing us to showcase our beautiful, resilient culture.
Armenian resistance movement, visible in the UC-wide initiatives organized by Armenian Student Associations. We also see it through the presence of a few Armenians in leadership roles, like myself in ASUCR. Since becoming a part of the Associated Students of UC Riverside (ASUCR), I have helped pass two resolutions, including one emphasizing the need for awareness and recognition of the ongoing atrocities impacting the Armenian community in Artsakh.
Artsakh had been a historically Armenian-populated region until September 2023, when Azerbaijan launched military attacks and threats that displaced over 120,000 Armenians. This did not happen overnight. Similar patterns that escalated during the genocide were already present as early as December 2022, when Azerbaijan imposed a blockade eerily similar to the one enacted by Turkey prior to the genocide. The blockade on the Lachin Corridor, the only road connecting Artsakh to the outside world, cut medicine and electricity.
This led to deaths from starvation, lack of medical care and exposure dur-
ing the winter months. Vulnerable populations were left without the support they needed to survive. The nine-month blockade resulted in the ethnic cleansing of over 120,000 people — people with generational roots, who had lived there for centuries.
Despite the severity of these tragic events, the international community, particularly the West, failed to provide immediate or adequate support to the Armenian people as they endured persecution and violence.
It marked not only a repeated atrocity but also a historic erasure: the end of Armenian presence in those ancestral lands after thousands of years.
Today, as a proud member of the Armenian community and an undergraduate student at UCR, I, along with others, am focused on advocating for the immediate release of Armenian prisoners of war, the imposition of sanctions on Azerbaijan to block military aid, the accountability of ethnic cleansing of September 2023 and the right of Armenians from Artsakh to return to their homes. We must also ensure they receive the care they deserve after enduring a tragedy we had hoped never to witness again in our lifetime. If we do not take action, we will see a genocide repeated.
As an Armenian student, I am saying this clearly and truthfully that the nonArmenian community needs to quit performative actions, and begin listening to our stories. Educate yourselves — not just about the Armenian Genocide, but all past genocides and the historical patterns that led to them.
This action is about showing up when we organize and collect as a community to share our concerns. Collective action and coalition building have been successful in the past, through the examples set as an example for others to follow.
Op-Eds are not edited by The Highlander, excluding those related to grammatical errors and AP requirements.
Editorial Board and are not written by Highlander contracted writers.
H
OF ANTRIANA BIGIAZIAN
The Trump Administration’s workforce cuts are a threat to America’s public lands
AMERICA’S PUBLIC LANDS AND ECONOMY ARE BEING ATTACKED VIA FEDERAL JOB CUTS FROM THE TRUMP ADMINISTRATION.
JAEL OCHOA Contributing Writer
On February 11, 2025, the Trump administration’s Department of Government
Tree to be nothing but a dumping ground
DOGE’s initiative further opens up the op-
suffering from the amount of money spent
The Trump administration and DOGE
imports to the money raised from the Na-
The Trump administration has boasted
COURTESY OF BUREAU OF LAND MANAGEMENT
Why moms deserve progressive policy action this Mother’s Day
HONORING MOMS MEANS MORE THAN BRUNCH; IT MEANS FIGHTING FOR POLICIES THAT PROTECT THEIR RIGHTS, HEALTH AND DIGNITY.
LILIANNA ANGEL
Every second Sunday of May, we double standard that undervalues the full of the laws that are now overturned had known more for loyalty to Trump than our table and would come home every day stand by as other moms are deported,
H COURTESY OF FREEPIK
Scotty-Scopes:
Your personalized game plan
Libra (Sept. 23 – Oct. 22): The Emperor
Take the wheel and steer your life where you want it to go. Set some boundaries, and remember that your choices are little seeds that grow into big, awesome plants.
Capricorn (Dec. 22 – Jan. 19):
It’s time to stop endlessly researching new spiritual practices and actually try one out! It’s meditation, journaling or even just trusting your gut on a tough decision.
Aries (March 21 – April 19): Nine of Swords
Don’t let worries consume you. Step back and realize your fears aren’t as big as they seem. Calm your mind and give yourself a break when needed.
Cancer (June 21 – July 22): Page of
No need for a grand plan — take small steps, stay curious and learn as you go. Consistency brings big results.
Scorpio (Oct. 23 – Nov. 21): Page of Swords
Approach your situation with the curiosity of a detective. Don’t just go along with it; ask questions, look for the truth behind what’s being said and pay attention to anything that feels strange.
Aquarius (Jan. 20 – Feb. 18): The
The universe will shake up your life with a big surprise. It’s messy, but sometimes destruction is necessary to clear the old and make room for something better.
THE BEST WAY TO APPROACH YOUR CURRENT SITUATION.
Sagittarius (Nov. 22 – Dec. 21):
Stop second-guessing. Trust your vision and take action. Don’t wait for the perfect
Pisces (Feb. 19 – March 20):
Focus on keeping an enthusiastic attitude this week. Your positive leadership skills should not be overlooked.
MAIN ST
Taurus (April 20 – May 20): Ace of Wands
If you’re looking for a sign, this is it! It is time to take action. If something has been on your mind or piqued your interest, now is the time to dig in.
Gemini (May 21 – June 20): Ten of Swords
Let go of what has been holding you back and focus on going forward. It’s time to move on from past setbacks and work for something better.
ORANGE ST
Leo (July 23 – Aug. 22):
Step into your situation with the
90 percent of the battle, with the rest just looking like you have a plan.
(Aug. 23 – Sept. 22):
It’s about choosing the road that feels most like you. If you are stuck making a decision, especially in relationships or anything that feels like a lifetime commitment, go with your gut.
Magician
King of Swords
Tower
Queen of Wands
Pentacles
The Hermit
Virgo
The Lovers
MUNA IQBAL
NORM’S NOOK SPOTLIGHT
Blue graduation gowns
Talk about timeless, elegant and sophisticated! Unfortunately, these aren’t some adjectives that can be applied to the appalling dilemma at hand: blue graduation gowns. What once was a sane world became a mad one with the change of a color. That is, the graduation gown colors switching from the extravagance that is a black gown to the gaudy mess that is a blue gown. Apart from its visual appeal and likable contrast between itself and the formal attire under it, black gowns have represented more than just a college graduate, but relay a sense of tradition practiced by colleges world wide from as far back as 14th century academia! This classic graduation dress exudes a universal message: educated and good looking! However, this tradition, for reasons unknown, has been replaced by the likes of a not-so-royal, “royal blue.” Soon-tobe graduates have expressed their dislike for the unexpected change, charging at the university with retaliation in the form of petitions. Unlucky for the graduates, the gowns stay for the spring 2025 commencement season.
