Summer 2023 Course Offerings by UCLA_Extension

SUMMER QUARTER 2023 COURSE OFFERINGS

June 27–September 17

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Click on the titles or the page numbers below to navigate to each section. Page numbers, URLs, and email addresses are linked throughout this document.

2 ACCOUNTING & TAXATION (310) 206-7247

6 ARCHITECTURE & INTERIOR DESIGN (310) 825-9061

11 BUSINESS & MANAGEMENT (310) 206-4271

20 DESIGN & ARTS (310) 206-1422

27 DIGITAL TECHNOLOGY (310) 206-6794

34 EDUCATION (310) 825-4191

39 ENGINEERING (310) 825-4100

46 ENTERTAINMENT (310) 825-9064

55 ENVIRONMENTAL STUDIES & PUBLIC POLICY (310) 825-7093

57 FINANCE & INVESTMENTS (310) 206-7247

61 HEALTH CARE & COUNSELING (310) 825-7093

63 HUMANITIES & SOCIAL SCIENCES (310) 825-7093

64 LANDSCAPE ARCHITECTURE & HORTICULTURE (310) 825-9414

67 LANGUAGES (310) 825-7093

68 LEGAL PROGRAMS (310) 825-0741

69 OSHER LIFELONG LEARNING INSTITUTE (OLLI) AT UCLA (310) 206-2693

76 REAL ESTATE (310) 825-2714

79 SCIENCES & MATH (310) 825-7093

84 WRITING & JOURNALISM Writers’ Program (310) 825-9415

Journalism

(310) 825-7093

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For additional course and certificate information, visit uclaextension.edu

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Use the entire course number, title, Reg#, or keyword from the course listing to search for individual courses. Refer to the next column for a sample course number (A) and Reg# (D). Certificates and Specializations can also be searched by title or keyword.

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UCLA Extension’s

Course Delivery Options

XIn-Person

All class meetings are taught in-person, with the instructor and all students in the same physical classroom.

A Remote

All class meetings are scheduled and held online in real-time via Zoom. Course materials can be accessed any time through an online learning platform.

m Online

Course content is delivered through an online learning platform where you can engage with your instructor and classmates. There are no required live meetings, but assignments are due regularly.

m Hybrid (In-Person)

A blend of in-person class meetings and online or remote instruction—may include scheduled Zoom meetings and/or course content tailored for online learning.

r Hybrid (Remote)

Offered fully online, this blend of remote and online instruction features live class meetings via Zoom and additional course content tailored for online learning.

F Hybrid (Flexible):

Attend scheduled class meetings in person or online. Live instruction is held in a physical classroom and students may elect to join all class meetings either in person or remotely via Zoom.

7Web-Enhanced Course

Internet access required to retrieve course materials.

Course Schedules

Delivery format and/or ‘remote’ meeting times listed are subject to change. Please refer to the UCLA Extension website, uclaextension.edu, for up-to-date course information.

Asynchronous: students engage a variety of learning materials posted on Canvas (that may include lectures, interactive discussion boards, and quizzes) and interact with the instructor and other students using messaging tools.

Synchronous: instruction occurs in-real time during a live, pre-scheduled Zoom session(s) where instructors and students interact.

R Course Times

All times quoted in this document’s course desciptions are Pacific Time.

How to Read a Course Description

A FILM TV X 476.22

Story Analysis for Film and Television

B 4 units

Designed for aspiring readers, development executives, producers, and storytellers, this course offers a pragmatic, comprehensive overview of story analysis and the tools used by the professional reader. Throughout the course, students learn and practice coverage skills while gaining an understanding of the elements of story. Topics include various types of coverage, how to compose story notes, comparative coverage, character breakdowns, treatments, and outlines. Through weekly assign ments, participants are required to practice reading and writing for several formats and to deadline. In addition, the current job market and the various expectations of studios and independent producers are discussed. Upon completion of the course, students have written at least two pieces of full coverage that can be used as part of a professional portfolio or for auditioning for a job as a reader or an assistant.

C Prerequisite: Strong English composition skills.

D Reg# 247926

E Fee: $605

F No refund after 27 June.

G A Remote Instruction

H 10 mtgs

I Wednesday, 7‑10pm, June 21‑Sept. 6

K Elective course in Entertainment Media Certificate. Enrollment limited. Visitors not permitted.

L Lissa Sanders, producer and former development executive on feature, network, and cable films and miniseries

ACADEMIC CALENDAR

Summer Quarter 2023

Classes begin June 26.

Enrollment begins April 24.

Fall Quarter 2023

Classes begin September 25.

Enrollment begins July 31.

Winter Quarter 2024

Classes begin January 8.

Enrollment begins November 6.

Spring Quarter 2024

Classes begin April 1.

Enrollment begins February 5.

By Email: enroll@uclaextension.edu

By Mail: UCLA Extension 1145 Gayley Avenue Los Angeles, CA 90024-3439

In Person: UCLA Extension 1145 Gayley Avenue Monday–Friday, 8am-5pm (800) 825-9971

A Course number B Units C Prerequisites D Registration number E Fee F No refund date G Delivery H Number of meetings I Start/end times and dates J Other course info K Instructor bio

ACCOUNTING, TAXATION & INTERNAL AUDIT

Accounting & Bookkeeping

For more information call (310) 206-1654 or email fmpcertificate@uclaextension.edu

Accounting

Students who plan to become accountants in public accounting or private industry and who are preparing for the CPA examination are advised to enroll in the Accounting Certificate. Students are advised to complete MGMT X 1A and MGMT X 1B Principles of Financial Accounting (or equivalent courses) and MGMT X 422 Cost Accounting and Analysis before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

Students who plan to pursue career opportunities in internal auditing and who are preparing for the CIA examination are advised to enroll in the Internal Audit Certificate. Students are advised to complete MGMT X 120A, MGMT X 120B, and MGMT X 120C Intermediate Accounting Theory and Practice (or equivalent courses) before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

MGMT X 1A

Principles of Financial Accounting

4.0 units

This course is the first in a two course Principles of Financial Account ing sequence and provides an introduction to accounting theory, principles, and practice. Instruction covers the uses, communication, and processing of accounting information, as well as the recording, analyzing, and summarizing of procedures used in preparing balance sheets and income statements. Additional topics include accounting for purchases and sales, receivables and payables, cash and invento ries, plant and equipment, depreciation and natural resources, intangible assets, and payrolls. Sole proprietorships and partnerships also are examined. c

Reg# 392661

Fee: $855

No refund after 19 June.

M Online June 26 July 30

Accelerated section. 7 & Winny Poon , CPA, MBA; director, Financial Accounting, UCLA Extension BFS.

Reg# 392659

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10 7 & Kurt Hull MBA, CPA, consultant

Reg# 392660

Fee: $855

No refund after 20 June.

X In-Person

12 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. 7 & David Harmon, MBA, CPA, CIA, CFE, CCSA

MGMT X 1B

Principles of Financial Accounting II

4.0 units

The second in a two course Principles of Financial Accounting sequence, this course covers corporations, analysis and interpretation of financial statements, and statements of cash flows, as well as examines accounting for operations of departments and manufactur ing. Additional topics include cost accounting systems and variable costing; budgeting as an aid to planning and control; authorization and issuance of capital stock; as well as reporting the results of operations, bonds payable, income taxes, and business decisions. c

Prerequisite(s): MGMT X 1A Principles of Financial Accounting.

Reg# 392663

Fee: $855

No refund after 21 June.

X In-Person 11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA

UCLA: School of Public Affairs Bldg. 7 & Tefera Tibebu Beyene BA, CPA, MBA, PhD

Reg# 392662

Fee: $855

No refund after 31 July.

M Online

Aug. 7 Sept. 10

Accelerated section. 7 & Winny Poon , CPA, MBA; director, Financial Accounting, UCLA Extension BFS.

MGMT X 120A

Intermediate Accounting Theory and Practice - A

4.0 units

This is the first course in the three course Intermediate Accounting sequence. MGMT X 120A covers the interpretation, use, processing, and presentation of accounting information and the preparation of principal accounting statements. Topics include an overview of the conceptual framework of accounting; valuation; recording; and presentation of the balance sheet, income statement, and statement of cash flows. Students are introduced to time value of money concepts, as well as accounting for cash, receivables, and the first part of inventories. c

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting and MGMT X 422 Cost Accounting and Analysis, or consent of instructor.

Reg# 392648

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7 & Lee Krueger, MBA, senior finance manager, Walt Disney World Co. Reg# 392650

Fee: $855

No refund after 21 June.

X In-Person

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. 7 & Michael Miqdadi CPA, BA

MGMT X 120B

Intermediate Accounting Theory and Practice - B

4.0 units

This is the second course in the three course Intermediate Accounting sequence which covers accounting for long term assets and intan gibles, current and long term liabilities, and stockholders’ equity. c

Prerequisite(s): MGMT X 120A Intermediate Accounting Theory and Practice.

Reg# 392651

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7 & Instructor to be announced

Reg# 392652

Fee: $855 No refund after 22 June.

X In-Person

11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. 7 & Gary Krausz MAcc, CPA, accounting manager, Gursey, Schneider & Co. LLP

MGMT X 120C

Intermediate Accounting Theory and Practice - C

4.0 units

This is the third course in the three course Intermediate Accounting sequence. MGMT X 120C covers such complex accounting issues as accounting for investments, revenue recognition, pension plans, leases, accounting for income taxes, accounting changes, preparation of the statements of cash flows, and an overview of financial statement analysis. c

Prerequisite(s): MGMT X 120B Intermediate Accounting Theory and Practice or consent of instructor.

Reg# 392653

Fee: $855 No refund after 19 June.

M Online

June 26 Sept. 10 7 & Brenda Forde, MBA, CPA

Reg# 392654

Fee: $855 No refund after 20 June.

A Remote 12 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom 7 & Kurt Lipar, BA, MBA, CPA

more information call (310) 206-7247.

For

MGMT X 124A

Advanced Accounting Theory and Practice - A

4.0 units

This course examines intercompany transactions, partially owned subsidiaries, and parent company vs. entity theory valuation of non controlling interest in subsidiaries. Topics include business combina tions; accounting for mergers, consolidations, and acquisition of subsidiaries; cost vs. equity method of accounting for operations of subsidiaries; preparation of financial statements; and home office and branch office relationships. c

Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice and MGMT X 422 Cost Accounting and Analysis, or consent of instructor.

Reg# 392656

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7 & Wendy Achilles PhD, CPA

Reg# 392655

Fee: $855

No refund after 20 June.

r Hybrid (Remote)

12 mtgs

Tuesday, 6 8pm, June 27 Sept. 12

Remote Classroom 7 & Brandon Tran CPA

MGMT X 124B

Advanced Accounting Theory and Practice - B

4.0 units

This course examines partnerships and joint ventures; installment and consignment sales; receiverships, estates, and trusts; and governmen tal units. International operations, including accounting for transactions with foreign companies, use of foreign exchange contracts to hedge against foreign currency fluctuations, and translation of accounts of foreign subsidiaries and branches also are covered. c

Prerequisite(s): MGMT X 124A Advanced Accounting Theory and Practice or consent of instructor.

Reg# 392658

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7 & Larry B. Wolod CPA, JD, LLM

Reg# 392657

Fee: $855

No refund after 22 June.

A Remote 11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom 7 & Tefera Tibebu Beyene BA, CPA, MBA, PhD

MGMT X 422

Cost Accounting and Analysis

4.0 units

This course covers the nature, objectives, and procedures of cost accounting and control. Topics include job costing and process cost ing, joint product costing, standard costs, theories of cost allocation and absorption, uses of cost accounting data for management deci sion making, accounting for manufacturing overhead, cost budgeting, cost reports, distribution costs, standard costs, differential cost analy sis, profit volume relationships, and break even analysis. Designed for people who are preparing for careers in accounting or those currently in production planning, materiel control, production control, program management, and pricing and/or purchasing.

Prerequisite(s): MGMT X 1B Principles of Financial Accounting II.

Reg# 392664

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7 & Chee-Sum Tan, MBA, FCCA, CPA, CFA, ABV, controller/accounting manager, Union Bank of California

Reg# 392665

Fee: $855

No refund after 20 June

Hybrid (Flexible)

12 mtgs

Tuesday, 6 7:30pm, June 27 Sept. 12

Remote Classroom 7 & Lisa Maier BA, CPA

MGMT X 423 Financial Auditing

4.0 units

This course examines the auditing principles governing the responsibili ties of certified public accountants in their examination of clients’ financial statements. Professional ethics, legal liability, internal control, evaluation, sampling techniques, and audit reports are discussed. A study of the statements on auditing standards issued by the American Institute of CPAs also is discussed. Instruction emphasizes verification of the major items reported in clients’ statements, audit programs, and case studies.

Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice, or consent of instructor.

Reg# 392667

Fee: $855

No refund after 19 June.

X In-Person0

June 26 Sept. 16 & 7

Instructor to be announced

Reg# 392666

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7 & Kurt Hull MBA, CPA, consultant

MGMT X 423.18

Nonprofit Accounting

4.0 units

Nonprofit organizations represent one of the fastest growing sectors of our economy. This fact makes it increasingly important for auditors, managers, and CPAs in public, private, and nonprofit firms to under stand how nonprofits measure financial performance and how they differ from for profit organizations. This course examines the core principles and practices of nonprofit accounting and summarizes the accounting requirements and practices of specific types of nonprofit organizations, including hospitals, colleges and universities, health and welfare organizations, and nonprofit and for profit organizations that receive government assistance in the form of contracts, guaran ties, grants, or assistance that may be subject to federal audit require ments. Other topics include the general characteristics and operational environment of nonprofit organizations; applying generally accepted standards and principles; and financial statements, audit guides, and recent changes in nonprofit accounting and reporting rules.

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting, relevant experience in the nonprofit sector, or consent of instructor.

Reg# 392668

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10

34 hours of MCLE credit available.

Business-related elective in the Accounting Certificate. Enrollment limited; early enrollment advised. 7 & Rebecca Evans MSBE, BS

MGMT 822.51

Nonprofit Fundamentals

The six week course discusses the different fundamental areas of nonprofit operations. Weekly topic discussions include board of direc tors development, staff training, program design and management, grants, audits, and financial analytics and projections.

Reg# 392340

Fee: $375

No refund after 4 July.

A Remote 6 mtgs

Tuesday, 6 9pm, July 11 Aug. 15 Remote Classroom

Ivory Chambeshi, BA in Ethnic Studies from UC Riverside; MA in Urban Planning and Public Administration and a Certificate in Nonprofit Management and Policy from the University of Southern California. Ms. Chambeshi has an extensive background in nonprofit management, community development, and public policy, having led in the social sector for her nearly 20 years of professional. In earlier roles, she managed programs, communications, and fund development for local nonprofit organizations in her native South L.A. and for non govern mental organizations in Southern Africa. This breadth of experience led to her founding of the social impact consultancy Urban Rising Group, which provides strategic and land use planning, capacity building, and community engagement services for nonprofits, govern mental entities, and businesses. Recently, Ms. Chambeshi has also served in Mayor Eric Garcetti’s Office as Director of Neighborhood Initiatives for the Watts Rising Collaborative, a place based, compre hensive sustainable community development initiative implementing multimillion dollar State and Federal grants in concert with the $1B+ redevelopment of the Jordan Downs public housing community.

MGMT X 423.4

International Accounting

4.0 units

This course is designed for students of accounting and international business professionals who are working for public accounting firms, corporations, and other enterprises engaged in international business, as well as governmental institutions and international organizations. Instruction covers a broad range of accounting challenges faced by multinational enterprises, including the transition from GAAP to IFRS, the ways different countries perceive and interpret certain accounting topics, and the rationale for how to deal with them. Case studies illustrate the specific day to day accounting issues that are encoun tered in international business operations.

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or consent of instructor.

Reg# 392669

Fee: $855

No refund after 21 June.

X In-Person 11 mtgs

Wednesday, 2 5pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited. 7 & Michael Miqdadi, CPA, BA

MGMT X 423.42

Internships

in Accounting, Internal Audit, and Taxation

4.0 units

This internship provides practical experience in a variety of accounting or taxation job functions within public accounting, private industry, or the nonprofit environment and offers an opportunity to apply the material previously studied in your accounting or taxation courses. Students intern with sponsoring companies for a minimum of 120 hours and must secure their internship assignment and submit all required paperwork by Mar. 27.

Prerequisite(s): Restricted to students enrolled in the Accounting, Internal Audit, or Taxation Certificates and who have completed a minimum of five courses in those areas. International students must contact the International Student Office at (310) 825 9351 to confirm eligibility.

Reg# 392359

Fee: $855 No refund after 19 June.

Independent Study/Internship0 June 26 Sept. 10

Enrollment limited. 7

Andreea Alexiu,

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Enroll at uclaextension.edu or call (800) 825-9971 Accounting, Taxation & Internal Audit 3

MGMT X 423.422

Ethics in Accounting

4.0 units

The business scandals of recent years have highlighted the impor tance of ethical behavior in the accounting profession. This course covers the elements necessary to make proper ethical decisions by first defining what ethics are and then identifying the questions that need to be asked in everyday business practices. Key ethical stan dards specific to the accounting profession are explored, highlighting the unique role of the accountant both as “trusted advisor” to his/her client and the (often conflicting) role of “reporter” of financial informa tion to the marketplace and governmental agencies. The course begins with a study of the earliest models of business ethics through today’s professional requirements of the AICPA Code of Professional Conduct, the State Board of Accountancy, and other regulatory agen cies. Instruction includes writing assignments, classroom lectures, and presentations based on assigned readings. Students leave this course with a better overall understanding of the challenges of ethical business practices.

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting and MGMT X 127 Federal Income Taxation, or consent of instructor.

Reg# 392670

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10

34 hours of MCLE credit available. 7 & David Reinus, MBA, CPA, owner, David Reinus, CPA

Reg# 392671

Fee: $855

No refund after 20 June.

X In-Person

12 mtgs

Tuesday, 6:30 8:30pm, June 27 Sept. 12

UCLA: School of Public Affairs Bldg. & 7

Roderick Fong, CPA, MBA, JD

Bookkeeping

MGMT X 423.430

Bookkeeping and Accounting Essentials I

4.0 units

This introductory course is the first course in the Bookkeeping Essen tials sequence and provides an overview of the essential skills needed to be a successful bookkeeper. The course is ideal for bookkeepers and accountants who are early in their career or individuals considering a career transition. Students learn the principles of double entry book keeping, the basics of preparing financial statements, and how to analyze business transactions from an accounting standpoint. Topics include recording entries in a general ledger, preparing end of period worksheets and financial statements, and adjusting and closing entries accounting. Additional topics include accounting for cash; preparing a bank reconciliation; a general overview of payroll accounting; employee earnings and deductions; employer taxes and reporting; using the payroll register and journal entries; accounting for sales, cash receipts, purchases, and cash payments; and accounting for merchandise inventory using weighted average, FIFO, and LIFO methods.

Reg# 392347

Fee: $815

No refund after 19 June.

M Online

June 26 Sept. 10

Enrollment limited. 7 & Jean Rhee MBA, CPA

MGMT X 423.431

Bookkeeping and Accounting Essentials II

4.0 units

This is the second course of the two course Bookkeeping and Accounting Essentials sequence. This course covers accounting for promissory notes payable and receivable and the related interest calculations; the valuation of accounts receivable using various methods to account for uncollectible accounts; and the valuation of property, plant, and equipment including various depreciation meth ods and calculations. Additional subjects covered are the fundamen tals of partnership accounting; corporation accounting including organization, capital stock, earnings, distributions, and the issuance of corporate bonds; the understanding and preparation of a statement of cash flows; and a basic understanding of financial statement analy sis. The course also provides an overview of the design and use of Excel spreadsheets that can be tailored to keep track of primary bookkeeping tasks.

Prerequisite(s): MGMT X 423.431 Bookkeeping and Accounting Essentials II.

Reg# 392346

Fee: $815

No refund after 21 June.

A Remote 11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

Remote Classroom 7 & Shael B. Jacobson, CPA

MGMT X 423.433

Cloud Based QuickBooks

4.0 units

This course teaches participants how to use QuickBooks Online, the cloud based version of QuickBooks. Ideal for business owners, office managers, and bookkeepers, participants use a sample company to get hands on experience with navigating through the program. This course covers how to set up a business in QuickBooks Online, includ ing how to create the chart of accounts, vendors, customers, and products and services. Management of basic transactions such as invoicing customers, writing checks, and paying bills is also covered. Participants also discuss how to reconcile bank and credit card transactions and what key financial statements are needed to review to understand the health of your business. In this course, we cover many of the objectives covered on the QuickBooks Certified User (QBCU) exam. To complete the homework assignments, the instructor provides each student with access to a free QuickBooks Online account, good for one year. Please contact the instructor directly for a discount code before ordering the textbook.

Reg# 392348

Fee: $815

No refund after 19 June.

M Online June 26 Sept. 10 7 & Crystalynn Shelton, BA, CPA, author, QuickBooks Certified ProAdvisor Advanced Online

Taxation

For more information email toliveirademoura@uclaextension.edu

Students who plan to become tax professionals in industry or professional tax preparers are advised to enroll in the Taxation Certificate. Students are advised to complete MGMT X 1A and MGMT X 1B Principles of Accounting (or equivalent courses) before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

Enrolled Agent

MGMT 822.12

Fundamentals of Tax Preparation

2.0 CEUs

This introductory course provides a foundation for the Enrolled Agent (EA) Exam Review and is ideal for those considering a career as a tax preparer. Students are provided the basics for preparing tax returns and how to research tax issues for most Form 1040 individual, non business taxpayers, plus the basics of Schedule C/self employed tax returns. The processes for filing a return, including electronic filing, refund and payment options, estimated tax payments, and amended returns are covered. Students also learn how tax software is imple mented for preparing returns and assisting in understanding the application of tax law. The final session provides an overview of the practices, procedures, and ethics required for Enrolled Agents (EA); the process for attaining EA certification; and potential career paths.

Reg# 392364

Fee: $325

No refund after TBD

X In-Person

Date and Time to be arranged

Instructor to be announced

MGMT 822.22B

Enrolled Agent Examination Preparation: Businesses

4.8 CEUs

This section covers accounting methods, basis, and depreciation; limited versus general partnerships; sole proprietorships; business expenses; K 1 reporting; C Corporations; S Corporations; decedent, estate, and trust income taxation; and exempt organizations.

Reg# 392360

Fee: $525

No refund after 29 July.

A Remote 1 mtg

Saturday, 8:30am 3:45pm, Aug. 5

Remote Classroom

Flora Basa, BS, CPA, revenue agent, Internal Revenue Service (retired)

Charlotte Edginton, MA, appeals officer, Internal Revenue Service (retired)

MGMT 822.22D

Enrolled Agent Examination Preparation: Representation, Practice, and Procedures

1.2 CEUs

This section covers practice before the IRS, income tax preparers and penalties, representation, collection procedures, examination of returns, and the appeals process.

Reg# 392362

Fee: $275

No refund after 23 Aug.

A Remote 4 mtgs

Wednesday, 6 10pm, Aug. 30 & Sept. 6

Remote Classroom

Thursday, 6 10pm, Aug. 31 & Sept. 7

Remote Classroom

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

Charlotte Edginton, MA, appeals officer, Internal Revenue Service (retired)

Flora Basa, BS, CPA, revenue agent, Internal Revenue Service (retired)

4 Accounting, Taxation & Internal Audit Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 127

Federal Income Taxation

4.0 units

This course explores individual income taxation issues, including tax determination; personal and dependents exemptions; concepts and inclusions of gross income; general deductions and losses; deduction of certain business expenses and losses; depreciation, cost recovery amortization, and depletion; deduction of employee expenses; item ized deductions and losses; passive activity losses; property transac tion gains and losses; nontaxable exchanges; and capital gains and losses. c

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or consent of instructor.

Reg# 392352

Fee: $895

No refund after 19 June.

M Online

June 26 Sept. 10

Jerome Jenkins, MBA, EA, CMAS, Broker

Reg# 392351

Fee: $895

No refund after 22 June.

m Hybrid (In-Person)

11 mtgs

Thursday, 6 8pm, June 29 Aug. 10

UCLA: Public Affairs Bldg

Thursday, 6 8pm, Aug. 17 Sept. 7

Remote Classroom

Jerome Jenkins, MBA, EA, CMAS, Broker

MGMT X 427.111

Federal Tax Practice and Procedures

4.0 units

This course provides practical knowledge of the day to day practices and procedures of the Internal Revenue Service from rulings, collec tions, and criminal enforcement with specific references to statutes and regulations. Students are introduced to the civil component of a tax practice with an emphasis on changes mandated by the IRS Restructuring and Reform Act of 1998. This course enables taxpayers and practitioners to deal effectively with the IRS in representing themselves or a client and ensure that Service personnel do not overstep the bounds of their authority or fail to act in accordance with Service procedures in dealing with taxpayers. Topics include admin istrative structure of the IRS; ethical duties of taxpayers and practitio ners; preparer penalties and the statute of limitations; IRS authority to obtain records from taxpayers, tax clients, and third parties; conse quences of noncompliance; IRS procedures in determining, reviewing, litigating, and collecting tax deficiencies; and the roles of the Examina tion Division, Appeals Division, Collection Division, and Criminal Enforcement Division.

Reg# 392353

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10

Enrollment limited.

Steve Rubens JD, MBA

MGMT X 427.13

Payroll Tax and Accounting

4.0 units

This course provides a fundamental introduction to the complexities and responsibilities of payroll tax laws, forms, and accounting and is targeted to those who employ others, are responsible for complying with the various tax laws, or work in a payroll department. The course extends beyond learning the traditional payroll tax forms and is intended for employers and accountants who have multinational payroll responsibilities as well as for those who are preparing for the Certified Payroll Professional (CPP) Examination. After completion, students should have the skills to set up a rudimentary payroll tax system for a small office or business, as well as setting up and/or operating a payroll system within a larger corporation. The deposit requirements, penalties, and how these forms are to be used and filed are covered in addition to some exposure to tax treaties. Lectures include the use of workbook examples and the completion of tax forms required by the taxing authorities.

Reg# 392350

Fee: $815

No refund after 19 June.

M Online June 26 Sept. 10 7 & Dana Leland, PhD

MGMT X 427.8

Taxation of Corporations and Shareholders

4.0 units

This course examines classification of corporations and associations, organization of corporations, transfers of property to and from a cor poration, small business stock, dividend distributions, earnings/profits, property dividends, basic problems in redemption of stock, attribution rules, and partial and complete liquidations. Instruction also covers accumulated earnings, subchapter S, and transactions between cor porations and shareholders.

Prerequisite(s): MGMT X 127 Federal Income Taxation, equivalent experi ence, or consent of instructor.

Reg# 392355

Fee: $855

No refund after 19 June.

A Remote 10 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 28

Remote Classroom 7 & Nidal Ramadan, CPA, MBA, Internal Revenue agent

Internal Audit

MGMT X 423.2

Internal Auditing

4.0 units

This course introduces students to the internal audit profession and the internal audit process and is designed for accounting, auditing, and business students; CPAs, CIAs, and CMAs or candidates; controllers and internal auditors; financial and auditing managers; corporate execu tives; and federal and state auditors and managers. Topics include the definition of internal auditing, the IIA’s International Professional Prac tices Framework (IPPF), risk, governance and control issues, and conducting internal audit engagements including report writing and interviewing skills. Additional topics covered are Internal Auditing (IA) standards; internal controls; managing the IA department; IA working papers, procedures, evidences, sampling, and flowcharting; 30 major areas of operational auditing, such as production, marketing, finances, information and digital communications technology, purchasing, and personnel; fraud detection, including a discussion of the latest develop ments in financial crimes; major areas of management auditing; IA reports; and evaluation of the IA function.

Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice or consent of instructor.

Reg# 392345

Fee: $855

No refund after 19 June.

A Remote Monday, 6 8pm, June 26 Aug. 28

Remote Classroom Sept. 4 10

Enrollment limited. 7 & Brandon Tran, CPA

MGMT X 423.421 Financial Investigations and Forensic Accounting

4.0 units

This course is an introduction to the exciting field of forensic account ing and the role it plays in both preventing fraud from occurring and discovering fraud after it has occurred. Students are introduced to many opportunities in the field of accounting and fraud detection in the private sector, public accounting, and government. Topics include complex financial investigations, compliance and financial audits, money laundering, net worth analysis, the psychology of white collar crime, financial statement fraud, and more. Guest lecturers from diverse fields describe their careers in the field of accounting/forensic accounting by presenting real world cases and investigations.

Prerequisite(s): MGMT X 423 Financial Auditing and MGMT X 423.2

Internal Auditing or consent of instructor.

Reg# 392342

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10

Enrollment limited. 7 & Daniel Ryan MSA, BSBA, district director, U.S. Department of Treasury, Alcohol and Tobacco Tax and Trade Bureau

MGMT X 423.429A

Federal Contracts and Grants: Applications and Management

4.0 units

This course, taught by experts in the field, will review the internal controls, fund management processes, reporting and others skills required when working with Federal Contracts and Grants. Beginning with the foundational terminology, types of contracts and grants, and internal controls before delving deeper into CPSR Audits and Single Audits.

Reg# 392343

Fee: $855

No refund after 19 June.

r Hybrid (Remote)

6 mtgs

June 26 July 2

Thursday, 5 8pm, July 6 Aug. 17; Aug. 31 Sept. 7

Remote Classroom

Online

July 10 16; July 24 30; Aug. 7 13; Aug. 21 27

Natasha Winfree, BS in Finance; MBA in Human Resources Manage ment. Ms. Winfree will be starting with UCLA as a facilitator in Grants Management, bringing with her a decade of experience in grant management, monitoring, writing, and peer reviewing. Her specific area of expertise is grant management and facilitation. She is cur rently a Grant Monitor for the Virginia Department of Criminal Justice Services. Prior to monitoring and auditing grants, she was a grant manager in both the public and non profit sector. Her experience has allowed her to write and manage federal, state, and corporate grants throughout her ten years. Ms. Winfree is an experienced program manager and coordinator whose success in working with grants comes from her inapt ability to not only manage the expectations of the grant but keeping the primary focus of “people first.”

Enroll at uclaextension.edu or call (800) 825-9971 Accounting, Taxation & Internal Audit 5

ARCHITECTURE & INTERIOR DESIGN

Prerequisite Foundation Level

These courses provide fundamental knowledge and skills in the field of interior design. For more information on the Master of Interior Architecture degree program, see page 00. For information on enrollment, location, and space availability call (800) 825-9971. For information on course content email arc_id@uclaextension.edu visit arcid.uclaextension.edu , or call (310) 825-9061.

For online course technical requirements see page 1.

Design Fundamentals

ARCH X 438

Fundamentals of Interior Architecture

4.0 units

This course is an introduction to the process of commercial and resi dential interior design. Lectures and projects introduce students to design theory, principles of design, design vocabulary, design psychol ogy, methods of programming, and the history of design in Los Angeles and Southern California. Students learn about the human element in design, sustainable design, the materials used in interior design, and the process of design as practiced in professional offices. Guest lecturers include some of L.A.’s most distinguished architects and interior designers.

Reg# 392532

Fee: $635

No refund after 4 July.

A Remote 11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

No meeting July 4.

Eleanor Schrader, MBA, Loyola Marymount University. Ms. Schrader has done graduate work in fine and decorative arts at Sotheby’s Institute in London and New York and graduate studies in architectural history at USC. She was a recipient of the UCLA Extension Department of the Arts Instructor of the Year Award in 2002, and the UCLA Exten sion Distinguished Instructor Award in 2008.

ARCH X 467.17A

Design Communication I

6.0 units

This beginning course focuses on basic freehand drawing and draft ing. All the components essential to good drawing are presented and discussed. Working almost exclusively in black and white, students embark on a series of exercises that introduce important visual con cepts composition and design, contour and line, proportion and scale, plan and section, form and space, tone and shadows plus the ability to create drawings that are rich in both information and psychological content. This class is based on the U.S. standard measurements of feet and inches and not the international metric system. Media covered include a variety of sketching and drafting tools.

Reg# 392816

Fee: $799

No refund after 3 July.

M Online

11 mtgs

June 26 Sept. 11

Instructor to be announced

Reg# 392815

Fee: $799

No refund after 3 July.

M Online

June 26 Sept. 11

Lawrence Drasin, BS, industrial designer who specializes in special effects; recipient of the UCLA Extension Department of the Arts Instructor of the Year Award, 2002 and 2009, and UCLA Extension Distinguished Instructor Award, 2010.

Reg# 392813

Fee: $799

No refund after 3 July.

M Online

June 26 Sept. 11

Salvatore Leonardi, BArch Polytechnic of Milan, Italy; MArch Poly technic of Turin, Italy; graduate of the UCLA Extension Arc ID Program. Mr. Leonardi heads his own independent practice as a licensed architect specializing in interior architecture, surface materials, historic conservation, and industrial design.

Reg# 392812

Fee: $799

No refund after 27 June.

A Remote

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

No meeting July 4.

Instructor to be announced

ARCH X 466E

Design Communication II

6.0 units

This course further introduces the student to the use of line drawings as a medium for communicating design concepts. Beginning with the connections of architectural plan, section, and elevation, the course proceeds to explore the full range of constructed line drawings, includ ing axonometric, one point perspective, and model making. This course uses U.S. standard basic units of length (inch, foot, yard, etc.), not the international metric system. Two conceptual design projects help develop skills in communicating design ideas.

Prerequisite(s): ARCH X 467.17A Design Communication I. RRR

Reg# 392807

Fee: $799

No refund after 3 July.

A Remote 11 mtgs

Monday, 6:30 9:30pm, June 26 Sept. 11

Remote Classroom No meeting Sept. 4.

Mamun Hashem, BSc in architecture, The University of Texas at Arlington; Master of Interior Architecture, UCLA Extension Cal Poly Pomona. Creator of Studio Mamun; freelance design professional with extensive formal training and a broad portfolio of experience from Gensler, HOK, Westfield, and Studio MAI.

Reg# 392808

Fee: $799

No refund after 5 July.

A Remote 11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

Remote Classroom

Instructor to be announced

ARCH X 466F

Design Communication III

6.0 units

This course helps students translate 2D floor plans into 3D space. Exercises, including the creation of quick sketch vignettes, expand the student’s ability to visualize design concepts and communicate them rapidly and vividly.

Prerequisite(s): ARCH X 466E Design Communication II.

Reg# 392809

Fee: $799

No refund after 5 July.

A Remote 11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom 7

Alex Dorfman, BFA, Cleveland Institute of Art; designer with broad experience in interior, environmental, and graphic design. Mr. Dorfman received the UCLA Instructor of the Year Award, 2012.

Reg# 392927

Fee: $799

No refund after 6 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Mamun Hashem, BSc in architecture, The University of Texas at Arlington; Master of Interior Architecture, UCLA Extension Cal Poly Pomona. Creator of Studio Mamun; freelance design professional with extensive formal training and a broad portfolio of experience from Gensler, HOK, Westfield, and Studio MAI.

RRR

For more information call (310) 825-9061.

ARCH X 454A

Elements of Design I

4.0 units

An introduction to design fundamentals, including exercises in figure ground relationships, color interaction, line, texture, shape, scale, balance, rhythm, emphasis, and organization of elements in the 2D plane, this course develops perceptual skills, sensitivity, creative awareness, and the technical ability necessary to handle a variety of design media.

Reg# 392802

Fee: $799

No refund after 3 July.

M Online

June 26 Sept. 11

Alvalyn Lundgren BFA, Art Center College of Design; founder of Alvalyn Creative, a design practice focusing on visual branding and design for marketing. Her clients include CSUN, City of Los Angeles, Epson, Baxalta US, and Southern California Edison.

Reg# 392801

Fee: $799

No refund after 3 July.

M Online

11 mtgs

June 26 Sept. 11 7

Tatyana Zhukova, BS, MS, CCIDC. Ms. Zhukova is the co owner and interior designer for Interior AT Design Inc. and has worked on resi dential and commercial projects in Russia, Ukraine, and United States. She teaches at California State University Northridge, Art Institutes of California, and has published articles relating to design for the elderly population and generative pattern design.

Reg# 392803

Fee: $799

No refund after 4 July.

A Remote

11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom

Edward Varias, BFA, CSULB, MA, Argosy; founder, Edward Varias Design. Mr. Varias is an L.A. based interior designer who has worked with JS Sugita & Assoc and Gensler. His projects include Will Rogers Airport and Beverly Pediatric Medical Group. He has been featured in print and on the Christopher Lowell Show

Reg# 392804

Fee: $799

No refund after 21 June.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. 7

ARCH X 454B Elements of Design II

4.0 units

A continuation of lectures, demonstrations, and exercises dealing with the understanding of design fundamentals, this course examines abstract structuring in 2D and 3D design, use of construction materials, and fundamentals of modular systems and their modifications and variations.

Prerequisite(s): ARCH X 454A Elements of Design I.

Reg# 392806

Fee: $799

No refund after 3 July.

M Online

June 26 Sept. 11 7

Instructor to be announced

Reg# 392805

Fee: $799

No refund after 3 July.

M Online

June 26 Sept. 11 7

ARCH X 452.1

Color Theory and Application

4.0 units

This course covers the study of the perception of color, its permuta tions, and its dimensions using traditional as well as contemporary methods with an emphasis on individual experimentation through lab exercises and demonstrations. Topics include the color wheel; Munsell and Albers theories; perception, symbolism, and psychology; pattern painting techniques; and the applications of color theories to art, architecture, and interior design. Student projects and lectures com bine intense exploration of theories with hands on experience in a variety of media.

Prerequisite(s): ARCH X 454A Elements of Design I or consent of pro gram advisor.

Reg# 392799

Fee: $799

No refund after 3 July.

M Online June 26 Sept. 11 7 &

Reg# 392800

Fee: $799

No refund after 4 July.

A Remote

10 mtgs

Tuesday, 6:30 10pm, June 27 Sept. 5 Remote Classroom No meeting July 4.

Tiffany Sands, BA, fine arts, Cal Poly Pomona; department chair and instructor of Secondary Art Education. Ms. Sands teaches AP, honors, and standard art in the public sector in the visual arts. She currently works on her own art and is active in the art community.

Reg# 392926

Fee: $799

No refund after 6 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. 7 & No meeting July 4.

Edward Varias BFA, CSULB, MA, Argosy; founder, Edward Varias Design. Mr. Varias is an L.A. based interior designer who has worked with JS Sugita & Assoc and Gensler. His projects include Will Rogers Airport and Beverly Pediatric Medical Group. He has been featured in print and on the Christopher Lowell Show

ARCH X 427.7

Surface Materials

4.0 units

An introduction to surface materials for interior designers, this course covers the selection and use of textiles, wall coverings, hard and soft surfaces, floor coverings, rugs, ceramic and vinyl tile, woods, and plastics. Instruction includes illustrated lectures, demonstrations, guest speakers, field trips, and research assignments. Prerequisite(s): All courses through the third quarter in the Interior Design Certificate (see curriculum sequence).

Reg# 392794

Fee: $799

No refund after 6 July.

A Remote

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom 7 & Charrisse Johnston FASID, LEED AP, WELL AP; principal, studioSALT. A graduate of UCLA Extension’s Interior Design Program and former chair of the American Society of Interior Designers, she has designed corporate, multi family, educational, and residential projects in LA, NY, Portland, and Cape Town.

Reg# 392793

Fee: $799

No refund after 6 July.

A Remote 11 mtgs

Thursday, 2:30 5:30pm, June 29 Sept. 7

Remote Classroom 7 & Mark Lewison , MS, University of Massachusetts; principal, Mark Lewison Design. Mr. Lewison designs and markets interior design centered software (apps) for smart devices. He has utilized his profes sional background to teach lighting design, surface materials, specifications, and design studio courses since 2007.

ARCH X 467.15

Lighting Design

4.0 units

This course covers basic lighting topics, including light and texture, light and color, focal lighting, light sources, fixture schedules, switch ing patterns, and the required drawings used by designers in both residential and commercial spaces. Instruction includes lectures, research, and student projects.

Prerequisite(s): All courses in the Interior Design Certificate through the fourth quarter (see curriculum sequence) or consent of program advisor.

Reg# 392810

Fee: $799

No refund after 3 July.

A Remote 11 mtgs

Monday, 6:30 9:30pm, June 26 Sept. 11

Remote Classroom No meeting Sept. 4.

Mark Lewison , MS, University of Massachusetts; principal, Mark Lewison Design. Mr. Lewison designs and markets interior design centered software (apps) for smart devices. He has utilized his profes sional background to teach lighting design, surface materials, specifications, and design studio courses since 2007.

Reg# 392811

Fee: $799

No refund after 4 July.

A Remote 11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom No meeting July 4.

Kathy Pryzgoda, BA in theatre, UCLA; owner/principal designer, Light Studio LA, Inc. Ms. Pryzgoda’s credits include Design Within Reach Stores, Hollywood Bowl, Pacific Symphony, ABC’s World News Tonight Long Beach: Opera, and Jazz Tap Ensemble. Recipient, UCLA Extension Arts Department Instructor of the Year Award, 2011.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Enroll at uclaextension.edu or call (800) 825-9971 Architecture & Interior Design 7

Design Software

CAD COURSE REQUIREMENTS

Prerequisite: All CAD courses assume knowledge of drafting principles and basic PC (Windows) computer skills. Advanced CAD courses assume knowledge of the application as defined in the introductory course. Note: All computer courses are taught on a Windows platform in computer labs. Mac users may download Mac compatible versions of AutoCAD, Photoshop, Illustrator, SketchUp/SketchUp Pro, and Podium for laptop or home use but will be responsible for learning mouse clicks or keystroke conversion independently. There are currently no Mac versions of Revit or 3ds Max Design. Mac users may work in a Windows partition using Parallels or other Windows emulation soft ware. For more information call (310) 825-9061.

All CAD courses are fast paced and complex; absence from any meet ing is discouraged. The courses require at least three hours of com puter work outside of class per week. Lab hours are not available; therefore, students must have access to their own hardware and software for the courses in which they enroll.

FREE SOFTWARE AND SOFTWARE LICENSES

Students may download free student versions of Revit and AutoCAD upon proof of student status through the Autodesk Education Com munity website. Students also may be eligible for academic rates on other software for their own home computer. Prices and restrictions are subject to change by the software developers. Software versions should reflect the version used in class; an older version may not possess the same interface or tools demonstrated in class. It is each student’s responsibility to verify that his/her computer meets the software’s minimum system requirements. For more information call (310) 825-9061.

ARCH X 468.6A

SketchUp

2.0 units

This comprehensive hands on workshop covers the basic 2D and 3D commands necessary to construct 3D objects and interiors using the award winning SketchUp software. Developed for the conceptual stages of design, this “pencil of digital design” is powerful yet easy to learn. Students use an existing floor plan to design a project that incorporates 3D interiors and various types of renderings. Students learn advanced commands, such as modifying, editing, and offsetting 3D objects. Additional topics are the fundamentals of creating textures, defining materials, using architectural dimensioning, using perspective and isometric views, creating sections, and editing text.

Reg# 392906

Fee: $625

No refund after 3 July.

M Online June 26 July 30

Software requirement: the most recent version of SketchUp. 7 Orlando Flores, BArch, Catholic University of El Salvador; AS in interior design, College of the Canyons. His professional experience includes mixed use developments, affordable housing, hotels, high end resi dences, and restaurants. He also consulted for Honda Performance Development and Cataldo Architects.

ARCH X 468.6B

Advanced SketchUp

2.0 units

This advanced course pushes your basic SketchUp skills to the next level. You develop a model that includes interior and exterior spaces. This course is designed to provide the necessary skills to thoroughly develop a model for presentation and construction purposes. Advanced topics such as custom material creation; importing CAD files as background; creating custom furniture and fixture components, styles, and walk throughs; and organizing a heavier model using scenes and layers are covered in this course. SketchUp Layout, a fantastic tool for translating a model into working drawings, is also introduced. This course is ideal for the designer looking to maximize his or her skills with this powerful design communication software.

Prerequisite(s): ARCH X 468.6A SketchUp or equivalent experience; a basic knowledge of SketchUp.

Reg# 392907

Fee: $625

No refund after 7 Aug.

M Online July 31 Sept. 3

Software requirement: The most recent version of SketchUp. Enrollment limited; early enrollment advised. 7

Orlando Flores, BArch, Catholic University of El Salvador; AS in interior design, College of the Canyons. His professional experience includes mixed use developments, affordable housing, hotels, high end resi dences, and restaurants. He also consulted for Honda Performance Development and Cataldo Architects.

ARCH X 468.20

Digital Presentation I: Photoshop/Illustrator

4.0 units

This comprehensive, hands on course introduces designers to digital design tools. The course begins with an overview of architectural and interior design concepts; students also review client presentations and see how they were created. Students learn why the use of these professional tools is essential to the creative process of design and presentation production and are introduced to using the computer for drawing, illustration, and layout. Fundamentals of layout, typographic design, scanning, and image enhancement software are covered, and students present projects in class. Software applications covered include Adobe Photoshop and Illustrator. This course is equivalent to Cal Poly Pomona INA 550.

Prerequisite(s): Working knowledge of Windows or Mac operating systems. Software requirements: the most recent versions of Illustrator and Photoshop.

Reg# 392534

Fee: $935

No refund after 4 July.

M Online June 27 Sept. 5

This course is equivalent to Cal Poly Pomona INA 550. Attendance at the first class is mandatory.

Enrollment limited; early enrollment advised. & Beth Rabkin, MArch, University of Pennsylvania; owner of creative design firm Seaview Studios. Ms. Rabkin provides multidisciplinary services to corporations and individuals and designs residential interiors, high end retail, and mixed use projects. She is an expert in presenting ideas through the use of 2D and 3D architecture technology programs.

Reg# 392533

Fee: $935

No refund after 4 July.

M Online

June 27 Sept. 5

This course is equivalent to Cal Poly Pomona INA 550. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. & Beth Rabkin, MArch, University of Pennsylvania; owner of creative design firm Seaview Studios. Ms. Rabkin provides multidisciplinary services to corporations and individuals and designs residential interiors, high end retail, and mixed use projects. She is an expert in presenting ideas through the use of 2D and 3D architecture technology programs.

Reg# 392896

Fee: $935 No refund after 4 July.

A Remote

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

No meeting July 4.

This course is equivalent to Cal Poly Pomona INA 550. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. & Lauren Rad, BA, Art History, UCLA; MIA, UCLA Extension Cal Poly Pomona. Visual designer and in home stylist at Williams Sonoma, Inc. Ms. Rad works as a decorative designer specializing in residential projects in Los Angeles.

Reg# 392897

Fee: $935

No refund after 5 July.

A Remote

11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

Remote Classroom

ARCH X 468.5A Digital Presentation II: 2D CAD/AutoCAD

4.0 units

This course covers the basic AutoCAD commands used to create and edit 2D CAD drawings, as well as drawing setup, layer control, dimen sioning, symbol libraries, display commands, external references, attributes, paperspace/modelspace, and methods for importing and exporting files between SketchUp and AutoCAD. Students prepare a basic set of construction documents that include floor plans, eleva tions, sections, and details.

Prerequisite(s): ARCH X 468.20 Digital Presentation I: Photoshop/ Illustrator. Software requirement: The most recent version of AutoCAD. A student version of the AutoDesk software is provided for free upon proof of student status. Review CAD course requirements.

Reg# 392535

Fee: $935

No refund after 6 July.

M Online

June 29 Sept. 7

This course is equivalent to Cal Poly Pomona INA 551. Enrollment limited; early enrollment advised. 7

Shane Bartley, BA, UCLA; manager, IT Training, Disney Imagineering, where he oversees national training and development in 33 software curricula.

Reg# 392536

Fee: $935

No refund after 6 July.

M Online

June 29 Sept. 7

This course is equivalent to Cal Poly Pomona INA 551. Enrollment limited; early enrollment advised. 7

Shane Bartley, BA, UCLA; manager, IT Training, Disney Imagineering, where he oversees national training and development in 33 software curricula.

Reg# 392905

Fee: $935

No refund after 6 July

Hybrid (Flexible)

10 mtgs

Thursday, 3 6:30pm, June 29 July 20; Aug. 10; Aug. 31

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Thursday, 3 6:30pm, July 27 Aug. 3; Aug. 17 24

Remote Classroom

This course is equivalent to Cal Poly Pomona INA 551.

Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. Visitors only permitted at the first class if space allows.

Luis de Moraes, AIA ASID LEED AP BD+C; principal, EnviroTechno Architecture Incorporated. A graduate of UCLA Extension’s Interior Design Program, Mr. de Moraes has been practicing for more than 30 years. His experience includes many well recognizable commercial, hospitality, and residential projects.

8 Architecture & Interior Design Enroll at uclaextension.edu or call (800) 825-9971

ARCH X 468.13A

Digital Presentation II: Revit Architecture I

4.0 units

Through lecture and demonstration, this hands on workshop intro duces the basic concepts and tools of Revit, a building information modeling program for architects and interior designers. Students are introduced to Revit’s powerful 3D model organization to visualize, present, and create construction documents. Students learn how this unique software enables design professionals to save time and reduce errors, since design changes are automatically coordinated throughout the entire model and drawing set.

Prerequisite(s): ARCH X 468.20 Digital Presentation I: Photoshop/ Illustrator. Software requirement: The most recent version of Revit Architecture. A student version of the AutoDesk software is provided for free upon proof of student status. Review CAD course requirements.

Reg# 392898

Fee: $935

No refund after 15 July

Hybrid (Flexible)

10 mtgs

Saturday, 9am 12:30pm, July 8 Sept. 16

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting July 1; Sept. 2.

This course is equivalent to Cal Poly Pomona INA 552. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. 7

Ben Mansouri IDP, NCARB, pending AIA, MS in manufacturing engi neering, Murray State University; Autodesk certified BIM instructor with more than 20 years of architectural and structural experience. Mr. Mansouri received the UCLA Extension Arts Department Instructor of the Year Award, 2012.

ARCH X 468.5B

Digital Presentation III: 3D CAD (Using SketchUp, SU Podium, and AutoCAD)

4.0 units

This continuation of ARCH X 468.5A Digital Presentation II: 2D CAD/ AutoCAD covers the basic commands necessary to construct and view in 3D. Using SketchUp software, students draw a floor plan while simultaneously creating a complete 3D virtual building. Instruction covers the accurate drawing of walls, doors, windows, details, and other 3D objects. Additionally, the course covers numerous basic menu commands and other features, such as modifying, editing, offsetting, layers, line types, color, solid modeling, perspectives, rasterizing, lay outs, printing, plotting, and methods for importing and exporting files between SketchUp and AutoCAD.

Prerequisite(s): ARCH X 468.5A Digital Presentation II: 2DCAD/AutoCAD. Software requirement: The most recent version of AutoCAD. A student version of the AutoDesk software will be provided for free upon proof of student status. Review CAD course requirements.

Reg# 392539

Fee: $935

No refund after 1 July.

M Online

June 27 Sept. 5

This course is equivalent to Cal Poly Pomona INA 554. 7 & Mark Owen BArch, Woodbury University; MArch, UCLA; professor of architecture, Woodbury University; director of technology, senior associate, Johnson Fain. The primary focus of his 20+ year career has been the integration of digital media and technology into the design, production, fabrication, and construction process.

Reg# 392538

Fee: $935

No refund after 1 July.

M Online

June 27 Sept. 5

ARCH X 438.13B

Digital Presentation III: Revit Architecture II

4.0 units

This continuation of ARCH X 438.13A Revit Architecture I covers advanced editing commands, introduction to families, sharing informa tion, viewing tools, visualization, annotation, and construction docu ments. Students prepare worksets, room schedules, walk throughs, and solar studies and utilize other advanced drawing features. Prerequisite(s): ARCH X 438.13A Revit Architecture I, or consent of instructor. Software requirement: The most recent version of Revit Architecture. A student version of the AutoDesk software will be pro vided for free upon proof of student status. Review CAD course requirements.

Reg# 392901

Fee: $935

No refund after 4 July.

M Online

June 27 Sept. 5

This course is equivalent to Cal Poly Pomona INA 555. Enrollment limited; early enrollment advised. Visitors only permitted at the first class if space allows.

Mark Owen, BArch, Woodbury University; MArch, UCLA; professor of architecture, Woodbury University; director of technology, senior associate, Johnson Fain. The primary focus of his 20+ year career has been the integration of digital media and technology into the design, production, fabrication, and construction process.

Reg# 392899

Fee: $935

No refund after 15 July

Hybrid (Flexible)

10 mtgs

Saturday, 1 4:30pm, July 8 Sept. 16

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting July 1; Sept. 2.

This course is equivalent to Cal Poly Pomona INA 555. Enrollment limited; early enrollment advised. 7

Ben Mansouri, IDP, NCARB, pending AIA, MS in manufacturing engi neering, Murray State University; Autodesk certified BIM instructor with more than 20 years of architectural and structural experience. Mr. Mansouri received the UCLA Extension Arts Department Instructor of the Year Award, 2012.

Design Studios

ARCH X 433

Interior Architecture Studio I

6.0 units

In this first in a series of studio courses, students are given the opportunity to apply fundamental design principles to the layout of interior spaces. Starting with the development of a design concept, students learn how to develop a space while incorporating the ele ments of ergonomics and human factors. Students also explore methods of analyzing a client’s program, beginning with the bubble diagram, the block plan, and the adjacency requirements. Through a series of assignments, students become familiar with current ADA codes and clearance requirements, as well as the required circulation and exit paths for a variety of building types.

Prerequisite(s): Completion of Design Communication I, II, and III with a grade of B or better.

Reg# 392798

Fee: $995 No refund after 4 July.

A Remote 11 mtgs Tuesday, 6:45 10pm, June 27 Sept. 12

Remote Classroom No meeting July 4.

Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. 7

Nicole Villamin BFA, MIA, who is an interior designer at an architec ture, urban design + planning, and interiors firm. She has worked on a mélange of projects, ranging from high end residential to hospitality, government, and workplace environments, from programming all through construction administration and FF&E. As a former industrial designer, Ms. Villamin received her bachelors at the University of Illi nois Champaign Urbana, and continued her education through the joint UCLA Extension and California State Polytechnic University program for her Master of Interior Architecture degree.

Reg# 392797

Fee: $995

No refund after 5 July.

A Remote 11 mtgs

Wednesday, 6:45 10pm, June 28 Sept. 6

Remote Classroom

Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. 7

Ronald Goldstein, BFA in interior design, Pratt Institute, N.Y. who worked with SOM/N.Y. & I.M. Pei & Partners. He was president of Interior Concepts Inc. designing corporate interiors, restaurants, and retail projects. Several featured in design publications. Recipient of UCLA Extension Dept. of the Arts Outstanding Teacher Award, 1991 and 1999.

ARCH X 430A

Interior Architecture Studio II

6.0 units

This studio course introduces students to the process of linking rooms and spaces by architectural promenades. The defining of public vs. private space is examined as a principle means of spatial organization. A realistic residential situation is considered as students design a small single family residence with full code compliance and learn to create environments that relate the atmospheric qualities of individual rooms to an overall concept of movement through space.

Prerequisite(s): ARCH X 433 Interior Architecture Studio I, or consent of program advisor and SketchUp proficiency.

Reg# 392795

Fee: $995

No refund after 4 July.

A Remote 11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

Remote Classroom No meeting July 4. 7

Alex Dorfman, BFA, Cleveland Institute of Art; designer with broad experience in interior, environmental, and graphic design. Mr. Dorfman received the UCLA Instructor of the Year Award, 2012.

Reg# 392796

Fee: $995

No refund after 5 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 9:45pm, June 28 Sept. 6

Remote Classroom 7

Ellen Lanet California licensed architect, BS in architecture from Cal Poly, San Luis Obispo. Ms. Lanet is the principal of a collaborative architectural design firm specializing in custom residential designs. Ms. Lanet has 25+ years of architectural and urban design practice in Los Angeles.

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C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Enroll at uclaextension.edu or call (800) 825-9971 Architecture & Interior Design 9

History of Design

ARCH X 427.8B

History of Environmental Arts: Part II

4.0 units

Part two of a four part survey course on the environmental arts of the Western world. This course traces the architecture, landscape archi tecture, furniture, art, and decorative arts from the Italian Renaissance to the beginning of the nineteenth century in France, England, and America. Periods covered include the Renaissance, Mannerist, Baroque, Rococo, and Neoclassic. Instruction focuses on the man built environment influenced by geographical location and the social, religious, economic, and political forces of history. Major monuments are discussed in terms of function, symbolism, methods of fabrication, style, use of color, ornament, and significance. Illustrated lectures, readings, and student projects develop an appreciation of the rich cultural heritage of the Western world. Students learn how to utilize library and museum resources and recognize and evaluate significant environmental design movements. Intended to establish an under standing of the achievements of the past in order to more fully understand the present.

Reg# 392893

Fee: $799

No refund after 4 July.

M Online June 28 Sept. 6 7

Keri Sussman-Shurtliff, MA, Dominican University of California. Ms. Sussman Shurtliff has taught at various colleges in the Los Angeles area. She has acted as an academic editor of Janson’s Basic History of Western Art. She worked for the director and animator Chuck Jones, along with an art appraiser in San Francisco.

Reg# 392892

Fee: $799

No refund after 6 July

Hybrid (Flexible)

11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom 7

ARCH X 427.8D

History of Environmental Arts: Part IV

4.0 units

Part four of a four part survey of environmental arts of the Western world, this course traces the major movements in architecture, interior design, furniture, and decorative arts of the twentieth century. Subjects covered include Viennese Secessionism, Art Deco, Romantic Revival ism, De Stijl, Bauhaus, International Style, Mid Century Modernism, Postmodernism, and Contemporary. Instruction focuses on the built environment influenced by geographical location and the social, religious, economic, and political forces of history. Buildings and interiors are discussed in terms of function, symbolism, methods of fabrication, style, use of color, ornament, and significance. Illustrated lectures, readings, and student projects develop an appreciation of the design influences of the twentieth century that inform current developments in the built environment of the twenty first century.

Reg# 392895

Fee: $799

No refund after 4 July.

A Remote 11 mtgs

Tuesday, 2 5pm, June 27 Sept. 12

Remote Classroom

No meeting July 4.

Reg# 392894

Fee: $799

No refund after 2 July.

M Online June 28 Sept. 6 7

Professional Development

For information on enrollment, location, and space availability call (800) 825-9971. For information on course content email arc_id@uclaextension.edu, visit arcid.uclaextension.edu, or call (310) 825-9061.

ARCH X 443.40

Accessories for Residential Interiors

2.0 units

This concentrated six week course examines the appropriateness, timing, aesthetics, function, and availability of accessories in residen tial interior design through slide demonstrations, guest lecturers, and field trips to the marketplace. Covers lamps and lighting, wall hangings and art, area rugs and Oriental carpets, and antique accessories.

Reg# 392900

Fee: $449

No refund after 10 Aug.

A Remote

6 mtgs

Thursday, 10am 1pm, Aug. 3 Sept. 7

Remote Classroom

Enrollment limited; early enrollment advised.

Nareh Sargsyan, BA, UCLA; AA Professional Designation, FIDM; owner/ principal, NS Design Studio, which specializes in high end residential and commercial interiors. Ms. Sargsyan has a broad portfolio of experi ence, including art history, graphic design, and marketing expertise at leading L.A. art institutions.

ARCH X 497.10

Interior Design Law I: The Designer-Client Relationship

2.0 units

This course serves as an introduction to principles of contractual law as applied to the relationship between the interior designer and the client. The course emphasizes the designer client relationship and incorporates analysis of a sample designer client contract and reading of actual court cases involving interior designers. The course is appropriate for students with all levels of interior design education and experience, from certificate or master’s program students to students not enrolled in a program to practicing interior designers with years of work experience. After completion of this course, it is recommended, but not required, that students enroll in the companion course Interior Design Law II: Intellectual Property, Trade Secrets, Unfair Competition, Employment, and Special Topics.

Reg# 392903

Fee: $449

No refund after 4 July.

M Online

June 27 Aug. 1 7

Henry Lien JD, UCLA Law. Mr. Lien teaches law in the Architecture Interior Design Department and was awarded Outstanding Instructor of the Year. He practiced as an attorney, served as the Glass Garage Gallery owner and as president of the West Hollywood Fine Art Gallery Association. Mr. Lien currently works as a private art dealer and also teaches for the Writers’ Program. His Peasprout Chen middle grade fantasy series has received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist.

ARCH X 497.11

Interior Design Law II: Intellectual Property, Trade Secrets, Unfair Competition, Employment, and Special Topics

2.0 units

This course serves as an introduction to some of the legal issues that impact interior designers. The course introduces students to funda mental legal principles regarding employment law, intellectual prop erty law, unfair competition law, insurance law, and other specific legal topics as they apply to the interior design business. The course incorporates analysis of contracts and readings of actual court cases involving interior designers. The course is appropriate for students with all levels of interior design education and experience, from cer tificate or master’s program students and students not enrolled in a program to practicing interior designers with years of work experience. Prior completion of Interior Design Law I: The Designer Client Relation ship is recommended but not required. No other prior preparation or coursework is required.

Reg# 392904

Fee: $449

No refund after 15 Aug.

M Online

Aug. 8 Sept. 5 7

Henry Lien, JD, UCLA Law. Mr. Lien teaches law in the Architecture Interior Design Department and was awarded Outstanding Instructor of the Year. He practiced as an attorney, served as the Glass Garage Gallery owner and as president of the West Hollywood Fine Art Gallery Association. Mr. Lien currently works as a private art dealer and also teaches for the Writers’ Program. His Peasprout Chen middle grade fantasy series has received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist

ARCH X 498.10

Advanced Portfolio Design and Graphic Storytelling

4.0 units

This course guides you through our written and graphic self represen tation. By the end of this course, you have a personal portfolio design, résumé, and sample works. The main focus of the class is to learn techniques on presentations for studio projects, interviews, and client meetings. We investigate these together through a combination of lectures, mock presentations, and workshops. This class is interactive and changes week to week.

Prerequisite(s): ARCH X 430A Interior Architecture Studio II. Reg# 392902

Fee: $615

No refund after 6 July.

A Remote 11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom

Enrollment limited; early enrollment advised.

Carey (Riz) Walker, BArch, Syracuse University, MArchII UCLA School of Architecture & Urban Design. Senior designer and workplace strate gist specializing in commercial interiors and adaptive reuse in Downtown Los Angeles. Her personal research dissects the similarities between urban and workplace design through data collection and strategic graphic storytelling.

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C UC CREDIT

10 Architecture & Interior Design Enroll at uclaextension.edu or call (800) 825-9971

BUSINESS & MANAGEMENT

Leadership & Management

For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu

For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu

Digital Transformation

NEW MGMT X 494.4 Managing

2.0 units

Organizational Transformation

As traditional methods of managing change and technology integra tion are being disrupted, the impact of digital on organizations can create dysfunction and frustration. In this course, you’ll learn why digital transformation must involve new alignments of marketing, customer relations, HR, production, purchasing, accounting, finance, and other strategically important daily operational jobs.

Reg# 393138

Fee: $475

No refund after TBD

A Remote Date and Time TBA

Instructor to be announced

MGMT X 408.805

Capstone: Building the Preparedness Plan

4.0 units

In this capstone course, students build at least one module of a pre paredness plan each week utilizing lessons learned in the previous five courses (subject to instructor approval of the organization, agency, or company). Those who are employed may wish to recommend their employer as the subject case. Students may also select a company or agency for which a substantial amount of public data is available, such as publicly traded corporations who file detailed annual reports. Prerequisite(s): Successful completion of the other five required courses in the Emergency Management and Homeland Security Program.

Reg# 392185

Fee: $855

No refund after 30 June.

M Online 11 mtgs

June 26 Sept. 11

Enrollment limited; early enrollment recommended. Visitors not permitted. 7 & Lauren Stienstra MSc, CEM, deputy coordinator, Arlington County Office of Emergency Management, UCLA EH&S/Office of Emergency Management

MGMT X 408.806

Internship in Emergency and Risk Management

4.0 units

This internship which may be taken as a substitute for MGMT X 408.805 Capstone: Building the Preparedness Plan provides practical experi ence and application of the knowledge and skills learned in the previ ous courses. Emergency Management and Homeland Security Certificate students intern for a minimum of 120 hours with sponsoring companies, businesses, and organizations who have no obligation to provide compensation. Internship projects may include, but are not limited to, assisting in preparedness plan development, client com munications support, community preparedness, and research.

Prerequisite(s): Students must be officially enrolled in either the Enterprise Risk Management Certificate or the Emergency Manage ment & Homeland Security Certificate and have successfully com pleted the other five required courses with a GPA of 3.0 or better.

Reg# 392186

Fee: $855

No refund after 7 July.

Independent Study/Internship

June 26 Sept. 10

International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility.

Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review.

Visitors not permitted. Restricted course. 7 Lauren Stienstra, MSc, CEM, deputy coordinator, Arlington County Office of Emergency Management, UCLA EH&S/Office of Emergency Management

Enterprise Risk Management

For more information call (310) 206-4271 or email bamcertificate@ uclaextension.edu.

MGMAnnounceT 736.2

Enterprise Risk Management Program Information Session

Discover opportunities to broaden your Enterprise Risk Management (ERM) knowledge and expand your career choices. What is Enterprise Risk Management (ERM)? It is a strategic business discipline applied across an organization and it supports deliberation and action in efficiently utilizing limited resources to manage the risks affecting an organization’s strategy and objectives. Join us as a panel of presenters provides an overview of UCLA Extension’s ERM Certificate Program and discusses how the program aligns with and prepares students to earn the RIMS Certified Risk Management Professional Certification (RIMS CRMP). The RIMS CRMP is a highly regarded industry certifica tion that validates a candidate’s education and experience and dem onstrates that they can successfully manage risk and create value for organizations.

Reg# 392177

Fee: $0

A Remote 1 mtg

Thursday, 11am 12pm, Aug. 17

Remote Classroom

Carrie Frandsen, MBA, ARM E, RIMS CRMP

Carol Williams

General Business Studies

MGMT 891.02

Business Ethics

0.6 CEUs

We face an increasing number of ethical issues in the business world and in our personal lives. The business scandals of recent years have highlighted the importance of ethical behavior in the business environ ment. For CEOs and all business professionals, a solid ethical founda tion must be the basis from which one builds a business career. This seminar covers the elements necessary to make ethical decisions by defining the key definitions, issues, and theories of business ethics. Through class discussions and case studies, students explore the theoretical foundations of business ethics and learn how to develop an ability to recognize and address ethical questions. Students leave the seminar with a better understanding of the challenges of ethical business practices.

Reg# 392181

Fee: $275

No refund after 21 July.

M Online July 17 30

Select “CEU (appears on transcript)” as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable).

Enrollment limited. 7

Amy Haug, MA, Human Resources division manager, City of Diamond Bar

Reg# 392183

Fee: $275

No refund after 4 Aug.

X In-Person

1 mtg

Saturday, 9am 5pm, Aug. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Select “CEU (appears on transcript)” as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable).

Enrollment limited; early enrollment advised. 7

Sean Shahverdian, BA, MBA, Certified Fraud Examiner (CFE) and Retirement Plans Associate (RPA)

Reg# 392182

Fee: $275

No refund after 18 Aug.

M Online Aug. 14 27

Select “CEU (appears on transcript)” as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable).

Enrollment limited; early enrollment advised. 7

Laura Jacobus JD

For

more information call (310) 206-4271.

MGMT 859.8

Coaching and Mentoring Employees

0.6 CEUs

Managers and supervisors play a key role in coaching all types of employees in all kinds of situations, but few have had formal training in the process or understand the benefits. Coaching (and mentoring) suggests a supportive/collaborative approach rather than a directing or controlling approach. For many employees, this may be the most effective way to boost performance, harness competitive energy, or defuse problems. This seminar introduces the basic elements of coaching and mentoring, discusses the appropriateness and benefits of each approach, and provides specific application techniques for a variety of personality types and work circumstances.

Reg# 392390

Fee: $275

No refund after 13 July.

X In-Person

1 mtg

Friday, 9am 4pm, July 14

UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. 7

Instructor to be announced

MGMT X 190

Management Theory, Policy, and Process

4.0 units

This course presents the theory and application of managerial func tions; the processes of planning, organizing, leading, and controlling in a wide variety of organizational settings; and how the management of people and resources can accomplish organizational goals. Systems theory, contingency approaches, and socio technical systems are used to explain managerial problem solving and decision making in organizational contexts and a global environment. Other topics include motivation and participation, leadership and communication, manage ment information systems, human resources management, manage ment of technology, managerial ethics, and other contemporary management issues. c

Reg# 392391

Fee: $895

No refund after 14 Aug.

X In-Person

11 mtgs

Tuesday, Thursday, 9am 12pm, Aug. 8 Sept. 12

UCLA:Dodd Hall

Enrollment limited; early enrollment advised. 7

Steve Keleman , EdD, performance improvement, Keleman & Associates

Harriet Cohen MEd, president, Training Solutions

Communication Skills

For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu.

COMCTN X 482.7

The Dynamics of Interpersonal Communication

4.0 units

In today’s fast paced, highly competitive business world, it is more important than ever to recognize and study the significant role com munication plays in our business lives. How well we communicate greatly determines the success of our performance on the job and our level of personal job satisfaction. This course is designed for individu als at all levels in all types of businesses who desire to polish and/or develop additional communication skills in formal and informal set tings. Participants explore conflict resolution, giving/receiving criti cism, defensive communication, assertiveness, focused listening, nonverbal communication, self esteem, team building and delegating work, empowerment, small group dynamics, management and sales strategies, customer service, problem solving and negotiation, inter cultural communication, interviewing, and power and authority.

Reg# 392422

Fee: $855

No refund after 21 June.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Joseph P. Reynolds, BA, MDiv/STM, director, JPR Communication

MGMT X 109

Business Communications

4.0 units

Communication, whatever method used, needs to inform. In the busi ness environment, writing clear, concise, and comprehensible copy is critical to success. In this course, learn techniques for clarifying pur pose, understanding readers, and organizing ideas. Through in class writing exercises, you practice proven strategies for overcoming writer’s block and creating concise, appropriate, and grammatically correct work. Practice exercises include editing and writing letters, memos, reports, email messages, summaries, resumes, and cover letters. Additionally, you learn vocabulary development, correct gram mar and punctuation, techniques for reducing writing time, and proofreading. c

Reg# 392423

Fee: $855

No refund after 9 July.

m Hybrid (In-Person)

10 mtgs

Monday, 6:30 8:30pm, June 26; July 10 Aug. 28; Sept. 11

UCLA Extension Gayley Center: 1145 Gayley Ave.

Online July 3 9 7

Robert Villanueva, MBA; senior manager.

MGMT X 482.202

Organizational Communication

4.0 units

Designed to give you the knowledge and skills necessary to lead and communicate in today’s highly diverse workplace, this course provides the most current approaches to communicating and motivating employees with culturally different expectations. The course covers improved interpersonal relationships, team productivity, and overall customer service. You also learn innovative practices specifically geared to today’s highly diverse workplace to resolve conflict. Maxi mize your leadership and communication skills and be ready to apply them immediately in the workplace and your personal life.

Reg# 392392

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised. 7 & Steve Horowitz , PhD, management consultant, New Freedom Communications

MGMT X 490.996

Leadership Communication Strategies

4.0 units

This course is designed to improve interpersonal behaviors and com munication skills for those in leadership roles with the goal of improv ing relationships, productivity, and the quality of work. Topics include a review of basic communication skills such as listening, self disclo sure, and methods of expression; more advanced skills such as nonverbal communication, influencing behaviors, addressing hidden agendas, and male/female communication in the workplace; conflict management skills; assertiveness; and responding to criticism.

Reg# 392393

Fee: $855

No refund after 17 July.

X In-Person 11 mtgs

Tuesday, 6:30 9:30pm, June 27; July 11 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7 Robert Villanueva, MBA; senior manager.

Entrepreneurship & Small Business Management

Certificates:

General Business Studies with Concentration in Entrepreneurship

Business Administration with Concentration in Entrepreneurship

MGMT X 497.610

Developing a Business Plan

4.0 units

Learn all aspects of creating a solid first draft of your own business plan. This course begins with a comprehensive “situation analysis” of your (or your employer’s) small business (or case study, if more applicable). You then learn the key components for creating an effec tive business plan: knowing your existing customers, targeting future customers, customer value formulation, income statement and bal ance sheet forecasting, revenue forecasting methodologies, competi tor assessment and emerging company/product/service competitors, and understanding the pitfalls of small business development. In addition, you look at building and planning an efficient business infrastructure (systems, technology, third party software); small business finance, cash flow, debt, and financing alternatives; transi tioning from personal guarantees and credit lines to a self financing business model; effectively planning, hiring, and training staff with high potential; the legal aspects of organizing and managing a small business; negotiating skills; and setting day to day priorities with the business plan in mind. With these skills, you can build a solid first draft of your business plan.

Reg# 392394

Fee: $855

No refund after 9 July.

X In-Person

10 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 28

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Sept. 4. One meeting to be arranged.

Enrollment limited; early enrollment advised. 7

Instructor to be announced

MGMT X 497.613

Fundamentals of Business Administration and Management

4.0 units

A majority of businesses fail within the first two years, and a significant percentage of the initial survivors don’t last much longer. There are many reasons for this, including inexperienced management, lack of sufficient capital, failure to do proper marketing, and a lack of financial competency. The bottom line is that most managers don’t know how to properly systematize, structure, and manage their businesses. They don’t know because they’re not aware of where or how to find this information. This course is designed to teach students how to properly structure, systematize, and manage a business of any size or type, service, or product and in any industry.

Reg# 392396

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised. 7 & James Tischler MBA, CEO, SomeBeach SunWare, LLC

Reg# 392395

Fee: $855

No refund after 12 July. X In-Person

9 mtgs

Thursday, 6:30 9:30pm, June 29 Aug. 17; Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Online

Aug. 21 Sept. 3

Enrollment limited; early enrollment advised. 7 & Brandon Shamim, MS, president/co founder, Beacon Management Group

12 Business & Management Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 497.615

Establishing a Successful Business

4.0 units

The key to reducing the risks and increasing the chances of success in business is to develop a business model that delivers unique value. To accomplish this, particpants must be able to objectively analyze the competitive landscape and innovate and articulate their unique value so they can implement a strategy and anticipate the financial rewards. This course examines the essential elements of success. Designed for business owners, key executives, managers, and those developing a business, the course teaches participants how to define a business model and strategy that equips their company to thrive, even in intensely competitive industries. Topics include competitive analysis, creating and defining a unique selling advantage, identifying the customer, and honing a strategy. Real world situations are used for examples of application. Participants leave with the tools to develop a business model and strategy that creates value and allows them to work on their business instead of for their business.

Reg# 392397

Fee: $855

No refund after 11 July.

m Hybrid (In-Person)

10 mtgs

Wednesday, 6:30 9:30pm, June 28 July 5; Aug. 16 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Wednesday, 6:30 9:30pm, July 12 Aug. 2

Remote Classroom

Online

Aug. 7 13

Enrollment limited; early enrollment advised. 7 & C. Scott Hindell, principal, Hindell Consulting

Human Resources Management

For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu

MGMT 859.50

Ethics for Human Resources Professionals

1.2 CEUs

Today’s HR professionals function as a key source of ethical awareness for managers and employees. This course heightens awareness of when integrity and an understanding of ethical issues are required, not only when advising others, but also when addressing the issues HR professionals face. Instruction enables participants to recognize the parts of their jobs in which ethical issues are most likely to be experienced; they employ practical techniques to develop solutions, evaluate their impacts, and decide on a course of action. Additionally, participants understand the impact of cultural and organizational pressures to conform, identify when to escalate issues and to whom, know the early warning signals of conflict between personal and work values, and assess how to maintain personal integrity.

Reg# 392398

Fee: $425

No refund after 14 July.

M Online July 10 Aug. 6

Select CEU (appears on transcript) as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable).

Enrollment limited; early enrollment advised. 7 & Corin Choppin, MA, partner, political consultant, Capitol Campaigns Susmitha Valvekar , MA, MPhil, certified in human resource administration

MGMT X 450

Elements of Human Resources Management

4.0 units

This course provides an overview of and introduction to the basic human resources management (HRM) functions: employment, employee relations, training and development, compensation, benefits, and human resources information systems (HRIS). Topics include the various aspects of designing and structuring a HRM/personnel depart ment, the history and future of HRM, the changing nature of work, the relationships of HRM functions, the current legal environment in which HRM operates, sources for obtaining answers to most operational HRM problems, and an exploration of HRM as a career.

RRR

Reg# 392400

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. 7 & George Castro MA, human resources director, Reyes Beer Division

Reg# 392399

Fee: $855

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. 7 & Instructor to be announced

MGMT X 450.03

Financial Aspects of Human Resources Management

4.0 units

To be a successful business partner with management, the human resources professional needs to effectively understand and manage the financial aspects of his/her HR department, as well as the impact of the employees on the organization’s bottom line. Emphasis is placed on ways the HR practitioner can enhance a company’s financial performance. This course provides HR practitioners with the tools and information to understand the cost of the HR functional area(s) for which s/he is responsible. Other areas of study are HR metrics, budgeting, strategic planning, and the financial aspects of benefits and payroll.

Prerequisite(s): MGMT X 450 Elements of Human Resources Manage ment or consent of instructor. While no formal experience in statistics is required, students must demonstrate basic high school level math/ numerical skills; a knowledge of basic algebra is also recommended.

Reg# 392401

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment recommended. 7 & Eboni Hill, MS, online faculty, Franklin University

MGMT X 450.2

Talent Acquisition

4.0 units

A high quality workforce is essential to the success of businesses today. This course provides the strategies, concepts, and practices essential to the effective selection of personnel to accomplish a busi ness objective, with an emphasis on recruiting, promoting, and retain ing employees. The course also covers budget development, job descriptions, interviewing techniques, assessment, testing, background investigations, legal requirements, reporting of results to management, employee orientation, outplacement, and ethnic diversity issues.

Prerequisite(s): MGMT X 450 Elements of Human Resources Manage ment or consent of instructor.

Reg# 392402

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. 7 & Donald B. Burnell, PhD, principal, Human Capital Management Ser vices, The Burnell Group, LLC

MGMT X 450.31

Compensation Programs: Administration and Design

4.0 units

In this introductory course, students explore compensation as a key factor in achieving organizational goals. In addition to introducing current concepts, approaches, techniques, and terms, instruction examines the forces that shape the development of compensation strategies, plans, and policies. Topics include salary administration, incentive plans, and stock based programs; the factors of motivation, performance evaluation, labor market dynamics, and budgeting that underlie the development of compensation programs; key steps involved in developing salary administration and cash incentive programs; major laws and regulations that apply to compensation; and the way compensation programs are designed for specific job families, units/functions, and levels of organization.

Prerequisite(s): MGMT X 450 Elements of Human Resources Manage ment or consent of instructor.

Reg# 392403

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited; early enrollment recommended. 7 & Kathy Gilroy, MA, human resources manager, Safety Insurance

MGMT X 450.32

Benefits Programs: Administration and Design

4.0 units

Employee benefits are expensive and important to any organization, accounting for nearly 40 percent of total employee compensation. This comprehensive course provides essential information for evaluating and designing programs to meet corporate objectives. Technical jar gon is demystified, and the interesting human side of employee benefits is examined. Instruction covers the most competitive benefits offered by employers and related administrative strategies, tools, and techniques; how to control cost and still attract and retain employees; basic methods of underwriting and financing group insurance plans, e.g. health care; an overview of popular 401(k) plans, similar retire ment/saving plans, and regulatory compliance issues; COBRA and Protected Leave Administration; and practical application of managing an employee benefit program with a section 125 environment.

Prerequisite(s): MGMT X 450 Elements of Human Resources Manage ment or consent of instructor.

Reg# 392404

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised. 7 & Daniel Van Bogaert, JD, executive, Compensation and Benefits, ERISA Compliance Consulting

MGMT X 450.50

Internship in Human Resources Management

4.0 units

This internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an intern ship position comprised of at least 120 hours of practical application of course material that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place ment. Eligible students have access to a list of firms with internship opportunities. This course is only available to Human Resources Management Certificate students who have completed 20 units of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an internship coordinator to monitor the internship throughout to ensure a substantive learning experience.

Prerequisite(s): The internship is only available to UCLA Extension Human Resources Management Certificate students who have com pleted a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better.

Reg# 392405

Fee: $855

No refund after 7 July.

Independent Study/Internship

June 26 Sept. 10

International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility.

Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review.

Discounts cannot be applied to fees for this course.

Visitors not permitted. Restricted course. 7 Denise Jackson, MA, director of Employee Relations, Career Education Corp.

Enroll at uclaextension.edu or call (800) 825-9971 Business & Management 13

RRR

International Trade & Commerce

For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu

Certificates: International Trade & Commerce

General Business Studies with Concentration in International Trade & Commerce Business Administration with Concentration in International Trade & Commerce

MGMT X 460.903

Fundamentals of International Trade

4.0 units

This course covers the necessary procedures to start up an interna tional trading business by providing a detailed introduction to the practices, procedures, and services used in the U.S. to export and import merchandise. Topics include organizations affecting interna tional trade; sources of information for trading, monitoring, and evalu ating commercial conditions in other countries; market research and planning by identifying potential suppliers, pricing merchandise, and resources to find buyers; sales channels, such as direct, agents, dis tributors, and representatives; merchandise regulations: control of exports and imports, the international classification system, respon sibilities of U.S. Customs, rules, and related dues; financing: sources of funds for exports and imports, methods of payment, open account, direct, offsets, counter trade, barter, foreign currency exchanges, and contracts; and freighting: modes of transport, packaging, containeriza tion, protection, and identification of merchandise and insurance.

Reg# 392187

Fee: $855

No refund after 9 July.

X In-Person 11 mtgs

Monday, 6:30 9:30pm, June 26 Sept. 11

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. 7 & Vahick A. Yedgarian CIO, Regency Financial Group

MGMT X 460.913

Import Operations and Techniques

4.0 units

This course is intended for individuals involved in import operations, including classifiers, import team members, supervisors, and manag ers; those working in customhouse brokerage and freight forwarding; and owners of trading companies. Topics include entry of merchan dise; warehousing; foreign trade zones; the liquidation and protest process; appraisement and the customs concept of value; informed compliance; customs account management strategies; intellectual property rights, fines, penalties, and forfeitures; drawback; NAFTA; record keeping; and corporate compliance program management.

Prerequisite(s): MGMT X 460.902 Introduction to International Business and MGMT X 460.903 Fundamentals of International Trade.

Reg# 392188

Fee: $855

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave. 7 & Ashok Sadhwani GDMM, CHB, CEO, Asmara USA Inc.

MGMT X 460.951

Internship in International Trade and Commerce

4.0 units

The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position comprised of at least 120 hours of practical application of course material that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place ment. Eligible students have access to a list of firms with internship opportunities. This course is only available to International Trade and Commerce Certificate students who have completed a substantial portion (generally 20 units) of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an internship coor dinator to monitor the internship throughout to ensure a substantive learning experience.

