Fall 2022 Course Offerings by UCLA_Extension

FALL QUARTER 2022 COURSE OFFERINGS September 19–December 11

Explore UCLA Extension Click on the titles or the page numbers below to navigate to each section. Page numbers, URLs, and email addresses are linked throughout this document. 2

ACCOUNTING & TAXATION (310) 206-7247

ARCHITECTURE & INTERIOR DESIGN (310) 825-9061

BUSINESS & MANAGEMENT (310) 206-4271

DESIGN & ARTS (310) 206-1422

DIGITAL TECHNOLOGY (310) 206-6794

EDUCATION (310) 825-4191

ENGINEERING (310) 825-4100

ENTERTAINMENT (310) 825-9064

ENVIRONMENTAL STUDIES & PUBLIC POLICY (310) 825-7093

FINANCE & INVESTMENTS (310) 206-7247

HEALTH CARE & COUNSELING (310) 825-7093

HUMANITIES & SOCIAL SCIENCES (310) 825-7093

LANDSCAPE ARCHITECTURE & HORTICULTURE (310) 825-9414

LANGUAGES (310) 825-7093

LEGAL PROGRAMS (310) 825-0741

OSHER LIFELONG LEARNING INSTITUTE (OLLI) AT UCLA (310) 206-2693

REAL ESTATE (310) 825-2714

SCIENCES & MATH (310) 825-7093

WRITING & JOURNALISM Writers’ Program

(310) 825-9415 Journalism

(310) 825-7093

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How to Read a Course Description A

FILM TV X 476.22

Story Analysis for Film and Television B

UCLA Extension’s Course Delivery Options XIn-Person

All class meetings are taught in-person, with the instructor and all students in the same physical classroom. A Remote

All class meetings are scheduled and held online in real-time via Zoom. Course materials can be accessed any time through an online learning platform. m

Online Course content is delivered through an online learning platform where you can engage with your instructor and classmates. There are no required live meetings, but assignments are due regularly.

C D E F G H I K

v Hybrid (In-Person)

A blend of in-person class meetings and online or remote instruction—may include scheduled Zoom meetings and/or course content tailored for online learning.

a Hybrid (Remote)

Offered fully online, this blend of remote and online instruction features live class meetings via Zoom and additional course content tailored for online learning. F Hybrid (Flexible):

Attend scheduled class meetings in person or online. Live instruction is held in a physical classroom and students may elect to join all class meetings either in person or remotely via Zoom.

M Web-Enhanced Course

Internet access required to retrieve course materials.

Course Schedules Delivery format and/or ‘remote’ meeting times listed are subject to change. Please refer to the UCLA Extension website, uclaextension.edu, for up-to-date course information. Asynchronous: students engage a variety of learning materials posted on Canvas (that may include lectures, interactive discussion boards and quizzes) and interact with the instructor and other students using messaging tools. Synchronous: instruction occurs in-real time during a live, pre-scheduled Zoom session(s) where instructors and students interact. 4Course Times

All times quoted in this document’s course desciptions are Pacific Time.

A B C D

4 units Designed for aspiring readers, development executives, producers, and storytell‑ ers, this course offers a pragmatic, comprehensive overview of story analysis and the tools used by the professional reader. Throughout the course, students learn and practice coverage skills while gaining an understanding of the ele‑ ments of story. Topics include various types of coverage, how to compose story notes, comparative coverage, character breakdowns, treatments, and outlines. Through weekly assignments, participants are required to practice reading and writing for several formats and to deadline. In addition, the current job market and the various expectations of studios and independent producers are dis‑ cussed. Upon completion of the course, students have written at least two pieces of full coverage that can be used as part of a professional portfolio or for audi‑ tioning for a job as a reader or an assistant. Prerequisite: Strong English composition skills. Reg# 247926 Fee: $605 No refund after 27 June. X Remote Instruction 10 mtgs Wednesday, 7‑10pm, June 21‑Sept. 6 Elective course in Entertainment Media Certificate. Enrollment limited. Visitors not permitted. Lissa Sanders, producer and former development executive on feature, network, and cable films and miniseries

Course number Units Prerequisites Registration number

E F G H

Fee No refund date Delivery Number of meetings

J K

Start/end times and dates Other course info Instructor bio

ACADEMIC CALENDAR

Fall Quarter 2022 Classes begin September 19. Enrollment begins July 25.

By Email: enroll@uclaextension.edu

Winter Quarter 2023 Classes begin January 9. Enrollment begins November 7. Spring Quarter 2023 Classes begin April 3. Enrollment begins February 6. Summer Quarter 2023 Classes begin June 26. Enrollment begins May 1.

By Mail: UCLA Extension 1145 Gayley Avenue Los Angeles, CA 90024-3439 In Person: UCLA Extension 1145 Gayley Avenue Monday–Friday, 8am-5pm (800) 825-9971

Accounting, Taxation & Internal Audit

Enroll at uclaextension.edu or call (800) 825-9971

ACCOUNTING, TAXATION & INTERNAL AUDIT For more information call (310) 206-7247.

Accounting & Bookkeeping

MGMT X 1B

MGMT X 120B

For more information call (310) 206-1654 or email fmpcertificate@uclaextension.edu.

4.0 units 3.3 CEUs The second in a two-course Principles of Financial Accounting sequence, this course covers corporations, analysis and interpretation of financial statements, and statements of cash flows, as well as examines accounting for operations of departments and manufactur‑ ing. Additional topics include cost accounting systems and variable costing; budgeting as an aid to planning and control; authorization and issuance of capital stock; as well as reporting the results of operations, bonds payable, income taxes, and business decisions. c Prerequisite(s): MGMT X 1A Principles of Financial Accounting. Reg# 388416 Fee: $795 No refund after 14 Sept. D Hybrid (Remote) 12 mtgs Wednesday, 6:30-8pm, Sept. 21-Dec. 7 Remote Classroom M & Mark Frohnauer, CPA, MBA, owner, Frohnauer & Associates Reg# 388415 Fee: $795 No refund after 4 Nov. MOnline Oct. 31-Dec. 4 Accelerated section. Read chapters 14-16 before the first class. M & Mark Frohnauer, CPA, MBA, owner, Frohnauer & Associates

4.0 units 3.3 CEUs This is the second course in the three-course Intermediate Accounting sequence. MGMT X 120B begins with the second part of inventory accounting and then covers accounting for long-term assets and intangibles, current and long-term liabilities, and stockholders’ equity. c Prerequisite(s): MGMT X 120A Intermediate Accounting Theory and Practice. Reg# 388420 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Ming-Chun Lu, MBT, CPA, senior accountant, Northrop Grumman Reg# 388419 Fee: $795 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. M & Gary Krausz, MAcc, CPA, accounting manager, Gursey, Schneider & Co. LLP

Accounting Students who plan to become accountants in public accounting or private industry and who are preparing for the CPA examination are advised to enroll in the Accounting Certificate. Students are advised to complete MGMT X 1A and MGMT X 1B Principles of Financial Accounting (or equivalent courses) and MGMT X 422 Cost Accounting and Analysis before enrolling in the certificate, since these are prerequisites for many courses in the curriculum. Students who plan to pursue career opportunities in internal auditing and who are preparing for the CIA examination are advised to enroll in the Internal Audit Certificate. Students are advised to complete MGMT X 120A, MGMT X 120B, and MGMT X 120C Intermediate Accounting Theory and Practice (or equivalent courses) before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

MGMT X 1A

Principles of Financial Accounting

4.0 units 3.3 CEUs This course is the first in a two-course Principles of Financial Account‑ ing sequence and provides an introduction to accounting theory, principles, and practice. Instruction covers the uses, communication, and processing of accounting information, as well as the recording, analyzing, and summarizing of procedures used in preparing balance sheets and income statements. Additional topics include accounting for purchases and sales, receivables and payables, cash and invento‑ ries, plant and equipment, depreciation and natural resources, intangible assets, and payrolls. Sole proprietorships and partnerships also are examined. c Reg# 388414 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Oct. 23 Accelerated section. Read chapters 1-3 before the first class. M & Winny Poon, CPA, MBA, Reg# 388412 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Kurt Hull, MBA, CPA, consultant Reg# 388413 Fee: $795 No refund after 13 Sept. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. M & David Harmon, MBA, CPA, CIA, CFE, CCSA

Principles of Financial Accounting II

MGMT X 120A

Intermediate Accounting Theory and Practice - A

4.0 units 3.3 CEUs This is the first course in the three-course Intermediate Accounting sequence. MGMT X 120A covers the interpretation, use, processing, and presentation of accounting information and the preparation of princi‑ pal accounting statements. Topics include an overview of the concep‑ tual framework of accounting; valuation; recording; and presentation of the balance sheet, income statement, and statement of cash flows. Students are introduced to time value of money concepts, as well as accounting for cash, receivables, and the first part of inventories. c Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting and MGMT X 422 Cost Accounting and Analysis, or consent of instructor. Reg# 388418 Fee: $765 No refund after 2 Oct. A Remote 12 mtgs Monday, 6:30-9:30pm, Sept. 19-Dec. 5 Remote Classroom M & Kendall L. Simmonds, Sr., MBA Reg# 388417 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Lee Krueger, MBA, senior finance manager, Walt Disney World Co.

Intermediate Accounting Theory and Practice - B

MGMT X 120C

Intermediate Accounting Theory and Practice - C

4.0 units 3.3 CEUs This is the third course in the three-course Intermediate Accounting sequence. MGMT X 120C covers such complex accounting issues as accounting for investments, revenue recognition, pension plans, leases, accounting for income taxes, accounting changes, preparation of the statements of cash flows, and an overview of financial statement analysis. c Prerequisite(s): MGMT X 120B Intermediate Accounting Theory and Practice or consent of instructor. Reg# 388421 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Brenda Forde, MBA, CPA Reg# 388422 Fee: $795 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 29 Remote Classroom Remote Learning: M & Kendall L. Simmonds, Sr. MBA

Accounting, Taxation & Internal Audit 3

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 124A

MGMT X 422

4.0 units 3.3 CEUs This course examines intercompany transactions, partially owned subsidiaries, and parent company vs. entity theory valuation of non‑ controlling interest in subsidiaries. Topics include business combina‑ tions; accounting for mergers, consolidations, and acquisition of subsidiaries; cost vs. equity method of accounting for operations of subsidiaries; preparation of financial statements; and home office and branch office relationships. c Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice and MGMT X 422 Cost Accounting and Analysis, or consent of instructor. Reg# 388423 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Larry B. Wolod, CPA, JD, LLM Reg# 388424 Fee: $795 No refund after 3 Oct. D Hybrid (Remote) 12 mtgs Tuesday, 6-8pm, Sept. 20-Dec. 6 Remote Classroom M & Brandon Tran, CPA

4.0 units This course covers the nature, objectives, and procedures of cost accounting and control. Topics include job costing and process cost‑ ing, joint product costing, standard costs, theories of cost allocation and absorption, uses of cost accounting data for management deci‑ sion making, accounting for manufacturing overhead, cost budgeting, cost reports, distribution costs, standard costs, differential cost analy‑ sis, profit-volume relationships, and break-even analysis. Designed for people who are preparing for careers in accounting or those currently in production planning, materiel control, production control, program management, and pricing and/or purchasing. Prerequisite(s): MGMT X 1B Principles of Financial Accounting II. Reg# 388430 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Chee-Sum Tan, MBA, FCCA, CPA, CFA, ABV, controller/accounting manager, Union Bank of California Reg# 388429 Fee: $795 No refund after 3 Oct ✢ Hybrid (Flexible) 12 mtgs Tuesday, 6-7:30pm, Sept. 20-Dec. 6 Remote Classroom M & Lisa Maier, BA, CPA

Advanced Accounting Theory and Practice - A

MGMT X 124B

Advanced Accounting Theory and Practice - B

Cost Accounting and Analysis

4.0 units 3.3 CEUs This course examines partnerships and joint ventures; installment and consignment sales; receiverships, estates, and trusts; and govern‑ mental units. International operations, including accounting for transactions with foreign companies, use of foreign exchange con‑ tracts to hedge against foreign currency fluctuations, and translation of accounts of foreign subsidiaries and branches also are covered. c Prerequisite(s): MGMT X 124A Advanced Accounting Theory and Practice or consent of instructor. Reg# 388425 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Wendy Achilles, PhD, CPA Reg# 388426 Fee: $795 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Nov. 17 Remote Classroom Thursday, 6:30-9:30pm, Dec. 1-8 Remote Classroom No meeting Nov. 24. M & Tefera Beyene, BA, CPA, MBA, PhD

MGMT X 423

MGMT X 420.18

MGMT X 423.4

4.0 units This course, which takes place in a computer lab, covers the features and functions of Enterprise Business Software, often referred to as ERP Systems or Automated Accounting packages. The course covers the basic structure of these packages, order-to-cash process, procure-topay process, and financial management process. Instruction includes the following modules: general ledger, accounts payable, accounts receivable, payroll, order entry, inventory, purchasing, and executive information. The course touches briefly on manufacturing issues. Other topics include different approaches to automating accounting, data‑ base design, operating procedures, and internal controls. Participants learn several tips on the selection and implementation of e-business software, including contract negotiations, and are provided hands-on computer experience with various high-end accounting packages. Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or consent of instructor. Reg# 388427 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Early enrollment advised. M Jerald Savin, BA, CPA, CEO, Cambridge Technology Consulting Group

4.0 units This course is designed for students of accounting and international business professionals who are working for public accounting firms, corporations, and other enterprises engaged in international business, as well as governmental institutions and international organizations. Instruction covers a broad range of accounting challenges faced by multinational enterprises, including the transition from GAAP to IFRS, the ways different countries perceive and interpret certain accounting topics, and the rationale for how to deal with them. Case studies illustrate the specific day-to-day accounting issues that are encoun‑ tered in international business operations. Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or consent of instructor. Reg# 388433 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Lee Krueger, MBA, senior finance manager, Walt Disney World Co.

Accounting and Enterprise Business Systems

Financial Auditing

4.0 units This course examines the auditing principles governing the responsi‑ bilities of certified public accountants in their examination of clients’ financial statements. Professional ethics, legal liability, internal control, evaluation, sampling techniques, and audit reports are discussed. A study of the statements on auditing standards issued by the American Institute of CPAs also is discussed. Instruction emphasizes verification of the major items reported in clients’ statements, audit programs, and case studies. Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice, or consent of instructor. Reg# 388431 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Kurt Hull, MBA, CPA, consultant Reg# 388432 Fee: $795 No refund after 3 Oct. A Remote 12 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Dec. 6 Remote Classroom M & Quynh Linton, EA, MSA, MST, MBA

International Accounting

rrr

Reg# 388439 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 2-5pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited. M & Michael Miqdadi, CPA, BA Reg# 388440 Fee: $795 No refund after 6 Oct. X In-Person 11 mtgs Friday, 9am-12pm, Sept. 23-Nov. 4 UCLA Extension Gayley Center: 1145 Gayley Ave. Friday, 2-5pm, Nov. 18 UCLA Extension Gayley Center: 1145 Gayley Ave. Friday, 9am-12pm, Dec. 2-16 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited. M & No meeting Nov. 11th and 25th; one meeting to be arranged. Michael Miqdadi, CPA, BA

MGMT X 423.42

Internships in Accounting, Internal Audit, and Taxation

4.0 units This internship provides practical experience in a variety of accounting or taxation job functions within public accounting, private industry, or the nonprofit environment and offers an opportunity to apply the material previously studied in your accounting or taxation courses. Students intern with sponsoring companies for a minimum of 120 hours and must secure their internship assignment and submit all required paperwork by June 13. Prerequisite(s): Restricted to students enrolled in the Accounting, Internal Audit, or Taxation Certificates and who have completed a minimum of five courses in those areas. International students must contact the International Student Office at (310) 825-9351 to confirm eligibility. Reg# 388022 Fee: $795 No refund after 12 Sept. Independent Study/Internship Sept. 19-Dec. 4 Enrollment limited. M Andreea Alexiu,

MGMT X 423.422

Ethics in Accounting

4.0 units The business scandals of recent years have highlighted the impor‑ tance of ethical behavior in the accounting profession. This course covers the elements necessary to make proper ethical decisions by first defining what ethics are and then identifying the questions that need to be asked in everyday business practices. Key ethical stan‑ dards specific to the accounting profession are explored, highlighting the unique role of the accountant both as “trusted advisor” to his/her client and the (often conflicting) role of “reporter” of financial informa‑ tion to the marketplace and governmental agencies. The course begins with a study of the earliest models of business ethics through today’s professional requirements of the AICPA Code of Professional Conduct, the State Board of Accountancy, and other regulatory agen‑ cies. Instruction includes writing assignments, classroom lectures, and presentations based on assigned readings. Students leave this course with a better overall understanding of the challenges of ethical business practices. Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting and MGMT X 127 Federal Income Taxation or consent of instructor. Reg# 388434 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 34 hours of MCLE credit available. M & David Reinus, MBA, CPA, owner, David Reinus, CPA Reg# 388435 Fee: $765 No refund after 3 Oct. D Hybrid (Remote) 11 mtgs Tuesday, 6:30-8:30pm, Sept. 20-Nov. 29 Remote Classroom & M Roderick Fong, CPA, MBA, JD

Accounting, Taxation & Internal Audit

MGMT X 423.44

Intermediate Accounting Practice and Process

4.0 units This course is a presentation of accounting information, accounting statements, the time value of money, control of cash and receivables, inventory, the acquisition and disposal of property, plant and equip‑ ment, depreciation, liabilities, and equity. Designed for people with an undergraduate degree in fields outside of finance who are working or looking to work in a position with financial responsibilities. Reg# 388436 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Kendall L. Simmonds, Sr. MBA

MGMT X 429

Accounting for Non-Accountants

4.0 units This course is designed for non-accounting managers and personnel in organizations of all sizes who must work with and understand internal accounting/financial data—without overemphasizing the detailed mechanics and technical language of accounting. It is also appropriate for entrepreneurs and business owners who desire a greater understanding of what accounting and financial information systems can and should be supplying to them. Students gain the knowledge and skills necessary for interpreting reported accounting data and evaluating its impact, including an overview of the financial and managerial accounting process. Topics include fundamental accounting, accounting for sales, cost of sales and inventory, cash and internal control, depreciation method, financial statement analysis, and cash flow. Reg# 388437 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Rebecca Evans, MSBE, BS

MGMT X 429.4

Financial Control of Operations

4.0 units This course examines the techniques of interpreting and analyzing financial and accounting data for management control. The course covers topics such as financial information, cash flow statements, financial statement analysis, growth rate analysis, revenue recognition, earnings per share, fixed assets, inventory, financial instruments, and leases. Students develop an understanding of the financial and accounting information that is needed by management to assist in the control of operations. Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice and MGMT X 422 Cost Accounting and Analysis, or equivalent experience and consent of instructor. Reg# 388438 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Charles Yacoobian, BA, CPA

X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE, page 1. v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

Enroll at uclaextension.edu or call (800) 825-9971

Bookkeeping MGMT X 423.430

Bookkeeping and Accounting Essentials I

4.0 units This introductory course is the first course in the Bookkeeping Essen‑ tials sequence and provides an overview of the essential skills needed to be a successful bookkeeper. The course is ideal for bookkeepers and accountants who are early in their career or individuals considering a career transition. Students learn the principles of double-entry book‑ keeping, the basics of preparing financial statements, and how to analyze business transactions from an accounting standpoint. Topics include recording entries in a general ledger, preparing end-of-period worksheets and financial statements, and adjusting and closing entries accounting. Additional topics include accounting for cash; preparing bank a reconciliation; a general overview of payroll accounting; employee earnings and deductions; employer taxes and reporting; using the payroll register and journal entries; accounting for sales, cash receipts, purchases, and cash payments; and accounting for merchan‑ dise inventory using weighted average, FIFO, and LIFO methods. Reg# 388027 Fee: $765 No refund after 13 Sept. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 Remote Classroom Enrollment limited. M & Shael B. Jacobson, CPA

MGMT X 423.431

Bookkeeping and Accounting Essentials II

4.0 units This is the second course of the two course Bookkeeping and Accounting Essentials sequence. This course covers accounting for promissory notes payable and receivable and the related interest calculations; the valuation of accounts receivable using various methods to account for uncollectible accounts; and the valuation of property, plant, and equipment including various depreciation meth‑ ods and calculations. Additional subjects covered are the fundamen‑ tals of partnership accounting; corporation accounting including organization, capital stock, earnings, distributions, and the issuance of corporate bonds; the understanding and preparation of a statement of cash flows; and a basic understanding of financial statement analy‑ sis. The course also provides an overview of the design and use of Excel spreadsheets that can be tailored to keep track of primary bookkeeping tasks. Prerequisite(s): MGMT X 423.431 Bookkeeping and Accounting Essen‑ tials II. Reg# 388176 Fee: $765 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M & Jean Rhee, MBA, CPA

MGMT X 423.433

Cloud Based QuickBooks

3.0 units This course teaches participants how to use QuickBooks Online, the cloud-based version of QuickBooks. Ideal for business owners, office managers, and bookkeepers, participants use a sample company to get hands-on experience with navigating through the program. This course covers how to set up a business in QuickBooks Online, includ‑ ing how to create the chart of accounts, vendors, customers, and products and services. Management of basic transactions such as invoicing customers, writing checks, and paying bills is also covered. Participants also discuss how to reconcile bank and credit card transactions and what key financial statements are needed to review to understand the health of your business. In this course, we will cover many of the objectives covered on the QuickBooks Certified User (QBCU) exam. To complete the homework assignments, the instructor will provide each student with access to a free QuickBooks Online account, good for one year. Please contact the instructor directly for a discount code before ordering the textbook. Reg# 388264 Fee: $765 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M & Crystalynn Shelton, BA, CPA, author, QuickBooks Certified ProAdvisor Advanced Online.

Taxation For more information email toliveirademoura@uclaextension.edu. Students who plan to become tax professionals in industry or professional tax preparers are advised to enroll in the Taxation Certificate. Students are advised to complete MGMT X 1A and MGMT X 1B Principles of Accounting (or equivalent courses) before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

MGMT X 127

Federal Income Taxation

4.0 units 3.9 CEUs This course explores individual income taxation issues, including tax determination; personal and dependents exemptions; concepts and inclusions of gross income; general deductions and losses; deduction of certain business expenses and losses; depreciation, cost recovery amortization, and depletion; deduction of employee expenses; itemized deductions and losses; passive activity losses; property transaction gains and losses; nontaxable exchanges; and capital gains and losses. c Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or consent of instructor. Reg# 388023 Fee: $865 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. Dana Leland, PhD Reg# 388238 Fee: $865 No refund after 12 Sept. MOnline 13 mtgs Sept. 19-Dec. 4 Daniel Johnson, MS, CFP, EA Reg# 388129 Fee: $865 No refund after 13 Sept. A Remote 13 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 Remote Classroom Nidal Ramadan, CPA, MBA, Internal Revenue agent

MGMT X 427.122

Taxation of Property Transactions

4.0 units This course is designed for attorneys, taxation professionals, and others actively working in the real estate industry who are interested in taxation issues associated with real estate transactions. The course builds on the basic tax principles learned in MGMT X 127 Federal Income Taxation and extends those principles to their application in the sale or other transfer of property. Students are provided with a detailed analysis of the federal income tax consequences resulting from sales, exchanges, and other dispositions of property, including such topics as determining the taxable event; ascertaining basis and amount realized; ascertaining gain or loss; limitations regarding the use of losses, including the at-risk and passive activity loss provisions; the importance of the distinction between capital and ordinary loss treatment; and the applicability of various non-recognition provisions, including like-kind exchanges and involuntary conversions. Reg# 388024 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M & Steve Rubens, JD, MBA

Accounting, Taxation & Internal Audit 5

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 427.13

Payroll Tax and Accounting

4.0 units This course provides a fundamental introduction to the complexities and responsibilities of payroll tax laws, forms, and accounting and is targeted to those who employ others, are responsible for complying with the various tax laws, or work in a payroll department. The course extends beyond learning the traditional payroll tax forms and is intended for employers and accountants who have multinational payroll responsibilities as well as for those who are preparing for the Certified Payroll Professional (CPP) Examination. After completion, students should have the skills to set up a rudimentary payroll tax system for a small office or business, as well as setting up and/or operating a payroll system within a larger corporation. The deposit requirements, penalties, and how these forms are to be used and filed are covered in addition to some exposure to tax treaties. Lectures include the use of workbook examples and the completion of tax forms required by the taxing authorities. Reg# 388314 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M & Dana Leland, PhD

MGMT X 427.8

Taxation of Corporations and Shareholders

4.0 units This course examines classification of corporations and associations, organization of corporations, transfers of property to and from a cor‑ poration, small business stock, dividend distributions, earnings/profits, property dividends, basic problems in redemption of stock, attribution rules, and partial and complete liquidations. Instruction also covers accumulated earnings, subchapter S, and transactions between cor‑ porations and shareholders. Prerequisite(s): MGMT X 127 Federal Income Taxation, equivalent experi‑ ence, or consent of instructor. Reg# 388025 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M & Shafagh Ghiassi, JD, LLM

MGMT X 427.9

Partnership Taxation

4.0 units This course covers tax and legal aspects of forming, operating, and dissolving partnerships. Topics include the definition and conduct of a partnership; property, services, basis, and holding periods; interest and liabilities; operational and at-risk rules; allocation of distributive shares; transactions between partners; disposition of interest and property; distributions involving 751 assets; termination and 736 pay‑ ments; death of partner; and setting up family and limited partner‑ ships as an association for tax purposes. Prerequisite(s): MGMT X 127 Federal Income Taxation or equivalent experience and consent of instructor. Reg# 388236 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M & Tefera Beyene, BA, CPA, MBA, PhD

Enrolled Agent MGMT 822.22B

Enrolled Agent Examination Preparation: Businesses

4.8 CEUs This section covers accounting methods, basis, and depreciation; limited versus general partnerships; sole proprietorships; business expenses; K-1 reporting; C Corporations; S Corporations; decedent, estate, and trust income taxation; and exempt organizations. Reg# 388177 Fee: $495 No refund after 28 Sept. A Remote 13 mtgs Wednesday, 6-10pm, Oct. 5-Nov. 9 Remote Classroom Saturday, 8:30am-12:30pm, Oct. 8-Nov. 5 Remote Classroom Monday, 6-10pm, Oct. 17 Remote Classroom Saturday, 8:30am-3:45pm, Nov. 12 Remote Classroom Flora Basa, BS, CPA, revenue agent, Internal Revenue Service (retired) Charlotte Edginton, MA, appeals officer, Internal Revenue Service (retired)

MGMT 822.22D

Enrolled Agent Examination Preparation: Representation, Practice, and Procedures

1.2 CEUs This section covers practice before the IRS, income tax preparers and penalties, representation, collection procedures, examination of returns, and the appeals process. Reg# 388237 Fee: $245 No refund after 23 Nov. A Remote 3 mtgs Wednesday, 6-10pm, Nov. 30-Dec. 7 Remote Classroom Saturday, 8:30am-12:30pm, Dec. 3 Remote Classroom Charlotte Edginton, MA, appeals officer, Internal Revenue Service (retired) Flora Basa, BS, CPA, revenue agent, Internal Revenue Service (retired)

Reg# 388267 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M & Didem Komaromi, CPA, supervisor, technology risk advisory consultant Reg# 388114 Fee: $795 No refund after 15 Sept. X In-Person Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA: Math Sciences Enrollment limited. M & Chen Chihwen, MBA, PhD, Value Analysis Coordinator, UCLA Health System

MGMT X 423.429

Federal Contracts and Grants

4.0 units This course taught by experts in the field will review the internal controls, fund management processes, reporting and others skills required when working with Federal Contracts and Grants. Beginning with the foundational terminology, types of contracts and grants, and internal controls before delving deeper into CPSR Audits and Single Audits. Reg# 388040 Fee: $795 No refund after 12 Sept. A Remote 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 Remote Classroom Enrollment limited. M & Christina Chen, BA in Business Economics from the University of California, Santa Barbara; Master of Public Administration from Cali‑ fornia State University, San Bernardino. Ms. Chen is a Certified public accountant and a certified internal auditor. Her experience encom‑ passes financial auditing for government entities and internal auditing for higher education institutions for over 12 years. Wendee , BA in Economics from Yale University; MA in Business Administration from Hawaii Pacific University. Ms. Shinsato is a certified public accountant and certified internal auditor. She is an Assistant Vice Chancellor of Audit and Advisory Services with oversight of the assur‑ ance audit function at the California State University, Chancellor’s Office. She has over 16 years of internal audit experience and is an active member of the association for college and university auditors.

MGMT 828.501AC

Internal Audit

CIA Exam Review Comprehensive: Parts 1-3

MGMT X 423.2

Internal Auditing

4.0 units This course introduces students to the internal audit profession and the internal audit process and is designed for accounting, auditing, and business students; CPAs, CIAs, and CMAs or candidates; control‑ lers and internal auditors; financial and auditing managers; corpo‑ rate executives; and federal and state auditors and managers. Topics include the definition of internal auditing, the IIA’s International Professional Practices Framework (IPPF), risk, governance and control issues, and conducting internal audit engagements—includ‑ ing report writing and interviewing skills. Additional topics covered are Internal Auditing (IA) standards; internal controls; managing the IA department; IA working papers, procedures, evidences, sampling, and flowcharting; 30 major areas of operational auditing, such as production, marketing, finances, information and digital communica‑ tions technology, purchasing, and personnel; fraud detection, including a discussion of the latest developments in financial crimes; major areas of management auditing; IA reports; and evalu‑ ation of the IA function. Prerequisite(s): MGMT X 120A, B, and C Intermediate Accounting Theory and Practice or consent of instructor. Reg# 388032 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M & Jim Tiao, BA, MBA, CIA, CISA

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8.0 CEUs Enrollment into this comprehensive series encompasses all three sections of the CIA Exam Review: Part 1 Internal Auditing Basics; Part 2 Internal Audit Practice; and Part 3 Internal Audit Knowledge Ele‑ ments. This review course utilizes The Institute of Internal Auditors CIA Learning System program, designed to provide comprehensive and flexible training to CIA candidates worldwide. Students may also enroll in each section individually. Reg# 388518 Fee: $1,425 No refund after TBD MOnline CIA Learning System course materials are not included and must be purchased separately. Enrollment limited. Instructor to be announced

Architecture & Interior Design

Enroll at uclaextension.edu or call (800) 825-9971

ARCHITECTURE & INTERIOR DESIGN For more information call (310) 825-9061. Prerequisite Foundation Level These courses provide fundamental knowledge and skills in the field of interior design. For more information on the Master of Interior Architecture degree program, see page 00. For information on enrollment, location, and space availability call (800) 825-9971. For information on course content email arc_id@uclaextension.edu, visit arcid.uclaextension.edu, or call (310) 825-9061. For online course technical requirements see page 1.