H
Courtesy of M.J. Chan
STUDENT POLL
QUESTION: With AAPI Month coming up, what piece of media would you recommend to people trying to best understand the significance of the month?
Answer our weekly question on the Highlander Instagram for the opportunity to get featured in the next issue!
“Inland Empire” by David Lynch
“On Earth We’re Briefly Gorgeous”
“Everything Everywhere All at Once,” beautiful depiction of typical immigrant parent-child dynamics.
“Saving Face”
“Didi”
GABRIELA GALVAN
GRAPHICS BY LAYNA LAPIKAS / THE HIGHLANDER
RICE KRISPIES
25. Philosopher’s study
28. Teeming
30. Slobber
Make sense, with “up”
Its license plates say
35. Nose-in-the-air type
37. Egg container
39. Jeremy Jordan, e.g.
40. Evil hideout
41. Fliers in V’s
43. Pelvic bones
44. Big natural dos
46. Redhead elf 47. Fire
48. Breakfast cereal
50. Imagine, old style
52. Word on a Ouija board
53. Tolkien creatures
MAIN ST
55. Dove’s sound
57. Jonah’s destination
61. Burger King order
65. Martini garnish
66. Victorian, for one
68. Filibuster
69. Enemy in “Empyrean” series by Rebecca Yarros
71. Clear, as a disk
72. Figure skater’s jump
73. Brunette elf 74. Takes out
BY NATALIE FEATURES
IE DITOR
Down
1. Catchall abbr.
Month before Nisan
Pro ___
Crude shelter
Car beeper
Having the means 7. Date for someone pregnant 8. Kind of queen
Heavy load
Calf-length skirt
11. Gardener’s purchase
ORANGE ST
12. On bended ___
15. Oust
ANSWERS (DON’T PEEK!)
22. “___ De-Lovely”
24. Feels bitterness
25. Muhammad’s religion
26. Big mess
27. Wavelike design
29. Lawyers’ charges
31. Luau souvenirs
33. Express
34. Lingerie and swimwear brand
36. Warner ___
38. Ivan the Terrible, e.g.
42. Geologic period
45. Untidy one
49. Boiling blood
51. Abounding in trees
54. Bargain-basement
56. “La Bohème,” e.g.
57. ___ Scotia
holly
59. Opening time, maybe
60. Good vs. ____
61. “Star Trek” speed
62. Surveyor’s map
63. “___ on Down the Road”
64. Bakery selections
67. Brazilian hot spot H H
COURTESY OF ELLA OLSSON VIA PEXELS
LENNY THAI Contributing Writer
Take it from an old man
An upperclassman’s advice to underclassmen.
So you’re a freshman or sophomore who made it to spring quarter. Congratulations! You’re nearly done with a year at the University of California, Riverside (UCR) and on your way to graduation. From a junior who has been there and done that, here’s some advice I wish
Take advantage of the “free resources” on campus while you still can
Use the R’Pantry, The Well and Counseling & Psychological Services (CAPS). You pay for it, so use it! If you need sexual and menstrual health products, take a trip to The Well and grab a few things. If you’re out of food for the week, R’Pantry does walk-ins on Mondays and Tuesdays and appointments. Organizations on campus often host meetings with free food and other giveaways, so take advantage of those, too. However, if you plan to stick around for the free things, you should be interested in the club.
Sometimes, but not always, the Associated Students Program Board (ASPB) table at Nooners and does giveaways for practical items. I got two bento boxes from a wheel spin and still use them. Get that swag while you can! It also helps to follow as many
puts you on the professor’s radar. There’s a high chance they’ll recognize your name in an upper-division course later. This is incredibly helpful when you want research opportunities or a letter of recommendation for graduate school. A good rule of thumb is to
and research the professor’s background. Common sense should be courteous and succinct. You can ask for help with understanding a topic in class, how they became a professor, what inspired of these are straightforward, appropriate questions to slowly build rapport so you’re better prepared when you have a big favor to ask of them.
go, so stay posted on everything happening on campus. pages on Instagram as possible. So many things are being given everything happening on campus. -
Advisors can be hit or miss. You might have a super proactive advisor who guides you through your situation or an advisor who seems to be no help. Do not let this discourage you from seeking academic help. If you’re going to your advisor for any reason, do your research and communicate what you want out of a session. For example, if you wish to take courses at a community college, know the courses you want to take, look at your degree audit and come prepared with everything you want from the session. If you feel your advisor isn’t a helpful resource, you can go to another advisor’s walk-in or drop-in hours.
College is hard enough as it is, so make it easier on yourself! Whatever you take away from this humble student’s rambling, I hope you will change how you approach your professors, advisors or resources.
RACHEL KO Contributing Writer
Teamwork makes the dream work
How to succeed in group projects.
If there’s one thing that all college students can agree on, it’s that we all dread seeing the words “group project” on our syllabus. It’s always the standard team of the freeloader who has no idea what’s going on, the model citizen who does the majority of the work and that one guy who suddenly realizes he has a family emergency. I know it’s tough working with unfamiliar people, and chances are that there’s always going to be that one bad egg. But even so, it’s totally possible to have successful group projects. Here are a few strategies on how!
Get to know each other
Obviously, not every team is going to be like the Avengers. Everyone’s going to have different work ethics and mindsets. If your professor doesn’t allow you to choose your group members, you just have to work with what you got. With that being said, it’s crucial that you and your team start off on the right foot, and the easiest way to get started is by getting to know each other. Some icebreakers will help, and who knows, you might see some hope with your group and potentially make new friends. It’s a lot better being at ease with your team rather than working in awkward silence for the duration of your project.
After you guys get more comfortable with each other, set clear goals and expectations. This is a group project, so teamwork is absolutely essential for success. Try to learn about each other’s strengths and weaknesses. If you know you have terrible time management skills, the last thing anybody wants is for you to be the one to submit the work, so make sure you’re in charge of
appropriate person and delegate responsibilities fairly, I promise you that there’s going to be a bright future for your group project. Divide and conquer!