Prerequisite(s): The internship is only available to UCLA Extension International Trade & Commerce Certificate students who have com pleted a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better.

RRR

Reg# 392189

Fee: $855

No refund after 2 July.

Independent Study/Internship

June 26 Sept. 11

International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility.

Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review.

Discounts cannot be applied to fees for this course. Restricted course. Visitors not permitted. 7

Daniel Krassenstein, director Asia Operations, Procon Pacific, LLC

MGMT X 460.952

Doing Business in the U.S.

4.0 units

The United States is the largest consumer market in the world, yet it is significantly different and more challenging than any other market place, especially for those who are unfamiliar with American business practices. This course provides entrepreneurs, business managers, and international trade professionals with key business and cultural insights to do business within the mainstream U.S. market. Topics include an overview of the U.S. economy, regional and national demographics and cultural dynamics, business customs, framework of the U.S. legal sys tem, marketing strategies, and negotiating tactics.

Reg# 392190

Fee: $855

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 9:30pm, June 28; July 12 & 26; Aug. 9 & 23; Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Online

July 5; Aug. 2, 16 & 30

Wednesday, 6:30 9:30pm, July 19

Remote Classroom 7 & Zeph Phillips chief operations officer, EuroPac Partners, Inc.

MGMT X 460.961

Global Business Skills: Planning and Negotiating Strategies

4.0 units

Conducting business across cultures is crucial for succeeding in today’s highly competitive marketplace. This highly interactive, simu lation based course provides executives with the knowledge and skills to plan, work, and negotiate in the global marketplace. Topics include cultural differences as they affect international business, understand ing hospitality and protocol, establishing trust and credibility, charac teristics of a cross cultural negotiator, concepts of win win and win lose, tactics and power strategies, and communication and per suasion strategies.

Reg# 392191

Fee: $895

No refund after 20 Aug.

X In-Person

11 mtgs

Monday, Wednesday, 1 4pm, Aug. 7 Sept. 13

UCLA: Physics & Astronomy Bldg. Enrollment limited; early enrollment advised. 7 & Vicky Panossian, MBA, Principal, Integral Market Developer

MGMT X 460.989

Doing Business in China

4.0 units

This course provides entrepreneurs, business executives, and inter national trade and finance professionals with the background for doing business in China. Students learn the skills necessary for developing, evaluating, and implementing business strategies and relationships in China, including entry strategies, negotiation, valua tion, and financing. The course provides an overview of China’s economy, including the emergence of the private sector, the economic reform process, political and cultural features, the role of capital markets, trade and foreign direct investment, and the overall business and investment environment. Instruction incorporates case analysis and readings used to develop a framework for analyzing market entry strategies, implementing negotiations, assessing financial issues, and evaluating business opportunities.

Reg# 392192

Fee: $855

No refund after 9 July.

m Hybrid (In-Person)

11 mtgs

Monday, 6:30 9:30pm, June 26; July 10 & 24; Aug. 7 & 21; Sept. 11

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Monday, 6:30 9:30pm, July 3, 17 & 31; Aug. 14 & 28

Remote Classroom 7 & Instructor to be announced

MGMT X 460.99

International Business Management

4.0 units

This course emphasizes the managerial process in the international environment and provides an operational assessment of the funda mental issues involved in the management of international and mul tinational corporations. Instruction focuses on analyzing case studies related to upper and middle management issues, although the lessons apply to all levels and functions of international operations. Topics include matching foreign investment strategies with local conditions, managing export/import operations, trade and direct investment, local sourcing versus importing components, licensing and international joint venturing, designing organizational structures that match chang ing international conditions, managing a global structure, managing political risks, acquisitions, and integrating new businesses and dealing with international ethical considerations.

Prerequisite(s): MGMT X 460.902 Introduction to International Business or consent of instructor.

Reg# 392193

Fee: $855

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited. 7 & David E. French, MBA, president, David French & Associates, LLC, a business strategy consultancy

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

14 Business & Management Enroll at uclaextension.edu or call (800) 825-9971

RRR

Marketing, Advertising & PR

For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu

Marketing & Advertising

For more information call (310) 825-4192 or email zwalton@uclaextension.edu.

Certificates:

Marketing

General Business Studies with Concentration in Marketing Business Administration with Concentration in Marketing General Business Studies with Concentration in Advertising Business Administration with Concentration in Advertising

For more information call (310) 206-4271 or visit uclaextension.edu/bmlp

MGMT X 160

Marketing Principles and Practices

4.0 units

This course surveys marketing methods, practices, and institutions from the perspectives of manufacturers, distributors, and consumers. You examine marketing concepts, functions, operations, and organiza tions of retail and wholesale enterprises; distribution channels; market research; advertising; marketing costs; pricing; cooperative marketing; marketing legislation and regulations; and trends. c

Prerequisite(s): If you are enrolling in this course to fulfill a UCLA Extension certificate program requirement, you must select the “for credit letter grade” credit option during the checkout process. Addi tionally, if you are enrolling in this course to fulfill a requirement for (re)certification offered by an external governing body, it is recom mended that you select the “for credit letter grade” credit option.

Reg# 392427

Fee: $895

No refund after 2 July.

X In-Person

11 mtgs

Monday, Wednesday, 9am 12pm, June 26 Aug. 2

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Jennifer Cowan Hannon

Reg# 392428

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 10 7

Barbara Barney-McNamara MBA, consultant/owner, Marketing Avenue

Reg# 392426

Fee: $855

No refund after 21 June.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6 9pm, June 28 July 5; July 26 Aug. 2;

Aug. 23 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Wednesday, 6 9pm, July 12 19; Aug. 9 16

Remote Classroom 7

Marc Villarreal, BA, executive VP, Branding, Integrity Media

MGMT X 460.35

Strategic Marketing

4.0 units

This capstone course allows students to put into practice key skills they have learned that address the need to understand more than just tradi tional marketing principles, as well as helps explain how trends develop and how to design effective, long range marketing strategies that meet the demands of today’s dynamic consumer environment. Students explore marketing trends, marketing management decision making, consumer attitudes, niche marketing, advertising strategies, distribution channels, and the use and misuse of various marketing media.

Prerequisite(s): MGMT X 160 Marketing Principles and Practices and MGMT X 466 Consumer Market Research, or professionals with a minimum of two years’ experience may enroll.

MGMT X 460.381

Influencer Marketing: Employing Influencers

2.0 units

Today’s consumers are dispersed over thousands of media platforms that are saturated with content and advertising. That’s why marketers are struggling to even generate awareness, least of all sales, on a cost effective basis. Consequently, many are turning to influencers: individuals who already have large, attentive followings that they can persuade to action. Successful influencer marketing, however, requires more than merely asking social media stars to endorse a product. Without a well planned strategy based on critical evaluation, market ers risk losing money, time, and opportunities; damaging their brands; and even violating federal regulations. In this course, students learn how to research, evaluate, and employ the right influencers for their markets and how to legally and strategically integrate them into marketing campaigns that achieve specific goals.

Reg# 392435

Fee: $525

No refund after 8 Aug.

m Hybrid (In-Person)

5 mtgs

Tuesday, 3 5pm, Aug. 15 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Neal Schaffer

MGMT X 460.394

Digital Marketing

4.0 units

The Internet, the digital revolution, and the move toward an informa tion based economy are dramatically changing business and the way products are marketed and sold. To be more successful in this “new marketing world,” business people need to understand what is chang ing and how to use the new tools to their optimal advantage. This course is for both veteran marketers who want to understand the new tools available through the Internet and those who are comfortable with Internet applications and the digital world but want to learn the marketing fundamentals as they apply to the Internet.

Reg# 392434

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10 7

Misha Kouzeh, MS, consultant, trainer, TEDx speaker

Reg# 392431

Fee: $855

No refund after 21 June.

X In-Person

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Peter Fernando

MGMT

X 460.398

Social Media Marketing

2.0 units

This course looks at the channels of marketing, advertising, and com munication that make up social media and the Web, exploring how these tools fit into a company’s traditional integrated marketing strategy. Using case studies and real world examples from large corporations and small businesses, students explore current examples and future opportunities of how marketing professionals embrace online social networks, user generated content, and content sharing to create brand awareness and buzz. Learn practical tips and tech niques, as well as see the bigger picture to help successfully leverage social media marketing for your own environment and purpose.

Reg# 392437

Fee: $525

No refund after 19 June.

M Online

June 26 July 30 7

Lia Haberman

Reg# 392436

Fee: $525

No refund after 22 June.

m Hybrid (In-Person)

5 mtgs

Thursday, 7 9:30pm, June 29 July 27

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

MGMT X 460.41 Brand Management

4.0 units

Explore, learn, and understand the complexities in the development, sustainability, and leverage of a brand. In this comprehensive course, students learn how brand identity must be nurtured and managed to positively affect a company’s performance and future, as well as understand the power and importance of a brand from its creation through execution. This course presents students with an overview of brand development; brand research; and brand management struc tures for sales, marketing, advertising, and promotional purposes. In addition, students explore how companies develop financial wealth by extending existing brands and controlling and/or influencing brand pricing and distribution. Additional topics include an overview of brand history, understanding the differences between brand equity and brand identity, and consideration of how brands are won and lost.

Reg# 392440

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7

Robert Liljenwall, MBA, president, The Liljenwall Group; recipient of the UCLA Extension Distinguished Instructor Award, 2007.

Reg# 392439

Fee: $895

No refund after 22 June.

X In-Person

11 mtgs

Thursday, 1 4pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Instructor to be announced

Reg# 392438

Fee: $855

No refund after 22 June.

m Hybrid (In-Person)

11 mtgs

Thursday, 6:30 8:30pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Jillian Kogan Dunn, founder and president of Fortune Favors the Bold Inc. (favthebold.com), a Los Angeles based global media and market ing firm specializing in social enterprise. With a proven track record spanning two decades, Ms. Kogan Dunn has created and executed standard setting media campaigns, special events, and consumer activations.

MGMT X 460.484

Internship in Marketing and Advertising

4.0 units

The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position comprised of at least 120 hours of practical application of course material that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place ment. Eligible students have access to a list of firms with internship opportunities. Course is only available to Marketing Certificate stu dents who have completed 20 units of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an intern ship coordinator to monitor the internship throughout to ensure a substantive learning experience.

Prerequisite(s): The internship is only available to UCLA Extension Marketing Certificate students who have completed a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better.

Reg# 392406

Fee: $855

No refund after 7 July.

Independent Study/Internship

June 26 Sept. 10

International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility.

Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review.

Discounts cannot be applied to fees for this course.

Restricted course. Visitors not permitted.

Robert Liljenwall, MBA, president, The Liljenwall Group; recipient of the UCLA Extension Distinguished Instructor Award, 2007.

Lauren Kozak

Enroll at uclaextension.edu or call (800) 825-9971 Business & Management 15

MGMT X 460.52

Integrated Marketing Communications

4.0 units

This course focuses on the latest marketing communication prac tices known as integrated marketing communications (IMC) featur ing an overview of the major media, including broadcast, print, outdoor, point of purchase, direct mail, Internet, telemarketing, public relations, and promotion. The emphasis is on how to analyze and create an IMC program by using the latest value based IMC concepts and measuring “return on communications investment.”

Reg# 392442

Fee: $895

No refund after 21 June.

m Hybrid (In-Person)

11 mtgs

Wednesday, 2 5pm, June 28 July 5; July 26; Aug. 16 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Wednesday, 2 5pm, July 12 19; Aug. 2 9

Remote Classroom 7

Marc Villarreal, BA, executive VP, Branding, Integrity Media

Reg# 392441

Fee: $855

No refund after 21 June.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 8:30pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Rainier de Ocampo

MGMT X 461A

Writing for Marketing and Advertising

2.0 units

Writing for marketing and advertising is all about crafting a message. This course aims to build the essential skills to write clear, concise, and compelling messages for all media. You study and practice writing proposals, direct mail pieces, brochure copy, sales letters, business plans, and create materials for digital delivery via the web.

Reg# 392444

Fee: $525

No refund after 21 June.

m Hybrid (In-Person)

5 mtgs

Wednesday, 5:30 7pm, June 28 July 26

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Kevin Mardesich writer, producer, and marketer, who began his Hollywood career running the Story Department at Oliver Stone’s development company, Ixtlan. Mr. Mardesich helped execute corporate communications for Fox’s sports/entertainment cable channels. He currently runs KevinMardesich.com, a communications practice for film, television, and industry leaders helping each client tell their story.

MGMT X 463.01

Advertising in the Digital Age

2.0 units

Create effective consumer targeted digital advertising campaigns across the ever changing digital media landscape. Explore how to plan, create, track, and optimize all types of digital advertising cam paigns, with a focus on developing highly strategic campaigns that leverage the unique strengths of each digital media type, including emerging platforms. Topics include online/display, social media, mobile, search engine marketing, email, video, user generated content (UGC), viral, and landing page optimization. Learn trends and practices associated with media planning and buying across the various media platforms, as well as advertising creative best practices.

Reg# 392445

Fee: $525

No refund after 20 June.

X In-Person

4 mtgs

Tuesday, 6:30 9:30pm, June 27

UCLA Extension Gayley Center: 1145 Gayley Ave.

Tuesday, 6:30 9:30pm, July 11 25

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Instructor to be announced

MGMT X 463.13

Fundamentals of Cross-Platform Media

4.0 units

This course provides a high level overview on a wide range of media topics, including current media platforms and the trends and issues facing media. A different media topic is highlighted each week, includ ing Video, Audio, Digital, Mobile, Social, Search Engine Marketing, Programmatic, Content Marketing, Influencer Marketing, and Sports Marketing. These topics are discussed from cross points of view sales, buying, strategy, and marketing. This class is best suited to junior level media buyers, media planners, young sellers, and sales assistants from any discipline in media. In class projects, guest speakers, and a “Senior Industry Panel” round out the course. Each student leaves the course with basic knowledge of several lanes in media and is intended to expose students to a wide variety of opportunities in media.

Reg# 393090

Fee: $855

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 6:30 9:30pm, June 27; July 11 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

Wednesday, 6:30 9:30pm, July 5

UCLA Extension Gayley Center: 1145 Gayley Ave. All meetings are on Tuesday, except one scheduled on Wednesday, July 5.

Tracey McCormack BS, CEO, McCormack Media Services

MGMT X 466

Consumer Market Research

4.0 units

Providing a comprehensive and practical approach to conducting relevant, useful marketing and advertising research, this course exam ines consumer behavior and how it can influence marketing and advertising decision making, as well as methodologies used to gather primary and secondary research data, analyze and interpret that data, and make recommendations based on research activities. Instruction also explores the use of surveys and focus groups on and offline as well as conventional research methods. Students build valuable skills and techniques needed to tabulate, analyze, and present market research data, the foundation of a well conceived marketing strategy.

Reg# 392447

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7

Terri Horton, principal, TLT Consulting

Reg# 392446

Fee: $855

No refund after 19 June.

m Hybrid (In-Person)

9 mtgs

June 26 July 9

Tuesday, 6:30 8:30pm, July 11 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. The first two weeks of the course are being conducted online/ asynchronous. 7

Emmanuel Probst, doctorate, business administration; director, Kantar Media.

MGMT X 466.05

Advanced Digital and Social Media Marketing Strategies

4.0 units

The course is intended for executives and professionals that want to go beyond the basics to learn how to apply social media to get con crete business results. The course puts students on the leadership path with strategies and tactical plans that lead to bottom line suc cess. This program delivers the latest strategies to drive more revenue and save costs by incorporating social media into traditional business practices. With this curriculum, attendees learn practical steps, tech niques, and best practices geared toward integrating social media and digital programs within their businesses with higher monetiza tions of their investment.

Reg# 392449

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10 7

Mark Burgess

Reg# 392448

Fee: $855

No refund after 22 June.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Jeff Ferguson

MGMT X 470.10

Digital Analytics

4.0 units

Digital analytics is a set of business and technical activities that create and collect “big data” and process it for analysis, recommendations, optimizations, and predictions. This course defines the term “digital analytics” and focuses on its importance in marketing. It provides technical information to understand and implement digital analytics in an organizational context; examines digital analytics strategies, including segmentation, context, and conversion attribution; defines KPIs and key metrics used in digital analytics; explores various tools and software used to track analytics, such as Google Analytics; dis cusses website optimization; and covers webmaster data integration with analytics.

Reg# 392451

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10 7

Andy Morris Social Impact & Media consultant, GOOD Worldwide Inc.

Reg# 392450

Fee: $855

No refund after 22 June.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Instructor to be announced

MGMT X 470.30

Search

2.0 units

Engine

Optimization for Marketing

This course provides insight about the tools, techniques, and strategies needed to develop content that draws in your target audience along their consumer journey, optimize your website architecture, and build inbound links to improve search rankings. Learn about the collection of marketing, site development, and public relations tactics that form a winning SEO strategy to meet your business goals and increase site traffic and sales from the organic search channel. Topics covered include content marketing, on page optimization, and inbound link building.

Reg# 392452

Fee: $525

No refund after 19 June.

m Hybrid (In-Person)

4 mtgs

Monday, 7 8:30pm, June 26; July 10 24

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Online

July 3 9 7

Instructor to be announced

Reg# 392453

Fee: $525

No refund after 19 June.

M Online

June 26 Aug. 6 7

Jeff Ferguson

MGMT X 471.10

Marketing with Google Ads

2.0 units

This course focuses on how to create and manage a Google AdWords account and the ad creation and optimization process for maximum traffic generation. AdWords campaign management issues are explained, including strategies for selecting optimal keywords critical to the success of AdWords ads. Other topics include bidding strategies for keywords, quality score and click thru rate (CTR) metrics, comput ing return on investments (ROI) as it pertains to AdWords advertising, analytics service in conjunction with AdWords, and Google Analytics and Google Website Optimizer for maximizing ad effectiveness.

Reg# 392454

Fee: $525

No refund after 11 Aug.

M Online

Aug. 7 Sept. 10 7

Instructor to be announced

16 Business & Management Enroll at uclaextension.edu or call (800) 825-9971

RRR

Professional Selling & Sales Management

For information call (310) 206-4271 or email bamcertificate@uclaextension.edu

MGMT X 460.16

Principles of Professional Selling

4.0 units

This course emphasizes role playing; sales presentation scripting techniques; public speaking; professionalism in sales; and developing a polished sales approach for wholesale, specialty, and service selling. Topics include controlling the selling process from start to finish; locating, identifying, and qualifying prospects; obtaining appointments and selling by phone; demonstrating products and services; handling objections and closing the sale; selling after the close; using telemar keting, marketing specialists, and networking to find prospects; the ethics of sales; and the legal pitfalls of selling.

Reg# 392408

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. 7

Maria Guevara, owner, MJ Tax Agency & MG Business Solutions

MGMT X 460.45

Sales Management Strategies and Techniques

4.0 units

This course provides participants with an understanding of the key functions of the sales manager and explores the details for developing, motivating, and managing a successful sales team. Instruction focuses on leadership, motivation, prioritizing customers, managing team per formance, developing business and sales plans, external and internal partnerships, and sales management processes designed to decrease sales expenses and increase sales revenues. Topics include recruiting, interviewing, and selecting sales representatives; coaching/mentoring and team development; ethics, integrity, and accountability; measur ing/evaluating a salesperson’s performance; compensation, sales recognition, and incentive programs; and advertising/public relations, telemarketing, and other relevant areas of sales management.

Reg# 392409

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10 7

Qadir Omar

Public Relations

Courses are endorsed by the Greater Los Angeles Chapter of the Public Relations Society of America.

MGMT X 469.11

Fundamentals of Public Relations

4.0 units

This course is intended to provide an introduction to the basic history, theories, principles, and methods of public relations practice. The emphasis in this class is on problem solving and the tools and tech niques of the trade as applied to real life situations. The scope of the course is intended to present the social, behavioral, psychological, ethical, economical, and political foundations of public relations and the theories of public relations as a communications discipline. This course also examines the nature of various public relations audiences and the different channels used to reach them. The course offers insight and perspective in determining whether the public relations profession is the career path for you.

Reg# 392424

Fee: $855

No refund after 19 June.

M Online

June 26 Sept. 10

Enrollment limited to 25 students. 7

Robert Chew, president, BoldPoint Now, and PFI Communications, Los Angeles; former executive vice president/board member, Burson Marsteller and Grey Advertising’s GCI Group (public relations division).

MGMT X 469.15

Crisis Management and Communications: Safeguarding Image and Viability

2.0 units

Crisis is all around us. Every day, governments, businesses, and individuals have to deal with forces that threaten their very existence. The news is filled with natural disasters, technologically driven crises, media accusations, and business meltdowns and most of those involved felt it couldn’t happen to them! Organizations and their lead ers must know how to minimize risk by preparing for crisis, learn to manage and survive one, and be able to recover successfully. This class is designed for anyone who has management responsibility for corporate, health care, and nonprofit executives; crisis management professionals; marketing and public relations agency executives; and those charged with dealing with a crisis that threatens the future of an organization. This overview provides the tools to identify potential vulnerabilities and to develop comprehensive protection, manage ment, and communication plans. Classroom sections may include guest speakers that are professionals in law enforcement, technology, and crisis management.

Reg# 392425

Fee: $525

No refund after 14 Aug.

M Online

Aug. 21 Sept. 10

Angela M Fentiman, MBA, manager, Community Relations, North America for Brookfield Renewable

MGMT X 469.28

Internship in Public Relations

4.0 units

The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position comprised of at least 120 hours of practical application of course material that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place ment. Eligible students have access to a list of firms with internship opportunities. This course is only available to Strategic Branding and Public Relations Certificate students who have completed 20 units of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an internship coordinator to monitor the internship throughout to ensure a substantive learning experience.

Prerequisite(s): The internship is only available to UCLA Extension Strategic Branding & Public Relations Certificate students who have completed a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better.

Reg# 392407

Fee: $855

No refund after 7 July.

Independent Study/Internship

June 26 Sept. 10

International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility.

Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review.

Discounts cannot be applied to fees for this course. Restricted course. Visitors not permitted. 7

Erik Deutsch, principal, ExcelPR Group, who is an award winning media strategist and content producer with more than 20 years of experience representing clients in health care, technology, entertain ment, and the public sector

Hospitality Management

Restaurant Management & Event Planning

For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu.

MGMT 867.011

Event Management Essentials: Planning and Budgeting

3.3 CEUs

The first course in our two part event management essentials series covers the core basics from idea generation to successful completion. Topics covered include the meetings industry and profession, strategic meetings, project and meeting management, event design and experi ence, budgeting basics, site and venue selection, risk management, contracts and negotiations, registration and housing, and market ing all of which play a key part in planning a successful event. In addition, students start the first part of a capstone project, which gives them a chance to put into practice all that was learned in this course.

Reg# 392178

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 11

Enrollment limited; early enrollment advised. Visitors not permitted. 7

Charmaine Wilkerson director of Special Events and Executive Dining, Eurest

Project Management

Agile Project Management

MGMT X 446.1

Agile Methodologies with Scrum and Kanban

4.0 units

The use of Agile is quickly becoming the new norm. This course covers SCRUM and Kanban as the most popular agile and lean processes for enabling fast delivery of projects while shifting culture to teamwork, collaboration, and continuous improvement. Students will gain the skills to apply the agile steps to their projects by practicing with itera tive and incremental scheduling techniques and SPRINTS. Students explore how agile trends and emerging practices are different than predictive, waterfall scheduling models and traditional life cycle development approaches. This course meets the education training hours for and helps students gain knowledge towards the PMI Agile Certified Practitioner (PMI ACP)® certification. It also provides foun dational knowledge for the Certified Scrum Professional ScrumMaster (CSP SM)® and Professional Scrum Master (PSM)® certifications. In addition, this course helps students gain knowledge towards the PMP® Exam by PMI® and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP® certification.

Reg# 393042

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted. Nareg Tovmassian, Six Sigma Black/Green Belt holder, PMP, PMI ACP; director of Project Management Institute (PMI) LA Chapter San Fer nando Valley satellite; Senior Black Belt advisor for Southern California Edison.

Enroll at uclaextension.edu or call (800) 825-9971 Business & Management 17

MGMT X 446.3

Scaled Agile Approaches

4.0 units

Scaling Agile is difficult, with a lack of available experienced profes sionals. This course covers essential concepts and processes to implement Agile within large enterprises, including planning and prioritization, discipline, project management, distributed teams, empowering team members, and visualization of Enterprise ideas. Industry case studies leveraging Scaled Agile Framework (SAFe) and Large Scaled Scrum (LeSS) are studied. This course will meet the education training hours and will help you gain knowledge towards the PMI Agile Certified Practitioner (PMI ACP)® certification. It also provides foundational knowledge for the Certified Scrum Profes sional ScrumMaster (CSP SM) ® and Professional Scrum Master (PSM)® certifications.

Reg# 393043

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Lori Garcia, EMBA, PMP; project manager, Medtronic.

Project Management

MGMT UL 743

Free Online Project Management Certificate

Information

Interested in project management? This free online repository of information is provided to you to help you review aspects of UCLA Extension’s project management program at your own pace. Here you will learn the details and sequence of courses required to complete UCLA Extension’s gold seal certificate in Project Management. You will also find information on our dedicated instructors and staff, as well as testimonials from past students. You will see videos of our instructors presenting about careers in project management. This session also provides a road map to the Project Management Professional (PMP)® certification, as well as a path to applying our courses to an online Master’s Degree (MS) in Project Management.

Reg# 390222

Fee: $0

M Information Session

May 1 July 30

Live Zoom Q&A Sessions: Join program director, Vivian Taslakian, for a program overview, (PMP)® Exam topics, master’s degree roadmap, and a demonstration of actual courses on Canvas. Enroll to participate in any or all of these live sessions.

Thursday, Jun. 8, 12-2pm PT

Uninstructed Lab

Vivian Taslakian, MBA, MS, BSEE, PMP

MGMT X 444.1

Fundamentals of Project Management

4.0 units

Learn the basics of Project Management integrating theories with practical approaches to successfully fulfill projects from start to finish. Become a more effective project manager by influencing stakeholders and integrating all of the various processes using a standard frame work throughout the life cycle of your projects. This course helps you gain knowledge towards the PMP® Exam by PMI® and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP® certification.

Reg# 393029

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Robert Stone PMP, executive director, The Larston Group

Reg# 393030

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Robert Stone PMP, executive director, The Larston Group RRR

Reg# 392995

Fee: $999

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 6 9pm, June 27 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited; early enrollment advised. Visitors not permitted.

John H. Gormley, FAIA

Reg# 393028

Fee: $999

No refund after 11 July.

A Remote

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted.

JM Gibis, BA

MGMT X 444.2

Project Schedule and Cost Management

4.0 units

Balance the trade off between scope, time, and cost to deliver your project on time and within budget. This course also covers the concept of earned value management to track schedule and cost performance on your project to optimize results. This course helps you gain knowl edge towards the PMP® Exam by PMI® and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP® certification.

Reg# 393032

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Kevyn Jones, MS, Acquisition and Contract Management

Reg# 393033

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Tony Swaim, DBA, MBA, PMP, Certified Six Sigma Black Belt; principal, Tony Swaim & Associates.

Reg# 393031

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted.

Simona Afifi

MGMT X 444.3

Project Quality and Leadership

4.0 units

Achieve a competitive advantage by applying data driven improve ment methodologies to manage quality measures on your projects to meet and exceed customer expectations. Sharpen your leadership skills to attain your project goals alongside team members and stakeholders and learn to use strong communication and interper sonal skills. This course helps you gain knowledge towards the PMP® Exam by PMI® and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP® certification.

Reg# 393035

Fee: $999

No refund after 9 July.

A Remote

11 mtgs

Monday, 6 9pm, June 26 Sept. 11

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted.

Lori Garcia, EMBA, PMP; project manager, Medtronic.

Reg# 393036

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

John Sarakatsannis MBA, MS, PMP, CPCM, CFCM

Reg# 393034

Fee: $999

No refund after 11 July.

X In-Person 11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Nareg Tovmassian, Six Sigma Black/Green Belt holder, PMP, PMI ACP; director of Project Management Institute (PMI) LA Chapter San Fer nando Valley satellite; Senior Black Belt advisor for Southern California Edison.

MGMT X 444.4

Project Risk and Procurement Management

4.0 units

Explore causes of risk on your projects and examine impacts by the triple constraint, workforce, and vendors. Learn to apply optimized risk response strategies for successful execution and completion of your projects. Minimize risk impacts from procurement processes, and sharpen your negotiation tactics to ultimately sign win win agree ments with qualified contractors. This course will help you gain knowledge towards the PMP® Exam by PMI® and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP® certification.

Reg# 393038

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Al Hirsch, managing director, CTARCo International

Reg# 393039

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Lori Jones, JD, MS, who has 40 years’ experience in contracts and subcontracts; subcontract program manager, Northrop Grumman. Reg# 393037

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Artin Mgrtichian MISM, MPM, PMP, LEED GA, project manager, Med Media Group

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

18 Business & Management Enroll at uclaextension.edu or call (800) 825-9971

RRR

MGMT X 444.6

Project Management Capstone

4.0 units

This course provides interactive training on the project management framework and foundation using a single project from start to finish spanning across all five phases in a project life cycle. Students work in groups as consultants and apply hands on experience using a real life project starting from initiation to closing to maximize learning potential in project management. The concepts learned during the course could be applied to any project within any industry and with varying complexities, putting a sharper focus on the people, processes, tools, techniques, and technologies needed to successfully execute projects and meet customer expectations. This course helps you gain knowledge towards the PMP® Exam by PMI® and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP® certification.

Prerequisite(s): Completion of MGMT X 444.1 Fundamentals of Project Management course required to have knowledge of basic concepts and terminology to be used in this Capstone course.

Reg# 393040

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Barry Molnaa, MPM, PMP, LEED AP, Risk and Profitability lead, AECOM; recipient, UCLA Extension Distinguished Instructor Award, 2011.

Reg# 393041

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Al Hirsch, managing director, CTARCo International

MGMT X 443.4

Leadership and the Human Element in Project Management

4.0 units

Effective leadership skills are perhaps the greatest determinant of project success. Project managers must demonstrate leadership effectiveness throughout each phase of the project life cycle. Review and recognize specific leadership styles in the context of real world examples. Participative assignments help both current and future project managers enhance their own leadership effectiveness. Course content covers project communication, motivation, conflict resolution, negotiation, stress management, and effective leadership in the context of project management. Participants identify the leadership challenges unique to the project environment, identify their leadership strengths and weaknesses, identify five conflict resolution modes and when to use them, and learn to differentiate between position power and personal power. Note: This course is NOT interchangeable with MGMT X 490.996 Leadership Communication Strategies.

Reg# 393044

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Margaret Meloni PhD, MBA, PMP; recipient, UCLA Extension Distin guished Instructor Award, 2012.

Reg# 393045

Fee: $999

No refund after 9 July.

A Remote 11 mtgs

Monday, 6 9pm, June 26 Sept. 11

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Jerry Reed, PMP, CSM, MCP

MGMT X 443.5

Managing Global Outsourced Projects

4.0 units

Outsourcing has become a way of life in the twenty first century. Much of the project work that used to be proposed, planned, implemented, and controlled inside an organization is now being partially or com pletely performed at domestic and foreign suppliers. Firms are tran sitioning from being “doers” of projects to “buyers” of project work. How can you be sure things are being done as you desire? This course is designed to help you increase your satisfaction levels with project outputs that enhance your effectiveness as a buyer and seller of products or services, especially for large contracts that include sub contractors and a supply chain of vendors. Instruction also covers decisions regarding make versus buy and the type of contract to use. Solicitation and source selection focuses on procurement and helps you understand the use of the statement of work, common solicitation documents, seller evaluation criteria, pricing, and contract law con siderations. Additionally, the course covers the contract administration process, which addresses seller performance and payment on external procurements; and the closing process, which covers contract com pletion, termination, and disputes.

Reg# 393047

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Vincent Padilla, JD; USC, contracts lead; Boeing.

MGMT X 443.6

Project Planning with Microsoft Project®

4.0 units

The schedule is the primary source of conflict on any project. Ques tions like “When will we launch?”, “When is the release date?”, “When will we get the certificate of occupancy?” and “When will the drug be available to the public?”, can only be answered credibly by building real project schedules and using real scheduling apps. Surprisingly, this is rarely done. As a result, project managers are often unaware which tasks to expedite to get projects done faster. They make calls, trade favors, and pressure resources to expedite tasks that will not result in earlier project completion dates. This problem is further compounded by the growing trend toward modern, cloud based project management tools, such as Wrike ® , Monday.com ® and Smartsheet®. While these tools are great for collaborating, they lack the scheduling features required to expedite projects. In this course, you’ll learn why Microsoft Project® continues to be the tool of choice for professional schedulers and knowledgeable project managers.

You’ll learn why you should avoid tools like Excel, Wrike®, Monday. com ® , Smartsheet ® and even Project for the Web when you’re managing projects that require you to find ways to get things done faster. Whether you’re managing a construction project, deploying new infrastructure, or launching a start up, this learn by doing course will help you use Microsoft Project® to build and analyze schedules your team can rely on. You’ll learn to break down projects into manageable parts, structure the project outline, forecast reliable completion dates, set realistic expectations, manage resources and assignments, use the critical path to get the work done faster, and create professional status reports! The scheduling skills you’ll learn with Microsoft Proj ect®, the most widely used true scheduling app, will significantly reduce your learning curve with a wide range of scheduling software in the project management field.

Prerequisite(s): Proficiency in using computers with Windows operat ing system; working knowledge of MS Office® is also helpful.

Reg# 393046

Fee: $1,099

No refund after 11 July.

A Remote 11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted.

Jerry Reed PMP, CSM, MCP

MGMT 843.1A Project Management Professional (PMP) ®Exam Preparation

3.3 CEUs

Prepare for the popular PMP ® exam by the Project Management Institute (PMI)® with four full days of structured review of the key project domains and required knowledge needed to pass the exam. The course material follows the sequence of a project life cycle cover ing a six step framework of keeping the business in mind, starting the project, planning the project, leading the project team, supporting the project team, and closing the project. Taught by instructors who are subject matter experts in both waterfall and rolling wave practices, this course prepares candidates for the question distribution that will appear on the exam: 8% on the Business Environment, 42% on the People domain, and 50% on Processes, with an overarching 50% of the whole heavily reliant on agile/adaptive and the remaining on predictive project development approaches. Individuals who pass the exam earn the profession’s most universally recognized and respected credential, the Project Management Professional (PMP)® certification. To be eligible for the PMP® certification, you must first meet specific requirements by PMI® for work experience, educational hours, and agree to adhere to a code of professional conduct. This course helps you meet the required educational hours and prepares you with hints and tips to tackle the rigorous PMP® Exam.

Reg# 390212

Fee: $1,350

No refund after 24 June.

A Remote 4 mtgs

Saturday, 8am 5pm, July 8 29

Remote Classroom

Free Optional Q/A Session

Join our PMI-Licensed instructors via Zoom as they answer your questions about the PMP® Exam updates and discuss how our upcoming PMP® Exam Prep course can prepare you for the test. To join, go to www.uclaextension.edu/FreePMInfo, scroll down to view the available dates and enroll.

About the Course

Enrollment limited; early enrollment advised. Visitors not permitted. This course will be conducted remotely in real-time format using UCLA Extension’s Canvas and Zoom learning platforms. The instructor will conduct the lectures on the scheduled days and times allowing students the opportunity to fully interact, ask questions, and share stories.

Course Materials

Book 1: Default study guide provided to students as part of the course fee - PMI® Authorized PMP® Exam Prep

Book 2: Required to purchase by students on their own from the author’s website or another seller such as Amazon.This study guide is not part of the course fee - Agile Project Management by Sohel Akhter: pmsuccessinc.com/product/agile-project-management/

(Optional)Book 3: Optional to purchase by students on their own from the author’s website. This study guide is not part of the course fee and referenced here only as supplemental material to enhance your learning experience - Project Management Professional (PMP)®

Certification Exam Prep - Study Guide by Sohel Akhter: pmsuccessinc.com/product/

project-management-professional-pmp-certification-exam-prep/

(Optional)Book 4: Optional to purchase by students on their own from the author’s website. This summary brochure is not part of the course fee and referenced here only as supplemental material to enhance your learning experience - 8 Pages Quick Reference Guide - Project Management Professional (PMP)® Certification Exam by Sohel Akhter: pmsuccessinc.com/ product/8-pages-quick-reference-guide-project-management-professional-pmp-certification-exam-prep/

About the Refund Deadline Below

Any enrollment within the two weeks before the course start date will not have the option for a refund. This helps us ship the PMP® Exam Prep Guide to your physical address in a timely manner.

Lori Garcia, EMBA, PMP; project manager, Medtronic.

Vivian Taslakian, MBA, MS, BSEE, PMP

Enroll at uclaextension.edu or call (800) 825-9971 Business & Management 19

DESIGN & ARTS

Immersive Media: VR, AR, XR

DESMA X 485.67

Blender for Web3D World Building

4.0 units

Blender has become increasingly important to Web3D world builders for its incredible suite of tools and extensible code, engaging devel opers, and enthusiasts around the world. In this practical, hands on course, learn about the interface and how to customize it to your workflow preferences, how to use modeling and editing tools, create materials and textures, UV maps, basic animation, organizing proj ects, optimizing, and exporting. Students will design a working multi user Web3D environment with assets they create and modify during the course.

Reg# 392749

Fee: $975

No refund after 6 July.

A Remote 11 mtgs

Thursday, 4 7pm, June 29 Sept. 7

Remote Classroom

Keram Malicki-Sanchez Named “Top 100 Original Voices of XR” (2021) and “Creator of the Year” at the Polys Awards 2022, Keram is a profes sional media & event producer, composer, writer, game/Virtual Reality/ WebXR & experience developer and curator. He founded FIVARS the Festival of International Virtual and Augmented Reality Stories and is executive director of the VRTO Virtual & Augmented Reality World Conference & editor in chief of IndieGameReviewer.com since 2008.

DESMA X 480.22

XR Experience Design I

4.0 units

Virtual Reality and other forms of immersive media (collectively known as XR) have the potential to enhance people’s lives in innovative and engaging ways. How can creators learn to produce effective and meaningful immersive content? This class provides a solid foundation for understanding what immersive media is, as well as what it can and might be. Covered topics include the origins and distinctive affordances of immersive media, range of media types, concept generation, character integration, and how to craft an experience to fit specific goals. Guest speakers in the field will provide practical examples by presenting their work. Students complete research and hands on projects to explore concepts in greater depth. Students leave the class understanding the basics of crafting quality immersive experiences, and are prepared to take on more advanced studies. An Meta Quest 2 with 256 GB of storage is required for this course.

RRR

Reg# 392687

Fee: $975

No refund after 3 July.

A Remote

11 mtgs

Monday, 1 4pm, June 26 Sept. 11

Remote Classroom

An Oculus Quest 2 with 256 GB of storage is required for this course. Additional materials including textbook and experiences estimated at $100. Students taking multiple Immersive Media courses need only one headset.

Jacquelyn Morie, W idely known for using technology such as Virtual Reality (VR) to deliver meaningful experiences that enrich people’s lives. From 1990 to 1994, Morie worked as an artist, researcher and educator at the University of Central Florida’s Institute for Simulation and Training. While there, she developed multi sensory techniques for VR that predictably elicit emotional responses from participants, using psychology and art to create environments that ranged from disquiet ing to nostalgic.

DESMA X 480.11

XR World Building I

4.0 units

The future XR metaverse has yet to be built. In what promises to be an exciting new field, this class will cover a range of methodologies, tools, and strategies for virtual reality (VR), augmented reality (AR), and mixed reality (MR), collectively known as XR world building. Students will have a hands on approach to learning and understand ing how to create immersive worlds of their own design. Portions of the class will be held and taught in XR as well as traditional remote instruction. The focus of this class will be on elevating both the understanding of what world building is and how to accomplish it effectively. The course will contain 4 5 projects of increasing complex ity to allow for experimentation and incremental improvement. Stu dents leave the course with a portfolio of introductory work and an understanding of methods, tools, and processes that will be funda mental to future learning and development. An Meta Quest 2 with 256 GB of storage is required for this course, as well as a PC or laptop able to run Unity.

Prerequisite(s): It is recommended students take DESMA X 485.67 Blender for Web3D World Building concurrently or have previous 3D modeling experience.

RRR

Reg# 392753

Fee: $975

No refund after 4 July.

A Remote 11 mtgs

Tuesday, 4 7pm, June 27 Sept. 12

Remote Classroom

An Oculus Quest 2 with 256 GB of storage is required for this course. Students taking multiple Immersive Media courses need only one headset.

Michael Potts, who is the owner of the XR content agency M2 Studio and the brand Polycount.io. Mr. Potts has been working with XR technology for 25 plus years. He has worked on over 3000 interna tional projects and at the same time has always done whatever was needed to keep on the cutting edge of technology with regards to VR and AR services. As his business enters its 22nd year it finds itself as a strong leader in the field of custom content for business to business collaboration in both VR and AR tech. He has given numerous talks and lectures on the use of XR technology in modern day business. Currently, Mr. Potts works with some of the top companies in the world across a wide spectrum of industries where he advises and develops content strategy to incorporate current XR technologies into their operations.

DESMA 776 Masters of Design Cover Series

0.1 CEUs

The covers of the UCLA Extension course catalog have featured the works of several of the world’s best known graphic designers, begin ning in 1990 with Paul Rand and continuing today with luminaries in the design world. With his snow capped orange for the Winter Quarter 1990 cover, Rand not only set the quality standard for the covers, but his participation also encouraged other noteworthy designers to follow his lead. Such legends as Saul Bass, Lou Danziger, Frank Gehry, Ivan Chermayoff, Eiko Ishioka, Henry Wolf, George Tscherney, and Milton Glaser are among the esteemed cohort of designers who have created covers. The collection has been shown in exhibitions and includes not just posters but also sculptures, interactive projects, and installations. Top designers consider the invitation to design the UCLA Extension catalog cover an honor they are unlikely to refuse. In this 60 minute seminar, join Visual Arts department director and curator of the series, Scott Hutchinson, and this quarter’s master cover designer to explore the inspiration for the current cover, the educational and “real world” experiences that have shaped the designer’s career, and a Q&A session.

Reg# 393359

Fee: $0

No refund after 25 July.

M Online

1 mtg

Tuesday, 12 1pm, Aug. 1

UCLA X Open

Scott Hutchinson , MFA, UCLA School of Arts and Architecture; designer and photographer specializing in corporate identity, branding, and advertising.

For more information call (310) 206-1422.

UX/Graphic Design

Design Communication Arts

For information on course content, prerequisites, or advisement, email dca@uclaextension.edu, visit uclaextension.edu/dca, or call (310) 206-1422.

Core Design Concepts

The seven Core Design Concepts courses are designed for those pursuing the Design Communication Arts Certificate. These courses are also open to noncertificate students.

In addition to these eight courses, students pursuing the Design Communication Arts Certificate must complete the Print and Graphic Communication Design Tool Kit plus two electives.

Required Courses:

DESMA X 479.6A Design Fundamentals (4 units)

DESMA X 482.1D Color Methodologies (4 units)

DESMA X 479.4A Typography (4 units)

DESMA X 479.6E Design II: Collateral Communication (4 units)

DESMA X 479.2D Design III: Branding (4 units)

DESMA X 479.3D Design History and Context (4 units)

DESMA X 479.6P Design IV: Advanced Design Practice (4 units)

DESMA X 479.7P Portfolio (4 units)

DESMA X 479.6A

Design Fundamentals

4.0 units

This is a hands on introduction to the creative process and core ele ments of graphic design for a variety of outputs, including print and electronic media. Topics include research, typography, imagery, strategy, and concept development. Projects are progressive and critiqued.

Reg# 392918

Fee: $829

No refund after 11 July.

X In-Person 11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave.

Fee does not include cost of art supplies.

No meeting July 4.

Grace Magnus, graphic designer whose clients include marketing agencies, small businesses, and artists. She holds a particular interest in the intersection of art and technology, exploring the merge of hand crafting with digital tools in her work and design practice.

Reg# 392762

Fee: $829

No refund after 2 July.

M Online

June 28 Sept. 6

Fee does not include cost of art supplies.

Vesna Petrovic BA/M.Arch degree from the University of Belgrade; she trained both as an architect and graphic designer. Ms. Petrovic is the founder and owner of Vesna De3ign, a multi disciplinary studio involved in creative projects for art and cultural organizations.

DESMA X 482.10

Color Methodologies

4.0 units

This course covers theories and practical applications to understand the makeup of color and how best to use it. Areas covered include general color theory and psychology, effective color creation, percep tion, management, color language, digital issues, additive and subtrac tive systems, and color output.

Reg# 392784

Fee: $829

No refund after 5 July.

X In-Person 11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Fee does not include the cost of art supplies.

Henry Mateo, freelance design consultant in several design disci plines, including graphics, industrial, and interiors. Recipient, UCLA Extension Distinguished Instructor Award, 2010.

Reg# 392785

Fee: $829

No refund after 29 June.

M Online June 29 Sept. 7

Fee does not include the cost of art supplies.

Patrick Hruby, BFA in Illustration from Art Center College of Design; illustrator and designer. Mr. Hruby’s clients include The New York Times, The Guardian, WIRED, Target, Sprint, The United Nations, and Taschen.

DESMA X 479.4A

Typography

4.0 units

This hands on course covers the fundamentals of type, its characteris tics, vocabulary, and nomenclature, as well as creative uses of type and how it is integrated in successful design. Working with letterforms is a critical element to successful design. Explorations in this course include the examination of single letterforms, typographic classifications, infor mation hierarchies, and page layout. Projects explore the creative usage of letterforms as graphic and communication elements.

Prerequisite(s): DESMA X 479.6A Design Fundamentals and DESMA X 481.99Z InDesign.

Reg# 392759

Fee: $829

No refund after 1 July.

M Online June 27 Sept. 5

Enrollment limited.

Deane Swick MFA, graphic designer and artist

Reg# 392760

Fee: $829

No refund after 6 July.

X In-Person

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited.

John Beach, creative director, John Beach Design, whose clients include The Walt Disney Company, Starbucks, and The Hillstone Res taurant Group

DESMA X 479.3D

Design History and Context

4.0 units

Gain a broad understanding of design and its dynamic past to discover inspiration for the present. Survey the history of visual communication, design’s sociopolitical and cultural contexts, and the artistic and technological characteristics of various movements. Students create portfolio pieces inspired by the designers and movements studied.

Prerequisite(s): DESMA X 479.6A Design Fundamentals, DESMA X 481.99Z InDesign, and DESMA X 479.4A Typography.

Reg# 392758

Fee: $829

No refund after 3 July.

r Hybrid (Remote)

June 29 Sept. 7

Shirin Raban, MA, USC Center for Visual Anthropology; brand identity designer and ethnographic filmmaker. Ms. Raban created integrated lifestyle brands for clients such as Mattel, Korbel Champagne, and Lake Sonoma Winery. Recipient, UCLA Extension Outstanding Instruc tor Award, 2010 and 2017.

Reg# 392917

Fee: $829 No refund after 6 July.

X In-Person

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave.

Elizabeth Gilmour

DESMA X 479.6E

Design II: Collateral Communication

4.0 units

This course introduces students to strategies in design communication and covers utility of systems, programs, campaigns, and design fami lies. Visual presentation and concept development are emphasized.

Prerequisite(s): DESMA X 479.6A Design Fundamentals, DESMA X 481.99Z InDesign, and DESMA X 479.4A Typography; or equivalent experience.

Reg# 392766

Fee: $829

No refund after 1 July.

r Hybrid (Remote)

June 27 Sept. 5

DESMA X 479.2D Design III:

4.0 units

Branding

Learn to develop memorable identity systems using symbols, icons, logos, and comprehensive environments to define and reinforce personality, tone, and voice. The goal is to create a meaningful, dynamic relationship with the customer.

Prerequisite(s): DESMA X 479.6A Design Fundamentals; DESMA X 479.4A Typography; proficiency with Photoshop, Illustrator, and InDesign.

Reg# 392757

Fee: $829

No refund after 3 July.

X In-Person 11 mtgs

Monday, 7 10pm, June 26 Sept. 11

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Sept. 4.

Pash design strategist, author, and educator with 30 years of experi ence in the field of design. Pash has designed the official logo for Miles Davis, brand extensions for Playboy, products for John Varvatos, retail product strategy for Motown Records, and advertising for Perrier. His book Inspirability features interviews with 40 prominent graphic designers.

DESMA X 479.7P

Portfolio

4.0 units

To make real impact in the world, you need to show what you can do, how you think, and where you want to make design impact. As a designer, in the near future you will find yourself telling your story to potential collaborators, funders, employers, and others. You can no longer rely on a resume or a transcript to show a comprehensive range of your skills and experiences. As more work and workplaces become project based, these formats fall short of revealing the potential you have. This class helps you create a portfolio one that communicates your value and your values to prospective collaborators or employers. This course is most useful to students who have a future path in mind and is a way to reflect on the experiences you have had in the DCA program.

Prerequisite(s): All core design courses or departmental approval.

Reg# 392768

Fee: $829

No refund after 4 July.

A Remote 11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

Remote Classroom No meeting July 4.

John Beach creative director, John Beach Design, whose clients include The Walt Disney Company, Starbucks, and The Hillstone Res taurant Group

Enroll at uclaextension.edu or call (800) 825-9971 Design & Arts 21

RRR

DESMA X 479.4B

Advanced Typography

4.0 units

Explore the stylistic and expressive potential of typography as a critical element of graphic design solutions in this hands on course. Students learn about word/image juxtaposition, eclectic stylization, and con temporary design trends. Substantive projects explore the composi tional and semantic aspects of typography for portfolio application.

Prerequisite(s): DESMA X 479.4A Typography or consent of instructor. Knowledge of both Illustrator and InDesign is required.

Reg# 392761

Fee: $829

No refund after 1 July.

M Online June 27 Sept. 5

Enrollment limited. 7

Vesna Petrovic, BA/M.Arch degree from the University of Belgrade; she trained both as an architect and graphic designer. Ms. Petrovic is the founder and owner of Vesna De3ign, a multi disciplinary studio involved in creative projects for art and cultural organizations.

DESMA X 479.6D

Advertising Design

4.0 units

All advertising across all media is the combined whole of specialized functions: writing, design, direction, and resource management. Strong brands are simple, understandable expressions that must connect with consumers in an increasingly transparent, digitally connected world. In this course, students work in an agency inspired environ ment to develop concepts and strategies to deliver information, products, and brands that engage the consumer with a focus on creating sustainable, ethical, and persuasive practices. Learn how traditional and social media integrations can deliver tangible experi ences targeted to key groups.

Prerequisite(s): Core Design Concepts or equivalent.

Reg# 392946

Fee: $829

No refund after 19 June.

M Online June 26 Sept. 4

Enrollment limited.

Patrick Hruby, BFA in Illustration from Art Center College of Design; illustrator and designer. Mr. Hruby’s clients include The New York Times, The Guardian, WIRED Target, Sprint, The United Nations, and Taschen.

DESMA X 481.60

Design Software Intensive Boot Camp

8.0 units

Photoshop, Illustrator, and InDesign are covered in this intensive and immersive course to learn the essential Adobe CC programs utilized in graphic design. Become fluent in editing, building, and creating design using Photoshop. Learn client branding and how to work in the vector environment for Illustrator. Understand and build layouts using InDesign, become comfortable with how all three programs are popularly used and integrated, and build proper habits. This class covers core concepts taught in the intro classes to Photoshop, Illustra tor, and InDesign in a fast paced boot camp style for those that want to use these tools in their workflows quickly.

Reg# 392776

Fee: $1,715

No refund after 2 July.

M Online June 28 Sept. 6

Enrollment limited.

Hakon Engvig BA in design with two advanced design certificates from UCLA Extension. A native born Norwegian, Engvig’s domestic and international clients include UCLA Medical Center, Macy Gray, Life house, the Together Project (India), and OTE Historical Restoration Committee (Norway).

DESMA X 481.11

Photoshop I

4.0 units

Learn to create, manipulate, and combine digital images. Develop a working knowledge of Photoshop’s features; use the program in 2D print, interactive, and web applications; and learn importing and exporting features. Students must have a subscription to Adobe Photoshop Creative Cloud (CC). In addition, for in person sections: Students must bring a laptop to every class meeting.

Reg# 392771

Fee: $829

No refund after 3 July.

X In-Person

11 mtgs

Monday, 7 10pm, June 26 Sept. 11

UCLA Extension Gayley Center: 1145 Gayley Ave.

No meeting Sept. 4. Students are required to have a laptop with Adobe Photoshop CC to complete the course.

Aimo Weichelt, associate creative director at The Refinery Creative, theatrical and broadcast/streaming advertising agency; Clio award winner and nominee for a range of key art pieces for Clients like Warner Brothers, Universal, Disney, Netflix, Hulu, and Prime Video. Reg# 392770

Fee: $829

No refund after 2 July.

M Online

June 28 Sept. 6

Students are required to have a copy of Adobe Photoshop CC to complete the course.

Agnieszka Purzycka MA in journalism with Design Communication Arts certificate from UCLA Extension. Ms. Purzycka’s domestic and international clients include L’Erma di Bretschneider, AUC Press, Kara Cooney, and Patina Productions Inc.

DESMA X 481.47

Illustrator I

4.0 units

Discover how this vector based drawing program integrates into the suite of design tools. Features presented include templates, drawing paths, auto tracing, blending features, gradient meshes, wrapping type, exporting, shape and pen tools, and more. Students must have a sub scription to Adobe Illustrator Creative Cloud (CC). In addition, for in person sections: Students must bring a laptop to every class meeting.

Reg# 392774

Fee: $829

No refund after 3 July.

M Online

June 29 Sept. 7

Lauren Cullen Lauren is a designer specializing in illustration, product design, interactive prototypes, branding, animation, advertising and marketing. She is the UCLA Mobile Web Strategy group’s design lead. The designs she creates for innovative mobile and web applications, platforms, and advanced data visualization tools are utilized by prominent organizations in the academic and research communities. In addition, she has written on design and technology for several publications and also contributed the introduction to legendary artist John Van Hamersveld’s Drawing Attention book.

Reg# 392791

Fee: $829

No refund after 6 July.

X In-Person

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. Ted Sin, BFA in Graphic Design, Art Center College of Design. Worked full time in different industries Guess? Inc. in store marketing, Forever 21 Global Marketing, Easton Baseball/ Softball sports marketing, Medtronic labeling, and Amgen Instructional Design.

DESMA X 481.99Z

InDesign

4.0 units

This course provides an introduction to the functions and capabilities of Adobe InDesign. Students are guided in establishing a professional workflow to design documents for print and digital distribution. Learn how to manipulate type and image and create multi page documents through the use of styles, grids, and templates. Gain the skills and confidence to prepare your documents for print and communicate effectively with vendors. Combine these skills to design and profes sionally print a short book, gaining real world experience translating ideas from screen to printed object. Students must have a subscription to Adobe InDesign Creative Cloud (CC). In addition, for in person sec tions: Students must bring a laptop to every class meeting.

Prerequisite(s): Familiarity with Photoshop.

Reg# 392782

Fee: $829

No refund after 3 July.

M Online

June 29 Sept. 7

Students are required to have a copy of Adobe InDesign CC to complete the course.

DESMA X 481.99QT Motion Graphics I

4.0 units

Learn how to integrate digital artwork into After Effects. This course covers workflow strategies to ensure that artwork created in Photo shop or Illustrator maintains its integrity. Instruction also explores common resolutions, complex motion paths and masks, color modes, bit depths, frame and pixel aspect ratios, graphic and video file for mats, and frame rates commonly used in motion graphics.

Prerequisite(s): Knowledge of Photoshop and Illustrator.

Reg# 392777

Fee: $829

No refund after 30 June.

M Online

June 26 Sept. 4

Joel Austin Higgins editor specializing in the Adobe Creative Cloud Suite. Mr. Higgins has executed After Effects projects for clients like D.A.R.E. International, Mercedes Benz, and Hasbro and is a recurring editor for a myriad of YouTube creators and online enterprises. He is also a writer, actor, and filmmaker.

Reg# 392778

Fee: $829

No refund after 5 July.

X In-Person

11 mtgs

Wednesday, 3 6pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

David Dodds, Los Angeles based motion graphics designer whose experience spans a decade in motion graphics, special effects, broad cast design, character animation, and infographics. He has worked for studios such as Stardust, Mirada, Logan, and NFL Networks. Author of Hands-On Motion Graphics with Adobe After Effects CC: Develop Your Skills as a Visual Effects and Motion Graphics Artist.

DESMA X 481.99QU

Motion Graphics II

4.0 units

Become a Motion Graphics artist in this advanced course. Build on the skills learned in X 481.99QT Motion Graphics I, such as integrating digital artwork into a moving composition, and learn new skills using After Effects. Also learn to integrate editing with Cinema 4D. Create portfolio worthy projects that enhance your skills and help you stand out in the marketplace.

Prerequisite(s): DESMA X 481.99QT Motion Graphics I (formerly known as After Effects) or equivalent experience.

Reg# 392780

Fee: $829

No refund after 1 July.

M Online

June 27 Sept. 5

DESMA X 481.24B

Web Design I: HTML, CSS, and JavaScript

4.0 units

This introduction to the world of modern web design exposes students to industry standards and best practices for using HTML, CSS, and JavaScript, the essential tools of a front end web developer. Explore framework integration to speed up development and build responsive grid layouts that meet today’s requirements for mobiles, tablets, and desktops. Examine contemporary design trends, and real world practices to design and build a fully functional, modern, and respon sive website from scratch.

Agnieszka Purzycka, MA in journalism with Design Communication Arts certificate from UCLA Extension. Ms. Purzycka’s domestic and international clients include L’Erma di Bretschneider, AUC Press, Kara Cooney, and Patina Productions Inc.

Reg# 392773

Fee: $829

No refund after 3 July.

A Remote 11 mtgs

Monday, 6 9pm, June 26 Sept. 11

Remote Classroom

No meeting Sept. 4.

Mitchell Gohman, MS in education; director of design, The Sandbox Canvas.

22 Design & Arts Enroll at uclaextension.edu or call (800) 825-9971

RRR

DESMA X 482.14

Mentorship

4.0 units

Work one on one with an instructor who guides your development of a meaningful project geared toward a portfolio piece, design competition, freelance assignment, or other advanced goal. Students choose their own mentors, who are usually DCA or UX instructors. Together, the stu dent and instructor arrange to meet at a museum, studio, cafe, or other site of design interest for six hours over the course of the quarter.

Prerequisite(s): Students must be enrolled in the Design Communica tion Arts (DCA), Advanced Design Communication Arts (ADCA), or User Experience Certificate. User Experience students must complete at least three courses prior to applying for a mentorship.

Reg# 392787

Fee: $759

DESMA X 479.7F

Internship

4.0 units

Internships facilitate the transition from student to professional designer. Students must be registered in the Design Communication Arts (DCA), Advanced Design Communication Arts (ADCA), or User Experience (UX) certificate program and have earned a “C” or better in at least 50% of the certificate’s coursework. Students must work a minimum of 10 hours per week. Students are responsible for securing an internship position; the department assists with contract and award of units for hours worked.

Reg# 392767

Fee: $759

DESMA 850.19

Design a Brilliant Career and Find Your Professional Purpose

0.3 CEUs

Design education leader Scott Hutchinson teaches you how to take your design career goals from lackluster to brilliant. A small seminar created for those considering a meaningful career in Graphic Design and User Experience. This introduction to the profession is designed to help students see possibilities and discover areas where they can have impact. Areas we explore include required skills, personal story telling, portfolio development, and positioning, including bringing in your degree and previous work expertise. This workshop is especially useful for students with previous “unrelated” degrees, and/or who have recently enrolled in the Design Communication Arts or UX cer tificates. Also relevant for designers looking to advance, exploring a change in design specialty, or nearing graduation.

Reg# 392756

Fee: $0

A Remote

1 mtg

Tuesday, 3 4:30pm, June 27

UCLA X Open

This course is designed as a live, interactive experience on Zoom. No recording will be made.

Scott Hutchinson MFA, UCLA School of Arts and Architecture; designer and photographer specializing in corporate identity, branding, and advertising.

DESMA 713.1

Character Animation is Your Super Power to Bringing Stories to Life

This free workshop is for anyone interested in bringing stories to life with animation. Corporate videos, entertainment, and explainer videos are increasingly using animated characters. Learn the process of creating your first animation, and explore the tools professional anima tors use on TV shows such as The Simpsons The Late Show with Stephen Colbert, and Tooning Out the News Topics include animating characters, creating lip sync animation, and using other tools in Cre ative Cloud to assemble your compelling story.

Reg# 392788

Fee: $0

A Remote

1 mtg

Tuesday, 2 3:30pm, July 25

UCLA X Open

David Dodds Los Angeles based motion graphics designer whose experience spans a decade in motion graphics, special effects, broad cast design, character animation, and infographics. He has worked for studios such as Stardust, Mirada, Logan, and NFL Networks. Author of Hands-On Motion Graphics with Adobe After Effects CC: Develop Your Skills as a Visual Effects and Motion Graphics Artist.

DESMA 713.33

Web3: How NFTs and Smart Contracts Are Changing The Digital Landscape

0.15 CEUs

This talk will introduce Web3, Non Fungible Tokens (NFTs), and Smart Contracts by sharing real world use cases and examples such as NFT drops, Web3 websites, and the role of NFTs in the Metaverse. We’ll explore a variety of practical implementations, successful experiences, and even a few failures. The talk will include a high level technical overview making it easy to understand the technologies and some fun, hands on demos available to all on a free public testnet (test network).

Reg# 392789

Fee: $0

A Remote

1 mtg

Thursday, 12 1pm, Aug. 24

UCLA X Open

Michael J. Newman for more than 12 years, he has developed and created original content, brand identities, interactive experiences, and creative solutions for such companies as AT&T, Sundance Channel, VH1, Nickelodeon, and IFC

UX (User Experience) Design

DESMA X 481.99AF

User Experience I: Survey

4.0 units

This course provides an introduction to the concepts, practices, and processes of user experience. Topics include observational research and insight generation, developing user personas and scenarios, information architecture, user interface design, prototyping, and usability testing and analysis. Students complete hands on assign ments and leave the class with an understanding of user experience best practices and opportunities in the field and are prepared to take on more advanced studies.

Reg# 392700

Fee: $829

No refund after 30 June.

M Online

June 26 Sept. 6

Hakon Engvig, BA in design with two advanced design certificates from UCLA Extension. A native born Norwegian, Engvig’s domestic and international clients include UCLA Medical Center, Macy Gray, Life house, the Together Project (India), and OTE Historical Restoration Committee (Norway).

Reg# 392755

Fee: $829

No refund after 4 July.

A Remote

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

Remote Classroom

Musangi Muthui, technologist, creative imagineer, and business strategist reimagining the future of customer experience through business transformation for digital agency clients and Fortune 500 enterprise IT

Reg# 392688

Fee: $829

No refund after 8 July.

X In-Person

11 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave.

Luke Miller BA from University of Florida, MS in Information Science from UNC Chapel Hill. A User Experience director at National Geo graphic, Mr. Miller comes with over 10 years of experience in both educating UX Designers (General Assembly, Parsons School of Design, American University, Corcoran School of the Arts and Design) and leading UX research and design at major media and technology companies (Wall Street Journal, Yahoo!). In 2015 General Assembly and Grand Central published Luke’s first book The Practitioner’s Guide to User Experience Design

DESMA X 479.8K User Experience II: Iteration

4.0 units

Students with knowledge of the fundamentals of UX move on to itera tion: rounds of work and experimentation to hone problem solving skills. Instruction covers MVP builds, pattern libraries, design at scale, voice and gesture, and end to end projects. The spectrum of interface design standards is addressed, including e commerce websites, service design, and physically based environments. Projects incorpo rate a variety of screen resolutions and device types. The course prepares students to recognize user experience design problems and iterate solution proposals.

Prerequisite(s): DESMA X 481.99AF User Experience I: Survey. Reg# 392685

Fee: $829

No refund after 4 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave.

Instructor to be announced

Reg# 392686

Fee: $829

No refund after 2 July.

M Online June 28 Sept. 6

Instructor to be announced

DESMA X 489.5F

User Experience III: Applied

5.0 units

In this course, students apply what they have learned to real world case studies and UX design challenges. Topics include research and obser vational techniques, the art of information gathering, prototyping, scope definition, journey mapping, and empathy maps. Students complete team projects and 360 reviews and practice remote working tech niques, collaboration, and balancing multiple projects. Projects will be presented in common outputs such as web and mobile, similar to what would be produced in a professional design firm. The goal is for stu dents to perform as they would in a real world work environment.

Prerequisite(s): DESMA X 481.99AF User Experience I and DESMA X 479.8K User Experience II, or equivalent experience.

Reg# 392750

Fee: $829

No refund after 6 July.

A Remote

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom

Adam Fischbach, senior director of product design at a global advertis ing agency, with over two decades of experience in the industry. Mr. Fischbach started his digital career in the early days of the internet, just before the dot com bubble and burst, and today leverages a design thinking and human centric approach to design and problem solving.

DESMA X 499C

User Experience IV: Capstone

4.0 units

Working from evidence based case studies, students apply the appropriate methods and tools of discovery, design, prototyping, test ing, iterating, and presenting for real world application. The course simulates a real world work environment in which students are expected to take ownership of every step of the design process and work at a professional pace. Revisions and peer reviews are key ele ments as students problem solve and present successful UX solutions. Projects developed in this course may be expanded and fine tuned for portfolio inclusion.

Prerequisite(s): DESMA X481.99AF User Experience I, DESMA X479.8K User Experience II, and DESMA X489.5F User Experience III.

Reg# 392752

Fee: $829

No refund after 1 July.

M Online June 27 Sept. 5

Dr. Iris Kern-Foster, MFA in Digital Art, PhD in Cultural Studies. Ms. Kern Foster has worked with brands such as Nike, Adidas, MTV, Nickelodeon, and Svarovksi, as well as NGOs like Greenpeace and CAUCE Mujeres.

Enroll at uclaextension.edu or call (800) 825-9971 Design & Arts 23

DESMA X 489.5G

User Experience Research

4.0 units

Today’s designers must satisfy the needs of multiple constituents, including clients, colleagues, and especially end users. The ultimate goal of experience research is to inform design decisions that meet the critical needs of constituents. User research helps assess gaps in an existing experience, discover design opportunities, refine concepts and strategy, and test the creative/design execution. This course covers the key concepts of evaluation and evaluation meth ods, and students develop both quantitative and qualitative mea sures, such as contextual observation, heuristic analysis, surveying, interviewing, focus groups, persona development, evaluation during the design/iteration cycle, usability testing, and analysis of systems in use. Designers leave the course with an understanding of which methods to use, given constraints; and how to design, field, and report on findings.

Prerequisite(s): X 481.99AF User Experience I.

Reg# 392751

Fee: $829

No refund after 2 July.

M Online

June 28 Sept. 6

Navin Rizwi who has worked in technology, television, and publishing and is currently the head of product at Condé Nast, where she is responsible for digital product and UX/UI design for the British portfolio of magazine brands.

DESMA X 475.44

Information Architecture

4.0 units

This course will provide a sound foundation and insights associated with the building and optimizing one of the most critical parts of the user experience information architecture. We will focus on organiza tion, strategy, and management of information, content, and assets. Students will be instructed about the topic and be required to com plete several exercises to understand the connections between nomenclatures, taxonomies, information scents, and findability.

Prerequisite(s): DESMA X 481.99AF User Experience I or equivalent experience

Reg# 392684

Fee: $829

No refund after 5 July.

M Online

June 28 Sept. 6

Darren Hood, doctoral candidate, completing a PhD in Educational Leadership from Northcentral University. Mr. Hood has 27+ years of experience in the world of UX. His professional footprint spans such organizations as Ford Motor Company, General Motors, DigitasLBi, MRM/McCann, Wunderman Digital, Bosch, Ryder, Omnicell, Cengage Learning, Sherwin Williams, Duracell, and USA Networks, to name a few. He currently serves as an Experience Design Manager for Arity, a division of Allstate. Mr. Hood is one of the authors featured in the 97 Things Every UX Practitioner Should Know published by O’Reilly. He also appears on “The World of UX” podcast, available through a host of popular sources.

DESMA X 481.55 Design Thinking

4.0 units

Design thinking is one of the most effective ways to strengthen your insights, thinking skills, and ability to innovate as a designer. Informed by Stanford’s d.school, this multi disciplinary process strengthens familiar skills that are often undervalued. You learn to launch success ful and innovative design solutions across the spectrum of media, including web, print, and packaging. Class topics include prototyping and testing, rapid iteration, radical collaboration, empathetic observa tion, interviewing for empathy, persona mapping, assuming a begin ner’s mindset, introduction of complex problems, and testing and observation. Weekly assignments encourage you to learn by doing and take you through a series of hands on exercises. The goal of design thinking is not simply to innovate but also to create innovators. By the end of the class, you will see solutions that would otherwise be invisible, which become what we call “innovation.”

Reg# 392754

Fee: $829

No refund after 3 July.

A Remote 11 mtgs

Monday, 6 9pm, June 26 Sept. 11

Remote Classroom

Chuck Griffith MA, Columbia University; user experience leader with 18 years’ experience; former head of digital experience at Salesforce and former senior director of strategy at Cisco; served as experience creative director at BBDO. Clients include Emirates Airlines, Allergan, Fox, Visa, Gillette, and Amazon.

Art History, Studio Arts & Photography

Art History & Theory

For information on enrollment, location, and space availability call (800) 825-9971. For information on course content call (800) 206-1422 or email visualarts@uclaextension.edu

ART HIS 853.42

Contemporary Los Angeles Art

3.0 CEUs

This class explores locations that are not generally accessible to the public. In person visits focus on private collections, artist’s studios, and curator led gallery tours of current exhibitions. Insights into col lecting, the business of art, and the importance of art in a designed environment (such as a home, retail, or hospitality location) are dis cussed. Each meeting includes multiple locations and guest speakers from the art world. Tours, examination of work, and discussions are held in person.

Reg# 393155

Fee: $455

No refund after 24 June.

X In-Person

6 mtgs

Saturday, 11am 4pm, July 1, 15 & 29; Aug. 12 & 26; Sept. 2 Los Angeles: Location by Itinerary

Brenda Williams who is a local art advisor and independent art curator specializing in emerging contemporary artists

Art Studio Workshops

For information on enrollment, location, and space availability call (800) 825-9971. For information on course content/prerequisites call (310) 206-1422 or email visualarts@uclaextension.edu

Enrollment limited in all courses; early enrollment advised. Students should have completed all prerequisites prior to enrollment.

ART X 450.10

Abstract Painting

3.0 units

This studio based course introduces students to abstract painting and expands their ability to enjoy and respond to abstract art. Students improve their color skills and learn techniques for composition and improvisation. The course also focuses on creating dynamic color interaction and compelling pictorial space. Each project addresses these themes in different ways using an open strategy for starting the painting and a process of working through formal challenges. Stu dents can work with oil or acrylic paint on canvases or panels. Instruction includes brief demonstrations, studio projects, one on one discussion, and group critiques. Students should expect to complete at least three works during the course. Lectures also touch on formal ism in relationship to representational art and the impact of form on content.

Prerequisite(s): It is strongly suggested that students have taken a painting class before enrolling in ART X 450.10 Abstract Painting Reg# 392978

Fee: $765

No refund after 4 July.

X In-Person

10 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Estimated supplies cost is $100.

Ravi Jackson, BA from Oberlin College (2007), BFA from Hunter College (2012), MFA from the University of California, Los Angeles (2013). Mr. Jackson is a Los Angeles based artist. His work cuts across visual boundaries, merging collage, sculpture, and painting. His work was recently included in exhibitions at David Lewis Gallery, New York; Matthew Marks, Los Angeles; and PAGE(NYC) at Petzel, New York. As a teacher, Mr. Jackson has taught painting at Otis College of art and Design, in Los Angeles, California, and Emily Carr University of Art and Design in Vancouver, British Columbia.

ART X 5D

Beginning Painting: Acrylics

2.0 units

An introductory course in painting with acrylic: a fast drying, perma nent, and clean water based medium that permits easy correction and change. The medium integrates easily with drawing and can be worked transparently or opaquely. Students develop skills in this medium by painting from still life, natural forms, and abstract explora tion. Ideally suited to the beginner, students are encouraged to develop individual directions in style and expression.

Prerequisite(s): ART X 5A Basic Drawing I or equivalent experience. Reg# 392979

Fee: $765

No refund after 6 July.

X In-Person

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Estimated supplies cost is $75.

ART X 5A

Basic Drawing I

2.0 units

This is a beginning course in drawing designed to develop and expand one’s observational abilities and rendering skills. Students learn methods for sensitively describing objects in terms of line, shape, volume, cross contour, proportion, light logic, perspective, and com positional space. Each class focuses on a particular formal concept and its function in drawing. Students begin with line drawings and conclude with fully modeled, tonal, volumetric, still life drawings. Also covered are fundamentals of pictorial space structure, aesthetics, content, and draftsmanship using still life and natural forms. Includes work with pencil, pen, and charcoal.

Reg# 392683

Fee: $765

No refund after 2 July.

M Online

June 28 Aug. 30

Estimated supplies cost is $75.

Stephanie Pryor, MFA, UCLA; artist who has exhibited extensively in solo and group shows in Los Angeles, New York, and Europe.

ART X 428.13

Creative Drawing Workshop

3.0 units

This course introduces students to a variety of methods of expression through drawing, from fundamental techniques to “Marathon Drawing” (developed at the New York studio school). Students use charcoals, pencils, pastel, and wet media to work from still life, photos, and imagination. Representation through abstraction is covered, as well as working with different paper surfaces. Students are encouraged to create a small body of work.

Reg# 392633

Fee: $765

No refund after 5 July.

M Online

June 28 Aug. 30

Materials list sent prior to first class. Estimated supplies cost is $50. Enrollment limited; early enrollment advised.

Stephanie Pryor, MFA, UCLA; artist who has exhibited extensively in solo and group shows in Los Angeles, New York, and Europe.

24 Design & Arts Enroll at uclaextension.edu or call (800) 825-9971

ART X 430

Chinese Brush Painting

4.0 units

In Chinese art and culture, a flower is never merely a flower nor scenery merely a place; each has its legends, romantic stories, and symbolic spirituality. Take a journey into the world of Chinese Brush Painting in this comprehensive 11 week course which offers an in depth exploration of its theory, materials, techniques, skills, and sub jects. Through lectures, demonstrations, discussion, and live step by step instruction, students learn basic skills and concepts, then build up to more advanced techniques and compositions. Subjects include floral, landscape, and animals. Topics include detailed instruc tions on appropriate use of rice paper, brushes, colors, and ink. For beginning to advanced students.

Reg# 392675

Fee: $829

No refund after 5 July.

X In-Person 11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. View weekly projects here: https://visual.uclaextension.edu/ winter-quarter-chinese-brush-painting/

Mayee Futterman, who specializes in Chinese Brush Painting. A large selection of her work is in the collection of California Hospital Medical Center and permanently exhibited at the Los Angeles Center for Women’s Health, as well private collections internationally. She studied under professor and master brush artist, Dr. Ning Yeh.

ART 803.81

Ikebana

0.8 CEUs

Ikebana expresses the beauty and elegance of nature through a transformation of plant materials into a work of art. In Japan, ikebana or flower arranging has been perfected and elevated to an art form. Its beauty dazzles shoppers in giant displays in the store windows of Tokyo, and graces temples and shrines. Ikebana is practiced by mil lions of people as an entrance to a rich and creative world. Using fresh or dried branches, leaves, and flowers, students create new and dif ferently styled arrangements each week. The first week features a demonstration by the instructor, a video, and information on supplies and materials to bring to future classes.

Reg# 393096

Fee: $280

No refund after 12 Aug.

X In-Person

4 mtgs

Saturday, 9:30 11:30am, Aug. 12 26

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Saturday, 9:30 11:30am, Sept. 9

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students must purchase textbook for $25 at first class. Estimated additional supplies cost is $60.

Gabriel Pacheco, owner, Gabriel Pacheco Flower Design; deputy director, Sogetsu San Fernando Valley Branch.

ART 856.51

Gouache Workshop

1.2 CEUs

Gouache, an opaque, water soluble medium similar to watercolor, is perfect for beginners. In this four week workshop, students will learn to paint from still life, photo and/or plain air, focusing on value study and shapes. Other exercise will includes quick, small daily painting to build one’s habit to become a better artist.

Reg# 392631

Fee: $350

No refund after 4 Aug.

X In-Person

4 mtgs

Saturday, 10am 1pm, Aug. 5 26

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Shanna Lim illustrator who is currently working as a background painter for Disney consumer products, which includes Cars 3 and other Disney princess books. She was also a 3D artist/lighter on Lord of the Rings, Shrek, and How to Train Your Dragon for Dreamworks and Weta.

ART 855.51

Watercolor Workshop

1.8 CEUs

Designed for beginners, this course introduces the techniques, materi als, and vocabulary of watercolor painting. Projects include painting from still life, and exploring the fundamentals of shape, line, and color. Students learn about watercolor papers, brushes, and pigments, as well as practice basic wash techniques. Students will also experience plein air landscape painting.

Reg# 392630

Fee: $350

No refund after 7 July.

X In-Person

4 mtgs

Saturday, 10am 1pm, July 8 29

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Estimate supplies cost is $100. Supplies list sent via e-mail prior to first meeting.

Shanna Lim, illustrator who is currently working as a background painter for Disney consumer products, which includes Cars 3 and other Disney princess books. She was also a 3D artist/lighter on Lord of the Rings, Shrek and How to Train Your Dragon for Dreamworks and Weta.

Photography

For information on enrollment, location, and space availability call (800) 825-9971. For information on course content call (310) 206-1422 or email photography@uclaextension.edu

Suggested Tool Kit

The Photography Tool Kit is one of the suggested options available to students pursuing the Design Communication Arts Certificate. This tool kit offers a sequence of courses designed to provide a foundation in photography. These courses also are open to non certificate students.

Elective Courses:

ART X 438.9 Photography I (4 units)

ART X 440.22 Lighting I (4 units)

ART X 439.90 Photography II (4 units)

ART 865.1

Choosing and Using a Digital Camera

0.3 CEUs

This course is for anyone interested in digital photography or planning on buying a digital camera. Instruction covers the most important features to consider when purchasing a digital camera. Compare different digital camera types from point and shoot to prosumer models, including each style’s unique features. Image resolution, lens considerations, file formats, image storage, and other unique consid erations of digital photography also are addressed.

ART 802.21

The Business of Photography

1.8 CEUs

Geared toward photographers with an interest in producing images for various media outlets, as well as for those with an interest in working with nonprofit and corporate clients, this workshop provides practical advice and information on the business of photography. Topics discussed include: the rapidly evolving marketplace for edito rial; nonprofit and corporate photography; client development and agency representation; website and platform options; understanding copyright; general business practices, such as the use of home offices, taxes, assistants, and insurance; creating a strong, professional social media presence; rate and term negotiations; and licensing standards. Presented as a classroom discussion using real life experience and scenarios. Students leave the workshop with a sound understanding of the significant business matters they will face on a daily basis as a professional photographer.

Reg# 393095

Fee: $304

No refund after 15 July.

X In-Person

2 mtgs

Saturday, 9am 5pm, July 15 & 16

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Todd Bigelow, editorial and corporate photographer handling assign ment work for some of the world’s leading publications. Mr. Bigelow’s clients include TIME, Sports Illustrated Smithsonian, Der Spiegel, People, National Geographic Traveler and Newsweek

ART X 438.9

Photography I

4.0 units

In this practical hands on introduction, the fundamental technical and aesthetic principles of digital photographic processes are addressed, including instruction on DSLR camera operation, composition, and digital retouching and manipulation. Instruction also includes Adobe software acquisition techniques and output technologies. Discussion covers contemporary digital imaging and its application within com mercial and fine arts. Assignments demonstrate mastery of technical skills and individual creative expression.

Reg# 392676

Fee: $829

No refund after 3 July.

M Online

June 27 Sept. 5

For students purchasing a camera, we recommend the free workshop Choosing and Using a Digital Camera.

Craig Havens visual artist working in the lens based media of pho tography, video, installation, and projection

Reg# 392677

Fee: $829

No refund after 8 July.

X In-Person

11 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave.

For students purchasing a camera, we recommend the free workshop Choosing and Using a Digital Camera.

Baz Here, BFA, MFA, The Photo Arts Conservatory at The New York Film Academy. Mr. Here’s work has been exhibited at The Hive, Featured Resident Artist (DTLA)/The Getty Center, Pop up Gallery/Out There, Gallery 825/Gallerie Sparta/LACDA/Gay Downtown LA Artwalk Pop up Gallery/Beyond Baroque/Art Share LA Fall/Los Angeles LGBT Center Advocate, and Gochis Galleries.

ART X 439.90

Photography II

5.0 units

This course focuses on gaining control of all photographic variables while attempting various creative assignments. The use of manual controls is emphasized, along with the capture and processing of RAW image files. Course assignments involve defining a point of view, emphasizing figure versus ground, storytelling, portraits, and the use of artificial light. Instruction also covers the RAW workflow, Photoshop for photographers, and monitor calibration.

Prerequisite(s): ART X 438.9 Photography I or equivalent experience. Students should be comfortable shooting in Manual mode and have experience with basic image management systems such as Adobe Lightroom or Photoshop.

Reg# 392679

Fee: $829

No refund after 1 July.

M Online June 27 Sept. 5

Natasha Rudenko MFA; internationally exhibited photographer whose work addresses issues of self reflection and identity.

Reg# 392678

Fee: $829

No refund after 8 July.

X In-Person

11 mtgs

Saturday, 2 5pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enroll at uclaextension.edu or call (800) 825-9971 Design & Arts 25

ART X 440.22

Lighting I

4.0 units

Whether you’re shooting people, products, still life, or landscapes, understanding how light interacts with your subject matter is critical to mastering the art of photography. This course covers both artificial (strobes and hot lights) and natural lighting, as well as the combina tion of both. Students photograph a variety of subjects to learn com mon lighting issues and powerful solutions needed to capture that great image. Instruction covers the use of light meters, reflectors, fill flash, soft boxes, and the safe operation of studio strobe equipment.

Prerequisite(s): ART X 438.9 Photography I.

Reg# 392680

Fee: $829

No refund after 6 July.

X In-Person

8 mtgs

Thursday, 7 10pm, June 29 July 27

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 10am 4pm, July 8 22

Los Angeles

Location Shoot

Justin Serulneck a research based artist who uses photography, video, and data to manifest and map relations in the world

ART X 428.56

Photographic Portraiture

4.0 units

This in depth exploration of photographic portraiture covers approach ing subjects, establishing a rapport, collaborating with your subject, and digital workflow. Through a series of in class projects and assign ments, students master simple and inexpensive set ups that result in strong and memorable portraits. Students also learn to simplify the decision making process by addressing basic choices, such as pre planning vs. improvisation, observing vs. directing, isolating the person vs. including environment, and natural vs. artificial light.