Design Fundamentals ARCH X 438

Fundamentals of Interior Architecture

4.0 units This course is an introduction to the process of commercial and resi‑ dential interior design. Lectures and projects introduce students to design theory, principles of design, design vocabulary, design psychol‑ ogy, methods of programming, and the history of design in Los Angeles and Southern California. Students learn about the human element in design, sustainable design, the materials used in interior design, and the process of design as practiced in professional offices. Guest lecturers include some of L.A.’s most distinguished architects and interior designers. Reg# 388695 Fee: $635 No refund after 26 Sept. A Remote 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Nov. 28 Remote Classroom Eleanor Schrader, MBA, Loyola Marymount University. Ms. Schrader has done graduate work in fine and decorative arts at Sotheby’s Institute in London and New York and graduate studies in architectural history at USC. She was a recipient of the UCLA Extension Department of the Arts Instructor of the Year Award in 2002, and the UCLA Exten‑ sion Distinguished Instructor Award in 2008.

ARCH X 467.17A

Design Communication I

6.0 units This beginning course focuses on basic freehand drawing and draft‑ ing. All the components essential to good drawing are presented and discussed. Working almost exclusively in black-and-white, students embark on a series of exercises that introduce important visual con‑ cepts—composition and design, contour and line, proportion and scale, plan and section, form and space, tone and shadows—plus the ability to create drawings that are rich in both information and psychological content. This class is based on the U.S. standard measurements of feet and inches and not the international metric system. Media covered include a variety of sketching and drafting tools.

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Reg# 388213 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 Salvatore Leonardi, BArch Polytechnic of Milan, Italy; MArch Poly‑ technic of Turin, Italy; graduate of the UCLA Extension Arc-ID Program. Mr. Leonardi heads his own independent practice as a licensed architect specializing in interior architecture, surface materials, historic conservation, and industrial design. Reg# 388211 Fee: $799 No refund after 27 Sept. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Mamun Hashem, BSc in architecture, The University of Texas at Arlington; Master of Interior Architecture, UCLA Extension-Cal Poly Pomona. Creator of Studio Mamun; freelance design professional with extensive formal training and a broad portfolio of experience from Gensler, HOK, Westfield, and Studio MAI. Reg# 388212 Fee: $799 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 Remote Classroom David Alvarez, BA in Architecture, Pratt Institute; designer/principal, Studio Alvarez. Mr. Alvarez specializes in high-end residential archi‑ tecture and offers services in design, interiors, and construction administration. Reg# 388214 Fee: $799 No refund after 29 Sept. A Remote 11 mtgs Thursday, 2:30-5:30pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. Instructor to be announced

ARCH X 466E

Design Communication II

6.0 units This course further introduces the student to the use of line drawings as a medium for communicating design concepts. Beginning with the connections of architectural plan, section, and elevation, the course proceeds to explore the full range of constructed line drawings, includ‑ ing axonometric, one-point perspective, and model-making. This course uses U.S. standard basic units of length (inch, foot, yard, etc.), not the international metric system. Two conceptual design projects help develop skills in communicating design ideas. Prerequisite(s): ARCH X 467.17A Design Communication I.

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Reg# 388207 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 Salvatore Leonardi, BArch Polytechnic of Milan, Italy; MArch Poly‑ technic of Turin, Italy; graduate of the UCLA Extension Arc-ID Program. Mr. Leonardi heads his own independent practice as a licensed architect specializing in interior architecture, surface materials, historic conservation, and industrial design. Reg# 388203 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 Lawrence Drasin, BS, industrial designer who specializes in special effects; recipient of the UCLA Extension Department of the Arts Instructor of the Year Award, 2002 and 2009, and UCLA Extension Distinguished Instructor Award, 2010. Reg# 388201 Fee: $799 No refund after 26 Sept. X In-Person 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Nov. 28 UCLA Extension Gayley Center: 1145 Gayley Ave. M Mamun Hashem, BSc in architecture, The University of Texas at Arlington; Master of Interior Architecture, UCLA Extension-Cal Poly Pomona. Creator of Studio Mamun; freelance design professional with extensive formal training and a broad portfolio of experience from Gensler, HOK, Westfield, and Studio MAI.

ARCH X 466F

Design Communication III

6.0 units This course helps students translate 2D floor plans into 3D space. Exercises, including the creation of quick-sketch vignettes, expand the student’s ability to visualize design concepts and communicate them rapidly and vividly. Prerequisite(s): ARCH X 466E Design Communication II. Reg# 388205 Fee: $799 No refund after 14 Sept. A Remote 11 mtgs Wednesday, 1-4pm, Sept. 21-Nov. 30 Remote Classroom M Alex Dorfman, BFA, Cleveland Institute of Art; designer with broad experience in interior, environmental, and graphic design. Mr. Dorfman received the UCLA Instructor of the Year Award, 2012. Reg# 388204 Fee: $799 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 Remote Classroom M Alex Dorfman, BFA, Cleveland Institute of Art; designer with broad experience in interior, environmental, and graphic design. Mr. Dorfman received the UCLA Instructor of the Year Award, 2012.

Architecture & Interior Design 7

Enroll at uclaextension.edu or call (800) 825-9971 ARCH X 454A

Elements of Design I

4.0 units An introduction to design fundamentals, including exercises in figureground relationships, color interaction, line, texture, shape, scale, balance, rhythm, emphasis, and organization of elements in the 2D plane, this course develops perceptual skills, sensitivity, creative awareness, and the technical ability necessary to handle a variety of design media. Reg# 388195 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 Alvalyn Lundgren, BFA, Art Center College of Design, founder of Alvalyn Creative, a design practice focusing on visual branding and design for marketing. Her clients include CSUN, City of Los Angeles, Epson, Baxalta US, and Southern California Edison. Reg# 388194 Fee: $799 No refund after 26 Sept. MOnline 11 mtgs Sept. 19-Nov. 28 M Tatyana Zhukova, BS, MS, CCIDC. Ms. Zhukova is the co-owner and interior designer for Interior AT Design Inc. and has worked on resi‑ dential and commercial projects in Russia, Ukraine, and United States. She teaches at California State University Northridge, Art Institutes of California, and has published articles relating to design for the elderly population and generative pattern design. Reg# 388193 Fee: $799 No refund after 26 Sept. MOnline 11 mtgs Sept. 19-Nov. 28 M Instructor to be announced Reg# 388197 Fee: $799 No refund after 28 Sept. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M Edward Varias, BFA, CSULB, MA, Argosy; founder, Edward Varias Design. Mr. Varias is an L.A.-based interior designer who has worked with JS Sugita & Assoc and Gensler. His projects include Will Rogers Airport and Beverly Pediatric Medical Group. He has been featured in print and on the Christopher Lowell Show. Reg# 388196 Fee: $799 No refund after 29 Sept. A Remote 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. Edward Varias, BFA, CSULB, MA, Argosy; founder, Edward Varias Design. Mr. Varias is an L.A.-based interior designer who has worked with JS Sugita & Assoc and Gensler. His projects include Will Rogers Airport and Beverly Pediatric Medical Group. He has been featured in print and on the Christopher Lowell Show.

ARCH X 454B

Elements of Design II

4.0 units A continuation of lectures, demonstrations, and exercises dealing with the understanding of design fundamentals, this course examines abstract structuring in 2D and 3D design, use of construction materials, and fundamentals of modular systems and their modifications and variations. Prerequisite(s): ARCH X 454A Elements of Design I. Reg# 388200 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 M Alvalyn Lundgren, BFA, Art Center College of Design, founder of Alvalyn Creative, a design practice focusing on visual branding and design for marketing. Her clients include CSUN, City of Los Angeles, Epson, Baxalta US, and Southern California Edison.

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Reg# 388199 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 M Salvatore Leonardi, BArch Polytechnic of Milan, Italy; MArch Poly‑ technic of Turin, Italy; graduate of the UCLA Extension Arc-ID Program. Mr. Leonardi heads his own independent practice as a licensed architect specializing in interior architecture, surface materials, historic conservation, and industrial design. Reg# 388198 Fee: $799 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom M Tatyana Zhukova, BS, MS, CCIDC. Ms. Zhukova is the co-owner and interior designer for Interior AT Design Inc. and has worked on resi‑ dential and commercial projects in Russia, Ukraine, and United States. She teaches at California State University Northridge, Art Institutes of California, and has published articles relating to design for the elderly population and generative pattern design.

ARCH X 452.1

Color Theory and Application

4.0 units This course covers the study of the perception of color, its permuta‑ tions, and its dimensions using traditional as well as contemporary methods with an emphasis on individual experimentation through lab exercises and demonstrations. Topics include the color wheel; Munsell and Albers theories; perception, symbolism, and psychology; patternpainting techniques; and the applications of color theories to art, architecture, and interior design. Student projects and lectures com‑ bine intense exploration of theories with hands-on experience in a variety of media. Prerequisite(s): ARCH X 454A Elements of Design I or consent of pro‑ gram advisor. Reg# 388191 Fee: $799 No refund after 26 Sept. MOnline Sept. 19-Nov. 28 M & Alvalyn Lundgren, BFA, Art Center College of Design, founder of Alvalyn Creative, a design practice focusing on visual branding and design for marketing. Her clients include CSUN, City of Los Angeles, Epson, Baxalta US, and Southern California Edison. Reg# 388192 Fee: $799 No refund after 27 Sept. A Remote 10 mtgs Tuesday, 6:30-10pm, Sept. 20-Nov. 22 Remote Classroom M & Tiffany Sands, BA, fine arts, Cal Poly Pomona; department chair and instructor of Secondary Art Education. Ms. Sands teaches AP, honors, and standard art in the public sector in the visual arts. She currently works on her own art and is active in the art community. Reg# 388189 Fee: $799 No refund after 27 Sept. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M & Edward Varias, BFA, CSULB, MA, Argosy; founder, Edward Varias Design. Mr. Varias is an L.A.-based interior designer who has worked with JS Sugita & Assoc and Gensler. His projects include Will Rogers Airport and Beverly Pediatric Medical Group. He has been featured in print and on the Christopher Lowell Show.

ARCH X 427.7

Surface Materials

4.0 units An introduction to surface materials for interior designers, this course covers the selection and use of textiles, wall coverings, hard and soft surfaces, floor coverings, rugs, ceramic and vinyl tile, woods, and plastics. Instruction includes illustrated lectures, demonstrations, guest speakers, field trips, and research assignments. Prerequisite(s): All courses through the third quarter in the Interior Design Certificate (see curriculum sequence). Reg# 388181 Fee: $799 No refund after 26 Sept. A Remote 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Nov. 28 Remote Classroom M & Mark Lewison, MS, University of Massachusetts; principal, Mark Lewison Design. Mr. Lewison designs and markets interior designcentered software (apps) for smart devices. He has utilized his profes‑ sional background to teach lighting design, surface materials, specifications, and design studio courses since 2007. Reg# 388183 Fee: $799 No refund after 27 Sept. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M & Klara Kanai, BA, Woodbury University; MA, Cal State L.A.; interior designer specializing in residential and commercial design; principal, Kanai & Associates, which offers a broad range of interior design services. Reg# 388182 Fee: $799 No refund after 29 Sept. A Remote 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. M & Charrisse Johnston, FASID, LEED AP, WELL AP; principal, studioSALT. A graduate of UCLA Extension’s Interior Design Program and former Chair of the American Society of Interior Designers, she has designed corporate, multi-family, educational and residential projects in LA, NY, Portland and Cape Town.

ARCH X 467.15

Lighting Design

4.0 units This course covers basic lighting topics, including light and texture, light and color, focal lighting, light sources, fixture schedules, switch‑ ing patterns, and the required drawings used by designers in both residential and commercial spaces. Instruction includes lectures, research, and student projects. Prerequisite(s): All courses in the Interior Design Certificate through the fourth quarter (see curriculum sequence) or consent of program advisor. Reg# 388209 Fee: $799 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 Remote Classroom Kathy Pryzgoda, BA in theatre, UCLA; owner/principal designer, Light Studio LA, Inc. Ms. Pryzgoda’s credits include Design Within Reach Stores, Hollywood Bowl, Pacific Symphony, ABC’s World News Tonight, Long Beach: Opera, and Jazz Tap Ensemble. Recipient, UCLA Extension Arts Department Instructor of the Year Award, 2011. Reg# 388206 Fee: $799 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Mark Lewison, MS, University of Massachusetts; principal, Mark Lewison Design. Mr. Lewison designs and markets interior designcentered software (apps) for smart devices. He has utilized his profes‑ sional background to teach lighting design, surface materials, specifications, and design studio courses since 2007.

Architecture & Interior Design

Design Software CAD COURSE REQUIREMENTS Prerequisite: All CAD courses assume knowledge of drafting principles and basic PC (Windows) computer skills. Advanced CAD courses assume knowledge of the application as defined in the introductory course. Note: All computer courses are taught on a Windows platform in computer labs. Mac users may download Mac-compatible versions of AutoCAD, Photoshop, Illustrator, SketchUp/SketchUp Pro, and Podium for laptop or home use but will be responsible for learning mouse clicks or keystroke conversion independently. There are currently no Mac versions of Revit or 3ds Max Design. Mac users may work in a Windows partition using Parallels or other Windows emulation soft‑ ware. For more information call (310) 825-9061. All CAD courses are fast-paced and complex; absence from any meet‑ ing is discouraged. The courses require at least three hours of com‑ puter work outside of class per week. Lab hours are not available; therefore, students must have access to their own hardware and software for the courses in which they enroll. FREE SOFTWARE AND SOFTWARE LICENSES Students may download free student versions of Revit and AutoCAD upon proof of student status through the Autodesk Education Com‑ munity website. Students also may be eligible for academic rates on other software for their own home computer. Prices and restrictions are subject to change by the software developers. Software versions should reflect the version used in class; an older version may not possess the same interface or tools demonstrated in class. It is each student’s responsibility to verify that his/her computer meets the software’s minimum system requirements. For more information call (310) 825-9061.

ARCH X 468.6A

SketchUp

2.0 units This comprehensive hands-on workshop covers the basic 2D and 3D commands necessary to construct 3D objects and interiors using the award-winning SketchUp software. Developed for the conceptual stages of design, this “pencil of digital design” is powerful yet easy to learn. Students use an existing floor plan to design a project that incorporates 3D interiors and various types of renderings. Students learn advanced commands, such as modifying, editing, and offsetting 3D objects. Additional topics are the fundamentals of creating textures, defining materials, using architectural dimensioning, using perspective and isometric views, creating sections, and editing text. Reg# 388693 Fee: $625 No refund after 26 Sept. MOnline Sept. 19-Oct. 23 Software requirement: the most recent version of SketchUp. M Orlando Flores, BArch, Catholic University of El Salvador; AS in interior design, College of the Canyons. His professional experience includes mixed-use developments, affordable housing, hotels, high-end resi‑ dences, and restaurants. He also consulted for Honda Performance Development and Cataldo Architects.

ARCH X 468.6B

Advanced SketchUp

2.0 units This advanced course pushes your basic SketchUp skills to the next level. You develop a model that includes interior and exterior spaces. This course is designed to provide the necessary skills to thoroughly develop a model for presentation and construction purposes. Advanced topics such as custom material creation; importing CAD files as background; creating custom furniture and fixture components, styles, and walk-throughs; and organizing a heavier model using scenes and layers are covered in this course. SketchUp Layout, a fantastic tool for translating a model into working drawings, is also introduced. This course is ideal for the designer looking to maximize his or her skills with this powerful design communication software. Prerequisite(s): ARCH X 468.6A SketchUp or equivalent experience; a basic knowledge of SketchUp. Reg# 388694 Fee: $625 No refund after 7 Nov. MOnline Oct. 31-Dec. 4 Software requirement: The most recent version of SketchUp. Enrollment limited; early enrollment advised. M Orlando Flores, BArch, Catholic University of El Salvador; AS in interior design, College of the Canyons. His professional experience includes mixed-use developments, affordable housing, hotels, high-end resi‑ dences, and restaurants. He also consulted for Honda Performance Development and Cataldo Architects.

Enroll at uclaextension.edu or call (800) 825-9971 ARCH X 468.20

Digital Presentation I: Photoshop/Illustrator

4.0 units This comprehensive, hands-on course introduces designers to digital design tools. The course begins with an overview of architectural and interior design concepts; students also review client presentations and see how they were created. Students learn why the use of these professional tools is essential to the creative process of design and presentation production and are introduced to using the computer for drawing, illustration, and layout. Fundamentals of layout, typographic design, scanning, and image-enhancement software are covered, and students present projects in class. Software applications covered include Adobe Photoshop and Illustrator. This course is equivalent to Cal Poly Pomona INA 550. Prerequisite(s): Working knowledge of Windows or Mac operating systems. Software requirements: the most recent versions of Illustrator and Photoshop. Reg# 388618 Fee: $935 No refund after 27 Sept. MOnline Sept. 20-Nov. 29 This course is equivalent to Cal Poly Pomona INA 550. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. & Beth Rabkin, MArch, University of Pennsylvania; owner of creative design firm Seaview Studios. Ms. Rabkin provides multidisciplinary services to corporations and individuals and designs residential interiors, high-end retail, and mixed-use projects. She is an expert in presenting ideas through the use of 2D and 3D architecture technology programs. Reg# 388616 Fee: $935 No refund after 27 Sept. MOnline Sept. 20-Nov. 29 This course is equivalent to Cal Poly Pomona INA 550. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. & Beth Rabkin, MArch, University of Pennsylvania; owner of creative design firm Seaview Studios. Ms. Rabkin provides multidisciplinary services to corporations and individuals and designs residential interiors, high-end retail, and mixed-use projects. She is an expert in presenting ideas through the use of 2D and 3D architecture technology programs. Reg# 388696 Fee: $935 No refund after 28 Sept. A Remote 12 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Dec. 7 Remote Classroom No meeting Nov. 23. This course is equivalent to Cal Poly Pomona INA 550. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. & Lauren Rad, BA, Art History, UCLA; MIA, UCLA Extension—Cal Poly Pomona. Visual designer and in-home stylist at Williams-Sonoma, Inc. Ms. Rad works as a decorative designer specializing in residential projects in Los Angeles.

ARCH X 468.5A

Digital Presentation II: 2D CAD/AutoCAD

4.0 units This course covers the basic AutoCAD commands used to create and edit 2D CAD drawings, as well as drawing setup, layer control, dimen‑ sioning, symbol libraries, display commands, external references, attributes, paperspace/modelspace, and methods for importing and exporting files between SketchUp and AutoCAD. Students prepare a basic set of construction documents that include floor plans, eleva‑ tions, sections, and details. Prerequisite(s): ARCH X 468.20 Digital Presentation I: Photoshop/ Illustrator. Software requirement: The most recent version of AutoCAD. A student version of the AutoDesk software is provided for free upon proof of student status. Review CAD course requirements. Reg# 388625 Fee: $935 No refund after 29 Sept. MOnline Sept. 22-Dec. 1 This course is equivalent to Cal Poly Pomona INA 551. Enrollment limited; early enrollment advised. M Shane Bartley, BA, UCLA; manager, IT Training, Disney Imagineering, where he oversees national training and development in 33 software curricula.

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Reg# 388623 Fee: $935 No refund after 29 Sept. MOnline Sept. 22-Dec. 1 This course is equivalent to Cal Poly Pomona INA 551. Enrollment limited; early enrollment advised. M Shane Bartley, BA, UCLA; manager, IT Training, Disney Imagineering, where he oversees national training and development in 33 software curricula. Reg# 388697 Fee: $935 No refund after 29 Sept. A Remote 11 mtgs Thursday, 2:30-6pm, Sept. 22-Dec. 1 Remote Classroom No meeting Nov. 24. This course is equivalent to Cal Poly Pomona INA 551. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. Visitors only permitted at the first class if space allows. Luis de Moraes, AIA-ASID-LEED AP BD+C; principal, EnviroTechno Architecture Incorporated. A graduate of UCLA Extension’s Interior Design Program, Mr. de Moraes has been practicing for more than 30 years. His experience includes many well recognizable commercial, hospitality, and residential projects.

ARCH X 468.5B

Digital Presentation III: 3D CAD (Using SketchUp, SU Podium, and AutoCAD)

4.0 units This continuation of ARCH X 468.5A Digital Presentation II: 2D CAD/ AutoCAD covers the basic commands necessary to construct and view in 3D. Using SketchUp software, students draw a floor plan while simultaneously creating a complete 3D virtual building. Instruction covers the accurate drawing of walls, doors, windows, details, and other 3D objects. Additionally, the course covers numerous basic menu commands and other features, such as modifying, editing, offsetting, layers, line types, color, solid modeling, perspectives, rasterizing, lay‑ outs, printing, plotting, and methods for importing and exporting files between SketchUp and AutoCAD. Prerequisite(s): ARCH X 468.5A Digital Presentation II: 2DCAD/AutoCAD. Software requirement: The most recent version of AutoCAD. A student version of the AutoDesk software will be provided for free upon proof of student status. Review CAD course requirements. Reg# 388857 Fee: $935 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 This course is equivalent to Cal Poly Pomona INA 554. M & Mark Owen, BArch, Woodbury University; MArch, UCLA; professor of architecture, Woodbury University; director of technology, senior associate, Johnson Fain. The primary focus of his 20+ year career has been the integration of digital media and technology into the design, production, fabrication, and construction process. Reg# 388856 Fee: $935 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 This course is equivalent to Cal Poly Pomona INA 554. M & Mark Owen, BArch, Woodbury University; MArch, UCLA; professor of architecture, Woodbury University; director of technology, senior associate, Johnson Fain. The primary focus of his 20+ year career has been the integration of digital media and technology into the design, production, fabrication, and construction process.

Architecture & Interior Design 9

Enroll at uclaextension.edu or call (800) 825-9971 ARCH X 468.13A

Digital Presentation II: Revit Architecture I

4.0 units Through lecture and demonstration, this hands-on workshop intro‑ duces the basic concepts and tools of Revit, a building information modeling program for architects and interior designers. Students are introduced to Revit’s powerful 3D model organization to visualize, present, and create construction documents. Students learn how this unique software enables design professionals to save time and reduce errors, since design changes are automatically coordinated throughout the entire model and drawing set. Prerequisite(s): ARCH X 468.20 Digital Presentation I: Photoshop/Illustra‑ tor. Software requirement: The most recent version of Revit Architecture. A student version of the AutoDesk software is provided for free upon proof of student status. Review CAD course requirements. Reg# 388704 Fee: $935 No refund after 27 Sept. MOnline Sept. 20-Nov. 29 This course is equivalent to Cal Poly Pomona INA 552. Enrollment limited; early enrollment advised. M Mark Owen, BArch, Woodbury University; MArch, UCLA; professor of architecture, Woodbury University; director of technology, senior associate, Johnson Fain. The primary focus of his 20+ year career has been the integration of digital media and technology into the design, production, fabrication, and construction process. Reg# 388698 Fee: $935 No refund after 1 Oct ✢ Hybrid (Flexible) 10 mtgs Saturday, 9am-12:30pm, Sept. 24-Dec. 3 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. This course is equivalent to Cal Poly Pomona INA 552. Attendance at the first class is mandatory. Enrollment limited; early enrollment advised. Visitors only permitted at the first class if space allows. Ben Mansouri, IDP, NCARB, pending AIA, MS in manufacturing engi‑ neering, Murray State University; Autodesk-certified BIM instructor with more than 20 years of architectural and structural experience. Mr. Mansouri received the UCLA Extension Arts Department Instructor of the Year Award, 2012.

ARCH X 438.13B

Digital Presentation III: Revit Architecture II

4.0 units This continuation of ARCH X 438.13A Revit Architecture I covers advanced editing commands, introduction to families, sharing informa‑ tion, viewing tools, visualization, annotation, and construction docu‑ ments. Students prepare worksets, room schedules, walkthroughs, and solar studies and utilize other advanced drawing features. Prerequisite(s): ARCH X 438.13A Revit Architecture I, or consent of instructor. Software requirement: The most recent version of Revit Architecture. A student version of the AutoDesk software will be provided for free upon proof of student status. Review CAD course requirements. Reg# 388700 Fee: $935 No refund after 1 Oct ✢ Hybrid (Flexible) 10 mtgs Saturday, 1-4:30pm, Sept. 24-Dec. 3 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. This course is equivalent to Cal Poly Pomona INA 555. Enrollment limited; early enrollment advised. Visitors only permitted at the first class if space allows. Ben Mansouri, IDP, NCARB, pending AIA, MS in manufacturing engi‑ neering, Murray State University; Autodesk-certified BIM instructor with more than 20 years of architectural and structural experience. Mr. Mansouri received the UCLA Extension Arts Department Instructor of the Year Award, 2012.

Design Studios ARCH X 433

Interior Architecture Studio I

6.0 units In this first in a series of studio courses, students are given the opportunity to apply fundamental design principles to the layout of interior spaces. Starting with the development of a design concept, students learn how to develop a space while incorporating the ele‑ ments of ergonomics and human factors. Students also explore methods of analyzing a client’s program, beginning with the bubble diagram, the block plan, and the adjacency requirements. Through a series of assignments, students become familiar with current ADA codes and clearance requirements, as well as the required circulation and exit paths for a variety of building types. Prerequisite(s): Completion of Design Communication I, II, and III with a grade of B or better. Reg# 388187 Fee: $995 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 6:45-10pm, Sept. 20-Nov. 29 Remote Classroom Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. M Nicole Villamin, BFA, MIA, who is an interior designer at an architec‑ ture, urban design + planning, and interiors firm. She has worked on a mélange of projects, ranging from high-end residential to hospitality, government, and workplace environments, from programming all through construction administration and FF&E. As a former industrial designer, Ms. Villamin received her bachelors at the University of Illi‑ nois Champaign-Urbana, and continued her education through the joint UCLA Extension and California State Polytechnic University program for her Master of Interior Architecture degree. Reg# 388824 Fee: $995 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 6:45-10pm, Sept. 20-Nov. 29 Remote Classroom Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. M Instructor to be announced Reg# 388188 Fee: $995 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 6:45-10pm, Sept. 21-Nov. 30 Remote Classroom Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. M Instructor to be announced

ARCH X 430A

Interior Architecture Studio II

6.0 units This studio course introduces students to the process of linking rooms and spaces by architectural promenades. The defining of public vs. private space is examined as a principle means of spatial organization. A realistic residential situation is considered as students design a small single-family residence with full code compliance and learn to create environments that relate the atmospheric qualities of individual rooms to an overall concept of movement through space. Prerequisite(s): ARCH X 433 Interior Architecture Studio I or consent of program advisor and SketchUp proficiency. Reg# 388185 Fee: $995 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom M Alex Dorfman, BFA, Cleveland Institute of Art; designer with broad experience in interior, environmental, and graphic design. Mr. Dorfman received the UCLA Instructor of the Year Award, 2012.

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Reg# 388184 Fee: $995 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 6:30-9:45pm, Sept. 21-Nov. 30 Remote Classroom M Ellen Lanet, California licensed architect, BS in architecture from Cal Poly, San Luis Obispo. Ms. Lanet is the principal of a collaborative architectural design firm specializing in custom residential designs. Ms. Lanet has 25+ years of architectural and urban design practice in Los Angeles. Reg# 388860 Fee: $995 No refund after 29 Sept. A Remote 11 mtgs Thursday, 6:30-9:45pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. M Mamun Hashem, BSc in architecture, The University of Texas at Arlington; Master of Interior Architecture, UCLA Extension-Cal Poly Pomona. Creator of Studio Mamun; freelance design professional with extensive formal training and a broad portfolio of experience from Gensler, HOK, Westfield, and Studio MAI.

History of Design ARCH X 427.8A

History of Environmental Arts: Part I

4.0 units Part one of a four-part survey of environmental arts of the Western world. This course covers the architectural and arts history of the Aegean, Greek, Roman, early Christian, and Byzantine cultures, encom‑ passing early Medieval, Romanesque, and Gothic periods. Instruction focuses on the man-built environment as influenced by geographical location, as well as the social, religious, economic, and political forces of each historical period. Topics include major monuments in terms of function, symbolism, methods of fabrication, style, use of color,ornament, and significance. The major artists, architects, and designers of the various periods are also introduced. Illustrated lec‑ tures, selected readings, and student projects develop an appreciation of the rich cultural heritage of the Western world, as well as the ability to utilize library and museum resources and recognize and evaluate significant environmental design movements. The course helps stu‑ dents understand the achievements of the past in order to more fully understand the present. Reg# 388611 Fee: $799 No refund after 28 Sept. MOnline Sept. 21-Nov. 30 M Keri Sussman-Shurtliff, MA, Dominican University of California. Ms. Sussman-Shurtliff has taught at various colleges in the Los Angeles area. She has acted as an academic editor of Janson’s Basic History of Western Art. She worked for the director and animator Chuck Jones, along with an art appraiser in San Francisco.

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Architecture & Interior Design

ARCH X 427.8C

History of Environmental Arts: Part III

4.0 units This course traces the architecture, landscape architecture, interior design, furniture, and decorative arts of the nineteenth century. Periods covered include French Empire, English Regency, Biedermeier, Gothic Revival, Victorian, Beaux Arts, the Chicago School, Art Nouveau, and the Arts and Crafts Movement. Instruction focuses on the built environ‑ ment influenced by geographical location and the social, religious, economic, and political forces of history. Major monuments are dis‑ cussed in terms of function, symbolism, methods of fabrication, style, use of color, ornament, and significance. Illustrated lectures, readings, and student projects develop an appreciation of the rich cultural heritage of the Western world. This course helps students understand the achievements of the past in order to more fully understand the present. ARCH X 427.8B History of Environmental Arts: Part II is recommended but not required. This course is equivalent to Cal Poly Pomona INA 563. Reg# 388609 Fee: $799 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 Remote Classroom M Eleanor Schrader, MBA, Loyola Marymount University. Ms. Schrader has done graduate work in fine and decorative arts at Sotheby’s Institute in London and New York and graduate studies in architectural history at USC. She was a recipient of the UCLA Extension Department of the Arts Instructor of the Year Award in 2002, and the UCLA Exten‑ sion Distinguished Instructor Award in 2008.

Professional Development For information on enrollment, location, and space availability call (800) 825-9971. For information on course content email arc_id@uclaextension.edu, visit arcid.uclaextension.edu, or call (310) 825-9061.

ARCH X 467.11A

Photographing Architecture and Interiors

4.0 units A study of the basic techniques of the medium as a powerful tool for the designer, as well as those interested in pursuing a career in architectural photography, this course introduces the tools and tech‑ niques used in photographing architecture, interiors, renderings, plans, design boards, and scale models. Using digital cameras, participants create compelling descriptive images that best show their work through the assignment and critique process. Lectures focus on the history of architecture in photography up through the medium’s cur‑ rent trends. Demonstrations cover basic compositional and lighting techniques. Reg# 388610 Fee: $579 No refund after 27 Sept. MOnline Sept. 20-Nov. 29 Due to the prevalence of digital technology in today’s shelter publishing and printing industries, using Photoshop to manipulate imagery is integral to the process; students must have access to a digital camera and Photoshop. Enrollment limited; early enrollment advised. M Douglas Hill, photographer of architecture and interior design who has been published in Los Angeles Times Magazine, Metropolitan Home, Progressive Architecture, Architectural Record, Garden Design, Interior Architecture, A+U, Camera, Los Angeles Magazine, Hospitality Design, House Beautiful, and World Architecture

ARCH X 443.45

Feng Shui for Designers and Architects

2.0 units This course examines the principles and application of Feng Shui. Discussion explores the basic theories from which Feng Shui derives; how human physiology interacts with the surrounding environment; landscape evaluation and correction; the best orientations, layout, colors, and materials based on the occupant’s energy; how building orientation and year affects a building’s energy and occupants; and applying these principles to a building in varying stages of development.