Keep in contact
Establishing effective ways of communication is extremely important, so exchange your phone numbers or social media accounts, or just any way to get in contact with each other. I recommend making a group chat on a platform that everyone can have can also use project management apps such as Clickup or utilize Google Docs to stay organized. You don’t want to miss an impor-
Be respectful
This goes without saying, but treat your group members with
get in the way of achieving a good grade, especially if you have personal beef. Try to put it aside and work together as best as you can. Also, remember to keep up boundaries. Be fair and lenient, but keep in mind that you are not responsible for everything and everyone.
necessary, but don’t ever let yourself be taken advantage of. If a group member continues to slack off, report them to your professor. What I like to do if I have a freeloader on my team is to take
liever in never letting moochers off the hook.Always hold each other accountable!
Optional: Appoint a team leader
I learned from previous group projects that having a team leader helps a lot with the process. If you guys plan on having a team leader, make sure it’s someone who is calm and has exceptional your team leader can help resolve things, but make sure you’re not dumping all of the responsibilities on them!
Group projects can be rough. Working with people you don’t know will always be a challenge, but I honestly think group projects are kind of important. Working as a team teaches us collaboration, better communication skills and more often than not, patience, which are all important skills to possess.As long as you remember you are all working towards a common goal, you’ll for sure get that perfect grade. miss an impor
ons when evo meet online g p g
team a lot. It’s easier to discuss ideas and ask questions when everyone is present, but if schedules don’t align, try to meet online instead of using apps like Zoom or Discord.
RADAR
‘Thunderbolts*’ brings Marvel back to its roots with grit, heart and humanity
After years of multiversal chaos and uneven storytelling, ‘Thunderbolts*’ delivers a powerful return to form.
Lilianna Angel Staff Writer
On May 2, Marvel Studios released their newest project, “Thunderbolts*” — with it a thunderous reminder that the studio still knows how to make stellar movies. After a streak of mixed reviews and oversaturated multiversal arcs, “Thunderbolts*” marks a pivot back to character-driven storytelling. It’s not just another ensemble movie; this is Marvel’s most emotionally attuned project. It’s reminiscent of the early original “Avengers” movies.
With themes of grief, redemption and depression woven into the heart of the story, “Thunderbolts*” stands out as one of the latest and best Marvel Cinematic Universe (MCU) projects produced, offering a unique sense of team camaraderie compared to the lighthearted yet heart wrenching “Guardians of the Galaxy.”
Set after the events of “Black Widow,” “Captain America: Brave New World” and “Hawkeye,” “Thunderbolts*” follows a government-assembled squad of morally grey “heroes” tasked with doing the jobs the Avengers never could. Florence Pugh takes center stage with her wit and emotional depth, joined by a surprisingly grounded Congressman Bucky Barnes (Sebastian Stan). Alongside them are tightly-wound U.S. Agent (Wyatt Russell), unpredictable Ghost (Hannah John-Kamen), lovable bruiser Red Guardian (David Harbour), Taskmaster (Olga Kurylenko) and wild card Bob (Lewis Pullman)
are all under the watchful eye of Valentina Allegra de Fontaine (Julia LouisDreyfus). Their portrayals are brilliantly brought to life on screen, and remain closely aligned to Marvel comics source material.
time to breathe on screen as they carry their own emotional baggage. It’s through these moments of vulnerability, viewers come to recognize how their past shapes their journey to be shifts from what many might expect to be a movie about saving the world to one about living in it.
“Thunderbolts*” returns to the hand-to-hand combat choreography that made “Captain America: The Winter Soldier” stand out — brutal, tactile and deeply personal. Gone are the weightless computer-generated imagery (CGI) brawls of recent years. Instead, “Thunderbolts*” leans into close quarters combat that feels earned. Each punch, grapple and fall carries emotional weight, grounded in the characand psychological states.
For example, the teaser choreography well-suitedter between these characters in a secure facility building, where trouble suddenly that follows captures eaching style, making practical stunts all the more thrilling. From the classic “Black to the trained quantum faz-
Man” — the movie is truly a collection of premier hand to hand marvel anti-heroes.
Although “Thunderbolts*” doesn’t rely on overt visual effects (VFX) as much as its MCU predecessors, the animation that is present is selectively used to elevate 2020s MCU projects. The movie makes excellent use of 2D animation that greatly enhances the story in a sad yet thrilling way. There’s restraint in not overusing these effects by allowing emotional realism to take center stage. VFX serves the story, not the other way around.
without its stellar cast. Florence Pugh continues to shine, balancing Yelena’s biting humor with aching vulnerability. Sebastian Stan gives one of his most restrained but layered performances as Bucky, who is world-weary but not numb. Wyatt Russell brings complexity to U.S. Agent, crafting a character that is both antagonistic and tragic.
David Harbour’s Red Guardian offers unexpected heart, while newcomer Lewis Pullman delivers a somber, gut-wrenching performance as Bob, mellowed out by occasional moments of brief humor.
And then there’s Julia LouisDreyfus. Her Valentina isn’t just smug or scheming — she’s infuriating, but in the best way. She acts with such cold precision and unapologetic manipulation that audiences are able to feel the tension whenever she en-
ters a scene. It’s the kind of performance that makes audiences upset, which is the mark of a great actor.
In fact, one of the best deliveries from the movie is from her when she is asked about power and brilliantly answers: “Ideals without power is just an opinion.” The line is reinforced by the cinematic setting where everyone is trying to do good in the world in their own imperfect ways. Her performance is similar to how Wyatt Rusell debuted in “Falcon and the Winter Soldier,” as audienc-
newest movie humanizes him in a way that follows the story’s subplot about mental health. Similarly, audiences will believe Juila’s power not because of her lines, but because of her control. What makes “Thunderbolts*” feel like a true evolution for Marvel is its willingness to sit with discomfort. Depression, grief and post-traumatic stress disorder (PTSD) aren’t afterthoughts; they are the story. The mission isn’t about defeating a world-ending villain. It’s about confronting personal demons and learning how to carry them without collapsing.
are taunted with emotional depth before pivoting to punchlines, “Thunderbolts” allows for a more mindful way of storytelling. Creative decisions like long pauses between
layered symbolism truly help the movie shine. The writing strikes a delicate balance by being sharp without being redundant
and emotional without becoming a melodrama. The banter is lively and purposeful, revealing character dynamics rather than purely cracking jokes, although the jokes are much appreciated. Conversations are often laced with subtext, especially between Yelena and Bob, whose evolving mutual understanding wrapped in a sadness most important anchors. The dialogue is smart, natural and at times, deeply sorrowful in the best way. It trusts the audience actually to listen and not just be dazzled. "Thunderbolts*" won’t change the MCU with multiverse-shattering stakes. Instead, it reminds audiences why they cared about this
Not for gods and timelines but for people who are
It’s a thunderous reminder that Marvel can still tell grounded, emotionally resonant stories. Not with explosions, but with eye contact. Not with magic or quantum mechanics, but with broken people trying to matter. Sometimes, that’s all it takes to save a world. It’s almost like they are a renewal of the Avengers. Verdict: The old Marvel is back! It is gritty, emotional and grounded in character-driven storytell-
place. Do not forget to watch the end credits; they are truly a game-changer and set forth a new Marvel arc. H
Swift Horses’ is highly enjoyable
A messy and gorgeous throwback to the melodramas of the 1950s, but with a queer twist.