Prerequisite(s): X 438.9 Photography I or equivalent experience.

Reg# 392634

Fee: $829

No refund after 3 July.

X In-Person

11 mtgs

Monday, 7 10pm, June 26 Sept. 11

UCLA Extension Gayley Center: 1145 Gayley Ave.

Justin Serulneck a research based artist who uses photography, video, and data to manifest and map relations in the world

ART X 440.96

Conceptual Photography

4.0 units

Designed for photography students who wish to focus on personal projects, this course includes lectures on the history of fine art pho tography on such topics as dada, photography’s influence on perfor mance art and ethereal works, Fluxus, the idea of chance operations, structuralism, and conceptualism. Class includes demonstrations and discussions of techniques and various capture methods, discussion of student goals, and critique of works in progress. Students complete a number of creative projects based on the styles and techniques discussed in class that also reflect their own creative style. Final projects should serve as strong portfolio pieces.

Reg# 392976

Fee: $829

No refund after 4 July.

M Online

June 27 Sept. 5

Natasha Rudenko, MFA; internationally exhibited photographer whose work addresses issues of self reflection and identity.

ART X 438.9 Photography I

4.0 units

Reg# 392676

Fee: $829

No refund after 3 July.

M Online

June 27 Sept. 5

For students purchasing a camera, we recommend the free workshop Choosing and Using a Digital Camera.

Craig Havens, visual artist working in the lens based media of pho tography, video, installation, and projection

Reg# 392677

Fee: $829

No refund after 8 July.

X In-Person

11 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave. For students purchasing a camera, we recommend the free workshop Choosing and Using a Digital Camera.

ART X 439.90

Photography II

5.0 units

Reg# 392679

Fee: $829

No refund after 1 July.

M Online June 27 Sept. 5

Natasha Rudenko MFA; internationally exhibited photographer whose work addresses issues of self reflection and identity.

Reg# 392678

Fee: $829

No refund after 8 July.

X In-Person

11 mtgs

Saturday, 2 5pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave.

ART X 440.22

Lighting I

4.0 units

Prerequisite(s): ART X 438.9 Photography I.

Reg# 392680

Fee: $829

No refund after 6 July.

In-Person

8 mtgs

Thursday, 7 10pm, June 29 July 27

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 10am 4pm, July 8 22

Los Angeles Location Shoot

Justin Serulneck, a research based artist who uses photography, video, and data to manifest and map relations in the world

ART X 428.56

Photographic Portraiture

4.0 units

Prerequisite(s): X 438.9 Photography I or equivalent experience.

Reg# 392634

Fee: $829

No refund after 3 July.

X In-Person

11 mtgs

Monday, 7 10pm, June 26 Sept. 11

UCLA Extension Gayley Center: 1145 Gayley Ave.

Justin Serulneck, a research based artist who uses photography, video, and data to manifest and map relations in the world

ART X 445.65

Narrative Photography

4.0 units

This course reveals how to create effective visual narratives and focuses on essential techniques for discovering your unique photo graphic storytelling voice. Through engaging examples, assignments, and personal instructor feedback, students practice visual storytelling techniques such as creative set styling and staging, effective compo sitional strategies, lighting for dramatic narrative effect, dynamic posing for portrait subjects, linear and non linear narratives, image sequencing, and professional digital editing workflows.

Prerequisite(s): X 438.9 Photography I or equivalent experience.

ART X 440.96

Conceptual Photography

4.0 units

X IN-PERSON, page 1.

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Reg# 392976

Fee: $829

No refund after 4 July.

M Online

June 27 Sept. 5

Natasha Rudenko, MFA; internationally exhibited photographer whose work addresses issues of self reflection and identity.

26 Design & Arts Enroll at uclaextension.edu or call (800) 825-9971

DIGITAL TECHNOLOGY

Data Analytics & Management Data Science

COM SCI X 450.3

Big Data Management

4.0 units 3.6 CEUs

This course introduces tools for distributed storage and data process ing in an open source framework. It covers NoSQL, the core compo nents of Hadoop, and an overview of Hive.

Prerequisite(s): COM SCI X 450.1 Introduction to Data Science or prior knowledge in R and Python recommended, or consent of instructor.

Reg# 392600

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Connie Outwater Master of Science, Data Analytics Specialist, Google

Reg# 392599

Fee: $1,095

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 4. 7 & Francesco Fabbrocino, MS, Computer Science, UCLA

COM SCI X 450

Data Science Fundamentals

4.0 units 3.3 CEUs

In this this hands on, exercise driven course, students will learn the role of data science in decision making, basic statistics, entry level Python programming, and data analysis, using tools such as Excel, SPSS, and Python. Designed for absolute beginners, business analysts, and non technical managers, the curriculum includes problem solving exercises using pencils, paper, and laptops for assignments during and outside of the class.

Prerequisite(s): There are no prerequisites for this course.

Reg# 392471

Fee: $1,095

No refund after 2 July.

M Online

June 28 Sept. 6

Enrollment limited. Enrollment deadline: July 4. 7 & Bruce Huang

COM SCI X 450.2

Exploratory Data Analysis and Visualization

4.0 units 3.6 CEUs

Data science involves uncovering key intelligence by analyzing histori cal data to learn what happened in the past, and predictive analytics to forecast what may happen in the future. This iterative process is called exploratory data analysis (EDA). Effective data visualization is also an integral component of the process, and quickly becoming a top business intelligence and analytics technology. In this course, you’ll learn skills including EDA, data analysis techniques, and data exploration, with a specific focus on visualization utilizing Tableau. Recommended: COM SCI X 450.1 Introduction to Data Science or equivalent experience.

Reg# 392476

Fee: $1,095

No refund after 30 June.

M Online June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Bianca Cung

Reg# 392597

Fee: $1,095

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA: Math Sciences

Enrollment limited. Enrollment deadline: July 5. 7 & Stefan Lin

COM SCI X 450.1

Introduction to Data Science

4.0 units

Get an introduction to the foundational concepts and techniques behind data science and its applications. Students will learn about programming languages including Python and R, and receive a primer on natural language processing, big data management, and visualiza tion techniques. The course will conclude with an overview of data modeling and machine learning algorithm development.

Prerequisite(s): Students are expected to have basic Python program ming and basic statistics skills. If you do not have these skills, we suggest taking COM SCI X 450 Data Science Fundamentals before taking COM SCI X 450.1 Introduction to Data Science.

Reg# 392474

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Ali El-Annan

Reg# 392475

Fee: $1,095

No refund after 10 July.

X In-Person

10 mtgs

June 27 Aug. 29

Tuesday, 6 9:30pm, June 27 Aug. 29

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students are required to bring a laptop to class.

Enrollment limited. Enrollment deadline: July 3. 7 & Daniel D. Gutierrez, an established leader in the field of data science with specialties in machine learning, AI, deep learning, predictive analytics, data visualization, and analysis. Founder of AMULET Analyt ics to provide leading edge data science consulting for companies in a broad cross section of industries

COM SCI X 450.4

Machine Learning Using Python

4.0 units

This course introduces machine learning using Python. Students will learn structured and unstructured data processing, linear regression modeling and non linear modeling methods used in machine learning algorithm development, optimization techniques, neural networks, and deep learning.

Prerequisite(s): COM SCI X 450.1 Introduction to Data Science or con sent of instructor.

Reg# 392602

Fee: $1,095

No refund after 9 July.

X In-Person

10 mtgs

June 26 Sept. 4

Monday, 6:30 9:30pm, June 26 Aug. 28

UCLA: Rolfe Hall

Enrollment limited. Enrollment deadline: July 2. 7 & Benjamin Winjum

Reg# 392603

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Joel Kowalewski

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

RRR

For more information call (310) 206-6794.

COM SCI X 418.104B

Python Programming I

4.0 units 3.6 CEUs

Python is a high level, dynamically typed, and portable programming language that excels when the cost of software development outweighs performance considerations which is quite often in practice. Python covers similar territory as Perl and is similarly an open source product, but it is considered easier to learn, write, and maintain. NASA, Industrial Light and Magic (ILM), Honeywell, and many other companies all use Python to handle jobs for which classical programming languages are not well suited. This course introduces Python and its libraries as a general programming environment, then applies Python to real world problems, such as website development, database access, text pro cessing, XML editing, GUI development, and system administration.

Prerequisite(s): COM SCI X 414.20 Fundamentals of Software Develop ment, programming experience, or consent of instructor.

Reg# 392455

Fee: $1,095

No refund after 30 June.

M Online June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Bianca Cung

Reg# 392456

Fee: $1,095

No refund after 14 July.

A Remote 6 mtgs

Saturday, 1 4pm, July 1 Sept. 9

Remote Classroom

Enrollment limited. Enrollment deadline: July 7. 7 & Bianca Cung

Database Management

COM SCI X 414.51

Relational Database Management

4.0 units 3.6 CEUs

Understanding client relational database design is vital to system design and implementation. Learn relational database technology, data modeling, SQL, data normalization, and the translation of logical designs to physical storage structures. Additional topics include indexes, storage management, transactions, database integrity, con currency control, recovery, client/server relational database manage ment, and introduction to query optimization.

Reg# 392326

Fee: $1,095

No refund after 30 June.

M Online June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Ronald Landers, BS, owner, Right Click Consulting, LLC

Reg# 392312

Fee: $1,095

No refund after 11 July.

X In-Person 11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA: Physics & Astronomy Bldg.

Enrollment limited. Enrollment deadline: July 4th. 7 & Richard Patlan DBA; programmer analyst, Capital Programs, UCLA.

COM SCI X 414.56

Advanced Database Management Concepts

4.0 units 3.6 CEUs

Designed for individuals with a basic understanding of data modeling, logical database design, and relational database management sys tems, this course introduces important considerations in database application development and various technologies that, when com bined with recent developments in relational database technology, have made possible database publishing on the Internet.

Prerequisite(s): COM SCI X 414.51 Relational Database Management or consent of instructor.

Reg# 392329

Fee: $1,095

No refund after 30 June.

M Online June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & David Henson, BA, Microsoft certified trainer and system engineer, Certified Networks, Inc.; recipient, UCLA Extension Distinguished Instructor Award, 2010.

RRR

Reg# 392415

Fee: $1,095

No refund after 11 July.

X In-Person

10 mtgs

Wednesday, 6 9:30pm, June 28 Aug. 30

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 4. 7 & David Henson BA, Microsoft certified trainer and system engineer, Certified Networks, Inc.; recipient, UCLA Extension Distinguished Instructor Award, 2010.

COM SCI X 414.65

Advanced Structured Query Language (SQL)

Syntax

4.0 units

Structured Query Language (SQL) is an American National Standards Institute (ANSI) computer language for accessing and manipulating database systems. It works with database programs such as MS Access, DB2, Informix, MS SQL Server, Oracle, and Sybase. Designed for those with some knowledge of SQL, this hands on course covers advanced SQL statements used in inserting, retrieving, and updating data in a database. Students learn how to use advanced features of SQL commands, including operators such as IN, AND, OR, BETWEEN, LIKE, DISTINCT, AGGREGATE, CONCATENATE, SUBSTRING, HAVING, and others. In addition, instruction covers advanced topics using table joins, sub queries, “if and” case statements, and cast and convert statements, as well as stored procedures, triggers, functions, and cursors. Students also learn how to stream text into a field; retrieve and send results in an email as text or attachment; perform error trapping; and create audit systems, dynamic SQL, and pivot tables with hyperlinks.

Prerequisite(s): COM SCI X 414.61 Introduction to SQL.

Reg# 392332

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Erik Kellener, whose portfolio of businesses include Warner Bros. Dreamworks SKG, Ticketmaster, Hollywood.com, Qwest Communica tions, Luxury Link, and Evite. Additionally, Mr. Kellener has consulted for Holland America Cruise Lines, ESPN Yokohama Tire Corporation, Cedars Sinai, and Alaska Airlines.

COM SCI X 414.56

Advanced Database Management Concepts

4.0 units 3.6 CEUs

Prerequisite(s): COM SCI X 414.51 Relational Database Management or consent of instructor.

Reg# 392329

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & David Henson BA, Microsoft certified trainer and system engineer, Certified Networks, Inc.; recipient, UCLA Extension Distinguished Instructor Award, 2010.

Reg# 392415

Fee: $1,095

No refund after 11 July.

X In-Person

10 mtgs

Wednesday, 6 9:30pm, June 28 Aug. 30

COM SCI X 414.65

Advanced Structured Query Language (SQL) Syntax 4.0 units

Prerequisite(s): COM SCI X 414.61 Introduction to SQL.

Reg# 392332

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Erik Kellener, whose portfolio of businesses include Warner Bros. Dreamworks SKG, Ticketmaster, Hollywood.com, Qwest Communica tions, Luxury Link, and Evite. Additionally, Mr. Kellener has consulted for Holland America Cruise Lines, ESPN, Yokohama Tire Corporation, Cedars Sinai, and Alaska Airlines.

Network & Infrastructure Cybersecurity

COM SCI X 420.9

Cybersecurity Lab (Defensive Tools)

4.0 units 3.6 CEUs

This hands on course introduces core defensive strategies and security tools for various environments. Topics covered include: setting up virtual environments for penetration testing; router emulation; implementing firewalls; implementing a web server; vulnerability scanners; intrusion detection and prevention systems; and attack methodologies.

Prerequisite(s): COM SCI X 420.1 Fundamentals of Cybersecurity.

Reg# 392469

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 10

System Requirements: At least 16MB of RAM, 100-200 GB Hard Drive, and admin privileges with the unhindered ability to install software and modify the OS.

Enrollment limited. Enrollment deadline: July 2. 7 & Adrian Mohuczy-Dominiak, MS in information systems and opera tions management, University of Florida; lead IT security risk analyst, UCLA.

28 Digital Technology Enroll at uclaextension.edu or call (800) 825-9971

COM SCI X 420.8

Cybersecurity Lab (Offensive Tools)

4.0 units 3.6 CEUs

This hands on course explores common and specialized security tools used during penetration assessments . Beginning with an overview of the offensive attack profile, the risks associated, and the strategy behind penetration testing, students will complete progressive exer cises on the offensive steps taken during a professional penetration test. Topics covered will include: setting up virtual machines for testing; testing methodologies; vulnerability scanning; exploitation; Metasploit; and cross site scripting (CSS). Students will have the opportunity to create their own custom tool or an extension to a known tool.

Prerequisite(s): COM SCI X 420.1 Fundamentals of Cybersecurity or consent of instructor.

Reg# 392608

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 10

System Requirements: At least 16MB of RAM, 100-200 GB Hard Drive, and admin privileges with the unhindered ability to install software and modify the OS.

Enrollment limited. Enrollment deadline: July 2. 7 & Adrian Mohuczy-Dominiak, MS in information systems and opera tions management, University of Florida; lead IT security risk analyst, UCLA.

COM SCI X 420.1

Fundamentals of Cybersecurity

4.0 units 3.6 CEUs

This course combines theoretical cybersecurity fundamentals with state of the art use cases for a comprehensive introduction to the field. It is designed to benefit a cross section of students, including: those considering a career in cybersecurity; system administrators, network administrators or security auditors; professionals responsible for securing network services, devices, and traffic communication in their organization; information technologists with the passion and inner drive to protect organizations and understand security needs. Get practical knowledge and professional experience for implement ing basic security services on any type of computer network. Topics covered are security roles, risk analysis, cryptography, and network security. The course material is consistent with relevant portions of the CompTIA Security+ certification.

Reg# 392465

Fee: $1,095

No refund after 30 June.

M Online June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Mason Orang

Reg# 392464

Fee: $1,095

No refund after 11 July.

X In-Person

10 mtgs

Wednesday, 6 9:30pm, June 28 Aug. 30

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 4. 7 & Jack Chang

COM SCI X 420.3 Information Systems Infrastructure Security Management

4.0 units 3.6 CEUs

This course explores both physical and logical cybersecurity for pro tecting technology assets and the core components supporting IT infrastructures. Topics covered include: infrastructure security man agement; physical and logical security threats and policy require ments; disaster recovery; business continuity plans; change management scenarios; and approaching daily business security issues from an IT perspective.

Reg# 392692

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Mason Orang

Reg# 392691

Fee: $1,095

No refund after 10 July.

m Hybrid (In-Person)

10 mtgs

June 27 Sept. 5

Tuesday, 6 9pm, June 27 Sept. 5

UCLA: Math Sciences

Enrollment limited. Enrollment deadline: July 3. 7 & Ernest Goodman

COM SCI X 420.5

Network, Operating System, and Database Security

4.0 units 3.6 CEUs

Cyber based attacks and data breaches are threats to any organiza tion, however, effective defense mechanisms are seldom well under stood or applied. This course delivers a step by step methodology for securing any infrastructure through enhanced defenses to the core components of networks and databases; this approach integrates cyber threat and risk management, defense in depth, network moni toring, cloud, and mobile devices. Designed for security and IT profes sionals, students, technical users, management, and anyone seeking an understanding of the key principles of cyber defense, this course also provides effective strategies for security testing, mitigating insider threats, and recovering from security incidents. Current events case studies will illuminate key concepts, and cyber defense techniques will be demonstrated in computer and DIY device (BeagleBone) labs. The final project will enable students to apply the methodology to secure infrastructures of their choice.

Prerequisite(s): COM SCI X 420.1 Fundamentals of Cybersecurity.

Reg# 392467

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Wayne Wheeler senior security analyst, Aerospace Corporation

Reg# 392468

Fee: $1,095

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA: Math Sciences

Enrollment limited. Enrollment deadline: July 4. 7 & Wayne Wheeler senior security analyst, Aerospace Corporation

Systems Analysis

COM SCI X 460.1

Architecting Cloud Solutions Using AWS

4.0 units 3.6 CEUs

This course provides a hands on introduction to Amazon Web Services (AWS), architecture, deployment, and management. AWS has revolu tionized IT infrastructure and is the dominant cloud services provider with more than six billion dollars in revenues. AWS replaces on premises infrastructure with scalable low cost services. There is a high demand for professionals with experience architecting AWS services. In this course, students architect AWS services for computer storage, applications, database, networking, security, identity management, and content delivery. Progressive lab exercises and projects deploying actual AWS services prepare students for real world application. The Amazon developed curriculum can prepare students for the AWS Certified Solution Architect Associate certification exam.

Prerequisite(s): Conceptual knowledge of computing infrastructure, including operating systems, applications, databases, networks, and security.

Reg# 392606

Fee: $1,095

No refund after 9 July.

X In-Person

10 mtgs

Monday, 6:30 10pm, June 26 Aug. 28

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 2. 7 & Wayne Wheeler, senior security analyst, Aerospace Corporation

COM SCI X 417.96

Network Communications with TCP/IP

4.0 units

Learn network communications from the basics of network topolo gies, OSI layering, and Ethernet to networking hardware and packet switching fundamentals. The course focuses on TCP/IP and its plethora of protocols and services. Topics also include IP addressing, routing, switching, reliable data transfer, and congestion management. Students study many TCP/IP services, including DNS, DHCP, and VPN. Instruction also reviews network security, as well as application layer protocols (such as HTTP, FTP, and email) and client/server network applications. The course provides hands on examples using Windows, Linux, and Solaris. Students also learn how networks and TCP/IP work and how to work TCP/IP.

Prerequisite(s): While no experience in data communications is needed, students should have a good background in computing with experience installing and operating Microsoft Windows or Unix (such as Solaris or Linux).

Reg# 392333

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Irfan Ahmed, global cyber security consultant, HP; certified informa tion security manager (CISM).

Reg# 392334

Fee: $1,095

No refund after 9 July.

In-Person

10 mtgs

June 26 Sept. 4

Monday, 6:30 9:30pm, June 26 Aug. 28

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 2. 7 & Jack Chang

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

Enroll at uclaextension.edu or call (800) 825-9971 Digital Technology 29

Programming

Applications Programming

COM SCI X 414.20

Fundamentals of Software Development and Programming

4.0 units 3.3 CEUs

The course provides a comprehensive introduction to computer pro gramming (coding) and software app development. It benefits indi viduals pursuing programming and software development as a career, as well as anyone in the IT field who works with programmers and systems analysts in important areas that precede actual programming, including problem solving approaches; specifications and require ments; user interface design; and structured program design using such tools as hierarchy, Nassi Schneiderman, pseudocode, and UML charts. Instruction covers coding concepts common to modern lan guages, including Python, Visual C#, Java, macro development, and shell scripting. In addition to exploring procedural and object oriented concepts (using Python and Visual Basic), students produce several small applications in these two environments, plus a commercial level application by the course’s end. This introductory course presents programming fundamentals, including variables and expressions, looping, selection, functions and parameter passing, file processing, use of OOP objects, event driven programming in the Windows.net environment, and modular development. Examples of Python advanced data types, Visual C#, Java, and SQL code are also presented. The course also covers the software development cycle, including SCRUM, unit test and integration, alpha/beta testing, and software defect tracking and classification. This introductory course requires weekly coding assignments and prepares students for future course work in Python, Visual C#, Java, or any other high level language.

Reg# 392292

Fee: $1,095

No refund after 9 July.

X In-Person

10 mtgs

June 26 Sept. 4

Monday, 6:30 9:30pm, June 26 Aug. 28

UCLA Extension Gayley Center in Westwood

UCLA Extension Gayley Center: 1145 Gayley Ave. Students are required to bring a laptop to class. Enrollment limited. Enrollment deadline: July 2. 7 & Keith Jefferies, MBA, president, ComputerUp. Senior instructor Mr. Jefferies has enjoyed a multi faceted career in the IT and IT education fields for several decades. He has taught thousands of students at UCLA Extension. He also co authored an internationally recognized programming textbook with fellow UCLA Extension instructor Fred Zerez. A graduate in Mathematics/Computer Science from UCLA and Management/Computer Information Systems from UCLA’s Anderson School of Management, Mr. Jefferies has worked in the field of software development, from programming and software quality assurance to web design and product management. His professional career has spanned notable companies, such as IBM, Ashton Tate, and RAND. For the past two decades, Mr. Jefferies has done professional IT consulting with ComputerUp, a consulting firm he founded around the time the Internet was born. His clientele has included Hollywood pre and post production firms, public relations firms, market research firms, accounting firms and legal offices, among others. He specializes in both physical and cloud based server environments, network infra structure, systems design and troubleshooting, and software development.

Reg# 392310

Fee: $1,095

No refund after 30 June.

M Online June 26 Sept. 4

Students are required to bring a laptop to class. Enrollment limited. Enrollment deadline: July 2. 7 & Keith Jefferies for credits see above.

COM SCI X 414.61

Introduction to SQL

4.0 units

Structured Query Language (SQL) is an American National Standards Institute (ANSI) standard computer language for accessing and manipulating database systems. SQL works with database programs such as Microsoft Access and SQL Server, DB2, Informix, Oracle, and Sybase. This hands on course covers basic SQL syntax for individuals with little to no SQL experience. Instruction presents an overview of SQL and how to use SQL statements to retrieve and update data in a database. Students begin by creating basic select statements, which include using keywords such as SELECT, UPDATE, DELETE, INSERT, WHERE, HAVING, and others. The course also covers intermediate topics, such as table joins, sub queries, aggregate functions, stored procedures, triggers, cursors and transactional processing, and much more.

Prerequisite(s): Basic knowledge of Windows is recommended.

Reg# 392330

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Reg# 392331

Fee: $1,095

No refund after 11 July.

X In-Person

10 mtgs

Wednesday, 6 9:30pm, June 28 Aug. 30

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 2. 7 & Richard Patlan, DBA; programmer analyst, Capital Programs, UCLA.

COM SCI X 418.735

Programming in C# for Visual Studio.NET

Platform I

4.0 units 3.6 CEUs

This course provides new developers and application developers unfamiliar with the C# language the knowledge and skills to develop C# applications using the Microsoft.NET platform. Focusing on C# program structure, language syntax, and object oriented concepts, students build projects using console applications, Windows forms, web forms, and XML web services. Upon completing the course, stu dents should be able to list the major elements of.NET framework; analyze the basic structure of a C# program; and use the IDE to debug, compile, and run simple applications.

Prerequisite(s): Experience in other programming languages, such as Visual Basic, C, C++, and Java is useful. For students with little or no programming experience, we recommend taking COM SCI X 414.20 Fundamentals of Software Development before taking this course.

Reg# 392459

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Fred Savage, MBA, ACE (authorized crystal engineer), MCT, MCSD, consultant

Reg# 392460

Fee: $1,095

No refund after 10 July.

X In-Person

11 mtgs

June 27 Sept. 5

Tuesday, 6:30 9:30pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 3. 7 & David Henson BA, Microsoft certified trainer and system engineer, Certified Networks, Inc.; recipient, UCLA Extension Distinguished Instructor Award, 2010.

COM SCI X 418.735A Programming in C# for Visual Studio.NET Platform II

4.0 units 3.6 CEUs

This project oriented course covers intermediate level topics in Microsoft application development within the context of building a complete client server database application using a Microsoft SQL Server database and a Windows desktop client application. Students should already be familiar with Visual Studio and have some experi ence with the C# language. Students should be conversant with variable declaration, initialization and assignment, expressions, refer ence and value types, and conditional and looping constructs, as well as have a basic understanding of classes and interfaces and how they support inheritance and polymorphism. We look at how to structure a multiple assembly Visual Studio solution to support domain driven development of a line of business application and embark on develop ment of a sample application, starting with development of the domain model classes and introducing unit testing, generic and collections, and LINQ. Students learn to design and build relational databases using Microsoft SQL Server and develop SQL queries for manipulating data, then develop a Data Access Layer for persisting domain model objects to the database using ADO.Net. Windows Presentation Founda tion (WPF) is then introduced as Microsoft’s current user interface technology for implementing Windows desktop client applications. Parallel with the sample application, students each design and develop an application of their own choosing from scratch as their course project.

Prerequisite(s): Students are expected to have experience equivalent to the UCLA Extension course COM SCI X 418.735 Programming in C# for Visual Studio Platform I.

Reg# 392461

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Fred Savage, MBA, ACE (authorized crystal engineer), MCT, MCSD, consultant

Reg# 392462

Fee: $1,095

No refund after 10 July.

X In-Person

6 mtgs

Tuesday, 6 9pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: July 3. 7 & Students are required to bring a laptop to class.

Ambrose Chan

Java Programming

COM SCI X 418.85A

Java Programming I

4.0 units

3.6 CEUs

Powerful enough to build large N tiered Internet and intranet applica tions, Java is a well designed object oriented language that allows rapid development of programs. Due to its simplicity, it also is an excellent first time programming language to learn. This hands on course presents the fundamentals of programming using Java and covers object oriented programming, classes, constructors, flow control statements, data types, methods, inheritance, data hiding, abstraction, and the Java library. Students gain experience from several programming projects throughout the course, and instruction stresses practical programming skills to prepare them for follow on Java courses.

Prerequisite(s): Requires computer work outside of class, as well as a computer with any operating system that supports Java; familiarity with that operating system; and the ability to create files and folders, use an Internet browser and email, create zipped files to send as email attachments, and download software from the Internet for class and programming assignments. For students with little or no programming experience, we recommend taking Fundamentals of Software Develop ment before taking this course.

Reg# 392611

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Amir Hallajpour software consultant, AITech Defense Systems

30 Digital Technology Enroll at uclaextension.edu or call (800) 825-9971

Mobile Application Development

COM SCI X 418.104F

Google Android Development

4.0 units 3.6 CEUs

Android is a software platform for mobile devices widely used in smart phones and tablets. Android is based on the Linux kernel and currently developed by Google. This course is a hands on introduction to writing applications for Android smart phones and tablets. The course pro vides developers unfamiliar with the Android application development environment the knowledge and skills to develop Android applications using the Android SDK and Android Studio development platform. The course focuses on basic Android program structure, language syntax, and object oriented concepts. Students build Android applications, learning how to create user interfaces, handle data, use Android library code, and debug programs.

Prerequisite(s): Experience in Java programming and the use of Android Studio or consent of instructor.

Reg# 392457

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Laurie Lasslo PhD, genetics; MS, computer science; senior software engineer, Hewlett Packard.

Web Application Development

COM SCI X 418.102AB

HTML and CSS

4.0 units 3.6 CEUs

Anyone who does web work needs to understand HTML (Hypertext Markup Language) and CSS (Cascading Style Sheets). Together, they provide the foundation on which web pages are built. HTML labels types of information, and CSS specifies how that information will look. Using step by step code writing exercises, students learn how HTML and CSS work together to create responsive web pages, starting with the very basics and progressing up to the intermediate level. Topics include HTML5 tags and elements, links, forms, lists, images, and color. Also covered are page layout, properties, selectors, CSS3, media queries, menus, the box model, specificity, the cascade, pseudo ele ments and classes, adding video, animation, JavaScript, and jQuery, as well as site deployment. Free software is used and there are no prerequisites.

Reg# 392418

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 &

Gideon Arom

COM SCI X 418.88B

JavaScript

4.0 units 3.6 CEUs

Web users today expect sites to provide dynamic user interfaces, fast response times, and advanced features. JavaScript delivers that, which is why JavaScript has become such an important programming lan guage for web developers. This course benefits anyone who is involved with web development, including server side programmers who use ASP, JSP, PHP, or other languages and web designers who use XHTML and CSS and would like to build rich Internet applications (RIAs) with JavaScript and DOM scripting. Students learn XHTML and CSS (Cascading Style Sheets) skills and learn how to use Firefox and its free Firebug extension to debug JavaScript applications. Addition ally, students learn how to use arrays, functions, regular expressions, exception handling, libraries, and user defined objects. The course provides an introduction to closures, recursion, prototype based inheritance, extension of built in JavaScript objects, and an object oriented approach to data validation that students can use as a model for their own applications. Students also learn how to use DOM Script ing to build applications that run slide shows, do image rollovers, use dropdown menus, rotate headlines, sort the data in tables, and provide animation. The course also covers how to use the objects, methods, and properties of a web browser and how to use third party libraries, such as jQuery and Dojo.

Reg# 392463

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Enrollment limited. Enrollment deadline: July 2. 7 & Prentiss Knowlton PhD, senior systems engineer, QSS

COM SCI X 418.102A

Website Development with Adobe Software: Photoshop, Dreamweaver, and Animate

4.0 units 3.6 CEUs

This course provides a hands on introduction to using Adobe’s Pho toshop, Dreamweaver, and Animate for creating web content. These programs are the choice of many web professionals, and each pro vides unique capabilities. Photoshop creates and edits images with an unrivaled array of tools and options. Image optimization, sprites, comps, animated gifs, and creating simple videos are covered. Dream weaver is renowned for its robust tools for creating responsive HTML5 web pages such as CSS3, media queries, the Bootstrap framework, jQuery, templates, site management, and FTP. Adding APIs, HTML5 video, forms, and more are covered. Adobe Animate is used for non Flash animation. A brief intro to HTML5 and CSS and the use of Illustra tor for layouts, graphics, and SVG images is discussed. No prerequisites or books required.

Prerequisite(s): Adobe Photoshop, Dreamweaver, and Animate are required. If you do not have this set of software, you will need to purchase it here. Visit helpx.adobe.com/photoshop/system require ments.html for system requirements.

Reg# 392416

Fee: $1,095

No refund after 30 June.

M Online

June 26 Sept. 4

Adobe Photoshop, Dreamweaver, and Animate are required. If you do not have this set of software, you will need to purchase it here. Visit helpx.adobe.com/photoshop/system-requirements.htmlfor system requirements.

Enrollment limited. Enrollment deadline: July 2. 7 & Sean Zhao, MS, University of Texas at Dallas, senior engineer, Fiserv Inc.

Reg# 392417

Fee: $1,095

No refund after 9 July.

X In-Person

10 mtgs

June 26 Sept. 3

Tuesday, 6:30 10pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Adobe Photoshop, Dreamweaver, and Animate are required. If you do not have this set of software, you will need to purchase it here. Visit helpx.adobe.com/photoshop/system-requirements.htmlfor system requirements.

Enrollment limited. Enrollment deadline: July 3, 2023. 7 & Dan Vaughan, BA, proprietary software instructor, technical writer, and usability specialist, Rhythm & Hues Studios

GIS (Geographic Information Systems)

UCLA Extension’s GIS and Geospatial Technology Certificate, created in partnership with the UCLA Department of Geography, provides a comprehensive introduction to the state of the art methods and techniques used in the field of geographic information systems (GIS) and geospatial technology.

The program teaches computer based mapping and spatial analysis techniques with hands on, project based instruction using industry standard GIS software platforms.

All courses are designed to accommodate the schedules of working professionals, and no prior GIS experience is required or assumed. Participants who complete the program can expect to be sufficiently prepared for an entry level job in GIS and/or related geospatial industries.

Students will be earning transferable UCLA course credit for all courses in the certificate program. This course is accredited and approved by the UCLA Academic Senate as a credit bearing course. It carries lower division undergraduate credit. Weekly activities include reviewing video lectures, technical screencasts, and readings. Com pleting practical assignments involve the use of GIS methods to address real world scenarios, self assessment using automated non graded quizzes, and more.

The program is offered fully online and may be completed in as little as one year.

Technical requirements:

Students are responsible for providing a personal computer with a minimum of 4GB of RAM that is capable of running Windows 10. Apple hardware running macOS can be used provided that Windows 10 is installed either using Boot Camp or virtualization (VirtualBox, Parallels, etc.) with at least 4GB of RAM allocated to Windows. Hardware speci fications in excess of these minimum requirements will offer better performance and a better student experience. Students are provided with a student license for ArcGIS as long as they are enrolled in pro gram courses for which ArcGIS is required.

These are online courses, wherein all course content is delivered online and all interaction among the instructor and the participants will take place online; additional requirements include microphone, headphones/speakers, and webcam.

GEOG XL 7

Introduction to Geographic Information Systems (GIS)

5.0 units

The purpose of this course is to introduce students to fundamental principles and concepts behind the use and application of geographic information systems (GIS). Students learn how to think spatially, become familiar with information technology, produce maps, com municate effectively using spatial information, and conduct data analysis with GIS. Instruction is technique oriented, focusing heavily on practical applications of GIS methods and practices using the industry standard ArcGIS software platform. All course exercises situ ate GIS within both its practical and economic context. Key concepts and ideas are reinforced through practical assignments and activities involving the use of desktop GIS software.

Reg# 392294

Fee: $2,250

No refund after 10 July.

M Online July 3 Sept. 10

Required course in the GIS & Geospatial Technology Certificate program.

Students can choose to take GEOG XL 7 in one of two formats: selfpaced or cohort-based. This is the cohort-based version of the course. Students enrolled in the cohort-based version of the course will take the course over a standard ten-week academic quarter, with weekly due dates for course activities providing structure. This option is best for students who are motivated by deadlines and enjoy being able to engage in discussion with classmates.

Enrollment limited to 50 students; early enrollment recommended. Visitors not permitted. 7 & Sierra Burkhart

Michael Shin

Reg# 392295

Fee: $2,250

No refund after 10 July.

M Online July 3 Dec. 17

Required course in the GIS & Geospatial Technology Certificate program.

Students can choose to take GEOG XL 7 in one of two formats: selfpaced or cohort-based. This is the self-paced version of the course. Students enrolled in the self-paced version will have two quarters from the course’s scheduled start date (NOT from date of enrollment) to complete the course, and there are no scheduled due dates for course activities. This option is best for self-motivated students who wish to complete what is typically a ten-week course either more quickly or over a longer period of time.

Students who enroll after the course’s scheduled start date should be aware that they will have less than the full two quarters to complete course activities. Any students who wish to take advantage of the full two-quarter time window should enroll in the subsequent quarter’s self-paced course in advance of the course’s start date. This is an online course, wherein all course content is delivered online and all interaction among the instructor and the participants will take place online; additional requirements include microphone, headphones/speakers, and webcam.

Enrollment limited to 50 students; early enrollment recommended. Visitors not permitted. 7 & Sierra Burkhart Michael Shin

Enroll at uclaextension.edu or call (800) 825-9971 Digital Technology 31

EDUCATION

For more information call (310) 825-4191.

Early Childhood Educators

For information about the Early Childhood Education Certificates, call (310) 825-4191, email eceonline@uclaextension.edu , or visit uclaextension.edu/education/certificates .

EDUC X 21

Child Development/Desarrollo Infantil

4.5 units

This is an introductory course in child growth and development span ning conception through middle childhood. The course covers theories of human development; the scientific study of development; genetic and environmental contributions and interactions on child develop ment; and developmental time frames from conception and prenatal development through infancy, toddlerhood, early childhood, and middle childhood. Students learn about milestones and the cultural contexts of development across domains: physical, cognitive, lan guage, social, and emotional development. Students are required to observe an infant 0 36 months old and a child 3 6 years old. This is the recommended first course in the ECE series. This is a lower divi sion (entry level) college class. This is also an intensive class. We are completing a full course in only 8 weeks. Expect to spend around 12 hours per week completing everything in each week’s module. There is a significant amount of reading required. Professional level English language proficiency in the following areas is required: reading comprehension, vocabulary, note taking, and written expression.

Reg# 392554

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20 7

TiaMarie Harrison BA in Psychology; MS in Early Childhood Education and Special Education; Specialization in Applied Behavior Analysis: recipient of the UCLA Extension Outstanding Instructor Award, Spring 2022.

Reg# 392555

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20 7

Kathy Fuller, PhD, educational consultant; recipient, UCLA Extension Distinguished Instructor Award, 2012.

EDUC X 22

The Young Child in the Family and Community/ El Niño Pequeño en la Familia y Comunidad

4.5 units

This online early childhood development course focuses on the social and cultural dynamics between the young child, the family, and the community. Students develop communication skills between young children, peer groups, parents, and teachers. They investigate commu nity resources and social services, including health care, welfare, and counseling. Students also explore culture, diversity, and equity within the classroom and the larger community. Students examine their own and others’ understanding of social and cultural belonging. Instruction includes exploration of tools, classroom strategies, community resources, and advocacy for supporting family engagement and creating produc tive partnerships with children and families. Note that this is an intensive course, in which the work of a full academic quarter is offered in only 8 weeks. You may be required to interview people, observe children, or go into the community for this course, so plan ahead.

Reg# 392558

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20 7 & Victor Soto MA, human development; adjunct professor for Pacific Oaks College.

Reg# 392559

Fee: $527

No refund after 28 July.

M Online

July 24 Sept. 17

This course requires purchase of a digital text which will be available for purchase when the Canvas course shell is made available to students two days before the course start date. Instructions and a link to purchase will be available on the course website. International Students should verify their web access to Cengage Publishers before purchasing. 7 & Tamara Roberta Jackson, PhD, director of Special Education, La Canada Unified School District; recipient, UCLA Extension Distin guished Instructor Award, 2008.

EDUC X 23

Foundations of Early Care and Education: An Introduction to Teaching Young Children/ Introducción a la Enseñanza de Niños Pequeños

4.5 units

Learn about early care, education approaches, and how to identify quality care. This online course on teaching young children introduces the approaches, history, and development of early childhood education programs. The course offers an overview of developmentally appropri ate learning environments, curriculum, and how to define play based learning and outcomes. Students explore how different program approaches meet the needs of the young child. Students learn obser vation, assessment, and strategies for guiding children’s behavior. Field observations are required. This is a lower division (entry level) college class. This is an intensive course, in which the work of a full academic quarter is offered in only 8 weeks. Expect to spend around 12 hours per week to complete everything in each week’s module. Before you take this course, we recommend you take Child Development, unless you have classroom experience with children already.

Reg# 392560

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20 7 & Jackie Kelley PhD, early childhood educator; adjunct professor, Santa Monica College.

EDUC X 24 Introduction to Curriculum and Learning Environments/Introducción al Currículo y Ambientes de Aprendizaje

4.5 units

This online course covers developmentally appropriate curriculum methods for early childhood. Students learn to design, equip, plan, and implement engaging learning environments for supporting develop mental goals and knowledge. Learn to create optimal curricula and learning experiences based on theory, observation, and assessment within a context of relationships and play. Develop strategies for cultur ally relevant curricula. Embed activities designed to establish chil dren’s positive attitudes and behaviors for learning, pro social behavior, a strong sense of self, competence, and emotion regulation. Under stand how the curriculum and learning environment can guide cogni tive, social, and emotional development and mitigate challenging behaviors. Students are required to observe young children. This is a lower division (entry level) college class. This is also an intensive class. We are completing a full course in only 8 weeks. Expect to spend around 12 hours per week to complete everything in each week’s module. Before you take this course, we recommend you take the Child Development course and the course on Foundations of Early Care and Education, unless you have significant classroom experience with children already.

Reg# 392564

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20 7 & Lillian Pimentel-Stratton, EdD, Walden University; faculty, Bakersfield College, early childhood education.

Reg# 392562

Fee: $527

No refund after 28 July.

M Online

July 24 Sept. 17 7

Kathy Fuller PhD, educational consultant; recipient, UCLA Extension Distinguished Instructor Award, 2012.

RRR

EDUC X 25

Play and the Developing Brain in Early Childhood Education

4.5 units

This online course provides a contemporary, research based perspec tive on learning and inquiry through play in early childhood settings and explains how play supports optimal brain development. Students learn about historical and contemporary perspectives of the critical role of play in early learning and development. Students explore play as an optimal medium for social and cognitive learning, executive function skills, and brain development in the context of current devel opmental theory. Emphasis is placed on practical strategies for creat ing play based learning environments, hands on experiences, and multi cultural inclusiveness. Students observe, document, and explore ways to integrate play throughout the curriculum. Observations of young children are required.

Reg# 392566

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20

Kristin Sherman MA in human development and social change; director, ECE program, New School West, Santa Monica, CA ECE Mentor Program.

EDUC X 321.26

Documentation, Observation, and Assessment of Young Children

4.5 units

This course offers an introduction and practice on observation, docu mentation, assessment, and the skills necessary to apply assessment findings to create an appropriate curriculum for young children. In this course, students develop systematic and purposeful observation and interpretation of documentation for the creation of emergent curricu lum and assessment of young children aged 0 5 years. Students learn the California guidelines for Early Childhood Education and Transitional Kindergarten. California ECE competencies and tools introduced in the course include the CA Preschool Curriculum Frameworks, California Preschool Learning Foundations, and Desired Results Developmental Profile (DRDP).

Reg# 392568

Fee: $527

No refund after 28 July.

M Online

July 24 Sept. 17 7 &

Kristin Sherman MA in human development and social change; director, ECE program, New School West, Santa Monica, CA ECE Mentor Program.

EDUC X 321.71

Infant and Toddler Development and Care

4.5 units

In this course, students learn about the development of infants and toddlers and associated principles of inclusive and respectful caregiv ing. This course focuses on factors affecting the physical, cognitive, and psychosocial development of the young child in the first three years. The course covers developmental milestones, characteristics, and growth patterns of children from conception through 36 months. Essential policies; principles; and practices that lead to quality care, developmentally appropriate curriculum, and environments for chil dren are examined. Topics include current brain research, infant health and well being, recognition of atypical development, observation techniques, assessment strategies, and ways to communicate with parents and implement home visits. Students apply current theory and research to the care and education of infants and toddlers in group settings as they study infant/toddler development. Students are required to observe young children. Letter grade of C or better required for California permits.

Reg# 392591

Fee: $527

No refund after 30 June.

M Online

June 26 Aug. 20 7 & Todd Hioki MA, Pacific Oaks, Human Development with specialization in Social Action; instructor, Pacific Oaks College, Santa Monica College; master teacher, Pacific Oaks Children’s School.

EDUC X 321.19

Home and School Cooperation for Administration of Early Childhood Centers

3.0 units

Learn ways to create an optimal learning environment, where children, parents, and teachers function as a team in the educational process. Applies toward Title 22 Regulations for Supervisor, Administrator, and Director; Title 5 Child Development Permits for Master Teacher, Site Supervisor, and Program Director. This is a core required course for the Early Childhood Education Administration Certificate Program.

Reg# 392572

Fee: $424

No refund after 30 June.

M Online

June 26 Aug. 6 7 & Tamara Roberta Jackson, PhD, director of Special Education, La Canada Unified School District; recipient, UCLA Extension Distin guished Instructor Award, 2008.

EDUC X 321.2

Supervision and Administration of Early Childhood Centers: Part I

3.0 units

This course offers an overview of administering a child care center. An introduction to the logistical and philosophical details of planning, implementation, and appropriate care and education is presented. Instruction covers national professional guidelines for how an effective administrator implements a plan, creates a safe and developmentally appropriate learning environment, and evaluates the quality and improvement of a center. You learn about record keeping, reporting, and staff policies. Licensing, permits, and regulations are covered for the state of California. Applies toward California Title 22 and Title 5 regulation compliance and child development permits.

Reg# 392574

Fee: $424

No refund after 30 June.

M Online

June 26 Aug. 6 7 & Patricia Yeldell, PhD in organizational management, MS in educational leadership from Pepperdine University. Instructional director of Early Childhood Education at the Los Angeles Unified School District.

Reg# 392575

Fee: $424

No refund after 11 Aug.

M Online

Aug. 7 Sept. 17 7 & Anita Varisco, MA in ECE, CSULB; ECE director, Growing Place, Santa Monica.

EDUC X 321.21

Supervision and Administration of Early Childhood

3.0 units

Centers: Part II

This course offers an overview of the leadership, supervision, and professional development of staff and how to guide the center and the staff toward a high quality, developmentally appropriate philosophy and implementation of a program. Instruction covers how to lead people and serve as a curriculum leader; alignment of environment and practices with center mission and value statements; community building; hiring and retention; staff support, guidance, and professional development; and supporting quality curriculum through leadership and reflective evaluation. Students learn to develop relationships with families that are culturally sensitive and reciprocal and to communicate with and engage families in the center. Emphasis is given to observa tion and analysis skills, leadership and mentoring skills, and measuring leadership and management for optimal functioning of the center and staff. The course applies toward California Title 22 and Title 5 regulation compliance and child development permits.

Reg# 392577

Fee: $424

No refund after 30 June.

M Online

June 26 Aug. 6 7 & Euna Anderson MS, Educational Leadership and Administration; principal, Early Childhood Education Center.

EDUC X 321.23

Adult Supervision in Early Childhood Programs

3.0 units

Instruction examines staff organization for effective communication and interpersonal relationships and covers criteria for selecting and evaluating personnel; the administrative role in promoting professional growth, teaching effectiveness, and sensitivity to individual needs; and staff involvement in planning and evaluating programs. Applies toward Title 22 regulations; Title 5 Child Development Permits for Adult Supervision Requirements for Master Teacher, Site Supervisor, and Program Director of Child Care Centers; and is a core required course for the Early Childhood Education Administration Certificate.

Reg# 392580

Fee: $424

No refund after 11 Aug.

M Online

Aug. 7 Sept. 17 7 &

Terri Emberling, BS in Nursing, St. John’s College; MA of Counseling Psychology, Regis University in Colorado; Licensed Professional Counselor and Child and Family therapist.

EDUC X 321.6

Positive Discipline Strategies for Young Children

3.0 units

Learn the causes of disruptive behavior, examine the forces that oper ate on the behavior of the young child in school, and identify problems that need teacher intervention. Covers strategies for eliminating dis ruptive behavior and helping young children achieve self discipline. Applies toward Title 22 Regulations and Title 5 Child Development Permits; elective course for both the Early Childhood Lead Teacher Certificate and/or Early Childhood Administration Certificates.

Reg# 392587

Fee: $373

No refund after 11 Aug.

M Online

Aug. 7 Sept. 17 7

TiaMarie Harrison, BA in Psychology; MS in Early Childhood Education and Special Education; Specialization in Applied Behavior Analysis: recipient of the UCLA Extension Outstanding Instructor Award, Spring 2022.

EDUC X 321.61

Inclusion of Children with Special Needs in Early Childhood Settings

3.0 units

For early childhood professionals, this course is designed to assist teachers, caregivers, and directors in better understanding and imple menting procedures and policies for inclusion of young children with special needs into typical child care, preschool, and kindergarten programs in compliance with Title III of the ADA and Sections B and H of the IDEA. Learn how to recognize when young children may have special needs that require professional help and what resources are available. Develop an increased understanding of children with special needs and their families and how to interact with them. Understand myths and fears surrounding children with special needs and how to facilitate healthy relationships between these children and their class mates. Applies toward Title 22 Regulations and Title 5 Child Develop ment Permits; elective course for both the Early Childhood Lead Teacher Certificate and/or Early Childhood Administration Certificates.

Reg# 392584

Fee: $373

No refund after 11 Aug.

M Online

Aug. 7 Sept. 17 7 &

Falyn Cooper

EDUC X 312.11

Building Self-Esteem in Young Children

3.0 units

Designed to help teachers understand how a child’s interpersonal growth in the context of his/her interpersonal relationships develops a sense of self and self esteem. Learn strategies to create a classroom environment that supports the development of a positive self image in children. Applies toward Title 22 Regulations and Title 5 Child Development Permits and is an elective course for both the Early Childhood Lead Teacher Certificate and/or Early Childhood Administra tion Certificates.

Reg# 392589

Fee: $373

No refund after 30 June.

M Online June 26 Aug. 6 7 & Teri Sulc BA in Child Development; MA in Educational Administration; 15 years of Parent Education and English as a Second Language classes with Los Angeles Unified School District.

Enroll at uclaextension.edu or call (800) 825-9971 Education 33

EDUC X 440.2

ECE Educator Liability Fundamentals: How to Protect Children and Safeguard Your Career

3.0 units

The focus of the course is to provide practitioners care providers and administrators with an understanding of their own, legal responsibilities around child safety; ways to reduce risk in the ECE setting; and what to do when a child is injured, abused, or neglected. The course introduces early childhood program providers and admin istrators to legal terminology, issues, conflict resolution, and NAEYC best practices, with an emphasis on compliance with state and federal regulations. Topics include negligent supervision lawsuits, reporting and report writing, liability for intentional conduct, school safety best practices, team collaboration techniques to protect children and staff, deposition preparation fundamentals, and computer applications for administration.

Reg# 392581

Fee: $373

No refund after 30 June.

M Online

June 26 Aug. 6 7 & Michelle McGinnis

Higher Education & Adult Educators

College Counseling Certification

For information about the College Counseling Certificate, email onlineccc@uclaextension.edu , visit uclaextension.edu/education/certificates , or call (310) 825-4191.

EDUC X 414.83

Introduction to Counseling for College Admission

4.5 units

Introduction to Counseling for College Admission explores the college admission process from both the student and counselor perspectives, with emphasis on student research, application, selection, and coun selor information dissemination and responsibility. This course pro vides in depth information on application calendar options, college and university options, and admission criteria. The course offers education information with an emphasis on the counselor’s skill development in assisting students with college application and selec tion, while providing current theory and issues combined with strate gic practice.

Reg# 392112

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17 7 & Claudia Salinas, Claudia attended Grinnell College in Grinnell, Iowa and earned her Bachelor’s in Political Science. She later completed a Masters in Education from Pepperdine University in Malibu, California. She loves to travel, eat, and live life fully. Claudia the first in her family to attend college, and what she has valued the most has been the relationships with the students she has counseled.

Reg# 392150

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17 7 & Charlotte Klaar PhD, CEP, certified educational planner, who is a nationally recognized leader in the independent educational consult ing industry. She was awarded the Steven R. Antonoff Award for Profes sional Achievement in recognition of her contributions to the profession. She has more than 20 years of college counseling experience.

Reg# 392291

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7 & Veronica Ortiz MA, former assistant director of admission and assis tant dean of admission at two Los Angeles based private colleges.

EDUC X 414.89

Financial Aid Fundamentals

4.5 units

Financial aid is complex and information intensive, and college coun selors must understand this important component of the college admissions process. Topics include history of financial aid; types and sources of financial aid; how to apply for federal, state, and institu tional aid; eligibility; how aid is determined; and scholarship search services.

Recommended: Students who are enrolled in the College Counseling Certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option, they would be required to take another elective course. Please notify us at onlineccc@uclaextension. edu if you wish to choose this option.

Reg# 391979

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

Students who are enrolled in the college counseling certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option they would be required to take another elective course. Please notify us if you decide to do this by sending an email to onlineccc@uclaextension.edu. 7

Linda Dagradi, EdD, educator with more than 35 years of experience in leadership positions in financial aid administration, school counsel ing, and enrollment management

Reg# 391980

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

Angela Harris, MA, program advisor and financial aid technician at a Los Angeles area high school. She has served as a college counselor at two other Los Angeles area high schools.

Reg# 392083

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

Thalassa Naylor

EDUC X 414.90

Testing/Career Assessment

4.5 units

College bound students encounter a series of standardized examina tions as they progress toward college admission. The PSAT/NMSQT, SAT, ACT, and Advanced Placement tests are the most common. Topics include what each exam tests for, validity of test results, issues of bias, and the effect of coaching. In the realm of career planning, numerous career inventories can help students both college bound and other wise identify their career interests and propensities; some of the more widely used career instruments are highlighted.

Reg# 391981

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7

Jennifer Mandel, MA, owner and president of a private college coun seling firm. Recipient of 2018 Distinguished Instructor Award. Nadia Jones, BA in Sociology & Africana Studies and MS in Secondary School Counseling, California State University Long Beach; Secondary Education Administrative Credential, California State University Domin guez Hills. With over 10 years of secondary school counseling experi ence, Ms. Jones has worked with students and families from the homeless, foster, special needs and gifted, English language learners, and undocumented student populations.

RRR

Reg# 391982

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7

Jennifer Mandel, MA, owner and president of a private college coun seling firm. Recipient of 2018 Distinguished Instructor Award.

Brittany Goodacre MA in Counseling and a Pupil Personnel Services Credential from Loyola Marymount University. Brittany has several years of experience as a school counselor, including founding and developing one school’s entire school counseling program.

Reg# 392108

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7

Nicole Korgie Jackson

EDUC X 414.84

Inclusive College Counseling: Ensuring PostSecondary Success for All Students

4.5 units

This course in the College Counseling Certificate focuses on individual groups of students with unique perspectives in the admissions pro cess, such as students with learning differences, athletes, actors, and underserved students who are members of the LGBT community, first generation students, transfer students, etc. The specificity and changeability of the course content allows the program to keep information current and provide certificate students with recent views or changing critical elements in the counseling profession. Previously titled Special Issues in College Counseling.

Reg# 391986

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7

Cyndy McDonald, MA, who has more than 20 years of experience as a school counselor and educational consultant. She founded Higher Education Consultants Association (HECA) and a nonprofit program, After Military Planning (AMP). She is president of an online college counseling system and operates a college counseling practice.

Reg# 391987

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7

Joan Canzone, MS, MS, Mercy College in New York City, one in School Counseling and the other in School Administration and Supervision. Joan is currently employed at a Los Angeles private high school as an associate director of college counseling. Previously, she served as the Director of Guidance in a private Catholic high school in San Francisco. Concurrently, she works for USC as a Bovard Scholars Admissions Coach.

Course Icons Provide Information

At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

34 Education Enroll at uclaextension.edu or call (800) 825-9971

EDUC X 414.85

Practicum in College Counseling

6.0 units

Apply theory and methodology in a genuine counseling situation under professional supervision. Students complete 65 hours of super vised fieldwork in a local counseling venue and earn 50 hours of academic credit. Fieldwork must consist of individual counseling or meeting with students in group settings. For those who may have difficulty making arrangements to complete 65 hours of student counseling, they may complete 35 hours of counseling, as well as a pre approved research project which is submitted to the instructor at the completion of the class. Students also participate in the online portion of the course in which practicum experiences are shared with colleagues and reviewed by the instructor.

Prerequisite(s): Completion of the six required courses and formal enrollment in the certificate. Students may not enroll until their Practi cum proposal has been approved and they have received permission from the College Counseling Certificate advisor.

Reg# 391988

Fee: $550

No refund after 30 June.

M Online

June 26 Sept. 17 7

John Shull, EdS, who has worked at six international schools during the past 30 years as a director of Counseling and Special Services and as a university counselor. Mr. Shull began his seventh international school experience in the 2017/18 school year at St. Stephen’s School in Rome, Italy as the director of University and College Counseling.

Reg# 391989

Fee: $550

No refund after 30 June.

M Online

June 26 Sept. 17 7

Lauren Carter BA in Psychology, University at Albany, MA in School Counseling, K 12, NYU; and CAS in Educational Leadership and Admin istration, College of Saint Rose. Laurén Carter has dedicated her entire career of 35+ years to the college admissions and college counseling profession. She spent a decade in university administration and served as the director of College Admissions at NYU, and has served as contributing writer for the Huffington Post. Laurén has also directed college counseling programs at independent schools for over 25 years and currently serves as director of College Counseling at Sidwell Friends School (DC).

EDUC X 414.96

The Business of Educational Consulting

4.5 units

Educational consultants are unique among business professionals because their goal is not just to have a profitable practice but also to truly make a difference in the lives of their clients. This course focuses on how to create a successful practice using basic business principles and entrepreneurship skills. Topics covered include steps needed to begin the process: early decisions, formulating the business plan, business structures, fee setting, contracts, creating a marketing plan, and social media. The material in this course is intended to help you create your personal business template so you can launch a success ful educational consulting business.

Reg# 392113

Fee: $795

No refund after 7 Apr.

M Online

Apr. 3 June 11 7 & Gena Lester double Masters in Higher Education, I/O psychology, PhD, and Doctorate. Dr. Lester is a college admissions expert with over 30 years of experience, a strategic business coach, speaker, and author. She is both a Wall Street Journal and New York Times best selling author. She is not only a thought leader in the college admissions space, but she also helps educators turned entrepreneurs go from conception to thriving business owners. Dr. Lester developed the “U Niquely U” formula which she uses to help teens find their perfect college fit as well as entrepreneurs find their passions and be more successful on their journey.

Reg# 392018

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17 7 & Katherine Price, MA in Higher Education Administration, Boston Col lege; BA, University of San Diego. Since 2009, Ms. Price, founder of College Mindset, has guided hundreds of students through the college application process. She previously worked in admissions at Babson College and was an application reader for Boston College. She also shares her knowledge of college counseling by mentoring new Independent College Counselors and guiding them through business and college counseling strategies.

EDUC X 414.98

College Counseling for International Students

4.5 units

The college admission process for international students is explored, with an emphasis on the special needs and requirements for interna tional students applying to U.S. colleges and universities. This course explores the challenges of helping international students understand and navigate the unfamiliar landscape of the U.S. university system, while helping students and families understand the importance of fit vs. rankings. In addition, issues unique to international students such as testing, financial, and visa requirements; the ethics of working with agents; writing effective personal statements; and demonstrating interest from afar are also explored.

Recommended: Students who are enrolled in the college counseling certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option, they would be required to take another elective course. Please notify us if you with to choose this option by emailing onlineccc@uclaextension.edu.

Reg# 392114

Fee: $795

No refund after 30 June.

M Online

June 26 Sept. 17

Shanell Leggins EdD in Educational Leadership with an emphasis in Educational Psychology, MA in Counseling and Pupil Personnel Ser vices Credential, BA in Sociology with a minor in Psychology, as well the college counseling certificate. Dr. Leggins has worked in the field of education for more than 20 years and as a counselor for more than 15 years. Her counseling experience spans from public, private, domestic, and abroad. She currently works as the associate director of College Guidance at an independent school in Los Angeles, CA.

Reg# 392116

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

John Shull EdS, who has worked at six international schools during the past 30 years as a director of Counseling and Special Services and as a university counselor. Mr. Shull began his seventh international school experience in the 2017/18 school year at St. Stephen’s School in Rome, Italy as the director of University and College Counseling.

EDUC X 414.80

Finalizing the College Counseling Process

4.5 units

Drawing on the theory and information presented in the required courses included in the UCLA College Counseling certificate program, this 45 hour course provides a project based learning approach for Practicum ready students to apply their knowledge and experience. Using the latest research and publications available in the field, this interactive class draws on the theory and information presented in other required courses and challenges students to apply their knowl edge, strategies, and approaches with real life students. Emphasis is on the development of tools and strategies in determining student goals, aspirations, college lists, admission, and financial options all focused on helping students and their families make the final college decision. This course is designed to meet the needs of counselors in public, private, or independent settings.

Prerequisite(s): Students must have completed the Introduction to Counseling for College Admission course prior to enrolling in this course.

Reg# 392077

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17 7 & Emmely Aquino

EDUC X 414.99

Preparing Community College Students for Transfer

4.5 units

This course emphasizes the development of knowledge and skills with regard to guiding and supporting community college students through all steps of their community college education, from enrollment through transfer application and admission. Students learn about community college matriculation processes, course selection, transfer application, and how to strategically position prospective transfer students for admission to public and privates colleges and universities. Students explore the current community college landscape as well as big issues like challenges for disadvantaged populations and persis tence towards transfer. Students learn about the critical programs essential to supporting persistence and transfer, like those for first generation college students, articulation agreements, admissions priority agreements, honors, and financial aid.

Reg# 392174

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

Required Textbook available as PDF only, Community College Coun selor Sourcebook 2nd Ed. by College Board. Purchase it online at the College Board website. 7

Rosina Wright-Castro, PhD, who serves as an academic counselor at community college located in the Los Angeles area.

Reg# 392175

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

Required Textbook available as PDF only, Community College Coun selor Sourcebook 2nd Ed. by College Board. Purchase it online at the College Board website. 7

Kristi Wish Baker MA in Counseling with an emphasis in Career Counseling; Specialization in Higher Education. Ms. Wish Baker is a tenured Counseling Faculty member in the Transfer Center at Mira Costa College. She has 22 years of counseling experience serving students in California Community Colleges in the areas of General Counseling, EOPS, Reentry, CalWORKs, High School Outreach, and teaching student success courses.

Jennifer Mandel MA, owner and president of a private college coun seling firm. Recipient of 2018 Distinguished Instructor Award.

EDUC 845

Introduction to College Admissions

1.5 CEUs

The purpose of this short, intensive course is to introduce potential advisors or counselors, who are either new to the field or are making a career change, to numerous aspects of the college admissions process. During this two week course, students develop an under standing of key factors such as choosing the “right” college, the application process, financial aid, the impact of standardized test scores, and how to communicate with various types of parents and guardians through case study scenarios. We also explore the charac teristics of college bound students, guiding students towards a pro spective major or career, and how to maneuver the emotional and mental health aspects that come with applying to college. In this course, students practice applying their newfound knowledge and skills to real case study examples. Upon completion, students are prepared and have confidence to continue their studies in counseling or pursue advanced topics via enrollment in the full UCLA College Counseling certificate program. The ideal student for this course is an aspiring college advisor, current school counselor, CBO advisor, or other professional working in college advisement who seeks to expand their experiential learning of college admissions.

Reg# 392414

Fee: $295

No refund after 12 Aug.

M Online

Aug. 8 18

Shanell Leggins, EdD in Educational Leadership with an emphasis in Educational Psychology, MA in Counseling and Pupil Personnel Ser vices Credential, BA in Sociology with a minor in Psychology, as well the college counseling certificate. Dr. Leggins has worked in the field of education for more than 20 years and as a counselor for more than 15 years. Her counseling experience spans from public, private, domestic, and abroad. She currently works as the associate director of College Guidance at an independent school in Los Angeles, CA.

Enroll at uclaextension.edu or call (800) 825-9971 Education 35

EDUC 846

Introduction to Making College Affordable

1.5 CEUs

College financing has become an integral element in the college search and enrollment process, particularly for first generation and low income students. However, college financing rouses anxious and often fearful responses from parents, students, and even counselors. This short, intensive course is designed to make counselors aware of key areas related to college affordability. The course brings in family concerns and challenges of living with debt, both of which are impor tant for counselors to know and weigh. The topics include an overview of the financial aid delivery system, an examination of college cost issues, the relationship between admission and financial aid applica tion, a review of the sources and awarding of aid, the role of financial aid administrators, the challenge of educational debt, and the role of advisors in the college financing process.

Reg# 392578

Fee: $295

No refund after 4 Aug.

M Online

July 31 Aug. 11 7

Linda Dagradi, EdD, educator with more than 35 years of experience in leadership positions in financial aid administration, school counsel ing, and enrollment management

TESOL

For information about the TESOL Certificate, call (310) 825-4191, email eceonline@uclaextension.edu , or visit uclaextension.edu/education/certificates

EDUC 825

Introduction to the TESOL Program

1.0 CEUs

This course prepares the student for success in the TESOL Certificate and the TESOL Portfolio. The course is mandatory and must be taken first in the series. This course gives a clear overview of all that is expected to successfully complete the program. It reviews the entire program, including the scope of work, goals, requirements, and portfolio assignments in the four TESOL classes. Expectations for success and time frames are discussed. This course prepares students to save work from each course that will be compiled into a portfolio during the TESOL Practicum Portfolio course. The TESOL certificate is designed to balance current teaching theories and practical experi ence in second language acquisition instructional methods.

Reg# 392592

Fee: $75

No refund after 30 June.

M Online

June 26 July 9 7

Kris Lambert MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 425.01

TESOL Methods: Reading, Writing, Listening, and Speaking

5.0 units

This practical, online introduction for teachers of English to speakers of other languages (TESOL) presents techniques for teaching, listening, speaking, reading, and writing skills to English as Second Language learners. Candidates learn to assess learner demands and understand the roles played by instructors of second language learners. Candi dates learn to identify learning objectives, formulate lesson plans, employ teaching strategies, select classroom materials, and design assessments for English learners at all levels.

Reg# 392593

Fee: $698

No refund after 14 July.

M Online July 10 Sept. 3

Please note that while late enrollment into a course is acceptable up to three days after the course start date, it is the responsibility of each student to acquire all required books and course materials by the time they are needed in the course. 7 & Kris Lambert MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 425.03

Introduction to Linguistics for TESOL Educators: English Grammar and Language

5.0 units

This online course offers an introduction to the history and construc tion of languages and to the basic linguistic concepts of learning a second language, such as grammar, pragmatics, and syntax. Linguis tics provides an introduction to language evolution and to an appre ciation of human language. Participants improve their own (English) language mastery, gain insight into English in comparison with other languages, examine grammatical categories and processes of other languages, and discover the rich array of languages and language types spoken worldwide. Key topics include grammar, syntax, seman tics, sociolinguistics pragmatics (the speech setting: assumptions, body language, etc.), dialects (areal, social, professional, creole, and pidgin languages), writing systems, and computational linguistics.

Reg# 392594

Fee: $698

No refund after 14 July.

M Online

July 10 Sept. 3

Viktorija Lejko-Lacan MA, lecturer, Department of Slavic Languages and Literatures, UCLA; language and language development instructor.

EDUC X 425.05

TESOL Practicum Portfolio

2.0 units

Students must pass all four core courses with a “C” or better to be eligible for this course. This is the culminating course in the TESOL Certificate. The TESOL Practicum Portfolio integrates prior learning, assignments, lesson plans, and observations from the TESOL courses and provides students the opportunity to reflect and refine their teaching practices. Participants compile a professional digital portfolio that captures and highlights their best work from each course. The portfolio also includes the development of professional goals and a comprehensive teaching philosophy. A taped video lesson and class room observation for each course is included in the final portfolio, providing detailed evidence of teaching strengths. The completed portfolio supports participants in job placement and interviews and tells the personal story of learning and growth throughout the TESOL program.

Reg# 392595

Fee: $230

No refund after 1 Sept.

M Online

Aug. 28 Sept. 24

Students must pass all four core courses with a “C” or better, or be concurrently enrolled in the fourth core course, to be eligible for TESOL Practicum Portfolio. Please note that while late enrollment into a course is acceptable up to three days after the course start date, it is the responsibility of each student to acquire all required books and course materials by the time they are needed in the course.

7 Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 425.06 Teaching Practicum in TESOL

4.5 units

This online course offers opportunities for professional development through guided teaching practice in English Language Teaching (ELT). The course focuses on supervision of students in linking theoretical knowledge in applied linguistics to effective pedagogies for teaching new speakers of English/emergent bilinguals in an authentic teaching environment. Content builds upon courses in the TESOL certificate with a focus on self and peer observation, teacher professional development in ELT, improving teaching practice, and fostering socio cultural and racial awareness in language teaching. Students will apply what they already know from the field of TESOL to the guided teaching practice in this course. Students will have practice opportuni ties that draw from each certificate course. For example, students will write a diversity statement that demonstrates how their cultural per spectives and methods impact their teaching of diverse students; students will build on their teaching philosophy by reflecting on their recorded teaching demonstrations and lesson plan materials: students will build on their foundational linguistics’ knowledge by demonstrat ing a grammar activity with their peers; and they will incorporate instructional technologies in designing and implementing lesson plans. For this course, students are required to find their own field site where they can practice and apply their ELT teaching skills.

Prerequisite(s): Professional level English language proficiency is required in the following areas: listening and note taking; reading comprehension and vocabulary; written expression and oral presenta tion. Students who lack these skills should consider taking English as a Second Language courses offered by the UCLA Extension American Language Center, before enrolling in this program.

Reg# 393079

Fee: $725

No refund after 30 June.

M Online 7 mtgs

June 26 Aug. 20

Thursday, 5 6pm, July 6 Aug. 17

Remote Classroom

This is an online, asynchronous course with once a week mandatory zoom meeting on Thursdays from 5-6pm PT starting July 6. This course requires the purchase of GoReact software at $32. The link to purchase the software will be provided in Canvas.

Marie Webb Lecturer of international graduate and undergraduate students in the English for Multilingual Students program and the TESOL minor in the Department of Linguistics at University of California at Santa Barbara.

K-12 Clear Teaching Credentials

For information about California clear credential programs and courses that satisfy CTC clear credential requirements, call (310) 825-4191, email credentials@uclaextension.edu or visit uclaextension.edu/education/k-12-california-teachercredentialing-authorizations .

EDUC 724

Online U.S. Constitution Exam

This exam fulfills the U.S. Constitution requirement required by the California Commission on Teacher Credentialing (CTC) for teaching and service credentials in California.

Recommended: The exam requires you to comprehend specific knowledge of the U.S. Constitution, including the cause of the Consti tutional Convention, issues of the Constitutional Convention, and the Ratification of the Constitution. Exam Preparation Guide.

Reg# 392843

Fee: $80

No refund.

M Online

Sept. 11

X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

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& TEXTBOOK REQUIRED

C UC CREDIT

This exam will be proctored by ProctorU through Canvas.

Lauren Flemming

36 Education Enroll at uclaextension.edu or call (800) 825-9971

EDUC 804.1

Introduction to the Study of Teaching English Language Learners (CLAD Through CTEL Certificate)

0.5 CEUs

This orientation to the CLAD through CTEL Program gives applicants a clear understanding of the entire program, including its scope and goals, requirements, standards, procedures that affect competencies, and field experience(s). This orientation is a prerequisite for all other CLAD through CTEL courses and includes formal application to the UCLA Extension program.

Prerequisite(s): Submitted application to UCLA Extension’s English Learner Added Authorization program.

Reg# 392792

Fee: $25

No refund after 19 June.

M Online

June 26 Sept. 10

Discounts cannot be applied to fees for this course. Enrollment in this course is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. This course is not part of the TESOL program. 7

Allison Leggett, EdD

EDUC X 426

Culture and Inclusion

4.0 units

Fulfills Equity, Diversity, and Access requirement (Standard 9) for the SB2042 Preliminary Credential. Please obtain the approval of your credential program advisor before enrolling to ensure that this course satisfies your credential program requirements. Examine culture and cultural diversity and the relationship to academic achievement, development, implementation, and evaluation of culturally inclusive instruction. Topics include cultural concepts and perspectives, cultural contact, cultural diversity in California and the United States, cross cultural interaction, the roles of culture in the classroom and the school, culturally inclusive learning environments, family and com munity involvement, and culturally inclusive curriculum and instruction.

Reg# 392826

Fee: $650

No refund after 14 July.

M Online

July 10 Aug. 13

Enrollment in this course is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. This course is not part of the TESOL program. 7

Marisela Limon Recendez MEd, University of California, Los Angeles, EdD, University of Southern California

EDUC X 426.1

Language and Language Development

4.0 units

Fulfills English Language Learner requirement (Standard 12) for the SB2042 Preliminary Credential when taken with X 426.3. Please obtain the approval of your credential program advisor before enrolling to ensure that this course satisfies your credential program requirements. Presents a research based conceptual understanding of language systems, structures, forms, functions, and variations of both aural and written language forms. Topics include applying language functions and variations, discourse, and pragmatics directly to assessment and instruction of English learners; specific linguistic and socio linguistic challenges of English learners; and materials and methods for under standing and analyzing socio cultural and political factors that affect second language development.

Reg# 392827

Fee: $650

No refund after 30 June.

M Online June 26 Aug. 6

EDUC X 426.2 Assessment of English Learners

3.0 units

Investigate the principles and design of standards based assessment and instruction for English language learners and their relationship to identifying students’ strengths and needs in English language/lit eracy development and academic achievement. Covers the roles, purposes, and types of formal and informal assessment that inform teachers in planning effective, differentiated instruction and monitor ing English learners’ progress with respect to a given standard and issues of norming, test reliability, validity, and cultural and linguistic biases with respect to children of diverse backgrounds.

Reg# 392828

Fee: $577

No refund after 14 July.

M Online July 10 Aug. 13

Enrollment limited; early enrollment advised. 7 & Kris Lambert MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 426.3 Foundations and Methods of English Language/ Literacy Development and Content Instruction

6.0 units

Fulfills English Language Learner requirement (Standard 12) for SB 2042 Preliminary Credential when taken with X 426.1. Please obtain the approval of your credential program advisor before enrolling to ensure that this course satisfies your credential program requirements. Explore current research based theories of second language acquisi tion and the differences between first and second language and lit eracy development. Topics include cognitive, linguistic, and socio cultural factors that affect language learning in children of diverse backgrounds; use of the California English Language Develop ment standards and the English Language Proficiency Assessments for California (ELPAC) in instructional planning that promotes language development and academic achievement; and research based approaches and methods for English language development in listen ing, speaking, reading, and writing as they relate to communicative competence. Learn to deliver comprehensible instruction to English learners with three instructional models: English Language Develop ment (ELD), Content based ELD, and Specially Designed Academic Instruction in English (SDAIE).

Reg# 392830

Fee: $800

No refund after 30 June.

M Online

June 26 Aug. 27

Enrollment limited; early enrollment advised. 7 & Brooke Howland, EdD

EDUC X 426.9 CTEL Portfolio

1.0 units

The CTEL Portfolio brings together learning and field experiences from the other CTEL courses in a cohesive manner. Candidates collaborate with instructors from each course individually to determine an appro priate field assignment based on academic and professional interests and establish the material that should be included in the CTEL Port folio. Although field assignments differ between candidates, everyone must complete a CTEL Portfolio that documents their experiences, including organized reflections and evidence of knowledge, skills, and abilities.

Prerequisite(s): Enrollment is restricted to students who have com pleted EDUC 804.1, EDUC X 426, EDUC X 426.1, EDUC X 426.2, and EDUC X 426.3 and submitted an approved application to UCLA Extension’s English Learner Added Authorization program.

Reg# 392832

Fee: $200

No refund after 1 Sept.

M Online

Aug. 28 Sept. 10

Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 324.936

Methods of Teaching in Elementary Schools

4.0 units

Meets Commission on Teacher Credentialing (CTC) requirement of a “course directly related to teaching in a self contained classroom, excluding the methods of teaching reading” for teachers who hold a Single Subject Teaching Credential and wish to obtain the Multiple Subjects Teaching Credential without completing the full professional preparation program. For details, visit ctc.ca.gov/credentials/leaflets/ cl621a.pdf This course provides a study of the objectives, selection, organization, and presentation of the subject matter of all elementary school subjects with the exception of reading. Teachers develop a repertoire of teaching strategies appropriate to the developmental characteristics and learning styles of elementary school children.

Reg# 392814

Fee: $725

No refund after 19 June.

M Online June 26 Aug. 20

Credit students must log on to the course by the first week of class and fully participate in all sessions as outlined in the course syllabus. Enrollment limited; advance enrollment required. 7

Patricia Whitman, EdD, intern supervisor, UCLA Extension Education Department

EDUC X 330.53

Single Subject Methods for Teaching K-12 Physical Education

4.0 units

The primary goal of this course is for each student to gain increased ability to effectively and efficiently teach K 12 physical education in pursuit of the added authorization credential. Students learn strategies for teaching California standards based physical education. Topics include curricular models, teaching styles, student and teacher assessment, class management and discipline, motivation, and teach ing diverse learners.

Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject)

Reg# 392820

Fee: $725

No refund after 30 June.

M Online June 26 Aug. 20

Enrollment limited; early enrollment advised. 7

Ken Hansen, PhD

Ann Ingman

Enroll at uclaextension.edu or call (800) 825-9971 Education 37

EDUC X 330.54

Single Subject Methods for Teaching English

4.0 units

This course focuses on methodologies appropriate for facilitating English/language arts instruction at the middle and high school levels in a variety of classroom settings. As candidates for the Single Subject Credential in English, students in this course learn, practice, and reflect on the specific pedagogical knowledge needed to teach English/ language arts to secondary students. We explore a variety of teaching strategies for organizing a secondary English/language arts curricu lum using the national standards of the Common Core. Teacher can didates discuss, plan, implement, and assess appropriate instruction using current best practices for the effective teaching of English/ language arts. The course addresses various curricular areas of English/language arts, including the teaching of writing, reading comprehension and literature, language applications, grammar, speak ing applications and visual media, and how they can be effectively integrated into daily lesson planning while meeting Common Core Standards. Additionally, teacher candidates learn how to be reflective practitioners who regularly engage in classroom action research to improve their teaching.

Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject)

Reg# 392822

Fee: $725

No refund after 30 June.

M Online June 26 Aug. 20

7 & Jennifer DaCosta

EDUC X 330.55

Single Subject Methods for Teaching

Mathematics

4.0 units

This course is designed to prepare secondary math candidates to effectively plan and deliver the state adopted academic content standards for students in mathematics (grades 7 12). The candidate has multiple opportunities to learn, practice, and reflect upon mathe matics specific pedagogical knowledge and skills in order to enable students to understand basic mathematical computations, concepts, and symbols to solve common problems and novel problems; help students solve real world problems using mathematical reasoning and concrete, verbal, symbolic, and graphic representations; provide a secure environment for taking intellectual risks and approaching problems in multiple ways; model and encourage students to use multiple ways of approaching mathematical problems; encourage discussion of different solution strategies; foster positive attitudes toward mathematics; and encourage student curiosity, flexibility, and persistence in solving mathematical problems. The course also helps students in grades 7 12 to understand mathematics as a logical system that includes definitions, axioms, and theorems; understand and use mathematical notation and advanced symbols; and assign and assess work through progress monitoring and summative assessments that include illustrations of student thinking such as open ended questions, investigations, and projects.

Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject)

Reg# 392825

Fee: $725

No refund after 19 June.

M Online June 26 Aug. 20

7 Allison Leggett

, EdD

EDUC X 330.56

Single Subject Methods for Teaching Social Science

4.0 units

This course is designed for credentialed teachers who are looking to add a certification in social studies to their credential. The primary goal of this course is for candidates to learn specific teaching strate gies that are effective in supporting them to teach the state adopted academic content standards for students in history/social science (grades 7 12). The course is centered on developing an understanding of historical thinking and learning new methods to help secondary students think, read, and write like historians. Participants in the course have an opportunity to design lessons and learning experi ences that they can use to teach social studies, while also continuing to build their own understanding of what it means to learn social studies.

Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject)

Reg# 392829

Fee: $725

No refund after 19 June.

M Online June 26 Aug. 20

Enrollment limited; early enrollment advised. 7 Victoria Harvey PhD, UC Santa Barbara

EDUC X 330.57

Single Subject Methods for Teaching Science

4.0 units

This course focuses on methodologies appropriate for facilitating science instruction at the middle and high school levels in a variety of classroom settings. As candidates for the added authorization Single Subject Credential in Science, students in this course learn, practice, and reflect on the specific pedagogical knowledge needed to teach science to secondary students. Teacher candidates learn specific teaching strategies that are effective in supporting them to teach the state adopted academic content standards for students in science (7 12). They learn strategies to balance the focus of instruction between science information, concepts, and principles. Additionally, teacher candidates learn how to be reflective practitioners who regu larly engage in classroom action research to improve their teaching. Specific topics include the use of scientific investigation, inquiry, and experimentation; cultural sensitivity in science instruction; measuring and recording scientific data; integration of mathematics in science instruction; laboratory safety; and integration of curriculum with real world applications and connections to careers in science.

Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject)

Reg# 392831

Fee: $725 No refund after 19 June.

M Online

June 26 Aug. 20

Enrollment limited; advance enrollment required. 7 Allison Leggett, EdD

Course Icons Provide Information At-a-Glance

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Technical requirements, page 1.

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Visit our website for textbook information.

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May be transferable to other colleges and universities. Learn more on our website

38 Education Enroll at uclaextension.edu or call (800) 825-9971

ENGINEERING

Aerospace & Mechanical Engineering

Engineering Review Courses

ENGR 809

Professional Engineer (PE) Mechanical Exam Preparation

3.6 CEUs

The NCEES Principles and Practice of Engineering (PE) exam verifies a required level of competency in a particular engineering discipline. This PE exam preparation course offers a thorough review of the majority of topics that will appear on the exam which are necessary to solve the exam problems. The main emphasis is on the thermal and fluids systems, and HVAC and refrigeration with the Machine Design and Materials details covered as needed. All the Exam Specifications will be reviewed so whatever PE Mechanical Exam module you choose, you will still benefit from this course. Topics covered include economic analysis, energy/mass balances, energy/power equipment, engineering science and mechanics, equipment and components, fluid mechanics, heat transfer, heating/cooling loads, joints and fasten ers, mass balance principles, material properties, power cycles, psy chrometrics, strength of materials, supportive knowledge, systems and components, thermodynamics, and vibration.

Reg# 390215

Fee: $999

No refund after 1 July.

A Remote 6 mtgs

Saturday, 9am 4pm, July 8 Aug. 12

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Jan Swider, PhD, PE

HVAC

MECH&AE X 424.7 HVAC Design Fundamentals

4.0 units

In this course, students learn the basic engineering calculations and design rules of air conditioning systems. Available tools and software to design the HVAC system for a commercial building are introduced and used. The design rules taught in this course adhere to California codes and regulations, and the goal is for students to learn the steps needed for designing a sample project.

Prerequisite(s): High school math including algebra, geometry, and calculus. High school physics including thermal energy and units conversion.

Reg# 392123

Fee: $999

No refund after 12 July.