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Enroll at uclaextension.edu or call (800) 825-9971 Reg# 388687 Fee: $449 No refund after 5 Oct. X In-Person 6 mtgs Wednesday, 2-5pm, Sept. 28-Nov. 2 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. Dr. Simona Mainini, DArch, Polytechnic of Milan, Italy; Feng Shui Master; founder and senior consultant, Feng Shui for Architecture, Inc.; author, Feng Shui for Architecture: How to Design, Build, and Remodel to Create a Healthy and Serene Home and Zen Workplace: How to Use Feng Shui to Reduce Office Stress.

ARCH X 497.10

Interior Design Law I: The Designer-Client Relationship

2.0 units This course serves as an introduction to principles of contractual law as applied to the relationship between the interior designer and the client. The course emphasizes the designer-client relationship and incorporates analysis of a sample designer-client contract and reading of actual court cases involving interior designers. The course is appropriate for students with all levels of interior design education and experience, from certificate or master’s program students to students not enrolled in a program to practicing interior designers with years of work experience. After completion of this course, it is recommended, but not required, that students enroll in the companion course Interior Design Law II: Intellectual Property, Trade Secrets, Unfair Competition, Employment, and Special Topics. Reg# 388690 Fee: $449 No refund after 27 Sept. MOnline Sept. 20-Oct. 25 M Henry Lien, JD, UCLA Law. Mr. Lien teaches law in the ArchitectureInterior Design Department and was awarded Outstanding Instructor of the Year. He practiced as an attorney, served as the Glass Garage Gallery owner and as president of the West Hollywood Fine Art Gallery Association. Mr. Lien currently works as a private art dealer and also teaches for the Writers’ Program. His Peasprout Chen middle-grade fantasy series has received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist.

ARCH X 497.11

Interior Design Law II: Intellectual Property, Trade Secrets, Unfair Competition, Employment, and Special Topics

2.0 units This course serves as an introduction to some of the legal issues that impact interior designers. The course introduces students to funda‑ mental legal principles regarding employment law, intellectual prop‑ erty law, unfair competition law, insurance law, and other specific legal topics as they apply to the interior design business. The course incorporates analysis of contracts and reading of actual court cases involving interior designers. The course is appropriate for students with all levels of interior design education and experience, from cer‑ tificate or master’s program students and students not enrolled in a program to practicing interior designers with years of work experience. Prior completion of Interior Design Law I: The Designer-Client Relation‑ ship is recommended but not required. No other prior preparation or coursework is required. Reg# 388691 Fee: $449 No refund after 8 Nov. MOnline Nov. 1-29 M Henry Lien, JD, UCLA Law. Mr. Lien teaches law in the ArchitectureInterior Design Department and was awarded Outstanding Instructor of the Year. He practiced as an attorney, served as the Glass Garage Gallery owner and as president of the West Hollywood Fine Art Gallery Association. Mr. Lien currently works as a private art dealer and also teaches for the Writers’ Program. His Peasprout Chen middle-grade fantasy series has received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist.

ARCH X 498.10

Advanced Portfolio Design and Graphic Storytelling

4.0 units This course guides you through our written and graphic self represen‑ tation. By the end of this course, you have a personal portfolio design, résumé, and sample works. The main focus of the class is to learn techniques on presentations for studio projects, interviews, and client meetings. We investigate these together through a combination of lectures, mock presentations, and workshops. This class is interactive and changes week to week. Prerequisite(s): ARCH X 430A Interior Architecture Studio II. Reg# 388689 Fee: $615 No refund after 29 Sept. A Remote 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited; early enrollment advised. Carey (Riz) Walker, BArch, Syracuse University, MArchII UCLA School of Architecture & Urban Design. Senior designer & workplace strategist specializing in commercial interiors and adaptive reuse in Downtown Los Angeles. Her personal research dissects the similarities between urban and workplace design through data collection and strategic graphic storytelling.

Master of Interior Architecture ARCH X 430C

Interior Architecture Studio A

6.0 units This studio course addresses issues related to space planning in commercial design. Students generate design concepts for complex multilevel project requirements. The handling of circulation and spatial adjacencies and individual offices and workstations receive prime consideration. The design presentation combines 3D model-making with a range of line drawing representations (interior perspectives, plans, sections, material, and furnishing boards). The process of creat‑ ing a design concept is stressed throughout the course through assignments, slide presentations, lectures, and studio desk critiques. Space planning strategies, issues of social and environmental sustain‑ ability, and code requirements (including exiting and handicap accessibility) also form an important part of the process. Prerequisite(s): ARCH X 430A Interior Architecture Studio II or consent of program advisor. INA Graduate Standing. This is a required course in the Master of Interior Architecture degree program. Reg# 388186 Fee: $3,000 No refund after 26 Sept. A Remote 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 Remote Classroom Formerly titled Interior Architecture Studio III. This course is nondiscountable. Rogerio Carvalheiro, MArch, UCLA; principal, RCDF, a firm specializing in custom residential, hospitality, institutional, and commercial projects. Past projects include J. Paul Getty Museum at the Getty Villa, Los Angeles Union Station, Traxx Restaurant, and the SLS Hotel in Los Angeles.

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Architecture & Interior Design 11

Enroll at uclaextension.edu or call (800) 825-9971 ARCH X 471.125

Concept Driven Design: Visual Seminar and Studio

4.0 units This is the first in a four-course sequence that presents a comprehen‑ sive exploration of an architectural problem. A core learning object for the Master of Interior Architecture Program is that every designer needs to demonstrate a firm grasp of how an underlying concept inspires and guides a design project. A critical preparation for all studio work and the culminating thesis project, this seminar and studio course explore ideas, imagination, and inspirations behind developing design concepts. These are comprised of cultural refer‑ ences, historic precedent, and prototypical models and paradigms. Students study creative areas influencing architecture and interior design, including cinema, animation, and video; photography, graphic design, and the fine arts; theatrical set and lighting design; fashion and fabric arts; science and nature; digital arts and technology; phi‑ losophy; and mythology. Additionally, the course includes weekly readings and viewing assignments. Students produce a design research project on a topic of their choice and one to two small conceptual projects. Prerequisite(s): Design Communication I, II, and III; Interior Architecture Studio II. INA Graduate Standing. This is a required course in the Master of Interior Architecture degree program. Reg# 388216 Fee: $2,147.70 No refund after 13 Sept. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Restricted course. Registration for this course takes place through Cal Poly Pomona’s BroncoDirect system. Steven Drucker, AIA IIDA, who is an architect and designer in Los Angeles. Mr. Drucker holds a MArch from the Harvard School of Design, and his award-winning projects have been built throughout the U.S. and abroad. Mr. Drucker is the recipient of the 2014 Arts Outstanding Instructor Award.

ARCH X 497

Research and Programming Methodologies

4.0 units This is the second in a four-course sequence that presents a compre‑ hensive exploration of an architectural problem. The series is intended to demonstrate the student’s mastery of the skills and thought process at the core of the practice of interior architecture, as well as his/her ability to undertake an intensive and sustained project independent of normal course/studio instruction and guidance. Prerequisite(s): ARCH X 427.20 Understanding Building Codes, ARCH X 430C Interior Architecture Studio A, ARCH X 471.125 Concept Driven Design, and ARCH X 467.27B Interior Detailing and Building Systems. Follow-on courses: ARCH X 498.1 Master’s Project Interior Architecture Studio and ARCH X 498 Master’s Project Interior Architecture Docu‑ ments. INA Graduate Standing. This is a required course in the Master of Interior Architecture degree program. Reg# 388218 Fee: $2,147.70 No refund after 14 Sept. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 Remote Classroom Restricted course. Registration for this course takes place through Cal Poly Pomona’s BroncoDirect system. Instructor to be announced

ARCH X 498.1

Master’s Project Interior Architecture Studio

8.0 units This advanced studio is the first of two final courses in the Interior Architecture Studio sequence. Instruction focuses on independent research and the development of an individual project description and building program. A design project is developed that incorporates and explores the issues set forth in the student’s thesis. Instruction follows the traditional studio format, emphasizing individual results based on the student’s program. A complete design presentation is required, incorporating all the skills and methods the student has developed throughout the previous design studios. Prerequisite(s): ARCH X 498 Interior Architecture Studio B and ARCH X 497 Research and Programming Methodologies. INA Graduate Stand‑ ing, 3.0 GPA or higher, and GWT. INA 602 or INA 5210, and INA 590 or INA 5220. This is a required course in the Master of Interior Architecture degree program.

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Reg# 388220 Fee: $3,579.50 No refund after 14 Sept. A Remote 11 mtgs Wednesday, 5-10pm, Sept. 21-Nov. 30 Remote Classroom Restricted course. Registration for this course takes place through Cal Poly Pomona’s BroncoDirect system. M Instructor to be announced

ARCH X 498

Master’s Project Interior Architecture Documents

8.0 units In this final studio course, students develop the project they created in Thesis Project Design into a set of construction documents with specifications and explore a range of drawings required to obtain complete and accurate cost estimates. The course emphasizes how designs are detailed and described and examines methods of integrat‑ ing architectural and interior design, as well as mechanical and electrical elements and systems. Each project is brought to a level of completion to enable students to demonstrate their ability to be an effective entry-level member of any design firm’s project team. Prerequisite(s): ARCH X 497 Research and Programming Methodolo‑ gies and ARCH X 498.1 Master’s Project Interior Architecture Studio. INA Graduate Standing, 3.0 GPA or higher, and GWT. INA 691 or INA 6940, and INA 590 or INA 5220. This is a required course in the Master of Interior Architecture degree program. Reg# 388219 Fee: $3,579.50 No refund after 12 Sept. A Remote 10 mtgs Monday, 5-10pm, Sept. 19-Nov. 28 Remote Classroom Restricted course. Registration for this course takes place through Cal Poly Pomona’s BroncoDirect system. M Luis de Moraes, AIA-ASID-LEED AP BD+C; principal, EnviroTechno Architecture Incorporated. A graduate of UCLA Extension’s Interior Design Program, Mr. de Moraes has been practicing for more than 30 years. His experience includes many well recognizable commercial, hospitality, and residential projects.

ARCH X 498.2

Project Management for Interior Architects

4.0 units This course provides a detailed exploration of the various phases of an interior architecture project, distinguishing between residential and commercial projects, as well as differing methods relating to small and large offices. Starting with the designer/client contract, this course covers the construction/implementation process, estimating, scheduling, risk avoidance, and staffing issues. Students collaborate in teams and also work as individuals to create standard documents and checklists. Prerequisite(s): Note: This course is restricted to students admitted to the Master of Interior Architecture program only. ARCH X 430C Interior Architecture Studio A or consent of program advisor. INA Graduate Standing. This is a required course in the Master of Interior Architecture degree program. Reg# 388221 Fee: $2,000 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 Remote Classroom This class is nondiscountable. Barry Isakson, AIA, BArch, California Polytechnic State University, San Luis Obispo. As an architect, Mr. Isakson practiced as a project man‑ ager in several Southern California firms. Currently, Mr. Isakson pro‑ vides project management consulting services and software tools to design professionals.

ARCH X 467.55

The Ecology of Design

2.0 units This lecture/discussion course focuses on sustainable design and the processes and tools for implementing changes in the use of our planet’s limited resources. Instruction incorporates an overview and analysis of the latest green philosophies, systems, and building products and provides an extensive compilation of current green lit‑ erature and resources. Guest lecturers are featured. Prerequisite(s): INA Graduate Standing. This is a required course in the Master of Interior Architecture degree program. Reg# 388215 Fee: $1,000 No refund after 29 Sept. A Remote 6 mtgs Thursday, 7-10pm, Sept. 22-Oct. 27 Remote Classroom This class is nondiscountable. M Kyle Moss, AIA LEED AP; MArch, UCLA; principal, Levitt + Moss Archi‑ tects, specializing in custom residential and sustainable designs. Mr. Moss is currently designing three “LEED for Home” residences and was the design architect on three completed “LEED for Home” projects, including a LEED Platinum home and a home in the original pilot program.

ARCH X 427.20

Understanding Building Codes

3.0 units This introductory course to building and life-safety regulations is designed to make students code literate. Instruction covers several critical aspects of code compliance by phase of construction—from design development through construction administration. Topics include code analysis, interpretations, and special applications. Upon completion of the course, students should have a solid code vocabulary, as well as a working knowledge of their appropriate application. Prerequisite(s): INA Graduate Standing. This is a required course in the Master of Interior Architecture degree program. Reg# 388180 Fee: $1,431.80 No refund after 14 Sept. A Remote 8 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 23 Remote Classroom Course will not meet on two dates to be announced in class. Restricted course. Registration for this course takes place through Cal Poly Pomona’s BroncoDirect system. M Andrew Ko, PE; BS in civil engineering, UC Davis. Mr. Ko is a registered engineer working for the City of Los Angeles Fire Department as a fire protection engineering associate.

ARCH X 473

Professional Interior Architecture Internship

2.0 units This internship provides an opportunity for interior design students to acquire appropriate hands-on experience in the interior architecture field. Qualified students are placed in job settings for a minimum of 136 hours, in which they can apply the content of their courses and become familiar with the day-to-day operation of an interior design firm. Open only to qualified students enrolled in the MIA degree pro‑ gram. Students currently working in a design office may petition for work experience to be validated as an internship. Prerequisite(s): INA Graduate Standing and Graduate Coordinator Permission. Reg# 388217 Fee: $1,000 No refund after TBD Independent Study/Internship Restricted course; call (310) 794-3747 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. This course is nondiscountable. Instructor to be announced

Business & Management

Enroll at uclaextension.edu or call (800) 825-9971

BUSINESS & MANAGEMENT For more information call (310) 206-4271.

Leadership & Management For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu. For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu.

Business Analysis For more information call (310) 794-5470.

MGMT X 430.711

Business Analysis Fundamentals

4.0 units This core class begins with a basic understanding of the functions and impact of the business analyst role, with a focus on business analysis functions related to the development of enterprise-wide solutions and the business analysis project life cycle. Topics include the role of the business analyst, gathering and documenting user requirements, modeling the business, business case analysis, process modeling, and quality management and testing. Best practices; effec‑ tive work strategies; how to determine project needs, opportunities, and payoffs; as well as instructor experiences relating to effective communication and implementation of proposed business solutions are also covered. Texts purchased for this course are also utilized throughout the courses in the Business Analysis Certificate Program. This class must be taken initially or simultaneously with the second and/or third class. Reg# 387979 Fee: $795 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. M Instructor to be announced

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MGMT X 430.712

MGMT X 430.716

4.0 units A crucial foundation for a complete business analysis effort is a strategically balanced plan. With key stakeholders’ considerations and/or active stakeholder involvement in mind, this class teaches you how to determine which activities are required in order to “zero-in” or define the business/organizational issue(s) and create an initial work plan to demonstrate how the related actions steps will be carried out. Students examine the processes and activities needed to perform comprehensive business analysis planning and monitoring, acquire the tools that drive business analysis, and learn to identify and analyze stakeholders’ interests and selection of the appropriate process reengineering methodologies. It is strongly recommended that students successfully complete the Business Analysis Fundamentals class prior to enrolling in this course. Reg# 387980 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. M Patsy Reece, Six Sigma Greenbelt, CSTE, CSQA, MS (education), MS (information technology)

4.0 units Market researchers, project managers, business analysts, economists, financial professionals, budgeters, venture capitalists, investment bankers, corporate treasurers, and operations heads are just a few examples of positions requiring a working knowledge of forecasting, evaluation, and analysis modeling. This course provides a thorough working knowledge of a “best practice” platform meeting many organizational and project analytical needs. Students learn business modeling and analysis techniques with Microsoft Excel with the ulti‑ mate objective of transforming data and modeling assumptions into key metrics as well as bottom-line results of forecasts, simulations, and sensitivity analyses. This course is hands-on, scenario-based, and involves relational database construction and integration including use of Pivot Tables and Descriptive Statistics. Key tools included are trend analyses (i.e. multiple regression, exponential smoothing, etc.) as well as advanced Excel functions (i.e. OFFSET, INDIRECT, Power View, Solver, etc.) Reg# 387982 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. M Instructor to be announced

Business Analysis Planning and Monitoring Essentials

MGMT X 430.715

Solution Assessment, Validation, and Implementation

4.0 units The solution, assessment, validation, and implementation of issues and/or opportunities depends on the quality alternatives identified through requirements, gatherings, and analysis. In this final process step, the business analyst can strategically propose and model effec‑ tive solutions within the context of the organization. Key “deliverables” in this course include development of estimates for time and the resources and budgets required to implement solutions that meet the project requirements. Additionally, this course focuses on how to design and implement solutions with measurable, reportable out‑ comes. Business analysts are accountable for proposed solutions just as they are accountable for prior process steps. In this class, the student learns to facilitate the solution process: developing alterna‑ tives, solution selection, ensuring usability, supporting the quality assurance, and on-time, on-budget implementation. The ability to assess projects after implementation is included as a key component of a business analyst’s job; therefore, learning how to evaluate internal reporting technology options as well as reporting formats is a prereq‑ uisite for future assessment and validation of the solution(s). Effective stakeholder communications of the impacts and post-implementation reviews and assessments are a part of the business analyst’s respon‑ sibilities and are included in this course. Prerequisite(s): Successful completion of the other five required courses in the Business Analysis Program or consent of instructor. Reg# 387981 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. M & Instructor to be announced

Data Analysis and Business Modeling with Microsoft Excel®

Executive Assistance For more information call (310) 794-5470.

MGMT X 430.812

Organizational Management

4.0 units This course is a blend of “best practices,” interpersonal skill develop‑ ment, and detailed implementation processes as applicable to a senior assistant position. Senior assistants are expected to anticipate (vs. simply follow orders), to plan (vs. expect explanations), set appropriate conversational tones, overcome rather than display negative emotional responses, master implementation details no matter how large or small the challenge, and expect a vast array of executive representa‑ tion/follow-up activities. Learning objectives include personal and executive time management, event/meeting planning, travel arranging, staff/vendor communications, relationship building with all organiza‑ tion stakeholders, project and contact monitoring, how to manage up, and—importantly—how to function in a multi-project and potentially stressful environment. Reg# 387983 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. M Peter Lou, MBA, MA, CFA, senior manager, Wells Fargo Bank

Business & Management 13

Enroll at uclaextension.edu or call (800) 825-9971

Emergency Management & Homeland Security For more information call (310) 794-5470.

MGMT 736.4

A Safe and Ready Future: Preparing Today for the Disasters of Tomorrow

From unprecedented drought in the West, to cyberattacks on critical infrastructure, to the COVID-19 pandemic, the U.S. is seeing major change in the disasters that it faces. This seminar will provide an overview of the strategies to manage such emerging threats, including slow-onset disasters as well as cascading and concurrent incidents. We will explore the principles of complexity and how systems, orga‑ nizations, and communities can be primed to adapt. Frameworks for planning, decision-making, and innovation during crisis are discussed. Students will learn the leadership skills necessary to build a coalition of partners to prepare for, respond to, and recover from the future disasters our communities are certain to face. Reg# 387970 Fee: $0 A Remote 1 mtg Thursday, 10am-12:30pm, Nov. 17 Remote Classroom Instructor to be announced

MGMT X 408.801

Emergency Preparedness and Homeland Security: An Overview

4.0 units Gain an understanding of the key elements of emergency prepared‑ ness, including Department of Homeland Security issues and resources, elements of effectively managing any major crisis, and how to assist in the development of an emergency preparedness strategy in a private company or a government agency. Learn about protection planning for an organization’s employees, customers, and physical assets; ensuring compliance with applicable federal, state, and local regulations; and how to look internally at processes and procedures in order to plan and build “networks” of external relationships, resources, assistance, and cooperation. The course includes student work with selected training sources and exercises that reinforce key learning objectives. Reg# 387975 Fee: $795 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. M & Tim Sullivan, MS, rear admiral, USCG (ret)

MGMT X 408.803

Human, Legal-Compliance, and Ethical Issues of Emergency and Risk Management

4.0 units This course provides training and education to effectively deal with the success or failure of every preparedness plan: the human execu‑ tion of best practices in a highly stressed environment. Learn how to increase plan effectiveness by working in advance to prepare others for the human, legal, and ethical issues that arise in any disaster. Reg# 387976 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 KJEnrollment limited; early enrollment advised. M & Phillip Van Saun, director of Risk, Security & Resilience, University of California, Office of the President, Risk Services

MGMT X 408.806

Internship in Emergency and Risk Management

4.0 units This internship—which may be taken as a substitute for Building the Preparedness Plan—provides practical experience and application of the knowledge and skills learned in the previous courses. Emergency Management and Homeland Security Certificate students intern for a minimum of 120 hours with sponsoring companies, businesses, and organizations who have no obligation to provide compensation. Intern‑ ship projects may include, but are not limited to, assisting in prepared‑ ness plan development, client communications support, community preparedness, and research. Prerequisite(s): Students must be officially enrolled in either the Enterprise Risk Management Certificate or the Emergency Manage‑ ment & Homeland Security Certificate and have successfully c ompleted the other five required courses with a GPA of 3.0 or better. Reg# 387977 Fee: $795 No refund after 25 Sept. Independent Study/Internship Sept. 19-Dec. 4 International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility. Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review. Visitors not permitted. Restricted course. M Lauren Stienstra, MSc, CEM, deputy coordinator, Arlington County Office of Emergency Management, UCLA EH&S/Office of Emergency Management

Enterprise Risk Management For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu.

MGMT X 408.809

Foundations of Enterprise Risk Management

4.0 units This course introduces the basic principles and concepts of Enterprise Risk Management (ERM). You gain an understanding of how ERM integrates into an organization’s governance structure and processes and explore the drivers for and value of an ERM program. Topics include risk oversight and leadership, ERM and strategic management, and the evolving landscape of ERM. Learn how ERM aligns with internal control, audit, and compliance functions. Course materials and discussions include an examination of how an enterprise risk manage‑ ment framework and processes are applied in different organizations, and concludes with examples and discussions of organizations that have mature enterprise risk management programs. Reg# 387978 Fee: $795 No refund after 19 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment recommended. Visitors not permitted. M & Carrie Frandsen, MBA, ARM-E, RIMS-CRMP

General Business Studies MGMT 891.02

Business Ethics

0.6 CEUs We face an increasing number of ethical issues in the business world and in our personal lives. The business scandals of recent years have highlighted the importance of ethical behavior in the business environ‑ ment. For CEOs and all business professionals, a solid ethical founda‑ tion must be the basis from which one builds a business career. This seminar covers the elements necessary to make ethical decisions by defining the key definitions, issues, and theories of business ethics. Through class discussions and case studies, students explore the theoretical foundations of business ethics and learn how to develop an ability to recognize and address ethical questions. You leave the seminar with a better understanding of the challenges of ethical business practices.

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Reg# 387972 Fee: $250 No refund after 14 Oct. MOnline Oct. 10-24 Select “CEU (appears on transcript)” as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable). Enrollment limited. M Amy Haug, MA, Human Resources division manager, City of Diamond Bar Reg# 387973 Fee: $250 No refund after 11 Nov. MOnline Nov. 7-21 Select “CEU (appears on transcript)” as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable). Enrollment limited; early enrollment advised. M Laura Jacobus, JD

MGMT 859.16

Creating Quality Leadership

0.6 CEUs What are the attributes of quality leadership? How do we lead so that our co-workers, supervisors, and customers will want to follow? Qual‑ ity leaders create a compelling vision of the future and develop the strategies to achieve it. They lead with both emotional intelligence and brains to move their organizations forward. They are change creators and change managers. Drawing on examples from your life and work experience, research on leadership, and thought-stimulating class‑ room activities, this course offers key principles and proven strategies guaranteed to give you the confidence and know how to successfully practice the art and science of leadership. Reg# 388064 Fee: $250 No refund after 29 Sept. X In-Person 1 mtg Friday, 9am-4pm, Sept. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. M Christopher Babson, MBA, owner, Breakout Success

MGMT 859.4

Leading and Motivating Employees

0.6 CEUs All supervisors and managers—especially those newly responsible for directing the work of others—can become change agents if they understand the role of the “leader.” To develop this understanding, you must start with an awareness of your own communication style and how it affects others, as well as develop an appreciation for the dif‑ ferent ways people approach work and are motivated to achieve. This seminar focuses on leading as a means to affect change and accom‑ plish desired results. Participants learn to assess and understand their individual styles and behaviors and then analyze how these attributes can be harnessed in a leadership role. The seminar also examines powerful methods for motivating employees. Reg# 388065 Fee: $250 No refund after 13 Oct. X In-Person 1 mtg Friday, 9am-4pm, Oct. 14 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. M Instructor to be announced

Business & Management

Enroll at uclaextension.edu or call (800) 825-9971

MGMT X 190

Management Theory, Policy, and Process

4.0 units This course presents the theory and application of managerial func‑ tions; the processes of planning, organizing, leading, and controlling in a wide variety of organizational settings; and how the management of people and resources can accomplish organizational goals. Systems theory, contingency approaches, and socio-technical systems are used to explain managerial problem solving and decision making in organizational contexts and a global environment. Other topics include motivation and participation, leadership and communication, manage‑ ment information systems, human resources management, manage‑ ment of technology, managerial ethics, and other contemporary management issues. c Reg# 388067 Fee: $795 No refund after 3 Oct. X In-Person 10 mtgs Tuesday, 6:30-9:30pm, Sept. 20-27 UCLA: Rolfe Hall Tuesday, 6:30-9:30pm, Oct. 11-Nov. 29 UCLA: Rolfe Hall No meeting October 4. One meeting to be announced. Enrollment limited; early enrollment advised. M & Steve Keleman, EdD, performance improvement, Keleman & Associates Harriet Cohen, MEd, president, Training Solutions

MGMT 859.5

Creating High-Performance Teams

0.6 CEUs Teams of all sorts—management, project, new product, production, and customer service—are common in organizations today. However, results in task accomplishment are mixed, success rates low, and there is a lot of confusion about what really works. This seminar covers how to distinguish real teams from other forms of collaboration; how adequate skill, motivation, and performance strategy determine suc‑ cess; what the larger organization must provide in purpose, design, and support; how to utilize inherent team dynamics for positive results; and what roles by the team leader or coach are helpful. Reg# 388066 Fee: $250 No refund after 3 Nov. X In-Person 1 mtg Friday, 9am-4pm, Nov. 4 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. M Steve Keleman, EdD, performance improvement, Keleman & Associates

Reg# 388071 Fee: $795 No refund after 25 Sept. D Hybrid (Remote) 11 mtgs Wednesday, 6:30-8:30pm, Sept. 21-Nov. 30 Enrollment limited; early enrollment advised. & Mike Ikona, PsyD, PCC, PMP, RMP, ACP, partner, Systemic Consulting Group Christa Ikona, PsyD, PCC, CPA, MAcc, chief human resources officer/ executive vice president, Barkley Insurance & Risk Management

NEW MGMT X 494.1

Digital Disruption & Business Transformation

2.0 units In this introductory course, you’ll explore business modeling concepts, including enabling technologies (AI, cloud computing, etc.) and related business models (e.g. platform-based businesses, pay-as-you-go). You’ll gain an understanding of the relationship between product evolution and tech enhancements, the dynamic nature of digital technologies, and customer acceptance/adoption. Reg# 388550 Fee: $495 No refund after 27 Sept. A Remote 6 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Oct. 26 Remote Classroom M Michael Lykhinin

NEW MGMT X 494.2

Organizational Alignment for Customer Engagement & Retention

4.0 units 3.3 CEUs This course focuses on achieving long-term customer attraction and retention via thoughtful communication, user experience, and engage‑ ment. Through interactive lectures and assignments, you’ll learn the role of data and AI in customer insights tools (CRM) and developing/ enhancing products, as well as the importance of setting standards of excellence, measuring outcomes, monitoring opportunities/issues, and driving continuous business improvement. Reg# 389200 Fee: $495 No refund after 23 Sept. M Online Sept. 19-Dec. 4 Terri Horton, principal, TLT Consulting

MGMT X 493.11

Communication Skills

4.0 units There is a new wave of management development and leadership practices. The scientific, human relations, customer service, and busi‑ ness focus practices are already baked into today’s practices, but the Internet, with its global connectivity, creates demands for substantially new leadership challenges. The world today is not only a global marketplace with diverse customers, vendors, and workers, but is largely defined by high technology manufacturing (including advanced robotics producing everything from almost invisible semiconductors to automobiles and aircraft) and rapid movement to ser‑ vices economies. Information flows at the speed of light via fiber-optic cables and laser while artificial intelligence and related software immediately translates all communications into virtually any language or dialect. Product development teams may span multiple countries with many collaborators never meeting face to face. Collaborations can be very short term (project-by-project) or long-term (strategic planning) with employees connected online 24/7 operating outside traditional hierarchies. Organizations are lean, connected, competitive, and staffed by knowledge workers who have global instantaneous access to real-time news, databases, and market related information. This course introduces the new leadership models needed to collabo‑ rate, coordinate, and make the most of our modern working environ‑ ment and resources.

For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu.