“On Swift Horses” is the kind of movie that rarely gets made anymore—because it’s mostly morphed into prestige television found only on streaming services. Bright and vivid colors contrast the stark their own version of the American dream—whatever that looked like.
This is the case for Muriel (Daisy Edgar-Jones), a shy, young woman from Kansas who moves to California with her new husband Lee (Will Poulter), in hopes of buying a small property for themselves. Lee’s brother Julius (Jacob Elordi) is supposed to
themselves drawn into a seedier, underground life where they both pursue hidden desires.
“On Swift Horses” draws parallels between gambling and the queer relationships Muriel and bets on horses, going over half-heard information
from brokers at the diners she works at, an activity she hides from her husband. Julius gets a job as a spotter at a casino, where it’s his job to make sure the blackjack players aren’t cheating.
Soon enough he’s wanting more, so he and his lover Raoul (Diego Calva) cook up a scheme to make some easy cash by cheating at the game themselves. Both the thrill of winning and acquiring this in an illicit manner is seductive for Muriel and Julius, intertwined with the thrill of illicit love affairs that could get them arrested. There are some frankly far-fetched and silly storylines used to achieve this parallel but a little bit of silliness is a core part of melodramas like this one.
but it does a good job of balancing them and their Elordi fails to make much of an impression. Julius is beautiful and mysterious, but feels too similar to characters that he’s already played in the past in “Euphoria” and “Saltburn.” It’s not until the second
vulnerable that Elordi can show us a new side of his acting range.
Edgar-Jones, in contrast, fares poorly. Her wide-eyed stare feels like it’s trying too hard to convey naivete on Muriel’s part, which makes her character, Sandra, as Muriel’s lover is good, but the actress isn’t given much to work with. The undisputed highlight is Calva, who is the last character to be that was moving rather slowly. It’s a shame that the script has him commit dumb decisions for no other reason than to move the plot forward.
through the streets of Los Angeles on a horse in order to search for his lover after he left him a gambling coin as a clue to his whereabouts, should give viewers
Verdict: Despite some illogical plotlines, this silly melodrama is an enjoyable watch with happiness in 1950s America.
Both the protagonist and antagonist use their roles as cops to wrongfully justify their actions.
The movie “Havoc” is director Gareth Evans’ latest, dynamically action-packed movie endeavor. protagonist, a homicide detective named Walker. to protect Mayor Beaumont’s son, a man sought out by the police force after becoming the main murder suspect in a drug-related case that Walker had been assigned to. The main antagonist in the movie is Vincent (Timothy Olyphant), who serves on the same force as Walker.
Vincent’s corrupt nature is swiftly realized after he is revealed to be the drug lord’s true executioner. The storyline heavily relies on the roles of authority that both Vincent and Walker hold. These two characters irresponsibly use their positions, constantly asserting unwarranted force on multiple individuals alongside actions are showcased as despicable, Walker’s character is painted as more sympathetic. However, viewers must understand that both characters operate unjustly in their positions.
In the movie’s opening scene, Walker’s internal dialogue details the series of corrupt activities that happening as more regrettably detestable than the rest: An incident in which he injured an undercover cop while Vincent and him pursued a self-serving drug scheme. To cover their tracks, Vincent proceeded to shoot the injured individual to permanently silence to diminish the sordid actions that they commit by clutching onto their titles.
is sizable. This demonstrative imagery declares the shield-shaped symbol as an item for them to hide behind, which enables the pursuit of their dishonorable actions. At one point, Walker attempts to protect another wrongfully suspected individual within the case.
In this intense scene, Vincent attempts to apprehend her, claiming that she was partially responsible for the drug-related bloodshed. Vincent demands that Walker hand her over to him, probing him with the question, “Aren’t you with us?” Upon delivering
he is not with them.
Vincent’s actions are showcased as undeniably detestable, but Walker’s character is more grayscaled. Overall, Walker is painted as an individual viewers can sympathize with, but both of these cop characters are components attached to a largely unreasonable system. The movie’s dialogue provides a few separate instances in which the concept of being a “good cop” is mentioned. A notable example cop, claiming that the deceased man was likely “one of the good guys.”
Vincent’s character contrasts greatly with Walker’s. When the two are compared, Walker pales in comparison to Vincent’s viciousness. But, it is vital to recall that the system at hand does not allow for the differentiation of their morally positive and negative qualities.
Verdict: The police badges accompanying the cop-characters in the movie, “Havoc” serve as symbolic shields for their corrupt and unjust behavior. As is true in this movie’s reality and in current affairs, all of the cops within the police force become a problematic component due to the system in which they are a part of.
RAMITA SETTY
CHLOE ALFERY Contributing Writer
‘Andor:
A Star Wars
Story’ is the return of a great show from a galaxy far, far away
AN EXAMPLE OF WHAT CREATIVE FREEDOM CAN DO TO ENHANCE A STORY IN A FRANCHISE THAT DESPERATELY NEEDS IT.
JOSEPH ARRIAGA
of “Andor” was released, it was praised by both critics and Star Wars fans for its storytelling, character development and acting. Now, three years later, with the release
three, it’s safe to say that the long wait was worth it. So far, this season exceeds all expectations and surpasses all of season one.
of the goodwill with the Star Wars fanbase with the disappointment of season three of “The Mandalorian” back in 2023, and last year with “Star Wars: The Acolyte,” which was a subject of controversy and ended with the Star Wars fan base being even more divided than 2017’s release of “Star Wars Episode VIII: The Last Jedi.”
This show won’t please everyone because making everyone happy is impossible, especially in the Star Wars fanbase. Hopefully, this is the the mistakes they have made with the Star Wars franchise over the last 10 years under Disney.