A Remote 11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Amir Saadat, senior project manager, PE, building general contractor, ISO 9001 internal auditor, LEED

Lean Six Sigma

For a complete certificate description visit uclaextension.edu/engineering. For information call (310) 825-4100 or email et@uclaextension.edu

MECH&AE X 428.69

Six Sigma Green Belt

4.0 units

The Six Sigma Management System is rocking the business world by helping organizations meet or exceed customer requirements through greater efficiency and profitability. “Sigma” is a statistical measurement term that indicates how far a given process deviates from perfection, and the highly disciplined Six Sigma process allows organizations to develop and deliver near perfect products and services. The central idea behind Six Sigma is that if you can measure how many defects exist in a process, you can systematically eliminate them and get as close to “zero defects” as possible. This course shows students how to identify and manage process improvement projects using the systematic, analytical Six Sigma approach. Topics include manage ment roles and responsibilities that support Six Sigma philosophy, specific analysis techniques that can be applied to a process, and inspiring case studies of company successes. Class exercises include simulations that demonstrate the application of tools and techniques. This course also prepares students to take the American Society for Quality Green Belt Certification exam.

Reg# 393054

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Tony Oliver Reg# 393053

Fee: $999

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 6 9pm, June 27 Sept. 12

MECH&AE X 428.80

Lean Six Sigma Black Belt I

4.0 units

Lean Six Sigma helps organizations develop and deliver near perfect products and services in a more efficient way to both meet and exceed customer requirements and become more profitable. This course prepares students to fulfill the role of a Six Sigma Black Belt, providing technical guidance and mentoring to Green Belts, leadership, and other team members. Subjects include strategic planning, measuring performance, team development, and understanding the customer. Completing both Lean Six Sigma Black Belt I and II provides students with practical knowledge to improve their organizations and excel in their careers. This is not an exam prep course.

Prerequisite(s): Successful completion of the UCLA Extension MECH&AE X 428.69 Six Sigma Green Belt, or a comparable Green Belt course from a recognized source and consent of instructor.

Reg# 393055

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

David Arvonio DM, MBA, MPA, Lean Six Sigma Master Black Belt, Amazon.com, Inc.

Plumbing Systems Design

MECH&AE X 400.8

Plumbing Systems Design I: Code and Engineering Fundamentals

4.0 units

This course provides the basic engineering principles and reviews the plumbing codes behind the functioning of a plumbing system. The instructor will cover calculation techniques for the various systems, equipment selection guidelines, and an introduction to actual system design and cautions. Lecture material includes topics pertaining to sustainable and renewable plumbing systems and equipment. The NFPA fuel gas code will also be reviewed for design and application. Also covered are the subjects of alternate plumbing systems and alternate water sources for adequate domestic and process supply.

Reg# 393056

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

This online course will offer weekly live lectures via zoom and the instructor will make recordings of these sessions available on a weekly basis. While not mandatory, it is highly recommended to participate in these live sessions of about one-hour duration. Students will be notified of the day and time through the course syllabus.

Enrollment limited; early enrollment advised. Visitors not permitted. Daniel Murphy PE, LEED, CIPE/CPD, CBCP, CFPS; principal, Murphy Exports.

For more information call (310) 825-4100.

MECH&AE X 400.9

Plumbing Systems Design II: Advanced Engineering Systems & Applications

4.0 units

There is science and mathematics behind plumbing system design. This course covers these concepts and their applications. The instruc tor will review and analyze the equations related to horizontal sloping flow, vertical stack flow, and pressure piping flow. Course material will also cover the private sewage disposal systems and design.

Prerequisite(s): A good grasp of fundamental mathematics and either completion (with a grade of “C” or better), or concurrent enrollment in MECH&AE X 400.8 Plumbing Systems Design I.

Reg# 393057

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted.

Daniel Murphy, PE, LEED, CIPE/CPD, CBCP, CFPS; principal, Murphy Exports.

MECH&AE X 400.14

High-Rise Building Plumbing Design

4.0 units

This course explores the subject of high rise building plumbing design, including the components and systems typically found in such build ings, but also some less traditional approaches. Topics studied include: sanitary waste and vent stacks, storm water, domestic cold water systems, hot water systems, hot water recirculation systems, building services/utilities, equipment, LEED and sustainability considerations, plumbing fixtures, and others.

Prerequisite(s): Successful completion of Plumbing Systems Design I, Plumbing Systems Design II, or consent of instructor.

Reg# 393058

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

David DeBord, FASPE, CPD, LEED AP BD+C, ARCSA AP, GPD; director of Plumbing and Fire Protection Engineering.

MECH&AE X 400.16

Fire Protection for Plumbing Engineers

4.0 units

This course provides engineers, designers, and contractors with a basic technical understanding and appreciation of fire protection systems, specifically automatic sprinkler systems, standpipe systems, fire pumps, and water supplies. Students will develop an understand ing of design and installation practices of systems, calculation methods, installation standards, product evaluations, and review and approval of fire protection design plans.

Prerequisite(s): Successful completion of Plumbing Systems Design I and Plumbing Systems Design II, or consent of instructor.

Reg# 393059

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted.

Douglas Nadeau president, RAN Fire Protection Engineering

Bioengineering

Biotechnology Engineering

For a complete certificate description, visit uclaextension.edu/engineering/certificates . For information, call (310) 825-4100 or email et@uclaextension.edu

BIOENGR X 431.2

Manufacturing Processes in Biotechnology

4.0 units

This course provides an overview of the major topics related to manu facturing processes for biotechnology. It covers introduction of bio pharmaceutical production, process development, product characterization, quality by design (QbD), risk management, quality assurance, process scale up and validation, manufacturing facility, biological drug regulations, process economy, outsourcing and vendor management, and an overview of key topics. Students have the chance to play different roles and help to solve real problems in today’s biopharmaceutical industry.

Reg# 393062

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Yuwei Wang

BIOENGR X 431.4

Regulatory Affairs for Biotechnology

4.0 units

This course introduces and reviews the role of Regulatory Affairs (RA) in the biotechnology industry. The RA environment embraces the regulations and standards governing product development, from its infancy through post approval monitoring. In today’s regulatory environment, products may be classified as biologics, drugs, medical devices, or a combination of the former products. In most worldwide countries, each type of product is regulated by a different RA authority and often has its own distinct regulations. This course primarily focuses on the U.S. and the European Union (EU) regulatory processes (although other countries such as Canada and Japan are also briefly reviewed). Course topics include: RA history, the various regulatory agencies, accessing RA information, drug submissions, biological submissions, Quality System Regulations (QSR), Good Laboratory Practices (GLP), Good Clinical Practice (GCP), Good Manufacturing Practice (GMP), and EU and FDA inspections. Instruction also includes strategies to get products to market quickly and in a safe and effica cious fashion.

Reg# 393063

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted. Michael Colvin, vice president, R&D, Syntilla Medical LLC

Medical Device Engineering

BIOENGR X 430.2

Regulatory Affairs for Medical Devices

4.0 units

This engineering course is designed to introduce and review the role of Regulatory Affairs (RA) in the medical device industry. The RA environment embraces the regulations and standards governing product development, from its infancy through post approval monitor ing. In today’s regulatory environment, products may be classified as biologics, drugs, medical devices, or a combination of the former products. In most worldwide countries, each type of product is regu lated by a different RA authority and often has its own distinct regula tions. This course primarily focuses on the U.S. and the European Union (EU) regulatory processes (although other countries such as Canada and Japan will be briefly reviewed). Course topics include: RA history, the various regulatory agencies, accessing RA information, medical device submissions, Quality System Regulations (QSR), Good Labora tory Practices (GLP), Good Clinical Practice (GCP), Good Manufacturing Practice (GMP), and EU and FDA inspections. It also includes strategies to get products to market quickly and in a safe and efficacious fashion. Required course in the Medical Device Engineering Certificate.

Reg# 393060

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Michael Colvin, vice president, R&D, Syntilla Medical LLC

BIOENGR X 430.4 Biomaterials and Biocompatibility

4.0 units

This course serves as an engineering introduction to the field of bio materials and biocompatibility, assuming some background in biology and organic chemistry. The first part of the class covers the structure and properties of materials used as biomaterials including ceramics, metals, synthetic polymers, and natural materials. The structures, chemistry, and surface morphology of these materials and how these factors ultimately define the biocompatibility of a material are reviewed. The second part of the course covers host reactions to biomaterials and emphasizes on common clinical applications of biomaterials. The process of material selection for biocompatibility is introduced with regards to body responses including cell and tissue interaction, immunological responses, and toxicity and safety. Students are presented with problems of property characterization, failure analysis, and performance testing. Design criteria, material selection, performance, property retention, stability, and typical failure modes are presented.

Reg# 393061

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Bill Tawil, PhD, director, Abbott Medical Laboratories (a St Jude Medical Company); adjunct professor, bioengineering, UCLA.

Civil & Environmental Engineering

Construction Management

For a complete certificate description, visit uclaextension.edu/engineering/certificates For information, call (310) 825-4100 or email et@uclaextension.edu

C&EE X 407.1

Fundamentals of Construction Management

4.0 units

This course covers the basic principles and responsibilities in con struction management, including interface requirements between real estate, leasing, legal, feasibility, finance, lending, marketing, account ing, and public agencies; defining and controlling the scope of a project; and functions of the construction manager: planning, organiz ing, staffing, directing, and managing the other team members. Other topics include management principles, estimating, scheduling, budget ing, purchasing, design, safety, insurance, construction techniques, labor, and public relations.

Reg# 392133

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Evan Nishizu, project manager; MS in civil engineering, USC.

Reg# 392134

Fee: $999

No refund after 9 July.

A Remote 10 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 28

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Salih Eroglu, Master of Construction Management; architect, UIA (International Union of Architects); project manager, Swinerton Builders.

Reg# 392135

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Diego Ramirez MS in Civil Engineering, Construction Engineering and Management; BS in Civil Engineering, Structural Engineering.

40 Engineering Enroll at uclaextension.edu or call (800) 825-9971

C&EE X 407.2

Construction Materials and Building Systems

4.0 units

This course studies construction materials, equipment, methods, and regulatory influences. Topics include construction for site and civil work; seismic resistance; technology of basic building materials; interior and exterior finishes; and plumbing, electrical, and mechanical systems. Instruction discusses current developments in materials, systems, and construction techniques in light of changing factors of production, regulatory constraints, and current trends.

Reg# 392136

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Matt Pirayeh

Reg# 393048

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Michael Johnson, Master of Science in Civil Engineering, University of Southern California

Reg# 393171

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Enrollment limited; early enrollment advised. Visitors not permitted.

John H. Gormley, FAIA

C&EE X 407.3

Construction Planning and Management Systems Using Primavera

4.0 units

This course presents an in depth study of the current systems and techniques applied in construction planning, scheduling, control, and delay impact analysis. Instruction emphasizes the Critical Path Method approach to developing baseline schedules, progress measurement, earned value, integrated management systems, and as planned versus as built analysis. The course also includes hands on computerized scheduling using Primavera Systems software.

Reg# 392137

Fee: $1,299

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted. Diego Ramirez, MS in Civil Engineering, Construction Engineering and Management; BS in Civil Engineering, Structural Engineering.

Reg# 392139

Fee: $1,299

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Ali Demir

Reg# 392138

Fee: $1,299

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted.

Graham Moore

C&EE X 412.1

Fundamentals of Construction Costs and Estimating

4.0 units

This course provides an overview of the basic procedures for estimat ing general construction costs. While there is a range of cost estimat ing tools in the construction industry such as Procore®, this course focuses on using RSMeans® as the tool of choice for professional cost estimators and knowledgeable project managers. Topics include the preparation of quantity surveys (take offs) and the development of material, labor, and equipment costs, including pricing of contractor and subcontractor work from actual working drawings and specifica tions. The cost estimating skills you’ll learn using RSMeans® the most widely used estimating app, will significantly reduce your learning curve with a wide range of other cost estimating software in the construction management industry.

Prerequisite(s): Completion of C&EE X 412.9 Reading Construction Blueprints course recommended, or familiarity with reading construc tion plans.

Reg# 392155

Fee: $1,099

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Molly McMillan

Reg# 392154

Fee: $1,099

No refund after 10 July.

X In-Person

10 mtgs

Tuesday, 6 9pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Artin Mgrtichian MISM, MPM, PMP, LEED GA, project manager, Med Media Group

C&EE X 412.5

Construction Site Project Management

4.0 units

The course addresses construction project management components from the contractor’s perspective, with an emphasis on publicly owned projects. You examine all facets of project management tools on the jobsite and the expected roles of the site management team (project managers, project/field engineers, and superintendents), as well as all aspects of a typical, large sized project, from project planning to closeout. You also learn management skills and techniques to effec tively manage construction jobsite projects.

Prerequisite(s): C&EE X 407.2 Construction Materials and Building Systems or background in the industry.

Reg# 392157

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Tony Chemali, MS, vice president, construction management, CH2M HILL

C&EE X 412.9

Reading Construction Blueprints

4.0 units

This is an introductory course in reading and analyzing architecture and construction technology documents, in which students acquire the theory and practice to read complete sets of drawings used in building design and building construction. Students explore all ele ments of architecture and construction technology document reading, from sheet characteristics and drawing symbols to reading specialty prints and construction specifications. Students develop skills in reading, visual perception, technical communication, and problem solving. Students are given a full set of construction project docu ments to work through typical problems commonly encountered by professionals. This course utilizes the pdf viewing and editing software Bluebeam Revu to navigate the construction documents.

Reg# 392158

Fee: $1,099

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted. Evan Nishizu, project manager; MS in civil engineering, USC.

C&EE X 438.8

Leadership in Energy and Environmental Design

4.0 units

Green buildings embody a design intent on balancing environmental responsiveness and responsibility, resource efficiency, and cultural and community sensitivity. The course primarily focuses on the LEED Rating System, currently the centerpiece of the most innovative, effec tive aspects of green design. The course covers both versions of the rating system administered by USGBC, LEED 2009, and LEED v4. Topics range from sustainable principles, current sustainable design, and building practices to specific elements of the LEED rating system. This course benefits individuals who are very hands on in their role in the design and construction of a green building, as well as anyone with an interest in understanding the basic nuances of green building.

Reg# 393052

Fee: $999

No refund after 10 July.

In-Person

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Dimitris Klapsis, LEED AP, senior project manager

C&EE X 489.14

Electrical Design and Construction

4.0 units

As a specialty trade in the construction industry, electrical systems can be complex and confusing to the non expert. Students learn the the essentials of electrical systems for commercial construction with an overview of fundamentals, construction procedures, electrical equipment, electrical design, and regulatory requirements. Instruction emphasizes the integration of electrical systems with project site development and related construction trades. This course covers the current requirements of the California Electrical Code and other build ing and construction regulations, as well as applicability to green building design and sustainability development. Topics also include electrical plan reading, single line diagram design, panel schedule design, and load calculations.

Reg# 392160

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Ronald Takiguchi, BS in Electrical Engineering, professional engineer (PE), Certified Building Official (CBO)

C&EE X 489.16

Introduction to Building Information Modeling (BIM)

4.0 units

This introductory course in Building Information Modeling (BIM) focuses on Autodesk’s Revit Architecture as a platform for learning key principles in the application of digital media in the design and docu mentation of building elements within a parametric environment. Fundamental training is provided so students can progress to more advanced design computation and its application in the construction industry. Through a series of lectures and exercises, this course explores basic BIM concepts that apply to all parametrically driven CAD systems. The software tool used in this course requires a Windows Operating System.

Reg# 393049

Fee: $999

No refund after 9 July.

X In-Person

11 mtgs

Monday, 6 9pm, June 26 Sept. 11

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Ramo Khem, PhD in architecture, BIM Certificate, DArch, solutions manager, Herzog

Reg# 393050

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Ataa Aly, senior project engineer, San Diego International Airport

Enroll at uclaextension.edu or call (800) 825-9971 Engineering 41

EC ENGR X 425.10

The Solar Energy Solution: Harnessing Solar Power in the Home and Office

4.0 units 3.3 CEUs

This course helps individuals or organizations augment their home and/or business power requirements with solar energy. Students gain a general overview of the knowledge to choose and ultimately design an appropriate system and discuss the various forms of solar energy with a specific emphasis on solar electricity (i.e. how electricity can be generated, stored, and utilized in the home and workplace through solar energy). Installation techniques, methods of monitoring system performance, and proper maintenance procedures are also discussed. This class is primarily for anyone interested and concerned about the financial, environmental, and self sufficiency aspects of solar energy. While not a highly technical course, a basic electrical/mechanical educational background is helpful due to the technology that will be covered. Home and business owners, contractors, sales people, entrepreneurs seeking business opportunities, and those who have a keen interest in solar technology should derive significant benefits from participating in this course.

C&EE X 407.1

Fundamentals of Construction Management

4.0 units

Reg# 392133

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Evan Nishizu project manager; MS in civil engineering, USC.

Reg# 392134

Fee: $999

No refund after 9 July.

A Remote 10 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 28

Remote Classroom

Reg# 392135

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Diego Ramirez, MS in Civil Engineering, Construction Engineering and Management; BS in Civil Engineering, Structural Engineering.

C&EE X 407.2

Construction Materials and Building Systems

4.0 units

Reg# 392136

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Matt Pirayeh

Reg# 393048

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Michael Johnson, Master of Science in Civil Engineering, University of Southern California

Reg# 393171

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted.

John

H. Gormley, FAIA

C&EE X 407.3

Construction Planning and Management Systems Using Primavera®

4.0 units

Reg# 392137

Fee: $1,299

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted. Diego Ramirez, MS in Civil Engineering, Construction Engineering and Management; BS in Civil Engineering, Structural Engineering.

Reg# 392139

Fee: $1,299

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Ali Demir

Reg# 392138

Fee: $1,299

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted.

Graham Moore

C&EE X 412.1

Fundamentals of Construction Costs and Estimating

4.0 units

This course provides an overview of the basic procedures for estimat ing general construction costs. While there is a range of cost estimat ing tools in the construction industry such as Procore® this course focuses on using RSMeans® as the tool of choice for professional cost estimators and knowledgeable project managers. Topics include the preparation of quantity surveys (take offs) and the development of material, labor, and equipment costs, including pricing of contractor and subcontractor work from actual working drawings and specifica tions. The cost estimating skills you’ll learn using RSMeans®, the most widely used estimating app, will significantly reduce your learning curve with a wide range of other cost estimating software in the construction management industry.

Prerequisite(s): Completion of C&EE X 412.9 Reading Construction Blueprints course recommended, or familiarity with reading construc tion plans.

Reg# 392155

Fee: $1,099

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Molly McMillan

RRR

Reg# 392154

Fee: $1,099

No refund after 10 July.

In-Person

10 mtgs

Tuesday, 6 9pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Artin Mgrtichian MISM, MPM, PMP, LEED GA, project manager, Med Media Group

C&EE X 408.75

Legal Aspects of Construction Projects

and Contracts

4.0 units

This course covers common construction law errors, basic contract and real estate principles in the construction context, contractor licensing, and bidding. “Standard” construction industry documents also are examined, including AIA 201 general conditions, breach by owner, breach by contractor, construction claims and damages, war ranties and insurance, construction lending and deeds of trust, mechanics’ liens, bonds, stop notices, and litigation and arbitration.

Reg# 392156

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Mark Baker JD, attorney at law, Baker & Associates

C&EE X 412.16

Principles of Structural Analysis

4.0 units

In this course, students gain an understanding of the fundamental structural concepts that individuals working in construction manage ment need to have. This course provides an introduction to structural analysis and focuses on the classification of structural elements; analysis of statically determinate trusses, beams, and frames; deflec tions in elementary structures; and load calculations.

Prerequisite(s): Basic understanding of high school level algebra and geometry.

Reg# 392159

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Ataa Aly, senior project engineer, San Diego International Airport

C&EE X 412.5

Construction Site Project Management

4.0 units

Prerequisite(s): C&EE X 407.2 Construction Materials and Building Systems or background in the industry.

Reg# 392157

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Tony Chemali, MS, vice president, construction management, CH2M HILL

42 Engineering Enroll at uclaextension.edu or call (800) 825-9971

RRR

C&EE X 412.9

Reading Construction Blueprints

4.0 units

Reg# 392158

Fee: $1,099

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised. Visitors not permitted. Evan Nishizu project manager; MS in civil engineering, USC.

C&EE X 438.8

Leadership in Energy and Environmental Design

4.0 units

Reg# 393052

Fee: $999

No refund after 10 July.

X In-Person

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Dimitris Klapsis, LEED AP, senior project manager

C&EE X 489.14

Electrical Design and Construction

4.0 units

Reg# 392160

Fee: $999

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

C&EE X 489.16

Introduction to Building Information Modeling (BIM)

4.0 units

Reg# 393049

Fee: $999

No refund after 9 July.

X In-Person

11 mtgs

Monday, 6 9pm, June 26 Sept. 11

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Ramo Khem PhD in architecture, BIM Certificate, DArch, solutions manager, Herzog

Reg# 393050

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Ataa Aly, senior project engineer, San Diego International Airport

C&EE X 490.05

Construction Safety and Health Management

4.0 units

This course is an introduction and review of construction safety management principles and practices. Students will become familiar with why construction safety is integral to the success of any con struction management program or project. The course will also pro vide an overview of Federal and State (California) OSHA compliance requirements, loss prevention protocols, worker’s compensation, and an introduction to safe work practices and other control measures that will reduce potential occupational injuries and illnesses. Students will study the safety risks inherent in a construction project and under stand the economic impact of accidents.

Reg# 393051

Fee: $999

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

UCLA: Math Sciences

Enrollment limited; early enrollment advised. Visitors not permitted. Bradley Walker safety administrator, Los Angeles Department of Water & Power

Electrical & Computer Engineering Communication Systems

EC ENGR X 422.21

Fiber-Optic Communications

4.0 units

This course offers an introduction to fiber optic communication systems while developing practical tools to understand and design these sys tems. Instruction presents a broad range of topics in optical commu nications with emphasis on providing a practical perspective of these systems. Physical understanding of the components, along with the analytical tools learned during the course, prepares students for designing both analog and digital optical links. Students learn design trade offs in the practical implementation of these systems. The course covers propagation in single and multimode fibers, intermodal disper sion in multimode fibers, chromatic and waveguide dispersion in fibers, polarization mode dispersion, and dispersion compensation tech niques. Additional topics include optical transmitters, such as LEDs, DFB lasers, and VCSELs and analysis of semiconductor lasers with an emphasis on such characteristics as the modulation bandwidth, chirp ing, RIN noise, and phase noise. Students also gain an understanding of optical detectors (PIN, APD) and optical modulators based on electro optic and electro absorption effects; optical amplifiers, such as EDFAs and semiconductor optical amplifiers (SOAs); design of analog and digital optical links; DWDM systems; CATV systems; submarine fiber systems; applications of nonlinearities in optical fibers; and optical switches. The instructor in this course demonstrates the use of Matlab and other software tools for analysis, simulation, and problem solving. These tools are provided as part of the course fee as an option for student use and will not be part of the course grading criteria.

Reg# 393066

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

David Taggart, PhD, senior engineering specialist, The Aerospace Corporation

EC ENGR X 423.20

Modern Microwave and Millimeter-Wave Systems with DSP Enhancement

4.0 units

This course looks at the economic and technical revolution in the microwave, millimeter wave, and DSP areas. The instructor will discuss applications including satellites and earth terminals, wireless phones and cell sites, antennas, and radar systems. Students gain an under standing of satellites, such as Astrolink and Globalstar; along with antenna designs, such as phased arrays, reflectors, lenses, and MBAs; beam forming networks; digital/analog phase and amplitude control devices; and power splitters and combiners. Other topics include SAW filters, MMICs, up/down converters, frequency synthesizers, and other components. DSP techniques are discussed in conjunction with these systems, as well as A/Ds, D/As, and ASIC concepts. Students learn systems concepts, such as G/T, EIRP, IMs, PIMs, phase/amplitude characteristics, noise figure, and channelization. Students also receive an overview of techniques, such as TDMA, FDMA, and CDMA, as well as modulation/coding concepts. The course also examines the eco nomic considerations of these technologies. The instructor in this course demonstrates the use of Matlab and other software tools for analysis, simulation, and problem solving. These tools are provided as part of the course fee as an option for student use and will not be part of the course grading criteria.

Reg# 393067

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

Enrollment limited; early enrollment advised.

David Taggart, PhD, senior engineering specialist, The Aerospace Corporation

Enroll at uclaextension.edu or call (800) 825-9971 Engineering 43

Integrated Circuit Design

For a complete certificate description, visit uclaextension.edu/engineering/certificates . For information, call (310) 825-4100 or email et@uclaextension.edu

EC ENGR X 457.57

CMOS Analog Integrated Circuit Design

4.0 units

This course covers the design of CMOS analog integrated circuits with a focus on theoretical and practical circuit analysis, as well as design techniques from system functional blocks and transitor level device physics. Fundamental concepts include CMOS devices emphasizing functionality limitations caused by short channel effects, single stage amplifiers, current mirrors, bandgap references, and differential ampli fiers. Building upon these concepts, the course explores multi stage amplifiers, feedback, frequency response, stability, frequency com pensation, and noise analysis. The course concludes with a design project, in which an operational amplifier is designed using two methods: the traditional square law technique and the gm/Id graphi cal method. Special emphasis is made throughout the course on understanding the effects of device parasitics and on developing device physics driven circuit analysis and design skills.

Prerequisite(s): Students should have a basic understanding of math ematical concepts.

Reg# 393064

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Cosmin Iorga, PhD

EC ENGR X 457.58

Technical Management

For a complete certificate description visit uclaextension.edu/techmanagement . For more information email et@uclaextension.edu or call (310) 825-4100.

Blockchain Technology Management

MGMT 790

Understanding Blockchain Seminar Series

Blockchain has distinguished itself as the technical architecture of choice for a great many projects boldly attempting to solve critically important and meaningful problems. The next iteration of the internet has blockchain as its bedrock, and building an understanding of the precepts of this often opaque technology positions professionals with an interest in tech to pivot into this high demand space and super charge their career potential. Join us in this series where we dive into important blockchain topics (NFT’s, cryptocurrency, tokens, Bitcoin, Ethereum, hashing, smart contracts, Web3, Metaverse, etc.) that deliver substantive understanding about blockchain as the transformative tool poised to continually disrupt industries in the States and abroad.

Reg# 393159

Fee: $0

A Remote

1 mtg

Wednesday, 12 1:30pm, Aug. 2

UCLA X Open

Robert Mowry

Alex Nascimento MA, MBA

Lucy Hakobyan

MGMT X 457.1

MGMT X 457.2 Blockchain Solutions, Governance, and Collaboration

4.0 units

Blockchain has the potential to revolutionize sectors and ecosystems in which trust is needed among parties. This course aims to help students understand the disruptive potential of blockchain to solve pain points and provide increased efficiency, automation, and transparency. It provides students with tools, best practices, and success drivers to design effective and robust governance and collaborative models. This course teaches you what CEOs are starting to recognize that new business models and collaboration around blockchain are critical to create, deploy, accelerate, and scale industry wide solutions. Students get an in depth understand ing of the different approaches, including the blockchain consortium model, that allow competitors to collaborate to create decentralized networked solutions to solve shared problems, while also protecting their competitive advantage individually, keeping sensitive data confidential. Through the course work, students gain exposure to a diverse set of real world blockchain case studies that consist of many stakeholders with different relationships and incentives. While blockchain technology has the potential to upend existing systems, this course also highlights that blockchain is not an instantaneous solution. This course aims to position blockchain in the larger context of digital transformation, traditional technologies, and as a complement to other emerging technologies such as Internet of Things or machine learning.

Prerequisite(s): Completion of MGMT X 457.1 Fundamentals of Block chain Technology course recommended, or prior experience in basic blockchain concepts.

Reg# 390229

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

CMOS Digital-to-Analog

and Analog-to-Digital Converter Design

4.0 units

The course begins with an overview of data conversion systems fol lowed by the analysis and design of basic building blocks of data converters: CMOS (complementary metal oxide semiconductor) sampling circuits, operational amplifiers, comparators, and sample and hold architectures. With these fundamental concepts clarified, the course then continues with the basic principles of architectures of digital to analog converters, focusing on advantages, disadvan tages, and performance tradeoffs of various topologies. Following that, instruction covers basic types of analog to digital converters, focusing on design issues, sources of errors, and performance improvement techniques. These include offset cancellation, digital correction, and calibration techniques. The course concludes with a design project where participants apply their skills to design and characterize a simulated CMOS data converter circuit.

Reg# 393065

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Chaiyuth Chansungsan, PhD, Electrical Engineering, University of Washington; founder, SIdoctor Technologies.

Fundamentals of Blockchain Technology

4.0 units

The course aims to provide a solid and holistic foundation of the technology which is useful irrespective of the function and role of the student (project management, legal, compliance, operations, business development, IT/technology, digital transformation, finance, strategy, and others). It covers the fundamentals, including understanding the difference between decentralization, distributed ledger (DLT), block chain technology, and bitcoin. It also covers blockchain’s unique characteristics which makes it a powerful solution to solve some critical challenges. The course also covers the blockchain structure (public versus private and permission models), smart contracts, and the blockchain stack (layers). While it is focused on blockchain tech nology, the course aims to position the technology in the larger context of digital transformation, traditional technologies, and as a comple ment to other emerging technologies (for example Internet of Things or machine learning). Students get exposure to real organizations, use cases, and continuously apply theory to real business problems.

Reg# 390227

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Robert Mowry

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

Robert Mowry

MGMT X 457.3

Blockchain Technology Adoption and Implementation

4.0 units

After a few years of proof of concepts, blockchain solutions will now be adopted at scale. The difficulty in scaling from proof of concept to fully viable solutions is where many blockchain solutions fail. This course aims to empower the student with tools and knowledge to shape well thought out blockchain implementations. Discussions and coursework build on vital insights and real life learnings to aid in the deployment journey, helping you de risk early adoption and ensure careful consideration of consequences for permissioned blockchains. The course will also be a great addition to build knowledge and under standing of blockchain technology in more general terms. It introduces key components including laws and regulations, digital identities, personal data handling, smart contract legalities, cybersecurity, gover nance of blockchain networks, interoperability, and others.

Prerequisite(s): Completion of MGMT X 457.1 Fundamentals of Block chain Technology course recommended, or prior experience in basic blockchain concepts.

Reg# 392994

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Lucy Hakobyan

MGMT X 457.4

Digital Transformation: Blockchain, IoT, AI, and Trusted Data

4.0 units

Blockchain has the potential to revolutionize how companies compete and stakeholders collaborate with trusted data. This course reviews how blockchain features can improve transparency, access, and integrity of data. The student becomes familiar with real life applica tions where blockchain converges with other Industry 4.0 and 4IR technologies (such as connected devices and artificial intelligence) to solve problems. The course introduces other critical components of trusted data and emerging technology, including personal data handling compliance, data protection, digital identity, and ethics.

Prerequisite(s): Completion of MGMT X 457.1 Fundamentals of Block chain Technology course recommended, or prior experience in basic blockchain concepts.

Reg# 390230

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Robert Mowry

44 Engineering Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 457.5

Blockchain Cryptocurrency Applications in Business and Finance

4.0 units

Blockchain is disrupting the global financial industry and changing the way we view money and business. This course lays the foundation for gaining an understanding of the market implications and business opportunities associated with blockchain and cryptocurrencies. Gain the competitive advantage in understanding how cryptocurrencies function in the blockchain finance space. Topics include Bitcoin and new cryptocurrencies, NFTs, DeFi, loans, real estate, security tokens, and other investment examples such as decentralized autonomous organizations (DAOs). In addition, this course provides an overview of the business opportunities associated with how security tokens, as the digital assets and cryptocurrencies compliant and regulated by governmental agen cies, can revolutionize industries such as finance, real estate, and ven ture capital. This course aims to cover the factors and principles that govern the planning, organizing, and managing of cryptocurrencies, digital assets, and blockchain based companies or new ventures. Dis cussions will center on understanding how cryptocurrencies and blockchain will change the way we think about money, disrupt the role central banks have in conducting monetary policy, and empower the unbanked. Students should leave the course with a comprehensive understanding of the global competitive landscape and core concepts of how to evaluate cryptocurrencies and blockchain investments.

Reg# 390232

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Alex Nascimento MA, MBA

Contract Management

MGMT X 408.4

Legal Aspects of Government Contracts and Subcontracts

4.0 units

This course covers the legal analysis of award and administration of contracts, government contract law sources, and legal principles applied to problems involving data and patents. Students also learn the formation of contracts, including terms, conditions, specifications, and interpretation; bids and proposals; sales; inspections; warranties; changes and amendments; equitable adjustments and damages; default and convenience; terminations; and remedies.

Reg# 392980

Fee: $999

No refund after 9 July.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised.

Lee Schuh JD, contracts and financial consultant; recipient, UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 408.65

Government Contracts: Bidding and Financial Management

4.0 units

The U.S. government regulations and processes enable it to procure goods and services at “fair and reasonable” prices. For companies to successfully do business with the U.S. government, they must estab lish and maintain consistent financial structures to support cost/price proposals and execute their contracts pursuant to contractual terms. In general, the U.S. government has the rights to audit bidders’ propos als and compliance with the requirements in certain types of acquisi tions. Students learn the fundamentals about the U.S. government regulations that impact how bidders propose work, negotiate prices, and execute contractual terms. The course next focuses on how bid ders develop cost proposals, audits, and price negotiations. The course examines how successful bidders undertake the financial manage ment of the contract, which includes creating budgets, monitoring program progress, invoicing, and contract closeout.

Reg# 392977

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Hycentha Hodge, MBA, deputy commander, West Regional Command, Defense Contract Management Agency

MGMT X 408.7

Types, Application, and Structuring of Contracts

4.0 units

This course presents a review of the various types and forms of gov ernment contracts. Topics include choice of contract in view of the work statements and risk factors, how each type of contract works, contract structure, special requirements for administration, and incen tive and award fee contracts.

Reg# 392975

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Jeffrey Yost, MBA, director of contracts, Intelligence Systems Division, Northrop Grumman Information Systems

Government Cost Estimating & Pricing

MGMT X 442.11

Government Acquisition Process

4.0 units

This course covers the principles and current trends of contracting with the federal government as a prime or subcontractor with emphasis on applying the Federal Acquisition Regulations (FAR) to daily problems. Through lectures, case studies, and interactive exer cises, students obtain the information needed to understand govern ment procurement from formation to contract completion. The types of contracts used by the federal government and the application of each type to the statement of work are explained with emphasis placed on Department of Defense contracting. Commercial contracting methods, as compared with contracting under FAR, and key issues and their practical application in contracting also are analyzed.

Reg# 392987

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Marek A Gwozdziowski, MBA

Supply Chain Management

MGMT X 445

Fundamentals of Supply Chain Management

4.0 units

This course covers the domain of purchasing and the flow of purchas ing tasks from determining the requirements for goods and services through their acceptance. Major topics include supply chain manage ment, purchasing as a socioeconomic force, purchasing and profit, profit multiplier, purchasing objectives, and the purchasing process. The practical use of all basic procedures and purchasing techniques is explained, including purchasing services, organizational consider ations and alternative, sourcing, quantity, and inventory planning and control. The course also covers price determination, negotiation and cost price analysis, capital acquisitions, value analysis, quality require ments, specifications, inventory cost savings, shipping, and purchasing with ethical and social responsibility.

Reg# 392993

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Lee Schuh, JD, contracts and financial consultant; recipient, UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 445.4

Supply Chain Analysis and Compliance

4.0 units

This course covers the duties and responsibilities associated with the purchasing analysis and compliance functions. Topics include price analysis, value analysis, life cycle cost considerations, system audits, regulatory compliance, and ethics. Emphasis is on maintaining an approved procurement system and assuring that all contract and regu latory compliance requirements are met. Ethical issues associated with international and government procurements are reviewed. Instruction also covers the methods of proactively evaluating the supplier chain to identify opportunities for process improvements and cost reductions and to mitigate allegations of fraud, abuse, and unethical behavior.

Prerequisite(s): MGMT X 445 Fundamentals of Supply Chain Manage ment or consent of instructor.

RRR

Reg# 392990

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Marek A Gwozdziowski MBA

MGMT X 445.5

Legal Aspects of Supply Chain and Commercial Contracts and Subcontracts

4.0 units

This course covers the relationship of Supply Chain Management with business law (Uniform Commercial Code); law of contracts: offer, acceptance, consideration, warranties, conditions, breach, and dis charge; contract types; buyers’ rights and limitations; and differences in government contract purchasing.

Reg# 392974

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Lee Schuh, JD, contracts and financial consultant; recipient, UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 445.66

Technology and Cost Management in the Supply Chain

4.0 units

Many supply chain practitioners do a competent job of converting organizational requirements to purchase orders, sourcing and selecting suppliers, and developing operational schedules. In today’s rapidly changing technological and financial environment, however, supply chain professionals need to do more. They need to understand the role that information technology plays in purchasing and, specifically, how to use enterprise resource planning (ERP), bar coding, electronic data interchange (EDI), and electronic commerce (e commerce). Employees in the supply chain need to evaluate suppliers’ capabilities by investi gating their commitment to Six Sigma, statistical process control (SPC), and ability to maintain a quality system (ISO 9001). Supply chain profes sionals must also have a firm grasp on how their job duties affect organizational financial activities and be able to assess suppliers’ financial health. This course provides essential information that elevates a supply chain practitioner to the next level. Instruction assists them in assimilating new information in the areas of information technology, quality, logistics, inventory, and financial management.

Reg# 392991

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Vincent Padilla JD; USC, contracts lead; Boeing.

MGMT X 445.68

Supply Chain Inventory Management

4.0 units

Managing inventory has been likened to a circus performer walking on a high wire 100 feet above the ground. The same balance is required to effectively manage inventory. If you increase it too much, you create excess inventory that upsets the organization, and if you decrease it too much, your customers will not be happy. As a supply chain practitioner, you can probably relate to this scenario. Managing inventory is all about maintaining a happy medium, and this course equips you with the knowledge to help achieve the right levels of inventory. Learn why there is such a controversy over the nature of inventory (if it’s good or bad), discover how you can eliminate the annual physical inventory through cycle counting, discover why accurate computer inventory balances do not mean much without sound procedures and effective physical inventory control practice, and learn how to scientifically set safety stock. Other topics include the relationship of Lean/Just In Time (JIT) to inventory, the benefits of the economic order quantity (EOQ) and economic production quantity (EPQ), the difference between independent and dependent demand, and how to use vendor managed inventory (VMI).

Prerequisite(s): MGMT X 445 Fundamentals of Supply Chain Manage ment or consent of instructor.

Reg# 392992

Fee: $999

No refund after 9 July.

M Online June 26 Sept. 10

Enrollment limited; early enrollment advised.

Tony Swaim, DBA, MBA, PMP, Certified Six Sigma Black Belt; principal, Tony Swaim & Associates.

Enroll at uclaextension.edu or call (800) 825-9971 Engineering 45

ENTERTAINMENT

Film & TV

For more information call (310) 825-9064, email entertainmentstudies@uclaextension.edu , or visit entertainment.uclaextension.edu.

Business & Management of Entertainment

MGMT X 403.31

The Business of Entertainment

4.0 units

With the entertainment industry converging into a worldwide mass media, both business and operation models continue to rapidly evolve. This introductory course for producers, directors, writers, development personnel, and aspiring media executives examines the changing business issues associated with the entertainment industry. Through lectures, discussions with industry guests, and case studies, instruc tion focuses on current business and production issues and intro duces new business models to navigate content onto new distribution platforms. Some history is highlighted to provide a context for current practices and potential. The course also features opportunities to meet senior entertainment industry executives in various sectors. Topics include financing, contracts, intellectual property issues, licensing, worldwide theatrical marketing and distribution, worldwide home entertainment marketing and distribution, worldwide television pro duction and distribution, multi channel network distribution and opportunities, the impact of piracy, and leveraging new distribution platforms. By the end of the course, students should have an under standing of the opportunities available in the business of entertainment.

Reg# 392748

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 17 7

Vernon Mortensen filmmaker and development executive. Mr. Mortensen wrote and produced the movies Army Dog and A Sierra Nevada Gunfight, and produced and directed the limited series Universal Dead, as well as the pilot for the new animated series Mars Bar

He is in pre production on Dakota, starring Megan Fox.

Reg# 392922

Fee: $745

No refund after 17 July.

A Remote 11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

Remote Classroom

No meeting July 4. 7 & Instructor to be announced

Reg# 392923

Fee: $745

No refund after 12 July.

m Hybrid (In-Person)

11 mtgs

Thursday, 7 10pm, June 29 Aug. 3

UCLA Extension Gayley Center: 1145 Gayley Ave.

Thursday, 7 10pm, Aug. 10 Sept. 7

Remote Classroom 7 & Jim Milio, award winning producer and director who has created more than 400 hours of TV for such networks as National Geographic (Dog Whisperer), Discovery Channel, and CBS (Rescue 911). Mr. Milio has received three People’s Choice Awards and multiple Emmy and WGA nominations.

MGMT X 403.01

Legal Primer for the Entertainment Business

4.0 units

This unique course explores key legal principles and contractual relationships within the film and television industry through a dynamic assortment of lectures and hands on workshops. You develop a core understanding of subjects including idea protection, copyright, defa mation, privacy, and the right of publicity. In addition, you are exposed to key issues in manager agreements and in standard film and televi sion agreements, including literary option/purchase agreements, life rights agreements, collaboration agreements, and talent employment agreements. The course concludes with exploring independent film finance and distribution deals. Through learning some essential “countermeasures” to use when reviewing such contracts, you are empowered in a way usually only reserved for elite talent lawyers and have a lot of fun in the process.

Reg# 392639

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 17

Early enrollment advised. 7 & David Wienir Assistant General Counsel at HarperCollins and head of business and legal affairs at HarperCollins Productions. Mr. Wienir is also the author of four books, including Amsterdam Exposed and Making It On Broadway. He was a business affairs executive at United Talent Agency (UTA) and practiced law at two of the top entertainment law firms, representing clients such as Steven Spielberg and Madonna.

Reg# 392968

Fee: $745

No refund after 12 July.

A Remote 11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom 7

Instructor to be announced

MGMT X 476.99

Marketing Entertainment: Strategies for the Global Marketplace

4.0 units

Today, marketing entertainment is a global enterprise, and motion pictures, television shows, streaming content, and video games are the assets that drive expanding ancillary markets. How these proper ties are marketed determines their financial success and future. The instructor and a select number of the industry’s top marketing profes sionals address myriad issues on how entertainment content, includ ing feature films, gets marketed in today’s increasingly competitive market. Topics include creating brand centric franchise driven strate gies; positioning an entertainment property as a brand in popular culture; marketing and distribution strategies in a converging market place; secrets to creating compelling audio visual, social/digital, and print advertising; the power of social media; the influence and use of research; and leveraging international strategies and new media promotional and licensing strategies to create valuable partnerships and revenue streams.

Reg# 392640

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17 7

Scott Edwards, executive vice president of Creative Advertising for Fox Entertainment, where he oversees advertising for countless televi sion shows, including 9-1-1 BH 90210 Empire Last Man Standing, and The Masked Singer. Mr. Edwards also helped launch the shows 24: Live Another Day, Gotham, and The X-Files

Reg# 392928

Fee: $745

No refund after 17 July.

X In-Person 10 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

No meeting July 4.

RRR

For more information call (310) 825-9064.

MGMT X 403.34

Entertainment Financing: From First $ to Distribution of Profits

4.0 units

This course covers the financial aspects of each step of the motion picture value chain (from development through profit participation) and considers the implications of financial choices. Designed to give you a general understanding of how financial deals are structured, topics include how film financing is secured, connecting the produc tion budget to the financing, when a completion guarantor is required, and the various types of domestic and international distribution arrangements. You also learn about third party profit participation agreements and the practical aspects and procedures that underlie them; terms and definitions that impact bottom line considerations, including contingent compensation; distribution fees and expenses; the producer’s share of profit; distinctions between production, distri bution, and marketing costs; and how these costs may significantly impact recoupment and profits.

Reg# 392649

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17 7

Jeanette B. Milio, media financier and producer of over 45 television and theatrical projects with a production volume of more than $250 million to date. Ms. Milio’s content is successfully distributed by streamers, studios, and networks worldwide including Netflix, Amazon, Hulu, HBO, Showtime, Discovery, TLC, Disney, Lionsgate, Sony Pictures, Warner Bros. and others.

Jim Milio, award winning producer and director who has created more than 400 hours of TV for such networks as National Geographic (Dog Whisperer), Discovery Channel, and CBS (Rescue 911). Mr. Milio has received three People’s Choice Awards and multiple Emmy and WGA nominations.

Reg# 392641

Fee: $745

No refund after 11 July.

m Hybrid (In-Person) 11 mtgs

Wednesday, 7 10pm, June 28 Aug. 2

UCLA Extension Gayley Center: 1145 Gayley Ave.

Wednesday, 7 10pm, Aug. 9 Sept. 6

Remote Classroom 7

MGMT X 404.2

Production Accounting for Film and Television

4.0 units

Responsible for maintaining financial controls and financial reporting of all production funds, the production accountant must provide timely and accurate reporting of the financial information that will enable the producers to maximize production values. This comprehensive course covers duties, including set up and oversight of all accounting func tions (i.e. budgeting, cost reporting, accounts payable, accounts receivable, petty cash, purchase orders, BTL payroll, ATL payroll, per diem, and banking) and knowledge of signatory guilds and unions. Other topics include related software; insurance; labor laws; and production tax credits, rebates, and refunds. Guest speakers are included.

Prerequisite(s): Familiarity with basic production terminology and some accounting knowledge is helpful.

Reg# 392925

Fee: $745

No refund after 9 July.

m Hybrid (In-Person)

11 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 28

UCLA: Dodd Hall

Saturday, 2 5pm, July 15

UCLA: Dodd Hall 7

Aved Savoulian audit manager and production accountant, NBC Universal Feature Pictures, who has has held previous positions at CBS Television and Fox Sports Networks

Andrew Koski television production cost analyst who specializes in contract compliance and consumer product licensing. Mr. Koski is a former 15 year accounting firm Partner specializing in Entertainment Production and Distribution who has worked in production accounting on various film projects, in acquisitions for PolyGram, as audit manager in production audit and compliance for CBS, and as a director of production accounting and billing at Sony Pictures Television.

MGMT X 448.84

4.0 units

What is intellectual property and how does it apply to the entertain ment industry? As the ownership of intellectual property continues to be the lifeblood of the industry and the source of income for many, this course answers these questions while providing a general over view of intellectual property rights with a focus on copyright law and its role in the film, music, and digital online industries, including such related areas as celebrity endorsements and branding. Specific topics covered include authorship and copyright ownership; fair use; how copyrights are licensed and controlled in the entertainment industry; copyright “mechanics,” such as registration and notice; copyright legislation and Congress; and duration of copyright. Also examined is the role of copyright in the entertainment industry and its interaction with other business and legal principles, key court cases, and inter national copyright protection.

Reg# 392624

Fee: $745

No refund after 10 July.

X In-Person 11 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 2 5pm, July 29

UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. 7 Roxanne Castillo, an entertainment lawyer currently serving as Staff Counsel to the Film Musicians Secondary Markets Fund. Previously, Ms. Castillo served as an independent advisor and legal counsel to entertainment companies, including Endeavor Content and Viacom, on employment, labor, and intellectual property matters.

Producing

FILM TV X 404

Pre-Production and Production for Film and Television

4.0 units

This survey course presents an overview of the real world aspects of producing as practiced in the various sectors of filmed entertainment, from script development through pre production and production. Topics include the producer’s interface with the writer, director, and other key personnel; pitching and selling ideas; script breakdown and scheduling; budgeting; and all the critical on the set issues facing the producer.

Reg# 392548

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17 7 & Amotz Zakai, vice president, Echo Lake Productions. Mr. Zakai has worked on such projects as Tsotsi (Oscar winner, 2006), Water (Oscar nominated, 2007), Away from Her, and Thirteen Conversations About One Thing

Reg# 392550

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17 7 & Instructor to be announced

Reg# 392873

Fee: $745

No refund after 11 July.

In-Person 11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA: Dodd Hall 7 & Eben Davidson producer at Vision Entertainment. Producer of the film Songbird. Prior to that, Mr. Davidson was the senior vice president of acquisitions and production at Paramount Pictures. He has overseen numerous films and television shows, including Arrival, Jackass Presents Bad Grandpa and Top Five

Reg# 392874

Fee: $745

No refund after 11 July.

Remote 11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

Remote Classroom 7 & Bridget Terry, award winning producer and writer whose credits include Showtime film They, PBS documentary The Kennedys: America’s Emerald Kings, and projects for Netflix and NBC Universal. Ms. Terry formerly served as a showrunner at Showtime and is currently the owner of Chaise Lounge Productions.

FILM TV X 408

Building an Online Audience

4.0 units

In the Internet age, uploading your work to YouTube or Vimeo is imperative, and successful producers/directors/actors can now demonstrate a growing online audience. This course shows you how to create a public face and promotional platform for your creative content. Using relevant video platforms, social media, and available website creation tools, learn to present and promote your body of work. Instruction emphasizes group discussion and interaction, as you are encouraged to use each other’s sites and platforms in various assignments. Topics include identifying different audiences; basic video and audio production; mastering available video and audio; review of social media branding sites; creating an individual brand and brand messages; understanding design as it relates to presenta tion; audience building tools such as fan pages, tweet marketing, cross commenting strategies, and “response to” uploading; respond ing to audience; and professional interaction. The course goal is to create an individual presentation plan across chosen platforms that is critiqued by your peers.

Reg# 392553

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 17

Early enrollment advised. 7

Noemi Zeigler, producer, director, screenwriter, and comedian. Ms. Zeigler is an award winning screenwriter and the co producer and host of the web series, The Minx Mandate with Madeline Minx and Hot Flash AF. Her work has screened at top festivals including South by Southwest and the Ann Arbor Film Festival.

MGMT X 403.61

Marketing and Distributing Independent Films

Across All Platforms

4.0 units

What are the considerations involved in financing, packaging, selling, or acquiring a financially viable film? Producers, filmmakers, and screenwriters learn what makes a project attractive to potential buy ers; study a variety of deal structures; and learn how to find domestic and overseas distribution for theatrical, television, streaming, DVD, and alternative markets. You also gain knowledge on how to craft a market ing and distribution strategy from the earliest stages of project development. Topics include choosing materials, budget, and casting; selling the film through festivals and markets; key buyers; evolving distribution outlets, such as Internet and cell phones; the roles of producer, marketing and sales executives, and executive producers; and an overview of film financing models.

Reg# 392551

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 17 7 &

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 47

RRR

FILM TV X 478.13A

The Art of Line Producing

4.0 units

This comprehensive, step by step overview of physical production processes covers the tangible and intangible aspects of line produc ing, including budget; breakdown and scheduling; hiring and working with cast, director, staff, crew, and outside vendors; choosing loca tions; equipment and music; how to deal with divergent personalities and specific problem solving during production; and the differences between producing a movie independently versus with a studio. The course also includes a comprehensive introduction to Movie Magic scheduling software. This is not an introduction to production course. Prerequisite(s): A basic knowledge of film production is highly recom mended. Students must purchase the latest version of Movie Magic Scheduling software. Further instruction will be provided in class.

Reg# 392501

Fee: $745

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10 7 & Instructor to be announced

Reg# 392920

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA: Haines Hall 7 & Nicole Layson, line producer and production manager on multiple feature films and television series, including Hitting the Breaks, Reborn, and American Fighter. Ms. Layson has also produced numerous music videos, commercials, and shorts, many of which she developed.

FILM TV X 478.733

Producing Documentaries

4.0 units

Learn about the opportunities available to the independent documen tary producer in this overview of the entire documentary production process, from idea through distribution. Emphasis is placed on today’s market for both television and theatrical one to two hour programs through screening and discussing examples of documentary genres. Lectures emphasize story, structure, and style and address related budget, financial, and technical aspects of television documentaries. Each participant conceives and drafts a written synopsis for a one hour television documentary with the option to independently produce a presentation video. Specialists with expertise in archival footage, interview techniques, location shooting, editing, and other areas are invited as guest lecturers, subject to availability.

Reg# 392823

Fee: $745

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 7 10pm, June 28 July 12; Aug. 16 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Wednesday, 7 10pm, July 19 Aug. 9; Aug. 23

Remote Classroom 7 & Priscilla Gonzalez Sainz, an experienced director, producer, and editor. Ms. Gonzalez has worked as an independent film producer, primarily in documentaries and in television distribution. She has also been a film curator and strategist for independent film financing and distribution.

FILM TV X 479.088

Movie Magic Budgeting

2.0 units

For production managers, producers, corporate finance personnel, and production accounting professionals, this course provides you with a practical understanding of the budgeting process, including how to use Movie Magic Budgeting, a budgeting software application. You prepare a movie of the week budget based on information that typi cally would be available during pre production, including a script, day out of days, one line schedule, shooting schedule, departmental budgets, and other hypothetical parameters. This is not an introduction to production course.

Prerequisite(s): Students must purchase the latest version of Movie Magic Budgeting software. RRR

Reg# 392921

Fee: $545

No refund after 16 July.

A Remote

6 mtgs

Monday, 7 10pm, July 17 Aug. 21

Remote Classroom

Enrollment limited; early enrollment advised. 7 & Adriana Rotaru, independent film producer, line producer, screen writer and director. In 2005, Ms. Rotaru began a long collaboration with legendary writer/director Francis Ford Coppola and his company American Zoetrope. She has produced notable productions worldwide, collaborating with top tier talent and crew.

FILM TV X 476.6

Low-Budget Filmmaking

4.0 units

In this detailed exploration of low budget filmmaking, learn techniques and theories examining all phases of the process, from development to production to post production. The focus is on translating a mini mum budget into maximum quality on screen. Topics include the script, financing the production, evaluating the marketplace, analyzing and breaking down the screenplay, learning to apply creativity to a budgetary plan to maximize on screen value, casting, selecting key production personnel, production design, music, editing, sound design, marketing, and distribution. Throughout the class, you are able to apply concepts learned to your own projects.

Reg# 392563

Fee: $745

No refund after 9 July.

X In-Person

11 mtgs

Monday, 7 10pm, June 26 Aug. 28

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 2 5pm, July 22

UCLA Extension Gayley Center: 1145 Gayley Ave. 7

Instructor to be announced

Post-Production

FILM TV X 404A

Post-Production for Film and Television

4.0 units

Emphasizing how new technologies continue to impact post produc tion, this course provides an overview of the post production pipeline from dailies through delivery. Class topics include a step by step overview of each stage of the process and building the post produc tion team: editors, audio mixers, composers, sound designers, visual effects artists, and post production management. The latest trends in post production are covered. Instruction may include guest speakers.

Reg# 392486

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17 7

Robert Scheid, Apple certified Final Cut Pro, Motion, and DVD Studio Pro instructor; television producer; film and television editor and colorist.

Reg# 392869

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17 7

Barry Goch accomplished feature film and television finishing editor with credits including Spiderman: Homecoming Passengers, Money Monster, Eye in the Sky and Game of Thrones. He is currently working on A Million Little Things (ABC) and recently finished a Netflix comedy special. Mr. Goch is a member of the Editorial Advisory Board and is West Coast Contributor for Post Perspective

Reg# 392819

Fee: $745

No refund after 12 July.

m Hybrid (In-Person)

3 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Gayley Center: 1145 Gayley Ave. Remote meetings to be arranged. 7 & Tyler Danna, filmmaker who has edited and produced content for Sony Pictures, Fox, Disney, Universal, Fremantle, Riot Games, Verizon, and more. He offers training in editing software: Avid, Premiere, and Final Cut Pro. He has also written pilots and feature screenplays for production companies.

FILM TV X 479.613 The Art and Craft of Film Editing

4.0 units

Editing is storytelling. Throughout the process, from first assembly to final delivery, editors are responsible for fulfilling the film’s potential through a full command of craft, as well as an aesthetic understanding of story, character, and rhythm. By examining different editing styles, this course covers the elements of storytelling, performance, pace, emotion, action, continuity, and time manipulation. Instruction includes lectures, discussion, and viewing exercises. You also learn to select the most appropriate editing systems and technology by evaluating the limitations of budgets and time.

Reg# 392544

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17

Enrollment limited; early enrollment advised. 7 & Robert Scheid Apple certified Final Cut Pro, Motion, and DVD Studio Pro instructor; television producer; film and television editor and colorist.

Reg# 392870

Fee: $745

No refund after 15 July.

X In-Person

11 mtgs

Sunday, 10am 1pm, July 2 Sept. 10

UCLA: Dodd Hall

Enrollment limited; early enrollment advised. 7 & Steven Escobar editor for film and television. He has worked on over 300 episodes of non fiction shows, documentaries, game shows and specials, including America’s Most Wanted and Big Brother. His fea tures include Terror Toons and Xenophobia He also won a Primetime Emmy Award for his team work on The Amazing Race

FILM TV X 477.84

Introduction to Adobe Premiere

4.0 units

Adobe Premiere Pro is used by professionals across the spectrum of filmed entertainment, including feature films, music videos, and docu mentaries. You learn how to use this powerful program, from simple editing techniques to more complex compositing, layering, tilting, motion graphics, and sound design. Instruction includes illustrated lectures, demonstrations, discussion, and class projects. Topics include starting a project, organization and subclipping, timeline and basic editing tools, editing audio, video effects, color correction and grading, titles and motion, exporting, and posting online.

Prerequisite(s): You are required to have a working, current copy of Adobe Premiere Pro CC, as well as have video and audio files ready for use while learning Adobe Premiere Pro.

Reg# 392546

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17

Enrollment limited; early enrollment advised. 7 & James Biddle, award winning filmmaker and editor. Mr. Biddle is a certified professional instructor of Avid Media Composer, Adobe Pre miere, and Final Cut Pro X. He is a senior lecturer at Grady College, University of Georgia and runs the Grady College Authorized Training Center for Avid Media Composer and Adobe Premiere.

Reg# 392865

Fee: $745

No refund after 17 July.

X In-Person

11 mtgs

Tuesday, 12 3pm, June 27 Sept. 12

UCLA: Dodd Hall No meeting July 4.

Note: Video and audio files will be provided to students for completion of course assignments.

Enrollment limited; early enrollment advised. 7 & Instructor to be announced

48 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

FILM TV X 478.314C

Color Correction for Film and Television

4.0 units

One of the last and most crucial steps of post production is color correction (the digital intermediate). This course will cover how color correction fits into the workflow of post, including discussion and workshops on how to complete a conform and the role of the Online Editor. The majority of the course will focus on the role of the Colorist, from a technical and aesthetic approach; examining how color cor rection can be used to enhance visual storytelling, and the tools used to achieve such results. Lastly, this course will also cover the role of the finishing editor in compiling deliverables, ranging from an online screener to a DCP (digital cinema package).

Reg# 392871

Fee: $745

No refund after 12 July.

m Hybrid (In-Person)

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Remote sessions to be arranged. 7 & Jason Knutzen, cinematographer on more than 30 narrative and documentary projects, professional colorist, and expert in post pro duction workflows. Mr. Knutzen is currently an educational contributor to the Global Cinematography Institute in the areas of traditional, vir tual, and digital cinematography.

FILM TV X 477.241B

Introduction to Visual Effects Creation

4.0 units

Gain an understanding of the creation of visual effects. Students break down the core disciplines involved in creating visual effects, including compositing, 3D animation, cloth simulations, tracking technology, rotoscoping, cleanplating, paint, and stereoscopic. Other topics include performance capture, VFX supervision, studio pipelines, understanding color for VFX, virtual production, and XR. Requirements for both film and TV are examined though lectures, exercises, and industry guests who discuss their work on specific effects driven projects. Students also complete a short VFX sequence using Adobe After Effects.

Reg# 392872

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave. 7 Instructor to be announced

Acting

THEATER X 407.5

Acting Techniques: The Fundamentals

4.0 units

In this introduction to acting, learn fundamental performance tech niques and exercises, including relaxation, concentration, sense memory, emotional recall, improvisation, character tasks, and text analysis. You then apply these techniques by rehearsing and perform ing monologues and two character scenes. In class partner work and weekly assignments are required.

Reg# 392636

Fee: $745

No refund after 30 June.

X In-Person

11 mtgs

Monday, 7 10pm, June 26 Aug. 28

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Saturday, 2 5pm, July 22

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Sept. 4. Enrollment limited; early enrollment advised. 7

Lisa Chess, actor whose film credits include Frankie and Johnny Are Married, The Hollow, and Separate Lives. Ms. Chess was a semi regular on the TV series Picket Fences and has guest starred on television shows such as The Practice, Family Law, and The Division.

Reg# 392638

Fee: $745

No refund after 3 July.

X In-Person

11 mtgs

Thursday, 2 5pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7

THEATER X 410.3

Acting for the Camera I

4.0 units

Learn to get comfortable in front of the lens. Exercises begin with on camera interviews so students can view their screen images in playback. Instruction focuses on understanding technical and emo tional adjustments required for working in front of the camera in a relaxed and truthful way and developing intimacy with the camera. Topics include the difference between frame sizes and learning to hit marks. Hone your acting techniques through scene study guidelines and sensory and moment to moment exercises, as well as monologue work. Some exercises are performed on camera with emphasis on close ups, simple scenes, and basic camera moves. The instructor critiques individual students’ work during playback.

Reg# 392472

Fee: $745 No refund after 2 July.

X In-Person

11 mtgs

Wednesday, 2 5pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students are recorded on camera during several sessions; those wishing to keep a copy of their work must bring a flash drive to each session.

Enrollment limited; early enrollment advised. 7

Instructor to be announced

Reg# 392817

Fee: $745 No refund after 2 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students are recorded on camera during several sessions; those wishing to keep a copy of their work must bring a flash drive to each session.

Enrollment limited; early enrollment advised. 7

Henry LeBlanc, actor whose TV credits include appearances on ER, 24, Everybody Loves Raymond, Law and Order and Scrubs and regular appearances on The Jay Leno Show and The Bold and the Beautiful His film credits include lead roles in independent films, such as Antebody, The Hit, and Fortune’s 500

THEATER X 407.78

Improvisation Techniques for the Actor: A Course in Spontaneity

4.0 units

Gain experiential understanding of improvisational acting and develop a strong improvisational perspective essential to scripted work. Through theater games and improvised scenes, develop tools to make you more trusting of your own impulses and more generous with your fellow actors. Learn to go for active choices to play at the top of your intelligence and at the service of the scene. Actors also experience that the best comedy comes out of listening and responding honestly, not “going for jokes.”

Reg# 392625

Fee: $745 No refund after 1 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Saturday, 2 5pm, July 29

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting July 4. Enrollment limited; early enrollment advised. 7 Toni Attell, Emmy nominated actor, comedian, and mime whose background includes a variety of work in theater, film, and television. Ms. Attell has opened for Jay Leno, Steve Martin, and Robin Williams and has guest starred on numerous television dramas and sitcoms.

THEATER X 407.42 Inside Stanislavski: Applications for the Screen Actor

4.0 units

The great Russian actor, director, and teacher Konstantin Stanislavski had a method that combined physicality and spirituality when building a character as the shorter route to finding its inner life. Learn these practical techniques of Stanislavski to perform with confidence and depth. Exercises are supplemented with discussion of Stanislavski’s concepts, philosophy, and ethics. Most modern acting methods are grounded in the Stanislavski system, and understanding the basics of this system helps the actor understand and study other acting tech niques. Topics include action vs. emotion, using imagination to create real emotions, relaxation and concentration, emotional memory, and building a character through physicality and voice. At the end of the course, you will have acquired techniques to learn how to deal with stage fright; how to approach a role and inhabit it from the initial research to the physical embodiment of the character; and how to avoid bad acting habits, such as faking emotion or overacting.

Reg# 392821

Fee: $745

No refund after 10 July.

In-Person

11 mtgs

Thursday, 7 10pm, July 6 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Saturday, 2 5pm, Aug. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. 7 Eric Scott Gould actor, director, screenwriter, and producer. Mr. Gould has performed in more than 50 stage productions and has appeared in TV shows such as Curb Your Enthusiasm Numb3rs The District Another World, and recurred on Without A Trace for the first four seasons.

THEATER X 438

Performing in TV Commercials: Practices and Opportunities in the Field

4.0 units

Considering the lucrative field of TV commercials or seeking to improve your confidence in personal or business communications? In this course, participants take part in simulated, recorded auditions for both “slice of life” dialogue and “spokesperson” narrative. To help you attain confidence and awareness, taped performances are sen sitively directed and critiqued in class. This workshop provides a comprehensive overview of a commercial’s production so auditioning actors understand the through line of the process, from what advertis ers are looking for and the steps to get there. You learn best profes sional practices for successful audition techniques whether in person or self taped submissions as well as the elements of proper photog raphy, building a strong digital portfolio, agency representation, and union membership.

Reg# 392481

Fee: $745

No refund after 3 July. X In-Person

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students record video exercises directly onto their own recording devices and submit files online. 7

Instructor to be announced

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 49

THEATER X 409

The Actor’s Tool Box: Creating Emotional Truth

4.0 units

Gain acting tools and techniques to help you create true to life char acters with emotional depth. In this workshop, you learn how to draw emotional material from an array of tools that are both external and internal to the actor. Those tools include sense memory, relaxation, imaging, voice and body work, and improvisation techniques. Sense memory involves reliving sensations experienced through your five senses and helps create a more truthful life for your character. Relax ation techniques help the actor loosen up and access sense memory. Imaging techniques involve the use of imaginary people or objects to access emotions, voice, and movement techniques to help sharpen your body as an instrument, and improvisation increases your capabil ity of being “in the moment.” All these tools are explored in a sup portive environment through weekly exercises. At the end of the class, you perform a scene or a monologue using the techniques explored throughout the class.

Reg# 392643

Fee: $745

No refund after 5 July.

X In-Person

11 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Saturday, 10am 5pm, Aug. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Sept. 2. 7

Felix Pire, actor, producer, writer, and director, with featured roles in 12 Monkeys, Phat Girlz, Dear God, and It’s My Party. On TV, he has been a series regular on Matt Waters and performed guest starring roles on Gideon’s Crossing, NYPD Blue, The Rerun Show, and Prison Break.

FILM TV X 407.45

Acting Workshop: The Meisner Technique

4.0 units

Through improvisation and scene work, explore basic concepts of the Meisner approach to acting with a focus on creating and living in imaginary circumstances. Learn to work more independently, improve rehearsal and research skills, and strengthen vocal and movement skills.

Reg# 392642

Fee: $745

No refund after 1 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Saturday, 2 5pm, Aug. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting July 4. Enrollment limited; early enrollment advised. 7 &

Jeffrey Stubblefield, television, film, and theater actor with supporting roles in the features Ted 2, Nesting and Pedestrian He also held recur ring roles in Good Trouble, Desperate Housewives Robert Townsend’s Diary of a Single Mom Women’s Murder Club, Without a Trace and The Practice, among others.

Cinematography

FILM TV X 478.283

Lighting for Emotional Impact

4.0 units

This course is designed to help you develop a stronger understanding of lighting for motion pictures. Through lectures, workshops, assign ments, and in class exercises, you learn about different lighting styles and techniques. Special emphasis is placed on lighting tailored spe cifically for the story and the emotional impact that lighting can have on the audience. The class focuses both on theory and practical application of the concepts presented. Throughout the course, visual references are discussed, and completed assignments and supervised exercises are screened and critiqued in class.

Prerequisite(s): Successful completion of FILM TV X 478.27A Introduc tion to Cinematography is strongly recommended.

Reg# 392557

Fee: $1,345

No refund after 17 July.

X In-Person

10 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

No meeting July 4.

This class will have required workshop meetings at sound stages to be arranged. Enrollment limited; early enrollment advised. 7 Instructor to be announced

FILM TV X 479.302

Becoming Camera-Savvy: A Workshop for Today’s Filmmakers

4.0 units

The camera is the essential tool of the filmmaker. This course prepares cinematographers and digital filmmakers to utilize the camera by employing an aesthetic and technical approach to projects. The essential technical aspects of how digital cinema cameras function are explored through lectures and practical application. Students participate in the testing and analysis of current digital cinema cam eras and become more familiar with their individual features as well as the differences between them.

Prerequisite(s): Successful completion of FILM TV X 478.27A Introduc tion to Cinematography is strongly recommended.

Reg# 392485

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 17

Enrollment limited; early enrollment advised. 7

Jason Knutzen, cinematographer on more than 30 narrative and documentary projects, professional colorist, and expert in post pro duction workflows. Mr. Knutzen is currently an educational contributor to the Global Cinematography Institute in the areas of traditional, vir tual, and digital cinematography.

NEW FILM TV X 476.74A

Principles of Grip and Electric for Cinematographers—A Practical Workshop

4.0 units

For those pursuing a career as a cinematographer / director of pho tography (DP), this workshop features a two weekend intensive immersion in the function of Grip and Electric departments. Taught by top LA based gaffers and key grips, these two weekends are held on an MBS soundstage which features the latest technology for lighting and grip. You will haul cable, set stands, run data, and set lights. You will shape light by setting flags, and selecting diffusion. You will practice camera movement by setting dolly track and running a dolly. The workshop will provide a comprehensive overview of the right and left hands of the DP from the perspective of those key departments. Special emphasis will be placed on learning how to utilize and maxi mize your crew as a DP. This hands on approach allows you as a student to ask any questions about these vital relationships between the DP and his close collaborators, gaffer, and key grip. Top Hollywood key grips and gaffers will teach key segments in each weekend.

Reg# 392616

Fee: $1,345

No refund after 29 July.

X In-Person

11 mtgs

Saturday, Sunday, 9am 6pm, July 29 Aug. 6

Off Campus

This class will take place entirely in person at a off-site facility with guest instructors. Students must enroll prior to the first meeting. David Fraunces, producer, director, and actor who currently is com pleting a book on independent filmmaking. Mr. Fraunces latest direct ing effort, Below the Beltway, stars Tate Donovan and Noah Wyle, and his directorial debut, The Consultants, screened at the Friars Club Comedy Festival in New York City. Both Below the Beltway and The Consultants premiered on Showtime. As an actor, he played Robert F. Kennedy in the feature Bobby and his producing credits include Beach Cops and Drop Dead Sexy.

Directing

FILM TV X 475.44

Directing Actors for the Screen

4.0 units

If directors are the architects of film, then actors are the artisans of a collaborative team working together to realize a singular vision. Through discussions, exercises, casting sessions, and the presentation of scenes, you analyze and apply the directorial skills required for a suc cessful artistic collaboration with performers. You select one dramatic and one comic scene, then cast, rehearse, and present the scenes in class. Topics include analyzing the script, the Method approach to acting, defining objectives, creating dramatic conflict, and the elements of characterization. Actors for class scenes are selected during in class auditions, and final scenes are performed on camera.

Reg# 392542

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7 & Instructor to be announced

Reg# 392540

Fee: $745

No refund after 14 July.

X In-Person

11 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7 & Instructor to be announced

FILM TV X 476.95

Directing Workshop I:

Composition and Movement

4.0 units

As the first hands on course in the directing series, you complete four short films using your own video camera. Instruction focuses on the basic building blocks of narrative filmmaking: the shot, mise en scene, concept, the actor, environment, sound, and montage. Assignments explore aspects of visual expression through the use of composition, rhythm, and point of view; moving from black and white/silent com positions to the use of color; non sync sound; and editing. Your work is screened and critiqued by the instructor and class. Prerequisite(s): Students must provide their own digital video camera and have access to editing equipment and software.

Reg# 392549

Fee: $745

No refund after 11 July.

A Remote

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

Remote Classroom 7 & Justine Raczkiewicz, director, writer and producer who has worked on feature films including Piranha 3D, The Pyramid, Horns, and Maniac, with studios such as FOX International and Miramax. Her directorial debut, Waste, won multiple awards, and her music videos have been featured on NYLON, Billboard, and Refinery29.

Reg# 392552

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA: Rolfe Hall 7 & Fernando Scarpa award winning director. He has directed for the national Italian Television RaiUno and the German ZDF and SAT1. Alongside work in documentaries and film, he is developing projects based on his award winning short Doradus, his play Galileo 1610, and a feature The Book of Ronnie.

50 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

FILM TV X 476.95B

Directing Workshop II: Storytelling

4.0 units

In the second part of the Directing Workshop series, participants complete short narrative films using their own digital video camera. Focusing on storytelling, instruction teaches participants how to apply the principles and essential elements of dramatic structure and character development to the filmmaking principles explored in X 476.95 Directing Workshop I: Composition and Movement. Through increasingly complex filmmaking assignments, participants discover how to combine key elements, such as casting, working with actors, shot selection, sync sound, and music to communicate the themes, conflict, and story arcs that create compelling narrative for a visual medium. Student work is screened and critiqued by the instructor and class.

Prerequisite(s): X 476.95 Directing Workshop I: Composition and Move ment or previous directing experience. Students must provide their own digital video camera and have access to editing equipment and software.

Reg# 392569

Fee: $745

No refund after 11 July.

A Remote

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

Remote Classroom

Enrollment limited; early enrollment advised. 7 & Julian Goldberger screenwriter/director, WGA member, whose credits include The Hawk Is Dying starring Paul Giamatti and Michelle Wil liams, and the critically acclaimed indie trans. He has written scripts for Universal Studios and Lionsgate, as well as major producers including Marc Platt, Ted Hope, and Ed Pressman.

Reg# 392571

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited; early enrollment advised. 7

Arkesh Ajay, award winning director, producer, writer, and editor of numerous short films and theater productions. Mr. Ajay’s recent awards include the Hollywood Foreign Press Award for Artistic Merit and Alfred P. Sloan Screenwriting Award for a feature film screenplay.

FILM

TV X 476.12B

Advanced Filmmaking Workshop: Production and Post-Production

8.0 units

In this capstone course of the Directing Certificate program, you maximize your learning experience and improve your filmmaking skills through the creation of a short film that is screened for an invited audience after the end of the course. Having first developed your projects in the course X 476.23 Developing Your Short Film, you enter the workshop ready to begin pre production. Through lectures, demonstrations, and hands on exercises, you learn the techniques for translating your script into moving images, as well as the creative and physical requirements for directing a film. Topics include budget ing and production scheduling, casting actors and eliciting the best performance, collaborating with the crew, camera blocking, creating the shot list, visual composition, sound, and editing. By mid class, you have the opportunity to put in practice all the producing and directorial basics you have learned throughout the program as you shoot and edit your film with guidance from the instructor. Dailies are reviewed and critiqued in class. Running time with credits must not exceed 15 minutes.

Prerequisite(s): Enrollment is restricted to Directing Certificate stu dents who have successfully completed FILM TV X 476.23 Developing Your Short Film. Students with prior short film experience can enroll by consent of instructor, space permitting, and must submit a pro posed script for the class. All students must complete an application for approval to enroll.

RRR

Reg# 392576

Fee: $1,045

No refund after 10 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting July 4.

This class will consist of 11 in-person meetings and a number of hours to do remotely for independent film projects as needed.

Students must have access to a video camera and editing equipment. Students on an F1 Visa are required to attend In-Person classes.

Refer to course syllabus for online session details. Enrollment limited; early enrollment advised. 7 Fernando Scarpa award winning director. He has directed for the national Italian Television RaiUno and the German ZDF and SAT1. Alongside work in documentaries and film, he is developing projects based on his award winning short Doradus, his play Galileo 1610, and a feature The Book of Ronnie.

FILM TV X 476.581

The Language of Filmmaking

4.0 units

Designed for filmmakers who need to develop the necessary skills to make better films and viewers who want to better understand and appreciate the complexity of the cinematic text, this course outlines the many components of film language used by great directors to tell their stories in the most effective way. Through a wide selection of multime dia material including film and sound clips, pictures, articles, and interviews you analyze shooting and editing techniques employed by the greatest filmmakers of all time. Topics range from functional usage of image composition and lighting to camera movements, editing, and sound. The purpose of this course is to give clarity to the filmmaking process and to enhance the enjoyment of film viewing.

Reg# 392543

Fee: $745

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10 7 & Michael Green , has taught film studies and screenwriting for a decade. His film writing has appeared in Film International, Senses of Cinema, Bright Lights Film Journal, and The Journal of Film and Video, among others. He is also the co editor of Race in American Film: Voices and Visions that Shaped a Nation

Reg# 392545

Fee: $745

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

UCLA: Haines Hall 7

Peter Hanson, screenwriter, director, producer, and educator. Among his credits are hundreds of print and online articles, three books on cinema, and films including the feature length documentary Tales from the Script , which features interviews with dozens of Hollywood screenwriters.

Film & TV Development

FILM TV X 476.243

Developing Your Short Film

4.0 units

Learn the development process as it relates to short films with the focus on developing a short film treatment, first draft, and second draft. You gain an understanding of the basics of story structure and how the specific storytelling elements theme, plot, characters, and dia logue work in synergy toward the goal of an effective short story. Topics include character development, creating realistic dialogue, discovering what you are driven to say through your story’s theme, and planning the scenes with a limited budget in mind. Lectures and exercises illustrated with film clips and readings emphasize the role of story, creating original characters, and developing plot points for different genres of films. You submit your work in progress throughout the quarter for evaluation and feedback by the instructor and the class. At the end of the course, you have honed your idea and have a final short script or treatment ready for shooting.

Reg# 392585

Fee: $745

No refund after 9 July.

In-Person

11 mtgs

Monday, 7 10pm, June 26 Sept. 11

UCLA: Kaplan Hall 7 & Instructor to be announced

Reg# 392583

Fee: $745

No refund after 12 July.

A Remote

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom

Remote Learning: 7 & Colin Francis Costello, screenwriter, director, and WGA East member, whose credits include The Stream starring Rainn Wilson and Alternate Universe. Mr. Costello’s TV credits include Lost n’ Found and Detectives Club. He has also written and directed award winning shorts, including The After Party and Dreamwisher.

FILM TV X 476.22

Story Analysis for Film and Television

4.0 units

Designed for aspiring readers, development executives, producers, and storytellers, this course offers a pragmatic, comprehensive overview of story analysis and the tools used by the professional reader. Throughout the course, you learn and practice coverage skills while gaining an understanding of the elements of story. Topics include various types of coverage, how to compose story notes, comparative coverage, charac ter breakdowns, treatments, and outlines. Through weekly assignments, you are required to practice reading and writing for several formats and to deadline. In addition, the current job market and the various expecta tions of studios and independent producers are discussed. Upon completion of the course, you have written at least two pieces of full coverage that can be used as part of a professional portfolio or for auditioning for a job as a reader or an assistant.

Prerequisite(s): Strong English composition skills.

Reg# 392645

Fee: $745

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

Enrollment limited. 7

Marla White, development consultant for Sony International Television Networks through her company, Marla White Consulting. Ms. White has also served as the vice president of Development at Fedora Entertainment and Longbow Productions, where she contributed to the feature, A League of Their Own

Reg# 392646

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA: Dodd Hall 7

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 51

RRR

FILM TV X 476.244

Story Development Workshop: Crafting Your Original Story

4.0 units

Producers, development executives, directors, and writers gain practical experience adapting and developing their own stories for motion pictures, movies of the week, and miniseries. Emphasis is placed on studying dramatic structure, learning techniques that strengthen character devel opment, and understanding the importance of collaboration with writers. You are called upon to write development notes; compile directors/writers lists; and learn the difference between beat sheets, step outlines, and story outlines. You also learn how to assess the marketplace by determin ing what network and studio executives are looking for, as well as the best way to quickly and effectively pitch an idea. You are welcome to submit written works in progress for in class critiques. At the end of the course, you have honed your storytelling craft by writing original treat ments based on your story outline developed in class.

Prerequisite(s): Good written communication skills. Previous training in story analysis is recommended but not required.

Reg# 392529

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 10

Enrollment limited; early enrollment advised. 7

Scott Agostoni, senior vice president of development and production and in house consultant at Dick Cook Studios. Mr. Agostoni also runs his own management and consulting practice. Previously, he was a motion picture and TV literary/graphic novel agent with WME and non scripted and alternative TV agent with WMA.

Reg# 392818

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Aug. 23

UCLA: School of Public Affairs Bldg.

Saturday, 2 5pm, Aug. 12 19

UCLA: School of Public Affairs Bldg.

Enrollment limited; early enrollment advised. 7

Guido Segal, screenwriter for international films and animated televi sion shows such as Kekzsakallu Zamba, and Siesta He also produced and directed documentaries for the Discovery Channel. Mr. Segal served as a Jury Member at the Cannes Film Festival, and his work has been nominated for International Emmy awards.

FILM TV X 476.242

Understanding Genre: How to Develop a Hollywood Classic

4.0 units

Producers, executives, writers, and filmmakers all focus on story components that make for a good movie. Learn to identify the specific characteristics that define various film genres and how style, form, content, mood, camera work, lighting, and pacing work together to fulfill expectations and deliver a satisfying cinematic experience. Each week, through lecture, discussion, and film clips examining its visual language and its evolution over time, you break down and analyze one of the genres on which Hollywood thrives: action, drama, comedy and romantic comedy, fantasy and science fiction, the mystery thriller, and horror. Instruction also covers an examination of each genre’s target audience and provides you with a common language with which to articulate and sell your ideas in the development process.

Reg# 392617

Fee: $745

No refund after 30 June.

M Online 11 mtgs

June 26 Sept. 10 7

Thomas Shimanek, BFA in Film Production from Chapman University, MA in Career and Technical Education from Concordia University, MA in Advanced Film and Media Studies from Arizona State University Mr. Shimanek has been a producer, director, and camera operator for live, corporate events for over 20 years through his company, Iris Photog raphy and Video. As an educator, he has taught a variety of film courses and enjoys sharing his vast experience with the next generation RRR

Reg# 392644

Fee: $745

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 2 5pm, Aug. 5

UCLA Extension Gayley Center: 1145 Gayley Ave. 7 & Dr. Beverly Graf vice president of Development, Abilene Pictures (Primal Fear, Fallen, Frequency Hart’s War Fracture)

FILM TV X 479.482

Television Development: From Idea to Small Screen

4.0 units

In today’s ever evolving TV business and market, figuring out how and where to sell your “product” can be confusing. Once you’ve settled on an idea, then what are the next steps? How do TV shows get “on the air?” Producers, development executives, directors, and writers benefit from learning all about the development process for TV series, limited series, and movies of the week. Course topics include how to give notes; how to create writer lists; how attachments such as showrun ners, producers, talent, and directors affect your project; how to assess the TV marketplace by determining which networks/outlets are right for which projects; what you should include in your sizzle reel; and finally, how to effectively pitch your idea. The course goal is to equip you with the knowledge necessary to successfully go from an idea for a TV series to getting it sold.

Reg# 392573

Fee: $745

No refund after 12 July.

A Remote

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom

Remote Learning: 7 & Stephanie Varella, independent producer and former VP of Jerry Bruckheimer TV, who has worked on shows such as CSI, Without a Trace, Cold Case, Charmed, and Seventh Heaven. She has developed shows with all the major studios and broadcast and cable networks, as well as the newer streaming outlets.