Connective Leadership for the 21st Century

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MGMT X 109

Business Communications

4.0 units Communication, whatever method used, needs to inform. In the busi‑ ness environment, writing clear, concise, and comprehensible copy is critical to success. In this course, learn techniques for clarifying pur‑ pose, understanding readers, and organizing ideas. Through in-class writing exercises, you practice proven strategies for overcoming writer’s block and creating concise, appropriate, and grammatically correct work. Practice exercises include editing and writing letters, memos, reports, email messages, summaries, resumes, and cover letters. Additionally, you learn vocabulary development, correct gram‑ mar and punctuation, techniques for reducing writing time, and proofreading. c Reg# 388136 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Laura Jacobus, JD

MGMT X 482.202

Organizational Communication

4.0 units Designed to give you the knowledge and skills necessary to lead and communicate in today’s highly diverse workplace, this course provides the most current approaches to communicating and motivating employees with culturally different expectations. The course covers improved interpersonal relationships, team productivity, and overall customer service. You also learn innovative practices specifically geared to today’s highly diverse workplace to resolve conflict. Maxi‑ mize your leadership and communication skills and be ready to apply them immediately in the workplace and your personal life. Reg# 388068 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA: Rolfe Hall Enrollment limited; early enrollment advised. M & Instructor to be announced

MGMT X 490.8

Cross-Cultural Communication and Management in a Global Workforce

4.0 units This course is designed to provide students with the fundamental principles and practical skill sets to understand the diverse cultures that comprise the global workplace of the twenty-first century. Partici‑ pants discover “cultural proficiency,” the cutting-edge approach to successfully navigating the intense diversity challenges of today’s interdependent global business community. This unique approach ensures effective communication by unraveling the complex cultural differences between individuals and the impact of cultural program‑ ming on different organizational cultures. Participants learn strategies for accommodating diversity both within their own organization and between international organizations. Reg# 388069 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Steve Horowitz, PhD, management consultant, New Freedom Communications

MGMT X 490.996

Leadership Communication Strategies

4.0 units This course is designed to improve interpersonal behaviors and com‑ munication skills for those in leadership roles with the goal of improv‑ ing relationships, productivity, and the quality of work. Topics include a review of basic communication skills such as listening, self-disclo‑ sure, and methods of expression; more advanced skills such as nonverbal communication, influencing behaviors, addressing hidden agendas, and male/female communication in the workplace; conflict management skills; assertiveness; and responding to criticism. Reg# 388070 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Elective course in the Business Fundamentals Certificate. Enrollment limited; early enrollment advised. M Patricia Bravo, MBA, consultant, Bravo For You, LLC

SPEECH X 417.1

Public Speaking for Professionals

4.0 units What you say is important, but how you express yourself often deter‑ mines your effectiveness as a public speaker and in eliciting the results that you want. Learn to present with energy, magnetism, and leadership. This course helps you develop individual style, improve delivery, and respond persuasively to questions and interruptions. You learn how to prepare and practice presentations, and—whether in person or virtually on Zoom—how to make the most of eye contact, body language, and vocal tone and tempo. Reg# 388137 Fee: $795 No refund after 19 Sept. X In-Person 10 mtgs Monday, 6-9pm, Sept. 26-Nov. 28 UCLA: Bunche Hall M Pamela Kelly, MA, PK Communications Skills Training and Coaching

Business & Management 15

Enroll at uclaextension.edu or call (800) 825-9971

Entrepreneurship & Small Business Management Certificates:

General Business Studies with Concentration in Entrepreneurship Business Administration with Concentration in Entrepreneurship

MGMT X 497.52

Entrepreneurship and New Venture Formation

4.0 units This course surveys the factors essential for turning a great idea into a successful business and explores various benefits/costs of sole proprietorships, partnerships, corporations, and franchises. Topics include market surveys, site analysis, permits and licenses, patents and protection of ideas, risk management, legal requirements and regulations, capital requirements and financing sources, determining the costs and prices of goods and services, advertising and marketing, record keeping, and lines of credit and cash flow requirements. Reg# 388072 Fee: $795 No refund after 2 Oct. Y Hybrid (In-Person) 11 mtgs Monday, 6:30-8:30pm, Sept. 19-Nov. 28 UCLA: La Kretz Hall Enrollment limited; early enrollment advised. M & Edward Lee, MBA, founder, CEO, HelloAdvisr LLC

MGMT X 497.610

Developing a Business Plan

4.0 units Learn all aspects of creating a solid first draft of your own business plan. This course begins with a comprehensive “situation analysis” of your (or your employer’s) small business (or case study, if more appli‑ cable). You then learn the key components for creating an effective business plan: knowing your existing customers, targeting future customers, customer value formulation, income statement and balance sheet forecasting, revenue forecasting methodologies, competitor assessment and emerging company/product/service competitors, and understanding the pitfalls of small business development. In addition, you look at building and planning an efficient business infrastructure (systems, technology, third-party software); small business finance, cash flow, debt, and financing alternatives; transitioning from personal guarantees and credit lines to a self-financing business model; effec‑ tively planning, hiring, and training staff with high potential; the legal aspects of organizing and managing a small business; negotiating skills; and setting day-to-day priorities with the business plan in mind. With these skills, you can build a solid first draft of your business plan. Reg# 388074 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M & Matthew Sand, MBA, CEO, Agile Startup Reg# 388073 Fee: $795 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Dec. 6 UCLA: Royce Hall No meeting Sept. 27. Enrollment limited; early enrollment advised. M Nader Zargarpour, BS, JD, attorney and president, Zargarpour Law Firm, APC

MGMT X 497.611

MGMT X 497.615

4.0 units This course covers aspects of financial management for owners and key employees of small to mid-size companies. Major topics include recognizing the importance and value of financial management for small and mid-size companies; understanding financial information as a critical component for controlling and growing a company; identifying financial tools for effectively managing company assets, including cash, receivables, inventory, plant and equipment; applying capital budgeting, credit management, and working capital management for improving business operations; using horizontal, vertical, and ratio analysis of financial information for effective business management; creating and using financial projections for channeling and managing business resources; and anticipating business change and how to handle it. Reg# 388075 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Instructor to be announced

4.0 units The key to reducing the risks and increasing the chances of success in business is to develop a business model that delivers unique value. To accomplish this, you must be able to objectively analyze the com‑ petitive landscape and innovate and articulate your unique value so you can implement a strategy and anticipate the financial rewards. This course examines the essential elements of success. Designed for business owners, key executives, managers, and those developing a business, the course teaches participants how to define a business model and strategy that equips their company to thrive, even in intensely competitive industries. Topics include competitive analysis, creating and defining a unique selling advantage, identifying the customer, and honing a strategy. Real-world situations are used for examples of application. Participants leave with the tools to develop a business model and strategy that creates value and allows them to work on their business instead of for their business. Reg# 388078 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment recommended. M C. Scott Hindell, principal, Hindell Consulting

Financial Tools for Business Growth

MGMT X 497.612

Marketing and Sales Strategies for Entrepreneurial Business

4.0 units This course provides practical ideas and applications of marketing, advertising, and sales promotion techniques for managers, owners, and marketing personnel of small- to medium-size businesses. Topics include marketing, planning, and budgeting; company positioning; networking; personal selling; improving the company image; public relations and product/service publicity; designing and creating advertising and bro‑ chures; selecting, organizing, and motivating sales representatives and dealer/distribution organizations; marketing on the Internet; market research; and selecting and using the right advertising medium. Reg# 388076 Fee: $795 No refund after 5 Oct. Y Hybrid (In-Person) 6 mtgs Thursday, 6:30-8:30pm, Sept. 22; Oct. 13-20; Nov. 10; Dec. 1-8 UCLA: Rolfe Hall Online Sept. 29-Oct. 6; Oct. 27-Nov. 3; Nov. 17 Enrollment limited; early enrollment advised. M & Brandon Shamim, MS, president/co-founder, Beacon Management Group

MGMT X 497.613

Fundamentals of Business Administration and Management

4.0 units A majority of businesses fail within the first two years, and a significant percentage of the initial survivors don’t last much longer. There are many reasons for this, including inexperienced management, lack of sufficient capital, failure to do proper marketing, and a lack of financial competency. The bottom line is that most managers don’t know how to properly systematize, structure, and manage their businesses. They don’t know because they’re not aware of where or how to find this information. This course is designed to teach students how to properly structure, systematize, and manage a business of any size or type, service, or product—and in any industry. Reg# 388077 Fee: $795 No refund after 14 Sept. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. M & Howard Forman, PhD, associate professor of Marketing, California State University, Fullerton

Establishing a Successful Business

Human Resources Management For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu.

MGMT 892.11

Preparing for the PHR and SPHR Exams

3.3 CEUs This course is designed to help students who plan to sit for the PHR (Professional in Human Resources) or SPHR (Senior Professional in Human Resources) examinations. The course uses the HRCP (Human Resource Certification Preparation) materials and test bank specifically geared toward the PHR and SPHR bodies of knowledge. The course is well-suited to the student who prefers a structured, directed classroom approach to studying for either examination. The course follows a “study roadmap” designed to gradually introduce new subject matter while reinforcing material learned earlier, which helps students retain concepts over time and maximize performance on test day. Reg# 388080 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Note: The HR Certification Institute requires HR professionals sitting for the PHR or SPHR exams to have a combination of demonstrated work experience and education. Eligibility is determined by the HR Certification Institute. If you wish to take the PHR or SPHR exam, you must complete a separate application form online through the HR Certification Institute. Neither the HRCP (Human Resource Certification Preparation) materials nor this course is a substitute for the certification examination. Students are solely responsible for verifying their eligibility to sit for the exam directly with HRCI. For more information on eligibility, exam dates, or to apply to take the exam, visit hrci.org. Students are expected to purchase the Complete HRCP Program on their own at hrcp.com/products. After enrolling in this class, please contact Eddie Fisher at efisher@unex.ucla.edu to receive a discount code for purchasing the HRCP materials. Students are advised to order all materials as early as possible, so that they’re ready to begin reading and working with practice test questions on the first day of class. Fee does not cover PHR and SPHR exam registration costs. Enrollment limited; early enrollment advised. M Karen Nash, BA, SPHR, SHRM-SCP

Business & Management

Enroll at uclaextension.edu or call (800) 825-9971

MGMT 859.50

MGMT X 450.2

MGMT X 450.34

1.2 CEUs Today’s HR professionals function as a key source of ethical awareness for managers and employees. This course heightens awareness of when integrity and an understanding of ethical issues are required, not only when advising others, but also when addressing the issues HR professionals face. Instruction enables participants to recognize the parts of their jobs in which ethical issues are most likely to be experienced; they employ practical techniques to develop solutions, evaluate their impacts, and decide on a course of action. Additionally, students understand the impact of cultural and organizational pres‑ sures to conform, identify when to escalate issues and to whom, know the early warning signals of conflict between personal and work values, and assess how to maintain personal integrity. Reg# 388079 Fee: $415 No refund after 23 Sept. MOnline Sept. 19-Oct. 16 Select CEU (appears on transcript) as the credit and grading preference to have this course applied toward a certificate program’s ethics requirement (if applicable). Enrollment limited; early enrollment advised. M Paola Amaro Alvarez, MS, SPHR-CA, director of Human Resources, Esterline Control System Mason

4.0 units A high-quality workforce is essential to the success of businesses today. This course provides the strategies, concepts, and practices essential to the effective selection of personnel to accomplish a busi‑ ness objective, with an emphasis on recruiting, promoting, and retaining employees. The course also covers budget development, job descriptions, interviewing techniques, assessment, testing, back‑ ground investigations, legal requirements, reporting of results to management, employee orientation, outplacement, and ethnic diver‑ sity issues. Prerequisite(s): MGMT X 450 Elements of Human Resources Manage‑ ment or consent of instructor. Reg# 388084 Fee: $795 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA: Rolfe Hall No meeting Nov. 24. Enrollment limited; early enrollment advised. M & Mitchell Rufca, MBA, Owner, Rufca Recruiting Services LLC

4.0 units Designed for the human resources management (HRM) generalist practitioner or anyone who is preparing for a career as a specialist in labor/employee relations, this course provides a survey of significant laws and regulations that affect the practice of HRM in the U.S. and California. Topics include an overview of HR Laws such as employ‑ ment; wage and hour; benefits; EEO and AA; and labor/employee relations and safety laws, rules, and regulations. All phases of manag‑ ing the HRM responsibility are covered—from recruitment through termination. Prerequisite(s): MGMT X 450 Elements of Human Resources Manage‑ ment or consent of instructor. Reg# 388088 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment recommended. M James W. Adams, Jr. JD, attorney; director, James W. Adams, Jr. PC.

Ethics for Human Resources Professionals

MGMT X 450

Elements of Human Resources Management

4.0 units 3.3 CEUs This course provides an overview of and introduction to the basic human resources management (HRM) functions: employment, employee relations, training and development, compensation, benefits, and human resources information systems (HRIS). Topics include the various aspects of designing and structuring a HRM/personnel depart‑ ment, the history and future of HRM, the changing nature of work, the relationships of HRM functions, the current legal environment in which HRM operates, sources for obtaining answers to most operational HRM problems, and an exploration of HRM as a career. Reg# 388082 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Ronald Becker, MBA, senior vice president, Employee Relations, Bank of America Reg# 388081 Fee: $795 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension DTLA: 261 S. Figueroa St. Enrollment limited; early enrollment advised. M Instructor to be announced

MGMT X 450.03

Financial Aspects of Human Resources Management

4.0 units To be a successful business partner with management, the human resources professional needs to effectively understand and manage the financial aspects of his/her HR department, as well as the impact of the employees on the organization’s bottom line. Emphasis is placed on ways the HR practitioner can enhance a company’s financial performance. This course provides HR practitioners with the tools and information to understand the cost of the HR functional area(s) for which s/he is responsible. Other areas of study are HR metrics, bud‑ geting, strategic planning, and the financial aspects of benefits and payroll. Prerequisite(s): MGMT X 450 Elements of Human Resources Manage‑ ment or consent of instructor. While no formal experience in statistics is required, students must demonstrate basic high school-level math/ numerical skills; a knowledge of basic algebra is also recommended. Reg# 388083 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Aisling Byrne, SHRM-SCP, CEBS,CPLP, CHRO, Artemiste

Talent Acquisition

MGMT X 450.31

Compensation Programs: Administration and Design

4.0 units In this introductory course, students explore compensation as a key factor in achieving organizational goals. In addition to introducing current concepts, approaches, techniques, and terms, instruction examines the forces that shape the development of compensation strategies, plans, and policies. Topics include salary administration, incentive plans, and stock-based programs; the factors of motivation, performance evaluation, labor market dynamics, and budgeting that underlie the development of compensation programs; key steps involved in developing salary administration and cash-incentive programs; major laws and regulations that apply to compensation; and the way compensation programs are designed for specific job families, units/functions, and levels of organization. Prerequisite(s): MGMT X 450 Elements of Human Resources Manage‑ ment or consent of instructor. Reg# 388086 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Daniel Van Bogaert, JD, executive, Compensation and Benefits, ERISA Compliance Consulting

MGMT X 450.32

Benefits Programs: Administration and Design

4.0 units Employee benefits are expensive and important to any organization, accounting for nearly 40 percent of total employee compensation. This comprehensive course provides essential information for evaluating and designing programs to meet corporate objectives. Technical jar‑ gon is demystified, and the interesting human side of employee benefits is examined. Instruction covers the most competitive benefits offered by employers and related administrative strategies, tools, and techniques; how to control cost and still attract and retain employees; basic methods of underwriting and financing group insurance plans, e.g. health care; an overview of popular 401(k) plans, similar retire‑ ment/saving plans, and regulatory compliance issues; COBRA and Protected Leave Administration; and practical application of managing an employee benefit program with a section 125 environment. Prerequisite(s): MGMT X 450 Elements of Human Resources Manage‑ ment or consent of instructor. Reg# 388087 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Thomas Cannava, MA, deputy director for human resources admin‑ istration, New York State, Office of Court Administration

Employee Relations and Legal Aspects of Human Resources Management

MGMT X 450.35

Strategic Human Resources Management

4.0 units Leadership in the field of Human Resources requires much more skill and knowledge today than it has in the past. CEOs and boards have higher expectations for the role of the HR leader as a strategic, knowl‑ edgeable business partner. This course introduces the seasoned HR practitioner to areas of knowledge CEOs expect and helps participants develop a comfort speaking the same language as other senior busi‑ ness leaders. Topics include a history of HR management, identifica‑ tion and analysis of strategic trends, the dynamics of changing technology, best practices in HR systems design, financial acumen for HR professionals, HR’s role in Sarbanes-Oxley implementation, mergers and acquisitions strategy, HR metrics, and the ROI (return on invest‑ ment) of human resources. Prerequisite(s): MGMT X 450 Elements of Human Resources Manage‑ ment or consent of instructor. Reg# 388089 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Mark White, MBA, director, Organizational Development, Kraft Foods North American Manufacturing

MGMT X 450.50

Internship in Human Resources Management

4.0 units This internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an intern‑ ship position—comprised of at least 120 hours of practical application of course material—that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place‑ ment. Eligible students have access to a list of firms with internship opportunities. This course is only available to Human Resources Management Certificate students who have completed 20 units of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an internship coordinator to monitor the internship throughout to ensure a substantive learning experience. Prerequisite(s): The internship is only available to UCLA Extension Human Resources Management Certificate students who have com‑ pleted a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better. Reg# 388092 Fee: $795 No refund after 30 Sept. Independent Study/Internship Sept. 19-Dec. 4 International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility. Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review. Discounts cannot be applied to fees for this course. Visitors not permitted. Restricted course. M Denise Jackson, MA, director of Employee Relations, Career Education Corp.

Business & Management 17

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 450.65

MGMT X 460.91

MGMT X 460.951

4.0 units This course introduces the human resources practitioner and interna‑ tional line manager to the legal, practical, and successful human resources strategies used by international companies in today’s global economy. Topics include employment and staffing; compensation; benefits; labor laws; employment-related taxation; leadership, man‑ agement, and supervisory practices among international corporations; immigration; permanent resident and temporary work visa status; and expatriate and repatriation policies and practices. Reg# 388090 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M & Paul Doble, MA, SPHR, VP, HR Operations manager, City National Bank

4.0 units Designed to provide hands-on working knowledge of export docu‑ mentation and procedures, including banking, insurance, and traffic. This course covers the export transaction, from inception to receipt of payment. This course also broadens the base of knowledge for those already in international business and immerses the novice in interna‑ tional commerce concerns. Topics include costing, quotations, letters of credit, marine insurance, maritime law, contracts, bills of lading, and corresponding via traditional and high-tech means. Reg# 387989 Fee: $795 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. M & Michael Alan Baker, JD, attorney-at-law

4.0 units The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position—comprised of at least 120 hours of practical application of course material—that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place‑ ment. Eligible students have access to a list of firms with internship opportunities. This course is only available to International Trade and Commerce Certificate students who have completed a substantial portion (generally 20 units) of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an internship coor‑ dinator to monitor the internship throughout to ensure a substantive learning experience. Prerequisite(s): The internship is only available to UCLA Extension International Trade & Commerce Certificate students who have com‑ pleted a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better. Reg# 387992 Fee: $795 No refund after 25 Sept. Independent Study/Internship Sept. 19-Dec. 4 International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility. Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review. Discounts cannot be applied to fees for this course. Restricted course. Visitors not permitted. M Daniel Krassenstein, director Asia Operations, Procon Pacific, LLC

International Human Resources Management

International Trade & Commerce For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu. Certificates:

International Trade & Commerce General Business Studies with Concentration in International Trade & Commerce Business Administration with Concentration in International Trade & Commerce

MGMT X 460.902

Introduction to International Business

4.0 units This course provides students with a basic understanding of the broad field of international business, presenting views from both the home and host country perspectives. The wide range of international busi‑ ness topics covered includes foreign direct investment, import/export, foreign exchange, global sourcing, marketing, and international eco‑ nomic concepts. This course provides a solid foundation for the subsequent courses in the certificate program in International Trade and Commerce. Students in other programs also find the course very useful in achieving a fundamental understanding of international business operations. Reg# 387985 Fee: $795 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. M & Instructor to be announced

MGMT X 460.903

Fundamentals of International Trade

4.0 units This course covers the necessary procedures to start up an interna‑ tional trading business by providing a detailed introduction to the practices, procedures, and services used in the U.S. to export and import merchandise. Topics include organizations affecting interna‑ tional trade; sources of information for trading, monitoring, and evalu‑ ating commercial conditions in other countries; market research and planning by identifying potential suppliers, pricing merchandise, and resources to find buyers; sales channels, such as direct, agents, dis‑ tributors, and representatives; merchandise regulations: control of exports and imports, the international classification system, respon‑ sibilities of U.S. Customs, rules, and related dues; financing: sources of funds for exports and imports, methods of payment, open account, direct, offsets, counter trade, barter, foreign currency exchanges, and contracts; and freighting: modes of transport, packaging, containeriza‑ tion, protection, and identification of merchandise and insurance. Reg# 387988 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited. M & Vahick A. Yedgarian, CIO, Regency Financial Group

Export Documentation, Traffic, and Banking

MGMT X 460.912

Global Supply Chain Management

4.0 units This course covers the international transportation of goods by costeffective methods through analysis of the structure of ocean and air transport systems in global distribution and single-factor pricing of combination carrier shipments. Other topics include costing of transport services; freight rate negotiation; rate bureaus, carrier associations, and conferences; prudent use of independent liners; analysis of landed cost competition; foreign government regulations; U.S. maritime law, policy, and antitrust provisions; ramifications of the Code of Liner Conduct and related bilateral trade agreements; inter‑ relationships of balance of payments and commodity movement; Export Trading Company Act of 1982; common vs. industrial carriers and trends in their use; and a comprehensive view of logistics in overseas marketing. Prerequisite(s): MGMT X 460.902 Introduction to International Business and MGMT X 460.903 Fundamentals of International Trade. Reg# 387990 Fee: $795 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M & Instructor to be announced

MGMT X 460.95

International Business Policies and Strategies

4.0 units This course provides a systematic approach for determining, imple‑ menting, and evaluating the strategies and policies that govern a firm’s international business activities. Topics include outsourcing; business unit portfolio optimization; global marketing; R&D decentralization; industrial relations; and the implementation of strategies that focus on operations planning, information systems design, control, and conflict resolution. Prerequisite(s): MGMT X 460.902 Introduction to International Business, MGMT X 460.99 International Business Management, and two other international business courses, or consent of instructor. Reg# 387991 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M & David E. French, MBA, president, David French & Associates, LLC, a business strategy consultancy

Internship in International Trade and Commerce

MGMT X 460.952

Doing Business in the U.S.

4.0 units The United States is the largest consumer market in the world, yet it is significantly different and more challenging than any other market‑ place, especially for those who are unfamiliar with American business practices. This course provides entrepreneurs, business managers, and international trade professionals with key business and cultural insights to do business within the mainstream U.S. market. Topics include an overview of the U.S. economy, regional and national demographics and cultural dynamics, business customs, framework of the U.S. legal system, marketing strategies, and negotiating tactics. Reg# 387993 Fee: $795 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 4 M & Zeph Phillips, chief operations officer, EuroPac Partners, Inc.

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Visit our website for textbook information.

C UC CREDIT May be t ransferable to other colleges and universities. Learn more on our website.

Business & Management

Marketing, Advertising & PR For more information call (310) 206-4271 or email bamcertificate@uclaextension.edu.

Marketing & Advertising For more information call (310) 825-4192 or email zwalton@uclaextension.edu. Certificates:

Marketing General Business Studies with Concentration in Marketing Business Administration with Concentration in Marketing General Business Studies with Concentration in Advertising Business Administration with Concentration in Advertising For more information call (310) 206-4271 or visit uclaextension.edu/marketingAdvertising.

MGMT X 160

Marketing Principles and Practices

4.0 units This course surveys marketing methods, practices, and institutions from the perspectives of manufacturers, distributors, and consumers. You examine marketing concepts, functions, operations, and organiza‑ tions of retail and wholesale enterprises; distribution channels; market research; advertising; marketing costs; pricing; cooperative marketing; marketing legislation and regulations; and trends. c Prerequisite(s): If you are enrolling in this course to fulfill a UCLA Extension certificate program requirement, you must select the “for credit-letter grade” credit option during the checkout process. Addi‑ tionally, if you are enrolling in this course to fulfill a requirement for (re)certification offered by an external governing body, it is recom‑ mended that you select the “for credit-letter grade” credit option. Reg# 388139 Fee: $825 No refund after 12 Sept. Y Hybrid (In-Person) 9 mtgs Monday, 9am-12pm, Sept. 19-Oct. 3; Oct. 24-Nov. 28 UCLA Extension Gayley Center: 1145 Gayley Ave. M Online Oct. 10-23 Jennifer Cowan Hannon Reg# 388141 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Barbara Barney-McNamara, MBA, consultant/owner, Marketing Avenue Reg# 388138 Fee: $795 No refund after 14 Sept. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. M Marc Villarreal, BA, executive VP, Branding, Integrity Media

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 460.35

Strategic Marketing

4.0 units This capstone course allows students to put into practice key skills they have learned that address the need to understand more than just tradi‑ tional marketing principles, as well as helps explain how trends develop and how to design effective, long-range marketing strategies that meet the demands of today’s dynamic consumer environment. Students explore marketing trends, marketing management decision-making, consumer attitudes, niche marketing, advertising strategies, distribution channels, and the use and misuse of various marketing media. Prerequisite(s): MGMT X 160 Marketing Principles and Practices and MGMT X 466 Consumer Market Research or professionals with a mini‑ mum of two years’ experience may enroll. Reg# 388143 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Robert Liljenwall, MBA, president, The Liljenwall Group; recipient of the UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 460.382

Personal Branding and Becoming an Influencer

2.0 units Marketers are increasingly hiring influencers to generate greater impact in the market, from simply promoting a brand and spreading a message to attracting the influencers’ personal followers. Those promotional opportunities—along with the accompanying fame and other rewards—have inspired thousands of people worldwide to become influencers themselves. At the same time, many professionals are looking to increase their personal influence to grow their own brands, careers, ventures, and overall efficacy. In this course, students learn how to develop and manage personal brands to achieve true influence. This involves establishing credibility as an “expert,” promot‑ ing that expertise through media and messages that match their tal‑ ents and their market, building a genuine and significant following, and developing rewarding relationships with their community, includ‑ ing other influencers and potential sponsors. Reg# 388144 Fee: $475 No refund after 24 Oct. MOnline Oct. 31-Dec. 4 M Lia Haberman

MGMT X 460.394

Digital Marketing

4.0 units The Internet, the digital revolution, and the move toward an informa‑ tion-based economy are dramatically changing business and the way products are marketed and sold. To be more successful in this “new marketing world,” business people need to understand what is chang‑ ing and how to use the new tools to their optimal advantage. This course is for both veteran marketers who want to understand the new tools available through the Internet and those who are comfortable with Internet applications and the digital world but want to learn the marketing fundamentals as they apply to the Internet. Reg# 388149 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Misha Kouzeh, MS, consultant, trainer, TEDx speaker Reg# 388145 Fee: $795 No refund after 14 Sept. X In-Person 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. M Peter Fernando

MGMT X 460.395

Trending Topics in Digital Marketing: The Business of Being an Influencer

5.0 units Influencer Marketing is on track to become a $15 billion industry by 2020, making influencers a vital part of the American small business economy. As founders of their own personal brands, influencers are modern-day entrepreneurs who are expected to be CEOs, CFOs, CCOs and CMOs all at once. They are responsible for managing, monetizing, and marketing their businesses and driving the creative strategy that allows them to grow on social media, all while balancing the brands that pay them and the social audiences who consume their content. This class is for aspiring influencers, entrepreneurs, and any student interested in launching and growing a business built on a strong personal brand. Students will conduct market research, read case studies, and study the basics of entrepreneurship to create a business plan that helps identify and define their objectives and how they’ll achieve their goals from a product/services, marketing, finance, and operational standpoint. Reg# 388150 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Lia Haberman Angela Kim, MA, BA; an audience development manager at Yahoo/ Oath, where she works with various editorial verticals to develop their strategies for social media, engagement, video content distribution and emerging platforms. Prior to her career in digital media, she was a producer on American Public Media’s Marketplace, with a focus on climate and sustainability. Her radio stories have also aired on Here and Now, Splendid Table, and Weekend America, where she was awarded a Gracie Award.

MGMT X 460.398

Social Media Marketing

2.0 units This course looks at the channels of marketing, advertising, and com‑ munication that make up social media and the Web, exploring how these tools fit into a company’s traditional integrated marketing strategy. Using case studies and real-world examples from large corporations and small businesses, students explore current examples and future opportunities of how marketing professionals embrace online social networks, user-generated content, and content sharing to create brand awareness and buzz. Learn practical tips and tech‑ niques, as well as see the bigger picture to help successfully leverage social media marketing for your own environment and purpose. Reg# 388152 Fee: $475 No refund after 12 Sept. MOnline Sept. 19-Oct. 23 M Mark Burgess Reg# 388151 Fee: $475 No refund after 15 Sept. X In-Person 5 mtgs Thursday, 6:30-9:30pm, Sept. 22-Oct. 20 UCLA Extension Gayley Center: 1145 Gayley Ave. M Rainier de Ocampo

X IN-PERSON, page 1. A REMOTE, page 1.

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M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

Business & Management 19

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 460.41

Brand Management

4.0 units Explore, learn, and understand the complexities in the development, sustainability, and leverage of a brand. In this comprehensive course, participants learn how brand identity must be nurtured and managed to positively affect a company’s performance and future, as well as understand the power and importance of a brand from its creation through execution. This course presents students with an overview of brand development; brand research; and brand management struc‑ tures for sales, marketing, advertising, and promotional purposes. In addition, students explore how companies develop financial wealth by extending existing brands and controlling and/or influencing brand pricing and distribution. Additional topics include an overview of brand history, understanding the differences between brand equity and brand identity, and consideration of how brands are won and lost. Reg# 388155 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Alex Nascimento, MA, MBA Reg# 388154 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Terri Horton, principal, TLT Consulting Reg# 388153 Fee: $825 No refund after 14 Sept. X In-Person 7 mtgs Wednesday, 1-4pm, Sept. 21-Nov. 2 UCLA Extension Gayley Center: 1145 Gayley Ave. M Instructor to be announced

MGMT X 460.483

Global Marketing and Strategy

4.0 units This course lays the foundation to gaining competitive advantage in the global marketplace by providing a hands-on understanding of the competitive implications affecting global marketing strategies; cover‑ ing the factors that govern the decision to enter export marketing; and analyzing, planning, organizing, and managing an international busi‑ ness marketing strategy. Topics include foreign market surveys; the role of competitive intelligence; understanding trade barriers, pricing, distribution channels, and cultural differences that affect marketing strategies; and how to create a competitive marketing strategy. You gain a comprehensive understanding of global competitive marketing core concepts and how global competitive marketing strategies can affect a company’s future performance. Reg# 388157 Fee: $825 No refund after 13 Sept. X In-Person 11 mtgs Tuesday, 1-4pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. Nance Rosen, MBA, author of Speak Up & Succeed

MGMT X 460.484

Internship in Marketing and Advertising

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Reg# 388091 Fee: $795 No refund after 30 Sept. Independent Study/Internship Sept. 19-Dec. 4 International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility. Web enrollments require the submission of an initial application one week before the quarter begins. Anadvisor will contact you after initial application review. Discounts cannot be applied to fees for this course. Restricted course. Visitors not permitted. Mark Stern, BS, president, Oasis Marketing

MGMT X 460.52

Integrated Marketing Communications

4.0 units This course focuses on the latest marketing communication prac‑ tices—known as integrated marketing communications (IMC)—featur‑ ing an overview of the major media, including broadcast, print, outdoor, point of purchase, direct mail, Internet, telemarketing, public relations, and promotion. The emphasis is on how to analyze and create an IMC program by using the latest value-based IMC concepts and measuring “return on communications investment.” Reg# 388158 Fee: $795 No refund after 14 Sept. Y Hybrid (In-Person) 11 mtgs Wednesday, 7-9pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center in Westwood M Jillian Kogan Dunn, founder and president of Fortune Favors the Bold Inc. (favthebold.com), a Los Angeles-based global media and market‑ ing firm specializing in social enterprise. With a proven track record spanning two decades, Ms. Kogan Dunn has created and executed standard-setting media campaigns, special events, and consumer activations.