Season two of “Andor” picks up
Celebrating
one year after the end of season one. Andor is still working with the Rebel Alliance to try and overthrow the Empire. A majority of the episodes
one-year time jump to have the story end around the time that “Rogue One” starts to have the show con-
Now, while this idea might sound
a way to keep the story interesting. It allows the audience to see how the characters can grow and change with those time jumps.
The thing that makes this show
other Star Wars projects is that “Andor” focuses on the politics and the world-building of Star Wars. While
even the complex morality struggle between the Jedi and the Sith, it’s an interesting viewing experience to see that side of Star Wars be put to the side to focus more on the serious side.
Diego Luna continues to steal the show as Cassian Andor, a Rebel spy that faces a dilemma of knowing how far he is willing to go to do the right thing. Andor is not the typical, straightforward character, and that’s what makes him such an interesting
Asian-American
character and one that the audience can get invested in.
The supporting characters of Luthen Rael and Mon Mothma, played by Stellan Skarsgård and Fiona Shaw, continue to shine and bring a nice balance to the show, as it switches storylines
his mission, scenes where Luthen and Mon are on another planet trying to contact Andor, and even scenes of them trying to play an act of being a couple at a wedding.
The new season is a slow build, but this works well for
audience invested in what is going to happen next for the upcoming weeks. This slowness highlights the show’s cinematography and production value.
One of the biggest criticisms that Disney+ has been facing over the years is that a majority of the shows look as though they were shot on a green screen, which happens particularly with Star Wars. However, with “Andor,” almost every single shot feels like a work of art. The amazing cinematography is a standout quality that elevates the show. Every location that is present on
and Pacific
this show feels authentic and visually stunning, which is something that has been missing in the Star Wars franchise for quite some time.
watching, even in spite of two hours of folk music.
“Andor” is not just a good Star Wars show, it’s a great show. The audience invested and make them want more. Not to mention it has strong performances, writing and cinematography. This is a show that can’t be missed.
Islander Heritage Month
FICTION AND NONFICTION BOOK RECOMMENDATIONS THAT PORTRAY AAPI EXPERIENCES.
Islander (AAPI) Heritage Month, which is dedicated to celebrating and learning about AAPI cultures, history and achievements. On campus, celebrations for this month are hosted through several events and programs with the Asian also provides resources and support toties on campus.
Cities across the United States celebrate this month by hosting cultural events for the local community. Some of these events include featured speakers at the Inlandia Institute at Riverside Main Library and The Los Angeles Public Library’s plethora of events and guest speakers to celebrate Los Angeles’s largeties. In honor of the diversity of AAPI recommendations for readers who want to celebrate the month through literature!
by Michelle Zauner: This is a memoir by Korean American author and musician, Michelle Zauner, also known as Japanese Breakfast. This memoir explores her relationship with her Korean mother, culture and her identity as a half-Korean and halfwhite American. This book also talks in detail about Korean cuisine.
by Michael Luo: This book details the immigrant experience of Chinese Americans during the nineteenth century. This book covers the history of Chinese Americans and the racism they experienced through exclusionary laws and anti-Asian violence.
by Julian Aguon: This book was written by a Chamorro climate activist, focusing on a series of memoir-like essays about resistance, resilience and the collective power facing the ongoing struggle with climate disaster. It can also be seen as a manifesto or a call for justice. In a poetic-like prose form, Aguon tells stories from his childhood in Guam and the climate violence against Indigenous peoples.
by Geena Rocero: This memoir tells the story of a transgender Filipina pageant queen, from her time in pageants in Manila to being an immigrant in America. It explores the risk of living a double life as a transgender woman trying to hide her identity for survival versus embracing her identity.
by Maxine Hong Kingston: A memoir written by a Chinese American writer that tells the two worlds she lived in during her childhood: California and China, told through her immigrant mother. This book mixes autobiography and Chinese folktales. by Miné Okubo: Okubo was an artist and writer from
Riverside, and her work is a part of the University of California, Riverside’s ar-hand experience of Japanese-American incarceration during World War II by a Nisei, also known as second-generation Japanese immigrants.
by Kao Kalia Yang: A memoir about a Hmong refugee famwar in Laos during the 1970s. It follows the family narrowly escaping to Thailand and settling in an unfamiliar Minnesota. Yang writes from the perspective of having been born in Ban Vinai Refugee Camp. Overall, the memoir is a love letter to the author’s deceased grandma. Poems from a Marshallese Daughter” by Kathy Jetñil-Kijiner: A collection of poems about the trauma of colonialism, racism, forced migration, the legacy of American nuclear testing
the Marshall Islands. This collection explores both the negative history of nuclear testing and the matrilineal traditions of Marshallese culture.
by Julie Otsuka: A novel written by a Sansei, third generation Japanese American, writer about a Japanese American family’s time during Japanese American
Incarceration during World War II. This novel tells a story through a non-linear structure and uses symbols, like water and dreams. by Daphne Fama: A horror novel set in 1986 during the People Power Revolution in the Philippines, where a young woman plays a dangerous game at a childhood friend’s maze-like home. The main character, Josephine, learns her childhood friend is a witch, and has to play to win or she will die.
by Amy Tan: Set in San Francisco, the novel tells the story of four Chinese immigrant mothers and their American-born daughters. It explores their complex relationships and struggles stemming from their cultural by Kiana Davenport: A love story set in Hawaii and Russia through Ana, a Native Hawaiian physician, and Nikolai, a Russian -
brance, the search for family and identity.
by S.K. Ali: A young adult romance about two Muslim teenagers, one part-Chinese and the other partPakistani, falling in love despite facing adversity. Written through a series of journal entries and humorous dialogue, this novel explores themes such as islamophobia, social justice, love and identity.
Reggae recommendations for a perfect summer day
Welcome in the hot weather with some reggae throughout the day!
Lilianna Angel Staff Writer
Although summer has yet to settle in, Riverside is getting hotter as the days get closer and closer to June. Many walk around this campus wishing they were walking around the beach instead, and there is no better genre to listen to while doing so than reggae. Fantasize the perfect beach day with these reggae songs while counting down the days until summer!
AT SUNRISE: “Wanting More” by Irie Souls There’s nothing like reggae to start the morning! This track is perfect for getting into the summer mood. The romantic lyrics encapsulate the feeling of waking up next to a loved one with the warmth from the summer sunrise hitting bare skin through a gap in the curtains. The chill instrumental is great for easing into the feeling of being awake.