Music

For more information call (310) 825-9064, email entertainmentstudies@uclaextension.edu , or visit entertainment.uclaextension.edu.

Film Scoring

MUSC X 483.1

Film Scoring on a Budget

4.0 units

Learn to compose an effective film score on a limited budget using both MIDI pre records and live professional musicians. Topics include spotting: the practical and psychological considerations of music placement; methods of synchronizing score to picture; and the dra matic utilization of melody, harmony, rhythm, and orchestral texture. You write three cues using MIDI that will be enhanced with live recording sessions played by professional musicians.

Prerequisite(s): Knowledge of music notation and theory, experience in music composition, MUSC X 449.91 The Art and Craft of MIDI, and MUSC X 483.2 Advanced Orchestration: Applied Techniques for the Studio and Scoring Stage, or consent of instructor.

Reg# 392949

Fee: $1,999

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 7 10pm, June 28 July 12; July 26 Aug. 2; Aug. 16 23; Sept. 6

Remote Classroom

Wednesday, 7 10pm, July 19; Aug. 9; Aug. 30

Los Angeles

This course will have remote Zoom meetings. Recording sessions will be held In Person in Los Angeles. Location to be announced. Students on an F1 Visa are required to attend In-Person recording sessions.

Discounts cannot be applied to a portion of fees for this course. Enrollment limited; early enrollment advised. 7

Charles Fernandez Emmy and Annie nominated composer who has worked for most of the major studios as a composer on such animated series as Casper, 101 Dalmatians, Doug, Aladdin, Mermaid, and Robot Chicken, as well as many live and animated features.

MUSC X 483.3

Score like the Masters:

Contemporary Techniques

4.0 units

Gain an understanding of and learn to emulate current compositional techniques and their enhanced possibilities of expression. Very often composers are asked to compose music “sounding like” that of the major composers today. Study recent film scores and their harmonic, melodic, and textural language of such composers as John Williams, Jerry Goldsmith, Alan Silvestri, and Danny Elfman. You have the oppor tunity to apply these techniques by composing short pieces using your own DAW MIDI setup.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Prerequisite(s): Access to and proficiency in using a home studio with sequencing software, as samples are required for completion of assignments. The course does not include instruction in any specific software. Participants must already have adequate knowledge and resources to MIDI program short compositions and deliver these electronically.

Reg# 392956

Fee: $745

No refund after 17 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7 & Billy Sullivan , composer and musician on over 150 albums, TV soundtracks, and film scores including Behaving Badly (Selena Gomez), Big Momma’s House (Martin Lawrence), Five Flights Up (Morgan Freeman), Monster in Law (Jennifer Lopez) and Norbit (Eddy Murphy), Curb Your Enthusiasm (HBO), VEEP (HBO), and The Bachelor (ABC).

52 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

MUSC X 482.3

Bringing the Power of Music to Film:

A Film Scoring Seminar

4.0 units

This seminar is for film composers, filmmakers, and others interested in the subtle art of film scoring. It examines the crucial contribution music makes to narrative and emotional expression in film. Lectures and discussions, enhanced with film clips and recordings, cover such topics as great film themes and how melodies work in films; musical style, fashion, and concept: what’s in and what’s out; love and sex in film music: what’s hot and what’s not; horror, suspense, and how to scare people with music; comedy, emotion, and what makes us laugh and cry; songs and singing in movies: what the singer/songwriter can do; and a guest composers’ roundtable.

Reg# 392958

Fee: $745

No refund after 11 July.

A Remote

10 mtgs

Wednesday, 6:30 10pm, June 28 Aug. 23

Remote Classroom

Additional virtual field trip to be scheduled, subject to availability. Enrollment limited; early enrollment advised. 7

Charles Bernstein Emmy Award winning composer whose music is featured in Quentin Tarantino’s Inglourious Basterds and Kill Bill, and who has scored A Nightmare on Elm Street, Cujo, and The Entity. His television credits include Darwin’s Darkest Hour, Miss Ever’s Boys, and Drug Wars, among many others.

Music Business

MUSC X 446.2

A&R: Making Music from Acquisition to Release

4.0 units

A definitive analysis of the functions of the A&R professional, this course stresses the collective effort needed from all departments art ist and label in the creation of recorded music in all format from creation to acquisition and release. Topics include new artist acquisi tion; record deals; the role of the producer; working with personal managers and booking agents; the role of social media from the artist and executive perspectives; A&R and sync strategies; independent touring; the current local music scene; specific A&R approaches for urban music, EDM, singer/songwriter, alternative, and indie music; how to attract interest from major and independent labels without com promising artistic integrity; paths to A&R career positions; and analy sis of how recently signed artists got their first contracts. Guest speakers include recording artists, producers, managers, record company executives, and A&R personnel.

Reg# 392590

Fee: $745

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

UCLA: Bunche Hall 7

Justin Paul artist, label developer, charting music producer, and DJ performing at concerts, festivals, and special events around the world. He recently became the head of A&R for Underground Sun Music.

MUSC X 448.86

Touring, Tour Budgeting, and Merchandising

4.0 units

Discover the fundamental aspects of the concert touring industry. This course guides students through the entire touring process, from plan ning to settling live performances. Participants gain an understanding of different tour revenue streams, such as ticket sales, sponsorship income, and merchandising. Students also learn how to maximize tour profits through effective marketing, promotion, budgeting, and moni toring. Instruction includes lectures, industry guest speakers, and discussion.

Reg# 392702

Fee: $745

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

UCLA: Dodd Hall 7 & Instructor to be announced

MUSC X 449.2

Music Licensing: Turning Talent into Dollars

4.0 units

In today’s rapidly evolving music industry, licensing stands out as one of the most stable ways to make money. Turning your talent into dollars and cents requires an understanding of how the licensing process works. This introductory course for entertainers, songwriters, produc ers, managers, music supervisors, and music industry executives, examines the business issues associated with licensing rights in the music industry. Through lectures, case studies, and discussions with notable industry guests, instruction focuses on the business and legal aspects of licensing. Topics include detailed examination of the various types of licenses that apply to the music industry, rights and clearance issues, applicable terms from publishing and record deals, typical representation arrangements, and negotiation and networking strate gies. By the end of the course, students understand how to make the most of the myriad licensing opportunities available in the music business and how to avoid problems associated with those opportunities.

Reg# 392850

Fee: $745

No refund after 12 July.

A Remote

11 mtgs

Thursday, 7 10pm, June 29 Sept. 7

Remote Classroom Remote Learning: 7

Mukhaye Nangalama Senior Licensing Manager in Content Partner ships, Creative Licensing and Publishing Strategy at SiriusXM + Pan dora where she secures and maintains music publisher and Performance Right Organization Agreements. Previously, she worked in music licensing at Interscope Geffen A&M Records and SAG AFTRA.

Music Production

NEW

MUSC X 480.13

The Art of Sampling

4.0 units

This course examines the concept of sampling and its influence on pop and hip hop. We take an in depth look at notable hip hop produc ers such as Marley Marl, J Dilla, Hit Boy, Metro Boomin, Dj Premier, and others who have revolutionized the art form of sampling throughout the decades. Basic techniques of chopping, time stretching/warping, looping, and bpm counting are covered. Students then create sample based productions to present to the class while incorporating styles and techniques from prominent sample based producers. Students also learn how to produce a song utilizing sampling techniques during an artist session.

Reg# 392955

Fee: $745

No refund after 14 July.

X In-Person

11 mtgs

Saturday, 12 3pm, July 1 Sept. 9

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7 Augie Ray, Grammy winning, fine audio, mixed media visual artist and author. Mr. Ray has worked with iconic artists, including Rhianna, Sir Elton John, and DJ Mustard. Hehas also worked extensively in the Film and television space alongside brands such as Disney, Acura, Pepsi, and ESPN.

MUSC X 451 Entrepreneurship for the Indie Artist

4.0 units

Record low album sales, industry lay offs, and ever evolving changes in technology can be disheartening for the aspiring artist looking to break into the business, but nothing could be further from the truth! There’s never been a better time to be a do it yourself artist, and this course gives you the tools to assess what you can do yourself (and how) and when you should bring in the professionals. Many musicians record and market their own music, but only a handful actually monetize those efforts. Learn the importance of establishing a brand and how to harness the power of the Internet to generate awareness and excitement around your music. Topics include creating a business plan for yourself and your brand, forming a marketing campaign, deciding on distribution options, optimizing sales through targeted use of social media tracking tools, building a fan base through gigging and merchandise, publishing and licensing, and the latest develop ments in promotion all on a shoestring budget. Instruction features guest speakers, who work in various facets of the industry, to bring real world perspective to the topics.

Reg# 392929

Fee: $745

No refund after 14 July.

m Hybrid (In-Person)

11 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA: Dodd Hall

Remote meeting dates to be arranged.

Students on an F1 Visa are required to attend all In-Person meetings. 7 &

Bobby Borg, major label, international, and DIY recording/touring artist with more than 25 years of experience in the music business. He is a music business consultant, A&R advisor to music supervisors and independent labels, and the best selling author of numerous music business books and articles.

Sydney Alston, Artist Manager and Executive at Disc Makers. As a manager, Mr. Alston has developed artists who have gone on to win Grammy’s and Eurovision Awards and have written songs for super stars like Chris Brown, Usher, Miguel, and Damon Marley. He special izes in artist development.

MUSC X 448.6

The Record Production Process: Professional Practices

4.0 units

This course provides an overview of the role of the record producer and their responsibility through all the stages of making a record: pre production, recording, overdubs, editing, mixing, and mastering. Topics include how to use appropriate terminology to communicate effectively with the various members of the production team, sharpen ing your listening skills so you can incorporate specific elements into your own production, producing for a specific artist’s genre of music and how to get the best performance from the artist, how producing a band is different from a solo artist, and how to budget for record production. You also learn arrangement techniques, as well as key vocal production techniques for main and background vocals. Dis cover the difference between producing a mix and engineering a mix, as well as the different style of mixes that are needed before going into the mastering phase of a project. At the end of the course, you have gained musical, emotional, performance, and arrangement techniques designed to make your music more compelling.

Reg# 392858

Fee: $745

No refund after 18 July.

X In-Person

11 mtgs

Wednesday, 7 10pm, July 5 Sept. 13

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students will need to have access to the DAW of their choice. Examples include free options such as GarageBand and Reaper as well as “pro” software like Pro Tools, Logic, and Ableton Live.

Enrollment limited; early enrollment advised. 7

Instructor to be announced

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 53

MUSC X 401.5

Elements of Hit Songwriting

4.0 units

Designed for both musicians and lyricists, this hands on introduction to the craft of songwriting focuses on collaboration and teaches a step by step method for writing a professional quality song. Instruc tion emphasizes the elements that make up a successful song and the completion of a demo in preparation for a marketable product. You gain an understanding of all aspects of hit songwriting from structure to groove, covering the different approaches for writing rock, pop, alternative, blues, R&B, hip hop, and country. You practice creating and developing a hook, learn where to place it, how to set it up, and how to exploit it within different types of song structure. Discussion includes a wide variety of guests from the industry, such as A&R/ record companies, music supervisors, record producers, and film and television executives.

Reg# 392940

Fee: $745

No refund after 17 July.

X In-Person

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. 7

Jameel Roberts a platinum selling producer, songwriter, composer/ arranger, and instrumentalist. His songwriting and arranging were featured on Ariana Grande’s Grammy® nominated Album of The Year, Thank U, Next. Mr. Roberts also co produced and wrote “Good Kisser” for Usher, garnering a Grammy® nomination for Best R&B song.

MUSC X 480

Introduction to Logic Pro

4.0 units

Logic Pro is a professional music production program that combines composition, notation, and audio production facilities. Of interest to songwriters, composers, audio producers, and audio engineers, this course introduces you to the primary features and basic user interface of Logic Pro. Using your own Mac, you walk through the process of creating an actual song, from recording; producing a Virtual Drum track; editing audio with Flex Time, Pitch, and Smart Tempo; and recording/editing/arranging of MIDI sequences and Apple Live Loops to digital effects processing, sampling, Logic remote, Step Sequencing and Remix FX also using iPhone/iPad, automation, and mixing.

Prerequisite(s): Basic computer skills and basic audio technology concepts. Students must have access to their own Mac computer with a minimum of 15 GB of free space, a power adapter, and Logic Pro (10.5 and above installed and fully updated); audio interface/mic/midi keyboard/controllers and smart devices are optional but highly recommended.

Reg# 392945

Fee: $745

No refund after 14 July.

M Online July 10 Sept. 17

Enrollment limited; early enrollment advised. 7 & Maurizio OttO De Togni, composer for commercials and TV, music/ sound editor, and producer. Mr. De Togni is an Apple Certified master trainer in Logic Pro and an Avid Certified Pro Tools Expert instructor. His clients include Paramount Pictures, Maroon 5’s James Valentine, and Jesse Carmichael.

Jason Fahn

MUSC X 479.12 Introduction to Pro Tools

4.0 units

Ideal for those who have recently started with Pro Tools and have been working with the system for less than one year or long time users looking to familiarize themselves with the latest updates. Learn the foundational skills and working knowledge needed to perform basic Pro Tools operations, and begin your own projects or interface with others using Pro Tools. Topics include system capabilities, navigation and display basics, understanding the edit and mix windows, making your first audio recording (music/voice over), making selections and playing audio, using the editing modes and tools, importing audio and video files, using fades, managing audio clips, elastic audio, making beats, basic mixing concepts, introduction to Real Time plug ins, and an introduction to MIDI within Pro Tools.

Prerequisite(s): Basic computer skills and basic audio technology concepts. Students must have access to their own Mac or PC laptop with a minimum of 15 GB of free space, a power adapter, and Pro Tools 2022 (PT V.12 or later may be allowed too installed and fully updated); audio interface/mic/midi keyboard and smart devices are optional but highly recommended.

Reg# 392947

Fee: $745

No refund after 14 July.

M Online

July 10 Sept. 17

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

54 Entertainment Enroll at uclaextension.edu or call (800) 825-9971

ENVIRONMENTAL STUDIES & PUBLIC POLICY

Sustainability & Environmental Studies

For more information call (310) 825-7093 or visit uclaextension.edu/sustainability

ENVIRON X 400

Principles of Sustainability I: Introduction

4.0 units

This introductory survey lays the foundation for the study of global sustainability. With universal principles as a broad framework, this course provides a basic understanding of environmental systems and the interrelationship and effect of humans upon the environment. Topics include a historical overview of sustainability and the current problems and issues, an overview of earth’s physical and biological systems and the impact of environmental issues like climate change on these systems, an examination of environmental and urban issues and strategies, and tools to investigate and analyze sustainable environmental practices.

Reg# 391928

Fee: $745

No refund after 30 June.

M Online

June 26 Sept. 10

Required course in Sustainability Certificate.

Enrollment deadline: June 30. Enrollment limited. Visitors not permitted. 7 & Nurit Katz, MBA, MPP, chief sustainability officer, UCLA

Reg# 391929

Fee: $745

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 5:30 8:30pm, June 28 Sept. 6

UCLA Extension Gayley Center: 1145 Gayley Ave.

Wednesday, 5:30 8:30pm, July 5 Aug. 30

Remote Classroom

Required course in Sustainability Certificate.

Enrollment deadline: July 4. Enrollment limited. Visitors not permitted. 7 & Nurit Katz, MBA, MPP, chief sustainability officer, UCLA

MGMT X 401

Principles of Sustainability II: Current Issues and Case Studies

4.0 units

Gain a broad exposure and intimate knowledge of the business aspects of sustainability through real world business case studies. Key elements of this course include identifying practical tools, measur ing performance, and reviewing best practices. Upon completion, you have an understanding of the challenging and often competing interests between businesses and the regulatory, social, and techno logical efforts occurring globally.

Prerequisite(s): ENVIRON X 400: Principles of Sustainability I: Introduc tion. If you are currently enrolled in ENVIRON X 400, you must receive a grade of “C” or better in ENVIRON X 400 to continue the series.

Reg# 391936

Fee: $745

No refund after 9 July. m Hybrid (In-Person)

11 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 21; Sept. 1

UCLA Extension Gayley Center: 1145 Gayley Ave. Monday, 6:30 9:30pm, July 3 Aug. 28

Remote Classroom

Katherine Markova

ENVIRON X 402

Principles of Sustainability III: Stakeholders and Engaging Communities

4.0 units

This course focuses on the human element, addressing the adequacy and equity of sustainability efforts and taking the universal principles to a different level that includes environmental justice. The emphasis is on behaviors and characteristics of the individual as well as the larger group and community influences that help shape and transform the individual into a sustainable global citizen. Topics include psychosocial and socio cultural behaviors affecting beliefs, change, and decision making; potential effects of sustainable action vs. inaction; pathways toward sustainable education and awareness; advocacy and activism; and the ethics of sustainability efforts across nations, including future opportunities and challenges. Includes guest experts, case studies, and site visits. Upon completing this course, students have a preparatory knowledge and understanding of individual and group roles in global sustainability; the interconnectedness and necessity of collaboration between social, economic, and ecological responsibilities; and the importance of advocacy and the media in raising and maintaining awareness of global sustainability and citizenry.

Reg# 391966

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 10

Required course in Sustainability Certificate. Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. Enrollment limited. Visitors not permitted. Enrollment deadline: June 30. 7 & Victoria Charles, MS, LEED Green Association Accreditation, founder of the Climate Action Leadership Program

Reg# 391967

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 10

ENVIRON XL M133 Environmental Sociology

4.0 units

This course focuses on such issues as environment and health, disaster, the ecosystem, environmental policy, sustainability, environ mental justice, environmental risk, globalization, ecofeminism, envi ronmental attitudes and behaviors, the social construction of nature, and several strands of the environmental movement.

Reg# 391934

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment deadline: June 30. 7

Terri L. Anderson, PhD, lecturer, sociology, UCLA

GEOG XL 1

Earth’s Physical Environment

5.0 units

This course examines the Earth’s physical environment, with particular reference to the nature and distribution of landforms and climate and their significance to human populations. Instruction covers the major features of the Earth’s four environmental geospheres (atmosphere, hydrosphere, lithosphere, and biosphere) and the interactions between the numerous variables that constitute the geospheres and produce the Earth’s exceedingly complex physical environment. Transferrable for UC Credit.

Reg# 391935

Fee: $845

No refund after 30 June.

M Online

June 26

Sept. 10

Fulfills Physical Sciences General Education requirement of the UCLA College of Letters and Science. Required course in Environmental Studies Certificate.

Enrollment limited. Visitors not permitted. Enrollment deadline: June 30. 7 & Chelsea Robinson, PhD, founder and executive director

RRR

For more information call (310) 825-7093.

MGMT X 403

Strategic Social Impact

4.0 units

This course offers an introduction to social impact strategy and social entrepreneurship, including key concepts, an overview of the field, and tools to get started as a change maker. Students learn how to innovate and design new ideas and new organizational forms to implement those ideas. Students who take this course are better prepared to evaluate current organizations and/or launch social impact organizations of their own invention. By moving through four stages: Define, Design, Pilot, and Scale, students turn their passion for changing the world into concrete plans for launching a venture designed to achieve a social goal. This course allows students to systematically think through challenges, develop potential solutions, build a business model, and measure and grow the venture’s impact. Additional topics include an overview of effective marketing com munications, brand management and management of corporate social responsibility as an important driver for an organization’s success, and being socially responsible and profitable at the same time.

Reg# 391939

Fee: $745

No refund after 10 July.

r Hybrid (Remote)

6 mtgs

Tuesday, 6 9pm, June 27 Sept. 5

Remote Classroom

July 2 9; July 16 23; July 30 Aug. 6; Aug. 13 20; Aug. 27 Sept. 3

Online

Enrollment limited. Visitors not permitted. Enrollment deadline: July 3. 7 &

Misha Kouzeh, MS, consultant, trainer, TEDx speaker

PUB PLC X 461

Climate Change, Energy, and the Environment

4.0 units

The course provides a better understanding of how future energy solutions both power and transportation address climate change and environmental protection from a policy standpoint. Instructors broadly discuss climate change, including greenhouse gas emissions, their impacts, and policy actions to reduce such impacts. The course also briefly discusses interrelationships among greenhouse gases, environmental quality, public health, energy security, and long term sustainability. Upon successful completion of the course, students should be able to better analyze, plan, and advise on future actions in response to new and evolving federal, state, and local programs and policies in this area.

Reg# 391962

Fee: $745

No refund after 30 June.

M Online June 26 Sept. 10

Elective course in Sustainability Certificate. Required course in Environmental Studies Certificate.

Enrollment deadline: June 30. Enrollment limited. Visitors not permitted. 7

Therese Zarlengo MS, retired meteorologist, National Weather Service

PUB PLC X 478

Sustainable Food and Agriculture

4.0 units

This course examines the concepts, practices, and policies of sustain able food and agriculture. Students begin by surveying the environ mental, economic, and social foundations of the field in the U.S. and globally. Topics include a systems approach to sustainable agriculture; the relationship of farming to water, energy, air, and soil; field crops and animal production practices in sustainable agriculture; sustain able horticulture; organic agriculture; sustainable seafood and aquaculture; economic, social, and political context of sustainable food and agriculture; and sustainability in the culinary arts. The course also considers the impacts of agricultural industrialization and potential opportunities for the future of sustainable agriculture, including identifying practical tools, measuring performance, and reviewing best practices. Guest speakers and field trips are scheduled in the public and private sectors.

Reg# 391964

Fee: $745

No refund after 10 July.

r Hybrid (Remote)

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting July 4. Elective course in Sustainability Certificate. Visitors not permitted. Enrollment deadline: July 3. James Bassett PhD, senior member, Environmental Affairs Committee, Santa Monica Chamber of Commerce

PUB PLC X 495

Sustainability

4.0 units

Internship

The internship provides students with a unique experiential learning opportunity related to environmental sustainability. The internship site is selected by the eligible student from among a variety of related disciplines, allowing the student to create a distinctive independent learning experience. The purpose is to apply the material learned in formal Sustainability Certificate academic courses to a workplace setting, acquiring valuable job skills. Students gain hands on experi ence by working on real industry problems/projects in the private or public sector or in a nonprofit organization. Students intern for a mini mum of 120 working hours. Throughout the internship, students communicate and work alongside an Extension instructor who helps guide them through the process. Students are required to complete a final report of their experience once they complete the internship. Prerequisite(s): Fifty percent of the program requirements (thus, three of the five courses) must be completed before taking the Internship course.

Reg# 391965

Fee: $810

No refund after 30 June.

Independent Study/Internship

June 26 Sept. 10

Elective course in Sustainability Certificate. Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: June 30.

Dr. Akima Cornell, PhD at University of Essex; principal, Akima Con sulting, LLC.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

56 Environmental Studies & Public Policy Enroll at uclaextension.edu or call (800) 825-9971

FINANCE & INVESTMENTS

For more information call (310) 206-7247.

Credit Analysis & Management

For more information call (310) 206-1654 or email fmpcertificate@uclaextension.edu

MGMT X 430.614

Writing and Presenting a Credit Analysis

4.0 units

Improve your basic business writing skills and focus those skills as you learn to write a concise and directed credit analysis, beginning with a general template and then moving to a format that follows best practices. Topics include the “five Ps” of credit analysis People, Pur pose, Payment, Protection, and Perspective and writing the credit analysis/structuring summary, including understanding your audi ence, essential communications, effective visuals, and report presenta tion. You are exposed to real clients and data designed to challenge your writing skills. The course provides supporting documentation and information in the context of writing skills, and the learning environ ment is enhanced by extensive use of exercises and critiques of credit analysis writing samples. At the conclusion of the course, you should be able to write a concise and coherent credit analysis and effectively present findings to a credit manager or credit committee.

Reg# 392908

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 10

Enrollment limited. & Deborah Meng, MBA, CRCM, CAMS, large banking organizations, Federal Reserve Bank of San Francisco

Finance

Those students planning to pursue a career as financial or investment professionals are advised to enroll in the Finance Certificate. Students are advised to complete MGMT X 1A and MGMT X 1B Principles of Financial Accounting (or equivalent courses) and MGMT X 422 Cost Accounting and Analysis before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

Finance

For more information call (310) 206-1689 or email pwilliams@uclaextension.edu

MGMT X 130A

Applied Managerial Finance

4.0 units

This course offers an introduction to some of the more important topics in Managerial Finance, with an emphasis on the methods and sources of financing for corporations. Topics include corporate finan cial analysis, financial planning procedures, present value and security valuation, capital budgeting, capital structure, and approaches to raising capital. The course also covers securities markets, factors, and models explaining security returns, as well as the concept of market efficiency. Financial calculator is required. c

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or equivalent, or consent of instructor.

Reg# 392891

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited. & Wayne A Hollman BA, MBA, PhD, financial advisor

MGMT X 130B

Advanced Applications of Managerial Finance

4.0 units

This course demonstrates the advanced implementation of corporate finance through the presentation of theories and their applications. Students analyze stock and bond valuations, capital budgeting and working capital management, leasing, option pricing, risk/return, cost of capital, financial forecasting, capital structures, dividend policy, and investment banking. The implications of market responses to major financial strategies are also examined. c

Prerequisite(s): MGMT X 130A Applied Managerial Finance or consent of instructor.

Reg# 392909

Fee: $855 No refund after 10 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave. Visitors not permitted. 7 & David E. French, MBA, president, David French & Associates, LLC, a business strategy consultancy

MGMT X 430.131

Business Acquisition and Divestiture: Strategy and Finance

4.0 units

This course is intended primarily for investors looking to acquire a small to mid sized business or corporate executives and professionals looking to expand their company’s prospects via merger and acquisi tion (M&A). This course combines an analytical framework with real world applications to introduce the key processes and techniques involving business combinations. Key topics include current trends in M&A, accounting foundations, legal constraints, tax implications, business valuation techniques, and M&A risk management. Students learn how to prepare, evaluate, and execute business mergers and acquisitions through lectures, discussion forums, case studies, and assigned practice questions. Participants leave the course with an understanding of how to put together a deal, minimize overpaying, and increase their chances of success in a business combination.

Prerequisite(s): MGMT X 130A Basic Managerial Finance or equivalent, or the consent of the instructor.

Reg# 392910

Fee: $855

No refund after 12 July.

m Hybrid (In-Person) 11 mtgs

Thursday, 6:30 8:30pm, June 29 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Elective course in the Finance Certificate.

Visitors not permitted. 7 & Brooks Ensign mso bidi language:AR SA”>MBA, M.Acc

MGMT X 430.132

Business Valuation

4.0 units

This course explores the basics of business valuation, including how businesses, equity, and enterprise are valued. Students learn the main methods of valuation (intrinsic and relative), their strengths and weak nesses, and when to apply each. Topics include discounted cash flow, comparable market multiples, comparable transaction multiples, and liquidation/terminal value. Additional topics include free cash flow, financial statement analysis, industry competitive analysis, growth projection, financial forecasting, discount rate, and capital asset pricing.

Prerequisite(s): This course is intended for students with strong accounting/finance background. Minimal prerequisites include Intro ductory Financial Accounting and Introductory Corporate Finance. This course also requires working knowledge of Microsoft Excel.

Reg# 392911

Fee: $855

No refund after 12 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 8:30pm, June 28 July 26

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Wednesday, 6:30 8:30pm, Aug. 2 Sept. 7

Remote Classroom

Enrollment limited. Elective course in the Finance Certificate. 7 Instructor to be announced

MGMT X 430.135

Money, Banking, and the Financial Markets

4.0 units

This course explores how banks and other financial institutions oper ate in a globalized world. Instruction includes an overview of monetary policy and how the central bank regulates and supervises the banking system, as well as the tools it employs as it manages the cost and availability of money in the economy. With commercial banks and investment banks now virtually the same, the course also covers other important facets of banking: corporate finance, underwriting, lending, foreign exchange, asset management, trust services, credit cards, cash management, trading of bonds and foreign exchange, and various services and products. A review and discussion of recent financial legislation also is included.

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Accounting.

Reg# 392884

Fee: $855

No refund after 9 July.

m Hybrid (In-Person)

11 mtgs

Monday, 6:30 9:30pm, June 26 July 24

UCLA Extension Gayley Center: 1145 Gayley Ave.

Monday, 6:30 9:30pm, July 31 Sept. 11

Remote Classroom

Early enrollment advised. Visitors not permitted. 7 & Dr. Gary J. Lysik, CFO, Dreamline Aviation

MGMT X 432.3

Financial Statement Analysis

4.0 units

This course is intended for financial and credit analysts; CPA or CFA candidates; investors; business managers; or individuals who are involved in equipment or real estate financing, leasing, or trade credit analysis. The course focuses on the mechanics of financial statement analysis, including balance sheet and income statement analysis, ratio analysis, cash flow analysis, common size analysis, and trend analysis. Particular emphasis is placed on quality of earnings analysis. Students are expected to analyze and evaluate free cash flow generation, profit ability, operating efficiency, and the impact of leverage on business risk and return on equity.

Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Accounting or consent of instructor.

Reg# 392916

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Required course in the Finance Certificate. Enrollment limited. & Ralph Zwetow, MBA, principal, Credit Training Resources

MGMT 833.380

Ethics in Finance

1.2 CEUs

This course focuses on the ethical issues confronting financial profes sionals, including extensive coverage of the recent financial crisis and the very latest developments affecting ethics within the financial world. Instruction includes an overview of the ethical standards in finance, including the primary elements necessary to make proper ethical decisions. The course also covers key definitions, issues, and general theories of business and finance ethics, citing examples from the recent scandals that have shaken public confidence in Wall Street and the world financial markets. Main topic areas include overview and fundamentals of ethics in finance, the retail customer, invest ments, financial markets, and financial management. Students leave the course with a better overall understanding of ethical issues con fronting financial professionals and how to apply ethical behavior in everyday business practices.

Reg# 392890

Fee: $320

No refund after 12 July.

M Online July 10 Aug. 7

Enrollment limited. 7

Peter Lou, MBA, MA, CFA, senior manager, Wells Fargo Bank

Business Economics, Math & Statistics

For more information email toliveirademoura@uclaextension.edu

All X 1-199 and X 400-level four-unit courses in this section can be applied toward the General Business Studies Certificate. Courses in this section are also recommended for pre-MBA students.

MGMT X 100

Applying Economics to Business Decisions

4.0 units

This course examines the effort of the enterprise to secure profits and the nature of demand for its products. Topics include cost and produc tion, allocation of resources through competition, forms of market competition, relation of size to efficiency, markets for productive fac tors, incentives and growth, and capital budgeting. Various concepts of algebra and statistics may be used in the analysis of economic theory. c

Reg# 392337

Fee: $855

No refund after 20 June.

X In-Person

10 mtgs

Tuesday, 6 9pm, June 27 Sept. 5

UCLA: Bunche Hall

No meeting July 4. & Nguyen Quan PhD, Golden State Water Company

MGMT X 110

Mathematical Solutions for Businesses

4.0 units

This course provides a fundamental background for administrators in the public and private economic sectors, as well as a solid review of pre MBA mathematics. Topics include linear and matrix algebra (with special emphasis on demand/supply and cost/revenue analysis) and differential calculus. Students are encouraged to bring in examples of mathematical applications based on their professional experiences. c

Reg# 392339

Fee: $855

No refund after 19 June.

M Online June 26 Sept. 10 7 & Jesse U. Overall, PhD, member of the Technical Staff, Rigel^3 Group; recipient of the UCLA Extension Distinguished Instructor Award.

MGMT X 115

Business Statistics

4.0 units

This course explores the elements of probability, probability distribu tions, estimation and confidence intervals, tests of significance and hypotheses, linear regression and correlation, time series analysis, and principles of index numbers. Additionally, the course covers applications to the analysis and decision making aspects of daily business problems. c

Prerequisite(s): MGMT X 110 Mathematical Solutions for Business or consent of instructor.

Reg# 392341

Fee: $855

No refund after 21 June.

X In-Person

11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

UCLA: Math Sciences & Bijan Raphael MA, PhD

MGMT 813.3

Post-MBA: Customer Experiences

1.2 CEUs

Customer expectations are changing, digital is everywhere, and orga nizations face a variety of risks. Gathering and using customer data effectively can help you drive the client experience. Is your business creating the systems, processes and expertise to turn data into a better product, a better experience and increased sales? Learn what is digital marketing, how to create a campaign and how to measure its effective ness. The other tool companies use to impact the customer experience is customer relations management (CRM) systems. Learn about the tool, the capabilities and the power of these systems and enhance your career prospects by gaining an understanding of these systems.

Reg# 392323

Fee: $700

No refund after 11 July.

A Remote 3 mtgs

Tuesday, 6 8pm, July 18 Aug. 1

Remote Classroom

Jeff Ferguson

Guillermo Pedroni

MGMT 813.4

Post-MBA: Big Data

1.2 CEUs

To evolve you need data and you need to know how to gather the data, manage the data, utilize the data and protect the data. Understand the key role this data plays in informing leadership, decision making and in the evolution of your business. In this course you will be introduced to cybersecurity as a critical component of any business operation in this technology driven age. Learn what are the fundamental pieces that must be in place, how to access where your company stands and how to you prepare for what comes next. The other component of this course is big data and database management. This the foundation for Fintech and AI. You are not a data scientist, and you don’t do coding so what do you need to know about this field and the systems?

Understand what is needed for your company to evolve.

Reg# 392327

Fee: $700

No refund after 1 Aug.

M Online

6 mtgs

Tuesday, 6 8pm, Aug. 8 22

Remote Classroom

Tuesday, 6 8pm, Aug. 29 Sept. 12

Remote Classroom

Chris Rose, MBA, CSCS, CISM, CISSP; partner, Ariento Inc.

Jerald Savin, BA, CPA, CEO, Cambridge Technology Consulting Group

MGMT 822.51

Nonprofit Fundamentals

Reg# 392340

Fee: $375

No refund after 4 July.

A Remote

6 mtgs

Tuesday, 6 9pm, July 11 Aug. 15

Remote Classroom

58 Finance & Investments Enroll at uclaextension.edu or call (800) 825-9971

RRR

MGMT X 430.136

Internship in Finance and Credit Analysis

4.0 units

The internship provides practical experience in a variety of finance related job functions within the private, public, or nonprofit sectors and is an opportunity to apply the material previously studied in finance courses. Students intern with sponsoring companies for a minimum of 120 hours and must secure their internship assignment and submit all required paperwork by Mar. 27.

Prerequisite(s): Restricted to students enrolled in one of the four Finance Certificates and who have completed a minimum of four courses within that certificate. International students must contact the International Student Office at (310) 825 9351 to confirm eligibility. Internet access is required to retrieve course materials.

Reg# 392357

Fee: $855

No refund after 19 June.

Independent Study/Internship

June 26 Sept. 10

Enrollment limited. 7

Fred Kuhns CMA, MBA, principal, FRK Consulting

Investments

MGMT X 433.01

Fundamentals of Investing

4.0 units

This course offers an introduction to investments, including investment analysis, portfolio management, and capital markets. Designed to provide the basic concepts and principles of investing, the course examines investment policies, types of securities, factors that influence price changes, timing purchases/sales, preparing investment pro grams to meet objectives, investment risk and return, and portfolio balancing. Instruction also includes an overview of the securities market and its behavior, including sources of information about the various instruments traded, procedure of trades, and the relevant mechanics and techniques of the market.

Reg# 392912

Fee: $855

No refund after 17 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 6 8pm, June 27 July 25

UCLA: Dodd Hall

Tuesday, 6 8pm, Aug. 1 Sept. 12

Remote Classroom

Visitors not permitted. 7 & Sue J. Liu, Sue J. Liu, MBA, Senior Investment Principal, Mercer

MGMT X 433.032

Alternative Investment Strategies

4.0 units

This course is designed for financial professionals and personal inves tors who recognize the importance of diversifying their investment portfolios and who have a desire to understand the risks and rewards of asset classes outside of the traditional categories of stocks and bonds. Instruction provides an overview of alternative investment assets, strategies, and portfolio management. Topics include hedge funds, private equity, structured products/derivatives, and real assets (focus on real estate). Guest lectures given by experienced financial professionals expound upon the various subjects covered.

Reg# 392915

Fee: $855

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 8:30pm, June 28 July 26

UCLA: Dodd Hall

Wednesday, 6:30 8:30pm, Aug. 2 Sept. 6

Remote Classroom

Elective course in the Finance Certificate. Visitors not permitted.

Deshon Owens, BA, founder, Flute Technologies

MGMT X 433.033

Managing and Understanding Stock Option Strategies

4.0 units

Whether your personal investment style is conservative or aggressive, long term or short term, this in depth course educates individuals on the utilization of options and demonstrates how options can add value to your current investment strategies. Intended for investors who want to utilize options as part of their overall investment mix or for those who already employ options and want to expand their usage, this course explores the basics of options and some of the common mis conceptions regarding them. Participants learn about the unique attributes of options and why investors have to think differently when investing in these instruments, whether as a stand alone investment or in conjunction with existing stock positions. The course includes stock and index option strategies, as well as an understanding of the nomenclature of the terms used in option trading. Additional topics include the use of spreads, straddles, combinations, butterflies, con dors, and other intermediate forms of option strategies. Prerequisite(s): A basic understanding of the stock market is recommended.

Reg# 392914

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited. & Natalie Walker DBA, MBA; professor, Albany State

MGMT X 460.983

International Investing

4.0 units

More and more individuals are investing internationally to take advan tage of its potential growth and diversify their investment portfolios. This course provides you with a comprehensive overview of invest ment opportunities and strategies in international markets, including the developed world and expanding emerging markets. Learn how to navigate the obstacles that confront the international equity and bond markets and the special risks involved with international investing. Topics include examining how asset allocation strategies can help control risk, international investment products, analyzing political and economic risks in countries and regions, performing research and identifying information sources, and balancing and controlling risks. With these and other tools, you learn to make informed investment decisions and analyze the global and regional economic trends that may affect investment outcomes.

Reg# 392913

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Visitors not permitted. 7 & Victor Dosti, BS, MBA, director of research, Whittier Trust

Personal Financial Planning

The courses in this section are part of UCLA Extension’s traditional evening and online Personal Financial Planning Certificate. This eight-course certificate is intended for financial planning professionals who want to expand their current careers or for individuals who are planning to pursue a career transition into this field. The courses also provide approved curriculum for students who are planning to sit for the CFP™ Certification Examination.

MGMT X 430.31

Survey

4.0 units

of Personal Financial Planning

This course introduces students to the profession of personal financial planning, emphasizing the identification and quantification of financial objectives and the interrelated facets of a wide range of technical personal financial planning material. The course is intended for indi viduals who wish to become practitioners in financial planning, those considering a career transition, and for professionals currently in the financial services industry seeking to advance their careers bankers, insurance and security brokers, investment and financial advisors, real estate professionals, CPAs, trust officers, and attorneys. Topics include qualitative and quantitative methods used in the financial planning decision making process. Additionally, the course covers principles of income taxation, investment analysis and procedure, insurance, employment benefit plans, estate planning, cash flow management, ethics, strategies, and processes of professional practice.

Recommended: May be taken prior to or concurrently with MGMT X 430.391 Financial Analysis in Personal Financial Planning. Both of these courses must be taken before all other courses in the Personal Financial Planning Certificate.

Reg# 392878

Fee: $855

No refund after 17 July.

r Hybrid (Remote)

11 mtgs

Tuesday, 6:30 8:30pm, June 27 Sept. 12

Remote Classroom

Enrollment limited. & Gary Grewal MS, CFP® senior lead planner at Facet Wealth

MGMT X 430.391

Financial Analysis in Personal Financial Planning

4.0 units

This course covers the basic analytic tools and mathematical tech niques used in personal financial planning and introduces the eco nomic concepts underlying the profession. Topics include percentage calculations, family cash flows, basic corporate financial statements, interest and compound growth, understanding the financial section of the newspaper, bond yield calculations, internal rate of return, net present value, basic statistics, and equity analysis. Economic concepts covered include national income accounting, the Federal Reserve System, economic indicators, recession, depression, inflation, deflation, supply and demand, and the money supply. An HP 12C calculator is required. May be taken concurrently with MGMT X 430.31 Survey of Personal Financial Planning. This course and MGMT X 430.31 Survey of Personal Financial Planning must be taken before all other courses in the Professional Designation in Personal Financial Planning.

Reg# 392886

Fee: $855

No refund after 30 June.

M Online 11 mtgs

June 26 Sept. 10 7 & Dan Casey MBA, Certificate in Personal Financial Planning, UCLA Extension; CFP® Westlake Financial Advisors LLC.

X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

Enroll at uclaextension.edu or call (800) 825-9971 Finance & Investments 59

MGMT X 427.904

Retirement Plans and Other Employee Benefits

4.0 units

A survey of the various plans available to provide retirement and other investment oriented employment benefits to employees, significant planning opportunities for tax deferral and capital accu mulation, and the advantages and disadvantages of various alterna tives. Topics include stock options, non qualified deferred compensation plans, Section 125 cafeteria plans, and other nonpen sion related benefits. The course emphasizes qualified corporate retirement plans, including pension and profit sharing plans; non corporate retirement programs, such as Keogh plans, IRAs, and Simplified Employee Pension plans; fiduciary responsibility require ments in connection with retirement plans; and taxation and timing of benefits. Recent legislation is examined.

Prerequisite(s): MGMT X 430.31 Survey of Personal Financial Planning, MGMT X 430.391 Financial Analysis in Personal Financial Planning, or consent of instructor. If you are enrolling in this course to fulfill a UCLA Extension certificate program requirement, you must select the “for credit letter grade” credit option during the checkout process. Addi tionally, if you are enrolling in this course to fulfill a requirement for (re)certification offered by an external governing body, it is recom mended that you select the “for credit letter grade” credit option.

Reg# 392875

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited. & Jason Thomas , adjunct faculty in Financial Planning/Education Specialist, University of Redlands and Pure Financial

MGMT X 430.32

Investments in Personal Financial Planning

4.0 units

An examination of the role of various investment vehicles in meeting financial goals, securities markets, sources of information about the various instruments traded, and the procedure of trades. This course introduces various market theories, including modern portfolio theory and the extension to this theory by Markowitz and Sharpe. Other topics include the analysis of business cycles; market analysis; analysis of individual companies; the market in debt instruments; and alternative instruments, including options, warrants, convertibles, commodity futures, mutual funds, and tangibles.

Prerequisite(s): MGMT X 430.391 Financial Analysis in Personal Finan cial Planning and MGMT X 430.31 Survey of Personal Financial Plan ning, or consent of instructor.

Reg# 392881

Fee: $855

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 9:30pm, June 28 July 26

UCLA: Dodd Hall

Wednesday, 6:30 9:30pm, Aug. 2 Sept. 6

Remote Classroom

Enrollment limited. 7 & Steve Minihan, MBA, CFP®, Westlake Financial Advisors LLC; recipient of the UCLA Extension Distinguished Instructor Award, 2019.

MGMT X 430.33

Income Taxation in Personal Financial Planning

4.0 units

This course examines the issues and determination of tax liability for numerous events and activities as they relate to the financial plan. Students are given the necessary information and tools of income taxation to make financial planning decisions within the context of either personal or client financial goals and objectives. Topics include tax issues and concepts in relation to insurance, investments, benefit planning, intrafamily transactions, and business operations. Students are taught and asked to demonstrate an understanding of the follow ing planning techniques: excluding income, deferring income, shifting income, and managing or timing income.

Prerequisite(s): MGMT X 430.31 Survey of Personal Financial Planning, MGMT X 430.391 Financial Analysis in Personal Financial Planning, and MGMT X 427.08 Fundamentals of Tax Preparation, or MGMT X 127 Federal Income Taxation, or consent of instructor.

Reg# 392882

Fee: $855

No refund after 9 July.

m Hybrid (In-Person)

11 mtgs

Monday, 6:30 8:30pm, June 26 July 24

UCLA: Dodd Hall

Monday, 6:30 8:30pm, July 31 Sept. 11

Remote Classroom

Visitors not permitted. 7 & Jeffrey C. Goodrich MBA, MST, CFP®, CLU, ChFC, Wealth Consultant, LPL Financial

MGMT X 430.35

Insurance in Personal Financial Planning

4.0 units

This course analyzes fundamental insurance principles and approaches to insurance needs. Instruction covers life, health, prop erty, casualty, and liability insurance, as well as the role insurance plays in financial and estate planning. You learn to integrate personal and capital insurance needs into a comprehensive financial plan.

Prerequisite(s): MGMT X 430.31 Survey of Personal Financial Planning, MGMT X 430.391 Financial Analysis in Personal Financial Planning, or consent of instructor.

Reg# 392883

Fee: $855

No refund after 12 July.

m Hybrid (In-Person)

11 mtgs

Thursday, 6:30 8:30pm, June 29 July 27

UCLA Extension Gayley Center: 1145 Gayley Ave.

Thursday, 6:30 8:30pm, Aug. 3 Sept. 7

Remote Classroom

Enrollment limited. & Helen Zhao, MBA, CPA, CFP, CFA, financial planning director

MGMT X 439.3

Estate Planning

4.0 units

This course is designed to aid accountants, trust officers, attorneys, life insurance underwriters, and financial planners in solving estate planning problems. Topics include tax objectives, wills and living trusts, the unlimited marital deduction, saving the “second tax,” holding title to property, lifetime gifts and trusts, life insurance and annuities, employee benefit plans, business interests, and post death problems. Recent tax law changes are also covered.

Reg# 392887

Fee: $855 No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited. 7 & Walter Whitaker, JD, MBA, LA Elder Law

MGMT X 430.38

Personal Financial Planning Capstone

4.0 units

This capstone course bridges academic coursework with actual practice management by introducing students to the skills and tools needed for developing a comprehensive financial plan for a client. The first part of the course provides a review of the financial planning CFP® Board topics, including ethics and principles of communication and counseling. Classes also review/apply the process and techniques for preparing and presenting a financial plan in an environment of non liability. This course fully meets the financial plan development course requirement to CFP Board’s education standards, effective Jan. 1, 2012. This course may also be taken by individuals who plan to sit for the CFP Examination on a “challenge status” (e.g. CPA, JD, CFA ® , ChFC, CLU).

Prerequisite(s): Completion of the other seven required courses in the Personal Financial Planning Certificate.

Reg# 392885

Fee: $895

No refund after 30 June.

M Online June 26 Sept. 10

Enrollment limited. Early enrollment required. 7 & Dan Casey, MBA, Certificate in Personal Financial Planning, UCLA Extension; CFP®, Westlake Financial Advisors LLC.

MGMT 833.379 Ethics in Personal Financial Planning 0.7 CEUs

This course focuses on the unique role of a certified financial planner, their fiduciary responsibility when working with clients is emphasized throughout. Operating “with utmost good faith and in a manner rea sonably believed to be in the best interest of the client.” Instruction begins with a more general perspective by examining the key defini tions, issues, and theories of business ethics before moving on to ethical decision making and conduct specific to the financial planning profession. The remainder of the course time is spent reviewing the CFP Code of Ethics, Practice Standards, Disciplinary Processes and Procedures, sanctions and other disciplinary outcomes, and the Fit ness Standards as updated by the CFP Board in 2019. By the end of this program, the participant should be equipped to understand the structure and content of the revised Code and Standards, including significant changes from prior rules; describe CFP Board’s fiduciary duty; identify material conflicts of interest to avoid or fully disclose them, obtain informed consent, and manage them; understand the duty to report to CFP Board and the duty to cooperate; identify the practice standards when providing financial advice that requires financial planning; and understand the duty to provide information to clients when providing financial planning and/or financial advice.

Reg# 392888

Fee: $320

No refund after 3 July.

M Online

July 10 Aug. 6

Required course in the Personal Financial Planning Certificate.

Enrollment limited.

Mark Cecchini, CFP ®, senior wealth manager, Aspiriant, LLC

MGMT X 430.383

Internship in Personal Financial Planning

4.0 units

The internship provides practical experience in a variety of financial planning job functions within the financial advisory and wealth management sectors, and it is an opportunity to apply the material previously studied in your personal financial planning courses. Stu dents intern with sponsoring companies for a minimum of 120 hours and must secure their internship assignment and submit all required paperwork by Mar. 27. This internship is eligible for three months of credit toward CFP Board’s work experience requirement.

Prerequisite(s): Restricted to students enrolled in the Personal Finan cial Planning Certificate and who have completed a minimum of five courses in the Personal Financial Planning Certificate program. International students must contact the International Student Office at (310) 825 9351 to confirm eligibility.

Reg# 392358

Fee: $855

No refund after 19 June.

Independent Study/Internship

June 26 Sept. 10

Enrollment limited. 7

Mark Cecchini, CFP ®, senior wealth manager, Aspiriant, LLC

Course Icons Provide Information

At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

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7 WEB-ENHANCED COURSE, page 1.

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C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

60 Finance & Investments Enroll at uclaextension.edu or call (800) 825-9971

RRR

HEALTH CARE & COUNSELING

For more information call (310) 825-7093.

Alcohol & Drug Abuse Counseling & Studies

Certificate Courses

The UCLA Extension Alcohol and Drug Abuse Counseling Certificate is approved by California Consortium of Addiction Programs and Professionals Education Institute (CCAPP-EI). This certificate meets the educational requirements for those seeking professional certification from CCAPP (formerly CAADAC) and its certification board, CCAPP Credentialing. It is each student’s responsibility to select the board through which they seeks certification and become familiar with the requirements of that chosen board.

COM HLT UL 731

Information Session and New Student Orientation: Alcohol and Drug Abuse Counseling Certificate

Participation in this free online course is mandatory for all new stu dents. This information session and new student orientation reviews how UCLA Extension’s Alcohol and Drug Abuse Counseling Certificate can help you reach your career goals. The UCLA Extension Alcohol and Drug Abuse Counseling Certificate meets the educational require ments for those seeking professional certification from the California Consortium of Addiction Programs and Professionals (CCAPP) and its certification board, CCAPP Credentialing. Topics for the information session and orientation include an overview of the program curriculum and requirements, a review of key resources to aid students in their studies, and an overview of the supervised field work practicum.

Reg# 391969

Fee: $0

M Online

Aug. 7 18

Prerequisite for the Alcohol and Drug Abuse Counseling Certificate Fall 2023 Cohort. Enrollment limited; early enrollment required.

Enrollment deadline: Aug. 11.

Uninstructed Lab

COM HLT 889

COM HLT X 470.6

Study Skills and

Other Key Preparations for the Alcohol and Drug Abuse Counseling Certificate

0.6 CEUs

This one day seminar is designed for students who are returning to school for the first time in many years and may lack the skills neces sary to make the most out of their continuing education experience. It is intended to help students make the transition to college level education. Students assess their learning strengths and practice note taking skills, reading comprehension, 16 specific study skills, and strategies for essay writing.

Reg# 391968

Fee: $169

No refund after 25 Aug.

A Remote 1 mtg

Saturday, 9am 3pm, Aug. 26

Remote Classroom

Prerequisite for the Alcohol and Drug Abuse Counseling Certificate. Required for students who have not completed an associate or higher-level degree. To waive this course, unofficial transcripts are required.

Enrollment deadline: Aug. 25.

Saskia Giebl, MSc

COM HLT X 470.3

Developmental Aspects of Psychology and Addiction

2.0 units

This course provides students with a basic level of understanding of the etiology of addiction and clinical implications derived from the application of psychology to chemically dependent behavior. To understand its complicated nature as a disease, the course focuses on current genetic and environmental research in the development of substance use disorders. Specific topics to be covered include the biological, developmental, psychological, environmental, and social factors that lead to vulnerability to addictions; symptoms of addictive disorders; and prevalence across the life span among target popula tions, including adolescents, seniors, families, and those with trauma exposure. We also examine various treatment approaches from a developmental perspective, including translational approaches to treatment that bridge biology and behavior.

Reg# 391971

Fee: $465

No refund after 29 June.

A Remote 5 mtgs

Thursday, 6:30 9:30pm, June 29 July 27

Remote Classroom

Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request.

Enrollment deadline: July 5. Visitors not permitted.

J. David Likens

Law and Ethics for Addiction Professionals

2.0 units

This course is designed to help students clarify their own beliefs and values, review the dynamics of the profession’s Code of Ethics, gain knowledge about legal implications, and explore ethical issues related to substance use disorder counseling. In addition, students learn about the scope of practice for certified addiction counselors.

Reg# 391972

Fee: $485

No refund after 10 Aug.

A Remote 6 mtgs

Thursday, 6:30 9:30pm, Aug. 3 Sept. 7

Remote Classroom

Enrollment deadline: Aug. 9. Visitors not permitted.

Shawn Kravich, Esq. director, Los Angeles HIV Law and Policy Project; interim director Cancer Legal Resource Center; adjunct professor of Law, Loyola Law School Los Angeles. Mr. Kravich is a member of the California, New York, and Connecticut State Bars.

COM HLT X 470.10

Family Counseling Skills

4.0 units

This course provides a brief overview of the theoretical and practical methods of assessing and implementing the basic counseling skills for treating substance use disorders in family systems. Information is presented through lectures and interactive discussions. Students are expected to acquire a knowledge base to apply treatment models in counseling, supporting interventions, and collaborating with other professionals. The course inspires students to connect their own experience with family systems by tracking behavior patterns in their own family of origin and the relationships they have inside and outside of the family.

Prerequisite(s): COM HLT X 470.5 Introduction to Counseling and the 12 Core Functions, COM HLT X 470.7 Individual Counseling Skills, COM HLT X 470.9 Group Counseling Skills.

Reg# 391970

Fee: $705

No refund after 10 July.

A Remote 11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

No meeting July 4. Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request.

Visitors not permitted. Enrollment deadline: July 3. & Berenice D. Rosillo LMFT

Fitness Instruction

COM HLT X 421.1

Biomechanics: Analysis of Human Movement

4.0 units

2.0 CEUs

This course covers the biomechanical analysis of human movement based on the mechanical laws of motion. By the end of the course, students are able to apply mechanical laws of applied physics to human movement, solve biomechanical problems using the laws of applied physics, and understand how musculoskeletal structures affect human movement.

Prerequisite(s): Basic course in anatomy and physiology.

Reg# 392868

Fee: $825

No refund after 30 June.

M Online 11 mtgs

June 26 Sept. 10

NSCA has approved two CEUs for CSCS, NSCA-CPT, CSPS, or TSAC-F certificants who successfully complete this course. Elective credit in Fitness Instruction Certificate.

Enrollment limited to 25 students. Enrollment√Ç¬†deadline:

June 30. 7

John Farr MS, MA, CSCS, USAW, strength and conditioning coach

PHYSCI X 400.6

Human Anatomy and Physiology

4.0 units

This course provides an introduction to the structure; function; and integration of cells, tissues, and organs of the human body. Students learn about the muscular, nervous, cardiovascular, respiratory, digestive, renal, endocrine, reproductive, sensory, and cognitive systems. Instruc tion develops from molecular and cellular principles through organs and organ systems. It also covers energy metabolism and fluid com partments; homeostasis and responses to stress; and central nervous system functions in movement, consciousness, and language.

Reg# 392876

Fee: $825

No refund after 2 July.

M Online 11 mtgs

June 26 Sept. 10

Meets Physiology requirement in Fitness Instruction Certificate.

Enrollment deadline: June 30. 7

Instructor to be announced

PHYSCI X 449

The Human

4.0 units

Body: How It Functions

The body is a dynamic organism exhibiting a complex integration of biochemical, mechanical, and physical functions. This course provides a systems approach in order to understand the normal function of cells, nerves, hormones, muscles, respiratory system, heart and circu lation, immune system, digestion, and metabolism.

Reg# 392867

Fee: $825

No refund after 30 June.

M Online 11 mtgs

June 26 Sept. 10

This course provides a foundation for additional required courses in the Fitness Instruction Certificate and should be taken first. Meets physiology requirement in Fitness Instruction Certificate.

Enrollment deadline: June 27. 7

John Farr MS, MA, CSCS, USAW, strength and conditioning coach

PHYSCI X 450 Exercise Physiology

4.0 units

This course provides fitness instructors with an in depth exposure to the interaction of the cardiovascular, respiratory, endocrine, nervous, and musculoskeletal systems during exercise. Instruction emphasizes practical application of the physiologic concepts in determining fitness levels, prescribing exercise, and monitoring people for signs of over exertion and underlying disease. Topics include energy metabolism; the circulatory, respiratory, neuromuscular, and endocrine systems; environmental considerations; principles of exercise training; and theories of obesity and weight control, exercise, age, and disease. Prerequisite(s): Basic course in human biology or anatomy and physiology.

Reg# 392866

Fee: $825

No refund after 30 June.

M Online

June 26 Sept. 10

Required course in Fitness Instruction Certificate. Enrollment limited to 25 students. Enrollment deadline: June 30 Perry L Powell, MS, MBA; director, Western U.S. EDS.

PHYSCI X 451

Introduction to Human Nutrition

4.0 units

This course provides students with a background in the basics of nutrition and stresses the link between nutrition practices, health, disease, and exercise performance. Topics include macronutrient needs; vitamins, minerals, and other supplements; energy balance; weight control; the effects of nutrient excesses and deficiencies on performance; ergogenic aids; eating disorders; and how to recognize nutrition practices that may require professional referral. Students also gain practical knowledge through understanding nutrition labeling and evaluating literature.

Reg# 392855

Fee: $825

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

Required course in Fitness Instruction Certificate.

Enrollment deadline: June 30. 7

Suzanne Elizondo MS, RD, registered dietitian in private practice. As a dynamic teacher and coach, Ms. Elizondo provides individual con sultations, group programming, and corporate workshops. She also consults for Healthy Ads, a boutique advertising network connecting ethical food companies with health bloggers.

PHYSCI X 452

Applied Anatomy and Biomechanics

4.0 units

This course provides fitness instructors with an understanding of musculoskeletal anatomy and the application of basic biomechanical principles to the moving body. This application allows fitness instruc tors to analyze a movement and identify poor mechanics that could contribute to injury, design exercises for particular muscle groups, and more safely and effectively advise on the use of exercise equipment.

Prerequisite(s): PHYSCI X 400.6 or PHYSCI X 449.

Reg# 392859

Fee: $825

No refund after 28 June.

M Online

11 mtgs

June 24 Sept. 10

Required course in Fitness Instruction Certificate.

Enrollment deadline: June 30. 7

Elizabeth Likes, MA, exercise physiologist and educator

Patient Advocacy

HLT POL X 407.9

Communication Strategies in Health Care: Navigating High-Stakes Conversations

4.0 units

High quality communication between health care providers, patients, and families has been shown to have a positive influence on patient health outcomes, including emotional health, function, physiologic measures, and symptom resolution. Conversely, failures in communi cation lead to increased patient harm, length of hospital stays, resource utilization, caregiver dissatisfaction, as well as staff turnover. Given the critical role communication plays, this course provides evidence based strategies to optimize communication for profession als working in health care. Topics include principles of human com munication, confidentiality, HIPAA, motivational interviewing, the influence of culture and diversity on communication, family dynamics and communication, communication with teams, conflict and crisis management, professional boundaries, skills for high intensity com munications, and grievance management. The focus is on helping improve individual communication strategies to support a patient centered and value oriented health care system.

Reg# 392864

Fee: $825

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

Required course in Patient Advocacy Certificate.

Restricted course; Web enrollments automatically generate a “Permission to Enroll” request.

Enrollment limited to 25 students. Enrollment deadline: June 30. 7 & Adisa Cartwright, MA

62 Health Care & Counseling Enroll at uclaextension.edu or call (800) 825-9971

HUMANITIES & SOCIAL SCIENCES

History

HIST XL 154

History of California

4.0 units

This course covers the economic, social, intellectual, and political development of California from earliest times to present. c

Reg# 392944

Fee: $0

No refund after 30 June.

M Online

June 26 Sept. 17

Formerly numbered XL 163. Midterm and final exams are proctored online; additional requirements include microphone, headphones/ speakers, and webcam.

Enrollment limited to 25 students. Visitors not permitted. Da Vinci course.

Gregory Brueck, PhD, History, UC Davis

Linguistics

LING XL 1

Introduction to Study of Language

5.0 units

What is known about human language, its unique nature, structure, universality, diversity, social and cultural setting, and its relation to other aspects of human inquiry and knowledge? Instruction covers the structure of human language, including articulation and interac tion of speech sounds (phonetics and phonology), word formation and sources of new words (morphology), structure of sentences (syntax), meaning (semantics), and the origin of English and related languages (historical linguistics). The course may be taken as an introduction to the scientific study of language and also provides the necessary background for higher level linguistics courses. c

Reg# 392943

Fee: $798

No refund after 30 June.

M Online June 26 Sept. 17

Fulfills in part the General Education requirement of the UCLA College of Letters and Science. Exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam.

Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: June 30. 7 & Natalie Operstein PhD, Linguistics, UCLA

Psychology

PSYCH XL 10

Introductory Psychology

4.0 units

This introductory course provides an overview of the vast and fascinat ing field of psychology. General introduction includes topics in cogni tive, experimental, personality, developmental, social, and clinical psychology; six hours of psychological research required. c

Reg# 392854

Fee: $895

No refund after 3 July.

X In-Person

22 mtgs

Tuesday, Thursday, 7 9pm, June 27 Sept. 12

UCLA: Bunche Hall

Thursday, 7 9pm, July 6

UCLA: Bunche Hall

Mo meeting July 4. One make-up class to be determined. Visitors not permitted. Enrollment deadline: July 3. 7 & John W. Carter, PhD, instructor, Psychology, UCLA Extension

PSYCH XL 127A

Abnormal Psychology

4.0 units

This course presents the study of psychological disorders including depression, anxiety, substance use disorders, and schizophrenia across lifespan. The role of biological, behavioral, social, cognitive, and cultural factors; diagnosis; and treatment approaches are reviewed. Students critically evaluate theories, research, and treatment related to psychological disorders from a cultural and social perspective. Discussion focuses on how stigma affects access to care and what practices can be implemented to support inclusiveness. c

Prerequisite(s): PSYCH XL 10 (Introductory Psychology)

Reg# 392856

Fee: $895

No refund after 11 July.

A Remote

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

Remote Classroom

Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Weekly one-hour discussion online through the Canvas Learning Management System.

Visitors not permitted. Enrollment deadline: July 11. 7 & Instructor to be announced

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

more information call (310) 825-7093.

For

LANDSCAPE ARCHITECTURE & HORTICULTURE

Landscape Architecture

For more information call (310) 825-9414 or email landscapearchitecture@uclaextension.edu

Note: The Landscape Architecture Program does not support AutoCAD on the Mac.

FREE SOFTWARE AND SOFTWARE LICENSES

Certificate students may download AutoCAD for free upon proof of student status and may be eligible for academic rates on other soft ware for their home computer. Prices and restrictions are subject to change. Software versions should reflect the version used in class as an older version may not possess the same interface or tools demon strated in class. Each student must verify that his/her computer meets the software’s minimum system requirements. For more information call (310) 825-9414.

ARCH 751

Landscape Architecture Information Session

Alumni, current students, and program instructors are on hand at this free information session to answer any questions you may have regarding the program. If you are interested in becoming a landscape designer or a landscape architect, sign up today! Program director discusses path to licensure, program curriculum, financial aid, and career opportunities. Don’t miss this opportunity to get tons of infor mation about the program and how you can start a new career. We are offering discounts on select courses for new students who attend the information session.

Reg# 392211

Fee: $0

A Remote 1 mtg

Tuesday, 6 8pm, Aug. 1

Remote Classroom

Free Program Information Session/Open House. Live virtual event via Zoom.

Stephanie Landregan, BA, landscape architect (CA 4093)

ARCH X 472

Introduction to the Landscape Design

Professions

4.0 units

This introductory course covers the history, scope, types, and scale of landscape design professions; licensure; professional societies; and current issues. Terminology, construction concepts, basic graphic skills, and model making are also introduced.

RRR

Reg# 392214

Fee: $980

No refund after 4 July.

A Remote

11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

Remote Classroom 7 & Steve Lang, managing principal of the Southern California office of Moore Iacofano Goltman (MIG) in Fullerton. Specializing in park and recreation planning and design, Mr. Lang has been actively involved in award winning projects for more than 35 years.

ARCH X 472.4D

Design Graphics 1: Drafting and Drawing of the Built Environment

4.0 units

Students learn introductory drafting, lettering, and drawing techniques as they relate to the field of Landscape Architecture and professional standards. All work product is developed from Tongva Park, a real site located in Santa Monica. At the end of this course, students make a presentation to the instructor and visiting guests. The students present a package of work product that includes hand drafting of a dimen sioned site plan, section/elevations, and perspective sketch.

Reg# 392217

Fee: $980

No refund after 2 July.

m Hybrid (In-Person)

12 mtgs

Saturday, 9am 12pm, June 24

Remote Classroom

Tuesday, 6:30 9:30pm, June 27

Remote Classroom

Monday, 6:30 9:30pm, July 3

Remote Classroom

Tuesday, 6:30 9:30pm, July 11 Aug. 15

Remote Classroom

Saturday, 9am 5pm, Aug. 12

Field Trip

Saturday, 9am 5pm, Aug. 26

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Saturday, 9am 5pm, Sept. 16

Remote Classroom

In-person field trip to Tongva Park in Santa Monica on Saturday, Aug. 12 required.

In-person studio on Saturday, Aug. 26 required.

Two webcams required for this drafting course, cell phone camera is not allowed.

Articulating Arm for camera mount required. 7 & David Squires MA in architecture and urban design, UCLA; BS in landscape architecture and regional planning, Washington State University. Mr. Squires is the principal of AroundYOU, a multi disciplin ary studio offering master planning, solar planning, architectural design, landscape architecture, and garden design.

Laura Razo, BSLA, MLA, project manager/landscape designer, who has more than 13 years of professional experience as a landscape designer and project manager. She received her BS in landscape architecture (BSLA) from Cal Poly, Pomona and received her MLA in 2015.

ARCH X 471.2

Landscape Design 3: Advanced Site Design

5.0 units

This course introduces the student to the landscape architectural design process, emphasizing site inventory, analysis, program, design process, and concept development. Projects are mid to large scale sites you can actually visit, such as civic plazas, freeway capping projects, downtown urban redevelopment, etc. The design program for each project is defined by the instructor. Presentation graphics are both hand drawn and/or physically built. Students also use computer modeling, rendering, 3D modeling, InDesign, Sketchup, and Photoshop. Final presentation products utilize hand graphics with blended use of CAD and 3D modeling as background support only.

Prerequisite(s): ARCH X 471.1A Landscape Design 1; ARCH X 471.1B Landscape Design 2; ARCH X 472.4F Design Graphics 3. Candidacy in the Landscape Architecture Program.

Reg# 392213

Fee: $1,185

No refund after 5 July.

m Hybrid (In-Person)

12 mtgs

Thursday, 6 10pm, June 29; July 6 Aug. 24; Sept. 7

Remote Classroom

Saturday, Sunday, 10am 1pm, July 1 2

Field Trip

Required in-person field trips: Newport Beach Civic Center and Park, Saturday, July 1; Thousand Oaks Civic Arts Plaza, Sunday, July 2. 7 Francisco Behr, BArch, AIA, architect (CA 14634); as president and director of design at Behr Browers Architects Inc. Mr. Behr has more than 25 years of design and planning experience. Mr. Behr has been an instructor for UCLA Extension’s Landscape Architecture Program for the past 22 years.

ARCH X 493.992

AutoCAD 1

4.0 units

This course introduces students to the fundamentals of AutoCAD, as well as how to apply and manage the tool. Students who successfully complete the course acquire a good foundation upon which they may further develop the tool. While instruction is directed toward land scape architecture, those in related disciplines also should find the course valuable.

Prerequisite(s): Basic knowledge of computers.

Reg# 392219

Fee: $1,075

No refund after 4 July.

A Remote 11 mtgs

Wednesday, 6:30 9:30pm, June 28 Sept. 6

Remote Classroom

Students must have access to most recent version of AutoCAD software; student versions of the software may be downloaded for free upon proof of student status. This course does not support AutoCAD on Mac computers.

Visitors not permitted. & 7

Victor Corona, AIA, who is a registered architect in the state of Cali fornia (C25767). Mr. Corona is principal of VMC architecture, interactive architecture, and interior design firm in Stevenson Ranch, CA. He is a member of the American Institute of Architects, Los Angeles Chapter.

For

more information call (310) 825-9414.

ARCH X 472.6A

History of the Designed Landscape

4.0 units

The Landscape Architecture Program’s history course comprises the study of the evolution of landscape design through Western civilization. Lectures cover the outstanding examples of landscape garden design and their relationships to art and architecture, as well as the philosophi cal, social, political, and historical forces that influenced the designed environment. Instruction includes extensive visual materials.

Reg# 392218

Fee: $950

No refund after 3 July.

M Online

June 27 Sept. 12 7

JC Miller who is a partner and principal at Vallier Design Associates in Point Richmond, California. He is a licensed landscape architect with a keen interest in the processes, especially the ethical frame works, which guide the creation of the built environment. He is the former director for the Landscape Architecture Program at UC Berkeley Extension.

ARCH X 472.19

Landscape Design 6: Concept Development

4.0 units

This course explores the use of drawings as tools for visualization and design development. The focus is on developing an ability to use drawings to model and manipulate visual information throughout the various stages of design evolution. Techniques for examining ideas and concept alternatives through composite, perspective, ortho graphic, and axonometric drawings are explored. Lectures present examples of built projects and methods of recognized professionals, which illustrate the dramatic influence drawing type may have on the final form or organization of a design. The course requires intensive drawing time; students must have already mastered basic drafting and sketching skills.

Prerequisite(s): X 472.9 Landscape Design 4: Environmental Analysis and Planning.

Reg# 392234

Fee: $950

No refund after 27 June.

m Hybrid (In-Person)

12 mtgs

Tuesday, 7 10pm, June 27; July 11 25; Aug. 8 Sept. 12

Remote Classroom

Saturday, 1 4pm, July 1 29

UCLA: Franz Hall

Two required in-person class meetings.

July 1 at Bowtie Parcel

July 29 at UCLA 7 & Steven Chavez, a licensed landscape architect and founding principal of SCA LARC. Mr. Chavez received a Bachelor of Landscape Architec ture from the University of Washington and an MFA in Photography with an emphasis on urban landscapes from the University of Ulster. His core interest is designing high use public and civic spaces.

Reg# 393221

Fee: $950

No refund after 27 June.

m Hybrid (In-Person)

12 mtgs

Tuesday, 7 10pm, June 27; July 11 25; Aug. 8 Sept. 12

Remote Classroom

Saturday, 1 4pm, July 1 29

Field Trip

Two required in-person class meetings on Saturday, July 1 & July 29. Client presentation the week of Sept 11. Date and time to be determined. 7 & Instructor to be announced.

ARCH X 472.12B

Irrigation/Water Conservation

4.0 units

This course focuses on irrigation system design, specifications, and construction. Instruction emphasizes water conservation and tech niques of efficient and appropriate application. Various systems and techniques are explored, as well as concepts for system moderniza tion, reclamation, and water management.

Prerequisite(s): X 472.12A Grading and Drainage, X472.5 Landscape Design 5: Planting Design, and X 493.6 AutoCAD 2.

Reg# 392215

Fee: $950

No refund after 5 July.

m Hybrid (In-Person)

11 mtgs

Thursday, 7 10pm, June 29 Aug. 24

Remote Classroom

Sunday, 8 11am, July 2 30

Field Trip

Two required in-person class meetings. Students should have their own computers and student version of AutoCAD.

Visitors not permitted. 7

Nickolas Straabe, A registered landscape architect in California. In his current role as Specification Manager at Hunter Industries, Nick works closely with landscape architects throughout Southern Califor nia to design efficient irrigation and low voltage landscape lighting systems

Jason Wan, BS in Landscape Architecture from Cal Poly Pomona. Specifications Manager at Hunter Industries specializing in irrigation design with a emphasis on water conservation. ASLA member

ARCH X 472.15D

Capstone Project Studio

10.0 units

The Capstone Project Studio is an intensive course in which students develop a comprehensive and creative final design project that reflects their special interests and demonstrates the theory, skills, and knowl edge acquired over the two and a half prior years of study in the Landscape Architecture Program. Students select individual projects and complete the Capstone Studio Project in 12 weeks. Small studio groups meet twice weekly under instructor guidance to review their work in progress. Class sessions include discussion of design theory and process, programming, design concepts, and graphic communica tion. The student prepares for weekly critiques and meets milestones. Completed projects are presented before instructors, guidance com mittee members, and local professionals at approximately week 11.

Prerequisite(s): X 472.15C Capstone Project Seminar.

Reg# 392216

Fee: $2,380 No refund after 5 July.

m Hybrid (In-Person)

24 mtgs

Monday, Thursday, 6 10pm, June 26 29

Remote Classroom

Thursday, 6 10pm, July 6

Remote Classroom

Saturday, 9am 1pm, July 8

UCLA Extension Gayley Center: 1145 Gayley Ave.

Monday, Thursday, 6 10pm, July 10 Aug. 31

Remote Classroom

Saturday, 9am 1pm, Aug. 26

UCLA Extension Gayley Center: 1145 Gayley Ave.

Thursday, 6 10pm, Sept. 7

Remote Classroom

Saturday, Sunday, 9am 2pm, Sept. 9 10

Remote Classroom

No meetings July 3; Sept. 4.

Restricted course. Students who wish to take this course must request permission from the program office before they can enroll. Visitors not permitted. 7

Meg Rushing Coffee landscape architect (CA 4747). Ms. Coffee has her own practice specializing in residential design. Previously, she worked with Pamela Burton & Company, OLIN, and Marmol Radziner & Associates. She is vice chair of the UCLA Landscape Architecture Program Instructor Committee and secretary of the Association for Women Architects and Designers (AWA+D).

ARCH X 496.2 Beginning Stormwater Management

2.0 units

Sustainable site planning requires understanding and calculating storm events and designing landscapes to capture, hold, and infiltrate stormwater through landscape designs that focus on several methods, from on site retention and cisterns to green infrastructure, such as swales. This course showcases unique designs and describes the methods and calculations used to design stormwater BMPs for a site to appropriately accommodate seasonal stormwater within the South ern California region. This course covers the California and City of Los Angeles regulatory requirements for stormwater and provides an overview of stormwater plan design hydrologic/hydraulic concepts, environmental site design, and non proprietary stormwater BMPs, including critical design elements and typical stormwater plan compli ance strategies.

Reg# 392220

Fee: $550

No refund after 16 July.

A Remote 7 mtgs

Monday, 7 10pm, July 10 Aug. 14

Remote Classroom

Saturday, 9 11am, July 29

Field Trip

Elective course in the Landscape Architecture Program. Optional field trip to Brentwood on July 29

Recommended that students are familiar with Grading and Drainage practices prior to enrollment. 7 & Tom Rau BA, architecture, UC Berkeley; MBA, USC; ASLA, landscape architect (CA 5681), who specializes in water sensitive design of resi dential, commercial, and public projects. Mr. Rau is currently a princi pal of Urban Water Group, Inc.

ARCH 750

LARE Section 4: An Intensive Review

Designed for students preparing to take LARE Section 4: Grading, Draining, and Construction Documentation. This workshop covers the knowledge and skills for preparing plans, including demolition, grad ing, drainage, planting, and stormwater management. Also covers construction documentation and specifications.

Reg# 392615

Fee: $588

No refund after 4 July.

A Remote 2 mtgs

Friday, 12 5pm, July 7

Remote Classroom

Saturday, 8am 5pm, July 8

Remote Classroom

Students are expected to have basic drafting supplies, trace paper, and a calculator during class meetings.

Advance enrollment required. 7 &

Angela Woodward, BSLA, landscape architect (CA 2126) with over 30 years’ experience practicing landscape architecture in California and Arizona, Ms. Woodward has specialized in municipality projects and infrastructure projects. Served as past president of the American Society of Landscape Architecture (ASLA), Southern California Chapter.

Enroll at uclaextension.edu or call (800) 825-9971 Landscape Architecture & Horticulture 65

Horticulture & Gardening

Enrollment is open to anyone interested in learning the science of horticulture or the common techniques to successful gardening.

For more information call 310-825-9414 or email at horticulture@uclaextension.edu

BIOLGY 751

Horticulture & Gardening Information Session

Interested in turning your passion for plants into a profession? The Horticulture & Gardening program offers courses to get you on your way, whether you’re seeking a new career path or the knowledge to better care for your own landscape. This free information session covers certificate program curriculum, specializations, individual classes, schedules, fees associated with pursuing this “green” path, and answers to related questions.

Reg# 392221

Fee: $0

A Remote 1 mtg

Thursday, 6 7:30pm, Aug. 3

Remote Classroom

Free Program Information Session/Open House.

Live Zoom event starts promptly at 6pm

Stephanie Landregan, BA, landscape architect (CA 4093)

BIOLGY X 499

Plant Materials for Landscape

4.0 units

Use

This course presents the characteristics of up to 150 plants selected for their garden use and seasonal interest in the Southern California area. Topics include trees; shrubs, ground covers; vines; and herba ceous plants, emphasizing their landscape use, appropriate place ment, horticultural care, and ornamental features. A course project is required for all credit students.

Reg# 392223

Fee: $650

No refund after 4 July.

A Remote 11 mtgs

Wednesday, 7 10pm, June 28 Sept. 6

Remote Classroom

Core course in Horticulture Certificate. 7

Ava Post Ava Post is a professional horticulturist and environmental advocate for over 12 years managing and creating nonprofit gardens. She holds a Bachelors of Science in Plant Sciences from Cornell University, an Associates of Applied Science in Ornamental Horticul ture, and is also a Certified California Naturalist.

BIOLGY X 498.2

Horticultural Pest Management

4.0 units

This course covers the identification and management of common garden insects, diseases, and weeds common in the California land scape. Topics include integrated pest management (IPM) and biologi cal and other non chemical methods of control, as well as information on available chemicals and safety programs required for their uses.

Reg# 392222

Fee: $650

No refund after 5 July.

A Remote 11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom 7 & Douglas Kent, Douglas Kent MS, MLA is a specialist in ecological land management. He is the Principal of Douglas Kent + Associates and teaches land management courses at several colleges. Kent is also author of seven land management books and over 50 articles. He has been working in California’s landscapes for over 40 years and his work has been featured in publications across the nation.

BIOLGY X 499.97 Introduction to Irrigation Practices

4.0 units

As irrigation technology becomes more advanced, and water becomes scarcer, appropriate water application for plants is critical. Students learn how to design and prepare a residential irrigation plan. Instruc tion covers foundation in hydraulic design; efficient drip line layout; appropriate use of backflow prevention devices; water conservation methods and applications; and available new technologies, such as weather station ET based controllers and the application of design principles to comply with the State of California AB 1881 Water Model Efficient Landscape Ordinance.

Prerequisite(s): Fundamental knowledge of plants and their water requirements is recommended.

Reg# 392224

Fee: $650 No refund after 3 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Aug. 22

UCLA Extension Gayley Center: 1145 Gayley Ave.

Tuesday, 6:30 9:30pm, July 11 18

Remote Classroom

Tuesday, 6:30 9:30pm, Aug. 1 15

Remote Classroom

Tuesday, 6:30 9:30pm, Aug. 8 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 9am 12pm, Aug. 26

UCLA: Location to be announced

Tuesday, 6:30 9:30pm, Sept. 12

Remote Classroom

Required Materials: Compass; Engineer’s scale; Orbit Saturn Gear Drive 15-ft-25ft Gear Drive Rotor or comparable; Adjustable or Fixed Spray Head; Rain Bird 1-in Plastic Electric Inline Irrigation Valve; Rain Bird 1800 Professional 8-ft-15ft Pop-Up Spray Head Sprinkler No required textbooks. 7

Zsolt Felenyi, Landscape maintenance instructor, Certified Landscape Irrigation Auditor, ISA Certified Arborist. He has been practicing and teaching horticulture for the past 25 years while also promoting water conservation.

BIOLGY X 465.4

Apiculture

4.0 units

Honey bees play a valuable role in our food system and environment providing pollination services to plants and producing honey and related products. Beekeepers support pollination activity and honey production by managing domesticated European honey bee (EHB) hives also known as apiaries. The objective of this class is to promote healthy and successful apiaries and teach beekeeping with optimum safety for beekeepers, neighbors and communities. Students will learn to develop their beekeeping methods for managing and maintaining European honey bee (Apis Mellifera) colonies using a science based body of knowledge. The curriculum for this course will prepare stu dents to take the Apprentice (Assistant) Certification Exam for the California Master Beekeeper Program

Reg# 392466

Fee: $650

No refund after 7 July.

m Hybrid (In-Person)

11 mtgs

Saturday, 8 11am, July 1 Aug. 26; Sept. 16

UCLA: Life Sciences

Saturday, 8 11am, July 8 Aug. 19; Sept. 9

Remote Classroom

Class meets in-person every other Saturday. 7 & Rey Soto Rey Soto is currently the lead beekeeper and representative for the UCLA satellite campus of the California Master Beekeeper Program.

BIOLGY X 466.1 Foundations of Horticultural Therapy

5.0 units

The foundations of horticultural therapy course introduces the student to the definitions operational standards, and practice of horticultural therapy as outlined by the AHTA. Students will learn evidence based theories and approaches for using plants to increase skills and well ness in therapeutic settings; learn the historical development and the current state of horticultural therapy and how this unique approach addresses the needs of various populations. Students will be intro duced to concepts surrounding program development, needs assess ment and therapeutic interventions. The class uses a combination of online learning, guest speakers, field trips and hands on activities to provide a deep understanding of the fundamental components of a successful horticultural therapy practice.

Reg# 393310

Fee: $1,185

No refund after 5 July.

m Hybrid (In-Person)

14 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom

Saturday, 9:30am 1:30pm, July 8

Long Beach

Saturday, 9:30am 1:30pm, July 29

Westwood

Saturday, 9:30am 1:30pm, Aug. 26

Culver City

In person class meeting locations are within the Los Angeles metro area. Attendance is required.

Elective course in the orticulture certificate. Successful completion of this course will provide an equivalent of 3 semester credits in horticultural therapy coursework that can be used toward the completion of a total of 9 semester credits in horticultural therapy coursework that is required by the AHTA for professional registration as a Registered Horticultural Therapist (HTR). 7 & Karen Haney, Karen Haney has an M.A. in clinical psychology and is a registered Horticultural Therapist (HTR). She currently oversees the horticultural therapy and garden education program at Vista Del Mar School in Los Angeles, and is the Director of the Long Beach: Organic “Gateway to Gardening” program.

Arleen Ferrara, Arleen Ferrara is a sustainable landscape designer, watershed wise garden educator and a Registered H orticultural Therapist (HTR). From 2013 through 2021 Arleen designed, established and ran the horticultural therapy and garden education program at Vista Del Mar School in Los Angeles.

BIOLGY X 497.5

Gardening Practices and Techniques

4.0 units

This course offers a practical introduction to the basics of maintaining a home garden. Students gain knowledge in tool selection and care, soil preparation, planting, plant nutrition, and water requirements. Topics include common landscape problems with organic and holistic solutions; our special climate and micro climates, including sun and shade exposures; various pruning techniques; types of irrigation systems; gardening in containers; and gardening with color including perennials, annuals, and bulbs.