MGMT X 461A

Writing for Marketing and Advertising

2.0 units Writing for marketing and advertising is all about crafting a message. This course aims to build the essential skills to write clear, concise, and compelling messages for all media. You study and practice writing proposals, direct mail pieces, brochure copy, sales letters, business plans, and create materials for digital delivery via the web. Reg# 388161 Fee: $475 No refund after 12 Sept. MOnline Sept. 19-Oct. 23 M Steven Van Hook, PhD, founder, World Wide Media Relations

MGMT X 463.01

Advertising in the Digital Age

2.0 units Create effective consumer-targeted digital advertising campaigns across the ever-changing digital media landscape. Explore how to plan, create, track, and optimize all types of digital advertising cam‑ paigns, with a focus on developing highly strategic campaigns that leverage the unique strengths of each digital media type, including emerging platforms. Topics include online/display, social media, mobile, search engine marketing, email, video, user-generated content (UGC), viral, and landing page optimization. Learn trends and practices associated with media planning and buying across the various media platforms, as well as advertising creative best practices. Reg# 388162 Fee: $475 No refund after 12 Sept. MOnline Sept. 19-Oct. 23 M Stan Toyama

MGMT X 463.13

Fundamentals of Cross-Platform Media

4.0 units This course provides a high-level overview on a wide-range of media topics, including current media platforms and the trends and issues facing media. A different media topic is highlighted each week, includ‑ ing Video, Audio, Digital, Mobile, Social, Search Engine Marketing, Programmatic, Content Marketing, Influencer Marketing, and Sports Marketing. These topics are discussed from cross points of view—sales, buying, strategy, and marketing. This class is best suited to junior level media buyers, media planners, young sellers, and sales assistants from any discipline in media. In-class projects, guest speakers, and a “Senior Industry Panel” round out the course. Each student leaves the course with basic knowledge of several lanes in media and is intended to expose students to a wide variety of opportunities in media. Reg# 388163 Fee: $795 No refund after 12 Sept. X In-Person 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Oct. 24; Nov. 7-28 UCLA Extension Gayley Center: 1145 Gayley Ave. Tuesday, 6:30-9:30pm, Nov. 1 UCLA Extension Gayley Center: 1145 Gayley Ave. Tracey McCormack, BS, CEO, McCormack Media Services

MGMT X 466

Consumer Market Research

4.0 units Providing a comprehensive and practical approach to conducting relevant, useful marketing and advertising research, this course examines consumer behavior and how it can influence marketing and advertising decision-making, as well as methodologies used to gather primary and secondary research data, analyze and interpret that data, and make recommendations based on research activities. Instruction also explores the use of surveys and focus groups—on and offline—as well as conventional research methods. Students build valuable skills and techniques needed to tabulate, analyze, and present market research data, the foundation of a well-conceived marketing strategy. Reg# 388165 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M David Morse, president/CEO, New American Dimensions, LLC Reg# 388164 Fee: $795 No refund after 13 Sept. Y Hybrid (In-Person) 11 mtgs Tuesday, 6:30-8:30pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. M Emmanuel Probst, doctorate, business administration; director, Kantar Media.

MGMT X 466.05

Advanced Digital and Social Media Marketing Strategies

4.0 units The course is intended for executives and professionals that want to go beyond the basics to learn how to apply social media to get con‑ crete business results. The course puts students on the leadership path with strategies and tactical plans that lead to bottom-line suc‑ cess. This program delivers the latest strategies to drive more revenue and save costs by incorporating social media into traditional business practices. With this curriculum, attendees learn practical steps, tech‑ niques, and best practices geared toward integrating social media and digital programs within their businesses with higher monetiza‑ tions of their investment. Reg# 388167 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Valters Lauzums Reg# 388166 Fee: $795 No refund after 13 Sept. X In-Person 11 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. M Jeff Ferguson Instructor to be announced

Business & Management

MGMT X 470.10

Digital Analytics

4.0 units Digital analytics is a set of business and technical activities that create and collect “big data” and process it for analysis, recommendations, optimizations, and predictions. This course defines the term “digital analytics” and focuses on its importance in marketing. It provides technical information to understand and implement digital analytics in an organizational context; examines digital analytics strategies, including segmentation, context, and conversion attribution; defines KPIs and key metrics used in digital analytics; explores various tools and software used to track analytics, such as Google Analytics; dis‑ cusses website optimization; and covers webmaster data integration with analytics. Reg# 388170 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Mindy Serin Reg# 388168 Fee: $795 No refund after 15 Sept. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited. M & Greta Shafrazian, director of Digital Research, Warner Bros.

MGMT X 470.30

Search Engine Optimization for Marketing

2.0 units 1.8 CEUs This course provides insight about the tools, techniques, and strate‑ gies needed to develop content that draws in your target audience along their consumer journey, optimize your website architecture, and build inbound links to improve search rankings. Learn about the collection of marketing, site development, and public relations tactics that form a winning SEO strategy to meet your business goals and increase site traffic and sales from the organic search channel. Topics covered include content marketing, on-page optimization, and inbound link building. Reg# 388171 Fee: $475 No refund after 27 Sept. X In-Person 6 mtgs Wednesday, 6-9pm, Sept. 21-Oct. 26 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M Jeff Ferguson Reg# 388894 Fee: $475 No refund after 4 Nov. MOnline Oct. 31-Dec. 11 M Jeff Ferguson

MGMT X 471.10

Marketing with Google Ads

2.0 units This course focuses on how to create and manage a Google AdWords account and the ad creation and optimization process for maximum traffic generation. AdWords campaign management issues are explained, including strategies for selecting optimal keywords critical to the success of AdWords ads. Other topics include bidding strategies for keywords, quality score and click-thru rate (CTR) metrics, comput‑ ing return on investments (ROI) as it pertains to AdWords advertising, analytics service in conjunction with AdWords, and Google Analytics and Google Website Optimizer for maximizing ad effectiveness. Reg# 388172 Fee: $475 No refund after 20 Oct. Y Hybrid (In-Person) 5 mtgs Thursday, 7-9pm, Oct. 27-Dec. 1 UCLA: Bunche Hall M Ruben Quinones

Enroll at uclaextension.edu or call (800) 825-9971 Reg# 388095 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Robert Gonsalves, MBA, Anderson School of Management, UCLA

Professional Selling & Sales Management For information call (310) 206-4271 or email bamcertificate@uclaextension.edu.

MGMT X 430.814

Salesforce CRM Essentials

4.0 units Today’s professionals often have complex contact and follow-up requirements along with a continuously growing contact list itself. Customer relationship management in recent years for well over 100,000 companies has relied on Customer Relationship Management (CRM) software with Salesforce.com, the dominant CRM provider. Customers may be internal organization contacts of each senior executive as well as external clients, VIP’s, and other key contacts/ relationships. Even if the organization employs an alternative to Salesforce.com, this course will prepare students to obtain substantial organization specific benefits and teaches the student the power and applications of any comprehensive CRM system, although it is Sales‑ force.com-specific. For those students employed in a rapidly growing small-medium sized business, those employed by a global organiza‑ tion, or those working with a nonprofit with many individual relation‑ ships, a CRM system education and training will be crucial for both executive and marketing support. With this course, working profes‑ sionals should significantly enhance their career prospects and day-to-day effectiveness. Reg# 387984 Fee: $795 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 11 Enrollment limited; early enrollment advised. Visitors not permitted. M Guillermo Pedroni

MGMT X 460.16

MGMT X 460.86

Customer Relationship Management

4.0 units This course provides students with a working knowledge of the principles and best practices for managing customer relationships that result in unsolicited testimonials and relationship annuities. Students learn how to quantify customer orientation and how to develop relationship-driven customer management systems based on the judicious use of resources born from a decisive strategic plan. Topics include customer profiling, market segmentation, customer service, retention, relational databases, and CRM software. Students are encouraged to participate in discussions on current and generally unpredictable trends, return on investment from sales and marketing expenditures, and how popular myths propel the uninitiated to obscu‑ rity and extinction. The course is intended for students and business professionals who have taken one or more courses in personal selling, marketing, market research, product development, the physiology of why people buy, and advertising. Reg# 388130 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Nance Rosen, MBA, author of Speak Up & Succeed

Public Relations Courses are endorsed by the Greater Los Angeles Chapter of the Public Relations Society of America.

MGMT X 469.11

Principles of Professional Selling

4.0 units This course emphasizes role-playing; sales presentation scripting techniques; public speaking; professionalism in sales; and developing a polished sales approach for wholesale, specialty, and service selling. Topics include controlling the selling process from start to finish; locating, identifying, and qualifying prospects; obtaining appointments and selling by phone; demonstrating products and services; handling objections and closing the sale; selling after the close; using telemar‑ keting, marketing specialists, and networking to find prospects; the ethics of sales; and the legal pitfalls of selling. Reg# 388094 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Maria Guevara, owner, MJ Tax Agency & MG Business Solutions

MGMT X 460.54

Strategic Sales Planning

4.0 units This course highlights the role and use of strategic sales planning to increase sales and enhance product, brand, and company awareness. Begin by exploring, learning, and understanding the complexities in the development, sustainability, and leverage of a brand. In this comprehensive course, participants learn how brand identity must be nurtured and managed to positively affect personal and organization performance, present and future, as well as understand and com‑ municate the power and importance of selling a brand from its cre‑ ation through maturity. Topics include personal and professional branding; the role of networking; relationship building and strategies; an overview of promotion marketing and its relationship to other marketing components—including advertising and public relations; promotions planning: situation analysis, defining objectives, develop‑ ing strategies/tactics to reach a target audience, budgeting, and measuring success; and database, frequency, and loyalty marketing. The key to the development of superior customer sales development is detailed intelligence (how to obtain and utilize). The importance of developing sales objectives and a specific plan provides students with the knowledge and skills that are needed to win, maintain, and opti‑ mize penetration of high priority clients. Prerequisite(s): MGMT X 460.16 Principles of Professional Selling and MGMT X 460.86 Customer Relationship Management, or two years of professional sales experience.

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Fundamentals of Public Relations

4.0 units This course is intended to provide an introduction to the basic history, theories, principles, and methods of public relations practice. The emphasis in this class is on problem solving and the tools and tech‑ niques of the trade as applied to real-life situations. The scope of the course is intended to present the social, behavioral, psychological, ethical, economical, and political foundations of public relations and the theories of public relations as a communications discipline. This course also examines the nature of various public relations audiences and the different channels used to reach them. The course offers insight and perspective in determining whether the public relations profession is the career path for you. Reg# 388131 Fee: $795 No refund after 12 Sept. Y Hybrid (In-Person) 11 mtgs Monday, 7-9pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M Instructor to be announced

MGMT X 469.12

Writing for Public Relations

4.0 units This course provides a detailed survey of professional public relations writing in its many forms. It is structured to illustrate both the style and content of corporate, agency, nonprofit, and special client writing tasks in today’s highly competitive public relations market. This class is directed toward those already possessing well-honed writing skills. Students create their own examples of news releases, pitch letters, biographies, position papers, media advisories, feature writing, speeches, crisis communications, and other typical public relations writing as part of a strategic public relations campaign kit. Prerequisite(s): MGMT X 469.11 Fundamentals of Public Relations or equivalent experience and consent of the instructor. Reg# 388132 Fee: $795 No refund after 13 Sept. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA: Royce Hall M Joann Killeen, APR, fellow, PRSA; president, Killeen Furtney Group; past national chair/CEO, Public Relations Society of America.

Business & Management 21

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 469.13

MGMT X 469.28

4.0 units This course explores the various media outlets—print, broadcast, and digital—for those working in a broad range of public relations fields and discusses the tricks of the trade on how to work with these outlets effectively. Case histories will be used to discuss the various media outlets and to illustrate creative and timely planting and ser‑ vicing of stories. State-of-the-art media coverage techniques are discussed and participants have a chance to practice proven verbal pitch techniques. Prerequisite(s): MGMT X 469.11 Fundamentals of Public Relations or MGMT X 469.12 Writing for Public Relations, or equivalent experience and consent of instructor. Reg# 388133 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M Steven Van Hook, PhD, founder, World Wide Media Relations

4.0 units The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position—comprised of at least 120 hours of practical application of course material—that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place‑ ment. Eligible students have access to a list of firms with internship opportunities. This course is only available to Strategic Branding and Public Relations Certificate students who have completed 20 units of the program curriculum with a GPA of 3.0 or better. A UCLA Extension instructor acts as an internship coordinator to monitor the internship throughout to ensure a substantive learning experience. Prerequisite(s): The internship is only available to UCLA Extension Strategic Branding & Public Relations Certificate students who have completed a minimum of 20 units of the program curriculum, with a GPA of 3.0 or better. Reg# 388093 Fee: $795 No refund after 30 Sept. Independent Study/Internship Sept. 19-Dec. 4 International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility. Web enrollments require the submission of an initial application one week before the quarter begins. An advisor will contact you after initial application review. Discounts cannot be applied to fees for this course. Restricted course. Visitors not permitted. M Erik Deutsch, principal, ExcelPR Group, who is an award-winning media strategist and content producer with more than 20 years of experience representing clients in health care, technology, entertain‑ ment, and the public sector

Working with the Media

MGMT X 469.15

Crisis Management and Communications: Safeguarding Image and Viability

2.0 units Crisis is all around us. Every day, governments, businesses, and individuals have to deal with forces that threaten their very existence. The news is filled with natural disasters, technologically driven crises, media accusations, and business meltdowns—and most of those involved felt it couldn’t happen to them! Organizations and their lead‑ ers must know how to minimize risk by preparing for crisis, learn to manage and survive one, and be able to recover successfully. This class is designed for anyone who has management responsibility—for corporate, health care, and nonprofit executives; crisis management professionals; marketing and public relations agency executives; and those charged with dealing with a crisis that threatens the future of an organization. This overview provides the tools to identify potential vulnerabilities and to develop comprehensive protection, manage‑ ment, and communication plans. Classroom sections may include guest speakers that are professionals in law enforcement, technology, and crisis management. Reg# 388134 Fee: $475 No refund after 15 Oct. X In-Person 3 mtgs Saturday, 9am-4pm, Oct. 22-Nov. 5 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M Martin Cooper, APR, president, Cooper Communications, Inc.; former president, Public Relations Society of America, Los Angeles Chapter. His numerous honors include PRSA’s Silver Anvil Award and Outstand‑ ing Professional Award for Lifetime Achievement and the UCLA Exten‑ sion Distinguished Instructor Award, 2010.

MGMT X 469.21

Best Practices in Social Media for the Communications Professional

2.0 units While many PR and marketing pros claim to be social media “experts,” those who can demonstrate true expertise are rare and much sought after. This course is focused on helping you develop a social media playbook filled with strategies and tactics that achieve core business goals. Learn how to apply core PR and marketing principals to social media, develop and syndicate content, work with online influencers and empowered consumers, employ basic search engine optimization, and develop a strategic social media plan. Reg# 388135 Fee: $475 No refund after 15 Sept. Y Hybrid (In-Person) 5 mtgs Thursday, 7-8:30pm, Sept. 22-Oct. 20 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Instructor to be announced

Internship in Public Relations

Hospitality Management Restaurant Management & Event Planning For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu.

MGMT 867.012

Event Management: Implementation and Capstone

3.3 CEUs The second course in our two-part event management essentials series provides advanced knowledge and skills needed to enable you to organize a successful event. Topics covered include event technol‑ ogy, food and beverage fundamentals, onsite management, postmeeting follow-up, and career building in the meeting profession. In addition, students have to complete the second part of a capstone project, which gives them a chance to put into practice all that was learned throughout this two-part series. Reg# 387971 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M & Jovan Owens

Project Management Agile Project Management MGMT X 446.1

Agile Methodologies with Scrum and Kanban

4.0 units 3.3 CEUs The use of Agile is quickly becoming the new norm. This course covers SCRUM and Kanban as the most popular agile and lean processes for enabling fast delivery of projects while shifting culture to teamwork, collaboration, and continuous improvement. Students will gain the skills to apply the agile steps to their projects by practicing with itera‑ tive and incremental scheduling techniques and SPRINTS. Students explore how agile trends and emerging practices are different than predictive, waterfall scheduling models and traditional life cycle development approaches. This course meets the education training hours for and helps students gain knowledge towards the PMI Agile Certified Practitioner (PMI-ACP) certification. It also provides foun‑ dational knowledge for the Certified Scrum Professional—ScrumMaster (CSP-SM) and Professional Scrum Master (PSM) certifications. In addition, this course helps students gain knowledge towards the PMP Exam by PMI and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP certification. Reg# 388559 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. Nareg Tovmassian, Six Sigma Black/Green Belt holder, PMP, PMI-ACP; director of Project Management Institute (PMI)—LA Chapter San Fer‑ nando Valley satellite; Senior Black Belt advisor for Southern California Edison. Reg# 388558 Fee: $999 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6-9pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Christopher Yang, MBA, PMP, PMI-ACP, PgMP, CSM, CPM, MS in Indus‑ trial and Systems Engineering, and MS in Computer Science.

MGMT X 446.2

Agile Frameworks, Including Disciplined Agile, XP, and Lean SD

4.0 units 3.3 CEUs Experienced Agile professionals are in high demand across all indus‑ tries. This course provides comprehensive instruction in the nine popular Agile methodologies for students to stay relevant and sought after. Students learn to compare traditional project management methodologies with benefits from agile approaches using agile frameworks such as: Extreme Programming (XP), Lean Software Development (Lean SD), Feature-driven Development (FDD), Scrum‑ ban, Disciplined Agile Delivery (DAD), Dynamic System Development Method (DSDM), Crystal, Large-scaled Scrum (LeSS), and Scaled Agile Framework (SAFe). This course concentrates on enabling fast iterative delivery; teamwork; collaboration; and continuous improvement in software, product development, and high-tech projects. Students will work in teams to apply Agile methodologies through class exercises. This course meets the education training hours for and helps you gain knowledge towards the PMI Agile Certified Practitioner (PMI-ACP) certification. It also provides foundational knowledge for the Certified Scrum Professional—ScrumMaster (CSP-SM) and Professional Scrum Master (PSM) certifications. Reg# 388560 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Lori Garcia, EMBA, PMP; project manager, Medtronic.

Business & Management

Enroll at uclaextension.edu or call (800) 825-9971

MGMT UL 743

Free Online Project Management Certificate Information

Project Management MGMT X 444.1

Fundamentals of Project Management

4.0 units 3.3 CEUs Learn the basics of Project Management—integrating theories with practical approaches to successfully fulfill projects from start to finish. Become a more effective project manager by influencing stakeholders and integrating all of the various processes using a standard frame‑ work throughout the life cycle of your projects. This course helps you gain knowledge towards the PMP Exam by PMI and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP certification. Reg# 388124 Fee: $999 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Artin Mgrtichian, MISM, MPM, PMP, LEED GA, project manager, Med‑ Media Group Reg# 388127 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Robert Stone, PMP, executive director, The Larston Group Reg# 388128 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Robert Stone, PMP, executive director, The Larston Group Reg# 388125 Fee: $999 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited; early enrollment advised. Visitors not permitted. John Gormley Reg# 388126 Fee: $999 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 Remote Classroom Enrollment limited; early enrollment advised. Visitors not permitted. JM Gibis, BA

MGMT X 444.4

4.0 units 3.3 CEUs Balance the trade-off between scope, time, and cost to deliver your project on time and within budget. This course also covers the concept of earned value management to track schedule and cost performance on your project to optimize results. This course helps you gain knowl‑ edge towards the PMP Exam by PMI and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP certification. Reg# 388118 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Kevyn Jones, MS, Acquisition and Contract Management Reg# 388119 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Tony Swaim, DBA, MBA, PMP, Certified Six Sigma Black Belt; principal, Tony Swaim & Associates. Reg# 388116 Fee: $999 No refund after 15 Sept. X In-Person 11 mtgs Thursday, 6-9pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Simona Afifi

4.0 units 3.3 CEUs Explore causes of risk on your projects and examine impacts by the triple constraint, workforce, and vendors. Learn to apply optimized risk response strategies for successful execution and completion of your projects. Minimize risk impacts from procurement processes, and sharpen your negotiation tactics to ultimately sign win-win agree‑ ments with qualified contractors. This course will help you gain knowledge towards the PMP Exam by PMI and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP certification. Reg# 388552 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Al Hirsch, managing director, CTARCo International Reg# 388553 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Lori Jones, JD, MS, who has 40 years’ experience in contracts and subcontracts; subcontract program manager, Northrop Grumman.

Project Schedule and Cost Management

Interested in project management? This free online repository of information is provided to you to help you review aspects of UCLA Extension’s project management program at your own pace. Here you will learn the details and sequence of courses required to complete UCLA Extension’s gold-seal certificate in Project Management. You will also find information on our dedicated instructors and staff, as well as testimonials from past students. You will see videos of our instructors presenting about careers in project management. This session also provides a road map to the Project Management Professional (PMP) certification, as well as a path to applying our courses to an online Master’s Degree (MS) in Project Management. Reg# 383237 Fee: $0 MInformation Session July 25-Nov. 6 Live Zoom Q&A Sessions: Join program director, Vivian Taslakian, for a program overview, (PMP) Exam topics, master’s degree roadmap, and a demonstration of actual courses on Canvas. Enroll to participate in any or all of these live sessions. Thursday, Aug. 25, 12-2pm PT Thursday, Sept. 8, 12-2pm PT Thursday, Oct. 6, 12-2pm PT Thursday, Nov. 17, 12-2pm PT Uninstructed Lab Vivian Taslakian, MBA, MS, BSEE, PMP

MGMT X 444.2

MGMT X 444.3

Project Quality and Leadership

4.0 units 3.3 CEUs Achieve a competitive advantage by applying data-driven improve‑ ment methodologies to manage quality measures on your projects to meet and exceed customer expectations. Sharpen your leadership skills to attain your project goals alongside team members and stakeholders and learn to use strong communication and interper‑ sonal skills. This course helps you gain knowledge towards the PMP Exam by PMI and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP certification. Reg# 388122 Fee: $999 No refund after 2 Oct. A Remote 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 Remote Classroom Enrollment limited; early enrollment advised. Visitors not permitted. Lori Garcia, EMBA, PMP; project manager, Medtronic. Reg# 388547 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. John Sarakatsannis, MBA, MS, PMP, CPCM, CFCM Reg# 388549 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. John Sarakatsannis, MBA, MS, PMP, CPCM, CFCM Reg# 388121 Fee: $999 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Nareg Tovmassian, Six Sigma Black/Green Belt holder, PMP, PMI-ACP; director of Project Management Institute (PMI)—LA Chapter San Fer‑ nando Valley satellite; Senior Black Belt advisor for Southern California Edison.

Project Risk and Procurement Management

MGMT X 444.6

Project Management Capstone

4.0 units 3.3 CEUs This course provides interactive training on the project management framework and foundation using a single project from start to finish spanning across all five phases in a project life cycle. Students work in groups as consultants and apply hands-on experience using a real-life project starting from initiation to closing to maximize learning potential in project management. The concepts learned during the course could be applied to any project within any industry and with varying complexities, putting a sharper focus on the people, processes, tools, techniques, and technologies needed to successfully execute projects and meet customer expectations. This course helps you gain knowledge towards the PMP Exam by PMI and qualifies for the required 35 Contact Hours or PDU’s to apply for or maintain an existing PMP certification. Reg# 388556 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Barry Molnaa, MPM, PMP, LEED AP, Risk and Profitability lead, AECOM; recipient, UCLA Extension Distinguished Instructor Award, 2011. Reg# 388554 Fee: $999 No refund after 4 Oct. Y Hybrid (In-Person) 11 mtgs Wednesday, 6-9pm, Sept. 21; Oct. 26-Dec. 7 UCLA: Math Sciences Wednesday, 6-9pm, Sept. 28-Oct. 19 Remote Classroom No meeting Nov. 30. Enrollment limited; early enrollment advised. Visitors not permitted. Bill Hackenberg, MBA, PMP, CSM, CSPO, CSQA; founder, ExecutiveToolShed.com.

Business & Management 23

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 443.4

MGMT X 443.8

Leadership and the Human Element in Project Management

Project Control and Change Management

4.0 units 3.3 CEUs Effective leadership skills are perhaps the greatest determinant of project success. Project managers must demonstrate leadership effectiveness throughout each phase of the project life cycle. Review and recognize specific leadership styles in the context of real-world examples. Participative assignments help both current and future project managers enhance their own leadership effectiveness. Course content covers project communication, motivation, conflict resolution, negotiation, stress management, and effective leadership in the context of project management. Participants identify the leadership challenges unique to the project environment, identify their leadership strengths and weaknesses, identify five conflict resolution modes and when to use them, and learn to differentiate between position power and personal power. Note: This course is NOT interchangeable with MGMT X 490.996 Leadership Communication Strategies. Reg# 388563 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Margaret Meloni, PhD, MBA, PMP; recipient, UCLA Extension Distin‑ guished Instructor Award, 2012. Reg# 388564 Fee: $999 No refund after 2 Oct. A Remote 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 Remote Classroom Enrollment limited; early enrollment advised. Visitors not permitted. Jerry Reed, PMP, CSM, MCP

MGMT X 443.6

Project Planning with Microsoft Project

4.0 units 3.3 CEUs The schedule is the primary source of conflict on any project. Ques‑ tions like “When will we launch?”, “When is the release date?”, “When will we get the certificate of occupancy?” and “When will the drug be available to the public?”, can only be answered credibly by building real project schedules and using real scheduling apps. Surprisingly, this is rarely done. As a result, project managers are often unaware which tasks to expedite to get projects done faster. They make calls, trade favors, and pressure resources to expedite tasks that will not result in earlier project completion dates. This problem is further compounded by the growing trend toward modern, cloud-based project management tools, such as Wrike , Monday.com , and Smartsheet . While these tools are great for collaborating, they lack the scheduling features required to expedite projects. In this course, you’ll learn why Microsoft Project continues to be the tool of choice for professional schedulers and knowledgeable project managers. You’ll learn why you should avoid tools like Excel, Wrike , Monday. com , Smartsheet , and even Project for the Web when you’re managing projects that require you to find ways to get things done faster. Whether you’re managing a construction project, deploying new infrastructure, or launching a start-up, this learn-by-doing course will help you use Microsoft Project to build and analyze schedules your team can rely on. You’ll learn to break down projects into manageable parts, structure the project outline, forecast reliable completion dates, set realistic expectations, manage resources and assignments, use the critical path to get the work done faster, and create professional status reports! The scheduling skills you’ll learn with Microsoft Proj‑ ect , the most widely used true scheduling app, will significantly reduce your learning curve with a wide range of scheduling software in the project management field. Prerequisite(s): Proficiency in using computers with Windows operat‑ ing system; working knowledge of MS Office is also helpful. Reg# 388565 Fee: $1,099 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Jerry Reed, PMP, CSM, MCP

4.0 units 3.3 CEUs Once projects cross their planning stage, the execution phase starts with the inevitable reality of needing to change and update the original plans. Supported with formal baselines for project schedule, cost, quality, and resources, the project manager’s key role is to ensure changes against those baselines are made orderly, formally, and effectively. This course focuses on project implementation and the various qualitative and quantitative methods project managers rely on to control and manage their project changes to successfully complete them on-time and within budget. Project changes in one area will necessarily impact other areas, requiring a relentless balanc‑ ing act among schedule, cost, quality, staffing, and risk-related priori‑ ties. This course will also cover tactics to manage the myriad of stakeholders on the project during its implementation and control stages, utilizing an integrated change management approach to minimize negative impacts and maximize positive outcomes. Prerequisite(s): MGMT X 443.1 Fundamentals of Project Management or consent of instructor. Reg# 388566 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Tony Swaim, DBA, MBA, PMP, Certified Six Sigma Black Belt; principal, Tony Swaim & Associates.

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Design & Arts

Enroll at uclaextension.edu or call (800) 825-9971

DESIGN & ARTS

For more information call (310) 206-1422.

UX/Graphic Design Design Communication Arts For information on course content, prerequisites, or advisement, email dca@uclaextension.edu, visit uclaextension.edu/dca, or call (310) 206-1422. Core Design Concepts The seven Core Design Concepts courses are designed for those pursuing the Design Communication Arts Certificate. These courses are also open to noncertificate students. In addition to these eight courses, students pursuing the Design Communication Arts Certificate must complete the Print and Graphic Communication Design Tool Kit plus two electives. Required Courses: DESMA X 479.6A DESMA X 482.1D DESMA X 479.4A DESMA X 479.6E DESMA X 479.2D DESMA X 479.3D DESMA X 479.6P DESMA X 479.7P

Design Fundamentals (4 units) Color Methodologies (4 units) Typography (4 units) Design II: Collateral Communication (4 units) Design III: Branding (4 units) Design History and Context (4 units) Design IV: Advanced Design Practice (4 units) Portfolio (4 units)

DESMA X 479.6A

Design Fundamentals

4.0 units This is a hands-on introduction to the creative process and core elements of graphic design for a variety of outputs, including print and electronic media. Topics include research, typography, imagery, strategy, and concept development. Projects are progressive and critiqued. Reg# 388600 Fee: $789 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 Remote Classroom No meeting Nov. 22. Fee does not include cost of art supplies. Instructor to be announced Reg# 388646 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 15 Nov. 29-Dec. 6 No meeting Nov. 22. Fee does not include cost of art supplies. Grace Magnus, graphic designer whose clients include marketing agencies, small businesses, and artists. She holds a particular interest in the intersection of art and technology, exploring the merge of hand crafting with digital tools in her work and design practice.

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Reg# 388601 Fee: $789 No refund after 29 Sept. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. Fee does not include cost of art supplies. Jag - Jeffrey Aguila, art director specializing in print campaigns who has worked with 20th Century Fox, Lionsgate Films, Universal, and more. Jag received The Hollywood Reporter Key Art Award for Home Entertainment—Special Recognition Print for his work on the DVD packaging for Saw: Uncut Edition.

DESMA X 482.10

Color Methodologies

4.0 units This course covers theories and practical applications to understand the makeup of color and how best to use it. Areas covered include general color theory and psychology, effective color creation, percep‑ tion, management, color language, digital issues, additive and subtrac‑ tive systems, and color output. Reg# 388643 Fee: $789 No refund after 24 Sept. D Hybrid (Remote) Sept. 20-Nov. 15 Nov. 29-Dec. 6 No meeting Nov. 22. Students must either attend the Tuesday 7pm lectures live via Zoom, or view the recorded lecture later in the week. Fee does not include the cost of art supplies. Patrick Hruby, BFA in Illustration from Art Center College of Design; illustrator and designer. Mr. Hruby’s clients include The New York Times, The Guardian, WIRED, Target, Sprint, The United Nations, and Taschen. Reg# 388642 Fee: $789 No refund after 28 Sept. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 23. Fee does not include the cost of art supplies. Henry Mateo, freelance design consultant in several design disci‑ plines, including graphics, industrial, and interiors. Recipient, UCLA Extension Distinguished Instructor Award, 2010.

DESMA X 479.4A

Typography

4.0 units This hands-on course covers the fundamentals of type, its characteris‑ tics, vocabulary, and nomenclature, as well as creative uses of type and how it is integrated in successful design. Working with letterforms is a critical element to successful design. Explorations in this course include the examination of single letterforms, typographic classifications, infor‑ mation hierarchies, and page layout. Projects explore the creative usage of letterforms as graphic and communication elements. Prerequisite(s): DESMA X 479.6A Design Fundamentals and DESMA X 481.99Z InDesign.