ON A COASTAL DRIVE:
“Cool Down” by Kolohe Kai After waking up and grabbing a bite to eat for breakfast, there is no better number to listen to in order to get hyped for the beach than this one. This song is quite literally about going to the beach and makes every listener want to go, too. It’s perfect to listen to with the windows down, driving down the coast as the smell of salt from the ocean permeates the nose. The chorus is so incredibly catchy that there is no doubt everyone in the car will be jamming along. It’s not too loud that it kills the chill vibe that was set in the morning, but just fun enough to get excited for the beach
AT THE BEACH: “Mystery” by J Boog & “Gotta Know Your Name” by Rebel Souljahz
If one is planning on bringing a speaker to the beach and bothering everyone
else with their loud music, they should at least play bangers. If more than just their friend group is going to hear it, they have an obligation to play good music for everyone around them. So avoid being an embarrassment with these fanfavorites. These two tracks are some of the best to come out of this genre and make it to mainstream music.
Not only are these two numbers very catchy, but also they have their own individual moments that set them apart from the average mainstream reggae
pre-chorus of “Gotta Know Your Name” is beautifully sung. The gravelly vocals of one of the lead singers of the group followed by the smooth, dulcet belt of another lead singer mix well. Whether they’re to be the background music for playing spikeball, reading or tanning, these two songs ought to make it on everyone’s beach playlist
AT GOLDEN HOUR:
“Love Me” by Fia
After a long day at the beach, one needs a number that’s equally exciting but a bit slower than the previous two songs. This song is perfect to listen to while taking “The Pic” with the sunset in the background shining on sunkissed skin. It’s also a romantic track for swaying in the sand with a loved one. Not only is the chorus catchy, but the second verse will surely stay stuck in the listener’s heads. As listeners begin to pack their stuff away into their cars, this number will distract them from feeling too sad about having to leave the beach behind. Rather, it will make them feel grateful for the day that they spent and look forward to the next time they can sink their feet in the sand and feel the sun
Xiker’s ‘HOUSE OF TRICKY: SPUR’ is an underrated K-pop EP with enjoyable ‘boy
group’ music
Xiker’s newest album includes energetic production and strong performances despite being under-promoted.
hit their backs once again
WINDING DOWN: “The Only One” by 77 Jefferson
Although readers may not be able to listen to this song on a perfect island night, this is also a great track for a perfect Southern California summer beach night instead. This is a chill song to end the day with, setting the mood for the drive home with the moon high in the sky and shining down on the palm trees swaying in the sea breeze. Like the previous number, this is quite a romantic one to listen to while holding the hand of “The Only One.”
Joanna Simon Contributing Writer
Xikers is a K-pop boy group consisting of ten members. Debuting under KQ Entertainment in 2023, they have garnered a reasonably largescale fanbase, especially for a group under one of the smaller K-pop entertainment companies out there: KQ Entertainment, which rose from humble origins and gained success through their current most successful group, Ateez.
Xikers have been developing their sound and identity, though their discography remains somewhat underrated and sometimes underpromoted. “HOUSE OF TRICKY: SPUR” seems to suffer from this, as the extended play is a pleasant listen with solid production on its own, but hasn’t found a lot of K-pop listeners.
The album opens with “You Hide We Seek,” a song with a distinct “K-pop boy group” sound with layered instrumentals, shouted lines and rap verses. Xikers executes this well, though the instrumental seems a bit monotonous for the inter-bers deliver.
The track provides a great buildup for their title track, “Breathe.” This track is loud and unapologetic, from the line delivery to hard-hitting choreography in Xiker’s performances. There is a certain unvarying sound to the track’s instrumental, but it works with the rap and choreography of the song, letting other aspects of the track shine more.
“HIGHWAY” was a pleasant rock-inspired track that was surprising to hear on an album that initially seemed very electronic dance music (EDM) and trap-based. The vocals are brash and
hard-hitting, with a stylistic use of autotune that the song could probably be better without. Despite that, the little details in this track, like shouted ad-libs and distorted guitar, make this track the most interesting part of the album.
“Roller Coaster” has a tone that’s hard to place, though it may be purposeful with the song’s themes of unpredictability. The track seems
more variability in the instrumental.
“HOUSE OF TRICKY: SPUR” ends on a mellow note with “Rock Your Body,” a pleasant track with some of the better vocals on the album, as there’s less emphasis on raps and catchy hooks. The track is still upbeat enough not to feel out of place with other tracks, and still lets the rappers’ strengths shine.
This album was well received by fans who listened, though some didn’t like “Breathe”’s repetitive chorus. Most fans enjoyed “You Hide We Seek,” which did have a more interesting delivery than “Breathe.”
The album has a well-executed take on the “boy group” sound typical of Kpop. However, it may not appeal to mainstream audiences, with noisy instrumentals and unconventional production choices. Still, this EP deserves a listen for those wanting to see hardhitting performances and a good take on the typical Kpop boy group style.
Verdict: Xikers continue to perform great songs and complement their tracks with amazing stage presence, though they can be even more experimental with future releases. H
THE CHARM OF SONNY ANGELS AND HIPPERS
Exploring why adults love these cute little figures.
Muna Iqbal Contributing Writer
Sonny Angels are small, 10-centimeter figurines that look like little cherubs with angel wings featuring cute themed headpieces — like fruit, animals or flowers. Despite being nude, they give off an innocent, childlike concept.
Then there are Hippers — mini versions of Sonny Angels — designed to be stuck on personal items like phones, laptops or mirrors. They’re just as charming but can be displayed in more interactive ways. Both figures are created by Dreams Inc., a company based in Japan, and are part of Japan’s "kawaii" culture, which focuses on all things cute and endearing.
FROM TIKTOK TO THE CLOSET
These aesthetics have taken over everyone’s feeds.
Muna Iqbal Contributing Writer
In the world of fashion, trends come and go, but it seems like the 2000s are making a strong comeback. Low-rise bottoms, fit and flare denim pants, mini skirts, baby tees and velour tracksuits are all making their way back into the fashion scene. This nostalgic revival of Year 2000 (Y2K) aesthetics has been fueled by various influences, including social media platforms like TikTok.
internet era. Websites like SpaceHey have popped up to revive the MySpace aesthetic, and even 2000s-era compact digital cameras are seen as cool and nostalgic now. This space for revival has many questioning which trends might resurface, and the possibilities are endless.