Reg# 392279

Fee: $650

No refund after 2 July.

A Remote 11 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 28; Sept. 11

Remote Classroom

Core course in the Gardening Specialization. Elective course in the Horticulture Certificate. 7 & Jill Morganelli, BS in Horticulture and Food Crop Production from Colorado State University; horticultural supervisor of the Los Angeles County Arboretum & Botanic Garden for 10 years (retired).

66 Landscape Architecture & Horticulture Enroll at uclaextension.edu or call (800) 825-9971

BIOLGY X 498.10

Greener Gardens: Sustainable Garden Practice

4.0 units

Sustainability is today’s buzzword, and many people seek to create a lifestyle with a more favorable impact on the environment. From home and school gardens to commercial sites, our gardens present the perfect place to start. Designed for horticulture students, gardening professionals, educators, and home gardeners, this course focuses on turning your green thumb into a “greener” garden. Topics include composting, irrigation, water harvesting, water wise plants, eating and growing local produce, recycling, and moving away from a consump tive, non sustainable lifestyle when choosing materials and tools. Includes weekend field trips to the Los Angeles River to see our relationship with water in the L.A. basin, as well as the Rancho Santa Ana Botanical Garden, focusing not only on California native plants but also on water conserving planting design. Students also visit the John T. Lyle Center for Regenerative Studies at Cal Poly Pomona, which advances the principles of environmentally sustainable living through education, research, demonstration, and community outreach.

Reg# 392499

Fee: $650

No refund after 2 July.

A Remote 11 mtgs

Monday, 6:30 9:30pm, June 26 Aug. 21

Remote Classroom

Saturday, 10am 1pm, July 22; Aug. 12

Remote Classroom

Optional field trip Saturday, July 22, LA River

Optional field trip Saturday, Aug. 12, Lyle Center 7

Orchid Black owner, Pitcher Sage Design, a sustainable garden busi ness with an emphasis on native plants and water conservation David King gardener for more than 50 years, specializing in edible plants. A long standing member of Seed Savers Exchange and the American Community Gardening Association (former board member), he is the founding chair of the Seed Library of Los Angeles.

BIOLGY X 465.33

Indoor Plants: Care and Maintenance

4.0 units

Plants add color, texture, and warmth to indoor spaces. They improve air quality and add a natural and living element to a room’s design. Whether you are looking to expand your indoor plant collection, just getting started with your first plant, or looking for answers to your many plant problems, this course focuses on the fundamental aspects of growing plants indoors. Instruction includes properly identifying fifty plants that do well in an indoor environment and their specific cultural requirements. The course of study also covers understanding indoor environments, which is fundamental when choosing plants that will have the most success. This course covers common indoor plant pests, diseases, watering techniques, artificial and natural lighting, humidity, temperature, etc.

Reg# 392235

Fee: $650

No refund after 3 July.

M Online

11 mtgs

June 27 Sept. 5

Optional Zoom “drop-in” Q&A sessions to be arranged. 7 & Leslie F. Halleck, BS in Biology/Botany, the University of North Texas; MS in Horticulture, Michigan State University. Halleck is a certified professional horticulturist (ASHS) who has spent her 30 year career hybridizing horticulture science with home gardening consumer needs.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Enroll at uclaextension.edu or call (800) 825-9971 Landscape Architecture & Horticulture 67

LANGUAGES

French

FRNCH XL 2

Elementary French

4.0 units

This is the second in a sequence of three courses (XL 1, XL 2, XL 3) covering first year college level French. Instruction emphasizes past and future verb tenses, commands, object pronouns, idiomatic expres sions, and the expansion of cultural vocabulary using a communica tive, thematically based approach. Conducted entirely in French. c

Prerequisite(s): FRNCH XL 1 Elementary French, or proof of equivalent and consent of instructor at first session.

Reg# 392942

Fee: $688

No refund after 30 June.

M Online

June 26 Sept. 17

Stephane Muller EdD, didactics of language and educational tech nologies, Universite du Maine

Spanish

SPAN XL 1

Elementary Spanish

4.0 units

This introductory Spanish language and culture course is proficiency oriented, communicative, and task based to help develop communica tive competence in four skill areas (listening, speaking, reading, and writing), as well as cultural competence. c

Reg# 392938

Fee: $688

No refund after 30 June.

M Online

June 26 Sept. 17

Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: June 30. 7 & Svetlana V. Tyutina, PhD in Spanish, Florida International University, Miami, Florida; PhD in Applied Linguistics, Herzen State Pedagogical University of Russia, St. Petersburg, Russia.

SPAN XL 2

Elementary Spanish

4.0 units

This is the second in a sequence of three courses (SPAN XL 1, SPAN XL

2, SPAN XL 3) covering first year college level Spanish. Instruction emphasizes reflexive verbs; present progressive, preterite, and imper fect verb tenses; idiomatic expressions; and the expansion of basic conversational vocabulary (see SPAN XL 1 for a complete description of the Elementary Spanish program). Conducted entirely in Spanish. c

Prerequisite(s): SPAN XL 1 Elementary Spanish, one year of high school Spanish, or consent of instructor at first session.

Reg# 392939

Fee: $688

No refund after 30 June.

M Online June 26 Sept. 17

Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Enrollment deadline: June 30. 7 & Svetlana V. Tyutina, PhD in Spanish, Florida International University, Miami, Florida; PhD in Applied Linguistics, Herzen State Pedagogical University of Russia, St. Petersburg, Russia.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

For more information call (310) 825-7093.

LEGAL PROGRAMS

Paralegal Studies

LAW X 406

Paralegal Training Program

36.0 units

UCLA Extension’s Paralegal Training Program (PTP) is approved by the American Bar Association and seeks to prepare students to function as ethical, effective, and efficient professional paralegals in law firms, businesses, government, and nonprofit organizations; to perform a wide variety of legal work under the supervision of attorneys; and to adapt easily to the changing role of the paralegal as well as the chang ing needs of the legal community. The PTP provides training in sub stantive and procedural law, legal analysis, professional responsibility, legal forms, legal technology, and practical skills needed to work in the public or private sector as a competent and professional paralegal. This program fulfills educational requirements to practice as a para legal in California. Instructors for the program are approved by the UCLA School of Law and include judges, attorneys, paralegals, and other legal professionals. Assistance in career counseling and job search opportunities are available to current students and program graduates. Paralegals may not provide legal services directly to the public, except as permitted by law. Lifetime placement assistance is available to PTP graduates. Pursuant to ABA Guidelines, students must take at least nine semester credits or the equivalent of legal specialty courses through synchronous instruction. Law X 406 Paralegal Train ing Program meets this requirement.

Reg# 392002

Fee: $7,995

No refund after 20 June.

A Remote 86 mtgs

Monday Friday, 9am 12:30pm, June 27 Nov. 21

Remote Classroom

No meetings June 28, 29, 30, July 3, 4, 13, Aug. 1, 10, 29, Sept. 4, 8, 20, 25, Oct. 3, 13, 17, 27, Nov. 1, 7, 10, 11

Refund Policy: Full refund before program start through end-of-day for first session of the program; $2,000 nonrefundable until 30 calendar days after the start of class; no refund thereafter. 7

Michael Martinson

Reg# 392003

Fee: $7,995

No refund after 21 June.

A Remote 86 mtgs

Monday Wednesday, 6:30 10pm, June 28, 2023 May 22, 2024

Remote Classroom

No meetings July 3, Sept. 4, Nov. 29, Dec. 25, 27, Jan. 1, 2024, Jan. 15, Feb. 19, Apr. 22

Refund Policy: Full refund before program start through end of day for first session of the program; $2,000 nonrefundable until 30 calendar days after the start of class; no refund thereafter. 7

Michael Martinson

LAW X 407.1

Oral Communication and Presentation Skills for Legal and Business Professionals

1.0 units

This course provides a foundational summary of the manner in which to approach oral business communications, from informal one on one status reports to formal business presentations for larger audiences. It also covers how to communicate during meetings with colleagues and clients. Topics include understanding your objective; selecting the appropriate tone for the audience; preparation, including knowl edge acquisition, time management, and validation of information; selecting supporting materials; handling questions; post presentation communication; and self assessment.

Reg# 392706

Fee: $195

No refund after 5 Aug.

A Remote 2 mtgs

Saturday, 9am 2pm, Aug. 12 & 19

Remote Classroom

Internet access required

Instructor to be announced

LAW 713

Information Session: Paralegal Training Program

Learn about opportunities in the paralegal field at our free information session. Explore the benefits of UCLA Extension’s Paralegal Training Program, including financial aid and lifetime career services, and hear from a program graduate, an instructor, and a member of the Los Angeles Paralegal Association.

Reg# 391990

Fee: $0

A Remote

1 mtg

Saturday, 10am 12pm, July 8

Remote Classroom

A Free Event

Michael Martinson

Other Legal Programs

LAW X 407.3

Legal Internship

2.0 units

The internship provides practical legal experience in a variety of legal settings in the private or public sector, including with non profit organizations, courts, government agencies, and in house depart ments. Course restricted to students and graduates of the Paralegal Training Program.

Prerequisite(s): This course is restricted to current students and gradu ates of the Paralegal Training Program.

Reg# 392724

Fee: $395

No refund after 19 June.

Independent Study/Internship

June 26 Sept. 17

Aymara E. Zielina, JD

LAW X 420

Business Law: Fundamentals

4.0 units

This course explores the legal environment in which businesses oper ate and the critical interaction between business and the legal system. Students examine various areas of the law which are integral to the operation of business enterprises today. Topics include contracts, torts, agency, Uniform Commercial Code, bankruptcy, and the different forms of business entities. Business owners, managers, accountants, para legals, and all those seeking to enrich their general understanding of the legal system can benefit from this course. Business Law: Funde mentals also prepares students for the legal section of the CPA Exam. Reg# 392480

Fee: $795

No refund after 30 June.

M Online June 26 Sept. 17

Sanjesh Sharma, JD, Loyola Law School; BS, UCSD.

For more information call (310) 825-0741 or email legal@uclaextension.edu.

OSHER LIFELONG LEARNING INSTITUTE (OLLI) AT UCLA

For more information call (310) 206-2693.

Taste of Osher

Please download a free version of zoom at zoom.us/ to participate in this course.

These two-hour lectures are open to the public as well as OLLI members. Plus members pay no fee for this course. These oneday courses give people a chance to experience a high quality and enjoyable adventure in learning.

GENINT 711.445

The Remarkable Sand-Eating Crabs of Tropical Australia

Australia is a gorgeous land of many strange creatures. Soldier crabs and sand bubbler crabs are two of these remarkable species. They live on pristine sandy beaches where almost no other animals and food are found. In this course, we look at how the two crabs differ for example, soldier crabs are very colorful and graze sediments in huge armies or packs; while sand bubbler crabs camouflage with sand, live solitarily, yet also survive and thrive in large numbers. We also look at how both crabs farm sediments on which they live and feed, extract ing mostly microbes but also single celled “plants”, from sand. Finally, we look at the behavioral and physiological mechanisms that enable soldiers and sand bubblers to prosper under such extreme environ mental conditions.

Reg# 392012

Fee: $15

No refund after enrollment.

X In-Person

1 mtg

Monday, 1 3pm, June 26

UCLA Extension Gayley Center: 1145 Gayley Ave. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Dick Zimmer

GENINT 711.446

The Discourse of Justice

Justice is a universal ideal embodied in the American Constitution, the Charter of the United Nations, and the Universal Declaration of Human Rights. In this course, we discuss the measuring sticks used to deter mine right and wrong in practice, by mapping out the crisscrossing normative layers which determine the contours of justice. In our investigation, we explore not only the varied political, legal, religious, and cultural systems in different countries that define right and wrong; but also the discrepancies between the legal, religious, and cultural institutions within one country. While some scholars insist upon using the legal system to maximize individual rights and freedoms over the collective, others desire the opposite or mixing the two. Topics of lively discussion include your views on what a just society is like, and whether we can have one universally acceptable standard for justice, irrespective of whether we live in the United States, North Korea, Iran, or Cuba.

Reg# 392013

Fee: $15

No refund after enrollment.

A Remote

1 mtg

Tuesday, 1 3pm, June 27

UCLA Extension Gayley Center: 1145 Gayley Ave.

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Eyassu Gayim JD, adjunct faculty, Political Science Department, SDSU; former human rights instructor, University of Helsinki; former visiting scholar, UCLA, UCSD, USD, and California Western School of Law.

GENINT 711.471

I Lived through That: Meet Lujira Cooper

Lujira Cooper lived as an openly gay black woman in the heart of New York City during the 1969 uprising of Stonewall. But because she had found a community while working at the YMCA on 34th Street which served as a haven for gay folks in the city her main struggles came from the color of her skin. It wasn’t until the Trump presidency that Lujira became involved in activism, when she realized just how fragile the hard earned rights of the LGBTQ community were. In addition to racial discrimination, Lujira overcame poverty and homelessness to create a better life for herself. In this course, Lujira talks about her life as an advocate, activist, and writer. This course will be recorded. Students will have access to the video for 30 days.

Reg# 392963

Fee: $15

No refund after enrollment.

A Remote 1 mtg

Monday, 10am 12pm, July 17

Remote Classroom

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Lujira Cooper, African American 75 year old lesbian activist who lives on the Upper Westside of Manhattan, New York.

GENINT 711.455

Catherine De Medici and 16th Century France

In this course, we explore the life and times of one of France’s most controversial and iconic rulers from the 16th century. The “power behind the throne” of four French monarchs, Catherine De Medici was married to King Henry II of France, and was the mother of French Kings Francis II, Charles IX, and Henry III. Deeply engaged in the religious wars of the reformation era, she was known for her ruthlessness, and was blamed for the persecutions carried out under her sons’ rules, in particular the St. Bartholomew’s Day massacre of 1572, during which thousands of Huguenots were killed in France. This course will be recorded. Students will have access to the video for 30 days.

RRR

Reg# 392171

Fee: $15

No refund after enrollment.

A Remote 1 mtg

Thursday, 1 3pm, July 27

Remote Classroom

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Jared Day, PhD, taught American history at Carnegie Mellon University in Pittsburgh for 16 years. His areas of expertise are U.S. political, urban, and cultural history as well as world history from the 15th century to the present. He now teaches at Three Rivers Community College in Norwich, CT.

GENINT 711.447

Hadrian, Charlemagne, Charles V, and the Costs of Roman Decline and Renewal, 117-1558 AD

The idea that the Roman world had declined and required radical correction forms was one of the most persistent and dangerous nar ratives in European history. In this course, we spotlight the texts, art, and architecture that reveal how the emperors Hadrian (117 138 AD), Charlemagne (774 814 AD), and Charles V (1519 1556 AD) used the promise of Roman restoration to thrust radical and often violent changes onto the Mediterranean world. Their examples show the power this idea had and the risk that unchallenged claims of social decline and promises of renewal still pose today. This course will be recorded. Students will have access to the video for 30 days.

Reg# 392014

Fee: $15

No refund after enrollment.

A Remote 1 mtg

Friday, 10am 12pm, Aug. 4

Remote Classroom

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Edward Watts PhD in History from Yale University, Alkiviadis Vassili adis Endowed Chair and the chair of the History Department at UCSD. Mr. Watts is the author of six books and the editor of five others including Mortal Republic: How Rome Fell Into Tyranny (Basic Books).

RRR

GENINT 711.451

Women who Misbehave: Beryl Markham

Beryl Markham was a woman who changed the world’s understanding of what women were capable of doing. In 1936, the English born Kenyan aviator became not only the first female but the first aviator to fly solo westward across the Atlantic to the United States from Europe. She was known to “break rules, remain her own woman, do everything in her own way..with a free and easy manner.” In this course, we review her life (1902 1986), her accomplishments, and her memoir, West with the Night We also take a look at her involvement in Kenyan politics, as she was intimately affected by Kenya becoming a British Colony in 1922, the Mau Mau rebellion in l952; the Kenyan anti colonial activist Jomo Kenyatta, and Kenyan Independence Day in 1963. This course will be recorded. Students will have access to the video for 30 days.

Reg# 392097

Fee: $15

No refund after enrollment.

A Remote

1 mtg

Friday, 1 3pm, Aug. 4

Remote Classroom

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Myrna Hant, PhD, research scholar, Center for the Study of Women, UCLA, who has researched popular culture and mature adults in the media

GENINT 711.459

Chocolate from Around the World

There is chocolate candy, and then there is artisanal, hand crafted chocolate. In this course, we look at the methods and selection pro cess of craft bean to bar companies in contrast to mass manufactur ers. We explore where cacao is grown, its history, and how its processing and ingredients determine flavor. Using your 10,000 taste buds, we sample various internationally made bars from across Asia to Europe to the Americas, ranging from dark to milk to white. A choco late maker will speak to the class via Zoom.

Reg# 392367

Fee: $15

No refund after enrollment.

X In-Person

1 mtg

Saturday, 10am 12pm, Aug. 19

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Lee Scott Theisen PhD, American history, Latin American history and art, University of Arizona

GENINT 711.452

The Art of Fabergé

The House of Fabergé was a jewelry firm founded in 1842 in Saint Petersburg, Russia, by Gustav Faberge, followed by his sons and grandsons. The firm was famous for designing elaborate jewel encrusted Fabergé eggs for the Russian Tsars, as well as a range of other work of high quality and intricate detail. In this course, we explore many of the celebrated series of 50 Imperial Easter eggs that were created for the Russian Imperial family from 1885 to 1916 when the company was run by Peter Carl Fabergé. We also explore Fabergé’s creations of miniature hardstone carvings of people, animals, and flowers that were carved from semi precious or hardstones and embellished with precious metals and stones. This course will be recorded. Students will have access to the video for 30 days.

Reg# 392105

Fee: $15

No refund after enrollment.

A Remote

1 mtg

Monday, 1 3pm, Aug. 21

Remote Classroom

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

GENINT 711.472

Muscle: The Long and Short of It

Beginning 600 million years ago, muscle has excelled as a motor in terms of durability, versatility, scalability, and efficiency. Muscle powers movement, both voluntary and involuntary, in animals of all sizes. We examine the arrangement, function, and oddities of involuntary, car diac, and voluntary muscles. We turn to the topics of aging and disuse, body building, performance enhancing drug, and representative muscle disorders along with their medical and surgical treatments. We finish by recognizing records in muscular strength and endurance in a spectrum of animals as well as in humans of all ages.

Reg# 392961

Fee: $15

No refund after enrollment.

X In-Person

1 mtg

Wednesday, 10am 12pm, Aug. 23

UCLA Extension Gayley Center: 1145 Gayley Ave. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Roy Meals, MD, UCLA Clinical professor of Orthopedics. He has a lifelong interest in teaching and particularly in making difficult con cepts approachable and comprehensible. His latest book is Muscle, The Gripping Story of Strength and Movement

GENINT 711.456

The Avant-Garde Women Artists of 1920s Paris

In the 1920s, Paris was emerging from the ashes of the First World War but still carried the optimism of the Art Deco era. Perceived as a place of cultural, artistic, and sexual liberty, the City of Lights attracted many women from Europe and the United States who were part of all the different artistic movements. In this course, we explore the unorthodox lives and radical art of women artists who worked within the context of the rapidly changing times in which they lived. These include Tamara de Lempicka, known for her Art Deco portraits and nudes; Romaine Brooks, known for her images of women in androgynous or masculine dress; and Suzanne Valadon, one of the few women artists who painted female nudes during the first half of the twentieth cen tury. This course will be recorded. Enrolled students will have access to the video for 30 days.

Reg# 392172

Fee: $15

No refund after enrollment.

A Remote 1 mtg

Monday, 1 3pm, Aug. 28

Remote Classroom

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

GENINT 711.473

Bones: Inside and Out

Because of its unique properties, bone, while completely concealed, supports vertebrate life. Then later, when revealed, bone reflects Earth’s history and human culture. The course begins with a descrip tion of bone’s composition, structure, names, shapes, and growth patterns. The focus turns to the contributions of pioneering bone doctors and some of the ingenious treatments available for diseased or missing skeletal segments. After life, bones may be revealed, sometimes even millions of years later, when they become historical markers. The course continues with how paleontologists, archaeolo gists, and anthropologists use bone to interpret Earth’s history. We highlight man’s remarkable and varied use of bone to make spiritual items, weapons, implements, amusements, and adornments.

Reg# 392964

Fee: $15

No refund after enrollment.

X In-Person

1 mtg

Wednesday, 10am 3pm, Aug. 30

UCLA Extension Gayley Center: 1145 Gayley Ave.

Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

GENINT 711.442

American Civics 101: How Our Democracy Works

People who wish to naturalize as U.S. citizens have to pass a citizen ship test, which includes civics questions about American govern ment. Imagine having to take a government civics test every year in order to remain a U.S. citizen. You would have to correctly answer 12 questions from a list of 128 to maintain your citizenship status. This course ensures that outcome as we review the founding principles of our democracy, our system of government, and our rights and respon sibilities. Topics include the functions and responsibilities of the co equal branches of government; the U.S. Constitution and its Bill of Rights; your congressional representatives; and clarifying everything you need to know about the Electoral College, gerrymandering, and more.

Reg# 392380

Fee: $15 No refund after enrollment.

X In-Person

1 mtg

Saturday, 10am 12pm, Sept. 9

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed.

Alan Perper, founding member of VoteAsIf.org, former high school teacher. Currently, Mr. Perper teaches citizenship classes in accor dance with standards taught by U.S. Immigration and Naturalization Services.

Special Programs

GENINT 717

OLLI Video Library

OLLI at UCLA members who enroll into this course receive access to a selection of past program recordings in their Canvas student portal. Enjoy over 50 recordings of 1 day lectures, virtual tours, guest speaker interviews, ‘Beyond the Headlines’ speaker presentations, and more! Re enroll each quarter to continue your access and take advantage of this valuable membership perk! New videos are added every quarter.

Reg# 391859

Fee: $0

M Online June 26 Sept. 17

Visitors not permitted.

OLLI at UCLA

GENINT 731.439

OLLI Movie Club

The OLLI at UCLA Movie Club is centered around watching quality, modern films, and having a discussion afterwards. The facilitator selects films that are available on Netflix; members should screen the film at home before meeting with the group on Zoom. Discussions center around story, symbolism, cinematography, presentation, and of course our personal reactions to the film. Films are announced 1 week before each meeting. Enroll anytime throughout the quarter to join in on the fun!

Reg# 391860

Fee: $0

A Remote

3 mtgs

Wednesday, 3:30 4:30pm, July 12 Aug. 9; Sept. 6

Remote Classroom

Visitors not permitted.

Sharon Boorstin screenwriter and contributing writer for the Los Angeles Times specializing in lifestyle and travel. Ms. Boorstin has written for magazines including Bon Appetit, Smithsonian, and Town & Country Travel and is the author of the memoir/cookbook Let Us Eat Cake: Adventures in Food & Friendship.

Enroll at uclaextension.edu or call (800) 825-9971 Osher Lifelong Learning Institute (OLLI) at UCLA 71

GENINT 711.469

Six Compelling Courtroom Dramas

The courtroom is one of the most compelling sources of drama, real and fiction, in film. A courtroom trial with its lawyers, witnesses, conflicts, and high stakes is an inevitable and bottomless trove for writers, directors, and actors. In this course, we watch six classic courtroom dramas that portray justice (or its opposite) in action. Anatomy of a Murder (1959) is based on the true story of a murder in Big Bay, Michigan. Twelve Angry Men (1957) focuses on a jury in a murder trial which is frustrated by a single member. In The Verdict (1982), an outcast, alcoholic Boston lawyer tries to salvage his career and self respect by taking a medical malpractice case to trial rather than settling. In Runaway Jury (2003), a juror on the inside and a woman on the outside manipulate a court trial involving a major gun manufacturer. In A Few Good Men (1992), a military lawyer defends Marines accused of murder. And in Primal Fear (1996), an altar boy is accused of murdering a priest.

Reg# 392621

Fee: $0

X In-Person

6 mtgs

Friday, 1 3:30pm, June 30 Aug. 4

UCLA Extension Gayley Center: 1145 Gayley Ave. Free for OLLI members only. Visitors not permitted.

Brandon French, PhDs in English and psychoanalysis, who has been an assistant professor of English at Yale, a playwright and screenwriter, and a psychoanalyst in private practice. More than 60 of her short stories have been published by literary journals and anthologies.

Lecture Courses

Lecture courses are taught by the high-caliber instructors and guest speakers for which UCLA Extension is world renown. Our courses explore art, music, literature, history, science, languages, psychology, current events, and many other exciting fields. There are no tests, grades, or homework, though some courses include readings.

You must be at least 50 years old and a current member of the Osher Lifelong Learning Institute (OLLI) at UCLA to enroll in these courses. To become a member, proceed with enrolling in an OLLI course and you will be prompted to purchase a membership during checkout.

GENINT 721.108

Coming to Terms with the Holocaust, Part 2: The Holocaust Begins

As the most extensively documented genocide in history and the most intensively investigated, interrogated, and debated the Holo caust in Europe (1933 1945) has much to teach us about hatred, dema goguery, impersonal violence, state sponsored murder on an industrial scale, and ourselves. In this course, we complete our broad overview of the Holocaust. We trace the tangled path that led from exclusionary Nazi Antisemitism to Einsatzgruppen murder squads and, inevitably, gas chambers. We investigate the ghettoization of the Jews of Eastern Europe, the radical and far reaching decisions at the Wannsee Confer ence, and the establishment of the five concentration camps. And we study the creation and operation of Auschwitz and conclude with an interrogation of the Nuremberg trials. This course will be recorded. Students will have access to videos for the duration of the course.

Reg# 392091

Fee: $115

No refund after 4 July.

A Remote 6 mtgs

Monday, 10am 12pm, June 26 July 31

Remote Classroom

This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted.

Steve Sohmer, PhD, MA

GENINT 711.282

Mysticism: East and West

A major and recurrent feature in world religions is the ecstatic or mystical experience of the individual or groups and the effects of such experience on the religious tradition. The course is concerned with the mystical as it appears in archaic, Eastern, and Western traditions, as well as with the mystics themselves. We begin with perhaps the earliest of religions, the shamans, and continue with the ancient Greek, Roman, and Egyptian mystical practices as described in the secret texts. Hinduism, Buddhism, and Daoism present instructions and evidence of intense mystical experiences. Judaism, Christianity, and Islam all have significant and powerful mystical knowledge that is explored. The course ends with a survey of modern ecstatic experience induced by drugs, as well as the psychological and bodily practices of the twenty first century.

Reg# 392378

Fee: $135

No refund after 6 July.

X In-Person

8 mtgs

Wednesday, 10am 12pm, June 28 Aug. 16

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Visitors not permitted. Phyllis Herman, PhD in the history of religion, UCLA; professor of religious studies at CSUN.

GENINT 711.465

The Art of Silence: Visual Storytelling and the Lesson of Silent Cinema

Today’s understanding of silent movies rarely stems from a first hand viewing experience. Instead, it relies on an idea shaped by our collec tive imagination, in which silent cinema is identified as a crude and primitive type of soundless narrative; conveyed by blurry, jittery, and colorless images. In actuality, nothing could be further from the truth, since silent movies were shot in 35mm, mostly screened in color, and accompanied by music sometimes in the form of a symphonic score, performed by a live orchestra. Silent filmmakers quickly developed and standardized shooting techniques and rules of continuity editing which are still in place today. By the mid 1920s, silent cinema was using a sophisticated type of visual storytelling that was universally understood by audiences all over the world. In this course, we focus on the unique narrative style of the late silent period, as exemplified by movies such as Ernst Lubitsch’s Lady Windermere’s Fan Buster Keaton’s The General and F. W. Murnau’s Sunrise The goal is to show how the narrative lesson provided by these films was later used by classic, modern, and even contemporary filmmakers in their sound films e.g. Jacques Tati’s Mon Oncle, Nicolas Roeg’s Walkabout, and Andrew Stanton’s Wall-E (Pixar).

Reg# 392410

Fee: $130 No refund after 6 July.

X In-Person

6 mtgs

Wednesday, 1 3:30pm, June 28 Aug. 2

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $39 for this course. Visitors not permitted. Alessandro Pirolini, PhD in American Film History, University of London; author of Rouben Mamoulian and The Cinema of Preston Sturges Dr. Pirolini also has written numerous articles, essays, and film reviews for publications such as Cineforum Ottoemezzo.com, and Il Nuovo Spettatore

GENINT 721.491

Cosmology, Astronomy, and Space Exploration in the News

Due to advances in technology, what we thought we knew about the fundamentals of cosmology, astronomy, and space exploration is evolving almost daily. In this course, we explore the latest concepts, news, and discoveries regarding multiverses, gravitational waves, black holes, neutron stars, exoplanets, and the beginning of our uni verse. We also follow the progress of NASA’s and ESA’s missions to the moon, Mars, and Europa Jupiter’s ice covered moon, and much more.

Reg# 392092

Fee: $135

No refund after 6 July.

A Remote

8 mtgs

Wednesday, 6:30 8:30pm, June 28 Aug. 16

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted. Shelley R. Bonus award winning writer, astronomical historian, and lecturer; content creator for the Caltech Infrared Astronomy website CoolCosmos, and currently telescope coordinator for the Mt. Wilson Observatory.

GENINT 711.474

Words in English: History, Semantics, Translation

English is a melting pot of linguistic ingredients that has been sim mering for centuries. Even the original Anglo Saxon was already a blend of the dialects of west Germanic tribes living along the North Sea coast. While a majority of English word roots come from Latin and Greek, it has also borrowed words from as many as 350 other lan guages. In this course, we explore the structural elements of English words, particularly words of Latin and Greek origin, to see how they combine to derive the vocabulary of English. We also discuss the historical development of English vocabulary, the distinction between native and borrowed words, sources of new words, changes in word meanings and pronunciation, and the place of English among other languages.

Reg# 393086

Fee: $135

No refund after 7 July.

X In-Person

8 mtgs

Thursday, 10am 12pm, June 29 Aug. 17

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Visitors not permitted. Natalie Operstein, PhD, Linguistics, UCLA

GENINT 711.454

The Second American Revolution: Madison, Monroe, and the War of 1812

In this course, we examine one of America’s least remembered but still most pivotal struggles. Woefully unprepared, the new United States took on one of Europe’s military titans, Great Britain, in a three year conflict that saw some of the best and worst of America’s military and political leadership, culminating in the burning of Washington DC, the heroic defense of Fort McHenry in Baltimore Harbor; and included vexing challenges to the key figures of the day, figures such as James Madison, James Monroe, John Quincy Adams, and Andrew Jackson. This course will be recorded. Enrolled students will have access to videos for the duration of the course.

Reg# 392170

Fee: $100

No refund after 7 July.

A Remote 4 mtgs

Thursday, 1am 3pm, June 29 July 20

Remote Classroom

This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $30 for this course. Visitors not permitted.

GENINT 711.466

Birds in Classical Music Pieces

Birds have inspired compositions from the very start of the western musical tradition. Many are, after all, natural singers one could argue musicians in their own right. The subset of repertoire in classical music, which they inspired, is rich. References to birds in music take on many forms. In some compositions, birds signify allegorical meanings. In others, they inspire close imitation of birdsongs in the texture of the musical content. In this course, we explore musical pieces that are based on birds, such as the nightingale, the swan, the cuckoo, and the lark. From the medieval era till present days and from all corners of western European musical traditions, we discuss works by anonymous and renowned composers, including Archadelt, Vivaldi, Handel, Respighi, Saint Saens, Sibelius, Stravinsky, and more. This course will be recorded. Students will have access to videos for the duration of the course.

Reg# 392411

Fee: $115

No refund after 7 July.

A Remote 6 mtgs

Thursday, 1 3pm, June 29 Aug. 3

Remote Classroom

This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted.

Anahit Rostomyan, MMus in organ performance, MA in musicology. In addition to pursuing dual DMA and PhD degrees in these two fields of study at UCLA, she is an avid performer of period keyboard instruments.

72 Osher Lifelong Learning Institute (OLLI) at UCLA Enroll at uclaextension.edu or call (800) 825-9971

GENINT 711.371

The Music of Jean Sibelius

The musical compositions of Jean Sibelius have long been a staple of symphonic repertory and a favorite of audiences throughout the 20th and 21st centuries. Born in 1865, Sibelius is considered by many to be Finland’s most important composer. Coming at the tail end of the long nineteenth century, he is especially known for a musical style that continues to develop the Romantic tradition, all the while exploring nationalistic Finnish themes from sources such as the Kalevala In this course, we explore Sibelius’ most important musical works such as the famous violin concerto; the symphonies; piano pieces; songs; and the tone poems, including the Lemminkäinen Suite Tapiola and Finlandia

Reg# 392093

Fee: $135

No refund after 8 July.

A Remote

8 mtgs

Friday, 10am 12pm, June 30 July 28;Aug. 11 25

Remote Classroom

This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted. Ryan Shiotsuki, PhD in musicology; lecturer in musicology, UCLA and Chapman University.

GENINT 711.453

Great Violinists of Classical Music

Violinists are some of the most important and recognizable instru mentalists in classical music, whether as soloists, chamber musicians, or members of the symphony orchestra. From the earliest Italian masters to the devilish virtuosity of Paganini, to modern musicians like Itzhak Perlman and Sarah Chang, violinists have remained popular performers throughout numerous eras. In this course, we explore some of the most important solo violinists who have perfected the craft of the instrument of their repertory throughout the years of changing performance traditions. This course will be recorded. Enrolled students will have access to videos for the duration of the course.

Reg# 392169

Fee: $135

No refund after 8 July.

A Remote

8 mtgs

Friday, 1 3pm, June 30 July 28; Aug. 11 25

Remote Classroom

This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted.

Ryan Shiotsuki, PhD in musicology; lecturer in musicology, UCLA and Chapman University.

GENINT 711.468

Buildings that Define American Cities, Part 4

Every city has a particular feel about it, defined by its architecture, demographics, geography, climate, and the people and cultures that have shaped the city from its founding to its current status. From historical to contemporary structures, this course explores the iconic structures that identify various American cities and how they came to be. Discussion of architectural styles and the socio political context in which these buildings were created lie beneath the developmental time frames in the study of each city included. Cities covered include: Louisville, Pittsburgh, Phoenix/Scottsdale, Cleveland, Dallas/Fort Worth, and Portland. This course will be recorded. Students will have access to videos for the duration of the course.

Reg# 392477

Fee: $115

No refund after 18 July.

A Remote 6 mtgs

Monday, 1 3pm, July 10 Aug. 14

Remote Classroom

Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted.

GENINT 721.538

The Map of American Music

Jazz, Blues, Rock, Pop, Folk, Country, Hip Hop, Rap, and many more kinds of music all evolved in the USA. Some of these genres have common roots stemming from geographic location, ethnic populations, personal history, wars, and immigration (by choice and not). They progressed along different paths but as they grew up they influenced one another, comingled, sometimes finding their common ground and giving rise to yet newer and different styles or genres. Through audio, video, com mentary, demonstration, and personal recollection; we explore the map of American music through a wide angle lens, connecting the dots of its musical history and development. This course will be recorded. Students will have access to videos for the duration of the course.

Reg# 392379

Fee: $135

No refund after 20 July.

A Remote

8 mtgs

Wednesday, 1 3:15pm, July 12 Aug. 2; Aug. 16 Sept. 6

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Andrew Muson, the Julliard School of Music; music and marketing consultant.

GENINT 711.458

Meet Your Cousins:

The Apes, Monkeys, and Lemurs

Primates are a group of mammals that include the apes, monkeys, lemurs, and humans. Apes, monkeys, and lemurs share 96 to 99 percent of our DNA, and are in danger of extinction. In this course, we take a virtual tour to Madagascar and Southeast Asia to meet the lovable lemurs; then on to Africa, Asia, and South America to meet old and new world monkeys the baboons of South Africa’s Cape Peninsula, the langurs of India’s Gir Forest, and the pygmy marmosets of the Amazon. We also explore the habitats of the lesser apes and the great apes the swinging (and screaming) gibbons, the docile orangutans and gorillas, the brainy chimpanzees, and the “make love, not war” bonobos. This course uses the Hybrid (Flexible) format which allows students to participate remotely and/or in the classroom. This course will be recorded. Students will have access to videos for the duration of the course.

Reg# 392370

Fee: $85

No refund after 1 Aug. Hybrid (Flexible)

2 mtgs

Tuesday, 10am 12pm, Aug. 1 8

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $15 for this course. Visitors not permitted. Sharon Boorstin, screenwriter and contributing writer for the Los Angeles Times, specializing in lifestyle and travel. Ms. Boorstin has written for magazines including Bon Appetit, Smithsonian, and Town & Country Travel and is the author of the memoir/cookbook Let Us Eat Cake: Adventures in Food & Friendship.

GENINT 711.475

Become a Theatrical Detective: Stanislavski’s Active Analysis

Konstantin Stanislavski was known as an outstanding character actor and theatre director. But he is most known for his system of actor training, preparation, and rehearsal technique, in which he subjected his acting and direction to a rigorous process of artistic self analysis and reflection. In his later work, Stanislavski focused more intently on the underlying patterns of dramatic conflict and developed a rehearsal technique that he called “active analysis,” in which actors would improvise conflictual dynamics. Actors, directors, and dramaturgs utilize this multi pronged approach to unlock action and events in dramatic narrative, but it is also great fun for curious enthusiasts of dramatic structure and literature. In this course, we learn cognitive event analysis to evaluate a writer’s underlying intentions with the short stories, The Last Leaf by O. Henry and The Reunion by Maya Angelou. Finally, we discover the dramatic heart of Anton Chekov’s master work The Seagull By the end of the class, students keen on acting will have the opportunity to experiment with a simple guided improvisatory technique using Stanislavski’s physical analysis.

Reg# 393093

Fee: $115

No refund after 9 Aug.

X In-Person

6 mtgs

Tuesday, 6:30 8:30pm, Aug. 1 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $34 for this course. Visitors not permitted. Thomas Trudgeon, MFA in acting and performance pedagogy from CSULB; faculty lecturer with CSULB, where he has taught introduction to acting, preparing for the profession, and advanced acting classes.

GENINT 711.457

Paris of the Impressionists: The Sites and Locales of the Masterworks of Impressionism

The art of the Impressionists explored the contemporary world in which they lived and worked. Featuring the cafes and nightclubs of Montmar tre as well as racetracks, train stations, boulevards, parks, operas, and ballet the Impressionists documented everyday life in the modern city of Paris. Taking advantage of the newly invented paint tubes, they were able to paint outside while looking directly at subjects rather than work ing in a studio from sketches. The advent of photography influenced them to focus on light, color, cropping, movement, and spontaneity. In this course, we armchair travel around Paris, exploring their paintings of Paris and the sites that inspired them. This course will be recorded. Enrolled students will have access to videos for the duration of the course. Reg# 392325

Fee: $0 A Remote 6 mtgs

Thursday, 1 3pm, Aug. 10 Sept. 14

UCLA X Open

Katherine Zoraster, MA, adjunct professor of art history at Moorpark College, California State University, Northridge, and the Los Angeles Academy of Figurative Arts

Discussion Groups

Discussion groups are for members who want to ask questions, offer answers, and share their knowledge in the classroom. Established instructors act as facilitators to create an environment in which participants explore subjects in an atmosphere of intellectual stimulation, creative self-expression, and socializing without the expectation of tests or grades. Depending on the nature of the course, there could be a modest amount of preparation or readings required, and you may be called upon for your insights members should be ready to participate. You must be at least 50 years old and a current member of the Osher Lifelong Learning Institute (OLLI) at UCLA to enroll in these courses. To become a member, proceed with enrolling in an OLLI course and you will be prompted to purchase a membership during checkout.

GENINT 711.448

Banned and Challenged Books, Part 3

Books have been banned, or challenged as inappropriate, for a variety of reasons: for treating issues of belief, racial, or religious in ways that encourage discrimination or violence; for promoting offensive or “damaging” lifestyles; for reflecting political bias on the left or on the right; and for being “negative” in unspecified ways. In this course, we read and discuss books which have been banned or at least ques tioned for their social value. These include The 1619 Project, which weaves together eighteen essays that explore the legacy of slavery in present day America with thirty six poems and works of fiction illu minating key moments of oppression, struggle, and resistance; George Orwell’s 1984, a dystopian novel about the pervasive eyes of “big brother”; and Margaret Atwood’s The Handmaid’s Tale, in which patri archal power subjects women; as well as Nabokov’s Lolita and Kate Chopin’s The Awakening works that deal with either open or sup pressed sexuality.

Reg# 392015

Fee: $135

No refund after 12 July.

A Remote 8 mtgs

Monday, 6:30 8:30pm, June 261 Sept. 11

Remote Classroom

No meetings Jul 3, 24; Aug 14; Sep 4. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Leonard Koff PhD, UC Berkeley; associate, UCLA Center for Medieval and Renaissance Studies. He taught in the English Department and developed courses for the Comparative Literature Department at UCLA, and is the recipient of the Distinguished Instructor Award from UCLA Extension (2009) and the Dean’s Award (2019).

Enroll at uclaextension.edu or call (800) 825-9971 Osher Lifelong Learning Institute (OLLI) at UCLA 73

GENINT 711.450

Short Story International:

A Latin American Perspective, Part 1

This course is an exploration into the short story genre of a single liter ary tradition; in this instance, Latin American. The suggested text is the critically acclaimed The Vintage Book of Latin American Stories, edited by the distinguished Mexican novelist and short story writer, Carlos Fuentes, and Julio Ortega. This is anthology contains works by many of the foremost Latin American writers such as Jorge Luís Borges, Julio Cortázar, Clarice Lispector, and Gabriel García Márques, along with other writers well known in Latin America whose works are presented here in English translation for the first time. Their stories dynamically reflect a sprawling cross section of Latin American societ ies, indigenous and otherwise, and their voices resonate through urban and rural regional landscapes, private and public passions, and dramatic political events.

Reg# 392087

Fee: $80

No refund after 13 July.

A Remote

8 mtgs

Tuesday, 10am 12pm, June 27 Aug. 22

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Carlo Coppola PhD in comparative literature, University of Chicago

GENINT 721.623

American Philosophy

American philosophy has its roots in the experimentalism that was required by a people who faced the task of coming to terms with the uncertainties of a radically new environment. In this course, we begin in the eighteenth century with the American Enlightenment, which was influenced by the European Enlightenment and associated with the political philosophy of the Founding Fathers (e.g. Thomas Jefferson, Benjamin Franklin). We then move into the nineteenth century and take a look at transcendentalism and pragmatism. Our discussion culminates with a discussion of contemporary thought.

Reg# 392373

Fee: $80

No refund after 13 July.

A Remote 8 mtgs

Tuesday, 1 3pm, June 27 Aug. 22

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Vincent Coppola, PhD in philosophy, Pontifical Gregorian University; MFA in film and theater arts, UCLA.

GENINT 711.461

The Fiction of Abdulrazak Gurnah: 2021 Nobel Prize-Winner, Part 1

Tanzanian British novelist Abdulrazak Gurnah received the 2021 Nobel Prize for Literature “for his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents.” Born in 1948 to an Arab family in the east African Sultanate of Zanzibar, he was a teenager when a coup led by anti Arab leftists overthrew the Arab rulers in 1964, leading to political upheaval and the persecution of Arab citizens. He fled to England where he eventually received his Ph.D. in English at the University of Kent in 1982 and started teaching there until his retirement in 2017. In this course, we read two short stories and three of his ten novels: Memory of Departure, Pilgrims Way, andParadise These works explore themes of loss, memory, alienation, racism, and sexual awakening.

Reg# 392372

Fee: $80

No refund after 6 July.

A Remote

8 mtgs

Wednesday, 10am 12pm, June 28 Aug. 16

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted. Carlo Coppola PhD in comparative literature, University of Chicago

GENINT 711.229

Current Events: Understanding Our World

This unique discussion group focuses on exploring the news of the week. Participants share articles and opinions that pertain to what’s happening both in the United States and internationally, particularly to introduce diverse views. Many of the pundits we analyze write for The New York Times the Wall Street Journal, the Washington Post and the Los Angeles Times. These include such political writers as David Brooks, Thomas Friedman, Paul Krugman, Ross Douthat, Fareed Zakaria, John Bolton, Peggy Noonan, Maureen Dowd, and many more that the class may wish to cover. We also examine such magazines as The New Yorker, The Atlantic, The New Republic, and other journals that give in depth coverage of current topics. This is your chance to listen and to be heard on the events of today.

Reg# 392095

Fee: $80

No refund after 6 July.

A Remote

8 mtgs

Wednesday, 10am 12pm, June 28 Aug. 16

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Myrna Hant PhD, research scholar, Center for the Study of Women, UCLA, who has researched popular culture and mature adults in the media

Reg# 392096

Fee: $80

No refund after 7 July.

X In-Person

8 mtgs

Thursday, 10am 12pm, June 29 Aug. 17

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Myrna Hant PhD, research scholar, Center for the Study of Women, UCLA, who has researched popular culture and mature adults in the media

GENINT 742.249

Reel Dilemmas

“The play’s the thing wherein to catch the conscience of the king,” Hamlet said. This course constitutes first viewing a film the screen play actualized and then addressing the existential dilemma put before us in the work the flesh and blood human situation in which the characters find themselves. We break the film down, analyze how it uses the verbal, visual, and visceral art forms in presenting our dilemma. Films this quarter include: The Constant Gardener (2005), The Conversation (1974), The Mission (1986), The English Patient (1996), and Shadowlands (1993). The instructor requests that no reviews or articles concerning the films be read beforehand, as it would affect seeing the films with the openness and freshness which art asks of us. We don’t want to lose that wonderful experience.

Reg# 392374

Fee: $80

No refund after 7 July.

X In-Person

5 mtgs

Thursday, 1 4pm, June 29 July 13

UCLA Extension Gayley Center: 1145 Gayley Ave.

Thursday, 1 4:30pm, July 20 27

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay $40 for this course. Visitors not permitted. Vincent Coppola PhD in philosophy, Pontifical Gregorian University; MFA in film and theater arts, UCLA.

GENINT 711.449

Undelivered: The Speeches That Were Never Given

For almost every delivered speech, there exists an undelivered opposite. These “second speeches” provide alternative histories of what could have been if not for schedule changes, changes of heart, or momentous turns of events. In this course, we examine notable speeches that were never delivered, disclosing what could have been if history had gone down a different path. The suggested book is Undelivered: The Never-Heard Speeches That Would Have Rewritten History by Jeff Nussbaum, senior speechwriter for President Joe Biden. These never heard speeches include Dwight Eisenhower’s apology for a D Day failure, Richard Nixon’s refusal to resign the presidency, and Hillary Clinton’s acceptance for a 2016 victory. Examining the content of these speeches and the context of the historic moments that almost came to be, Nussbaum considers not only what they tell us about the past, but also what they can inform us about our present.

Reg# 392016 Fee: $80

No refund after 17 July.

A Remote 8 mtgs

Sunday, 12 2pm, July 9 Sept. 10

Remote Classroom

No meetings Aug. 13 & Sept. 3.

Plus members pay only $40 for this course. Visitors not permitted. Leonard Koff, PhD, UC Berkeley; associate, UCLA Center for Medieval and Renaissance Studies. He taught in the English Department and developed courses for the Comparative Literature Department at UCLA, and is the recipient of the Distinguished Instructor Award from UCLA Extension (2009) and the Dean’s Award (2019).

GENINT 711.462

Joan

Crawford: Not the Girl Next Door

Born Lucille Fay LeSueur in humble surroundings, Joan Crawford began her professional career as a dancer; and in a shining example of art imitating life, rose from rags to riches to become one of the most powerful forces in Hollywood in an otherwise man’s world. In many of her roles, she dominated the leading male character just as she did in life, and began to epitomize the modern woman. In this course, we view and assess her work in seven of her most iconic films. She played a flapper in Our Dancing Daughters (1928), the film that first catapulted her to stardom, and she was part of the first star studded ensemble to ever grace the silver screen in Grand Hotel (1932). Thirteen years later, she won the Academy Award for Best Actress in the mother daughter melodrama Mildred Pierce (1945). She played a gangster’s moll in the film noir The Damned Don’t Cry (1950), an unknowing victim of a psychotic killer in the suspense thriller Sudden Fear (1952), the strong willed saloonkeeper in the cult western Johnny Guitar (1954), and the put upon invalid sister of Bette Davis her real life nemesis in the Grand Guignol psychological thriller Whatever Happened to Baby Jane? (1962).

Reg# 392376

Fee: $80

No refund after 19 July.

X In-Person

7 mtgs

Tuesday, 1 3:45pm, July 11 Aug. 22

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay $40 for this course. Visitors not permitted. Mark Richman MM in Piano, Juilliard School of Music; prize winning concert pianist; currently lecturer in Piano for the Mike Curb College of Arts, Media, and Communication, CSUN; member of the artist faculty of Junior Chamber Music; formerly visiting lecturer in music at UCLA.

GENINT 711.460

Myth, Mystery, and Murder: The JFK Assassination at 60

The assassination of President John F. Kennedy the most public murder in US history remains a tangled web of facts and confusion. Despite several high level investigations, the majority of Americans reject the official findings of the Warren Commission. In this course, we investigate the event, the industry of conspiracy theories it spawned (long before the internet), and how the failure to arrive at a broadly accepted consensus of responsibility for the murder of a President laid the foundations for a deep distrust of the institutions essential to the vitality of American democracy.

Reg# 392371

Fee: $80

No refund after 8 Aug.

A Remote 6 mtgs

Monday, 6:30 8:30pm, July 31 Sept. 11

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted. Kurt Hohenstein, PhD, MA, JD, author of Coining Corruption: The Making of the American Campaign Finance System and The Rules of the Game: Simple Truths Learned from Little League Dr. Hohenstein has taught as an associate professor of History at Winona State University, and is an independent historian for the SEC Historical Society.

74 Osher Lifelong Learning Institute (OLLI) at UCLA Enroll at uclaextension.edu or call (800) 825-9971

RRR

GENINT 712

Ways of Looking at Contemporary Art

This course offers the opportunity to gather together and engage with contemporary art as well as each other. Our conversations include the discussion of materials, perception and interpretation of abstract, figu rative, and performative projects, while considering the time and place of its making. Through field trips to museums and galleries, we culti vate how to look at and appreciate the art of our time. Students must sign a waiver before participation.

Reg# 392375

Fee: $80

No refund after 18 Aug.

X In-Person

6 mtgs

Thursday, 1 3:30pm, Aug. 10 Sept. 14

UCLA Extension Gayley Center: 1145 Gayley Ave.

Thursday, 1 3:30pm, Aug. 17 Sept. 7

Location to be announced

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Deborah Cohen, MA in culture and performance, UCLA; PhD in culture and performance, UCLA.

Foreign Languages

GENINT 711.207

Spanish 1 for Everyday Life

Gain the essential tools to survive in situations in which Spanish must be used. Learn essential vocabulary to communicate in everyday life. This course is intended for students who have not had a great deal of exposure to the language.

Reg# 392381

Fee: $135

No refund after 13 July.

A Remote

8 mtgs

Tuesday, 10am 12pm, June 27 Aug. 22

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted.

Emilia Chuquin PhD, Spanish, UNM, Albuquerque

GENINT 741.268

High-Level Spanish Conversation

This conversation course is for more advanced Spanish speakers who want to continue improving their oral Spanish skills. Using authentic sources from Latin America, students improve their spoken Spanish through interpretation, imagination, and critical reading. Stories are read and retold in small groups in front of the class in order to improve vocabulary, pronunciation, and idiomatic expressions. Students who have completed Spanish IV or Literary Spanish are at the appropriate fluency level for this course.

Reg# 392696

Fee: $80

No refund after 5 July.

A Remote

8 mtgs

Tuesday, 1 3pm, June 27 Aug. 22

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Emilia Chuquin PhD, Spanish, UNM, Albuquerque

GENINT 741.433

French Conversation 2: High Intermediate

Designed for students who have taken two or more years of French or who have lived in a French speaking country, this class prepares you to have a conversation with native speakers of French. Real life dialogues include engaging topics such as meeting people, making plans, discussing leisure activities, and just having fun. Homework assignments are oral exercises on specified topics that students prepare during the week, then share with the whole class.

Reg# 392382

Fee: $80

No refund after 13 July.

A Remote

8 mtgs

Tuesday, 6:30 8:30pm, June 27 Aug. 22

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted. Ruth Anne Gooley PhD in French and Francophone studies, UCLA

GENINT 741.432

French Conversation 1: Low Intermediate

Designed for students who have had one year of French. This course prepares you to have a conversation with native speakers of French. Real life dialogues include engaging topics such as meeting people, making plans, discussing leisure activities, and just having fun. Homework assignments include oral exercises on specified topics; students prepare their discussion points during the week and share with the whole class.

Reg# 392383

Fee: $80

No refund after 6 July.

A Remote

8 mtgs

Wednesday, 6:30 8:30pm, June 28 Aug. 16

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted.

Ruth Anne Gooley, PhD in French and Francophone studies, UCLA

GENINT 721.801

Real Life Spanish Conversation 1

This course provides a comfortable space for students with a basic knowledge of Spanish to practice their conversation skills under an instructor’s guidance. Students respond to prompts provided by the instructor, while their peers ask follow up questions or make com ments, all in Spanish. The instructor facilitates the conversations and corrects vocabulary or grammar as needed. Please note: This is not a beginner’s class; some Spanish is required.

Reg# 392384

Fee: $80

No refund after 7 July.

A Remote

8 mtgs

Thursday, 10am 12pm, June 29 Aug. 17

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Susan McMillen Villar, PhD in Hispanic and luso Literatures, languages cultures, and linguistics. Retired director of Spanish and Portuguese Language Instruction, University of Minnesota, Twin Cities

GENINT 741.250

Real Life Spanish Conversation 2

This course provides a comfortable space for students with an intermediate knowledge of Spanish to practice their conversation skills under an instructor’s guidance. Students respond to prompts provided by the instructor, while their peers ask follow up questions or make comments, all in Spanish. The instructor facilitates the conversations and corrects language as needed while also introduc ing more advanced grammar and vocabulary skills. Please note: This course is intended for intermediate Spanish speakers; students approaching fluency are encouraged to take our High Level Spanish Conversation course.

Reg# 392385

Fee: $80

No refund after 7 July.

A Remote 8 mtgs

Thursday, 1 3pm, June 29 Aug. 17

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Susan McMillen Villar, PhD in Hispanic and luso Literatures, languages cultures, and linguistics. Retired director of Spanish and Portuguese Language Instruction, University of Minnesota, Twin Cities

Creativity, Games & Movement

These courses are interactive. Members are able to practice or apply what they learn in class.

GENINT 741.344

Drawing is a Feeling, Part 2: Exploring Light, Shade, and Shadow

In this course, we investigate representational picture making by exploring light, shade, and shadow. The instructor and students interact during class sessions, drawing together, sharing, and discuss ing individual processes. We draw the objects and spaces that sur rounds us things we see every day. Guest artists present and discuss their work; and museum and gallery educators, curators, and directors present virtual tours of relevant exhibitions. Drawing materials include drawing pads, drawing pencils, HB to 6B, charcoal pencils/sticks, Micron pens, and sumi/India ink and brush.

Reg# 392389

Fee: $80

No refund after 13 July.

A Remote

6 mtgs

Tuesday, 1 3:30pm, June 27 Aug. 8

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Deborah Cohen MA in culture and performance, UCLA; PhD in culture and performance, UCLA.

GENINT 711.463

Qigong for a Healthy Body and Peaceful Mind

Qigong involves using exercises to optimize energy within the body, mind, and spirit, with the goal of improving and maintaining health and well being. Qigong has both psychological and physical compo nents and involves the regulation of the mind, breath, and body’s movement and posture. In this course, we practice with a Broad Prescription Qigong (BPQ) set of movements, using simple standing or seated postures, body movements, and harmonized breath to increase the body’s natural energy flow and fill the energy centers in the body with viral life force, or Qi. Students must sign a waiver before participation.

Reg# 392377

Fee: $80

No refund after 13 July.

X In-Person

5 mtgs

Tuesday, 1:30 3pm, June 27 Aug. 1

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Participants are required to sign a waiver form which will be provided. Enrollment limited. Visitors not permitted.

Samuel Barnes, director of Tai Chi Works Studio and the Qigong Heal ing Institute in Beverly Hills. Mr. Barnes has been teaching Tai Chi for more than 42 years and is a master teacher of Tai Chi, Qigong, Hsing I, Bagua, and Meditation. He has travelled extensively in China and Tibet studying and practicing at the source of these eastern practices.

GENINT 741.359

Beginning Gentle Yoga

This is a slow meditative course, intended for those with little or no yoga experience, or those with physical limitations. In this course we integrate awareness of the breath with gentle movement to facilitate a feeling of wholeness, well being, and joy. Mats are required.Students must sign a waiver before participation.

Reg# 393080

X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

Fee: $80

No refund after 6 July.

A Remote 8 mtgs

Wednesday, 1 2:30pm, June 28 Aug. 16

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted. Participants are required to sign a waiver form which will be provided.

Mona Wells hatha yoga teacher in Los Angeles and New York for more than 15 years

Douglas Dee, Lyengar Yoga teacher in Los Angeles and Santa Monica for more than 20 years.

Enroll at uclaextension.edu or call (800) 825-9971 Osher Lifelong Learning Institute (OLLI) at UCLA 75

GENINT 741.287

Life Stories that Stir the Soul

As we travel along life’s path, our stories are the most precious gifts we can pass on. In this course, students are encouraged to write stories that have affected their hearts. Be they funny or sad, about good times or bad, each student has an opportunity to share a new short story every week. Write a story about the one that got away, or the one you decided to stay with. Write about the lessons you learned, the dinners you burned, or what you did when you came to a particu lar fork in your road. Note: this course has required weekly writing assignments. Students must meet weekly deadlines in order to receive instructor feedback and participate in group storytelling sessions.

Reg# 392387

Fee: $80

No refund after 6 July.

A Remote 8 mtgs

Wednesday, 1 3pm, June 28 Aug. 16

Remote Classroom

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Shelley R. Bonus, award winning writer, astronomical historian, and lecturer; content creator for the Caltech Infrared Astronomy website CoolCosmos, and currently telescope coordinator for the Mt. Wilson Observatory.

GENINT 721.693

Traditional Tai Chi

Tai Chi is well known for bringing the mind, body, and spirit together to improve balance, prevent injury, and promote good health. This peaceful martial art helps to clear the mind, reduce stress, and enhance flexibility along with promoting overall wellness. The steps are soft and the slow movements are simple. The postures and move ments accord with the principles of yin and yang and build an inti mate awareness with one’s natural internal and external energy, building a great sense of inner peace. Each week a new tai chi posture is introduced, followed by a 50 minute tai chi flow sequence. In this course we learn how to open the body’s energy pathways and prepares for proper tai chi form training. Students must sign a waiver before participation.

Reg# 392386

Fee: $80

No refund after 7 July.

X In-Person

6 mtgs

Thursday, 1:30 3pm, June 29 Aug. 3

UCLA Extension Gayley Center: 1145 Gayley Ave.

Plus members pay only $40 for this course. Participants are required to sign a waiver form which will be provided. Enrollment limited. Visitors not permitted.

GENINT 741.360

Intermediate Yoga

This is a nurturing Hatha flow course intended for those with founda tional experience practicing yoga. In this course meditation and yoga nidra are integrated into our practice to enhance relaxation, renewal, and connecting to our true nature. Mats are required. Note: Students must sign a waiver before participation.

Reg# 393078

Fee: $80

No refund after 7 July.

A Remote

8 mtgs

Thursday, 6:30 8pm, June 29 Aug. 17

Remote Classroom

Plus members pay only $40 for this course. Visitors not permitted. Participants are required to sign a waiver form which will be provided.

Douglas Dee Lyengar Yoga teacher in Los Angeles and Santa Monica for more than 20 years.

GENINT 711.326

Beginning Mah-Jongg

Mah Jongg is a game of both skill and luck that originated in China many centuries ago. It was brought to the West in the 1920s and is played with four players seated around a table. Tiles are shuffled, die are cast, and rituals involving the allocation of tiles and then the exchange of tiles begin. The first person to match a hand of 14 tiles and thus call “Mah Jongg” ends the game, whereupon tiles are scored, and a winner is declared. This course introduces the beginner to the basic rules and simple strategies. Learn to play this enjoyable, social, and thought provoking game! Every student will need to purchase the 2023/24 Mah-Jongg card from the National Mah-Jongg League at nationalmahjonggleague.org. The large card for $15 is preferred.

Reg# 392609

Fee: $80

No refund after 5 July.

X In-Person

6 mtgs

Wednesday, 10am 12pm, July 5 Aug. 9

UCLA Extension Gayley Center: 1145 Gayley Ave.

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Orna Manavi, DC, Mah Jongg instructor who has conducted Mah jongg games for teams of beginners, intermediate, and advanced players.

GENINT 721.581

Intermediate Mah-Jongg

Intermediate Mah Jongg is designed for players who already under stand the basic rules of play and have had some experience playing the game and wish to further develop their skills. The goals of the class include: better understanding of reading the Mah Jongg card, develop ing strategies for choosing the hand of play, strategies for defensive play, and increasing the speed of play. There is plenty of time to practice all of these skills and have a great time. Every student will need to purchase the 2023/24 Mah-Jongg card from the National MahJongg League at: www.nationalmahjonggleague.org. The large card for $15 is preferred.

Reg# 392610

Fee: $80

No refund after 13 July.

X In-Person

6 mtgs

Wednesday, 1 3pm, July 5 Aug. 9

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Orna Manavi, DC, Mah Jongg instructor who has conducted Mah jongg games for teams of beginners, intermediate, and advanced players.

GENINT 731.319

Beginning Bridge, Part 1

The game of bridge combines partnership and social elements with challenging and infinitely varied mental stimulation. Scientific studies have shown the mental exercise afforded by bridge can even help ward off dementia while still being a lot of fun. This course introduces the language of bidding and the basics of card play, all with the end goal of being able to sit down in a foursome and play hands of bridge on your own. From people who have never played the game before to those interested in a refresher, this course gets you started in playing one of the most challenging and rewarding games there is.

Reg# 392954

Fee: $80

No refund after 25 July.

X In-Person

8 mtgs

Monday, 1 3pm, July 17 Sept. 11

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Dawn Lee, MIM, bridge instructor at Beverly Hills Bridge Club, Jonathan Club, and the American Contract Bridge League. She has been a bridge instructor for more than 25 years, has the highest ACBL Best Practices accreditation, and holds the rank of Ruby Life Master.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

GENINT 711.470

Beginning Bridge, Part 2

This course follows Beginning Bridge, Part 1, which introduced stu dents to playing a hand and bidding a hand. In Part 2, we pick up where we left off and continue to build on our knowledge base and develop our skills. We continue our competitive bidding skills, learn takeout doubles and two commonly used and important conventions: Stayman and Jacoby transfers. We practice our tools of promotion, developing long suits, finessing, and ruffing when in a suit contract. If time permits, we learn preemptive bidding.

Prerequisite(s): Students enrolling in this course must have taken Beginning Bridge, Part 1; or equivalent; or have instructor approval.

Reg# 392953

Fee: $80

No refund after 26 July.

X In-Person

8 mtgs

Tuesday, 1 3pm, July 18 Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

GENINT 711.467

iPhone Photography Advanced Workshop: Creating Works of Art

In this advanced workshop, we review lighting, composition, and the iPhone’s camera functions in order to take well exposed, sharp pic tures. We study well known photographers such as nature photog rapher Galen Rowell, portrait photographer Yousuf Karsh, and street photographer Henri Cartier Bresson to understand how they con ceived, composed, and created their art. We also explore phone apps like Waterlogue, Da Vinci, and Op Art to enhance and creatively change our original work. We then apply what we learn and take our photo graphic work to the next level. This is an interactive class; each week you are given an assignment which is critiqued the following week.

Reg# 392470

Fee: $80

No refund after 1 Aug.

X In-Person 1 mtg

Monday, 10am 12pm, July 24

UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted.

Ellen Demsky, award winning photographer in the Los Angeles area who has taught digital photography for 15 years at the Learning Tree University, Pierce College (Oasis program), and privately. She began her athletic journey at age 60, is a current World Duathlon (bike & run) champion, and winner of the LA Marathon for her age group.

76 Osher Lifelong Learning Institute (OLLI) at UCLA Enroll at uclaextension.edu or call (800) 825-9971

REAL ESTATE

Educational Requirements for the Real Estate Salesperson and Broker Licenses:

UCLA Extension does not administer either of the State of California exams.

UCLA Extension offers courses that satisfy all the education require ments for qualifying to take the Real Estate “Salesperson” and/or “Broker” License Exams. For complete information, including licensing requirements, please contact The Department of Real Estate (DRE) at dre.ca.gov

Salesperson License Course Requirements:

In addition to the general requirements found on the BRE website, successful completion of three college level courses is required to qualify for a real estate salesperson examination. For more information see page 00.

Broker License Course Requirements:

For a list of UCLA Extension courses that correspond to the required courses found on the BRE website, visit uclaextension.edu/ BrokerLicense

MGMT 890.07

Buying and Managing Apartment Buildings for Profit

0.6 CEUs

Are you considering buying an apartment building? Do you already own one or more buildings and struggle to get and keep tenants? This course shows you how to buy, own, and operate apartment buildings as a profitable and headache free business. Learn how to find and select a building to purchase and analyze the financials (using GRM, Cap Rate, Cost Per Door, etc); what support staff to hire; how to do effective marketing of vacancies and select tenants; what forms to use to protect yourself and your investment; advantages and disad vantages of rent control; low cost items to make your property appeal ing; what repairs and maintenance you can do yourself such as clearing a drain, changing locks in 15 minutes, or replacing light switches; when to hire a professional for repairs or management; when to increase or decrease rents; choosing to allow or deny pets; tax deferred exchange rules; and much more.

Reg# 392179

Fee: $275

No refund after 11 Aug.

A Remote 2 mtgs

Saturday, 9am 12:30pm, Aug. 12 & 19

Remote Classroom

Jessica Frazier MBA, Frazier Group Realty Inc.

MGMT 890.16

Real Estate Boot Camp

0.7 CEUs

This seminar covers everything you need to know to start investing in real estate. You learn the basic terms of the business, as well as how to use Microsoft Excel to do financial models and analyze poten tial investment opportunities. Topics include the property ladder, basic terms, investment analysis, “how do I know if this is the right deal,” and 1031 Exchanges and tax implications. By the end of the course, you should have the knowledge you need to start building a passive income stream you can use to pay for your kid’s college tuition and your retirement.

Prerequisite(s): Students are expected to have basic knowledge of Excel.

Reg# 392180

Fee: $365

No refund after 14 July.

A Remote

2 mtgs

Saturday, 9am 1pm, July 15 & 22

Remote Classroom

Visitors not permitted.

Luis A. Gomez, MBA, PE

MGMT X 475.1

Real Estate Principles

5.0 units

This practical study of the basic principles, economic aspects, and laws of real estate covers the information needed to obtain a real estate license and/or for better management of personal invest ments. Topics include legal descriptions and estates; encumbrances, liens, and homesteads; agencies; contracts; mathematics; financing and lenders; appraisals; escrows; title insurance; leases, landlords, and tenants; urban economics and planning; taxation; and careers in real estate.

Reg# 392195

Fee: $895

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 11

Enrollment Limited. 7

Tracy Green, DBA, MSIRE, MPA, author, broker, specializing in brown fields, distressed properties, loss mitigation, and sustainable development

Reg# 392194

Fee: $895

No refund after 10 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 6 10pm, June 27; July 11 & 25; Aug. 8 & 22; Sept. 5

UCLA Extension Gayley Center: 1145 Gayley Ave.

July 4

Online

Tuesday, 6 10pm, July 18; Aug. 1, 15 & 29 Remote Classroom Enrollment limited.

Robert Keller, MArch, MSRED, broker, Warner Center Realty

MGMT X 475.2

Real Estate Practice

5.0 units

This course covers the elements of day to day real estate sales and brokerage practices, emphasizing the selling process and the handling of a real estate transaction from listing to closing escrow. Topics include securing and qualifying listings and prospects, advertising, financing, closing the sale, and expediting the escrow. Additionally, the course covers owning and operating a real estate business, managing salespeople and office personnel, budgeting, and develop ing and maintaining effective community relations.

Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor.

Reg# 392196

Fee: $895

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 11 7

Tony Papillo attorney, real estate broker, CAR Certified Forms Trainer

Reg# 392197

Fee: $895

No refund after 12 July.

m Hybrid (In-Person)

11 mtgs

Thursday, 6 10pm, June 29; July 13 & 27; Aug. 10 & 24; Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Thursday, 6 10pm, July 6 & 20; Aug. 3, 17 & 31

Remote Classroom 7

Instructor to be announced

MGMT X 475.4

Real Estate Finance

5.0 units

This course surveys the concepts, methods, and techniques of financ ing residential and non residential real estate while also identifying and analyzing the various instruments used for such purposes. Instruction covers sources, characteristics, and parameters of mort gage capital; fixed, variable rate, and other alternative types of mort gages; government assisted financing (such as VA, FHA, and SBA); the secondary mortgage market; mathematical analysis of finance transactions (amortization, loan constants, present and future value, compound interest, APR, capitalization rates, debt coverage, and other financial ratios and ways of determining yield); loan underwriting, processing, closing, and servicing; foreclosures and alternatives thereto (such as short sales) and related antideficiency law issues; guaranties; construction, bridge, permanent, wraparound, mezzanine, and leasehold financing; impact of how title is held and real estate tax effects; comparison of investment choices, both before and after taxes are factored in; plus syndication and other equity sharing issues. Case studies for financing proposals for single family, multifamily, and commercial transactions are featured.

Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor.

Reg# 392198

Fee: $895

No refund after 17 Apr. r Hybrid (Remote)

11 mtgs

Tuesday, 6:30 9:30pm, Apr. 4 June 13

Remote Classroom

Instructor to be announced

more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu.

For

MGMT X 475.5

Real Estate Appraisal

5.0 units

This course surveys the principles and tools of appraising various types of real estate, as well as provides an analysis of value, price, property, and legal rights. Topics include principles of valuation; the real estate market; the relationship between real estate values and economic, social, and government trends; economics of urbanization, including location, value, and use potential; neighborhood analysis; site utilization and property value; estimating site value; the relation ship of construction and architecture to cost standards; depreciation; and approaches to cost, market data, and income valuation. Students must complete a demonstration appraisal report.

Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor.

Reg# 392199

Fee: $895

No refund after 30 June.

M Online June 26 Sept. 11

Enrollment limited. 7

Robert Abelson PhD, CA Certified General Appraiser, AQB Certified USPAP Instructor, Certified Distance Education Instructor through IDEC

MGMT X 476.15

Real Estate and Land Economics

4.0 units

This course covers the economic foundations of real estate value, as well as location theory; the economics of spatial patterns the forces that shape cities and influence the real estate industry and land uses; and theories of growth and decay of local areas, cities, and regions. Other topics include real estate cycles, business fluctuations, and identification of specific urban land use and land values.

Prerequisite(s): MGMT X 475.1 Real Estate Principles, previous experi ence, or consent of instructor.

Reg# 392200

Fee: $855

No refund after 30 June.

M Online June 26 Sept. 11

Enrollment limited. 7

Robert Abelson PhD, CA Certified General Appraiser, AQB Certified USPAP Instructor, Certified Distance Education Instructor through IDEC

MGMT X 476.2

Property Management

4.0 units

This course provides an overview of property management fundamen tals for the real estate professional, individual owner, or real estate student. Property types covered include office, retail, industrial, con dominium, and apartment buildings. Responsibilities of the property manager/owner are studied, including tenant relations, landlord/ tenant law, leasing/renting, human resources, office administration, insurance, financial statements/budgets, building maintenance, vendor services, and property management as a career. The course includes weekly open discussions on current industry events and issues.

Reg# 392202

Fee: $855

No refund after 11 July.

m Hybrid (In-Person)

11 mtgs

Wednesday, 6:30 9:30pm, June 28; July 12 & 26; Aug. 9 & 23; Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Wednesday, 6:30 9:30pm, July 5 & 19; Aug. 2, 16 & 30

Remote Classroom 7

Instructor to be announced

Reg# 392201

Fee: $855

No refund after 2 July.

M Online 11 mtgs

June 28 Sept. 5 7

Tom Morehouse CRB, e PRO, MBA broker/co owner, Berkshire Hatha way HomeServices California Properties

MGMT X 476.35 Internship in Real Estate

4.0 units

The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position comprised of at least 120 hours of practical application of course material that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place ment. Eligible students are responsible for securing internship opportunities. Course is only available to Real Estate Certificate stu dents who have completed a substantial portion (generally 20 units) of the program curriculum with a GPA of 3.0 or better. A UCLA Exten sion instructor acts as an internship coordinator to monitor the internship throughout to ensure a substantive learning experience.

Reg# 392203

Fee: $855

No refund after 2 July.

Independent Study/Internship

June 26 Sept. 11

International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility.

Web enrollments require the submission of an initial application. Initial application must be submitted one week before the quarter begins. An advisor will contact you after initial application review. Restricted course.

Discounts cannot be applied to fees for this course.

Robert Abelson, PhD, CA Certified General Appraiser, AQB Certified USPAP Instructor, Certified Distance Education Instructor through IDEC

MGMT X 476.8

Real Estate Market Analysis

4.0 units

This course explores the sources of data used in economic studies and provides an in depth analysis of trends, market activity, sales, lending, leasing, and how research studies are conducted. Other topics include land use studies and city planning, traffic studies, population behavior and mobility, and consumer spending and trade area. Stu dents learn through case studies, demonstrations, and class participa tion in the analysis of shopping center development, tract development (sales, projections, and surveys), service station location, population projections, employment trends, urban renewal projects, and com munity reuse studies.

Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor.

Reg# 392204

Fee: $855

No refund after 30 June.

M Online

June 26 Sept. 11

Enrollment limited.

Tracy Green DBA, MSIRE, MPA, author, broker, specializing in brown fields, distressed properties, loss mitigation, and sustainable development

MGMT X 477.10 Real Estate Development

4.0 units

Designed to provide students with a comprehensive understanding of the multidisciplinary field of real estate development, this course begins with an introduction to the roles and responsibilities of the real estate developer, then explores various issues specific to the development process. Topics include market and site analysis; com munity planning; entitlements; social, political, and environmental implications; architecture and design; budgeting and financial analy sis; construction; sales and marketing; and property and asset management. Various project types are studied, including residential, retail, office, hospitality, industrial, and mixed use. Coursework includes case studies.

Prerequisite(s): MGMT X 475.1 Real Estate Principles, or previous experi ence and consent of instructor.

Reg# 392205

Fee: $855

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 11

Enrollment limited. 7

Nick D’Argenzio MRED

Reg# 392206

Fee: $855

No refund after 10 July.

m Hybrid (In-Person)

11 mtgs

Tuesday, 6:30 9:30pm, June 27; July 11 & 25; Aug. 8 & 22; Sept. 5

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. July 4 & 18; Aug. 1, 15 & 29

Online

Enrollment limited. 7

Mark Ruff, who has over 30 years of real estate experience, including brokerage, investment, development, consulting, and third party review. Mr. Ruff’s primary interests include financial underwriting and deal structures for real estate investments and developments of pri marily multi family properties. Mark returns to UCLA Extension from USC where he taught undergraduates and graduate students a variety of real estate subjects, including development, market analysis, advanced real estate finance, and the theory and creation of real estate value.

MGMT X 477.6

Commercial Real Estate Leasing: Contracts and Administration

4.0 units

This course analyzes the contracts and administration issues in com mercial real estate lease transactions. Students learn ethics and the leasing processes through multiple perspectives from preparation of the appropriate contract forms to administering the perfected lease agreement. Students read aloud in class the most popular listing and lease contract forms used by professionals while the Instructor reveals industry best practices and “where the bodies are buried.”

Reg# 392207

Fee: $855

No refund after 10 July.

r Hybrid (Remote)

11 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 5

Remote Classroom

One meeting to be arranged. 7 & Todd Weaver, CCIM, CPM, president, Synergy Commercial Real Estate, Inc.

78 Real Estate Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 477.9

Real Estate Investment Analysis

4.0 units

A must for anyone dealing with the investment aspects of real estate. This course examines residential, multiresidential, commercial, indus trial, and special purpose real estate investments, as well as reviews application of investment ratios to expense factors, mortgage loan constants, and equity yields before and after income and capital gains taxes. Other topics include capitalization; negative vs. positive lever age; depreciation methods and recapture; simplification of actuarial tables and mathematical formulas; internal rates of return; net present value; related yield measurement techniques; senior, junior, and inclusive trust deeds; fee, leasehold, and subordination alternatives and combinations; explanation and calculation of financial provisions of commercial leases; and prevailing rental rates and operating expenses. Working knowledge of a Financial Calculator (HP12C, HP10B II, etc.) and Microsoft Excel, or other popular spreadsheet software, is highly recommended.

Prerequisite(s): MGMT X 475.1 Real Estate Principles, or previous experi ence and consent of instructor.

Reg# 392208

Fee: $855

No refund after 12 July.

m Hybrid (In-Person)

11 mtgs

Thursday, 6:30 9:30pm, June 29; July 13 & 27; Aug. 10 & 24; Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Thursday, 6:30 9:30pm, July 6 & 20; Aug. 3, 17 & 31

Remote Classroom 7

Todd Weaver, CCIM, CPM, president, Synergy Commercial Real Estate, Inc.

MGMT X 477.95

Using ARGUS Enterprise for Commercial Real Estate Analysis

4.0 units

This course examines how to analyze real estate investment property using the Argus Enterprise module. The course also prepares partici pants for the Argus Enterprise certification examination. Property types covered include office, retail, industrial, and multi family. Students gain hands on training in utilizing these programs through the analysis of case studies provided by the instructor. Students obtain a working knowledge of how to gather and input data; analyze income and expenses; understand tenant reimbursements; and generate meaning ful reports for investors, developers, lenders, and others. Participants learn to analyze sale/purchase decisions and leasing activities from the perspective of the owner/lessor and the tenant/lessee. This course is beneficial for investors; appraisers; real estate analysts; property developers; real estate investment companies; property managers; asset managers; insurance companies; mortgage bankers; institu tional lenders; leasing professionals; and employees of Federal, State, and Municipal agencies and planning departments. This course is not designed for residential or small multi family analysis.

Prerequisite(s): Students enrolling in this class must have a basic working knowledge of leasing concepts and income/expenses for real estate.

Reg# 392209

Fee: $855

No refund after 18 July.

A Remote

10 mtgs

Wednesday, 6 9pm, July 5 Sept. 6Remote Classroom

Students with MAC PCs: You will need to have either Parallel or Bootcamp installed with Windows application in order for the Argus Enterprise software to install correctly. Please direct your questions to Argus prior to enrolling to make sure your computer is updated prior to receiving access to the software: argussoftware.com/contact-us/. If you don’t have the proper applications installed on your computer you will not be able to load the Argus software. It is your responsibility to verify that the required applications are installed on your MAC computer. 7

Steven R Norris, MAI, CRE; principal/owner, Norris Realty Advisors; BA, Economics, UCLA.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Enroll at uclaextension.edu or call (800) 825-9971 Real Estate 79

SCIENCES & MATH

Sciences

For more information call (310) 825-7093.

Biology

LIFESCI XL 7A

Cell and Molecular Biology

5.0 units

Introduction to basic principles of cell structure and cell biology, bio chemistry, and molecular biology. P/NP or letter grading. c

Reg# 392982

Fee: $1,010

No refund after 2 July.

X In-Person

21 mtgs

Monday, 6:30 9:30pm, June 26 Sept. 11

UCLA: Boelter Hall

Wednesday, 6:30 7:45pm, June 28 Aug. 30

UCLA: Boelter Hall

Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C.

Visitors not permitted. Enrollment deadline: June 27. 7

Yao Wang, PhD

Reg# 392983

Fee: $1,010

No refund after 3 July.

A Remote 21 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

Thursday, 6:30 7:45pm, June 29 Aug. 31

Remote Classroom

Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C.

Visitors not permitted. Enrollment deadline: June 28. 7

Miguel-Angel Gutierrez PhD

LIFESCI XL 7B

Genetics, Evolution, and Ecology

5.0 units

Principles of Mendelian inheritance and population genetics. Introduc tion to principles and mechanisms of evolution by natural selection; population; behavioral and community ecology; and biodiversity, including major taxa and their evolutionary, ecological, and physiologi cal relationships. Letter grading. c

Prerequisite(s): LIFESCI XL 7A Cell and Molecular Biology.

Reg# 392984

Fee: $1,010

No refund after 2 July.

A Remote 21 mtgs

Monday, 6:30 9:30pm, June 26 Sept. 11

Remote Classroom

Wednesday, 7 9:30pm, June 28 Aug. 30

Remote Classroom

Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C.

Visitors not permitted. Enrollment deadline: June 27 7

Jana Johnson, MS, PhD

Reg# 392985

Fee: $1,010

No refund after 3 July.

X In-Person

21 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

UCLA: Geology

Thursday, 7 9:30pm, June 29 Aug. 31

UCLA: Geology

Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C.

Visitors not permitted. Enrollment deadline: June 28. 7 Jana Johnson, MS, PhD

LIFESCI XL 7C

Physiology and Human Biology

5.0 units

Organization of cells into tissues and organs and principles of physiol ogy of organ systems. Introduction to human genetics and genomics. Letter grading. c

Prerequisite(s): LIFESCI XL 7B Genetics, Evolution, and Ecology.

Reg# 392986

Fee: $1,010

No refund after 2 July.

X In-Person

21 mtgs

Monday, 6:30 9:30pm, June 26 Sept. 11

UCLA: Boelter Hall

Wednesday, 6:30 7:45pm, June 28 Aug. 30

UCLA: Boelter Hall Lecture only. The textbook and iClicker will be used throughout LIFESCI XL 7A, 7B, and 7C. Students can purchase iClicker 2 for this course.

Visitors not permitted. Enrollment deadline: June 27. 7 Ryan Williams, MD, PhD specialized in neuroscience, tissue regenera tion, and anatomical pathology

Reg# 392988

Fee: $1,010

No refund after 3 July.

A Remote 21 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

Thursday, 6:30 7:45pm, June 29 Aug. 31

Remote Classroom Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C.

Visitors not permitted. Enrollment deadline: June 28. 7 Ryan Williams, MD, PhD specialized in neuroscience, tissue regenera tion, and anatomical pathology

LIFESCI XL 23L

Introduction to Laboratory and Scientific Methodology

3.0 units

Introductory life sciences laboratory designed for undergraduate students. Opportunity to conduct wet laboratory cutting edge bioin formatics laboratory experiments. Students work in groups of three conducting experiments in areas of physiology, metabolism, cell biology, molecular biology, genotyping, and bioinformatics. Letter grading. c

Prerequisite(s): LIFESCI XL 7B Genetics, Evolution, and Ecology. Recom mended to be taken concurrently with LIFESCI XL 7C Physiology and Human Biology.