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Reg# 388592 Fee: $789 No refund after 27 Sept. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 22. Enrollment limited. Grace Magnus, graphic designer whose clients include marketing agencies, small businesses, and artists. She holds a particular interest in the intersection of art and technology, exploring the merge of hand crafting with digital tools in her work and design practice. Reg# 388720 Fee: $789 No refund after 26 Sept. MOnline Sept. 22-Nov. 17 Dec. 1-8 No meeting Nov. 24. Kyle Valentic, graphic design graduate of the Art Center College of Design, who is a graphic designer and lettering artist based in Los Angeles with almost fifteen years of experience with identity system design and brand strategy. Mr. Valentic has been fortunate enough to work with a number of well-known brands including Coachella, Capitol Records, Universal Music Group, Google, Wells Fargo, Amgen, and Amazon Video.

DESMA X 479.6E

Design II: Collateral Communication

4.0 units This course introduces students to strategies in design communication and covers utility of systems, programs, campaigns, and design fami‑ lies. Visual presentation and concept development are emphasized. Prerequisite(s): DESMA X 479.6A Design Fundamentals, DESMA X 481.99Z InDesign, and DESMA X 479.4A Typography, or equivalent experience. Reg# 388606 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 15 Nov. 29-Dec. 6 No meeting Nov. 22. Shirin Raban, MA, USC Center for Visual Anthropology; brand identity designer and ethnographic filmmaker. Ms. Raban created integrated lifestyle brands for clients such as Mattel, Korbel Champagne, and Lake Sonoma Winery. Recipient, UCLA Extension Outstanding Instruc‑ tor Award, 2010 and 2017.

Design & Arts 25

Enroll at uclaextension.edu or call (800) 825-9971 DESMA X 479.2D

DESMA X 479.7P

DESMA X 481.60

4.0 units Learn to develop memorable identity systems using symbols, icons, logos, and comprehensive environments to define and reinforce personality, tone, and voice. The goal is to create a meaningful, dynamic relationship with the customer. Prerequisite(s): DESMA X 479.6A Design Fundamentals; DESMA X 479.4A Typography; proficiency with Photoshop, Illustrator, and InDesign. Reg# 388588 Fee: $789 No refund after 26 Sept. X In-Person 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Dec. 5 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 21. Vesna Petrovic, BA/M.Arch degree from the University of Belgrade; she trained both as an architect and graphic designer. Ms. Petrovic is the founder and owner of Vesna De3ign, a multi-disciplinary studio involved in creative projects for art and cultural organizations. Reg# 388645 Fee: $789 No refund after 25 Sept. MOnline Sept. 21-Nov. 16 Nov. 30-Dec. 7 No meeting Nov. 23. Shirin Raban, MA, USC Center for Visual Anthropology; brand identity designer and ethnographic filmmaker. Ms. Raban created integrated lifestyle brands for clients such as Mattel, Korbel Champagne, and Lake Sonoma Winery. Recipient, UCLA Extension Outstanding Instruc‑ tor Award, 2010 and 2017.

4.0 units 3.3 CEUs To make real impact in the world, you need to show what you can do, how you think, and where you want to make design impact. As a designer, in the near future you will find yourself telling your story to potential collaborators, funders, employers, and others. You can no longer rely on a resume or a transcript to show a comprehensive range of your skills and experiences. As more work and workplaces become project-based, these formats fall short of revealing the potential you have. This class helps you create a portfolio—one that communicates your value and your values to prospective collabora‑ tors or employers. This course is most useful to students who have a future path in mind and is a way to reflect on the experiences you have had in the DCA program. Prerequisite(s): All core design courses or departmental approval. Reg# 388624 Fee: $789 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Dec. 6 Remote Classroom No meeting Nov. 22. Vesna Petrovic, BA/M.Arch degree from the University of Belgrade; she trained both as an architect and graphic designer. Ms. Petrovic is the founder and owner of Vesna De3ign, a multi-disciplinary studio involved in creative projects for art and cultural organizations.

8.0 units Photoshop, Illustrator, and InDesign are covered in this intensive and immersive course to learn the essential Adobe CC programs utilized in graphic design. Become fluent in editing, building, and creating design using Photoshop. Learn client branding and how to work in the vector environment for Illustrator. Understand and build layouts using InDesign, become comfortable with how all three programs are popularly used and integrated, and build proper habits. This class covers core concepts taught in the intro classes to Photoshop, Illustra‑ tor, and InDesign in a fast-paced boot camp style for those that want to use these tools in their workflows quickly. Reg# 388636 Fee: $1,675 No refund after 24 Sept. MOnline Sept. 20-Nov. 15 Nov. 29-Dec. 6 No meeting Nov. 22. Enrollment limited. Hakon Engvig, BA in design with two advanced design certificates from UCLA Extension. A native-born Norwegian, Engvig’s domestic and international clients include UCLA Medical Center, Macy Gray, Life‑ house, the Together Project (India), and OTE Historical Restoration Committee (Norway).

Design III: Branding

DESMA X 479.3D

Design History and Context

4.0 units Gain a broad understanding of design and its dynamic past to discover inspiration for the present. Survey the history of visual communication, design’s sociopolitical and cultural contexts, and the artistic and technological characteristics of various movements. Students create portfolio pieces inspired by the designers and movements studied. Prerequisite(s): DESMA X 479.6A Design Fundamentals, DESMA X 481.99Z InDesign, and DESMA X 479.4A Typography. Reg# 388589 Fee: $789 No refund after 28 Sept. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom No meeting Nov. 23. Patrick Hruby, BFA in Illustration from Art Center College of Design; illustrator and designer. Mr. Hruby’s clients include The New York Times, The Guardian, WIRED, Target, Sprint, The United Nations, and Taschen.

DESMA X 479.6P

Design IV: Capstone

4.0 units In this thesis-oriented capstone course, Design Communication Arts students put all they’ve learned into action to tackle real-world design projects in the civic realm. Public presentation, collaboration, observa‑ tion, research, and problem-solving skills are emphasized. Prerequisite(s): All core design courses or departmental approval. Reg# 388608 Fee: $789 No refund after 26 Sept. A Remote 11 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 Remote Classroom No meeting Nov. 21. John Beach, creative director, John Beach Design, whose clients include The Walt Disney Company, Starbucks, and The Hillstone Res‑ taurant Group

Portfolio

DESMA X 479.6C

Package Design

4.0 units Learn the function of packaging, including product protection, identity, advertising, safety, and communication. This hands-on course focuses on developing and executing materials, concepts, and graphics appropriate for effective packaging, including logo design, type, and pictorial elements. Prerequisite(s): Foundational level DCA courses plus DESMA X 479.6E Design II: Collateral Communication. Reg# 388602 Fee: $789 No refund after 29 Sept. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. John Beach, creative director, John Beach Design, whose clients include The Walt Disney Company, Starbucks, and The Hillstone Res‑ taurant Group

DESMA X 479.8B

Special Topics: Design Entrepreneurship

4.0 units 3.3 CEUs Design finds and solves problems. It is at the intersection of art and business, and the successful designer knows how to navigate between the two. Design is a vast field, and successful designers learn to target toward their interest and strengths in order to thrive. In this class, students learn to position themselves, target their portfolios and communications toward select design markets, and learn the business side of design. Topics include freelance best practices, scoping opportunities in the vast market of design, positioning yourself to have a strong voice in targeted markets, and exposure to industry profes‑ sionals to understand firsthand where the demand is for talent in the design field. Prerequisite(s): Core DCA courses Design Fundamentals, Color Meth‑ odologies, Typography, and Adobe suite, or equivalent experience. Reg# 388628 Fee: $789 No refund after 26 Sept. A Remote 11 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 Remote Classroom No meeting Nov. 21. Pash, design strategist, author, and educator with 30 years of experi‑ ence in the field of design. Pash has designed the official logo for Miles Davis, brand extensions for Playboy, products for John Varvatos, retail product strategy for Motown Records, and advertising for Perrier. His book Inspirability features interviews with 40 prominent graphic designers.

Design Software Intensive Boot Camp

DESMA X 481.11

Photoshop I

4.0 units Learn to create, manipulate, and combine digital images. Develop a working knowledge of Photoshop’s features; use the program in 2D print, interactive, and web applications; and learn importing and exporting features. Reg# 388634 Fee: $789 No refund after 23 Sept. MOnline Sept. 19-Nov. 14 Nov. 28-Dec. 5 No meeting Nov. 22. Students are required to have a copy of Adobe Photoshop CC to complete the course. Agnieszka Purzycka, MA in journalism with Design Communication Arts certificate from UCLA Extension. Ms. Purzycka’s domestic and international clients include L’Erma di Bretschneider, AUC Press, Kara Cooney, and Patina Productions Inc.

DESMA X 481.47

Illustrator I

4.0 units Discover how this vector-based drawing program integrates into the suite of design tools. Features presented include templates, drawing paths, auto-tracing, blending features, gradient meshes, wrapping type, exporting, shape and pen tools, and more. Reg# 388635 Fee: $789 No refund after 26 Sept. X In-Person Sept. 19-Dec. 5 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 21. Students are required to have a copy of Adobe Illustrator CC to complete the course. Instructor to be announced

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Design & Arts

DESMA X 479.47AA

Illustrator II

4.0 units Develop advanced techniques and practical workflows while exploring the world’s masters of the software. Learn path building, altering and fine-tuning, type issues, text effects, creating fonts, linked text, color usage and application, gradient mesh, path patterns and brushes, 3D packaging comps, and prepress issues. Projects are built around print identities, visual effects, and other high-level applications. Prerequisite(s): X 481.47 Illustrator I or equivalent experience. Not appropriate for beginners. Reg# 388590 Fee: $789 No refund after 25 Sept. MOnline Sept. 21-Dec. 7 No meeting Nov. 23. Students are required to have access to Adobe Illustrator CC. Agnieszka Purzycka, MA in journalism with Design Communication Arts certificate from UCLA Extension. Ms. Purzycka’s domestic and international clients include L’Erma di Bretschneider, AUC Press, Kara Cooney, and Patina Productions Inc.

DESMA X 481.99Z

InDesign

4.0 units This course provides an introduction to the functions and capabilities of Adobe InDesign. Students are guided in establishing a professional workflow to design documents for print and digital distribution. Learn how to manipulate type and image and create multi-page documents through the use of styles, grids, and templates. Gain the skills and confidence to prepare your documents for print and communicate effectively with vendors. Combine these skills to design and profes‑ sionally print a short book, gaining real-world experience translating ideas from screen to printed object. Prerequisite(s): Familiarity with Photoshop. Reg# 388641 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Dec. 6 No meeting Nov. 22. Students are required to have a copy of Adobe InDesign CC to complete the course. Agnieszka Purzycka, MA in journalism with Design Communication Arts certificate from UCLA Extension. Ms. Purzycka’s domestic and international clients include L’Erma di Bretschneider, AUC Press, Kara Cooney, and Patina Productions Inc.

DESMA X 481.22C

WordPress Theme Development: Deploy Professional Websites as a Front-End Developer

4.0 units WordPress is a popular tool for designers and developers alike that has grown from an open source blog application to a powerful and extendable publishing platform. The WordPress community has cre‑ ated hundreds of freely available themes that allow you to change the look and feel of a WordPress website with ease. Modifying existing themes and creating custom ones can be a daunting task for the uninitiated. In this project-based course, students design and develop a dynamic website utilizing WordPress as a Content Management System (CMS). Concepts include WordPress fundamentals, creating custom themes, designing for multiple devices, website maintenance, and extending WordPress. Reg# 388584 Fee: $789 No refund after 26 Sept. A Remote 11 mtgs Monday, 6-9pm, Sept. 19-Dec. 5 Remote Classroom No meeting Nov. 21. Mitchell Gohman, MS in education; director of design, The Sandbox Canvas.

Enroll at uclaextension.edu or call (800) 825-9971 NEW DESMA X 481.62

Introduction to Web3—Digital Experiences, NFTs (Non-Fungible Tokens) & Smart Contracts

Reg# 388639 Fee: $789 No refund after 26 Sept. MOnline Sept. 22-Dec. 8 No meeting Nov. 24. David Dodds, Los Angeles-based motion graphics designer; his experience spans a decade in motion graphics, special effects, broad‑ cast design, character animation, and infographics. He has worked for studios such as Stardust, Mirada, Logan, and NFL Networks. Author of Hands-On Motion Graphics with Adobe After Effects CC: Develop Your Skills as a Visual Effects and Motion Graphics Artist.

0.4 CEUs Web3 is a rapidly evolving space, not only in terms of technology, but also in definition. This class explores the current Web3 landscape and underlying technologies such as blockchains, smart contracts, and NFTs at a high level as well as the frontend technologies used to create interactive experiences such as React and web3.js. With a focus on Web3 as it pertains to art, marketing, and creative innovation, students study and critique real-world use cases and digital experiences while also working on 3-4 hands-on projects of their own. Students are provided with project templates as building blocks, from which they can easily customize the designs and launch their own Web3 experi‑ ences on a free test network — No programming experience is neces‑ sary. Upon completing the course, students have a strong understanding of the Web3 landscape and technologies that are fundamental to future learning and development. Reg# 388112 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Dec. 7 No meeting Nov. 23. Michael J. Newman, for more than 12 years, he has developed and created original content, brand identities, interactive experiences, and creative solutions for such companies as AT&T, Sundance Channel, VH1, Nickelodeon, and IFC

4.0 units Work one-on-one with an instructor who guides your development of a meaningful project geared toward a portfolio piece, design competition, freelance assignment, or other advanced goal. Students choose their own mentors, who are usually DCA or UX instructors. Together, the student and instructor arrange to meet at a museum, studio, cafe, or other site of design interest for six hours over the course of the quarter. Prerequisite(s): Students must be enrolled in the Design Communica‑ tion Arts (DCA), Advanced Design Communication Arts (ADCA), or User Experience Certificate. User Experience students must complete at least three courses prior to applying for a mentorship. Reg# 388644 Fee: $719

DESMA X 481.99QT

DESMA X 479.7F

4.0 units Learn how to integrate digital artwork into After Effects. This course covers workflow strategies to ensure that artwork created in Photo‑ shop or Illustrator maintains its integrity. Instruction also explores common resolutions, complex motion paths and masks, color modes, bit depths, frame and pixel aspect ratios, graphic and video file for‑ mats, and frame rates commonly used in motion graphics. Prerequisite(s): Knowledge of Photoshop and Illustrator. Reg# 388637 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Dec. 6 No meeting Nov. 22. Joel Austin Higgins, editor specializing in the Adobe Creative Cloud Suite. Mr. Higgins has executed After Effects projects for clients like D.A.R.E. International, Mercedes-Benz, and Hasbro and is a recurring editor for a myriad of YouTube creators and online enterprises. He is also a writer, actor, and filmmaker. Reg# 388981 Fee: $789 No refund after 28 Sept. X In-Person 10 mtgs Sept. 21-Dec. 7 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 23. David Dodds, Los Angeles-based motion graphics designer; his experience spans a decade in motion graphics, special effects, broad‑ cast design, character animation, and infographics. He has worked for studios such as Stardust, Mirada, Logan, and NFL Networks. Author of Hands-On Motion Graphics with Adobe After Effects CC: Develop Your Skills as a Visual Effects and Motion Graphics Artist.

4.0 units Internships facilitate the transition from student to professional designer. Students must be registered in the Design Communication Arts (DCA), Advanced Design Communication Arts (ADCA), or User Experience (UX) certificate program and have earned a “C” or better in at least 50% of the certificate’s coursework. Students must work a minimum of 10 hours per week. Students are responsible for securing an internship position; the department assists with contract and award of units for hours worked. Reg# 388621 Fee: $719

DESMA X 482.14

Mentorship

Internship

Motion Graphics I

DESMA X 481.99QU

Motion Graphics II

4.0 units Become a Motion Graphics artist in this advanced course. Build on the skills learned in X 481.99QT Motion Graphics I, such as integrating digital artwork into a moving composition, and learn new skills using After Effects. Also learn to integrate editing with Cinema 4D. Create portfolio-worthy projects that enhance your skills and help you stand out in the marketplace. Prerequisite(s): DESMA X 481.99QT Motion Graphics I (formerly known as After Effects) or equivalent experience.

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DESMA 850.19

Design a Brilliant Career and Find Your Professional Purpose

0.3 CEUs Design education leaders Scott Hutchinson and a special guest teach you how to take your design career goals from lackluster to brilliant. A small seminar created for those considering a meaningful career in Graphic Design and User Experience. This introduction to the profes‑ sion is designed to help students see possibilities and discover areas where they can have impact. Areas we explore include required skills, personal storytelling, portfolio development, and positioning, including bringing in your degree and previous work expertise. This workshop is especially useful for students with previous “unrelated”Ã‚Â degrees, and/or who have recently enrolled in the Design Communication Arts or UX certificates. Also relevant for designers looking to advance, exploring a change in design specialty, or nearing graduation. Reg# 388587 Fee: $0 A Remote 1 mtg Tuesday, 3-4:30pm, Sept. 20 UCLA X Open Scott Hutchinson, MFA, UCLA School of Arts and Architecture; designer and photographer specializing in corporate identity, branding, and advertising.

Design & Arts 27

Enroll at uclaextension.edu or call (800) 825-9971 DESMA 850.99

Playing With Time: Looking Backwards into the Future of Motion Graphics

0.15 CEUs The current art of motion graphics stands on the shoulders of the experimenters, inventors, tinkerers, hackers, and mad artists that trail blazed the field. Placing contemporary and commercial motion graph‑ ics within this larger experimental lineage hopes to inspire, provoke, and challenge what’s possible in the industry of tomorrow. This course provides a historical framework and vocabulary for students hoping to become movers and shakers in today’s motion graphics industry. By understanding the pivotal moments of video and motion graphics within its larger historical context, this class provides you with the foundational fluency to incorporate motion media into your own design practice. In this learn-with-your-hands Zoom, every student will illustrate/rotoscope one frame from Muybridge’s Horse in Motion, which we will then combine to make a collective animation. Reg# 388830 Fee: $0 A Remote 1 mtg Tuesday, 12-1:30pm, Oct. 4 UCLA X Open Emma Berliner, MFA from CalArts in Graphic Design and a BFA from the Film & Television program at NYU Tisch; where she was awarded the Martin Scorsese Young Filmmaker’s Award and the Oliver Stone Screenwriting Grant for her thesis film. Ms. Berliner is a LA-based designer and director who loves dogs and disco. Her past illustration and design clients include CalArts, Vogue, Nylon, Goop, Annapurna Pictures, and Paramount TV. Ms. Berliner publishes books under the banner mixedgreens and exhibits at Printed Matter’s Art Book Fair.

UX (User Experience) Design DESMA X 481.99AF

User Experience I: Survey

4.0 units This course provides an introduction to the concepts, practices, and processes of user experience. Topics include observational research and insight generation, developing user personas and scenarios, information architecture, user interface design, prototyping, and usability testing and analysis. Students complete hands-on assign‑ ments and leave the class with an understanding of user experience best practices and opportunities in the field and are prepared to take on more advanced studies. Reg# 388524 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 Hakon Engvig, BA in design with two advanced design certificates from UCLA Extension. A native-born Norwegian, Engvig’s domestic and international clients include UCLA Medical Center, Macy Gray, Life‑ house, the Together Project (India), and OTE Historical Restoration Committee (Norway). Reg# 388868 Fee: $789 No refund after 29 Sept. A Remote 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 Remote Classroom Musangi Muthui, technologist, creative imagineer, and business strategist reimagining the future of customer experience through business transformation for digital agency clients and Fortune 500 enterprise IT Reg# 388523 Fee: $789 No refund after 1 Oct. X In-Person 12 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10 UCLA Extension Gayley Center: 1145 Gayley Ave. Luke Miller, BA from University of Florida, MS in Information Science from UNC Chapel Hill. A User Experience director at National Geo‑ graphic, Mr. Miller comes with over 10 years of experience in both educating UX Designers (General Assembly, Parsons School of Design, American University, Corcoran School of the Arts and Design) and leading UX research and design at major media and technology companies (Wall Street Journal, Yahoo!). He holds a In 2015 General Assembly and Grand Central published Luke’s first book The Practitioner’s Guide to User Experience Design.

DESMA X 479.8K

User Experience II: Iteration

4.0 units Students with knowledge of the fundamentals of UX move on to itera‑ tion: rounds of work and experimentation to hone problem-solving skills. Instruction covers MVP builds, pattern libraries, design at scale, voice and gesture, and end-to-end projects. The spectrum of interface design standards is addressed, including e-commerce websites, service design, and physically based environments. Projects incorpo‑ rate a variety of screen resolutions and device types. The course prepares students to recognize user experience design problems and iterate solution proposals. Prerequisite(s): DESMA X 481.99AF User Experience I: Survey. Reg# 388522 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 D. Shawn Barraza, who is a seasoned UX/UI/Product designer with over 10 years of experience in technology. Specializing in mobile and enterprise design, Ms. Barraza currently focuses on building internal products at Flyhomes (an end-to-end real estate startup). Simultane‑ ously, she investigates how her work impacts and improves the home buying experience for customers. Previously with Heal–an in-home, doctor on-demand provider–Ms. Barraza’s work contributed to Heal being named App of the Day in the App Store. With an academic background rooted in the social sciences and arts, she is eager to share her knowledge and experiences as an educator at UCLA Exchange. Diana is also proudly Latinx and an LA native. Reg# 388529 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 Ben Stone, MA in Human-Computer Interaction, Carnegie Mellon University, who is an impact-driven product designer, specializing in the health technology industry. His experiences range from working on autonomous vehicles at Uber, to founding and leading the UX initia‑ tives for a non-profit food donation platform, to designing humancentric technologies for a substance abuse recovery program. He currently works at Glooko, a digital diabetes management tool, where he leads their product design initiatives surrounding patient-provider collaboration tools. Mr. Stone has a background in behavioral econom‑ ics and psychology.

DESMA X 489.5F

User Experience III: Applied

5.0 units In this course, students apply what they have learned to real-world case studies and UX design challenges. Topics include research and obser‑ vational techniques, the art of information gathering, prototyping, scope definition, journey mapping, and empathy maps. Students complete team projects and 360 reviews and practice remote working tech‑ niques, collaboration, and balancing multiple projects. Projects will be presented in common outputs such as web and mobile, similar to what would be produced in a professional design firm. The goal is for stu‑ dents to perform as they would in a real-world work environment. Prerequisite(s): DESMA X 481.99AF User Experience I and DESMA X 479.8K User Experience II, or equivalent experience. Reg# 388831 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 Instructor to be announced

DESMA X 499C

User Experience IV: Capstone

4.0 units Working from evidence-based case studies, students apply the appropriate methods and tools of discovery, design, prototyping, test‑ ing, iterating, and presenting for real-world application. The course simulates a real-world work environment in which students are expected to take ownership of every step of the design process and work at a professional pace. Revisions and peer reviews are key ele‑ ments as students problem solve and present successful UX solutions. Projects developed in this course may be expanded and fine-tuned for portfolio inclusion. Prerequisite(s): DESMA X481.99AF User Experience I, DESMA X479.8K User Experience II, and DESMA X489.5F User Experience III.

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Reg# 388527 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 Iris Kern-Foster, MFA in Digital Art, PhD in Cultural Studies. Ms. KernFoster has worked with brands such as Nike, Adidas, MTV, Nickel‑ odeon, and Svarovksi, as well as NGOs like Greenpeace and CAUCE Mujeres.

DESMA X 481.12

XR Business and Project Management

4.0 units 3.3 CEUs XR design solutions require a dynamic project team and resources to plan, develop, and implement. In this course, students will navigate the complexities of creating purposeful end-to-end solutions with XR. Topics include use cases and market trends in XR, identifying the roles necessary to complete a project, best practices for crafting executable solutions, and choosing the right software tools for the job. Students will work to create a design for an XR solution using design thinking, and by the end of the course will present a project proposal including goal, resources, cost, and time. Reg# 387796 Fee: $975 No refund after 13 Sept. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Renee Choi, who has worked in the instructional design space for more than nine years and covered a variety of topics from pharma‑ ceutical manufacturing to retail. Over the last three years she focused on immersive learning methodology, design, development, and evalu‑ ation for enterprise companies at Strivr as the director, Enterprise Learning. Ms. Choi is passionate about leveraging technology to create engaging learner-focused content that enables people to perform at their best.

DESMA X 485.99

Content Design for UX

4.0 units Many websites and apps offer similar experiences and features. Content design helps differentiate products by communicating stories and information that engage users and elevate meaningful digital experiences. From product descriptions to error messages, content design turns predictable interactions into memorable ones. In this course, students learn how to establish voice and personality when planning content for FAQs, chatbots, tutorials, search, designing for a funnel, working with a Content Management System (CMS), and more. Students focus on a content strategy made up of taxonomy, user journeys, metadata, UX writing, machine learning, and artificial intel‑ ligence. The class demonstrates proven content-first methods for user engagement, including how to create a strategic pitch to stakeholders, increase and measure successful user outcomes, and design for evergreen digital experiences. Prerequisite(s): DESMA X 481.99AF User Experience I and DESMA X 479.8K User Experience II, or equivalent experience and consent of instructor. Reg# 388526 Fee: $789 No refund after 26 Sept. A Remote 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 Remote Classroom This course was formerly titled Content Strategy for UX. Chuck Griffith, MA, Columbia University; user experience leader with 18 years’ experience; former head of digital experience at Salesforce and former senior director of strategy at Cisco; served as experience creative director at BBDO. Clients include Emirates Airlines, Allergan, Fox, Visa, Gillette, and Amazon.

Design & Arts

DESMA X 481.99FG

User Experience Software and Rapid Prototyping

4.0 units Creating delightful, meaningful, and easy-to-use digital experiences requires the ability to generate multiple ideas rapidly, iterate quickly, and test the results. This class teaches the core tools of the trade: Figma, Adobe XD, Invision, and platforms for user research and testing. Topics include essential UX software and their practical applications, development hand-off, design team collaboration, etc. as well as more theory-based topics, such as navigation and architecture, design patterns, and the latest design methodologies. Class projects include rapid low fidelity-design and prototyping, multi-platform design for websites, mobile and native apps, wearables and voice assistants, as well as conducting user research and testing. Prerequisite(s): DESMA X 481.99AF User Experience I: Survey or equiva‑ lent experience. Reg# 388525 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 Students must own a computer and have Sketch, Adobe CC, or similar design software. Mac preferred but not required. Lecture and course content is asynchronous; live sessions are for review and student questions. Attendance for live meetings is encouraged but not required. Andy Dang, Andy Dang is a customer-focused product designer cur‑ rently at Advance Local where he works with numerous regional news brands including NJ.com, AL.com, Cleveland.com, Syracuse.com, Ore‑ gonLive, and MassLive.

DESMA X 479.7K

Unity I: 3D Game Design and Game Engines

4.0 units Jump in and create a 3D game experience using the world-class game engine known as Unity. Students design environments of their creation, believable and/or fantastic other world realities. This class walks students through the powerhouse game engine Unity and covers the strategic skills necessary to create compelling world and game experiences, in a variety of applications. The class is designed to allow students to create a 3D experience by the end of class. In this intense but doable class, students rapidly build technical skills with the software, then build on this knowledge to create compelling and engaging experiences. Basic code literacy and 3D knowledge helpful but not required. Reg# 388647 Fee: $789 No refund after 29 Sept. A Remote 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. Darius Clarke, BA, University of California Irvine in Psychology; Unity Certified Instructor, freelance Virtual Reality experience developer and prior VR development instructor at UploadVR, and a community col‑ lege as well as web developer for a serious games conference.

Enroll at uclaextension.edu or call (800) 825-9971

Art History, Studio Arts & Photography Art History & Theory For information on enrollment, location, and space availability call (800) 825-9971. For information on course content call (800) 206-1422 or email visualarts@uclaextension.edu.

ART HIS 853.42

Contemporary Los Angeles Art

3.0 CEUs This class explores locations that are not generally accessible to the public. In-person visits focus on private collections, artist’s studios, and curator-led gallery tours of current exhibitions. Insights into col‑ lecting, the business of art, and the importance of art in a designed environment (such as a home, retail, or hospitality location) are dis‑ cussed. Each meeting includes multiple locations and guest speakers from the art world. Tours, examination of work, and discussions are held in person. Reg# 388580 Fee: $430 No refund after 23 Sept. X In-Person 6 mtgs Saturday, 11am-4pm, Sept. 24;Oct. 8; Oct. 22; Nov. 5; Nov. 19; Dec. 3 By itinerary Brenda Williams, who is a local art advisor and independent art curator specializing in emerging contemporary artists

Art Studio Workshops For information on enrollment, location, and space availability call (800) 825-9971. For information on course content/prerequisites call (310) 206-1422 or email visualarts@uclaextension.edu. Enrollment limited in all courses; early enrollment advised. Students should have completed all prerequisites prior to enrollment.

ART X 5A

Basic Drawing I

2.0 units This is a beginning course in drawing designed to develop and expand one’s observational abilities and rendering skills. Students learn methods for sensitively describing objects in terms of line, shape, volume, cross-contour, proportion, light logic, perspective, and com‑ positional space. Each class focuses on a particular formal concept and its function in drawing. Students begin with line drawings and conclude with fully modeled, tonal, volumetric, still-life drawings. Also covered are fundamentals of pictorial space structure, aesthetics, content, and draftsmanship using still life and natural forms. Includes work with pencil, pen, and charcoal. Reg# 388576 Fee: $725 No refund after 24 Sept. MOnline Sept. 20-Nov. 22 Estimated supplies cost is $75. Stephanie Pryor, MFA, UCLA; artist who has exhibited extensively in solo and group shows in Los Angeles, New York, and Europe.

ART X 5B

Beginning Figure Drawing

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2.0 units Encouraging the exploration of both contemporary and traditional approaches to the figure while improving the student’s drawing techniques, this course provides a strong foundation in figure struc‑ ture, anatomical landmarks, and proportion while expanding the vocabulary of line and tone. Students begin with contour and gesture drawing, then study the marking techniques of such artists as D++rer and Rembrandt. Light “logic” is studied in sustained charcoal drawings which explore cast and core shadows as well as reflected light. This course also covers composition, use of negative space, interaction of form and content, and the expressive potential of the human figure with its psychological and emotional implications. Instruction includes work with pencil, charcoal, pen, and ink. Prerequisite(s): X 5A Basic Drawing I or equivalent experience.

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Reg# 388874 Fee: $775 No refund after 13 Sept. X In-Person 10 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 22 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Estimated supplies cost $65. Bring a soft pencil and 18”x24” bond paper pad to the first meeting; additional materials to be discussed. Enrollment limited. Ravi Jackson, Ravi Jackson is a Los Angeles based artist. His work cuts across visual boundaries, merging collage, sculpture, and paint‑ ing. He received his BA from Oberlin College (2007), a BFA from Hunter College (2012), and an MFA from the University of California, Los Angeles (2013). His work was recently included in exhibitions at David Lewis Gallery, New York; Matthew Marks, Los Angeles and PAGE(NYC) at Petzel, New York. As a teacher, Jackson has taught painting at Otis College of art and Design, in Los Angeles, California, and Emily Carr University of Art and Design in Vancouver, British Columbia.