Rico Nasty and Saweetie have also embraced Y2K fashion, wearing bold, colorful outfits and shiny accessories, further fueling the trend. TikTok has made these looks more accessible, helping revive the Y2K aesthetic for a whole new generation.
ny Angels and Hippers is spreading thanks to social media platforms like Instagram, TikTok and Etsy. Fans share their collections, show off custom mods and create online communities around these figures. What started as a toy has become a form of self-care, especially for Millennials and Generation Z, who find comfort and joy in these tiny figures. They're not just for hardcore collectors anymore. Casual fans are also drawn to the quiet charm of Sonny Angels and Hippers as a way to relax and disconnect from the stress of daily life. Sonny Angels and Hippers are more than just toys. They’re part of a cultural shift toward mindful collecting and finding emotional connections in simple, small things.
The influence of TikTok on fashion trends cannot be denied. With the ability to easily share videos and images, TikTok has become a hub for fashion inspiration. Hashtags like #fairycore have made it easier for users to find and incorporate different styles into their wardrobes.
The return of Y2K fashion has a lot to do with both the original celebrities who made the style popular and the newer artists who are bringing it back. In the early 2000s, stars like Britney Spears, Paris Hilton, Gwen Stefani, Jennifer Lopez and Christina Aguilera wore bold and memorable outfits that defined Y2K fashion.
One of the most exciting things about Sonny Angels and Hippers is that they come in blind boxes, which adds a level of mystery and thrill to unboxing. Buyers never know which figure they will get, and the surprise is part of the fun. Some boxes even contain rare or secret editions, making collecting even more exciting. This mystery has become a big part of the fan culture, with people sharing unboxing videos, trading figures and swapping tips online. It's like a mini-adventure every time fans buy one. Some might wonder why these little figures have such a huge following, especially among adults. For many, it’s about emotional comfort. The soft, innocent designs of Sonny Angels provide a sense of calm in the middle of a busy, chaotic world. People love displaying them in their homes, work or travel photos. They’re tiny companions that brighten up the day. Additionally, there’s a creative side to the obsession; fans repaint, dress up or even create accessories for their Sonny Angels. It turns collecting into a fun and artistic hobby.
These little figures are a reminder of the power of quiet joy in a world full of digital distractions. They’re changing how people think about owning something cute. It’s no longer just about collecting; it’s about feeling something real. For dedicated collectors or those simply looking for a tiny piece of happiness, Sonny Angels and Hippers are reminders that sometimes the most minor things can make the most significant impact.
While some may argue that the revival of 2000s fashion is merely a marketing buzzword, others see it as a form of escapism from the turmoil and uncertainty of the present day. People are looking back to a time when they were less stressed about the world and finding comfort in the familiar styles of the past.
As the nostalgia of Y2K fashion continues to trend, one thing is clear: fashion is constantly evolving. There’s always the argument that when everything is a trend, nothing feels truly unique, but others see it as an opportunity to express their individuality and creativity through this style. Whether people embrace the 2000s revival or forge a different path, the only thing that matters is assessing one’s authenticity to decide what to add to one’s wardrobe.
Britney Spears popularized the schoolgirl look with crop tops and low-rise jeans, which are trending again. Paris Hilton made sparkly dresses, velour tracksuits, and tiny handbags iconic, with her “That’s hot” catchphrase becoming part of the early 2000s vibe. Gwen Stefani mixed punk and glam, wearing plaid pants, chain belts and bold hairstyles that made her stand out. Christina Aguilera took fashion risks, wearing edgy outfits with bright colors and bold accessories. Jennifer Lopez set trends with her famous green Versace dress and glamorous red carpet looks.
Today, artists like PinkPantheress and Olivia Rodrigo are helping bring Y2K fashion back into the spotlight. PinkPantheress channels the era with vintage skirts, arm warmers and chunky sneakers, while Olivia Rodrigo’s outfits, featuring butterfly clips, baby tees and pleated skirts, remind people of the early 2000s. A big part of this revival has come from TikTok, where influencers and celebrities showcase their Y2K-inspired looks.
The trend of collecting Son-
This has been a weird decade; some of the most noticeable things have been the revival of a lot of subcultures from the 2000s. Grunge, emo, goth and alternative aesthetics are popular again, thanks in part to both TikTok and Instagram. Some even call this decade "The Rawring 20s," a nod to the emo boom of the early
The app’s algorithm pushes viral trends, so when creators post "Get Ready With Me" videos, haul videos or outfit recreations, they spark a wave of interest. Viewers, especially younger ones, see these styles and are inspired to try them out for themselves. Celebrities like
Whether it's balletcore, royalcore or regencycore, there is a wide range of styles to choose from in this new fashion era. TikTok acts as both a runway and a search engine, just one hashtag away from a complete aesthetic transformation. With microtrends emerging daily, finding inspiration and incorporating niche styles into everyday wardrobes has never been easier. From Russian bimbocore and clowncore to dystopiacore and indie sleaze, the sheer volume of trends reflects how fashion today is less about fitting in and more about standing out.
Now, there’s some truth to trends becoming increasingly reliant on TikTok. Even with so many looks flooding our feeds, such as skirts over trousers, Missoni-Pucci prints, opera gloves, bellhopcore, and mod revival, it’s clear that we’re living in an eclectic and hyper-stylized moment.
Although trends are often viewed negatively, with some arguing that embracing styles universally dulls their unique essence, this overlooks the freedom of expression and experimentation that everyone can tap into by bringing their own interpretation to these styles. While some see it as a recycled era lacking originality, others view it as an exciting opportunity to redefine style.
Whether people fully embrace the 2000s revival of clothing items such as pink tube tops and velour tracksuits or are curating a digital-era aesthetic, fashion remains a space where individuality thrives. In a world full of uncertainty, sometimes a baby tee and a pleated mini skirt offer a small, defiant kind of comfort.
Freshman sprinter makes big mark at Chris Rinne Invitational
Track
and Field freshman Michael Petrick made a powerful comeback at the Chris Rinne Invitational, running a personal-best.
Elena Versage Staff Photographer
At the Chris Rinne Invitational, the University of California, Riverside’s (UCR) freshman sprinter
Michael Petrick ran a personal best 200-meter dash in 21.6 seconds. This impressive feat was a season best for UCR’s men’s track team and currently sits at tenth best all-time in the program’s history.
Petrick’s personal record earned him UCR StudentAthlete of the Week. The Riverside native was fortunate enough to have his family present for the event. He commented on seeing his family beaming with pride: “You can really see it in their faces, you can see their pride … everything has been paying off.”