Reg# 392981

Fee: $765

No refund after 2 July.

X In-Person

13 mtgs

Monday, Wednesday, 5:30 8:30pm, June 26 Aug. 2

UCLA: Young Hall

Friday, 5:30 8:30pm, Aug. 4

UCLA: Young Hall

Enrollment/class participation contingent on signing a liability waiver.

Enrollment limited. Visitors not permitted. Enrollment deadline: June 28. 7

Sherry Soliman MS, science editor, Demand Media

LIFESCI XL 107 Genetics

5.0 units

Advanced Mendelian genetics, recombination, biochemical genetics, mutation, DNA, genetic code, gene regulation, and genes in populations. c

Prerequisite(s): LIFESCI XL 7C Physiology and Human Biology, LIFESCI XL 23L Introduction to Laboratory and Scientific Methodology, CHEM XL 14A General Chemistry for Life Scientists I, and CHEM XL 14C Struc ture of Organic Molecules.

Reg# 392965

Fee: $995

No refund after 3 July.

A Remote

20 mtgs

Tuesday, Thursday, 7 10pm, June 27 Sept. 5

Remote Classroom

Not open for credit to students with credit for LIFESCI XL 4. Letter grading. Lecture only.

Visitors not permitted. Enrollment deadline: June 28. 7

Michael Dowicki, PhD

RRR

For more information call (310) 825-7093.

MIMG XL 6

Microbiology for Nonmajors

4.0 units

Designed for non science students; introduction to biology of micro organisms (bacteria, viruses, protozoa, algae, and fungi), their signifi cance as model systems for understanding fundamental cellular processes, and their role in human affairs. Not open for credit to stu dents with credit for course 101. c

Reg# 392989

Fee: $995

No refund after 10 July.

A Remote

11 mtgs

Tuesday, 7 10pm, June 27 Sept. 12

Remote Classroom

Lecture only. If students require a microbiology laboratory course, please refer to MIMG XL 100L (offered in Fall and Spring Quarters). Visitors not permitted. Enrollment deadline: July 10. 7

Payam Benyamini PhD

PHYSCI XL 3

Introduction to Human Physiology

5.0 units

This course provides students with an understanding of the human body and its organization from molecular to cellular to tissues and organs and how component parts function in an integrated manner to permit life as we know it. c

Reg# 392998

Fee: $1,050

No refund after 29 June.

A Remote

17 mtgs

Tuesday, Thursday, 7 10pm, June 27 Aug. 8

Remote Classroom

Wednesday, 7 10pm, June 28 July 26

Remote Classroom

Fulfills in part the UCLA General Education requirement for Life Sciences. Not open for credit to Physiological Science majors.

Enrollment/class participation contingent on signing a liability waiver form.

Enrollment limited to 20 students. Visitors not permitted. Enrollment deadline: June 27. 7

Ronald Cooper, PhD

Ali Izadpanah, M.S. in Physiological Science

Reg# 392999

Fee: $1,050

No refund after 29 June.

A Remote

17 mtgs

Tuesday, Thursday, 7 10pm, June 27 Aug. 8

Remote Classroom

Friday, 7 10pm, June 30 July 28

Remote Classroom

Fulfills in part the UCLA General Education requirement for Life Sciences. Not open for credit to Physiological Science majors.

Enrollment/class participation contingent on signing a liability waiver form.

Enrollment limited to 20 students. Visitors not permitted. Enrollment deadline: June 29. 7

Ronald Cooper, PhD

Ali Izadpanah, M.S. in Physiological Science

PHYSCI XL 13

Introduction to Human Anatomy

5.0 units

This course presents a structural survey of the human body, including the musculoskeletal, nervous, circulatory, respiratory, digestive, and genitourinary systems. Laboratory includes examination of human cadaver specimens. c

Reg# 392996

Fee: $1,050

No refund after 3 July.

A Remote

22 mtgs

Tuesday, 6:30 9:30pm, June 27 Sept. 12

Remote Classroom

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom

Fulfills in part the UCLA General Education requirement for Life Sciences. Not open for credit to Physiological Science majors. Enrollment/class participation contingent on signing liability waivers. Additional nonrefundable fee: $45.

Enrollment limited to 25 students. Visitors not permitted. Enrollment

deadline: June 28. 7

Gary Richardson

Reg# 392997

Fee: $1,050

No refund after 7 July.

X In-Person

22 mtgs

Saturday, 9am 12pm, July 1 Sept. 9

UCLA: Boelter Hall

Saturday, 1 4pm, July 1 Sept. 9

UCLA: Boelter Hall

Gary Richardson

BIOL CH X 401

Introduction to Protein Structure: From Disease to Therapy

4.0 units

Proteins are involved in almost every physiological process that occurs within the body. They are necessary for countless metabolic pro cesses, including converting glucose into energy, carrying oxygen in your blood, and recognizing and destroying foreign pathogens. Know ing the structure of the proteins that perform these essential functions is paramount to understanding how they work normally and why mutations lead to disease. Although proteins are involved in innumer able diseases, they may also be key in the development of therapeutic treatments. By understanding protein structure, scientists can design small molecules and even novel proteins that can treat a variety of diseases. This course provides an introduction to protein and nucleic acid structure as it relates to the essential functions that these mac romolecules perform within cells. Lectures focus on how protein structure relates to a variety of common human pathologies and on the therapies that are used to treat these diseases.

Prerequisite(s): LIFESCI XL 3 or LIFESCI XL 7A

Reg# 392877

Fee: $845

No refund after 12 July.

A Remote 11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

Remote Classroom

Enrollment limited to 25. Enrollment deadline: July 13. 7 & Rishab Gupta, PhD; UCLA School of Medicine PBL Tutor Faculty, pro fessor emeritus, Surgical Oncology, UCLA David Geffen School of Medicine; chief due diligence officer, IndieBio.

MCD BIO X 405

Cancer Biology

4.0 units

Cancer accounts for nearly one in four deaths in the United States, and the cost to individuals and society is staggering at $217 billion each year. While billions of dollars are also spent on funding research that will help determine the causes, development, and progression of cancer, there is much more to learn in order to prevent and treat cancer effectively. This course explores the molecular and cellular biology of cancer, as well as reviews the current advances in therapy. The course is divided into two parts. The first part examines the nature and causes of cancer and provides an overview of important signaling mechanisms, and the second part emphasizes how cancer metasta sizes and advances in treatment.

Prerequisite(s): LIFESCI XL 7A, 7B, 7C

Reg# 392879

Fee: $845

No refund after 10 July.

A Remote 11 mtgs

Tuesday, 6 9pm, June 27

Remote Classroom

Wednesday, 6 9pm, July 5

Remote Classroom

Tuesday, 6 9pm, July 11 Sept. 5

Remote Classroom Visitors not permitted. Enrollment deadline: July 11, 2023. No meeting July 4. Make-up meeting on July 5. 2023. 7 & Rishab Gupta, PhD; UCLA School of Medicine PBL Tutor Faculty, pro fessor emeritus, Surgical Oncology, UCLA David Geffen School of Medicine; chief due diligence officer, IndieBio.

PATH X 401

Introduction to Molecular Diagnostics, Pharmacogenetics, and Personalized Medicine

4.0 units

Variations in human DNA over generations result in evolution and beneficial adaptations. However, some changes in human DNA that cause genetic variation occasionally result in genetic disorders. The field of molecular diagnostics focuses on the development of tests that aid in the diagnosis and prognosis of disease, as well as predict disease risk. The information gained by this type of diagnostics can identify the abnormal molecules that signify the presence or potential for disease in individuals. As a result, clinicians can now prescribe drugs or other therapies that target the specific abnormal function. The emerging field of pharmacogenetics aims at predicting the drug response based on an individual’s genetic profile, thus helping clini cians to tailor effective treatments. This course overviews the basic principles of molecular diagnostics and pharmacogenetics and the applications of the emerging technologies in personalized medicine. Students learn about the clinical applications of molecular diagnostic in patients with cancer, inherited disease, and infectious disease. The course concludes with detailed discussions on personalized medicine and the pros, cons, ethics, challenges, strategies, and public policy related to this emerging field.

Prerequisite(s): Introductory courses in Molecular Biology, Genetics, and Biochemistry, or equivalent coursework.

Reg# 392853

Fee: $845

No refund after 30 June.

M Online June 26 Sept. 10

Early enrollment advised. Enrollment deadline: June 30th. 7 & Durga Cherukuri, PhD, DABMG; associate director, Clinical Genomics, Genoptix Medical Laboratory.

PHYSCI X 401

Fundamentals of Human Physiology

6.0 units

This course presents the biochemical and biophysical principles underlying the physiological processes of the human body. Lectures cover cell structure, molecular movement and control mechanisms, energy and metabolism, neural control and sensory systems, enzyme function, endocrinology, muscle physiology, control of body movement, circulation, respiration, immunity, kidney function, digestion, and metabolic regulation. Laboratories emphasize practical application of theory reviewed in lectures. Special emphasis is placed on pathologi cal conditions and their treatments.

Prerequisite(s): Basic college level chemistry, biology, and human anatomy are strongly recommended.

Reg# 392880

Fee: $1,005

No refund after 3 July.

A Remote 22 mtgs

Tuesday, Thursday, 6:30 9:30pm, June 27 Sept. 7

Remote Classroom No meeting July 4.

Enrollment and class participation is contingent on signing a liability waiver. Students must attend both laboratory and lecture sessions to receive credit.

Visitors not permitted. Enrollment deadline: July 3. One make-up session TBD. 7 &

Instructor to be announced

PHYSCI X 408

Pathophysiology of Cardiovascular Disease

4.0 units

Explore how the cardiovascular system functions and how cardiovas cular disease develops during the lifespan. Instruction emphasizes the molecular and cellular mechanisms that mediate such chronic dis eases as atherosclerosis, hypertension, diabetes, obesity, and the metabolic syndrome. Current clinical interventions for treating and preventing cardiovascular disease focusing on lifestyle modifications are a major component of the course.

Prerequisite(s): One year college level biology.

Reg# 392861

Fee: $895

No refund after 30 June.

M Online 11 mtgs

June 26 Sept. 10

Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment deadline: June 30. 7 & Joseph Esdin PhD

Enroll at uclaextension.edu or call (800) 825-9971 Sciences & Math 81

RRR

PHYSCI X 410

Pulmonary Physiology

4.0 units

The respiratory system is a complex network of organs and tissues that controls essential functions of the human body. This course examines pulmonary physiology at the molecular, cellular, and system level to elucidate how the human lungs function to facilitate gas exchange related to metabolism. Topics include anatomy of the respiratory system; mechanics of breathing; gas exchange and delivery to and from cells; regulation of homeostasis; neural control of breathing; and modulatory compensation in response to stressful situations, such as exercise, high altitude, diving, and sleep apnea. Course instruction overviews common pathologies, chronic diseases, and current treatments to understand the disorders of the respiratory system.

Prerequisite(s): One year college level biology.

Reg# 392862

Fee: $895

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

PHYSCI X 435

Neurophysiology: How the Brain Thinks

4.0 units

This course explores the molecular, cellular, and circuitry mechanisms that underlie the function of the mammalian nervous system, with special emphasis on the human brain. Topics include analysis of electrical properties of neurons, chemical communication between neurons, cellular processes responsible for synaptic transmission as well as short and long term plasticity, and the functional organization of the central nervous system.

Prerequisite(s): Students should possess a basic knowledge of biology, neuroanatomy, general physiology, and electrical principles.

Reg# 392863

Fee: $895

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

Midterm and final exams are proctored online; additional requirements include microphone, headphones/ speakers, and webcam. Enrollment limited to 25. Enrollment deadline: June 30. 7 & Joseph Esdin, PhD

PHYSCI X 452.6

Foundations in Human Physiology

3.0 units

Everyone experiences the elegant workings of the body, but few of us understand the underlying processes. Unfold the mysteries of the cell and the basic structure and function of the nervous, muscular, endo crine, cardiovascular, respiratory, digestive, and immune systems by taking this online course. Whether you are preparing for a career in health sciences, planning to teach introductory science courses, or simply want to understand the latest news stories about genetic engineering or personal health, you can benefit from the cutting edge information presented in this introductory course offered in an asyn chronous online format.

Prerequisite(s): Basic college level chemistry and a human anatomy course are strongly recommended.

Reg# 392860

Fee: $845

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

Early enrollment advised. Enrollment deadline: June 30. 7 & Dr. Judith N. Halle PhD, RNC, professor, research faculty, Doctorate of Executive Leadership Program, Mountain State University; former dean of health sciences and nursing, Mountain State University.

PHYSCI X 459.10

Introduction to Pathophysiology: Disease States in the Human Body

4.0 units

This course is designed as an overview of the mechanisms and consequences of disease based on physiological dysfunction in the major organ systems. Each organ system is introduced by a brief and basic review covering normal structure and function, followed by the pathology and some common disorders of each system. Discussion includes common clinical presentations of disease and the mecha nisms underlying signs and symptoms. Diseases covered include cardiovascular, cancer, Parkinson’s, Alzheimer’s, hepatitis, infections, and diseases of the kidney and cardiovascular system (some topics may vary by quarter).

Recommended: Basic college level chemistry and a human anatomy course are strongly recommended.

Reg# 392857

Fee: $895

No refund after 30 June.

M Online

11 mtgs

June 26 Sept. 10

Enrollment deadline: June 30. 7 &√Ç¬†

Helder Araujo MD, PhD

Chemistry

CHEM XL 14A

General Chemistry for Life Scientists I

4.0 units

This course provides an introduction to physical and general chemis try principles; atomic structure based on quantum mechanics; atomic properties; trends in the periodic table; chemical bonding (Lewis structures, VSEPR theory, hybridization, and molecular orbital theory); gaseous and aqueous equilibria; properties of inorganic and organic acids, bases, and buffers; and titrations. c

Prerequisite(s): High school chemistry, or equivalent background and three and a half years of high school mathematics.

Reg# 392959

Fee: $955

No refund after 10 July.

X In-Person

10 mtgs

Tuesday, 6 10pm, June 27 Sept. 5

UCLA: Young Hall

Not open for credit to students with credit for CHEM 11A or 20A. This is the first chemistry course in the sequence for premedical and other pre-allied health studies.

Fulfills in part the UCLA General Education requirement for Physical Sciences.

Enrollment deadline: July 10. 7 & David James Watts, MS in chemistry, UCLA

Reg# 392556

Fee: $955

No refund after 14 July.

A Remote

10 mtgs

Saturday, 9am 1pm, July 1 Sept. 2

Remote Classroom

Not open for credit to students with credit for CHEM 11A or 20A. This is the first chemistry course in the sequence for premedical and other pre-allied health studies.

Fulfills in part the UCLA General Education requirement for Physical Sciences.

Enrollment deadline: July 7. 7 & David James Watts, MS in chemistry, UCLA

CHEM XL 14B

General Chemistry for Life Scientists II

4.0 units

This course covers phase changes; thermochemistry; first, second, and third laws of thermodynamics; free energy changes; electrochem istry and its role as an energy source; chemical kinetics, including catalysis, reaction mechanisms, and enzymes; coordination com pounds; general classes and naming of organic molecules; structure, conformations, and relative energies of organic molecules; application of thermodynamics and kinetics to organic and biochemical reactions; and use of molecular modeling software to illustrate molecular struc tures and their relative energies. c

Prerequisite(s): CHEM XL 14A General Chemistry for Life Scientists I and MATH XL 31A Differential and Integral Calculus, with a grade of C or better.

Reg# 392966

Fee: $955

No refund after 12 July.

A Remote 10 mtgs

Thursday, 6 10pm, June 29 Aug. 31

Remote Classroom

Fulfills in part the UCLA General Education requirement for Physical Sciences.

Visitors not permitted. Enrollment deadline: July 5. 7 & Benny Ng

Reg# 392962

Fee: $955

No refund after 14 July. A Remote

10 mtgs

Saturday, 9am 12pm, July 1 Sept. 2

UCLA: Young Hall

Fulfills in part the UCLA General Education requirement for Physical Sciences.

Visitors not permitted. Enrollment deadline: July 7. 7 & Instructor to be announced

Sen Wang

CHEM XL 14BL

General and Organic Chemistry Laboratory I

3.0 units

This laboratory class provides an introduction to volumetric, spectro photometric, and potentiometric analysis. Instruction also covers the use and preparation of buffers and pH meters and synthesis and kinetics techniques using compounds of interest to students in life sciences. c

Prerequisite(s): CHEM 14A General Chemistry for Life Scientists I with grade of C or better, or co prerequisite CHEM 14B General Chemistry for Life Scientists II.

Reg# 392970

Fee: $2,112

No refund after 2 July.

A Remote 10 mtgs

Wednesday, 6 10pm, June 28 Aug. 30

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: June 27. $280 nonrefundable. 7

Pierre Goueth

Reg# 392969

Fee: $2,112

No refund after 5 July.

X In-Person

10 mtgs

Saturday, 2 6pm, July 1 Sept. 2

Santa Monica

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: June 30. $280 nonrefundable. 7

Kevin Barnese, PhD

CHEM XL 14C

Structure of Organic Molecules

4.0 units

This course presents continuing studies in the structure of organic molecules, with emphasis on biological applications. Topics include resonance, stereochemistry, conjugation, and aromaticity; spectros copy (NMR, IR, and mass spectrometry); introduction to the effects of structure on physical and chemical properties; and survey of biomo lecular structure. c

Prerequisite(s): CHEM XL 14B General Chemistry for Life Scientists II.

Reg# 392972

Fee: $955

No refund after 14 July.

X In-Person

10 mtgs

Saturday, 9am 1pm, July 1 Sept. 2

UCLA: Young Hall

Not open for credit to students with credit for CHEM 10D. Visitors not permitted. Enrollment deadline: July 7. 7 & Ochan Otim, PhD, BCES, winner of the 2017 UCLA Extension Distin guished Instructor Award

82 Sciences & Math Enroll at uclaextension.edu or call (800) 825-9971

RRR

CHEM XL 14CL

General and Organic Chemistry Laboratory II

4.0 units

This laboratory class covers the synthesis and analysis of compounds; purification by extraction, chromatography, recrystallization, and subli mation; characterization by mass spectroscopy; UV, NMR, and IR spec troscopy; optical activity; electrochemistry; and pH titration. c

Prerequisite(s): CHEM XL 14B General Chemistry for Life Scientists II, CHEM XL 14BL General and Organic Chemistry Laboratory I, and CHEM

XL 14C Structure of Organic Molecules.

Reg# 393026

Fee: $2,733

No refund after 5 July.

X In-Person

20 mtgs

Saturday, 9am 12pm, July 1 Sept. 2

Santa Monica

Saturday, 1 5pm, July 1 Sept. 2

Santa Monica

$280 nonrefundable. Enrollment limited; early enrollment advised.

Visitors not permitted. Enrollment deadline: June 30. 7 & Wei-Hao

Huang, PhD

CHEM XL 14D

Organic Reactions and Pharmaceuticals

4.0 units

This course covers organic reactions, nucleophilic and electrophilic substitutions and additions, electrophilic aromatic substitutions, carbonyl reactions, and catalysis. Instruction also covers the molecular basis of drug action and the organic chemistry of pharmaceuticals. c

Prerequisite(s): CHEM XL 14C Structure of Organic Molecules.

Reg# 393005

Fee: $955

No refund after 10 July.

A Remote

10 mtgs

Tuesday, 6 10pm, June 27 Sept. 5

Remote Classroom

Not open for credit to students with credit for CHEM 10D or 10E.

Visitors not permitted. Enrollment deadline: July 10. 7 & Andy Skauge

Reg# 393004

Fee: $955

No refund after 12 July.

X In-Person

10 mtgs

Thursday, 6 10pm, June 29 Aug. 31

UCLA: Young Hall

Not open for credit to students with credit for CHEM 10D or 10E. Visitors not permitted. Enrollment deadline: July 5. 7 & Kevin Barnese PhD

CHEM XL 153A

Biochemistry: Introduction to Structure, Enzymes, and Metabolism

4.0 units

This course covers structure of proteins, carbohydrates, and lipids; enzyme catalysis and principles of metabolism, including glycolysis and the citric acid cycle; and oxidative phosphorylation. c

Prerequisite(s): LIFESCI XL 7A Cell and Molecular Biology; LIFESCI XL 7B Genetics, Evolution, and Ecology; LIFESCI XL 7C Physiology and Human Biology; LIFESCI XL 23L Introduction to Laboratory and Scien tific Methodology; and CHEM XL 14D Organic Reactions and Pharmaceuticals.

Reg# 393008

Fee: $955

No refund after 9 July.

A Remote 11 mtgs

Monday, 6 9pm, June 26 Sept. 11

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: July 2 7 & Nagendra N. Mishra, PhD

Reg# 393010

Fee: $955

No refund after 10 July.

A Remote 11 mtgs

Tuesday, 6 9pm, June 27 Sept. 12

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted.

Enrollment deadline: July 10. 7 & Karen Lohnes, PhD, Biochemistry

Reg# 393006

Fee: $955

No refund after 11 July.

X In-Person

11 mtgs

Wednesday, 6 9:30pm, June 28 Sept. 6

UCLA: Bunche Hall

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: July 4. 7 & Shakir Sayani, PhD

Reg# 393007

Fee: $955

No refund after 12 July.

X In-Person

11 mtgs

Thursday, 6 9:30pm, June 29 Sept. 7

UCLA: Bunche Hall

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: July 5. 7 & Shakir Sayani, PhD

Reg# 393009

Fee: $955

No refund after 13 July.

A Remote

11 mtgs

Friday, 6 9pm, June 30 Sept. 8

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: July 6 2023. 7 & Nagendra N. Mishra, PhD

CHEM XL 153B

Biochemistry: DNA, RNA, and Protein Synthesis

4.0 units

This course covers nucleotide metabolism, DNA replication and repair, transcription machinery, regulation of transcription, RNA structure and processing, and protein synthesis and processing. c

Reg# 393011

Fee: $955

No refund after 12 July.

A Remote

11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

Remote Classroom

Visitors not permitted. Enrollment deadline: July 5. 7 & Nagendra N. Mishra, PhD

CHEM XL 153C

Biochemistry: Biosynthetic and Energy Metabolism and Its Regulation

4.0 units

This course discusses the metabolism of carbohydrates, fatty acids, amino acids, and lipids. Additionally, the course covers photosynthetic metabolism and assimilation of inorganic nutrients. Finally, the course covers the regulation of these processes. c

Prerequisite(s): LIFESCI 2 and LIFESCI 3 (or LIFESCI 7A, 7B, and 7C), LIFESCI 23L, and CHEM 153A with a grade of C or better.

Reg# 393012

Fee: $955

No refund after 10 July.

X In-Person

11 mtgs

Tuesday, 6 9:30pm, June 27 Sept. 12

UCLA: Boelter Hall

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: July 10. 7 & Shakir Sayani, PhD

Physics

PHYSICS XL 5A

Physics for Life Sciences Majors: Mechanics and Energy

5.0 units

Statics and dynamics of forces; motion; and energy, including thermal energy, with applications to biological and biochemical systems. c Prerequisite(s): Calculus series, such as LIFESCI 30A, 30B; or MATH 3A, 3B, 3C (3C may be taken concurrently); or MATH XL 31A, 31B; or equiva lent. PHYSICS 5A, 5B, and 5C form a one year sequence in basic physics for students in the biological and health sciences. Calculus is

used throughout. Successful completion of basic calculus courses is a prerequisite for admission to this sequence.

Reg# 393001

Fee: $1,060

No refund after 3 July.

A Remote 21 mtgs

Tuesday, 6:30 10pm, June 27 Sept. 12

Remote Classroom

Thursday, 8 10pm, June 29 Aug. 31

Remote Classroom

Enrollment/class participation contingent on signing a liability waiver form.

Physics XL 5B and XL 5C will be offered in Winter Quarter and Spring Quarter. Nonscience majors interested in a general physics course should take XL 10 Physics when next offered. Internet access required to retrieve course materials.

Fulfills in part the UCLA General Education requirement for Physical Sciences.

Enrollment limited to 26 students. Visitors not permitted. Enrollment deadline: June 28

Jacqueline Pau PhD

PHYSICS XL 5C

Physics for Life Sciences Majors:

Electricity, Magnetism, and Modern Physics

5.0 units

Electrostatics in vacuum and in water. Electricity, circuits, magnetism, quantum, atomic and nuclear physics, and radioactivity, with applica tions to biological and biochemical systems. c

Prerequisite(s): Physics XL 5B

Reg# 393002

Fee: $1,060

No refund after 3 July.

m Hybrid (In-Person)

22 mtgs

Tuesday, 6:30 10pm, June 27 Sept. 12

Remote Classroom

Thursday, 6 8pm, June 29 Sept. 7

UCLA:

Fulfills in part the UCLA General Education requirement for Physical Sciences. Enrollment/class participation contingent on signing a liability waiver form.

Enrollment limited to 26 students. Visitors not permitted. Enrollment deadline: June 28. 7

Arash Bellafard, PhD

Reg# 393003

Fee: $1,060

No refund after 3 July.

A Remote 21 mtgs

Tuesday, 6:30 10pm, June 27 Sept. 12

Remote Classroom

Thursday, 8 10pm, June 29 Aug. 31

Remote Classroom

Fulfills in part the UCLA General Education requirement for Physical Sciences. Enrollment/class participation contingent on signing a liability waiver form.

Enrollment limited to 26 students. Visitors not permitted. Enrollment deadline: June 28. 7

Arash Bellafard, PhD

PHYSICS XL 10

Physics

4.0 units

This course covers planetary motion; Newton’s laws; gravitation, electricity, and magnetism; wave motion, light, sound, and heat; rela tivity; quantum mechanics; atoms; subatomic particles; and the development of physical ideas in their cultural and historical perspective. c

Prerequisite(s): Two years of high school mathematics, including algebra.

Reg# 393000

Fee: $955

No refund after 14 July.

A Remote 10 mtgs

Saturday, 9am 12:30pm, July 1 Sept. 2

Remote Classroom

Fulfills in part the UCLA General Education requirement for Physical Sciences. Not open for credit to students with credit for Physics 6A, 5A, or equivalent mechanics courses.

Visitors not permitted. Enrollment deadline: July 7. 7

Jun Park, PhD

Enroll at uclaextension.edu or call (800) 825-9971 Sciences & Math 83

RRR

Math & Statistics

For more information call (310) 825-7093.

MATH XL 31B

Integration and Infinite Series

4.0 units

This course covers transcendental functions, methods, applications of integration, sequences, and series. c

Prerequisite(s): MATH 31A Differential and Integral Calculus with a grade of C or better.

Reg# 393016

Fee: $955

No refund after 11 July.

A Remote 11 mtgs

Wednesday, 6 9pm, June 28 Sept. 6

Remote Classroom

Visitors not permitted. Enrollment deadline: July 4. 7 & Ryan Valles MS

STATS XL 10

Introduction to Statistical Reasoning

5.0 units

This course provides an introduction to statistical thinking and under standing, including strengths and limitations of basic experimental designs, graphical and numerical summaries of data, inference, and regression as a descriptive tool. Not open for credit to students with credit for Economics 40. Fulfills in part the UCLA General Education requirement for Life or Physical Sciences. c

Prerequisite(s): Three years of high school mathematics.

Reg# 393023

Fee: $995

No refund after 10 July.

A Remote 11 mtgs

Tuesday, 6 9:15pm, June 27 Sept. 12

Remote Classroom

Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: July 10. 7 & Miles Chen PhD, lecturer in statistics, UCLA

Reg# 393022

Fee: $995

No refund after 12 July.

A Remote 11 mtgs

Thursday, 6:30 9:30pm, June 29 Sept. 7

Remote Classroom

Visitors not permitted. Enrollment deadline: July 5. 7 & Jaime Vallejo Valadez, MS

STATS XL 13

Introduction to Statistical Methods for Life and Health Sciences

5.0 units

This introductory course for pre health professionals covers the pre sentation and interpretation of data, descriptive statistics, introduction to correlation and regression, and introduction to basic statistical inference (estimation, testing of means and proportions, ANOVA) using both bootstrap methods and parametric models. c

Prerequisite(s): Three years of high school mathematics.

Reg# 393025

Fee: $995

No refund after 12 July.

A Remote 11 mtgs

Thursday, 6 9:15pm, June 29 Sept. 7

Remote Classroom

Not open for credit to students with credit for STATS 10, 11, 12, or 14. Enrollment limited; early enrollment advised. Visitors not permitted.

Enrollment deadline: July 5 7 & Miles Chen PhD, lecturer in statistics, UCLA

MATH X 402.1 Introduction to Calculus

4.0 units

This course covers the different applications of both differential and integral calculus to representative problems characteristic of the public and private economic sectors. Major topics covered in differ ential calculus include optimization, applications of the first and second derivatives that will find the optimized and inflection values of various functions, integral calculus, and procedures for finding either area under one curve or between two curves. Students are expected to apply the relevant techniques from differential and integral calculus in a wide variety of real world contexts related to the prob lem solving needs of public and private sector organizations. Upon completing this course, students should be able to take first deriva tives of functions to find minimum and maximum values and take second derivatives to find inflection points of a function. Students are expected to understand the fundamental theorem of calculus and its implications for applied real world problems.

Prerequisite(s): MATH 903 Intermediate Algebra for College Students or equivalent.

Reg# 393013

Fee: $885

No refund after 30 June.

M Online

June 26 Sept. 16

Coursework must be submitted as Microsoft Word or Excel attachments.

Enrollment limited; early enrollment advised. Enrollment deadline: June 30. 7 & Matin Lackpour MBA, EdD, PhD, mechanical engineer, Los Angeles Department of Water and Power (retired)

STATS X 402.1

Advanced Statistics and Quantitative Methods

4.0 units

This advanced course in inferential statistics emphasizes the practical application of statistical analysis. Instruction includes an examination of the role of statistics in research; understanding statistical terminol ogy; use of appropriate statistical techniques; and interpretation of findings in the fields of economics, business, nursing, and medical research. Topics include graphing and tabulation of data, hypothesis testing for small and large samples, chi squared, statistical quality control, analysis of variance (ANOVA), regression, correlation, and decision making under uncertainty.

Prerequisite(s): STATS X 402 Introduction to Statistics and Quantitative Methods

Reg# 393021

Fee: $885 No refund after 30 June.

M Online

June 26 Sept. 16

Coursework must be submitted as Microsoft Word or Excel attachments.

Enrollment limited; early enrollment advised. Enrollment deadline: June 30. 7 & Matin Lackpour MBA, EdD, PhD, mechanical engineer, Los Angeles Department of Water and Power (retired)

STATS X 402

Introduction to Statistics and Quantitative Methods

4.0 units

This introductory statistics course emphasizes practical application of the statistical analysis. The introduction covers the role of statistics in research; understanding statistical terminology; the use of appropriate statistical techniques; and interpreting findings in the fields of science, economics, nursing, business, and medical research. Topics include graphing and tabulation of data, central tendency measures, disper sion, probability theory, probability distribution, sampling techniques, confidence interval, and hypothesis testing.

Reg# 393019

Fee: $885

No refund after 30 June.

M Online

June 26 Sept. 16

It is recommended that students have the latest antivirus, word processing, and spreadsheet software. Coursework must be submitted as Microsoft Word or Excel attachments.

Enrollment limited; early enrollment advised. Enrollment deadline: June 30. 7 & Andy Niknafs MS, PhD, lead engineer, Los Angeles Department of Water and Power RRR

Reg# 393020

Fee: $885

No refund after 30 June.

M Online

June 26 Sept. 16

It is recommended that students have the latest antivirus, word processing, and spreadsheet software.

Coursework must be submitted as Microsoft Word or Excel attachments.

Enrollment limited; early enrollment advised. Enrollment deadline: June 30. 7 &

Andy Niknafs, MS, PhD, lead engineer, Los Angeles Department of Water and Power

Placement Exam

Students enrolling in this course need to complete the math placement exam before the first class. Please sign up for the math placement exam through ALEKS. Each student will be charged a $20 fee (non refundable) which covers 12 months of access to the Prep and Learning Module, which is a resource for refreshing your math skills.

Exam Length: 30 Questions

Time: You should plan to complete the placement exam within an uninterrupted 2 hour sitting

If you score 80% or higher, we recommend that you enroll in Calculus

MATH XL 31A

If you score between 60% 79%, we recommend that you enroll in Pre Calculus MATH XL 1

If you score less than 60%, we recommend that you enroll in an algebra course

After taking the placement exam, you are given the opportunity to review certain topics through targeted learning exercises in the Prep and Learning Module.

Retake the exam, if necessary

After engaging with the Prep and Learning Module for at least 3 hours, you can take the placement exam again

The retake exam will become available 24 hours after the initial exam was completed.

You will have access to the Prep and Learning Module for 12 months after taking the initial exam.

MATH XL 31A

Differential and Integral Calculus

4.0 units

This course covers differential calculus, its applications, and the introduction to integration. c

Prerequisite(s): MATH XL 1 Precalculus with a grade of C or better; or three and a half years of high school mathematics, including some coordinate geometry and trigonometry.

Reg# 393014

Fee: $955

No refund after 3 July.

A Remote 11 mtgs

Tuesday, 6:30 9:30pm, June 27 Aug. 8

Remote Classroom

Saturday, 9am 12pm, July 1 29

Remote Classroom

Students who are not qualified to take this course should enroll in MATH XL 1 Precalculus.

Enrollment/class participation contingent on completing the ALEKS placement exam.

Visitors not permitted. Enrollment deadline: June 30. 7 & Ryan Valles, MS

Reg# 393015

Fee: $955

No refund after 12 July.

A Remote 11 mtgs

Thursday, 6 9pm, June 29 Sept. 7

UCLA: Math Sciences

Students who are not qualified to take this course should enroll in MATH XL 1 Precalculus.

Enrollment/class participation contingent on completing the ALEKS placement exam.

Visitors not permitted. Enrollment deadline: July 5 7 & Ryan Valles, MS

84 Sciences & Math Enroll at uclaextension.edu or call (800) 825-9971

WRITING & JOURNALISM

For more information call Writers’ Program (310) 825-9415 Journalism (310) 825-7093.

Writers’ Program

Written Communication

For help in choosing a course, contact the Writers’ Program at (310) 825-9415.

WRITCOM 702.1E

Résumé Writing Basics

Getting the attention of a potential employer is difficult in today’s competitive market. Doing so in a digital world is even harder. Making your résumé shine and highlighting your individual skills is certainly an added advantage. In this three hour workshop, you learn how to transform your résumé into a powerful tool to get noticed. You learn how to personalize your résumé to fit each job you apply to. You also learn how to adapt a résumé for both digital and direct employment opportunities. You leave the workshop with a better understanding of how to craft a strong résumé as well as leave with a strong rough draft that can be used for future employment opportunities.

Reg# 392523

Fee: $0

A Remote

1 mtg

Saturday, 10am 1pm, Aug. 5

UCLA X Open

Enrollment opens two weeks prior to the event. Enrollment limited. 7

Scott Eagan, owner and acquisitions editor for Greyhaus Literary Agency focusing exclusively on the traditional romance and women’s fiction market. Mr. Eagan is an active member of the Romance Writers of America, has provided freelance critique work with Writer’s Digest, and worked as a reviewer with Publisher’s Marketplace.

WRITCOM X 401

Clear and Descriptive Writing

4.0 units

Clear and Descriptive Writing focuses on the basics of sentence and paragraph, providing tools to enable clear, focused, and descriptive essays and other writing objectives. Starting with focused sentence exercises, you move toward creating clear, thoughtful, and organized paragraphs that employ tone, voice, and diction. As well as completing exercises and writing assignments, you collect examples of writing both effective and ineffective to present to the class in order to share and examine writing strategies. Toward the end of the class, students develop one essay length piece of writing. In workshop groups, you hone this piece and help classmates improve their work. You leave with skills you can apply in various settings and with different writing projects.

Reg# 392520

Fee: $745

No refund after 12 July.

M Online

June 28 Sept. 12

Enrollment limited to 15 students. 7

Jessica Barksdale, MFA, MA, author of 15 novels including The Play’s the Thing and a poetry collection, When We Almost Drowned. Ms. Barksdale’s short stories, poems, and essays have appeared in Compose, Salt Hill Journal, The Coachella Review, and Carve Magazine She is a professor of English at Diablo Valley College and teaches in the MFA program at Southern New Hampshire University.

WRITCOM X 402

Persuasive Writing

4.0 units

Persuasive writing is all around us: in editorials, in advertising, social media, and even in the emails we write to friends and coworkers. Persuasive messages can take the form of logical arguments, emotion ally charged rhetoric, or short narratives (e.g. a TV ad). Designed for writers of all experience levels, this course introduces you to major persuasion theories from social and media psychology and to some ideas from cognitive neuroscience relevant to persuasion in a manner that is both accessible and fun. You complete exercises that help you practice persuasive writing, participate in discussions, and get feed back from peers. By the end of the course, you know how to choose the best route to persuasion, considering your audiences’ motivation and readiness to change and how to format and craft a message to make it more persuasive.

Reg# 392521

Fee: $745

No refund after 12 July.

M Online June 28 Sept. 12

Enrollment limited to 15 students. 7

Carlos Allende, PhD in Media Psychology with a concentration in audience engagement and a self directed concentration in media neuroscience. Mr. Allende teaches psychology and researches the motivational effect of compassion in securing engagement as well as the paradoxically positive effect of stereotypical representation. His fiction incorporates history with social satire. Rare Bird Books pub lished his novel Love, or the Witches of Windward Circle in 2015 and he was a panelist on modern horror at the LA Times Festival of Books in 2016. He won the 2019 Quill Prose Award with his novel Coffee, Shopping, Murder, Love, which was published by Red Hen Press.

Creative Writing

For help in choosing a course or determining if a course fulfills certificate requirements, contact the Writers’ Program at (310) 825-9415.

Basics of Writing

These basic creative writing courses are for students with no prior writing experience. Instruction is exercise-driven; the process of workshopping in which students are asked to share and offer feedback on each other’s work with guidance from the instructor is introduced. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING X 400

Introduction to Creative Writing

2.0 units

This six week course is perfect for anyone just getting started on their path to being a writer. Students work in small breakout sessions with experienced writers and teachers, then attend a lecture by various guest speakers with expertise in fiction, poetry, nonfiction, or screen writing. Short assignments are workshopped in the weekly breakout sessions. The goal of the course is to expose new writers to a variety of types of writing while getting their creative juices flowing. At the end of the quarter, students feel more confident about their skills and are prepared for further study of writing.

Reg# 392524

Fee: $485

No refund after 5 Aug.

A Remote

6 mtgs

Saturday, 1 4pm, July 22 Aug. 26

Remote Classroom

Enrollment limited to 12 students; early enrollment advised. Visitors not permitted. 7

Norman Kolpas, author and editor whose several hundred nonfiction pieces have appeared in many publications, including Bon Appetit HOME Elle Sunset, Southwest Art, and The Times of London Mr. Kolpas is also the author of more than 40 nonfiction books and consults with, and ghost writes for, many top personalities and brands.

Reg# 392525

Fee: $485

No refund after 5 Aug.

A Remote

6 mtgs

Saturday, 1 4pm, July 22 Aug. 26

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C UC CREDIT

Remote Classroom

Enrollment limited to 12 students; early enrollment advised. Visitors not permitted. 7

Ruben Quesada, MFA, PhD, poet, translator, and editor of the anthol ogy Latinx Poetics: Essays on the Art of Poetry. Dr. Quesada’s writing has appeared in Harvard Review Best American Poetry, American Poetry Review, Ploughshares, and elsewhere. He has served as an editor and coordinator for The Rumpus, Kenyon Review, AGNI, Pleiades Publishing Triangle Awards, and PEN America Literary Awards. He hosts a monthly broadcast called the Mercy Street Readings and serves on the board of the National Book Critics Circle.

WRITING X 420

Nonfiction: Essential Beginnings

2.0 units

Sometimes the best stories are true. To help you turn your personal experiences, anecdotes from everyday life, and family stories into compelling narratives, this workshop teaches beginning writers the basic elements of good storytelling. You learn how to excavate memo ries and discover fresh or unexpected facets of your life stories. Through weekly exercises, you generate new material and learn an array of fictional techniques to tell your nonfiction story, including how to play with voice, focus on a small unit of time, and describe land scape and character. By the course’s completion, you have in hand a series of short sketches or a draft of a nonfiction piece.

Reg# 392490

Fee: $485

No refund after 16 Aug.

M Online

Aug. 2 Sept. 12

Enrollment limited to 15 students. 7

liz gonzález, MFA, author of Dancing Santa Ana Winds: Poems y Cuentos New and Selected. Ms. gonzález’s work has appeared in Wide Awake: The Poets of Los Angeles and Beyond, and the San Francisco Chronicle among others. She is the director and founder of Uptown Word & Arts, promoting literacy and the arts.

WRITING X 410

Fiction: Essential Beginnings

2.0 units

Do you aspire to write creatively but don’t know where to start? This supportive workshop provides you with many techniques to motivate and guide you. You learn how to transform observation and personal experience into imaginative prose, create dynamic characters and dialogue, and write from different points of view. By the end of the course, you have in hand a series of short sketches or a draft of a short story and the key tools you need to write creatively.

Reg# 392239

Fee: $485

No refund after 16 Aug.

M Online

Aug. 2 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7 & Ella Martinsen Gorham, writer from Los Angeles. Ms. Martinsen Gorham’s short stories have been published in New England Review ZYZZYVA Carve, and Best American Short Stories 2019. She was a finalist in the 2020 Raymond Carver Short Story Contest.

Reg# 392240

Fee: $485

No refund after 23 Aug.

X In-Person

6 mtgs

Wednesday, 7 10pm, Aug. 9 Sept. 13

UCLA: Rolfe Hall

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Jean Ho, MFA, author of the short story collection Fiona and Jane and doctoral candidate in Creative Writing and Literature at the University of Southern California. Ms. Ho’s work has appeared in Guernica, The Rumpus Apogee, McSweeney’s Internet Tendency, and NPR. Her writing has earned fellowships from Kundiman, the MacDowell Colony, and Vermont Studio Center.

WRITING X 461.2E Power Up Your Writing: Deeper Characters, Deeper Truths

2.0 units

How do writers create work that electrifies readers and stays with them long after they have turned the last page? One key is that they create characters who live on in the readers’ minds; another is that they dig into their own hearts and minds to reveal deeper truths. Whether you’re writing fiction, poetry, memoir, or essay, this course helps you to do both. The process of being able to create memorable characters includes building the vivid worlds they live in, and exploring how they reveal who they are and what they want through action and speech, as well as through what they own, wear, value, and desire. The body as a metaphor for feelings about ourselves and others is explored, and visual arts painting, sculpture, photography offer pathways to get at your own truths. In revising your work, you gain tools for going deep into the story to reveal rich, new insights. Suitable for beginners and experienced writers.

Reg# 392241

Fee: $485

No refund after 16 Aug.

M Online

Aug. 2 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Rochelle J. Shapiro, author of Miriam the Medium and Kaylee’s Ghost Ms. Shapiro’s essays have been published in The New York Times and Newsweek. Her short stories and poems have been published in many anthologies and literary magazines, such as The Iowa Review, Sedge, and Moment

WRITING X 401

Discovering the Writer Within

2.0 units

At the heart of who we are as human beings is our ability to create. Unfortunately, modern society does a good job of suppressing this impulse in most people, especially those who don’t consider them selves “artists.” This writers’ workshop is predicated on the belief that we are all artists in one way or another, and that by finding our own creative voice, our lives can only be enriched. Through a series of in class writing exercises, students tap into all five of their senses and draw upon a lifetime of memories as a way to unleash their creativity. The final goal of the workshop is both the celebration of the creative process and a first draft of either a short story, a short play, a collection of poems, or some other form of text.

Reg# 392242

Fee: $485

No refund after 11 Aug.

A Remote

6 mtgs

Friday, 10am 1pm, July 28 Sept. 8

Remote Classroom

No meeting Aug. 25.

Enrollment limited to 12 students; early enrollment advised. Visitors not permitted. 7

Steven Wolfson MFA, award winning playwright, and founding member of The Mark Taper Forum’s Mentor Playwrights Project. A WGA member, Mr. Wolfson is the recipient of two UCLA Extension Outstand ing Instructor Awards in Creative Writing and Screenwriting.

Special Topics for All Writers

Courses in this section are open to students who want a deeper understanding of a specific craft issue or area of study. These courses fulfill the elective requirement for creative writing certificates. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

NEW WRITING 755.12E

Pitching for Publication

In today’s competitive and ever changing literary environment, it is crucial for writers to build an online presence. Publishing personal essays, micro nonfiction or reported stories well before finishing a manuscript, or signing a book deal allows authors to develop a niche while establishing themselves as experts in their field of interest. In this course, writers learn how to find and research publications, how to approach editors seeking content, and how to write a winning pitch. Using real world examples of successful pitch letters and proven strategies, this class is part lecture, part hands on workshop. Students will walk away with a readymade pitch letter, a template for moving forward, and a list of resources to help place future stories.

Reg# 392519

Fee: $0

A Remote 1 mtg

Saturday, 10am 1pm, July 22

UCLA X Open

Enrollment opens two weeks prior to the event. Enrollment limited. 7

Shawna Kenney MFA, award winning author of the memoir I Was a Teenage Dominatrix and contributing editor with Narratively magazine. Her latest book is Live at the Safari Club and her essays have been published in The New York Times, Playboy, Creative Nonfiction and more.

WRITING 762.1E

Translating Literature for Absolute Beginners

This workshop is geared to writers with little or no experience translat ing foreign language literature into English, but would like to try. You need not be fluent or even a comfortable speaker to get started, but need a working knowledge of a non English language (at least the equivalent of a semester or two of a language). In this workshop, you get a sense of different approaches and theories around translation by comparing multiple translations of the same work. We discuss the contemporary translation landscape in the US and how you can contribute to it. You also gain tips and resources on the practice of translation itself. Students have the opportunity to practice translating in a supportive community of peers.

Reg# 392527

Fee: $0

A Remote 1 mtg

Saturday, 10am 1pm, July 29

UCLA X Open

Enrollment opens two weeks prior to the event. Enrollment limited to 15 students. Early enrollment advised. 7

Elisa Wouk Almino, MA, writer, editor, and literary translator. Ms. Wouk Almino is the deputy editor of Image, the style and culture magazine at the Los Angeles Times. She is the translator of This House by Ana Martins Marques, Scrambler Books (2017), and the editor of Alice Trumbull Mason: Pioneer of American Abstraction (Rizzoli, 2020). She was formerly a senior editor at Hyperallergic

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

86 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

WRITING X 463.8E

Mindfulness and the Creative Writer

2.0 units

This course integrates the learning of introductory mindfulness practices with the opportunity to produce innovative creative work by working with the language that emerges through these practices. Students are encouraged to explore writing across genres fiction, creative nonfiction, and poetry. In addition to mindfulness and writing practice, we read and discuss work by contemporary writers whose work is directly or indi rectly influenced by their mindfulness practice, such as Ruth Ozeki, Wendell Berry, Harryette Mullen, bel hooks, Arthur Sze and others. Mindfulness and the Creative Writer is suitable for both brand new and experienced mindfulness practitioners and creative writers.

Reg# 392526

Fee: $269

No refund after 8 Sept.

X In-Person

2 mtgs

Saturday, Sunday, 9am 5pm, Sept. 9 10

UCLA: Dodd Hall

Enrollment limited to 15 students. 7

Lesley Hyatt, MFA and Fulbright Scholar, has taught imaginative writ ing to students of all ages and backgrounds for over 20 years. She leads writing workshops and mindfulness groups at UCLA Ext Writers Program, Skirball Cultural Center, and privately throughout the L.A. area and on Zoom.

WRITING X 463.10E

One Story, Six Ways

2.0 units

Start with a story. A story that you’ve been writing over and over, a story that just isn’t working. A story that, despite everything, you can’t let go of. Believe in that story. This is a course about never giving up on a piece that’s so much a part of you, you just don’t know how to tell it. We’ll deconstruct, unpack, and then put it together again. In six different ways. All that’s required is your commitment to the one story, and your openness to hybrid forms, transgenre, and other experiments in narrative. You will find a way to get this story out.

Reg# 392492

Fee: $485

No refund after 16 Aug.

M Online

Aug. 2 Sept. 12

Enrollment limited to 15 students. 7

Marianne Villanueva, MA, author of Jenalyn, Ginseng and Other Tales from Manila The Mayor of the Roses: Stories, and The Lost Language. Her stories have appeared in Juked Witness Bluestem, Your Impossible Voice, Café Irreal, Crab Orchard Review, and Bellingham Review

WRITING X 463.7E

The Psychology of Compelling Storytelling

3.0 units

Novice storytellers tend to associate the quality of a story with the quality of its prose. While a clear and concise style will facilitate understanding, the commercial success of “poorly written” books demonstrates that good storytelling, the kind of storytelling that fas cinates and persuades, calls for a different skill: the ability to create urgency. This is not an ordinary writing course. This course explains how it is that stories engage and persuade and provides a theoretical background of the mental processes that guide attention and decision making as well as of the limits of cognition so that students can apply that knowledge to the crafting of more engaging and more persuasive stories. For that purpose, this course takes a multidisciplinary approach to storytelling, borrowing concepts from media psychology; communication studies; social psychology; and even seemingly unrelated disciplines such as cognitive neuroscience and ethology, the study of animal behavior.

Reg# 392491

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students. 7

Carlos Allende PhD in Media Psychology with a concentration in audience engagement and a self directed concentration in media neuroscience. Mr. Allende teaches psychology and researches the motivational effect of compassion in securing engagement as well as the paradoxically positive effect of stereotypical representation. His fiction incorporates history with social satire. Rare Bird Books pub lished his novel Love, or the Witches of Windward Circle in 2015 and he was a panelist on modern horror at the LA Times Festival of Books in 2016. He won the 2019 Quill Prose Award with his novel Coffee, Shopping, Murder, Love, which was published by Red Hen Press.

WRITING X 461.27E

Autofiction

3.0 units

This course explores the amorphous nature of autofiction, which blurs the boundaries between creative nonfiction and fiction. Using char acter development, scene building, artful description, time tinkering, and other key craft elements of both fiction and nonfiction, autofiction challenges its writers to curate, reimagine, and distill the writers’ truths into a cohesive narrative. The course includes a variety of readings that span across fiction, nonfiction, and visual art. The course goals are to have a selection of newly written and revised flash autofiction pieces or short form piece, and to have a plan to continue exploring the genre beyond this course.

Reg# 392243

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Jennifer Chukwu MFA, writer and visual artist from the Midwest and author of The Unfortunates Ms. Chukwu was a 2019 Lambda Literary Fellow. Her work has appeared in New Delta Review Black Warrior Review DIAGRAM, and TAYO, and she has presented her writing and art at University of Wisconsin Madison, National Louis University, The University of Manchester, and elsewhere.

WRITING

X 461.3E

Gay Men’s Writing Workshop: A Literary Approach to Writing About Gay Life

3.0 units

This course is designed for students who want to examine gay men’s lives in fiction and nonfiction. Discussions will include basic mile stones that have defined much of gay life, such as coming out, sex, partnership, and the AIDS crisis. We will explore what messages writing about gay men’s lives brings to those outside our experience, as well as ways we can communicate across this divide. Students will read and discuss the best examples of gay fiction/nonfiction in order to integrate their qualities into our own work, striving to say something new and fresh in a very crowded and well established field. By the end of the course, students will have written three works of fiction and nonfiction and completed a substantial revision of one of those pieces.

Reg# 392245

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Trebor Healey, author of three novels, a book of poetry, and three collections of short stories, as well as the co editor of two anthologies.

Mr. Healey’s journalism on immigration has appeared in Newsweek and Capital & Main and his erotic fiction has been selected for the Best American Erotica series. He has taught numerous residential writing retreats as well as several LGBT Youth writing workshops, and he is the recipient of a Lambda Literary Award, two Publishing Triangle awards, and a Violet Quill award.

WRITING X 464.1

Voices of Color Workshop I

3.0 units

A workshop for all underrepresented writers of color, where we take a process driven approach to create our own work that accurately depicts our respective communities’ values in our own words. We examine global story models to see how we can better write our lived experience in the face of western systems of oppression and patriar chy. In this workshop, we work toward one practice in our art and our lives. All are welcome.

Reg# 392244

Fee: $50

No refund after 20 July.

A Remote 10 mtgs

Thursday, 7 10pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7 & Xochitl-Julisa Bermejo, MFA, author of the poetry collection Posada: Offerings of Witness and Refuge. Ms. Bermejo has taught courses on social justice poetry, literary communities of Los Angeles, and literary submission strategies. Her work is published in Acentos Review, CALYX, and crazyhorse, among others.

NEW WRITING X 461.29 Teacher Memoir Workshop

3.0 units

When we live a rigorous schedule, it’s easy to set aside one’s own story. This writing workshop is for teachers to carve out time for themselves and delve deeper into their journeys and explore their personal histories and identities on the page. The workshop will offer pathways and create space for teachers to step into being writers and explore genres and document their lives. Using the workshop ping process, the sessions will create a safe space for writing and feedback, identifying, place and setting, describing characters, PoV, and developing a critical lens. By the end of the session, participants will have started larger projects which they can develop on their own or in other workshops.

Reg# 393073

Fee: $50

No refund after 19 July.

A Remote 10 mtgs

Wednesday, 6 9pm, July 5 Sept. 6

Remote Classroom

Early childhood and K-12 teachers are eligible to enroll. Admission to this course is by application only. All applicants must complete the attached application to verify employment as an early childhood or K-12 teacher.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Sehba Sarwar, MA, author of the novel Black Wings. Ms. Sarwar’s writings have appeared in New York Times Sunday Magazine Asia: Magazine of Asian Literature, Callaloo, and elsewhere. She has taught writing workshops at University of Houston and through nonprofits.

WRITING X 460

Creative Writing Certificate Capstone

3.0 units

This course satisfies the final requirement for Certificate in Creative Writing candidates by providing a structured environment in which to engage in activities that help writers move from workshop feedback reliance toward self directed writing and revision. Students articulate a personal course goal that aligns with their larger goals as a writer, then craft a plan to reach it by the end of the course. Independent work on creative projects is supported by class discussions focused on professional development and guest speakers who illuminate different aspects of a writing life. By the end of the course, students will reach their independent writing goal and complete a series of written assets that help them transition to a writer’s life.

Reg# 392246

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Restricted course; only Creative Writing Certificate students who have completed 18 units are eligible to enroll.

Enrollment limited to 12 students; early enrollment advised. Visitors not permitted. 7

Wendy Oleson, MFA, PhD, fiction writer, poet, and essayist whose work has appeared in journals and anthologies including Copper Nickel, Baltimore Review, PANK, and The Journal. She was a Van Sickle Fellow and a recipient of a Washington Square Review Fiction Award, the Elizabeth Bruss Prize, and the storySouth Million Writers Award.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 87

Fiction Writing

Beginning Fiction Writing

Courses in this section are recommended for students with some prior writing experience. Instruction is a mix of lecture and workshopping. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of their work. Those new to writing should consider courses in the Basics of Writing section. Please call an advisor at (310) 8259415 to determine which course will best help you reach your writing goals.

NEW

WRITING 714.7E

Wearing Your Character in Meditation

Meditation practice for writers usually only involves the writers them selves. However, fictional characters can benefit from meditation as much as their authors can. This workshop has writers roleplaying and adopting the persona of their characters as they undergo meditation. The workshop will apply a blend of Eastern meditation techniques to help fictional characters relax emotional muscles they didn’t realize they were clenching, and break on through to deeper truths about themselves in order to enlighten their authors. The workshop utilizes specific, playful, gentle guided meditation exercises paired with writ ing exercises. This course is co taught by writing instructor Henry Lien and experienced author, playwright, and meditation instructor Jerry Lee Davis. This workshop is designed to make fictional characters feel seen and make writers more aware of their characters’ inner lives.

Reg# 392237

Fee: $0

A Remote 1 mtg

Saturday, 11am 1pm, July 29

UCLAxOpen

Enrollment opens two weeks prior to the event. Enrollment limited. 7

WRITING 714.6E

Mastering Acts, Beats, and Arcs whether Plotting or Pantsing your Novel

Aspiring and experienced authors alike struggle with the eternal question: plot it or pants it? Can you do a little of both? How? In this practical course, you will learn three techniques to plot your novel whether you prefer to follow a structural outline or let the muse move you. This webinar will include a lecture that explains novel structure from three perspectives: the three acts, character beats, and character arcs. You will receive a plot grid template (worksheet) as well as guidance using the tool to create a functional plot grid or storyboard for your story. Whether you prefer to plot/outline or let the muse move you, if you’ve ever struggled with what to write and where in the novel it belongs, this course will guide you through structuring the essential elements of your story that will work whether you’re writing your first book or simply your most recent.

Reg# 392236

Fee: $0

A Remote

1 mtg

Saturday, 10am 1pm, July 22

UCLAxOpen

Enrollment opens two weeks prior to the event. Enrollment limited. 7

Jeanne De Vita, MFA in Creative Writing, award winning author, and editor. Ms. De Vita’s dystopian series Bug is an Amazon Editor’s Pick on Kindle Vella. She has published extensively as a staff writer and ghostwriter. Ms. De Vita teaches writing and editing courses for UCLA Extension and edits several New York Times and USA Today bestselling authors.

WRITING X 462.2 Setting and Description

3.0 units

Setting and description are foundational to a story and can support larger themes well if done thoughtfully with fresh and vivid language, attention to detail, implication, and perspective. They can, in effect, give one’s characters a home or space to work within, as well as open up possibilities for deepening and expanding the scope of any story. In this reading and exercise based class, we explore and practice descriptive writing and its power in establishing setting and mood while enlivening action and supporting symbolic relationships in fiction and creative nonfiction. Each week, we read sample fiction and creative nonfiction to identify how the content is influenced by the description of setting, action, events, and objects. By the end of class, you have improved skills in writing descriptively to enrich and enliven your work.

Reg# 392255

Fee: $720

No refund after 25 July.

X In-Person 10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

UCLA: Rolfe Hall

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Aatif Rashid, author of Portrait of Sebastian Khan. Mr. Rashid has published short stories in The Massachusetts Review, Metaphorosis, Arcturus, and Barrelhouse; and nonfiction in The Los Angeles Review of Books, as well as online on Medium. He currently writes regularly for The Kenyon Review blog

WRITING X 462.3

Character and Conflict

3.0 units

One of the most misunderstood concepts in the craft of fiction writing is the relationship between character and conflict. A story can involve a complex character with fascinating thoughts, ideas, and interests, but without a conflict that motivates the character to act, the ensuing story will be stagnant and flat. In this class, we explore, through our own writing and through published work, how to create richly imag ined characters and how to challenge them with conflicts that threaten their hidden, most deeply held desires, forcing them to act in ways that change the world around them. Each week, we read sample fiction to identify craft tools that help us determine and convey the flaws in our characters, flaws that then help us pick a conflicted situation to push our characters into action. Weekly writing exercises put theory into practice and help you discover what works (and doesn’t) in your own writing practice.

Reg# 392256

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Ross Showalter, fiction writer and essayist. Mr. Showalter’s stories, essays, and criticism have appeared in Electric Literature, Strange Horizons, Catapult, Black Warrior Review and elsewhere. His work has been included in Entropy Magazine’s Best of 2019 Online Fiction List.

WRITING X 413.9E

Speculative Fiction and Magical Realism

3.0 units

Reality is frequently inaccurate. Why not accurately depict that? This workshop is dedicated to kick starting your imagination with the help of visualization and acting exercises, Oulipo writing prompts, and other creative techniques. We take a leap beyond the ordinary with exam ples on how to craft an engaging alternate reality, flesh out an enthrall ing non human character, or dream up an unforgettable story line in space. At the end of 10 weeks, you have a better grip on how to apply creative writing techniques designed to help you think outside the box for your own speculative fiction story.

Reg# 392254

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 6 9pm, July 6 Sept. 14

Remote Classroom

No meeting Aug. 3.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Ploi Pirapokin, MFA, nonfiction editor at Newfound Journal and the co editor of The Greenest Gecko: An Anthology of New Asian Fantasy forthcoming from Wesleyan University Press in 2021. Ms. Pirapokin is featured and forthcoming in Tor.com, Pleiades, The Offing and more.

WRITING X 412.1

Short Story I

3.0 units

It is said that all of us have locked inside at least one good story to tell. Through lectures on craft, short writing exercises, assignments, and discussion, you learn how to tell yours. Topics include plot, point of view, setting, description, conflict, characterization, dialogue, ten sion, rewriting, and submission strategies. The course goal is to draft and revise at least one short story. This course is a prerequisite for students who are continuing in the short fiction sequence.

Reg# 392247

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Tantra Bensko, MFA, fiction writer, poet, and award winning author with hundreds of publications, including four chapbooks, one novella, and two full length fiction books. A graduate of the Iowa Writers’ Workshop, Ms. Bensko has a psychological suspense series, The Agents of the Nevermind.

Reg# 392249

Fee: $720

No refund after 20 July.

X In-Person 10 mtgs

Thursday, 7 10pm, July 6 Sept. 7

UCLA: Rolfe Hall

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Ron Darian, author and writer/producer whose fiction has appeared in Fiction International, Inkwell, and The MacGuffin, among many oth ers. Mr. Darian is also a WGA member whose television credits include Frasier, Mad About You, and 7th Heaven. He was recently nominated for a Pushcart Prize.

Reg# 392248

Fee: $720

No refund after 25 July.

A Remote 10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Ben Loory, MFA, author of the collection Stories for Nighttime and Some for the Day (Penguin), winner of the 2012 Nobbie Award for Book of the Year. His stories have been published in The New Yorker, The Rattling Wall, and The Los Angeles Review of Books among others, and performed on NPR’s This American Life

88 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

NEW

WRITING X 411.1

Novel I

3.0 units

That novel is inside you waiting to emerge, but knowing how and where to start can be daunting. This course provides you with weekly assignments, group interaction, and instructor feedback to help you explore various methods of writing your first novel while learning the key craft points of plot, structure, characterization, point of view, sense of place, and voice. The goal is to complete the first chapter of your novel by establishing an intimacy with your characters as you artfully shape their journey and to develop an overall concept to guide you through your story. Required for students considering the long fiction sequence.

Reg# 392250

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Paul Witcover MA, author of six novels, including The Watchman of Eternity, and a collection of short stories. His critical essays and book reviews have appeared in Locus, Realms of Fantasy, and The New York Review of Science Fiction. With writer Elizabeth Hand, he co created and co wrote the DC Comics series Anima.

Reg# 392251

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Dan López, assistant editor at Counterpoint Press. Mr. López is the author the novel The Show House named a best book of the year by the Chicago Review of Books, and the short story collection, Part the Hawser, Limn the Sea, which was a finalist for Lambda Literary Award in debut fiction.

Reg# 392252

Fee: $720

No refund after 19 July.

X In-Person 10 mtgs

Wednesday, 7 10pm, July 5 Sept. 6

UCLA: Rolfe Hall

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Chris L. Terry MFA, author of the novels Black Card (Catapult, 2019) and Zero Fade (Curbside Splendor, 2013), which was named Best Book of the Year by Slate and Kirkus Reviews. Mr. Terry’s short work has appeared in PANK, Razorcake, Very Smart Brothas, and more. He has taught for PEN America, Writing Workshops LA, and Storycatchers Theatre.

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m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

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7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

WRITING X 445.1

Young Adult Novel I

3.0 units

The young adult novel is one of the fastest growing and exciting genres in publishing today. With complex young characters, realistic dialogue, and gripping prose, readers young and old can’t get enough of these novels. In a supportive and inspiring environment, you explore the elements of a YA novel’s plot, character, language, setting, and voice all enhanced by in depth lectures, discussions, manuscript workshopping, and generative writing exercises. Also covered is the current marketplace for young adult fiction and how to query agents. You leave the class with a completed first chapter and a rough outline of your entire book, as well as the tools to continue writing on your own.

Reg# 392253

Fee: $720 No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7 & Kelly Barson MFA, author of the novels 45 Pounds and Charlotte Cuts it Out Ms. Barson has published articles in Highlights for Children Magazine, Hunger Mountain Literary Journal, and other local family magazines. She is a panelist and speaker at many library events and conferences.

Intermediate Fiction Writing

These courses are designed for students who have fulfilled the prerequisites stated in each description. Instruction includes lectures as appropriate, but the focus is on workshopping. Students continue to share and offer feedback in a supportive environment. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING X 412.2

Short Story II

3.0 units

Focusing on close textual analysis and intensive writing practice, you create two short stories and revise one in this ten week workshop. Weekly lectures on technique, analysis of published stories, and in depth instructor and peer critique develop and deepen your under standing of the art and craft of short story writing. Strategies for approaching the marketplace are also discussed. Prerequisite(s): WRITING X 412.1 Short Story I or comparable workshop experience.

Reg# 392257

Fee: $720 No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Adam Prince MFA, PhD, fiction writer whose short story collection, The Beautiful Wishes of Ugly Men was published by Black Lawrence Press. His work has appeared in The Southern Review and Missouri Review, among others. He is a Pushcart Prize nominee and a Tickner Fellow at the Gilman School in Baltimore.

Reg# 392258

Fee: $720

No refund after 25 July.

A Remote 10 mtgs

Tuesday, 6 9pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Ron Darian, author and writer/producer whose fiction has appeared in Fiction International Inkwell, and The MacGuffin, among many oth ers. Mr. Darian is also a WGA member whose television credits include Frasier, Mad About You, and 7th Heaven. He was recently nominated for a Pushcart Prize.

WRITING X 411.2 Novel II

3.0 units

Armed with your overall concept and first chapter, you continue to develop your knowledge of craft by writing scenes using characters and situations from the projected novel and workshopping your in progress work. Mini lectures on the art of the novel, intuitive creative process, and conventional vs. non conventional approaches to novel structure also are covered. The goal is to complete 50 pages of your novel.

Prerequisite(s): WRITING X 411.1 Novel I or comparable workshop experience.

Reg# 392259

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Malia Márquez, MFA, author of This Fierce Blood. Ms. Márquez’s fiction was nominated for Best of the Net 2021 and shortlisted for the Staunch Short Story Prize 2020 and the Yes Yes Books (longform) Fiction Prize in 2019.

Reg# 392260

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 5 8pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Eduardo Santiago author of Midnight Rumba and Tomorrow They Will Kiss, which was an Edmund White Debut Fiction Award finalist. Mr. Santiago’s short stories have appeared in ZYZZYVA Slow Trains, The Caribbean Writer, and his nonfiction has appeared in the Los Angeles Times, The Advocate, and Out Traveler Magazine. He has taught creative writing for fifteen years, most recently at Idyllwild Arts Academy. The feature film of his screenplay, Proof Sheet, co written with Richard Kilroy, is scheduled for a 2023 release.

WRITING X 411.3

Novel III

3.0 units

For those with a minimum of 50 pages of a novel in progress, this workshop guides you to generate at least 50 new pages, as well as learn essential self editing techniques with the instructor and peers reviewing each participant’s project in detail. Refinements of character, structure, emotional content, and the development of the writer’s voice are also explored. The goal is to produce a substantial portion of your novel.

Prerequisite(s): WRITING X 411.2 Novel II or comparable workshop experience.

Reg# 392261

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Jacquelyn Stolos MFA, author of the novel Edendale Ms. Stolos’s fiction and book reviews have been published in Bodega Magazine No Tokens Necessary Fiction and more. Her awards and honors include Georgetown University’s Annabelle Bonner Medal and fellow ships to attend the New York State Summer Writers Institute and the Community of Writers. Edendale was named a literary finalist in the 2020 Forward INDIES Book of the Year Awards.

Reg# 392262

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 7 10pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Aatif Rashid, author of Portrait of Sebastian Khan Mr. Rashid has published short stories in The Massachusetts Review, Metaphorosis, Arcturus and Barrelhouse; and nonfiction in The Los Angeles Review of Books, as well as online on Medium He currently writes regularly for The Kenyon Review blog.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 89

WRITING X 413.1E

Story Structure for the Novel

3.0 units

Many aspiring novelists write with the hope that inspiration will come. The result is time wasted on a flabby novel with no clear shape and a sagging pace. On the other hand, story structure gives your novel a skeleton; it forms the bones of your story. And just as adding flesh and clothing to a body makes that body more unique, so does any creative addition the writer makes to his or her basic structure. This course teaches you how to build that skeleton, from a solid premise line to building the moral argument of your novel. You ensure that your novel has what story structure guru John Truby calls the “seven key steps,” and you learn how reversals and reveals, as well as character wants and needs, can drive your story to a satisfying conclusion. Exercises are worksheets which focus on structural elements such as character ghosts, story world, and more. By the end of the course, you have in hand a six page synopsis that works.

Reg# 392263

Fee: $720

No refund after 19 July.

r Hybrid (Remote) 10 mtgs

July 5 Sept. 12

Saturday, 10 11am, July 8 Sept. 9

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7 &

Caroline Leavitt New York Times bestselling author who has published 11 novels, including her latest, Cruel Beautiful World A critic for The San Francisco Chronicle and People, Ms. Leavitt is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.

WRITING X 416.2E

Science Fiction and Fantasy Novel II

3.0 units

The second of a two course sequence, this workshop expands on the development of story concept, worldbuilding, character, and plot explored in the first course. This second workshop focuses on critical but underemphasized aspects of compelling science fiction and fantasy novels, including plot structure and scenecraft. The workshop also interrogates accepted tropes and structures of science fiction and fantasy novels by exploring non Western storytelling structures, including the East Asian four act structure and nested or circular story structures from East Asia, South Asia, and the Muslim world. The workshop also includes a rigorous workshop within a workshop that teaches students how to create a plot grid that will map out their novel from the beat level all the way up to the act level, while tracking all plot threads for rhythm and pacing. Students will learn how to shape and manipulate that plot grid into a satisfying and deliberate act structure. The goal is to complete fifty polished pages of a novel and a work in progress version of the plot grid by the end of this two course sequence.

Prerequisite(s): WRITING X 416.1E Science Fiction and Fantasy Novel I or WRITING X 411.1 Novel I. Comparable workshop experience may be considered; please contact the Writers’ Program for exception requests.

Reg# 392264

Fee: $720

No refund after 19 July.

A Remote 10 mtgs

Wednesday, 5 8pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7 & Henry Lien, JD, UCLA Law. Mr. Lien teaches law in the Architecture Interior Design Department and was awarded Outstanding Instructor of the Year. He practiced as an attorney, served as the Glass Garage Gallery owner and as president of the West Hollywood Fine Art Gallery Association. Mr. Lien currently works as a private art dealer and also teaches for the Writers’ Program. His Peasprout Chen middle grade fantasy series has received New York Times acclaim and starred reviews from Publishers Weekly Kirkus and Booklist

Advanced Fiction Writing

Advanced-level courses are primarily workshop-driven and are designed for students who are well into their projects. Admission is by submission only and the selection process is competitive. It is recommended that students take intermediate-level courses prior to submitting their work. For instructions on submitting work, contact the Writers’ Program at (310) 825-9415 or go to writers.uclaextension.edu/continuing-students. The submission deadline for summer is June 5 at 9am PT. Visitors are not permitted in advanced-level courses.

Submission Guidelines for Advanced Fiction Writing Courses

Please note that there are no pre-approvals. To be eligible for an advanced creative writing course, all students must submit one docu ment (double spaced, 12 point font, 1 inch margins on all sides) con taining a 10 page writing sample, a synopsis of up to one page for any longer submitted works (novels), a personal statement of one para graph outlining what the student hopes to gain from the class, and a list of previous courses completed in the Writers’ Program or other programs with instructors (when known).

WRITING X 412.3

Short Story III

3.0 units

The short story, one of the most challenging of all literary forms, requires the precision and imagistic intensity of poetry combined with novelistic elements of structure, setting, and characterization. This workshop helps you to realize your fictional intentions through detailed written critiques and to prepare your stories for publication in targeted markets. The course goal is to complete two new stories and one revision.

Prerequisite(s): WRITING X 412.2 Short Story II or comparable workshop experience.

Reg# 392265

Fee: $795

No refund after 4 July.

A Remote 10 mtgs

Tuesday, 6 9pm, July 11 Sept. 12

Remote Classroom

Wednesday 6 9pm, July 5

Remote Classroom

No meetings July 18 & 25

Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Colette Sartor, MFA, fiction writer, author of the linked story collection

Once Removed (UGA Press) and winner of the Flannery O’Connor Award for Short Fiction. Ms. Sartor’s work has appeared in Kenyon Review Online Carve Magazine, Slice, The Rumpus, Colorado Review, Prairie Schooner, and elsewhere.

Course Icons Provide

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7 WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED Visit

WRITING X 411.4 Novel IV

3.0 units

For students with at least 100 pages of a novel, this advanced work shop focuses on elements of technique and vision necessary for a work to be considered complete. You receive intensive instructor and peer critiques of manuscript chapters and their relation to the overall work, including a review as needed of the effective use of voice, tone, mood, imagery, and metaphor. A major goal of this course is to give you the self editing skills to polish and revise your entire novel within and beyond the course itself.

Prerequisite(s): WRITING X 411.3 Novel III or comparable workshop experience.

Reg# 392266

Fee: $795

No refund after 28 June.

A Remote 10 mtgs

Wednesday, 6 9pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Francesca Lia Block, MFA, author of House of Hearts and The Thorn Necklace: Healing Through Writing and the Creative Process and many bestselling and award winning novels, including The Elementals, Beyond the Pale Motel, Dangerous Angels: The Weetzie Bat Books, Necklace of Kisses, and Roses and Bones. Ms. Block received the Margaret A. Edwards Lifetime Achievement Award.

WRITING X 411.5

Novel V

3.0 units

For students who have completed Novel IV, this intensive workshop is specifically directed toward refining an advanced manuscript into a polished novel. The focus is on structural and thematic aspects and the maintenance of the author’s unique voice. You work closely with your peers and the instructor to assess portions of individual manu scripts. Emphasis is given to developing and perfecting self editing techniques. The overall goal of the course is for each novel to reach a professional level appropriate for eventual publication.

Prerequisite(s): WRITING X 411.4 Novel IV or comparable workshop experience.

Reg# 392267

Fee: $795

No refund after 28 June.

M Online

July 5 Sept. 12

Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Robert Eversz, MFA, author of the novels Zero to the Bone, Digging James Dean Burning Garbo Killing Paparazzi, Gypsy Hearts, and Shooting Elvis Mr. Eversz’s novels have been translated into 15 languages. He has been the finalist judge for the AWP Award Series in the Novel.

90 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

At-a-Glance

Information

X IN-PERSON, page 1. A REMOTE, page 1. m ONLINE Technical requirements, page 1.

our website for textbook information.

May be transferable to other colleges and universities. Learn more on our website

CREDIT

Creative Nonfiction Writing

Beginning Creative Nonfiction Writing

Courses in this section are recommended for students with some prior writing experience. Instruction is a mix of lecture and workshopping. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of their work. Those new to writing should consider courses in the Basics of Writing section. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING X 421.1

Creative Nonfiction I

3.0 units

This course explores the unlimited possibilities of creative nonfiction, which embraces forms of creative writing such as personal essay, memoir, profiles, and more. Working with the same techniques as fiction, including artful language choices, dialogue, character develop ment, structure, and plot, you are guided to transform factual events and experiences into a complete, imaginative narrative. This course includes several readings from a variety of nonfiction authors. The course goal is to produce one complete and revised narrative essay, as well as additional material to develop further.

Reg# 392493

Fee: $720

No refund after 19 July.

WRITING X 423.1 Memoir I

3.0 units

A memoir is a book length narrative that is told from the writer’s point of view and captures a meaningful slice of the writer’s life. If you have a story to tell and would like to figure out how best to tell it, this course helps you get started. In class writing exercises help you identify significant moments from your life, decide on a workable structure for telling your story, and determine what exactly your story is about. You also focus on the habits and tools you need to establish and maintain a writing practice and read excerpts from a range of memoirs for inspiration and guidance. By the end of the course, you have an outline and a draft of one to two chapters.

Reg# 392497

Fee: $720

WRITING

X 424.6E Memoir and Personal Essay Weekend Workshop

1.5 units

Everyone has a story (and often many stories) to tell, whether your life has been a wild ride or a quiet stroll. This course is designed for those interested in learning more about the similarities and differences between the two forms and how to explore and shape your stories. Through exercises, prompts, and workshop, you begin work on several stories; you may develop some of these into longer pieces, while others may simply get your creative juices flowing. Because both personal essay and memoir call upon the writer to dig deep and hover patiently over the material of memory, this weekend’s worth of writing and exploration gives you tools for staying the course long after the actual class has finished.

Reg# 392528

Fee: $269

No refund after 15 Sept.

X In-Person

2 mtgs

Saturday, Sunday, 9am 5pm, Sept. 16 17

UCLA: Public Affairs Bldg.

Enrollment limited to 20 students; early enrollment advised. Visitors not permitted.

Amy Friedman MA, author of four memoirs, several children’s books, and thousands of essays and stories. Ms. Friedman’s most recent memoirs are Desperado’s Wife (available on Amazon) and One Souffle at a Time: A Memoir of Food and France (with Anne Willan). She is the founder of the nonprofit POPS the Club and is the editor and publisher of an annual collection of personal essays and poetry, the most recent (2019) is We Got Game. Ms. Friedman is a recipient of the UCLA Exten sion Outstanding Instructor Award in Creative Writing.

WRITING X 424.20E Writing Short Form Nonfiction

2.0 units

Short, well focused articles provide one of the surest pathways for breaking into publication. It’s easier than you might think if you know how the print and online publishing worlds work, understand the needs and demands of particular markets, and put some effort into polishing your skills. In this enjoyable six week course, you achieve those goals while you produce weekly assignments of 250 500 words in specific nonfiction genres, including personal essay, how to story, interview/profile, reviews, trends stories, narrative nonfiction, and research essays which are then workshopped in class. You gain valuable experience in thinking and writing like a pro, all while having fun in a positive, supportive, and constructive environment. The course goal is to write and begin polishing at least eight short nonfiction pieces while gaining a clearer understanding of what editors look for, how they think, and how to pitch to them.

Reg# 392504

Fee: $485

No refund after 22 Aug.

A Remote

6 mtgs

Tuesday, 7 10pm, Aug. 8 Sept. 12

Remote Classroom

Enrollment limited to 15 students. 7

Roberta Wax freelance writer; former reporter, United Press Interna tional; former president, Society of Professional Journalists, Los Angeles Chapter. Ms. Wax is a contributor to many magazines and newspapers, including the Los Angeles Times, Westways, Emmy, and Animation

M Online

July 5 Sept. 12

Enrollment limited to 15 students. 7

Grace Perry, author of The 2000s Made Me Gay: Essays on Pop Culture. Ms. Perry is a contributor to The Onion Reductress, Outside BuzzFeed, Eater, The Takeout, Chicago Magazine, and more. She is the co creator of the podcast series Who Killed Jenny Schecter? and was named “a talented new voice,” by Publishers Weekly.

Reg# 392494

Fee: $720

No refund after 25 July.

A Remote 10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Robert Edward Anasi PhD, author of Bohemia: Scenes from the Life of Williamsburg, Brooklyn. Mr. Anasi’s works have appeared in the New York Times, Salon, Virginia Quarterly Review and Los Angeles Times, among others. He has received a New York Foundation for the Arts Fellowship and a Schaeffer Fellowship.

WRITING X 422.1

Personal Essay I

3.0 units

“Personal Essay” is a broad term that encompasses essays, opinion pieces, and mini memoirs but which always details the writer’s journey through a specific experience. This workshop teaches aspiring personal essayists how to be a compelling first person narrator and employ craft elements such as theme, character development, voice, pacing, scene setting, and exposition to tell their stories. The goal is to complete at least one personal essay (600 2,500 words) and develop material for future essays.

Reg# 392495

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students. 7

Darien Gee, MFA, author of five novels published by Penguin Random House that have been translated into eleven languages. Her collection of micro essays, Allegiance received the Bronze IPPY award in the Essays category. Ms. Gee also received a 2019 Poetry Society of America’s Chapbook Fellowship award for Other Small Histories and the 2015 Hawai’i Book Publishers’ Ka Palapala Po’okela Award of Excel lence for Writing the Hawai’i Memoir. She is the recipient of a Sustain able Arts Foundation grant and a Vermont Studio Center fellowship.

Reg# 392496

Fee: $720

No refund after 26 Aug.

X In-Person

5 mtgs

Saturday, 10am 5pm, Aug. 12 Sept. 9

UCLA: Public Affairs Bldg.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Brian Sonia-Wallace, author of The Poetry of Strangers. Mr. Sonia Wallace’s reportage has appeared in Rolling Stone and The Guardian, and he writes regularly for the LA County Department of Cultural Affairs. He is the founder of RENT Poet, which produces live, custom poetry for events, and he has been the Writer in Residence for Mall of America, Amtrak, and the Boston Harbor Islands.

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students. 7

Jayanti Tamm, MFA, Pushcart Prize nominated memoirist and fiction writer whose first book, Cartwheels in a Sari: A Memoir of Growing Up Cult was published by Random House. Ms. Tamm’s work has also appeared in the anthology Forgotten Borough the Huffington Post, and The Washington Post, among others.

Reg# 392498

Fee: $720

No refund after 19 July.

A Remote 10 mtgs

Wednesday, 5 8pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Kerry Cohen, MFA, author of 11 books including Loose Girl: A Memoir of Promiscuity, Lush: A Memoir, Easy, and Crazy for You: Breaking the Spell of Sex and Love Addiction. Ms. Cohen is also the editor of Spent essays about women and shopping. She has been published in numerous journals and media, including The New York Times Modern Love column, Salon and Brevity She has been an Oregon Book Award finalist five times and her young adult novels have won the Oregon Spirit Award and been a YALSA Popular Paperback and ALA Quick Pick.

WRITING X 424.2E

Creative Alchemy: Finding and Writing Life Stories You Were Meant to Tell

3.0 units

This course is for anyone who has a story from “real life” that needs to be told. Sometimes your story is about a person, place, thing, or some concealed part of yourself; a remembered time or event; or even something that will happen as you give account to its unfolding. Over the span of this course, you identify this element of your story’s core fascination and acquire the skills to tell it, including researching and interviewing techniques, cultivating your own unique writing voice, and constructing your story into a combination of episodes that advance and present it to best dramatic and imaginative effect. Finally, you investigate possible venues where each story might most effec tively be presented.

Reg# 392502

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 7 10pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Harry Youtt, fiction writer and Pushcart Prize nominated poet whose recent collections include I’ll Always Be from Lorain and Outbound for Elsewhere Mr. Youtt is a co recipient of the UCLA Extension Outstand ing Distinguished Instructor Award and the UCLA Extension Instructor Award in Creative Writing.