ART X 5D

Beginning Painting: Acrylics

2.0 units An introductory course in painting with acrylic: a fast-drying, perma‑ nent, and clean water-based medium that permits easy correction and change. The medium integrates easily with drawing and can be worked transparently or opaquely. Students develop skills in this medium by painting from still life, natural forms, and abstract explora‑ tion. Ideally suited to the beginner, students are encouraged to develop individual directions in style and expression. Prerequisite(s): ART X 5A Basic Drawing I or equivalent experience. Reg# 388875 Fee: $725 No refund after 15 Sept. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Estimated supplies cost is $75. Ravi Jackson, Ravi Jackson is a Los Angeles based artist. His work cuts across visual boundaries, merging collage, sculpture, and paint‑ ing. He received his BA from Oberlin College (2007), a BFA from Hunter College (2012), and an MFA from the University of California, Los Angeles (2013). His work was recently included in exhibitions at David Lewis Gallery, New York; Matthew Marks, Los Angeles and PAGE(NYC) at Petzel, New York. As a teacher, Jackson has taught painting at Otis College of art and Design, in Los Angeles, California, and Emily Carr University of Art and Design in Vancouver, British Columbia.

ART 821.11

Chinese Brush Painting Workshop

1.2 CEUs In Chinese art and culture, a flower is never merely a flower nor scenery merely a place; each has its legends, romantic stories, and symbolic spirituality. Explore the wonders of spontaneous-style Chi‑ nese Brush Painting during this workshop with hands-on, step-by-step instruction. Founded on classical brush painting skills, techniques, philosophy, and subject matter, by the end of this course participants will learn the proper use of Chinese Brush Painting materials, develop fundamental brush skills, and apply Chinese Brush Painting tech‑ niques to produce finished compositions. Students will create handson artwork along with the instructor in this studio course. Reg# 388854 Fee: $354 No refund after 11 Oct ✢ Hybrid (Flexible) 1 mtg Wednesday, 9:30am-12:30pm, Oct. 12 UCLA Extension Gayley Center: 1145 Gayley Ave. Estimated supplies cost is $125. Click here for materials list. Mayee Futterman, who specializes in Chinese Brush Painting. A large selection of her work is in the collection of California Hospital Medical Center and permanently exhibited at the Los Angeles Center for Women’s Health, as well private collections internationally. She studied under professor and master brush artist, Dr. Ning Yeh.

Design & Arts 29

Enroll at uclaextension.edu or call (800) 825-9971 ART 803.81

ART X 439.90

ART X 440.22

0.8 CEUs Ikebana expresses the beauty and elegance of nature through a transformation of plant materials into a work of art. In Japan, ikebana— or flower arranging—has been perfected and elevated to an art form. Its beauty dazzles shoppers in giant displays in the store windows of Tokyo, and graces temples and shrines. Ikebana is practiced by mil‑ lions of people as an entrance to a rich and creative world. Using fresh or dried branches, leaves, and flowers, students create new and dif‑ ferently styled arrangements each week. The first week features a demonstration by the instructor, a video, and information on supplies and materials to bring to future classes. Reg# 388657 Fee: $255 No refund after 23 Sept. X In-Person 4 mtgs Saturday, 9:30-11:30am, Sept. 24-Oct. 15 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students must purchase textbook for $50 at first class. Estimated additional supplies cost is $75-$100. Gabriel Pacheco, owner, Gabriel Pacheco Flower Design; deputy director, Sogetsu San Fernando Valley Branch.

5.0 units This course focuses on gaining control of all photographic variables while attempting various creative assignments. The use of manual controls is emphasized, along with the capture and processing of RAW image files. Course assignments involve defining a point of view, emphasizing figure versus ground, storytelling, portraits, and the use of artificial light. Instruction also covers the RAW workflow, Photoshop for photographers, and monitor calibration. Prerequisite(s): ART X 438.9 Photography I or equivalent experience. Students should be comfortable shooting in Manual mode and have experience with basic image management systems such as Adobe Lightroom or Photoshop. Reg# 388542 Fee: $789 No refund after 1 Oct. MOnline Sept. 27-Dec. 6 Craig Havens, visual artist working in the lens-based media of pho‑ tography, video, installation, and projection

4.0 units Whether you’re shooting people, products, still life, or landscapes, understanding how light interacts with your subject matter is critical to mastering the art of photography. This course covers both artificial (strobes and hot lights) and natural lighting, as well as the combina‑ tion of both. Students photograph a variety of subjects to learn com‑ mon lighting issues and powerful solutions needed to capture that great image. Instruction covers the use of light meters, reflectors, fill flash, soft boxes, and the safe operation of studio strobe equipment. Prerequisite(s): ART X 438.9 Photography I. Reg# 388544 Fee: $789 No refund after 1 Oct. MOnline Sept. 27-Dec. 6 Craig Havens, visual artist working in the lens-based media of photography, video, installation, and projection

Ikebana

Photography For information on enrollment, location, and space availability call (800) 825-9971. For information on course content call (310) 206-1422 or email photography@uclaextension.edu. Suggested Tool Kit The Photography Tool Kit is one of the suggested options available to students pursuing the Design Communication Arts Certificate. This tool kit offers a sequence of courses designed to provide a foundation in photography. These courses also are open to non-certificate students. Elective Courses: ART X 438.9 ART X 440.22 ART X 439.90

Photography I (4 units) Lighting I (4 units) Photography II (4 units)

ART X 438.9

Photography I

4.0 units In this practical hands-on introduction, the fundamental technical and aesthetic principles of digital photographic processes are addressed, including instruction on DSLR camera operation, composition, and digital retouching and manipulation. Instruction also includes Adobe software acquisition techniques and output technologies. Discussion covers contemporary digital imaging and its application within com‑ mercial and fine arts. Assignments demonstrate mastery of technical skills and individual creative expression. Reg# 388533 Fee: $789 No refund after 27 Sept. A Remote 11 mtgs Tuesday, 7-9pm, Sept. 20-Nov. 29 Remote Classroom For students purchasing a camera, we recommend the free workshop Choosing and Using a Digital Camera. Baz Here, BFA, MFA, The Photo Arts Conservatory at The New York Film Academy. Mr. Here’s work has been exhibited at The Hive, Featured Resident Artist (DTLA)/The Getty Center, Pop-up Gallery/Out There, Gallery 825/Gallerie Sparta/LACDA/Gay Downtown LA Artwalk Pop-up Gallery/Beyond Baroque/Art Share LA Fall/Los Angeles LGBT Center Advocate, and Gochis Galleries. Reg# 388540 Fee: $789 No refund after 1 Oct. X In-Person 12 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. For students purchasing a camera, we recommend the free workshop Choosing and Using a Digital Camera. Baz Here, BFA, MFA, The Photo Arts Conservatory at The New York Film Academy. Mr. Here’s work has been exhibited at The Hive, Featured Resident Artist (DTLA)/The Getty Center, Pop-up Gallery/Out There, Gallery 825/Gallerie Sparta/LACDA/Gay Downtown LA Artwalk Pop-up Gallery/Beyond Baroque/Art Share LA Fall/Los Angeles LGBT Center Advocate, and Gochis Galleries.

Photography II

ART X 441.56

The Moving Image

4.0 units 3.3 CEUs How can the moving image be used as an effective medium within the contemporary arts landscape? This course will explore how video and experimental film have been used to create powerful works of art which have the capacity to offer challenging questions and evoke strong emotions. In the course we will discover that just like photog‑ raphy, painting, or sculpture, the moving image has its own set of parameters that artists can utilize for expression and communication. Students will conceptualize and complete at least two new time-based artworks. Screening materials will be provided in advance of class and reading materials will be supplementary to enhance understand‑ ing. Discussion and instruction will take place over Zoom. Reg# 388579 Fee: $789 No refund after 26 Sept. A Remote 11 mtgs Monday, 7-9pm, Sept. 19-Nov. 28 Remote Classroom Required materials: Mac computer with web camera for editing, Final Cut Pro for Mac, external hard drive for editing. If students have editing experience with Premiere, Avid or Resolve, they may substitute for Final Cut Pro. Justin Serulneck, a research-based artist who uses photography, video, and data to manifest and map relations in the world.

ART X 440.96

Conceptual Photography

4.0 units Designed for photography students who wish to focus on personal projects, this course includes lectures on the history of fine art pho‑ tography on such topics as dada, photography’s influence on perfor‑ mance art and ethereal works, Fluxus, the idea of chance operations, structuralism, and conceptualism. Class includes demonstrations and discussions of techniques and various capture methods, discussion of student goals, and critique of works in progress. Students complete a number of creative projects based on the styles and techniques discussed in class that also reflect their own creative style. Final projects should serve as strong portfolio pieces. Reg# 388574 Fee: $789 No refund after 28 Sept. A Remote 12 mtgs Wednesday, 7-9pm, Sept. 21-Dec. 7 Remote Classroom Baz Here, BFA, MFA, The Photo Arts Conservatory at The New York Film Academy. Mr. Here’s work has been exhibited at The Hive, Featured Resident Artist (DTLA)/The Getty Center, Pop-up Gallery/Out There, Gallery 825/Gallerie Sparta/LACDA/Gay Downtown LA Artwalk Pop-up Gallery/Beyond Baroque/Art Share LA Fall/Los Angeles LGBT Center Advocate, and Gochis Galleries.

Lighting I

ART X 428.56

Photographic Portraiture

4.0 units This in-depth exploration of photographic portraiture covers approach‑ ing subjects, establishing a rapport, collaborating with your subject, and digital workflow. Through a series of in-class projects and assign‑ ments, students master simple and inexpensive set-ups that result in strong and memorable portraits. Students also learn to simplify the decision-making process by addressing basic choices, such as preplanning vs. improvisation, observing vs. directing, isolating the person vs. including environment, and natural vs. artificial light. Prerequisite(s): X 438.9 Photography I or equivalent experience. Reg# 388530 Fee: $789 No refund after 27 Sept. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. Justin Serulneck, a research-based artist who uses photography, video, and data to manifest and map relations in the world.

ART X 450.37

Photography Portfolio Workshop

4.0 units Get personalized guidance and feedback on building a cohesive photography portfolio. A series of class assignments are designed to teach advanced level students how to produce a unique personal photographic style. Instruction covers how to adapt your own personal style to any artistic or commercial assignment, the importance of professionally polished work, and how to skillfully present their craft. By the end of the class students will have created all the necessary elements to start a personal website portfolio, including a cohesive body of work, an artists statement, and a useful self portrait. Prerequisite(s): Advanced photographic experience required. Reg# 388828 Fee: $789 No refund after 24 Sept. MOnline Sept. 20-Nov. 29 Natasha Rudenko, MFA; internationally-exhibited photographer whose work addresses issues of self-reflection and identity.

ART 802.49

Adobe Lightroom Workshop

1.4 CEUs An intensive introduction to Adobe Lightroom as an image manage‑ ment and RAW image processing system. The workshop will provide an in-depth overview of Lightroom file management functions and strategies, as well as how to manage a digital workflow setup. Stu‑ dents will practice key techniques of RAW image editing and develop an understanding of the full process of digital editing, from input to organizing, editing, post processing and output. Reg# 388835 Fee: $355 No refund after 19 Oct. A Remote 4 mtgs Thursday, 7-10pm, Oct. 20-Nov. 10 Remote Classroom A subscription to Adobe Lightroom is required for this course Natasha Rudenko, MFA; internationally-exhibited photographer whose work addresses issues of self-reflection and identity.

Digital Technology

Enroll at uclaextension.edu or call (800) 825-9971

DIGITAL TECHNOLOGY For more information call (310) 206-6794.

Data Analytics & Management Data Science COM SCI X 450

Data Science Fundamentals

4.0 units 3.3 CEUs This course is for students with limited or no prior programming, statistics, and data analytics knowledge. This course is ideal for absolute beginners, business analysts, or non-tech managers who want to acquire a basic working knowledge of data science. In this course, students learn the role of data science in decision-making, basic statistics, entry-level python programming, and data analytics using tools such as Excel, SPSS, and Python. This is a hands-on, exercise-driven course. Students work on problem-solving exercises using pencils and paper, as well as their laptops during and outside of the class. Prerequisite(s): There are no prerequisites for this course. Reg# 387777 Fee: $995 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Enrollment limited. Enrollment deadline: Sept. 27. M & Bruce Huang

COM SCI X 450.1

Introduction to Data Science

4.0 units 3.6 CEUs This course introduces students to the evolving domain of data sci‑ ence and the food chain of knowledge domains involved in its applica‑ tion. Students learn a wide range of challenges, questions, and problems that data science helps address in different domains, including social sciences, finance, health and fitness, and entertain‑ ment. The course addresses the key knowledge domains in data science, including data development and management, machine learning and natural language processing, statistical analysis, data visualization, and inference. The course includes case studies that require students to work on real-life data science problems. Prerequisite(s): Students are expected to have basic Python program‑ ming and basic statistics skills. If you do not have these skills, we suggest taking COM SCI X 450 Data Science Fundamentals before taking COM SCI X 450.1 Introduction to Data Science. Reg# 387865 Fee: $995 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students are required to bring a laptop to class. Enrollment limited. Enrollment deadline: Sept. 25. M & Benjamin Winjum

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Reg# 387866 Fee: $995 No refund after 3 Oct. X In-Person 10 mtgs Tuesday, 6-9:30pm, Sept. 20-Nov. 22 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students are required to bring a laptop to class. Enrollment limited. Enrollment deadline: Sept. 26. M & Daniel D. Gutierrez, an established leader in the field of data science with specialties in machine learning, AI, deep learning, predictive analytics, data visualization, and analysis. Founder of AMULET Analyt‑ ics to provide leading-edge data science consulting for companies in a broad cross-section of industries Reg# 387867 Fee: $995 No refund after 24 Sept. MOnline Sept. 20-Nov. 22 Enrollment limited. Enrollment deadline: Sept. 26. M & Ali El-Annan

COM SCI X 450.2

Exploratory Data Analysis and Visualization

4.0 units 3.6 CEUs The key goal of data science is to obtain insights from data. The insights could be about what happened in the past by analyzing historical data or about predicting what may happen in the future using predictive analytics. Data scientists go through an iterative process to come up with the means that lead to insights. This process is called Exploratory Data Analysis (EDA). In addition, a key component of the data science process is to visualize it effectively. That is why data visualization is becoming one of the top business intelligence and analytics technology. This course teaches you these skills with a specific focus on visualization. You learn the iterative process of EDA, data analysis techniques, data exploration, and visualization. The course utilizes Tableau for data visualization. Recommended: COM SCI X 450.1 Introduction to Data Science or equivalent experience. Reg# 387910 Fee: $995 No refund after 5 Oct. X In-Person 10 mtgs Thursday, 6-9pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Online Nov. 24 International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions.

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The dates of these sessions will be identified in your course syllabus. Enrollment limited. Enrollment deadline: Sept. 28. M & Jeff Moore Reg# 387911 Fee: $995 No refund after 26 Sept. MOnline Sept. 22-Nov. 24 International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions. The dates of these sessions will be identified in your course syllabus. Enrollment limited. Enrollment deadline: Sept. 28. M & Bianca Cung

COM SCI X 450.3

Big Data Management

4.0 units 3.6 CEUs The extent of data being produced and stored by organizations is increasing. In fact, IDC has projected to reach 165 zetta bytes by 2025. Organizations understand that being able to extract and leverage value and gain actionable insights from this big data can give them a tre‑ mendous competitive advantage. In this course, you learn tools for distributed storage and data processing to an open-source framework. This course addresses distributed storage and large data set process‑ ing focusing on architectures and technologies. Additionally, students learn about other elements, such as NoSQL databases and competing technologies. Students work on designing a business solution to manage big data projects using knowledge learned in the course. Prerequisite(s): COM SCI X 450.1 Introduction to Data Science or prior knowledge in R and Python recommended, or consent of instructor. Reg# 387912 Fee: $995 No refund after 24 Sept. MOnline Sept. 20-Nov. 22 Enrollment limited. Enrollment deadline: Sept. 26. M & Connie Fan, MS, data solution architect, Microsoft Reg# 387913 Fee: $995 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 27. M & Francesco Fabbrocino, MS, Computer Science, UCLA

Digital Technology 31

Enroll at uclaextension.edu or call (800) 825-9971 COM SCI X 450.4

Machine Learning

4.0 units 3.3 CEUs This course focuses on machine learning, which is concerned with algorithms that transform information into actionable intelligence. This field is made possible due to the rapid and simultaneous evolution of available data, statistical methods, and computing power. Students learn the origins and practical applications of machine learning, how knowledge is defined and represented by computers, and the basic concepts that differentiate machine learning approaches. Machine learning algorithms can be divided into two main groups: supervised learners who are used to construct predictive models and unsuper‑ vised learners who are used to build descriptive models. Students learn the classification, numeric predictor, pattern detection, and clustering algorithms. Students learn to train a model, evaluate its performance, and improve its performance. Algorithm uses are illus‑ trated with real-world cases, such as breast cancer diagnosis, spam filtering, identifying bank loan risk, predicting medical expenses, estimating wine quality, identifying groceries frequently purchased together, and finding teen market segments. Prerequisite(s): COM SCI X 450.1 Introduction to Data Science or con‑ sent of instructor. Reg# 387931 Fee: $995 No refund after 24 Sept. MOnline Sept. 20-Nov. 22 International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions. The dates of these sessions will be identified in your course syllabus. This class will be taught in R. Enrollment limited. Enrollment deadline: Sept. 26. M & Instructor to be announced Reg# 387930 Fee: $995 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 Remote Classroom International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions. The dates of these sessions will be identified in your course syllabus. This class will be taught in Python. Enrollment limited. Enrollment deadline: Sept. 27. M & Joel Kowalewski

COM SCI X 418.104B

Python Programming I

4.0 units 3.6 CEUs Python is a high-level, dynamically typed, and portable programming language that excels when the cost of software development out‑ weighs performance considerations—which is quite often in practice. Python covers similar territory as Perl and is similarly an open-source product, but it is considered easier to learn, write, and maintain. NASA, Industrial Light and Magic (ILM), Honeywell, and many other compa‑ nies all use Python to handle jobs for which classical programming languages are not well-suited. This course introduces Python and its libraries as a general programming environment, then applies Python to real-world problems, such as website development, database access, text processing, XML editing, GUI development, and system administration. Prerequisite(s): COM SCI X 414.20 Fundamentals of Software Develop‑ ment, programming experience, or consent of instructor.

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Reg# 387558 Fee: $995 No refund after 28 Sept. MOnline Sept. 24-Nov. 26 Enrollment limited. Enrollment deadline: Sept. 30. M & Bianca Cung Reg# 387559 Fee: $995 No refund after 7 Oct. D Hybrid (Remote) 6 mtgs Sept. 24-Nov. 26 Saturday, 1-4pm, Sept. 24 Remote Classroom Saturday, 1-4pm, Oct. 1-Nov. 26 Remote Classroom Enrollment limited. Enrollment deadline: Sept. 30. M & Bianca Cung

COM SCI X 418.105

Python Programming II: Exploratory Statistics

4.0 units 3.3 CEUs As probability and statistics are fundamental to machine learning algo‑ rithms, practitioners in data science must be familiar with basic statistical concepts. This course introduces practitioners to material from probability and statistics that will be useful throughout their career. There are four areas where this course differs from a standard probability and statistics course. First, as opposed to learning through the axiomatic, deductive process, students learn through computer experimentation where they distill results from experiments, building intuition into key concepts. Sec‑ ond, students become familiar with Python tools used by data scientists. Third, the course introduces fundamental concepts, but the emphasis is on material that is of greatest value to practitioners and gives practical guidance for issues that the practitioner confronts. Finally, the course ends by applying the conceptual material to regression modeling. Prerequisite(s): Programming: The student is expected to have basic programming skills that one would obtain from experience with a high-level language. Knowledge of Python would be helpful but is not required. Students without Python experience are welcome and must be prepared to learn the basics on their own. Mathematics: Precal‑ culus is the only prerequisite. Students with a stronger background will have the opportunity to investigate topics in more depth and will find some material more accessible. Reg# 387564 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 Enrollment limited. Enrollment deadline: Sept. 25. M & Michael Chang, MS in Predictive Analytics, Northwestern University; data lead, Facebook.

Database Management COM SCI X 414.51

Relational Database Management

4.0 units 3.6 CEUs Understanding client-relational database design is vital to system design and implementation. Learn relational database technology, data modeling, SQL, data normalization, and the translation of logical designs to physical storage structures. Additional topics include indexes, storage management, transactions, database integrity, con‑ currency control, recovery, client/server relational database manage‑ ment, and introduction to query optimization. Reg# 387400 Fee: $995 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 26. M & Richard Patlan, DBA; programmer analyst, Capital Programs, UCLA. Reg# 387399 Fee: $995 No refund after 25 Sept. MOnline Sept. 21-Nov. 23 Enrollment limited. Enrollment deadline: Sept. 27. M & Ronald Landers, BS, owner, Right-Click Consulting, LLC

COM SCI X 414.65

Advanced Structured Query Language (SQL) Syntax

4.0 units 3.6 CEUs Structured Query Language (SQL) is an American National Standards Institute (ANSI) computer language for accessing and manipulating database systems. It works with database programs such as MS Access, DB2, Informix, MS SQL Server, Oracle, and Sybase. Designed for those with some knowledge of SQL, this hands-on course covers advanced SQL statements used in inserting, retrieving, and updating data in a database. Students learn how to use advanced features of SQL commands, including operators such as IN, AND, OR, BETWEEN, LIKE, DISTINCT, AGGREGATE, CONCATENATE, SUBSTRING, HAVING, and others. In addition, instruction covers advanced topics using table joins, sub-queries, “if and” case statements, and cast and convert statements, as well as stored procedures, triggers, functions, and cursors. You also learn how to stream text into a field; retrieve and send results in an email as text or attachment; perform error trapping; and create audit systems, dynamic SQL, and pivot tables with hyperlinks. Prerequisite(s): COM SCI X 414.61 Introduction to SQL. Reg# 387410 Fee: $1,050 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 Enrollment limited. Enrollment deadline: Sept. 25. M & Erik Kellener, whose portfolio of businesses include Warner Bros. Dreamworks SKG, Ticketmaster, Hollywood.com, Qwest Communica‑ tions, Luxury Link, and Evite. Additionally, Mr. Kellener has consulted for Holland America Cruise Lines, ESPN, Yokohama Tire Corporation, Cedars-Sinai, and Alaska Airlines.

Network & Infrastructure Cybersecurity COM SCI X 420.1

Fundamentals of Cybersecurity

4.0 units 3.6 CEUs This course combines theoretical security models with practical stateof-the-art examples for a comprehensive and useful introduction to this field and should benefit auditors, system administrators, or anyone else with a basic understanding of information technology. Topics include security policies, risk analysis, cryptography, and network security. Course material is consistent with relevant portions of the Certified Information System Security Professional (CISSP) certification exam’s Common Body of Knowledge (CBK). Reg# 387763 Fee: $995 No refund after 25 June. MOnline June 21-Aug. 22 Enrollment limited. Enrollment deadline: Sept. 25. M & Mason Orang Reg# 387762 Fee: $995 No refund after 4 Oct. X In-Person 10 mtgs Wednesday, 6-9:30pm, Sept. 21-Nov. 23 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 27. M & Jack Chang

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m ONLINE, page 1. v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

Digital Technology

COM SCI X 420.5

Network, Operating System, and Database Security

4.0 units 3.6 CEUs Cyber-based attacks and data breaches are critical risks for organiza‑ tions of any size. Effective defenses to cyber threats are usually not well-understood or applied. This course delivers a step-by-step methodology to secure any infrastructure by enhancing defenses to the core components of networks, operating systems, and databases. The approach integrates cyber threat and risk management, defensein-depth, network monitoring, cloud, and mobile devices. This course also provides effective strategies for security testing, mitigating the insider threat, and recovering from a security incident. Current events case studies illustrate key concepts, and cyber defense techniques are demonstrated in computer and DIY device (Beaglebone) labs. The final project enables students to apply the methodology to secure an infrastructure of their choice. This course is relevant for security and IT professionals, students, technical users, management, and anyone seeking an understanding of the key principles of cyber defense. Prerequisite(s): COM SCI X 420.1 Fundamentals of Cybersecurity. Reg# 387775 Fee: $995 No refund after 25 Sept. MOnline Sept. 21-Nov. 23 Enrollment limited. Enrollment deadline: Sept. 27. M & Wayne Wheeler, senior security analyst, Aerospace Corporation

COM SCI X 420.9

Cybersecurity Lab (Defensive Tools)

4.0 units 3.6 CEUs This hands-on course introduces defensive methodology and tools. Defensive security practices require a strong understanding of current risks and exploits. Leveraging the knowledge acquired from the Infor‑ mation System Security Lab (offensive tools), this course builds on the remediation strategies for thwarting off active offensive attacks. This course introduces core defensive strategies for various environment types and provides hands-on experiences of security defensive tools. Prerequisite(s): COM SCI X 420.1 Fundamentals of Cybersecurity. Reg# 387776 Fee: $995 No refund after 24 Sept. MOnline Sept. 20-Nov. 22 System Requirements: At least 16MB of RAM, 100-200 GB Hard Drive, and admin privileges with the unhindered ability to install software and modify the OS. Enrollment limited. Enrollment deadline: Sept. 26. M & Adrian Mohuczy-Dominiak, MS in information systems and opera‑ tions management, University of Florida; lead IT security risk analyst, UCLA.

Systems Analysis COM SCI X 417.96

Network Communications with TCP/IP

4.0 units 3.6 CEUs Learn network communications—from the basics of network topolo‑ gies, OSI layering, and Ethernet to networking hardware and packetswitching fundamentals. The course focuses on TCP/IP and its plethora of protocols and services. Topics also include IP addressing, routing, switching, reliable data transfer, and congestion management. Students study many TCP/IP services, including DNS, DHCP, and VPN. Instruction also reviews network security, as well as application layer protocols (such as HTTP, FTP, and email) and client/server network applications. The course provides hands-on examples using Windows, Linux, and Solaris. Students also learn how networks and TCP/IP work and how to work TCP/IP. Prerequisite(s): While no experience in data communications is needed, students should have a good background in computing with experience installing and operating Microsoft Windows or Unix (such as Solaris or Linux). Reg# 387411 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 Enrollment limited. Enrollment deadline: Sept. 25. M & Irfan Ahmed, global cyber security consultant, HP; certified informa‑ tion security manager (CISM).

Enroll at uclaextension.edu or call (800) 825-9971 Reg# 387412 Fee: $995 No refund after 2 Oct. X In-Person 10 mtgs Monday, 6:30-10pm, Sept. 19-Nov. 21 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 25. M & Jack Chang

COM SCI X 460.1

Architecting Cloud Solutions Using AWS

4.0 units 3.6 CEUs This course provides a hands-on introduction to Amazon Web Services (AWS), architecture, deployment, and management. AWS has revolu‑ tionized IT infrastructure and is the dominant cloud services provider with more than six billion dollars in revenues. AWS replaces onpremises infrastructure with scalable low cost services. There is a high demand for professionals with experience architecting AWS services. In this course, students architect AWS services for computer storage, applications, database, networking, security, identity management, and content delivery. Progressive lab exercises and projects deploying actual AWS services prepare students for real-world application. The Amazon-developed curriculum can prepare students for the AWS Certified Solution Architect Associate certification exam. Prerequisite(s): Conceptual knowledge of computing infrastructure, including operating systems, applications, databases, networks, and security. Reg# 387932 Fee: $995 No refund after 2 Oct. X In-Person 10 mtgs Monday, 6:30-10pm, Sept. 19-Nov. 21 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions. The dates of these sessions will be identified in your course syllabus. Enrollment limited. Enrollment deadline: Sept. 25. M & Wayne Wheeler, senior security analyst, Aerospace Corporation

Programming Applications Programming COM SCI X 414.20

Fundamentals of Software Development and Programming

4.0 units 3.3 CEUs The course provides a comprehensive introduction to computer pro‑ gramming (coding) and software app development. It benefits indi‑ viduals pursuing programming and software development as a career, as well as anyone in the IT field who works with programmers and systems analysts in important areas that precede actual programming, including problem-solving approaches; specifications and require‑ ments; user interface design; and structured program design using such tools as hierarchy, Nassi-Schneiderman, pseudocode, and UML charts. Instruction covers coding concepts common to modern lan‑ guages, including Python, Visual C#, Java, macro development, and shell scripting. In addition to exploring procedural and object-oriented concepts (using Python and Visual Basic), students produce several small applications in these two environments, plus a commercial-level application by the course’s end. This introductory course presents programming fundamentals, including variables and expressions, looping, selection, functions and parameter passing, file processing, use of OOP objects, event-driven programming in the Windows.net environment, and modular development. Examples of Python advanced data types, Visual C#, Java, and SQL code are also presented. The course also covers the software development cycle, including SCRUM, unit test and integration, alpha/beta testing, and software defect tracking and classification. This introductory course requires weekly coding assignments and prepares students for future course‑ work in Python, Visual C#, Java, or any other high-level language.

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Reg# 387219 Fee: $995 No refund after 2 Oct. X In-Person 11 mtgs Sept. 19-Nov. 28 Monday, 6:30-9:30pm, Sept. 19-Nov. 28 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment limited. Enrollment deadline: Sept. 25. M & Students are required to bring a laptop to class. Keith Jefferies, MBA, president, ComputerUp. Senior Instructor Mr. Jefferies has enjoyed a multi-faceted career in the IT and IT education fields for several decades. He has taught thousands of students at UCLA Extension, and co-authored an internationally recognized pro‑ gramming textbook with fellow UCLA Extension instructor Fred Zerez. A graduate in Mathematics/Computer Science from UCLA, and Man‑ agement/Computer Information Systems from UCLA’s Anderson School of Management, Mr. Jefferies has worked in the field of software development, from programming and software quality assurance to web design and product management. His professional career has spanned notable companies, such as IBM, Ashton-Tate, and RAND. For the past two decades, Mr. Jefferies has done professional IT consulting with ComputerUp, a consulting firm he founded around the time the Internet was born. His clientele has included Hollywood pre- and post-production firms, public relations firms, market research firms, accounting firms and legal offices, among others. He specializes in both physical and cloud-based server environments, network infra‑ structure, systems design and troubleshooting, and software develop‑ ment. Mr. Jefferies is a lifelong musician and composer, with one of his compositions featured in the Italian documentary 27 Aprile 2014— Racconto di un evento Reg# 387220 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 Enrollment limited. Enrollment deadline: Sept. 25. M & Keith Jefferies, for credits see this page.