This meet has been especially memorable becauseter since returning from a grade two hamstring injury suffered earlier this seasonjor hamstring injury was tough on his mental health; sitting out of meets frustrated him. He explained that recovering from such a serious injury was like “learning to walk again.”
Petrick started on crutches, then transitioned into walking and jogging before slowly starting to run again. Even then, he was still easing in, taking it week by week before committing to 100 percent effort. Petrick admitted to having to learn to be patient and trust his coaches. “They’ve been around the program since before I was born, so putting my trust
in them is probably something I need to work on.”
Petrick has had a history of injuries. In high school, he dreamt of going to college to play football, but he didn’t have that much interest in track. However, an issue with injuries would result in him switching gears and focusing on track. This dedication certainly paid off.
When asked about the culture of UCR’s track and
that the team feels like a big family. The team welcomed him with open arms and treated him nicely and respectfully. Petrick appreciated that his teammates have been very supportive of him. Petrick mentioned junior Jacoby Madise as someone he could look up to and take inspiration from.
Both sprinters are familiar with injuries, and Petrick remarked, “If he can push, I can push.”
Moving forward, Petrick strives to set more personal records and contribute to the team more. He aims to do well in the upcoming meets and get into a good position for the upcoming Big West Championship. Petrick noted that he wants to be the best he can be and is determined to push everyone to do their best. He admitted to being very competitive and is driven to “keep going and pushing for number one.”
H
Courtesy of UCR Athletics
The down-low winners and losers of the 2025 NFL Draft
THE STORYLINES THAT FLEW UNDER THE RADAR DURING LAST WEEKEND’S NFL DRAFT.
ISAAC SOLNICK Sports Editor
On April 26, the New England Patriots wrapped up the 2025 NFL Draft with their selection of Memphis cornerback Kobee Minor. The 257th pick concluded three whole days of franchise-altering decisions that will change the course of this NFL season and the ones that come after it.
The main storyline to emerge during the three-day event was the unprecedented draft fall of Colorado quarterback Shedeur Sanders. With each quarterback selection and prank phone call, the noise surrounding Sanders grew louder and louder until he was eventually selected by the Cleveland Browns in the
The Sanders storyline was all Mel Kiper and every other draft analyst seemed to talk about, as plenty of other intriguing talking points were swept under the rug. With that being said, these are the overlooked winners and losers of the 2025 NFL Draft.
Winners: Young Quarterbacks
It was no surprise to see NFL general managers look to surround their young quarterbacks with as much talent as possible. However, the extent to which they supported their young signal callers was a mild surprise.
Drake Maye was the biggest winner out of anyone. The Patriots sat and picked Louisiana State University (LSU) offensive tackle Will Campbell with the fourth overall pick. After his selection, Campbell let Maye know that
with everything [he’s got].” The Patriots didn’t stop there, they followed up the Campbell pick with Ohio State running back TreVeyon Henderson, Washington State wide receiver Kyle Williams and Georgia center Jared Wilson on day two.
Fellow 2024 draftee Caleb Williams was a big winner, too. The Bears missed out on Boise State running back Ashton Jeanty. However, they were still able to grab Michigan tight end Colston Loveland, Missouri wide receiver Luther Burden III and Boston College offensive picks.
Plenty of other young quarterbacks got new, talented pass-catchers, too. Carolina’s Bryce Young and Green Bay’s round wide receivers Tetairoa McMillan and Matthew Golden, respectively. Meanwhile, Iowa State receivers Jayden Higgins and Jaylin Noel will help Houston’s CJ Stroud.
Losers: Kansas City Chiefs Front Seven
They still have Patrick Mahomes and are favorites to win the AFC West for a tenth straight season. However, each of their division rivals made massive upgrades to their rushing attacks that will give defensive coordinator Steve Spagnuolo headaches.
The Broncos selected the University of Central Florida (UCF) running back RJ Harvey after moving on from injury-prone Javonte Williams in the offseason. Harvey is small, but makes up for it with home run speed. His style will complement running back Jaleel McLaughlin, who will come in on passing downs.
JK Dobbins enjoyed a career-best season last year, but Jim Harbaugh and the Chargers still felt like there was room for improvement. The Chargers already signed Najee Harris in free agency, but doubled down during the draft by selecting North Carolina running back and Harris’s power can potentially be one of the league’s best tandems.
The Raiders probably made the biggest upgrades of them all. After being the worst rushing offense in the NFL last year, new General manager John Spytek and head coach Pete Carroll pounced on the opportunity to select Heisman trophy runner-up and Boise State running back Ashton Jeanty with the sixth overall pick.
Drawing comparisons to Hall of Fame running back LaDainian Tomlinson, Jeanty has the potential to be special. He’ll elevate the Raiders on his own, but Spytek was also able to snag offensive tackles Caleb Rogers and Charles Grant in the third round after trading down in the third round.
Winners: Long snappers
Special teamers get overlooked. They play a massive role in every NFL game and often make the difference during tight contests. However, while kickers and punters do get recognition every once in a while, long snappers don’t get the same treatment.
Most NFL fans probably don’t even know the long snapper’s name on their own team. That’s how bad it is. But it
was nice to see the position get some love after the Patriots selected Vanderbilt long snapper Julian Ashby in the seventh round. This ended a four-year drought for the position that hadn’t seen anyone get drafted since Thomas Fletcher and Camaron Cheeseman in 2021.
Losers: NCAA Division II and Small Conferences
The NFL has seen many Division II players have successful careers. Stars like Tyreek Hill, Austin Ekeler, Kyle Dugger and Matthew Judon are just a handful of former Division II players to have carved out successful careers in the NFL. However, in the 2025 NFL Draft, not a single Division II prospect was selected. Meanwhile, the SEC and the Big Ten made up 150 out of 257 selections in the draft. In this new era of Name, Image, and Likeness (NIL) and conference realignment, the dominance displayed at the NFL draft by the power four conferences does not bode well for any schools.
Softball - 4/27/2025
CSUF vs. UCR
6-2, L
UCR Team Leaders:
Softball - 5/3/2025
UCR vs. UCD
1-0, W
Maddie Heinlin: (L, 11-14), 6.1 IP, 12 H, 5 ER, 1 K, 1 BB Kamryn Davis: 2/3, 1 R
Men’s Golf - 4/27/2025 - 4/29/2025 Big West Championship
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