Judith Prager, PhD, fiction and nonfiction writer whose works include The Newman Factor Verbal First Aid, and The Worst Is Over: What to Say When Every Moment Counts. She is a co recipient of the UCLA Extension Distinguished Instructor Award and the UCLA Extension Outstanding Instructor Award in Creative Writing.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 91

WRITING X 424.18E

Literary Journalism I

3.0 units

Literary journalism is nonfiction prose that transcends “who, what, where, and when” to give a more detailed, richer, and vivid picture of real events. It combines an immersive approach to reporting with the aims and techniques of fiction. Although this type of writing has roots in antiquity (i.e. Thucydides’s The Peloponnesian War), contemporary practitioners include Tom Wolfe, Joan Didion, John McPhee, and Gay Talese. Today, literary journalism appears in periodicals such as The New Yorker, The Atlantic Monthly, Esquire, and Harper’s Magazine as well as in the magazines or literary supplements of many major newspapers. By the end of the course, you have an understanding of the basic techniques for reporting and writing such journalism and at least one project started.

Reg# 392674

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students. 7

Robert Edward Anasi, PhD, author of Bohemia: Scenes from the Life of Williamsburg, Brooklyn. Mr. Anasi’s works have appeared in the New York Times, Salon, Virginia Quarterly Review, and Los Angeles Times, among others. He has received a New York Foundation for the Arts Fellowship and a Schaeffer Fellowship.

WRITING X 424.3E

Writing Out of Your Life

3.0 units

Writing out of your life can be a process of self revelation, a way of discerning the pattern of your life even while you’re in the midst of living it. Whether you want to write a memoir or transmute your life into fiction or poetry, this workshop helps you mine the rich vein of material that is yours alone. The focus of this workshop is on produc tion and encouragement, rather than editing and critiquing. Using a combination of weekly prompts and assignments, instructor feedback, and group interaction, you write a series of autobiographical narra tives. For both beginners and seasoned writers who want to get in touch with their personal voice.

Reg# 392503

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Lynn Lauber fiction writer, essayist, and ghostwriter who has pub lished the autobiographical fiction books White Girls and 21 Sugar Street and a memoir/writing book Listen to Me: Writing Life into Meaning, all with W. W. Norton. Ms. Lauber’s work has appeared in The New York Times.

Intermediate Creative Nonfiction Writing

WRITING X 421.2

Creative Nonfiction II

3.0 units

Designed for those who have already begun to explore memoir or other narrative nonfiction genres, this workshop guides you to take your skills to the next level by focusing on a collection of essays, a single project, or other types of nonfiction prose; works in progress are welcome. Every week, you read several short, stylistically adven turous pieces to expand your repertoire and post a new installment of your own project for feedback from your instructor and peers. The goal is to create two new essay length works of creative nonfiction and polish your skills for publication.

Prerequisite(s): WRITING X 421.1 Creative Nonfiction I or comparable workshop experience.

Reg# 392505

Fee: $720

No refund after 19 July.

A Remote 10 mtgs

Wednesday, 6:30 9:30pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Alison Singh Gee MA, nonfiction writer who has written for Marie Claire, InStyle, International Herald Tribune, and the Los Angeles Times Ms. Gee was a staff writer for People magazine and her memoir, Where the Peacocks Sing, was named a National Geographic Traveler Book of the Month.

WRITING X 422.2

Personal Essay II

3.0 units

Unlike fiction, personal essay offers an opportunity to explore the choices you’ve made, whether life changing moments or those little decisions that set us on a new course. Through this exploration, you come to a better understanding of family dynamics and how events from the past have affected the choices you make today. In this course, you expand your knowledge of what makes an essay stronger, more compelling, and more honest. This course guides you to write and revise one or more personal essays to be submitted for publication and to pinpoint the best markets and outlets for your work.

Prerequisite(s): WRITING X 422.1 Personal Essay I or comparable workshop experience.

Reg# 392506

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students. 7

Michael Luongo, author or editor of 16 books, including Frommer’s Buenos Aires and Argentina guidebooks. Mr. Luongo was twice named Journalist of the Year for the North American Travel Journalists Associa tion. His journalism and photography work have appeared in the New York Times, National Geographic Traveler, and Bloomberg News, among many others.

WRITING X 423.2 Memoir II

3.0 units

Designed for the serious writer committed to participating in a struc tured writing regimen as well as engaging in ongoing critiques and craft discussions, this course guides you to examine key issues in your work, create an involving storyline out of your life experience, and cast yourself as a compelling character readers want to follow. You also develop the self editing skills you need to polish and revise your material at a level appropriate to submit to publishers. Includes discus sion of current marketplace. The course goal is to complete 50 well crafted pages of your project.

Prerequisite(s): WRITING X 423.1 Memoir I or comparable workshop experience.

Reg# 392507

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 6 9pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Liz Stephens, PhD, author of the memoir, The Days Are Gods. Ms. Stephens’ essays appear in Brief Encounters: An Anthology of Short Nonfiction and Dirt: An Anthology She has served as managing editor and contributor to Brevity: A Journal of Concise Nonfiction

WRITING X 423.3 Memoir III

3.0 units

Designed for serious writers with at least 50 pages of their memoir, this workshop offers a structured writing environment to generate new material and ongoing critique. Issues of structure, theme, and honing the author’s unique voice are emphasized. You will develop self editing techniques and participate in intensive workshopping. The course goal is to produce a substantial portion of your memoir.

Prerequisite(s): WRITING X 423.2 Memoir II or comparable workshop experience.

Reg# 392508

Fee: $720 No refund after 19 July.

A Remote 10 mtgs

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

92 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

Advanced Creative Nonfiction Writing

Submission Guidelines for Advanced Creative Nonfiction Writing Courses

Please note that there are no pre-approvals. To be eligible for an advanced creative writing course, all students must submit one docu ment (double spaced, 12 point font, 1 inch margins on all sides) con taining a 10 page writing sample, a synopsis of up to one page for any longer submitted works (memoirs or collections), a personal statement of one paragraph outlining what the student hopes to gain from the class, and a list of previous courses completed in the Writers’ Program or other programs, with instructors (when known).

WRITING X 422.3

Personal Essay III

3.0 units

Designed for those familiar with the personal essay form and who are already convinced of its unique power to reach the masses, this advanced workshop focuses on revising existing works, analyzing current markets and trends, and submitting for publication. You establish yourself as a professional by completing hands on assign ments rooted in the real world, participating in extensive peer review, and receiving practical support.

Prerequisite(s): WRITING X 422.2 Personal Essay II or comparable workshop experience.

Reg# 392509

Fee: $795

No refund after 28 June.

M Online

July 5 Sept. 12

Enrollment limited to 12 students; early enrollment advised. Visitors not permitted. $100 non-refundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Victoria Zackheim MA, editor of six anthologies of personal essays, including The Other Woman, For Keeps, The Face in the Mirror, and Faith Her documentary, Where Birds Never Sang: The Ravensbruck and Sachsenhausen Concentration Camps, aired nationwide on PBS. She is a San Francisco Library Laureate.

Writing for Young Readers

Writing for Kids and Middle Grade Readers

WRITING X 446.2E

Writing for Young Readers I

3.0 units

If you want to write for kids, you need to think like a kid and enjoy the process of returning to the imaginative, possibility filled world of childhood. This course introduces you to all major categories of writing for young people, including concept books, picture books, beginning readers, chapter books, middle grade novels, young adult (YA) novels, and nonfiction for all age ranges. You learn the basic storytelling principles of story structure, plot, character development, and dialogue as it applies to each genre, and discover your own niche in the world of children’s publishing. You also learn how to tailor your work to the psychological and emotional development, reading abilities, and interests of each age group. The goal is to complete a draft of a manu script for a picture book or a sample chapter and chapter outline for older readers. Query letters, marketing, and resources for children’s book writers are also covered in detail.

Reg# 392275

Fee: $720

No refund after 19 July.

X In-Person

10 mtgs

Wednesday, 7 10pm, July 5 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Laurel van der Linde, author of several nonfiction books for children, including So, You Want to be a Dancer? and The Pony Express, as well as articles published in Equus and Horse Illustrated. Ms. van der Linde has produced and/or directed many audiobooks for Hachette and others.

WRITING 762.5E

Writing Poetry for Children

Poetry for children is having its moment. Its Golden Age, actually. Teachers, parents, and publishers are hungrier for poetry, not just during National Poetry Month, but all year. Poetry is woven into school curriculum in science, math, and more. So join the fun! In three hours of lecture, group participation, and individual writing time, you learn the basics of writing poetry for children, play with different forms, and learn to hear children’s poetry with new ears.

Reg# 392277

Fee: $0

A Remote 1 mtg

Wednesday, 12 3pm, July 12

UCLA X Open

Writing Picture Books

WRITING 741.2E

Introduction to Picture Books

You have the dream I’ve always wanted to write a children’s picture book. But.. how? This inspiring class offers you practical tools to help you realize that dream. It includes writing exercises, examples of cur rent picture books, behind the scenes stories, and practical advice from two award winning authors. By the end of this class you’ll have tools to guide you in this vibrant field.

Reg# 392276

Fee: $0 A Remote

1 mtg

Saturday, 10am 1pm, Aug. 19

Remote Classroom

Enrollment opens two weeks prior to the event. Enrollment limited. 7

Kim Tomsic, author of middle grade novel The 11:11 Wish and the pic ture book The Elephants Come Home, among others. Ms. Tomsic’s books have been recognized as a SCBWI Crystal Kite Winner for the Southwest Region, New York Public Library Best Book of the Year, Norman A. Sugarman Best Children’s Biography Honor, and selected as Junior Library Guild Selection

Dianne White, MFA, author of the award winning Blue on Blue, Green on Green, and Who Eats Orange?, and many other published and forthcoming picture books, including Goodbye Brings Hello Sometimes a Wall, Winter Lullaby, Look and Listen, and Dark on Light

WRITING X 441.1

Picture Book I

3.0 units

Created for the beginning writer, this course explores the various genres within the category of children’s picture books, including nonfiction, writing in rhyme, classics, and concept books for young children. Writing exercises focus on improving fundamental craft skills, such as characterization, story structure, setting, voice, and point of view. You are encouraged to expand your creative thinking in order to develop your own unique writing style (your voice), and a peer feedback group provides a nurturing atmosphere for discussion of each writer’s work. The goal is to complete a draft of a picture book manuscript and a market list of potential publishers.

Reg# 392273

Fee: $720

No refund after 19 July.

M Online

10 mtgs

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

7 &

Course Icons Provide Information

At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

Enrollment opens two weeks prior to the event. Enrollment limited; early enrollment advised. Visitors not permitted. 7 April Halprin Wayland, author of seven picture books, including New Year at the Pier: A Rosh Hashanah Story named Best Jewish Picture Book. She won the Myra Cohn Livingston Award for Girl Coming In for a Landing: A Novel in Poems, and is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.

Alexandra Alessandri, Author of several books for children, including Feliz New Year, Ava Gabriela!, Isabel and Her Colores go to School, and The Enchanted Life of Valentina Mejía, as well as stories and poems for grades 2 8 through Curriculum Associates. Ms. Alessandri’s books have received numerous honors, including the Florida Book Award, International Latino Book Award, and Américas Awards Commendable Title. She is a member of the Society of Children Book Writers and Illustrators (SCBWI).

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 93

Poetry

These workshops are tailored to students with specific levels of experience in poetry writing. Please review course descriptions carefully or call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

NEW WRITING 731.2E

Introduction to Concrete Poetry

The tradition of “concrete poetry” saw 1950’s poets influenced by design to create works that used words to tell a visual story, influenced by their sound and wordplay. We’ll follow these poets to create our own poems that MUST be seen to be understood and think about poems beyond the page, as performance texts, or plaques on build ings. We will explore what it means to write a poem that is meant to be more than read. We’ll look at poems and do a series of generative prompts to craft a few “sketches” of poems.

Reg# 392238

Fee: $0

A Remote 1 mtg

Saturday, 12 3pm, July 8

UCLAxOpen

Enrollment opens two weeks prior to the event. Enrollment limited. 7

Brian Sonia-Wallace, author of The Poetry of Strangers Mr. Sonia Wallace’s reportage has appeared in Rolling Stone and The Guardian, and he writes regularly for the LA County Department of Cultural Affairs. He is the founder of RENT Poet, which produces live, custom poetry for events, and he has been the Writer in Residence for Mall of America, Amtrak, and the Boston Harbor Islands.

WRITING X 432.15E

Spiritual Poetry

2.0 units

Join this exploration of ancient work from poets such as Rumi and Hafiz, and contemporary poets including Mary Oliver and Ellen Bass. We use these transcendent poems as a source of inspiration, in service of inspiring you to create rich, textured, poetry of celebration and intimacy with infinity. We embark on prompt based writing exercises using the ecstatic experience as our inspiration and discuss the process along the way. Expect to complete the course with multiple drafts of spiritual poems and at least one on its second draft.

Reg# 392271

Fee: $485

No refund after 22 Aug.

A Remote 6 mtgs

Tuesday, 5 8pm, Aug. 8 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Rachel Kann MFA, author of How to Bless the New Moon, a WORD: Bruce Geller Memorial Prize recipient. Ms. Kann has been a Writer in Residence for Brandeis Collegiate Institute, a New England Jewish Poetry Festival’s Featured Poet, and a Cosmic Sister “Women of The Psychedelic Renaissance” awardee at the Spirit Plant Medicine Confer ence. Her poetry film, The Quickening, was an official selection for Anaheim International Film Festival. She is a recipient of the UCLA Extension Writers’ Program Outstanding Instructor of the Year Award.

NEW WRITING X 432.19E

Poetry in the Realms of the Senses

2.0 units

There are many ways to write candidly about the body. In this course, you plunge into and beyond the realms of your senses to shape new work. We explore different facets and themes of writing about sensory perceptions; movement; and of course, the body, in all its necessary excavations, eroticisms, and exorcisms; so that one might re center existing narratives, draw new inspiration, and find autonomy of their voice. We will seek to search for and reshape all what it means to inhabit the human body. We’ll read work by Safiya Sinclair, Paul Tran, Roy G. Guzmán, Christian Gullette, Natalie Diaz, Dorothy K. Chan, Carl Phillips, Chen Chen, and more.

Reg# 392272

Fee: $485

No refund after 16 Aug.

M Online

Aug. 2 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Rosebud Ben-Oni, MFA, author of If This Is the Age We End Discovery which won the 2019 Alice James Award, and turn around, BRXGHT XYXS, and 20 Atomic Sonnets Ms. Ben Oni’s work appears in POETRY APR, Academy of American Poets’ Poem-a-Day, Poetry Society of America, Tin House, and Guernica among others. A recipient of fellowships and grants from the New York Foundation for the Arts, City Artists Corps, CantoMundo and Queens Council on the Arts, her work has been commissioned by the National Sept. 11 Memorial in NYC.

WRITING X 431.1

Poetry I

3.0 units

What is a poem and how does it differ from prose? What sources can you, the beginning poet, look to for ideas and inspiration? How can you encourage a raw unfinished poem to become a thing of power and beauty? This course provides a series of enjoyable and illuminat ing exercises to expand your imagination and introduce you to the complex issues of craft and revision in an accessible way. Of value to those who have never written as well as those with some experience who seek new direction and feedback.

Reg# 392268

Fee: $720

No refund after 20 July.

X In-Person

10 mtgs

Thursday, 7 10pm, July 6 Sept. 7

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Rick Bursky, MFA, poet and author of the poetry collections I’m No Longer Troubled by the Extravagance, Death Obscura, and The Soup of Something Missing, which won the Dorothy Brunsman Prize; and The Invention of Fiction Mr. Bursky’s work has appeared in American Poetry Review, Iowa Review Harvard Review, Black Warrior Review and Prairie Schooner

WRITING X 431.2 Poetry II

3.0 units

For those with some previous training in poetry, this intermediate workshop focuses on creating work which emphasizes lyrical and innovative language, personal insight, and individual voice. In addition, you refine your knowledge of a number of the craft’s formal elements, including structure, imagery, metaphor, and pace, in order to stretch the boundaries of your creative experience. The goal is to produce work which is ambitious and resonant.

Reg# 392269

Fee: $720

No refund after 19 July.

r Hybrid (Remote)

10 mtgs

July 5 Sept. 12

Wednesday, 7 8:30pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Miguel Murphy, MFA, author most recently of Shoreditch, and two previous collections of poetry, Detainee, and A Book Called Rats, winner of The Blue Lynx Prize for Poetry. Mr. Murphy’s poems and reviews appear in The American Poetry Review, Quarterly Wes t, and The Los Angeles Review, among others.

WRITING X 432.8E

Innovative Poetic Forms

3.0 units

When we approach writing poems, we should distinguish between “pattern” (repetition) and “form” (shape). In this workshop, we boldly seek new forms our poems can take, taking inspiration from contem porary poets who experiment with form and from writing prompts that encourage risky writing. Each week, you workshop poems and discuss ways to incorporate form more centrally in your poetry. You leave the course with all the tools you need to structure your work creatively and innovatively. A familiarity with traditional poetic forms (however slight) is especially helpful for this workshop.

Reg# 392270

Fee: $720

No refund after 19 July.

r Hybrid (Remote)

1 mtg

July 5 Sept. 12

Monday, 5 7:30pm, Aug. 14

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Charles Jensen, MFA, author of six chapbooks of poetry and three collections, including Instructions Between Takeoff and Landing (2022). His poems have appeared in American Poetry Review, New England Review, and Prairie Schooner. He received the 2018 Zócalo Poetry Prize and a grant from the Arizona Commission on the Arts.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

94 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

Editing and Publishing

These courses are designed for writers who want to improve their editing skills or develop competencies toward a career in editing and publishing. Some courses help advanced writing students prepare and submit their work for publication. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING X 451.1

Copyediting I

3.0 units

This course gives students an overview of copyediting processes involved in preparing a manuscript for editorial review or publication. Appropriate for writers of all genres and those seeking to develop professional skills in copyediting, students learn best practices for completing a document review, including common grammar rules, copyediting notation, and reading like a copyeditor.

Reg# 392512

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Jeanne De Vita MFA in Creative Writing, award winning author, and editor. Ms. De Vita’s dystopian series Bug is an Amazon Editor’s Pick on Kindle Vella. She has published extensively as a staff writer and ghostwriter. Ms. De Vita teaches writing and editing courses for UCLA Extension and edits several New York Times and USA Today bestselling authors.

Reg# 392511

Fee: $720

No refund after 25 July.

A Remote

10 mtgs

Tuesday, 6 9pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Kate Gale, PhD, co founder and managing editor of Red Hen Press Ms. Gale is the author of several books of poetry, librettos, and novels in process.

WRITING X 451.2

Developmental Editing

3.0 units

An editor’s job includes not only improving the mechanics of writing but identifying places where content isn’t working or needs revision and development. This skill is also invaluable for writers, who can use it to shape their own work or to make extra money as they work on their own projects. Using exercises and readings, students learn how to use the elements of craft to draft editorial letters and representative line edits. Class discussions also explore the various roles of profes sional editors. The goal is to gain confidence as an editor by line editing a large piece of fiction and writing a detailed editorial letter as the final class assignment. Required for the Certificate in Literary Representation and the Certificate in Editing and Publishing.

Reg# 392513

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Reg# 392514

Fee: $720

No refund after 19 July.

A Remote 10 mtgs

Wednesday, 7 10pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students. 7

Rebecca Bohanan MFA, writer, and print publishing editor at Zagat and MAD magazine. She has been published in the New York Times Modern Love column, and on HuffPost and Jezebel

WRITING X 451.3

The Editorial Toolbox

3.0 units

To be successful, editors draw from a broad base of skills while taking the entire publishing process into account. They are avid, active read ers in their own right who understand the way the publishing market works. Beyond that, they also understand the specialized technologi cal tools in use today, are strong proofreaders, understand how to identify and check facts, and communicate clearly and concisely with other departments in order to set a manuscript up for success through production, marketing, and media outreach. By the end of the course, students understand how these tools help editors meet the demands of their profession and thrive in the workplace.

Reg# 392515

Fee: $720

No refund after 19 Jukt

M Online

July 5 Sept. 12

Enrollment limited to 15 students. 7

Tobi Harper, deputy director at Red Hen Press, editor and founder of Quill (a queer publishing series of Red Hen Press); publisher of The Los Angeles Review; and public speaker on queer literature, editing, and publishing.

WRITING X 452.1

Editorial Management I: Acquisition to Publication

3.0 units

The process from written manuscript to published book is more complicated than most authors and newer publishing professionals expect. From what to look for in acquisitions to how to use metadata to your advantage to booking a successful author tour, this course covers everything that an author and publisher should expect from reading manuscripts to the actual publication date. By the end of the course, you understand how an editor turns an author’s manuscript into a saleable product.

Reg# 392516

Fee: $720

No refund after 19 July.

M Online

10 mtgs

July 5 Sept. 12

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. 7

Erin Stalcup, MFA, editor in chief of Defunct co founder of Waxwing, & former Editor of Hunger Mountain Ms. Stalcup taught in community colleges, liberal arts schools, prisons, state schools, & MFA programs in NY, NC, TX, & AZ. She’s published a story collection & two novels. Learn more at erinstalcup.xyz.

WRITING X 452.3

Freelancing for Editors

Editors who want to work outside of big publishing houses can find success in freelance editing. Freelance editors must learn to balance projects, find and bid on new work, and maintain client relationships over time. This course will provide students an overview of the skills necessary to pursue freelance editing work and to operate a business with one employee: yourself. By the end of the course, students will have the knowledge to structure and maintain a freelance editing practice.

Reg# 393381

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

WRITING X 452.4E Grammar for Editors

3.0 units

This specialized course for editors provides students with a compre hensive overview of grammar to establish an effective foundational structure. Appropriate for those who want to become editors or seek to write for a living, this course provides innovative activities; in depth discussions; and engaging videos on topics about punctuation, parts of speech, wordiness, parallel structure, and slang diction. During the ten weeks of this course we discuss the changing design of language to include new pronoun use, identity, and overall sensitivity to all cultures while holding a firm line to established grammatical style essential for editors. By the end of the course, the students are able to edit documents using the most current considerations around contemporary language use.

Reg# 392517

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students. 7

Clifford Brooks poet, professor, founder of the Southern Collective Experience, editor in chief of The Blue Mountain Review and host of Dante’s Old South. Mr. Brooks has written three collections of poetry: The Draw of Broken Eyes & Whirling Metaphysics Exiles of Eden, and Athena Departs: Gospel of a Man Apart Learn more at cliffbrooks.com.

WRITING X 455.1

Contracts, Rights, and Signing Authors

3.0 units

Literary agents are uniquely positioned in the publishing world to have their hands in many facets of the book process, from a book’s incep tion through to finished copies and publicity. This course begins with an overview of the Agency Agreement, the contract that binds an author with an agent. Students analyze the contract in order to gain a general understanding of the role and responsibilities of an agent and how they go about shepherding authors and their work. This course also unravels the mysteries of book Publishing Agreements and provides a step by step guide to understanding the legal lan guage, recognizing which subsidiary rights can (and should) be negotiated, and the differences between a good deal and bad deal it isn’t always money. Students leave the course with a general knowl edge of what it takes to foster a book project from query to signed contracts. Required for the Certificate in Literary Representation.

Reg# 392518

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students. 7

Linda Camacho MFA, Agent at Gallt & Zacker Literary Agency repre senting award winning children’s and adult fiction. Ms. Camacho has held various positions at Penguin Random House, Dorchester, Simon and Schuster, Writers House, and Prospect Agency, handling every thing from foreign rights, editorial, marketing to operations.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 95

WRITING X 455.4E

Literary Agent Query Prep for Writers

2.0 units

Once you’ve completed your book, mastering the query letter is the first step you will take on your path to traditional publication. In publishing, 80 90% of all books bought by traditional publishers are sold through literary agents. In order to land an agent, you must craft a flawless query letter. Even if you decide to submit directly to publish ers who do accept unsolicited (or “unagented”) work, the almighty query letter is still your key to having your manuscript land in the right hands. In this course, critically acclaimed Simon and Schuster author and former literary agent Eve Porinchak guides you in creating a stellar professional query letter (including the central “pitch” paragraph), that significantly strengthens your chances of receiving an offer of repre sentation from an agent, and/or a book deal from an acquiring editor at a publishing house. You also learn how to create a strategic plan for targeting, approaching, and landing the perfect agent for you and your work.

Reg# 392935

Fee: $485

No refund after 24 Aug.

M Online

6 mtgs

Thursday, 7 10pm, Aug. 10 Sept. 14

UCLA:

Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Eve Porinchak, former agent with Jill Corcoran Literary Agency, special izing in teen and adult fiction and nonfiction with social justice themes. Ms. Porinchak is the author of One Cut a true crime novel that won the In The Margins Book Award honoring titles for youth that tackle difficult topics, including gangs, homelessness, violence, and addiction.

Screenwriting

For help in choosing a course or determining if a course fulfills certificate requirements, contact the Writers’ Program at (310) 825-9415.

Special Topics for Film & Television Writers

Courses in this section are open to students who want a deeper understanding of a specific craft or area of study. These courses fulfill the elective requirement for screenwriting certificates.

SCRIPT 726.13

Anatomy of a Pilot

A new television show has exactly one shot at survival: its pilot epi sode. If the viewer isn’t grabbed in the first hour, they’re gone forever. But what is a pilot? How is it different from all other forms of screen writing? What makes a good one work and a bad one fail? And how can you be sure yours is one of the winners? In this intense, informa tive, and entertaining course, you learn everything you need to know about what goes into a winning pilot. By dissecting recent network and cable pilots; you examine character, theme, and structure; and discuss which pilots best launched their respective series. Emphasis is on identifying the common structural elements of all successful pilots, gaining an understanding of “weekly franchise” versus “series mythology,” and crafting long term character arcs.

Reg# 392747

Fee: $0

X In-Person

1 mtg

Saturday, 10am 1pm, Aug. 26

UCLA: Haines Hall

Enrollment opens two weeks prior to course date. Richard Hatem executive producer/screenwriter; WGA member, who is currently an EP on HBO Max’s Titans. He co created the TV series Miracles and The Gates for ABC. Mr. Hatem has also written/produced episodes including Supernatural, Grimm, The Dead Zone, Witches of East End, Once Upon A Time In Wonderland, Damien, Dead of Summer, Second Chance, No Tomorrow. He executive produced Syfy’s mini series event The Lost Room and his feature credits include Under Siege 2: Dark Territory and The Mothman Prophecies In addition, he is a contributing author to Inside the Room (Gotham Books/Penguin).

NEW

SCRIPT X 463.7E

Writing for Documentary

3.0 units

Writing for documentary is probably the most fundamentally impor tant, and least taught, skillset in documentary production today. Mastery of its concepts have the ability to ensure your project runs smoothly, from start to finish, and may, in the end, mean the difference between a project that is successfully completed, and one that isn’t. In this course, you develop the fundamental skills necessary in order to get a short documentary project of your own personal choosing up and running. A short documentary example project acquaints you with the processes and fundamental skillsets necessary to see that project through to completion. Through lectures, discussion, and writing exercises, you build skills, enabling you to develop a documentary concept into a project with broad impact.

Reg# 392623

Fee: $720

No refund after 15 July.

X In-Person

10 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Sept 2.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

William Badgley, Documentary writer, director & editor whose credits include Let Me Take You Down (MGM/SKY), Knowing (Titmouse Anima tion), Rebel Dread (Bohemia Media), Here to Be Heard (Head Gear) and Karp Lives! (Molasses Manifesto). Additional credits include The Killer Tape Podcast (Audio Up) andTrue Life (MTV).

NEW SCRIPT X 463.9E Supercharge Your Writing Efforts

2.0 units

It doesn’t matter if you have the best ideas if you can’t develop them into anything. In this course, you will create a digital system that supports and powers your writing efforts so you can turn your many ideas into compelling and completed stories. You will learn how to use linked digital notes to never start from a blank page again, to over come Writer’s Block, and to stay in flow to get more of your best writing done more often. As you develop your digital writing system throughout this course, you will experience first hand how linking ideas digitally gets you generating more sparks in your work than ever before. By the end of this course, you should be able to use linked digital notes to effectively manage multiple ideas simultaneously and reliably make progress in your writing efforts leading to some of your most inspired and valuable creative output.

Reg# 392626

Fee: $485

No refund after 10 Aug.

A Remote 6 mtgs

Thursday, 5 8pm, July 27 Aug. 31

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Nick Milodragovich, Editors Guild member whose credits include Better Call Saul, Coyote, and El Camino: A Breaking Bad Movie. Others shows he’s worked on have premiered on HBO, Netflix, Paramount, CBS All Access, ABC, NBC, and Youtube. Nick also worked in HBO’s coveted Programming department, focusing on Barry, Veep, and Silicon Valley. Mr. Milodragovich runs an international education company that teaches the invisible art of growing good ideas.

NEW SCRIPT X 463.10E

Creating the Concept

2.0 units

In this course, we review what ideas will translate into good movies, and which ideas are better suited for television. We explore what can make you stand out from other writers before you’ve even written a word. By looking at the art of storytelling with current market trends, you develop perspectives that will help you launch your ideas into successful projects. By the end of the course, you have at least three articulated concepts you can pursue as scripts.

Reg# 392627

Fee: $485

No refund after 9 Aug.

M Online

July 26 Sept. 5

Enrollment limited to 15 students.

Valerie Brandy, screenwriter/director/actress and WGA member who wrote, directed, and starred in the feature film Lola’s Last Letter. Ms. Brandy has written for both the Disney Channel and Denver and Deli lah Productions. She currently serves as a full time staff writer for Disney’s live action feature department.

SCRIPT X 401 Get Your Story Straight

1.0 units

In this short introductory workshop designed for beginners, you learn the key building blocks for a writing a structurally solid screenplay. You begin by refining your story idea by studying and workshopping the elements that make for a successful logline. You then expand upon that and learn how to structure your story into three compelling acts. Special attention is paid to developing a protagonist character your audience will really care about and how that ties into the plotting of your story using the major plot points. By the end of the course you have a refined logline, character bio, and basic beat sheet that covers the major beats of your story from beginning, middle, and end.

Reg# 392746

Fee: $325

No refund after 8 Aug.

A Remote 4 mtgs

Wednesday, 5 8pm, July 19 Sept 9

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Diane Drake screenwriter, WGA member whose credits include What Women Want, starring Mel Gibson, and Only You starring Robert Downey, Jr. and Marisa Tomei. Ms. Drake was Vice President of Creative Affairs for Academy Award winning director producer Sydney Pollack’s Mirage Productions.

96 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

SCRIPT X 469.1E

Strategies for Getting Representation

2.0 units

Understanding how Hollywood operates is crucial for any new screen writer seeking agents and managers for representation. First, you must know the differences between the roles an agent plays versus a manager. Furthermore, differentiating between power agents, boutique agents, and managers who act like agents empowers you to find the representation that is right for you. Special attention is paid to preparing your script for agency submission to demystify what reps really look for in their next hot writing client, as this can be different from what development executives and buyers look for. While it’s true that formu laic scripts tend to sell better in Tinseltown, this course also covers strategies for writers who seek representation with more character driven indies in their portfolios. By the end of the course, you have a solid understanding of what steps to take next for your career.

Reg# 392745

Fee: $485

No refund after 9 Aug.

M Online

July 26 Sept. 5

Enrollment limited to 15 students.

Chris Sablan, owner of Avenue 220, and former agent at Original Artists, he has sold several high profile screenplays and pitches and has represented clients involved with Bates Motel, Saw, Rampage, Journey to the Center of the Earth, Colony, Grey’s Anatomy, and many more.

SCRIPT X 415.4

Crafting Powerful Dialogue

3.0 units

Dialogue may seem to be the easiest and most fun aspect of screen writing (look at all those pages fly by, and with so much white space!), yet it’s often the most difficult thing for the aspiring screenwriter to do well. Great dialogue is a vital vehicle for developing character, enhanc ing plot, and speaking to theme, among its many other uses. This course explores all of dialogue’s functions in depth and provides you with the pragmatic skill set that will make your dialogue more effective and make it snap, crackle, and pop on the page. Through writing exercises, analysis of screenplay pages and classic clips from both features and TV, and a dialogue diary that will help you develop an ear for good conversation, you sharpen and hone your dialogue prow ess, and you put your new skills to work on your own projects, both present and future.

Reg# 392736

Fee: $720

No refund after 24 July.

m Hybrid (In-Person)

10 mtgs

Monday, 7 10pm, July 10 17; Aug. 21 Sept. 18

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Monday, 7 10pm, July 24 Aug. 14

Remote Classroom

No meeting Sept 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Roberto Marinas, MFA and screenwriter/producer, whose credits include Lasso, Headgame, and Alien Vs. Zombies. His award winning screenplay Last Road Home was selected for the 2007 Tribeca Film Festival, and he is also a recipient of the Walt Disney Studios Screen writing Fellowship.

SCRIPT X 463.1E

Creating Powerful Scenes and Sequences

3.0 units

The writing of powerfully constructed scenes featuring compelling characters is the key to any screenplay or dramatic teleplay’s success. This intensive workshop gets you writing and rewriting your own scenes, and arms you with a specific skill set that enables you to improve and elevate your work. Drawing on great scenes and sequences from memorable movies and cable shows throughout the course, you learn to identify the essential building blocks for the creation of dynamic scenes; work with conflict, subtext, characteriza tion, dialogue, and imager;, get feedback that will up your game; and make significant headway in creating an eminently marketable screenplay or pilot.

Prerequisite(s): SCRIPT X 410.1 Feature Film I and SCRIPT X 410.2 Feature Film II, or department approval.

Reg# 392735

Fee: $720

No refund after 15 July.

X In-Person

10 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Sept 2.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Colin Francis Costello, screenwriter, director, and WGA East member, whose credits include The Stream starring Rainn Wilson and Alternate Universe. Mr. Costello’s TV credits include Lost n’ Found and Detectives Club. He has also written and directed award winning shorts, including The After Party and Dreamwisher.

SCRIPT X 428.1

Late Night Talk Show and Sketch Comedy

3.0 units

From the beginning of network and cable television sketch comedy and its first cousin, the Late-Night Talk Show scripted desk piece have given us some of television’s greatest comedic moments. In this class students learn the art and the craft of creating solid, funny, and functional comedy sketches and late night bits. Students are taught how to break down what makes a sketch, a bit and desk pieces work by watching and analyzing the great sketch and talk shows past and presence. We closely watch and analyze late night talk and sketch shows in order to dissect the different comedic tones, overall perspec tives, and specific TV personalities as well as the challenges of shooting live verses pre taped sketches. For example, determining how desk pieces and remote segments differ from Kimmel to Conan to Fallon. We also study the evolution and history of sketch comedy from SNL, SCTV, and Monty Python to Living Color, The Ben Stiller Show, Mr. Show, the Dave Chappell Show, Key and Peele, as well as I Think You Should Leave with Tim Robinson and Portlandia. Each class is devoted to watching segments and sketches, discussions, and work ing on in class writing exercises to be reading/performed for group and professor feedback.

Reg# 392739

Fee: $720

No refund after 25 July.

A Remote 10 mtgs Tuesday, 5 8pm, July 11 Sept. 12 Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Jeffrey Kahn, MFA, Emmy award winning writer; WGA member, who co created The Ben Stiller Show. Mr. Kahn’s credits include All-American Girl, Dilbert, and Drawn Together. He has an overall TV writing deal with Sony and Castle Rock and written pilots for all the major net works, The Disney Channel, F/X, and Comedy Central.

SCRIPT X 463.8E

Writing the Animated Pilot

3.0 units

Writing for animation is a skill, one that requires knowledge of craft and technicals often learned on the job. At the same time, film and television run on pilots now. Execs want to see your individual voice on the page before they consider you for staffing. In this course, you will learn (1) the craft of writing animation, including its history as a medium and the technical knowledge that affects our jobs as writers, and also (2) the art of structuring and ultimately writing a satisfying TV pilot techniques which go beyond the world of animation. The two things necessary to get and ultimately maintain a job as a writer. The goal of this course is to finish with a half hour animated pilot script you can use to get work in animation.

Prerequisite(s): SCRIPT X 462.1E Writing Animation, or SCRIPT X 421.2

Half Hour TV II, or equivalent, or department approval.

Reg# 392738

Fee: $720

No refund after 24 July.

A Remote 10 mtgs

Monday, 5 8pm, July 10 Sept. 18

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Jonathan Callan writer and narrative designer for games and anima tion who served on the VR titles Raw Data and Sprint Vector Mr. Callan has also written on games such as Walking Dead: Onslaught and Westworld: Awakenings. In the world of television, he’s written for over a dozen series, including Young Justice, Lego Jurassic World and Justice League Action.

SCRIPT X 425.5

Seasonal-Arc Structure for TV

3.0 units

Television storytelling is undergoing significant shifts in the early twenty first century, but the basics of structuring satisfying narratives are rooted in human psychology and are timeless. This vigorous ten week course exposes and explores the underpinnings of classic cin ematic story arcs in current, serialized shows (titles subject to change). At the same time, each student methodically practices the foundational, industry standard skills required to create a high quality series by developing characters and narrative arcs for an original TV show in their own unique voice.

Reg# 392737

Fee: $720

No refund after 15 July.

A Remote 10 mtgs

Saturday, 2 5pm, July 1 Sept. 9

Remote Classroom No meeting Sept 2.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Shari Goodhartz, WGA member; multi award nominated writer whose credits include Dragonheart: A New Beginning, Young Hercules, and Aeon Flux Ms. Goodhartz’s career spans corporate (Coca Cola), TV and film (live action, animation, development, producing, documentary), wellness, publishing, and marketing.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 97

SCRIPT X 469.6E

Writing on Assignment

3.0 Units

As you build your career, you find that more often than spec sales of your own concepts, the lifeblood of a Hollywood writer is paid writing assignments. Throughout this process, it is likely you will get asked to come up with pitches, treatments, and scripts based on extremely vague concepts that an executive at the studio or production company will give you. It will be your job to decipher what they’re looking for while also inserting your own writing DNA and impress with the results. In this course you are faced with real life scenarios, are thrown notes you barely make sense of—curveballs in the dirt—and learn how to deliver the goods. By the end of the course, you are able to craft a compelling story and pitch that satisfies an executive’s needs.

Reg#393351

Fee: $720

r Remote

10 mtgs

Tuesdays, 6 9PM, July 11 Sept 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Matt Einstein, former executive at Atmosphere Entertainment, where he oversaw Power, 300: Rise of an Empire, Mister Church and Cake Current CEO of Tradition Pictures, leading the film, television, and liter ary divisions. Films currently in post production include Cojot, Gonna Fly Now, and Havenville

SCRIPT X 469.5E

Script Doctoring

3.0 units

Script doctors are the unsung heroes of the script development phase. They come in at the last minute to fix a script before production can start, and they often remain anonymous or uncredited (but get paid well for that). In this course, you learn the difference between a script analyst, script consultant, and script doctor, and how script doctors address the rewriting or polishing process of a script. We cover how to deepen concept and world, fix structure, enhance and flesh out characters, address characters’ relationships and interactions, escalate conflict and drama, work on specific scenes, elevate the dialogue, and best tackle and exploit theme, all while staying true to the essence of the script assigned to doctor as you take it to the next level. With the use of lectures, script readings/analysis, and practical workshops, you get a first hand experience on the life of a script doctor and how to have a future career as one.

Reg# 392742

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Cody Smart, an independent writer and script doctor from Chile. She holds degrees in English Literature & Linguistics, Screenwriting, Development and Producing. She worked as a script analyst for Sony, she’s a judge for multiple script and film competitions, she’s written some award winning shorts, she’s head of the coverage department at a script hosting site and she does a bi monthly vlog with tips for Screenwriters for Story Data. She takes pride in helping writers take their work to the next level.

SCRIPT X 463.6E Get Your Script Contest Ready

3.0 units

One of the hardest things to do for aspiring writers is to get noticed in order to jump start their careers. Entering competitions, getting intern ships, sending query letters, and networking are the most common ways to break into the industry. In this course we focus on screenwrit ing competitions, how to write a script that places in competitions, what judges are looking for, how to write a killer opening that engages your reader, what mistakes to avoid, which competitions to enter, and how to use competition wins to propel your writing career. With the use of lectures, script readings/analysis, and practical workshops, you learn how to elevate your script, heighten its potential for placing in competitions, and capitalize from your wins.

Reg# 392741

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Cody Smart an independent writer and script doctor from Chile. She holds degrees in English Literature & Linguistics, Screenwriting, Development and Producing. She worked as a script analyst for Sony, she’s a judge for multiple script and film competitions, she’s written some award winning shorts, she’s head of the coverage department at a script hosting site and she does a bi monthly vlog with tips for Screenwriters for Story Data. She takes pride in helping writers take their work to the next level.

SCRIPT X 464.9E

Creating Memorable Characters Through Their Core

3.0 units

Memorable stories are grounded by great characters. The core of who those characters are drive the story, but characters need to take action, and those actions need to ring true to their core as they move from one plot point to the next. Why is your character making that specific choice at a particular moment? What’s their motivation? Whether you are finished with a draft or just have a nugget of an idea, the core of your characters must be excavated. Through examples, discussions, and writing exercises, you discover your characters’ needs, wants, and drives. You flush out how your char acters think and feel to discover who they are fundamentally. You also address how the core elements of your characters influence plot and structure and discover ways to reveal that through action and dialogue. The goal of this course is to chart the emotional journey of your protagonist character and leave with tools that can be applied to make every character, regardless of how big or small, play meaningful roles in your story.

Reg# 392744

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Roz Weisberg MFA, teacher/writer/book & script consultant. Her producing credits include Beastly and Where the Heart Is and the short films The Heebie Jeebies and Being Vincent She serves/d as a con sultant for Netflix, Resonate, The Disney Channel, National Geographic, Mission Pictures, and Focus Features.

SCRIPT X 416.3E Writing Screenplay Coverage

3.0 units

Designed for both aspiring story analysts and screenwriters who want to accelerate their careers, this course helps you master the methods used by story analysts who evaluate submissions to production companies, agencies, and studios. You learn how to do an in depth analysis of the three act structure, as well as dramatic and comic scene construction. You also learn the precise terminology used in story sessions, the foundations for great dialogue, and how to find original approaches to established genres. These and other principles become synthesized into coverage written to the highest professional standards in preparation for a job as either a story analyst or screen writer who needs to critique his or her own scripts effectively.

Reg# 392740

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Barney Lichtenstein MA, professional story analyst for companies such as Amblin, Imagine, and New Line. Referring trained story ana lysts to production companies, he is a UCLA Extension Outstanding Instructor in Screenwriting and story editor of a Peabody Award winning program.

Feature Film Writing

Beginning Feature Film Writing

Recommended for beginning students, these courses build on one another in a four-part sequence. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of the work. By the end of the sequence, students have a completed draft of their first feature film script.

SCRIPT X 400

Introduction to Screenwriting

2.0 units

This six week course is perfect for anyone getting started on their path to becoming a screenwriter. Each class offers a broad strokes intro duction to a different writing format, which includes Feature Film, Television Specs, and Television Pilots, as well as a rotating list of specialized forms such as Video Game Writing, Writing for Animation, Sketch Comedy Writing, and/or Script Doctoring. The course also looks at the business end of writing. Lectures by guest speakers offer insight and instruction on each topic, followed by guided workshop sessions where students put those theories into action on their own material. The goal of the course is to give new writers a taste of different screenwriting types to help deepen their overall knowledge while sparking their creative energy. At the end of the quarter, students should feel more confident about their skills and be prepared for further study of writing.

Reg# 392487

Fee: $485

No refund after 9 Aug.

A Remote

6 mtgs

Wednesday, 7 10pm, July 26 Aug. 30

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Koji Steven Sakai, MFA, award winning screenwriter/producer/novel ist and WGA member, whose feature credits include Skeletons in the Closet, Commando, Dying to Kill, Monsters & Me, #1 Serial Killer, The People I’ve Slept With, and Haunted Highway Mr. Sakai has produced a comedy special for Netflix and the comedy series, Comedy InvAsian, which premiered on Peacock.

Reg# 392488

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

C UC CREDIT

Fee: $485

No refund after 9 Aug.

A Remote 6 mtgs

Wednesday, 7 10pm, July 26 Aug. 30

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Jacqueline Heinze MFA, author and screenwriter, who writes screen plays and develops story ideas for Jarrett Creative Group. Credits include The Preacher’s Daughter for Lifetime and Killision Course an Oxygen true crime series.

98 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

SCRIPT X 410.1

Feature Film I

3.0 units

The first in a four part sequence designed to take you through the full process of writing a feature film screenplay, this course grounds you in the key craft elements of story structure, plot, scene development, character, theme, genre, and dialogue and shows you how they work together to grip an audience’s emotions. You learn how to create and evaluate story ideas, explore how characters’ inner wants and immedi ate goals shape and drive a screenplay’s action, see what constitutes compelling plots and subplots, and learn how to construct a scene. Throughout the course, you complete a series of exercises which serves as the basis for your script outline a prose description of your screenplay. The course goal is to learn how to write effective, compel ling scenes and to create a four to five page outline that clearly delineates your script’s beginning, middle, and end. The ability to write an effective outline is a critical skill for the professional screenwriter, serves as the basis for most pitches, and is required for admission into SCRIPT X 410.2 Feature Film II.

Reg# 392165

Fee: $720

No refund after 19 July.

X In-Person

10 mtgs

Wednesday, 7 10pm, July 5 Sept. 6

UCLA: Royce Hall

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Andrew Knauer, MFA, screenwriter; WGA member who wrote The Last Stand starring Arnold Schwarzenegger; Castle Falls starring Dolph Lundgren and Scott Adkins; and Senior Year starring Rebel Wilson.

Reg# 392647

Fee: $720

No refund after 19 July.

A Remote

10 mtgs

Wednesday, 4 7pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Janna King, screenwriter and WGA member, who has written TV movies for Lifetime and Hallmark such as Christmas in the Air and Love, Of Course along with a host of TV drama series. Ms. King’s film and TV credits also include kids animation like Dragon Tales and the Wacky Races reboot. She has developed and consulted for CBS, Disney and WB, and is the author of The Seasonaires optioned for TV by Blumhouse. In addition, she has written and directed plays and award winning short films.

Reg# 392693

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 6

Enrollment limited to 15 students.

Ron Wilkerson writer/director and WGA member whose credits include Stargate SG-1, Star Trek: The Next Generation, Star Trek: Voyager, and Trade Show. He is currently developing Dreamland for ABC Studios and is a recipient of the UCLA Extension Outstanding Instructor Award in Screenwriting.

Reg# 392694

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 6

Enrollment limited to 15 students.

Valerie Brandy screenwriter/director/actress and WGA member who wrote, directed, and starred in the feature film Lola’s Last Letter Ms. Brandy has written for both the Disney Channel and Denver and Deli lah Productions. She currently serves as a full time staff writer for Disney’s live action feature department.

Reg# 392967

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 6

Enrollment limited to 15 students.

Yared Zeleke writer/director, whose first feature, Lamb, was screened in the Un Certain Regard section of the Cannes Film Festival in 2015 as the first Ethiopian film in the “Official Selection”. Mr. Zeleke was featured among Variety magazine’s 2015 “10 Screenwriters to Watch”. Lamb made the shortlist for the 2016 Oscar’s Best Foreign Language Film Award. Mr. Zeleke’s was awarded a Rockefeller Foundation Fel lowship and San Francisco Film Society grant, and is a Sundance Institute FilmTwo Initiative mentee.

Reg# 392629

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 6 9pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Tonya Cannon, an award winning screenwriter/producer/actor whose credits include Distortion (feature), Officer Involved (web series), and Sorry, Wrong Text (short film). Her newest horror film Wiles, which she wrote and directed, is set to release soon.

Reg# 392673

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 4 7pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Jennifer Lee Loy, MFA in Screenwriting. Ms. Lee Loy was accepted into the Fox Diversity Program for Television. Her screenwriting credits include feature length film Special Ops and short film Gambler’s Anonymous. Ms. Lee Loy was a screenplay finalist and quarter finalist in the Austin Film Festival, Final Draft Big Break Screenwriting Com petition, Page International Screenwriting Competition, Action on Film International Film Festival, and Shriekfest.

Reg# 392489

Fee: $720

No refund after 24 July.

X In-Person

10 mtgs

Monday, 7 10pm, July 10 Aug. 28; Sept. 11 18

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Sept. 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Reg# 392672

Fee: $720

No refund after 25 July.

A Remote

10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Julian Goldberger, screenwriter/director, WGA member, whose credits include The Hawk Is Dying starring Paul Giamatti and Michelle Wil liams, and the critically acclaimed indie trans. He has written scripts for Universal Studios and Lionsgate, as well as major producers including Marc Platt, Ted Hope, and Ed Pressman.

SCRIPT X 410.2

Feature Film II

3.0 units

This second in a four part sequence in writing a feature film script has you hit the ground running. You begin by pitching your story based on your outline and revising it to make sure the premise can carry the entire movie. Armed with a workable outline, you then flesh it out into either a beat sheet or treatment (at the instructor’s discretion) and begin writing your screenplay. Personalized feedback along with mini lectures on key craft points, including character development, story structure, and conflict, help you to meet the course goal, which is to write Act I (approximately 30 pages). May be repeated for credit. Prerequisite(s): SCRIPT X 410.1 Feature Film I. Students must bring a four to five page outline they created in Feature Film I to first class meeting and be prepared to pitch it.

Reg# 392701

Fee: $720

No refund after 19 July.

A Remote 10 mtgs

Wednesday, 4 7pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Donald H. Hewitt, screenwriter and WGA member whose feature film credits include the English language screenplay for Hayao Miyazaki’s Oscar winning film, Spirited Away, My Neighbor Totoro, and the Oscar nominated Howl’s Moving Castle. Mr. Hewitt has written for Pixar, Miramax, New Line, and Disney.

Reg# 392705

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Tony DuShane, author of Confessions of a Teenage Jesus Jerk and award winning screenwriter of the adaptation directed by Eric Stoltz. His work has appeared in the Los Angeles Times, The Believer Mother Jones , and he was a music columnist for the San Francisco Chronicle

Reg# 392763

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Instructor to be announced

Reg# 392698

Fee: $720

No refund after 24 July.

A Remote 10 mtgs

Monday, 5 8pm, July 10 Aug. 28; Sept. 11 18

Remote Classroom No meeting Sept. 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Rolla Selbak, writer/director of film and TV, Sundance alumna, and WGA member whose credits include Three Veils, Choke, and the viral web series Kiss Her I’m Famous. Ms. Selbak currently has projects in development at Sony and 20th Century Fox, and has previously served on the board of directors at Outfest.

Reg# 392695

Fee: $720

No refund after 25 July.

X In-Person 10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 99

RRR

SCRIPT X 410.3

Feature Film III

3.0 units

The third in a four part sequence in writing a feature film screenplay, this course focuses on writing the next 45 pages of your script. You also refine your story outline; flesh out main and secondary charac ters; continue to develop the art of the scene as it pertains to type, choice, structure, and placement; and begin to discover each charac ter’s unique voice. You learn the habits you need to sustain the work of writing a screenplay. The goal is to write up to 45 pages from beginning of Act II. May be repeated for credit.

Prerequisite(s): SCRIPT X 410.1 Feature Film I and SCRIPT X 410.2 Feature Film II. Students must bring their beat sheets or treatments and Act I to the first class meeting and be prepared to write.

Reg# 392769

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Steven Schwartz, screenwriter/producer, WGA member, Spirit Award nominee for his screenplay for the Sidney Lumet directed movie Critical Care. His TV credits include The Practice and 100 Centre Street. He has written scripts and pilots for Fox, ABC, FX, Disney, NBC, Universal, Lionsgate, HBO, and many others.

Reg# 392765

Fee: $720

No refund after 24 July.

A Remote 10 mtgs

Monday, 4 7pm, July 10 Aug. 28; Sept. 11 18

Remote Classroom

No meeting Sept. 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Cindy Davis MFA, screenwriter, who has written for Pixar, Fox, Disney, Working Title, Miramax, New Line, and ABC Family. She has also worked for Disney Imagineering, designing attractions for Disney World, Shanghai Disneyland, and the new California Adventure’s Avengers Campus which opened in June 2021. Her feature film credits include Spies in Disguise, the English language screenplay for the Oscar winning film Spirited Away, and the Oscar nominated films Howl’s Moving Castle and Ferdinand. She is a recipient of the UCLA Extension Outstanding Instructor Award in Screenwriting and contrib uting author to Cut to the Chase (Gotham Books/Penguin).

Reg# 392764

Fee: $720

No refund after 3 Aug.

X In-Person

10 mtgs

Thursday, 7 10pm, July 20 Sept. 14

UCLA: Public Affairs Bldg.

Thursday, 7 10pm, Sept. 21

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Christine Shin, MFA, award winning Korean writer and director whose films have been distributed to iTunes, aired on PBS, and garnered multiple awards including Cine Golden Eagle Award. Ms. Shin is a Film Independent Fellow and Caucus Foundation Grant recipient. She also received a writing fellowship from Korean Film Council and CAPE. Christine currently teaches film and television at California State University Northridge and serves on the board of Alliance of Women Directors.

SCRIPT X 410.4

Feature Film IV

3.0 units

In the last of a four part sequence in writing a feature film screenplay, you reach FADE OUT. In the process of completing your script, you hone in on structuring conversations, explore how to maximize your story’s visual implications, deepen scene writing skills, assemble scenes to form powerful sequences, ensure your script’s central conflict is resolved, and work on theme and imagery. Also covered are revision techniques and the business aspects of feature film writing. The goal is to complete writing your first feature film script.

Prerequisite(s): SCRIPT X 410.1 Feature Film I, SCRIPT X 410.2 Feature Film II, and SCRIPT X 410.3 Feature Film III. Students must bring their beat sheets or treatments, Act I and 45 pages of Act II to the first class meeting and be prepared to write.

Reg# 392772

Fee: $720

No refund after 15 July.

X In-Person

10 mtgs

Saturday, 10am 1pm, July 1 Aug. 26; Sept. 9

UCLA: Rolfe Hall

No meeting Sept. 2.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Reg# 392779

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Julia Camara award winning Brazilian screenwriter/filmmaker and WGA member who won a Telly Award for the sci fi found footage feature Occupants. Ms. Camara’s feature directorial debut In Transit won Best Experimental Film at four different festivals. Her other writing credits include Area Q and Open Road.

Reg# 392775

Fee: $720

No refund after 1 Aug.

A Remote

10 mtgs

Tuesday, 5 8pm, July 18 Sept. 19

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Christine Shin MFA, award winning Korean writer and director whose films have been distributed to iTunes, aired on PBS, and garnered multiple awards including Cine Golden Eagle Award. Ms. Shin is a Film Independent Fellow and Caucus Foundation Grant recipient. She also received a writing fellowship from Korean Film Council and CAPE. Christine currently teaches film and television at California State University Northridge and serves on the board of Alliance of Women Directors.

Intermediate Feature Film Writing

Courses in this section are for students who have completed at least one screenplay. A new project is begun with an emphasis on craft issues such as structure, character development, and emotional content. Self-editing techniques are introduced.

SCRIPT X 411.1

Feature Film V

3.0 units

Designed for writers with at least one screenplay under their belts, this workshop guides you to launch and make significant headway on a new project. The goal is to develop a strong premise that sustains your entire script, create and refine the story outline, and write Act I. Brief lectures on craft issues based on the demands of the partici pants’ work supplement the workshop.

Prerequisite(s): SCRIPT X 410.4 Feature Film IV or equivalent, or consent of instructor.

Reg# 392781

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Cynthia Riddle MFA award winning writer/producer, former develop ment exec at MGM, and WGA member whose credits include Crossroads, Puppy Love, Brittany Murphy Story, and Poisoned Love: The Stacey Castor Story . Ms. Riddle has written projects for Netflix, Showtime, Disney, Lifetime, Starz, Hallmark, and others.

SCRIPT X 411.2

Feature Film VI

3.0 units

This workshop guides you to complete your current project. You focus on developing a successful second and third act with special attention given to structure, character development, emotional content, and cinematic style. You also acquire self editing techniques essential for the professional writer. This is not a rewrite course; you must be working toward the completion of a feature length script and have your outline and Act I of your script in hand.

Prerequisite(s): SCRIPT X 411.1 Feature Film V, or equivalent, or consent of instructor.

Reg# 392783

Fee: $720

No refund after 20 July.

A Remote 10 mtgs

Thursday, 5 8pm, July 6 Sept. 7

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Michael Barlow, producer, screenwriter, and WGA member who, as an executive at Paramount Classics, oversaw Black Snake Moan and Mad Hot Ballroom. He was vice president of production at various major studios, including Orion Pictures. His writing credits include the miniseries Kidnapped and the ABC drama Family.

SCRIPT X 464.1E

Rewrite Skills Intensive

1.0 units

To rewrite or NOT to sell. That is the question. This deep dive into what it takes to produce a professional screenplay or one hour dramatic pilot is all about embracing the “rewrite process” and learning how to implement rewrite techniques. In this course, you learn to understand the difference between a selling draft and a shooting script. You also learn how to argue with your first draft as if you two are a respectful writing team. What is your theme? Is the moral of your story honored from FADE IN to FADE OUT? Let’s find and fix the little problems with your first draft and learn how to better underscore your screenplay’s strong points. The course goal is to leave the seminar excited and ready to revise your existing piece of work with an arsenal of rewriting techniques at your disposal. Writers must come into this course with a full first draft of a screenplay.

Reg# 392743

Fee: $325

No refund after 29 July.

A Remote 4 mtgs

Saturday, 10am 1pm, Aug. 5 26

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Deborah Dean Davis screenwriter and WGA member whose credits include Daddy Boot Camp, And Then He Kissed Me, It Takes Two, Little Rascals II, and Scorpio Rising. Ms. Davis’ film, Keeping House, is cur rently in development with Original Films and Sony Pictures and her film, Daily Special, is one of five films being funded by a consortium of women directors from the DGA.

100 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

RRR

Advanced Feature Film Writing

SCRIPT X 412.4

Advanced Rewriting Workshop

3.0 units

This advanced rewriting workshop is for writers who want to take an already good script and make it great. Through the process of analyz ing and rewriting your script, you develop a “rewriting strategy” with the goal of preparing your script for the marketplace and screenplay competitions. You must have a completed first draft of a screenplay. Prerequisite(s): Submit the feature length screenplay that you will rewrite in the course.

Reg# 392786

Fee: $795

No refund after 6 July.

A Remote 10 mtgs

Thursday, 4 7pm, July 13 Sept. 14

Remote Classroom

Enrollment limited to 12 students; early enrollment advised. Visitors not permitted. $100 non-refundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Cindy Davis, MFA, screenwriter, who has written for Pixar, Fox, Disney, Working Title, Miramax, New Line, and ABC Family. She has also worked for Disney Imagineering, designing attractions for Disney World, Shanghai Disneyland, and the new California Adventure’s Avengers Campus which opened in June 2021. Her feature film credits include Spies in Disguise, the English language screenplay for the Oscar winning film Spirited Away, and the Oscar nominated films Howl’s Moving Castle and Ferdinand. She is a recipient of the UCLA Extension Outstanding Instructor Award in Screenwriting and contrib uting author to Cut to the Chase (Gotham Books/Penguin).

Television Writing

Beginning Television Writing

Recommended for beginning students who are writing a spec script of an existing comedy or drama series. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of the work.

SCRIPT X 421.1

Half-Hour TV I

3.0 units

This course teaches you how to create an airtight story and outline the critical first step in writing a strong half hour comedy script of an existing series and a process that makes writing your script much easier, faster, and more successful. You begin by learning how to pinpoint what makes any half hour comedy show tick, studying the appeal and quirkiness of the main characters, and identifying the unique spin shows put on their stories. You then focus on your own script for a current show, finding the story and identifying the comedy in it, learning how to pitch it, and creating a workable outline from which to write. Instruction also covers the “need to know” business aspects of the half hour show, such as the current use of spec scripts to get jobs and the basics of how a comedy writer works on staff, how freelance writers move onto staff, how a writing staff is structured, and how writers work collaboratively “in the room.” All student projects must focus on current shows from a list provided by the instructor; no pilots.

Reg# 392704

Fee: $720

No refund after 25 July.

X In-Person

10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Instructor to be announced

Reg# 392708

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Andrew Osborne, MA, screenwriter and WGA member whose indie film credits include On_Line The F Word, and Apocalypse Bop Mr. Osborne received an Emmy Award for the Discovery Channel program, Cash Cab He has developed projects for Warner Bros. HBO, MTV, and Orion.

Reg# 392707

Fee: $720

No refund after 24 July.

A Remote 10 mtgs

Monday, 7 10pm, July 10 Sept. 18

Course Icons Provide

Remote Classroom No meeting Sept 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Mike Dow, TV writer/producer; WGA/DGA/PGA member, who has worked in television for over 25 years. Mr. Dow’s credits include The Nanny, Young & Hungry, and Happily Divorced, among many others. He is currently a co executive producer for Netflix’s animated series Inside Job He has sold pilots to MTV, Nickelodeon, and Universal, and is writing his first feature for Webtoons Studio.

SCRIPT X 421.3

One-Hour TV I

3.0 units

Modeled directly on how writers write in the real world of one hour dramas, this course focuses on what is most central to creating a strong script as well as the largest piece (40 percent) of the writer’s deal with any show: the story and outline. You learn to choose the best story for your script of an existing series, map it out from beginning to end, and write a strong outline in proper script format. In the process, you learn how to identify and capture the tone, characters, dialogue, and themes of any one hour drama series the key to breaking into the field. Also covered are the various genres (police procedurals, medical, legal) and their specific rules; what’s popular in the current marketplace; and how to work within the special requirements of timeslots, outlets, and styles. The course goal is to master the process of constructing an airtight story and detailed outline so you are ready to write a script for any current show as quickly and expertly as possible. All student projects must focus on current shows; no pilots.

Reg# 392710

Fee: $720

No refund after 19 July.

A Remote

10 mtgs

Wednesday, 5 8pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Margaret Lester, film and television writer, WGA member whose credits include NCIS (CBS), Manifest (NBC) and Snowfall (FX). Ms. Lester was selected for the inaugural class of Universal Pictures’ Emerging Writers Fellowship and is currently writing a feature film for Universal with Will Packer Productions.

Reg# 392711

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Erica Byrne, screenwriter and WGA member whose numerous credits include episodes of La Femme Nikita; Nowhere Man; Silk Stalkings; Hunter; Knots Landing; and Walker, Texas Ranger. She received the UCLA Extension Outstanding Instructor Award in Screenwriting.

Reg# 392709

Fee: $720

No refund after 25 July.

X In-Person

10 mtgs

Tuesday, 7 10pm, July 11 Sept. 12

UCLA Extension Gayley Center: 1145 Gayley Ave.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Ruth Fowler, MA, Welsh filmmaker, playwright, screenwriter, journalist and photographer living between London and Los Angeles. She specializes in dark, humorous drama with morally complex characters. Credits include Rules of the Game (BBC1/Hulu 2022) andThe Great Pretender (Sky)

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 101

Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1. m ONLINE Technical requirements, page 1. m HYBRID (IN-PERSON), page 1. r HYBRID (REMOTE), page 1. 7 WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED Visit our website for textbook information. C UC CREDIT May be transferable to other colleges and universities. Learn more on our website

SCRIPT X 421.2

Half-Hour TV II

3.0 units

This workshop guides you to write a solid draft spec script from your half hour comedy outline and move as far ahead as you can in polish ing it. You begin by reworking your outline to simplify your story, nail down the essence of your characters, focus and tighten scenes, create mood and pacing, and punch up dialogue from the blueprint you’ve created. You then move to the writing and polishing stage. On the business side, you deepen your knowledge of the current comedy series marketplace and map out basic career building strategies. Students must bring a complete outline to the first class. All student projects must focus on current shows; no pilots.

Prerequisite(s): SCRIPT X 421.1 Half Hour TV I, or SCRIPT X 421.1N Half Hour TV Intensive I, or department approval.

Reg# 392712

Fee: $720

No refund after 19 July.

X In-Person

10 mtgs

Wednesday, 7 10pm, July 5 Sept. 6

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Eric Abrams screenwriter/producer and WGA member, whose TV credits include Liv & Maddie, Married with Children, Abby, Gary & Mike, among many others. Mr. Abrams co wrote the film Crocodile Dundee in Los Angeles and has sold pilots to Fox, NBC, CBS, and UPN.

Reg# 392714

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Andrew Osborne MA, screenwriter and WGA member whose indie film credits include On_Line, The F Word, and Apocalypse Bop. Mr. Osborne received an Emmy Award for the Discovery Channel program, Cash Cab He has developed projects for Warner Bros. HBO, MTV, and Orion.

Reg# 392713

Fee: $720

No refund after 24 July.

A Remote 10 mtgs

Monday, 7 10pm, July 10 Sept. 18

Remote Classroom

No meeting Sept 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Tom Pinchuk, TV writer, comic book writer and WGA member, whose credits include Ben 10, 44 Cats, and Gormiti: Nature Unleashed. Mr. Pinchuk’s comics include Remember Andy Xenon, Clash of the Classics, Max Steel, Moon Lake, Hybrid Bastards, Hero Hotel, as well as stories at Heavy Metal Magazine. He has also sold and written/developed/ consulted for Cartoon Network, Lion Forge Animation, Legendary Digital, Bruckheimer Films and PBS, among many others.

SCRIPT X 421.4

One-Hour TV II

3.0 units

Mirroring the process that professionals undergo in current episodic series production, this course guides you to write a solid first draft of your script of an existing series and work on polishing it. You begin by refining your story idea and outline as needed and then write your script focusing on capturing the essence of the show through its act structure, plot and story, multiple storylines, characters, scenes, and dialogue. You also learn how to develop your career game plan and the business of the one hour drama. Students must bring a complete outline to the first class. All student projects must focus on current shows; no pilots.

Prerequisite(s): SCRIPT X 421.3 One Hour TV I or SCRIPT X 421.3N One Hour TV Intensive I or department approval.

Reg# 392717

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Erica Byrne, screenwriter and WGA member whose numerous credits include episodes of La Femme Nikita; Nowhere Man; Silk Stalkings; Hunter; Knots Landing; and Walker, Texas Ranger She received the UCLA Extension Outstanding Instructor Award in Screenwriting.

Reg# 392715

Fee: $720

No refund after 24 July.

X In-Person

10 mtgs

Monday, 7 10pm, July 10 Sept. 18

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Sept. 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Mollie St. John TV Writer, WGA Member & Animation Guild Member whose credits include Netflix’s Arcane and ABC’s Nashville. Ms. St. John currently has several projects in development, including the adapta tion of a worldwide video game. She is an alum of the WGA TV Writers Access Project.

Reg# 392716

Fee: $720

No refund after 25 July.

A Remote

10 mtgs

Tuesday, 5 8pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Philip Hoover, MFA, TV writer, and WGA member, whose credits include Big Shot (Disney+) and iZombie (CW). Mr. Hoover wrote and directed the award winning web series Language Academy (Funny or Die) and has also developed and optioned projects for Warner Bros. and HBO. He was a former correspondent for the San Francisco Chronicle and has been published in New American Writing and Scoundrel Times.

Intermediate Television Writing

Courses in this section are for students who have completed at least one draft of a spec script of an existing series. The focus is on writing and polishing a solid first draft of an original pilot. Students also gain a better understanding of the business of writing for television.

SCRIPT X 422.1

Half-Hour TV III

3.0 units

Television executives and showrunners want to read original pilots that demonstrate your unique voice and comedic sensibilities. This work shop shows you how to take your original comedy idea and develop a strong story, rife with memorable characters and even funnier jokes. Breaking story in the style of a real writer’s room, you develop a com pelling story, brainstorm, and support another’s vision. By the end of course, you have strong act breaks, a full beat outline, and a critique of the beginning pages of your original half hour pilot script.

Prerequisite(s): SCRIPT X 421.1 Half Hour TV I and SCRIPT X 421.2 Half Hour TV II; or SCRIPT X 421.1N Half Hour TV Intensive I and SCRIPT X 421.2N Half Hour TV Intensive II; or department approval.

Reg# 392718

Fee: $720 No refund after 15 July.

X In-Person

10 mtgs

Saturday, 10am 1pm, July 1 Aug. 26

UCLA Extension Gayley Center: 1145 Gayley Ave.

Saturday, 10am 1pm, Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Sept 2.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Tom Pinchuk TV writer, comic book writer and WGA member, whose credits include Ben 10, 44 Cats, and Gormiti: Nature Unleashed. Mr. Pinchuk’s comics include Remember Andy Xenon, Clash of the Classics, Max Steel, Moon Lake, Hybrid Bastards, Hero Hotel, as well as stories at Heavy Metal Magazine. He has also sold and written/developed/ consulted for Cartoon Network, Lion Forge Animation, Legendary Digital, Bruckheimer Films and PBS, among many others.

Reg# 392719

Fee: $720

No refund after 19 July. A Remote 10 mtgs

Wednesday, 6 9pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Chris Atwood writer and producer. Mr. Atwood studied playwriting under Edward Albee and performed standup comedy before turning his attention to screenwriting. He has written for shows such as 3rd Rock from the Sun Reba, Two and a Half Men 90210 and Reign and helped out on about a hundred million pilots.

Reg# 392720

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Jim Staahl writer, producer, and actor; WGA member; two time Emmy award nominee whose comedy feature credits include The Beverly Hillbillies, Under Surveillance, and Blow Hard Mr. Staahl also has written sketch/variety shows for Steve Martin, Martin Short, and Howie Mandel.

SCRIPT X 422.3

One-Hour TV III

3.0 units

Anyone who wants to work as a professional television writer has to be able to submit top notch original material to agents and showrun ners. In this fast paced course, you take your idea for a one hour TV series and turn it into an outline, write intensively, and get feedback from the instructor and fellow participants every week. Throughout this process, you learn how to envision the world of your show; create characters and conflict; build a storytelling engine; and nail down your show’s structure, tone, story, and act breaks. By the end of the course, you have strong act breaks, a full beat outline, and a critique of the first ten pages of your original one hour pilot script.

Prerequisite(s): SCRIPT X 421.3 One Hour TV I and SCRIPT X 421.4 One Hour TV II; or SCRIPT X 421.3N One Hour TV Intensive I and SCRIPT X 421.4N One Hour TV Intensive II; or department approval.

Reg# 392725

Fee: $720

No refund after 19 July.

r Hybrid (Remote)

4 mtgs

July 5 Sept. 12

Wednesday, 5 8pm, July 12 19; Aug. 30 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Zac Hug, MFA, television writer, playwright, WGA member whose credits include Drop Dead Diva, Shadowhunters, and Hallmark movies Road to Christmas and the Christmas in Evergreen series Other credits include the webseries These People, and the Outfest short film Lazy (Sunday)

Reg# 392721

Fee: $720 No refund after 25 July.

X In-Person 10 mtgs

Tuesdays, 7 10pm, July 11 Sept. 12

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Ed Horowitz, MFA, screenwriter, and WGA member whose feature film credits include Exit Wounds, starring Steven Segal and DMX; On Deadly Ground; andK-9:P.I. starring Jim Belushi. Mr. Horowitz’s television credits include La Femme Nikita and more than a half dozen pilot scripts for various networks.

Reg# 392723

Fee: $720

No refund after 25 July.

A Remote 10 mtgs

Tuesday, 5 8pm, July 11 Sept. 12

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Daniel Sussman, MFA, JD, screenwriter; WGA member who served as a staff writer for ABC’s The Practice. Mr. Sussman most recently sold his big budget disaster feature Galveston to Warner Bros. Pictures. He has sold scripts to production companies, including Polaris Pictures and NBC Television Network.

102 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971

RRR

SCRIPT X 422.2

Half-Hour TV IV

3.0 units

This workshop guides you to write a solid draft of an original pilot script from your half hour outline created in a previous course. You start by reworking your story idea and outline as needed, fixing story problems and maximizing the comic potential. Special attention is paid to refining the world, characters, tone, and story of your pilot. You then move toward completing a first draft of your script, working on scenes, dialogue, and action, until it captures your original vision and matches a network’s likely requirements. You must bring a completed story outline and the teaser pages to the first day of class.

Prerequisite(s): SCRIPT X 422.1 Half Hour TV III, or SCRIPT X 422.1N Half Hour TV Intensive III, or SCRIPT X 422.7 Dramedy TV III, or depart ment approval.

Reg# 392728

Fee: $720

No refund after 19 July.

A Remote

10 mtgs

Wednesday, 7 10pm, July 5 Sept. 6

Remote Classroom

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Teri Brown-Jackson, television writer, screenwriter, producer, and WGA member whose credits include The Parkers Tyler Perry’s House of Payne, and That’s So Raven. Teri is also a writing instructor for a nonprofit called Kids In The Spotlight. Her short film Dark Chocolate won Best Dramatic Short at IFS.

Reg# 392729

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Jim Staahl, writer, producer, and actor; WGA member; two time Emmy award nominee whose comedy feature credits include The Beverly Hillbillies Under Surveillance, and Blow Hard. Mr. Staahl also has written sketch/ variety shows for Steve Martin, Martin Short, and Howie Mandel.

Reg# 392726

Fee: $720

No refund after 24 July.

m Hybrid (In-Person)

10 mtgs

Monday, 7 10pm, July 10 24; Aug. 28 Sept. 18

UCLA Extension Lindbrook Center: 10920 Lindbrook Dr.

Monday, 7 10pm, July 31 Aug. 21

Remote Classroom

No meeting Sept 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Chip Pope MFA; TV writer/producer specializing in half hour com edy/dramedy; WGA and SAG AFTRA member, whose credits include Lopez, Beavis and Butt-Head, The Ellen DeGeneres Show, The Rosie Show, and MTV’s Austin Stories. Mr. Pope has sold or produced pilots and shows at HBO, Comedy Central, ABC, NBC, LOGO, OWN, FOX, among many others.

SCRIPT X 422.4

One-Hour TV IV

3.0 units

This workshop guides you through writing a solid draft of an original pilot script from your one hour outline created in a previous course. You start by reworking your story idea and outline as needed, fixing story problems, and maximizing the drama potential. Special attention is paid to refining the world, characters, tone, and story of your pilot. You then move toward completing a first draft of your script, working on scenes, dialogue, and action, until it captures your original vision and matches a network’s likely requirements. You must bring a completed story outline and first ten pages to the first day of class.

Prerequisite(s): SCRIPT X 422.3 One Hour TV III, SCRIPT X 422.3N One Hour TV Intensive III, or SCRIPT X 422.7 Dramedy TV III, or department approval.

Reg# 392730

Fee: $720

No refund after 15 July.

X In-Person

10 mtgs

Saturday, 10am 1pm, July 1 Sept. 9

UCLA Extension Gayley Center: 1145 Gayley Ave.

No meeting Sept 2.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Mollie St. John, TV Writer, WGA Member & Animation Guild Member whose credits include Netflix’s Arcane and ABC’s Nashville. Ms. St. John currently has several projects in development, including the adapta tion of a worldwide video game. She is an alum of the WGA TV Writers Access Project.

Reg# 392732

Fee: $720

No refund after 19 July.

M Online July 5 Sept. 12

Enrollment limited to 15 students.

Jacqueline Zambrano, writer/producer and WGA member and mul tiple award nominee, Ms. Zambrano has written for numerous shows, including CSI: Crime Scene Investigation and Star Trek. She also has created and executive produced dramatic television series for Fox, CBS, Pax, and Showtime, and the Internet.

Reg# 392731

Fee: $720

No refund after 24 July.

A Remote

10 mtgs

Monday, 7 10pm, July 10 Sept. 18

Remote Classroom

No meetings Sept 4.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted.

Gail Gilchriest producer, screenwriter, television writer, and WGA member whose credits include the reboot of Dallas, Sun Records, and the feature film My Dog Skip. Ms. Gilchriest has also developed televi sion series for ABC, CBS, NBC, and Fox, and is the recipient of the Horton Foote Award for outstanding achievement in screenwriting.

SCRIPT X 422.8

Dramedy TV IV

3.0 units

Continuing the exploration of what’s possible in the dramedy format, which emphasizes the full range of human emotions, deep character development, distinctive narratives, and experimentation with genre, this course pushes students towards completion of the half hour or one hour project they began in Writing the Dramedy Pilot I. Lectures and workshop assignments focus on the process of scripting a pilot episode designed to hook the interest of decision makers and, eventu ally, viewers via sharp dialogue and scene construction. The class also covers the importance of assessing work objectively prior to revisions and the realities of the current media landscape, including discussions of how to secure representation and the realities of selling and produc ing an original series.

Prerequisite(s): SCRIPT X 422.7 Dramedy TV III or departmental approval.

Reg# 392733

Fee: $720

No refund after 19 July.

M Online

July 5 Sept. 12

Enrollment limited to 15 students.

Advanced Television Writing

NEW

SCRIPT X 423.9

Advanced TV Pilot Intensive 6.0 units

Anyone who wants to work as a professional television writer has to be able to submit top notch original material to agents and showrun ners. In this fast paced intensive workshop, you take your idea for a half hour or one hour TV series, create a pitch document, and turn it into an outline. You write intensively, and get feedback from the instructor and fellow participants. Throughout this process, you learn how to envision the world of your show; create characters and con flict; build a storytelling engine; and nail down your show’s structure, tone, story, and act breaks. This intensive workshop then guides you through writing a solid draft of your original pilot script from your created outline, focusing on capturing the essence of the show through its act structure, plot, multiple storylines, characters, scenes, and dialogue. On the business side, you hear from guest speakers and learn how to develop your career game plan and hear about the business of television. You also hear an introduction to show running principles.

Reg# 392628

Fee: $1,590

No refund after 4 July.

A Remote 20 mtgs

Tuesday, Thursday, 5 8pm, July 11 Sept. 14

Remote Classroom

Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Adam Armus, Emmy award nominated showrunner/executive pro ducer/TV writer, and WGA member who served as a showrunner for many shows including Heroes, The Following, The Goldbergs, Quantico and Proven Innocent. Mr. Armus co created American Odyssey for NBC. His writing and producing credits also include Zoey’s Extraordinary Playlist, Heroes Reborn, The Practice, among others.

SCRIPT X 423.5

Advanced TV Series Showrunning

6.0 units

There is currently high demand for skilled showrunners, the person who generally creates the series, writes the pilot, sells the series, and stays on to run the series. In this course, you gain access to the process from the first pilot script to getting the budget to send it to pilot, with the goal of ultimately getting picked up for a series. As the overall success of the series depends on both creative and business acumen, you also gain insight into the negotiation process with the studio, network, or distributor. You learn how to staff writers and break stories; run the writers’ room; pull the production team together; work with rotational directors, production heads of departments, editors, and other matters of post production making sure all episodes are consis tent and reflect the overall series arc all while managing relationships with the network, studio, and broadcasters. Your final project will be to hand in your Series Bible complete with pilot summary and series arc. Guest speakers from the industry share inside knowledge and exam ples so you can plan your path to success as a showrunner.

Prerequisite(s): You’ll need to review a sample script, complete a questionnaire, and submit a resume for this course.

Reg# 392734

Fee: $1,590

No refund after 13 July.

A Remote 20 mtgs

Thursday, Tuesday, 5 8pm, July 20 Sept. 26

Remote Classroom

Enrollment limited to 12 students. Visitors not permitted.

$100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply.

Cynthia Hsiung, exec producer, award winning writer/director, who served as a showrunner for Young Hercules FanAddicts! and a sci fi series for Alibaba. She was part of the team that launched The Larry Sanders Show Taxi Cab Confessions and The Real World and a former development exec for HBO, MTV and Warner Bros. She is the recipient of the UCLA Extension Distinguished Instructor Award.

Enroll at uclaextension.edu or call (800) 825-9971 Writing & Journalism 103

RRR

Journalism

For more information about Journalism Certificates email humsci@uclaextension.edu or call (310) 825-7093.

JOURN X 417

Journalism Internship

3.0 units

Internships are an important first step in resume building, developing a professional network, and getting your foot in the door. The Journal ism Internship course offers Journalism Certificate students in advanced standing an opportunity to acquire real world experience, providing a crucial link between the classroom and the field. Interns work a minimum of 90 hours during one quarter and earn three units of elective credit toward the Journalism Certificate. Journalism Certifi cate students use research skills to secure their own internship. A UCLA Extension journalism instructor monitors the internship through out to ensure a substantive learning experience. Students must earn a passing grade of “B” or better to receive credit. For more information about prerequisites and the application process, email journalism@ uclaextension.edu or call (310) 825 7093.

Prerequisite(s): Open to students who have established candidacy in the Journalism Certificate and have completed 50% of the program’s curriculum, including the following prerequisite courses: JOURN X 462 Media Law and Ethics, JOURN X 440.1 Reporting and Writing I: Funda mentals of Journalism, JOURN X 440.2 Reporting and Writing II: The Practice of Journalism, and one elective, with a letter grade of “B” or better at the time of application.

Reg# 392835

Fee: $695

No refund after 19 June.

Independent Study/Internship

June 26 Sept. 17

Meetings to be arranged.

Elective course in the Journalism Certificate.

Enrollment limited; early enrollment advised. Visitors not permitted.

Enrollment deadline: July 1. 7 &

Scott Bowles, who is a retired film critic with USA Today and a former police reporter for the Washington Post, Detroit News, and Atlanta Journal Constitution. Mr. Bowles is a two time Pulitzer Prize nominee for beat reporting, including in 1991 for a project that coined the term “carjacking.”

JOURN X 439

The Art of the Interview

3.0 units

Great journalism relies on four major, interconnected skills: research, interviewing, analysis, and writing. This course helps students develop the first three, which integrate to generate the data, anecdotes, and character details necessary to tell compelling stories about the people and issues that affect our world.

Reg# 392834

Fee: $630

No refund after 30 June.

M Online

June 26 Sept. 17

Elective course in the Journalism Certificate.

Access to a video recording device (iPhone, iPad, digital camera) is highly recommended, though not required.

Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: July 1. 7 &

Richard Vega who is a newsroom executive with more than 20 years of experience at USA Weekend, The New York Times Yahoo News and digital start ups. He covered politics, health, technology, entertainment and sports as a reporter at USA Weekend magazine. He led teams covering 9/11, the wars in Afghanistan and Iraq, and the death of Princess Diana for the The New York Times’s website. As the Yahoo News editorial director, he oversaw coverage of presidential elections, the death of Osama bin Laden, and the 2011 tsunami and earthquake in Japan.

Course Icons Provide Information At-a-Glance

X IN-PERSON, page 1.

A REMOTE, page 1.

m ONLINE

Technical requirements, page 1.

m HYBRID (IN-PERSON), page 1.

r HYBRID (REMOTE), page 1.

7 WEB-ENHANCED COURSE, page 1.

& TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT

May be transferable to other colleges and universities. Learn more on our website

104 Writing & Journalism Enroll at uclaextension.edu or call (800) 825-9971