COM SCI X 414.61

Introduction to SQL

4.0 units 3.6 CEUs Structured Query Language (SQL) is an American National Standards Institute (ANSI) standard computer language for accessing and manipulating database systems. SQL works with database programs such as Microsoft Access and SQL Server, DB2, Informix, Oracle, and Sybase. This hands-on course covers basic SQL syntax for individuals with little to no SQL experience. Instruction presents an overview of SQL and how to use SQL statements to retrieve and update data in a database. Students begin by creating basic select statements, which include using keywords such as SELECT, UPDATE, DELETE, INSERT, WHERE, HAVING, and others. The course also covers intermediate topics, such as table joins, sub-queries, aggregate functions, stored proce‑ dures, triggers, cursors and transactional processing, and much more. Prerequisite(s): Basic knowledge of Windows is recommended. Reg# 387407 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 Enrollment limited. Enrollment deadline: Sept. 25. M & Erik Kellener, whose portfolio of businesses include Warner Bros. Dreamworks SKG, Ticketmaster, Hollywood.com, Qwest Communica‑ tions, Luxury Link, and Evite. Additionally, Mr. Kellener has consulted for Holland America Cruise Lines, ESPN, Yokohama Tire Corporation, Cedars-Sinai, and Alaska Airlines. Reg# 387408 Fee: $995 No refund after 4 Oct. X In-Person 10 mtgs Wednesday, 6:30-10pm, Sept. 21-Nov. 23 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 27. M & Richard Patlan, DBA; programmer analyst, Capital Programs, UCLA.

Digital Technology 33

Enroll at uclaextension.edu or call (800) 825-9971 COM SCI X 418.735

Java Programming

4.0 units 3.6 CEUs This course provides new developers and application developers unfamiliar with the C# language the knowledge and skills to develop C# applications using the Microsoft.NET platform. Focusing on C# program structure, language syntax, and object-oriented concepts, students build projects using console applications, Windows forms, web forms, and XML web services. Upon completing the course, stu‑ dents should be able to list the major elements of.NET framework; analyze the basic structure of a C# program; and use the IDE to debug, compile, and run simple applications. Prerequisite(s): Experience in other programming languages, such as Visual Basic, C, C++, and Java is useful. For students with little or no programming experience, we recommend taking COM SCI X 414.20 Fundamentals of Software Development before taking this course. Reg# 387566 Fee: $995 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 26. M & David Henson, BA, Microsoft-certified trainer and system engineer, Certified Networks, Inc.; recipient, UCLA Extension Distinguished Instructor Award, 2010. Reg# 387565 Fee: $995 No refund after 26 Sept. MOnline Sept. 22-Nov. 24 Enrollment limited. Enrollment deadline: Sept. 28. M & Fred Savage, MBA, ACE (authorized crystal engineer), MCT, MCSD, consultant

COM SCI X 418.85A

Programming in C# for Visual Studio.NET Platform I

COM SCI X 418.735A

Programming in C# for Visual Studio.NET Platform II

4.0 units 3.6 CEUs This project-oriented course covers intermediate-level topics in Microsoft application development within the context of building a complete client-server database application using a Microsoft SQL Server database and a Windows desktop client application. Students should already be familiar with Visual Studio and have some experi‑ ence with the C# language. Students should be conversant with variable declaration, initialization and assignment, expressions, refer‑ ence and value types, and conditional and looping constructs, as well as have a basic understanding of classes and interfaces and how they support inheritance and polymorphism. We look at how to structure a multiple-assembly Visual Studio solution to support domain-driven development of a line-of-business application and embark on develop‑ ment of a sample application, starting with development of the domain model classes and introducing unit testing, generic and collections, and LINQ. Students learn to design and build relational databases using Microsoft SQL Server and develop SQL queries for manipulating data, then develop a Data Access Layer for persisting domain model objects to the database using ADO.Net. Windows Presentation Founda‑ tion (WPF) is then introduced as Microsoft’s current user interface technology for implementing Windows desktop client applications. Parallel with the sample application, students each design and develop an application of their own choosing from scratch as their course project. Prerequisite(s): Students are expected to have experience equivalent to the UCLA Extension course COM SCI X 418.735 Programming in C# for Visual Studio Platform I. Reg# 387580 Fee: $995 No refund after 3 Oct. X In-Person 6 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. Enrollment deadline: Sept. 26. M & Students are required to bring a laptop to class. Ambrose Chan Reg# 387579 Fee: $995 No refund after 25 Sept. MOnline Sept. 21-Nov. 23 Enrollment limited. Enrollment deadline: Sept. 27. M & Fred Savage, MBA, ACE (authorized crystal engineer), MCT, MCSD, consultant

Java Programming I

4.0 units 3.6 CEUs Powerful enough to build large N-tiered Internet and intranet applica‑ tions, Java is a well-designed object-oriented language that allows rapid development of programs. Due to its simplicity, it also is an excellent first-time programming language to learn. This hands-on course presents the fundamentals of programming using Java and covers object-oriented programming, classes, constructors, flow control statements, data types, methods, inheritance, data hiding, abstraction, and the Java library. Students gain experience from several programming projects throughout the course, and instruction stresses practical programming skills to prepare them for follow-on Java courses. Prerequisite(s): Requires computer work outside of class, as well as a computer with any operating system that supports Java; familiarity with that operating system; and the ability to create files and folders, use an Internet browser and email, create zipped files to send as email attachments, and download software from the Internet for class and programming assignments. For students with little or no programming experience, we recommend taking Fundamentals of Software Develop‑ ment before taking this course. Reg# 387581 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions. The dates of these sessions will be identified in your course syllabus. Enrollment limited. Enrollment deadline: Sept. 25. M & Amir Hallajpour, software consultant, AITech Defense Systems Reg# 387582 Fee: $995 No refund after 23 Sept. A Remote 10 mtgs Monday, 6:30-10pm, Sept. 19-Nov. 21 Remote Classroom International students: due to recent changes in SEVIS requirements for F-1 visa holders, international students must be enrolled in 12 units to be a full-time student. Of those 12 units, two courses must be In-person or Hybrid (In-person). To remain in status for your F-1 visa you must attend three in-person class sessions for each of your In-person or Hybrid (In-person) UNEX courses. All three inperson class sessions are mandatory and must be attended. Domestic students are strongly encouraged to attend the three in-person class sessions. If a domestic student is unable to attend an in-person class session, they must notify their program advisor/ representative to ask for alternative arrangements that will allow them to complete the coursework requirements for these three sessions. The dates of these sessions will be identified in your course syllabus. Enrollment limited. Enrollment deadline: Sept. 25. M & Juan Carlos Moreno

COM SCI X 418.100

Java Programming II

4.0 units 3.6 CEUs Java Programming II examines more advanced object-oriented pro‑ gramming; collections and generics; graphical user interface design; threading and asynchronous processing; and files, streams, database usage, and object serialization. Students learn to develop platform/ framework neutral applications for desktop, Web, and mobile situa‑ tions. On course completion, students are able to choose the appropri‑ ate Java technology to solve their business problem, develop complex GUI interfaces using Swing, connect to a database and execute SQL queries, and write efficient and maintainable Java code. Prerequisite(s): COM SCI X 418.85A Java Programming I. Reg# 387529 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 Enrollment limited. Enrollment deadline: Sept. 25. M & Juan Carlos Moreno

Web Application Development COM SCI X 418.102A

Website Development with Adobe Software: Photoshop, Dreamweaver, and Animate

4.0 units 3.6 CEUs This course provides a hands-on introduction to using Adobe’s Photoshop, Dreamweaver, and Animate for creating web content. These programs are the choice of many web professionals, and each provides unique capabilities. Photoshop creates and edits images with an unrivaled array of tools and options. Image optimization, sprites, comps, animated gifs, and creating simple videos are covered. Dreamweaver is renowned for its robust tools for creating responsive HTML5 web pages. CSS3, media queries, the Bootstrap framework, jQuery, templates, site management, FTP. Adding APIs, HTML5 video, forms, and more is covered. Adobe Animate is used for non-Flash animation. A brief intro to HTML5 and CSS and the use of Illustrator for layouts, graphics, and SVG images is discussed. No prerequisites or books required. Prerequisite(s): Adobe Photoshop, Dreamweaver, and Animate are required. If you do not have this set of software, you will need to purchase it here. Visit helpx.adobe.com/photoshop/system-require‑ ments.html for system requirements. Reg# 387530 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Nov. 21 Adobe Photoshop, Dreamweaver, and Animate are required. If you do not have this set of software, you will need to purchase it here. Visit helpx.adobe.com/photoshop/system-requirements.html for system requirements. Enrollment limited. Enrollment deadline: Sept. 25. M & Sean Zhao, MS, University of Texas at Dallas, senior engineer, Fiserv Inc. Reg# 387531 Fee: $995 No refund after 3 Oct. X In-Person 10 mtgs Tuesday, 6:30-10pm, Sept. 20-Nov. 22 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Adobe Photoshop, Dreamweaver, and Animate are required. If you do not have this set of software, you will need to purchase it here. Visit helpx.adobe.com/photoshop/system-requirements.htmlfor system requirements. Enrollment limited. Enrollment deadline: Sept. 26. M & Dan Vaughan, BA, proprietary software instructor, technical writer, and usability specialist, Rhythm & Hues Studios

Digital Technology

COM SCI X 418.102AB

HTML and CSS

4.0 units 3.6 CEUs Anyone who does web work needs to understand HTML (Hypertext Markup Language) and CSS (Cascading Style Sheets). Together, they provide the foundation on which web pages are built. HTML labels types of information, and CSS specifies how that information will look. Using step-by-step code writing exercises, students learn how HTML and CSS work together to create responsive web pages, starting with the very basics and progressing up to the intermediate level. Topics include HTML5 tags and elements, links, forms, lists, images, and color. Also covered are page layout, properties, selectors, CSS3, media queries, menus, the box-model, specificity, the cascade, pseudo ele‑ ments and classes, adding video, animation, JavaScript, and jQuery, as well as site deployment. Free software is used and there are no prerequisites. Reg# 387557 Fee: $995 No refund after 26 Sept. MOnline Sept. 22-Nov. 24 Enrollment limited. Enrollment deadline: Sept. 28. M & Gideon Arom

COM SCI X 418.88B

JavaScript

4.0 units 3.6 CEUs Web users today expect sites to provide dynamic user interfaces, fast response times, and advanced features. JavaScript delivers that, which is why JavaScript has become such an important programming lan‑ guage for web developers. This course benefits anyone who is involved with web development, including server-side programmers who use ASP, JSP, PHP, or other languages and web designers who use XHTML and CSS and would like to build rich Internet applications (RIAs) with JavaScript and DOM scripting. Students learn XHTML and CSS (Cascading Style Sheets) skills and learn how to use Firefox and its free Firebug extension to debug JavaScript applications. Addition‑ ally, students learn how to use arrays, functions, regular expressions, exception handling, libraries, and user-defined objects. The course provides an introduction to closures, recursion, prototype-based inheritance, extension of built-in JavaScript objects, and an objectoriented approach to data validation that students can use as a model for their own applications. Students also learn how to use DOM Script‑ ing to build applications that run slide shows, do image rollovers, use dropdown menus, rotate headlines, sort the data in tables, and provide animation. The course also covers how to use the objects, methods, and properties of a web browser and how to use third-party libraries, such as jQuery and Dojo. Reg# 387614 Fee: $995 No refund after 25 Sept. MOnline Sept. 21-Nov. 23 Enrollment limited. Enrollment deadline: Sept. 27. M & Prentiss Knowlton, PhD, senior systems engineer, QSS

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Enroll at uclaextension.edu or call (800) 825-9971

GIS (Geographic Information Systems) UCLA Extension’s GIS and Geospatial Technology Certificate, created in partnership with the UCLA Department of Geography, provides a comprehensive introduction to the state-of-the-art methods and techniques used in the field of geographic information systems (GIS) and geospatial technology. The program teaches computer-based mapping and spatial analysis techniques with hands-on, project-based instruction using industrystandard GIS software platforms. All courses are designed to accommodate the schedules of working professionals, and no prior GIS experience is required or assumed. Participants who complete the program can expect to be sufficiently prepared for an entry-level job in GIS and/or related geospatial industries. Students will be earning transferable UCLA course credit for all courses in the certificate program. This course is accredited and approved by the UCLA Academic Senate as a credit-bearing course. It carries lower-division undergraduate credit. Weekly activities include reviewing video lectures, technical screencasts, and readings. Com‑ pleting practical assignments involve the use of GIS methods to address real-world scenarios, self-assessment using automated non-graded quizzes, and more. The program is offered fully online and may be completed in as little as one-year. Technical requirements: Students are responsible for providing a personal computer with a minimum of 4GB of RAM that is capable of running Windows 10. Apple hardware running macOS can be used provided that Windows 10 is installed either using Boot Camp or virtualization (VirtualBox, Parallels, etc.) with at least 4GB of RAM allocated to Windows. Hardware speci‑ fications in excess of these minimum requirements will offer better performance and a better student experience. Students are provided with a student license for ArcGIS as long as they are enrolled in pro‑ gram courses for which ArcGIS is required. These are online courses, wherein all course content is delivered online and all interaction among the instructor and the participants will take place online; additional requirements include microphone, headphones/speakers, and webcam.

GEOG XL 7

Introduction to Geographic Information Systems (GIS)

5.0 units The purpose of this course is to introduce students to fundamental principles and concepts behind the use and application of geographic information systems (GIS). Students learn how to think spatially, become familiar with information technology, produce maps, com‑ municate effectively using spatial information, and conduct data analysis with GIS. Instruction is technique-oriented, focusing heavily on practical applications of GIS methods and practices using the industry-standard ArcGIS software platform. All course exercises situ‑ ate GIS within both its practical and economic context. Key concepts and ideas are reinforced through practical assignments and activities involving the use of desktop GIS software. Reg# 384766 Fee: $2,250 No refund after 3 Oct. MOnline Sept. 26-Dec. 11 Required course in the GIS & Geospatial Technology Certificate program. Students can choose to take GEOG XL 7 in one of two formats: selfpaced or cohort-based. This is the cohort-based version of the course. Students enrolled in the cohort-based version of the course will take the course over a standard ten-week academic quarter, with weekly due dates for course activities providing structure. This option is best for students who are motivated by deadlines and enjoy being able to engage in discussion with classmates. Enrollment limited to 50 students; early enrollment recommended. Visitors not permitted. M & Sierra Burkhart Michael Shin

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Reg# 384769 Fee: $2,250 No refund after 3 Oct. MOnline Sept. 26-Mar. 26 Required course in the GIS & Geospatial Technology Certificate program. Students can choose to take GEOG XL 7 in one of two formats: selfpaced or cohort-based. This is the self-paced version of the course. Students enrolled in the self-paced version will have two quarters from the course’s scheduled start date (NOT from date of enrollment) to complete the course, and there are no scheduled due dates for course activities. This option is best for self-motivated students who wish to complete what is typically a 10-week course either more quickly or over a longer period of time. Students who enroll after the course’s scheduled start date should be aware that they will have less than the full two quarters to complete course activities. Any students who wish to take advantage of the full two-quarter time window should enroll in the subsequent quarter’s self-paced course in advance of the course’s start date. Enrollment limited to 50 students; early enrollment recommended. Visitors not permitted. M & Sierra Burkhart Michael Shin

GEOG XL 181A

Intermediate Geographic Information Systems (GIS)

4.0 units This course reinforces and introduces additional key geographic concepts and techniques related to the theory and application of geographic information systems (GIS). Topics such as geographic coordinate systems, automation, geoprocessing, raster data process‑ ing and management, vector digitizing, and various forms of spatial data management are given in-depth treatment during this intensive seminar. Spatial data literacy, data formats, and data manipulation practices are also emphasized. Students are trained in the use of both open-source (QGIS) and commercial (Esri’s ArcGIS for Desktop) GIS software platforms. In addition to exposing students to the variety of settings and situations in which GIS data management techniques are used, students also learn how to implement such techniques through completion of practical exercises. Reg# 384770 Fee: $1,800 No refund after 3 Oct. MOnline Sept. 26-Dec. 11 Required course in the GIS & Geospatial Technology certificate program. Enrollment limited to 50 students; early enrollment recommended. Visitors not permitted. M & Sierra Burkhart Michael Shin

GEOG XL 181B

Advanced Geographic Information Systems (GIS)

4.0 units This course is a project-based exploration of advanced topics in GIS and geospatial technology, with a focus upon spatial data analysis and visualization techniques. Students complete a series of hands-on weekly projects, each of which focuses upon the use of a defined subset of spatial data analysis and visualization methods in address‑ ing real-world problems and scenarios. Advanced spatial analysis methods covered in this course include network analysis, cost dis‑ tance analysis, site selection and optimization, interpolation, multilayer raster data analysis (map algebra), and other related techniques. Basic concepts and techniques associated with spatial statistics, including clustering and spatial dynamics, are also introduced in an applied context. Reg# 384771 Fee: $1,800 No refund after 3 Oct. MOnline Sept. 26-Dec. 11 Required course in the GIS & Geospatial Technology Certificate program. Enrollment limited to 50 students; early enrollment recommended. Visitors not permitted. M & Sierra Burkhart Michael Shin

Enroll at uclaextension.edu or call (800) 825-9971 Education

EDUCATION

For more information call (310) 825-4191.

Early Childhood Educators For information about the Early Childhood Education Certificates, email eceonline@uclaextension.edu, visit uclaextension.edu/ education/certificates, or call (310) 825-4191.

EDUC X 21

Child Development/Desarrollo Infantil

4.5 units This is an introductory course in child growth and development span‑ ning conception through middle childhood. The course covers theories of human development; the scientific study of development; genetic and environmental contributions and interactions on child develop‑ ment; and developmental time frames from conception and prenatal development through infancy, toddlerhood, early childhood, and middle childhood. Students learn about milestones and the cultural contexts of development across domains: physical, cognitive, lan‑ guage, social, and emotional development. Students are required to observe an infant 0-36 months old and a child 3-6 years old. This is the recommended first course in the ECE series. This is a lower-divi‑ sion (entry level) college class. This is also an intensive class. We are completing a full course in only 8 weeks. Expect to spend around 12 hours per week completing everything in each week’s module. There is a significant amount of reading required. Professional-level English language proficiency in the following areas is required: reading comprehension, vocabulary, note-taking, and written expression. Reg# 388208 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M Jackie Kelley, MA, early childhood educator; adjunct professor, Santa Monica College. Reg# 388222 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 This section will be taught in Spanish. M & Monica Hilario, MA, primary teacher, Early Education and Extended Learning Programs, Glendale Unified School District; recipient, UCLA Extension Distinguished Instructor Award, 2011. Reg# 388202 Fee: $527 No refund after 21 Oct. MOnline Oct. 17-Dec. 11 Materials provided in Canvas course shell. M Kathy Fuller, PhD, educational consultant; recipient, UCLA Extension Distinguished Instructor Award, 2012.

EDUC X 22

The Young Child in the Family and Community/ El Niño Pequeño en la Familia y Comunidad

4.5 units This online early childhood development course focuses on the social and cultural dynamics between the young child, the family, and the community. Students develop communication skills between young children, peer groups, parents, and teachers. They investigate com‑ munity resources and social services, including health care, welfare, and counseling. Students also explore culture, diversity, and equity within the classroom and the larger community. Students examine their own and others’ understanding of social and cultural belonging. Instruction includes exploration of tools, classroom strategies, com‑ munity resources, and advocacy for supporting family engagement and creating productive partnerships with children and families. Note that this is an intensive course, in which the work of a full academic quarter is offered in only 8 weeks. You may be required to interview people, observe children, or go into the community for this course, so plan ahead. Reg# 388226 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 This course requires purchase of a digital text for $73.50 which will be available for purchase when the Canvas course shell is made available to students two days before the course start date. Instructions and a link to purchase will be available on the course website. International Students should verify their web access to Cengage Publishers before purchasing. M & Reg# 388224 Fee: $527 No refund after 21 Oct. MOnline Oct. 17-Dec. 11 M & Victor Soto, MA, human development; adjunct professor for Pacific Oaks College.

EDUC X 23

Foundations of Early Care and Education: An Introduction to Teaching Young Children/ Introducción la Enseñanza de Niños Pequeños

4.5 units Learn about early care, education approaches, and how to identify quality care. This online course on teaching young children introduces the approaches, history, and development of early childhood education programs. The course offers an overview of developmentally appropri‑ ate learning environments, curriculum, and how to define play-based learning and outcomes. Students explore how different program approaches meet the needs of the young child. Students learn obser‑ vation, assessment, and strategies for guiding children’s behavior. Field observations are required. This is a lower-division (entry level) college class. This is an intensive course, in which the work of a full academic quarter is offered in only 8 weeks. Expect to spend around 12 hours per week to complete everything in each week’s module. Before you take this course, we recommend you take Child Development, unless you have classroom experience with children already.

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Reg# 388227 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M & Lillian Pimentel-Stratton, EdD, Walden University; faculty, Bakersfield College, early childhood education. Reg# 388228 Fee: $527 No refund after 21 Oct. MOnline Oct. 17-Dec. 11 M & Jackie Kelley, MA, early childhood educator; adjunct professor, Santa Monica College.

EDUC X 24

Introduction to Curriculum and Learning Environments/Introducción al Currículo y Ambientes de Aprendizaje

4.5 units This online course covers developmentally appropriate curriculum methods for early childhood. Students learn to design, equip, plan, and implement engaging learning environments for supporting develop‑ mental goals and knowledge. Learn to create optimal curricula and learning experiences based on theory, observation, and assessment within a context of relationships and play. Develop strategies for cul‑ turally-relevant curricula. Embed activities designed to establish children’s positive attitudes and behaviors for learning, pro-social behavior, a strong sense of self, competence, and emotion regulation. Understand how the curriculum and learning environment can guide cognitive, social, and emotional development and mitigate challenging behaviors. Students are required to observe young children. This is a lower-division (entry level) college class. This is also an intensive class. We are completing a full course in only 8 weeks. Expect to spend around 12 hours per week to complete everything in each week’s module. Before you take this course, we recommend you take the Child Development course and the course on Foundations of Early Care and Education, unless you have significant classroom experience with children already. Reg# 388229 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M Kathy Fuller, PhD, educational consultant; recipient, UCLA Extension Distinguished Instructor Award, 2012. Reg# 388230 Fee: $527 No refund after 21 Oct. MOnline Oct. 17-Dec. 11 M & Lillian Pimentel-Stratton, EdD, Walden University; faculty, Bakersfield College, early childhood education.

Education

Enroll at uclaextension.edu or call (800) 825-9971

EDUC X 25

Play and the Developing Brain in Early Childhood Education

4.5 units This online course provides a contemporary, research-based perspec‑ tive on learning and inquiry through play in early childhood settings and explains how play supports optimal brain development. Students learn about historical and contemporary perspectives of the critical role of play in early learning and development. Students explore play as an optimal medium for social and cognitive learning, executive function skills, and brain development in the context of current devel‑ opmental theory. Emphasis is placed on practical strategies for creat‑ ing play-based learning environments, hands-on experiences, and multi-cultural inclusiveness. Students observe, document, and explore ways to integrate play throughout the curriculum. Observations of young children are required. Reg# 388231 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M & Kristin Sherman, MA in human development and social change; director, ECE program, New School West, Santa Monica, CA ECE Mentor Program.

EDUC X 321.25

Anti-Racism and Teaching in a Diverse Society for Early Childhood Education

3.0 units This course introduces students to Culturally Responsive Teaching (CRT) and theory by incorporating strategies for creating a studentcentered classroom. Students will learn to define anti-racism, identify embedded privilege, and reflect on and recognize personal bias. Students will work on creating identity-safe, care-oriented classrooms. Specific topics include how to “center” the curriculum to authentically include linguistic diversity, diverse cultures and communities, under‑ standing micro-aggressions, and social justice. Reg# 388234 Fee: $373 No refund after 4 Nov. MOnline Oct. 31-Dec. 11 & M TiaMarie Harrison, MS

EDUC X 312.42

Techniques for Behavior Change in Young Children

3.0 units This course is an overview of the various methods for changing, adapting, and managing individual children’s behavior. Instruction covers assertive discipline, behavior modification, and other authoritarian and egalitarian approaches to behavior change in young children. The advantages, dis‑ advantages, and appropriate use of each approach are analyzed. Applies toward Title 22 Regulations and Title 5 Child Development Permits; elective course for both Basic and/or Advanced Core Certificates. Letter grade of “C” or better required for California ECE Permits. Reg# 388235 Fee: $373 No refund after 23 Sept. MOnline Sept. 19-Oct. 30 M & TiaMarie Harrison, MS

EDUC X 321.2

Supervision and Administration of Early Childhood Centers: Part I

3.0 units This course offers an overview of administering a child care center. An introduction to the logistical and philosophical details of planning, implementation, and appropriate care and education is presented. Instruction covers national professional guidelines for how an effective administrator implements a plan, creates a safe and developmentally appropriate learning environment, and evaluates the quality and improvement of a center. You learn about record-keeping, reporting, and staff policies. Licensing, permits, and regulations are covered for the state of California. Applies toward California Title 22 and Title 5 regulation compliance and child development permits. Reg# 388250 Fee: $424 No refund after 23 Sept. MOnline Sept. 19-Oct. 30 M & Patricia Yeldell, PhD in organizational management, MS in educational leadership from Pepperdine University. Instructional director of Early Childhood Education at the Los Angeles Unified School District.

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Reg# 388251 Fee: $424 No refund after 4 Nov. MOnline Oct. 31-Dec. 11 This course requires purchase of a digital text for $73.50. Instructions and a link to purchase will be available on the course website. International Students should verify their web access to Cengage Publishers before purchasing. M & Terri Emberling, MA in counseling and clinical psychology; founder/ director, Relationship Roots.

EDUC X 321.21

Supervision and Administration of Early Childhood Centers: Part II

3.0 units This course offers an overview of the leadership, supervision, and professional development of staff and how to guide the center and the staff toward a high-quality, developmentally appropriate philoso‑ phy and implementation of a program. Instruction covers how to lead people and serve as a curriculum leader; alignment of environ‑ ment and practices with center mission and value statements; community building; hiring and retention; staff support, guidance, and professional development; and supporting quality curriculum through leadership and reflective evaluation. Students learn to develop relationships with families that are culturally sensitive and reciprocal and to communicate with and engage families in the center. Emphasis is given to observation and analysis skills, leader‑ ship and mentoring skills, and measuring leadership and manage‑ ment for optimal functioning of the center and staff. The course applies toward California Title 22 and Title 5 regulation compliance and child development permits. Reg# 388253 Fee: $424 No refund after 23 Sept. MOnline Sept. 19-Oct. 30 M & Ellen Khokha, MA, founder/director, The Growing Place Child Develop‑ ment Center; instructor, Santa Monica College.

EDUC X 321.23

Adult Supervision in Early Childhood Programs

3.0 units Instruction examines staff organization for effective communication and interpersonal relationships and covers criteria for selecting and evaluating personnel; the administrative role in promoting professional growth, teaching effectiveness, and sensitivity to individual needs; and staff involvement in planning and evaluating programs. Applies toward Title 22 regulations; Title 5 Child Development Permits for Adult Supervision Requirements for Master Teacher, Site Supervisor, and Program Director of Child Care Centers; and is a core required course for the Early Childhood Education Administration Certificate. Reg# 388254 Fee: $424 No refund after 23 Sept. MOnline Sept. 19-Oct. 30 M & Terri Emberling, MA in counseling and clinical psychology; founder/ director, Relationship Roots.

EDUC X 321.26

EDUC X 321.44

Music and Movement in Early Childhood Education

3.0 units Instruction covers how to plan and lead developmentally appropriate music activities for young children. Students participate in rhythm, song, instrument, and movement activities that enhance children’s participation in group “circle time” and independent music play experi‑ ences. Teaching strategies, environments, and material sources are explored through discussion and demonstration. Students may be required to observe young children. Applies toward Title 22 Regulations and Title 5 Child Development Permits; elective course for both the Early Childhood Lead Teacher Certificate and/or Early Childhood Administration Certificates. Letter grade of “C” or better required for California ECE Permits. Reg# 388347 Fee: $373 No refund after 4 Nov. MOnline Oct. 31-Dec. 11 M & Teri Sulc, MA, educational administration, CSU Northridge; counselor/ adult education, parent educator, music school administrator at Gerard’s Guitars in Tarzana.

EDUC X 321.59

Health, Nutrition, and Safety in Early Childhood

3.0 units This course covers guidelines for creating a safe and healthy environ‑ ment for the young child, including emergency preparedness (fire, earthquake, first aid), health and public health-related issues, and the nutritional needs of children. Applies toward Title 22 Regulations and Title 5 Child Development Permits; elective for both the Early Childhood Lead Teacher Certificate and/or Early Childhood Administration Certificates. Reg# 388350 Fee: $373 No refund after 23 Sept. MOnline Sept. 19-Oct. 30 M Tamar D. Andrews, EdD, college instructor; director, ECE Temple Isaiah LA.

EDUC X 321.74

Developing an Infant and Toddler Child Care Program

4.5 units Instruction explores the components of a quality infant/toddler care program: costs, staffing, appropriate environments, developmental experiences, health issues, and parent involvement. Instruction emphasizes the special needs of infants in a group care setting. Applies toward Title 22 Regulations and Title 5 Child Development Permits; elective course for ECE Lead Teacher and ECE Administration Certificate. Reg# 388352 Fee: $527 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M Nicki Backlar, MA, Pacific Oaks College, Human Development; instruc‑ tor, Santa Monica College; LASC; CD WFI; LAUP.

Documentation, Observation, and Assessment of Young Children

4.5 units This course offers an introduction and practice on observation, docu‑ mentation, assessment, and the skills necessary to apply assessment findings to create an appropriate curriculum for young children. In this course, students develop systematic and purposeful observation and interpretation of documentation for the creation of emergent curricu‑ lum and assessment of young children aged 0-5 years. Students learn the California guidelines for Early Childhood Education and Transitional Kindergarten. California ECE competencies and tools introduced in the course include the CA Preschool Curriculum Frameworks, California Preschool Learning Foundations, and Desired Results Developmental Profile (DRDP). Reg# 388346 Fee: $527 No refund after 21 Oct. MOnline Oct. 17-Dec. 11 M & Kristin Sherman, MA in human development and social change; director, ECE program, New School West, Santa Monica, CA ECE Mentor Program.

X IN-PERSON, page 1. A REMOTE, page 1.

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M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

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Higher Education & Adult Educators College Counseling Certification For information about the College Counseling Certificate, email onlineccc@uclaextension.edu, visit uclaextension.edu/ education/certificates, or call (310) 825-4191.

EDUC X 414.83

Introduction to Counseling for College Admission

4.5 units Introduction to Counseling for College Admission explores the college admission process from both the student and counselor perspectives, with emphasis on student research, application, selection, and coun‑ selor information dissemination and responsibility. This course provides in-depth information on application calendar options, college and university options, and admission criteria. The course offers education information with an emphasis on the counselor’s skill development in assisting students with college application and selection, while provid‑ ing current theory and issues combined with strategic practice. Reg# 388319 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Victoria Rueda, BA in child development; MA in school administration. Former K-12 and postsecondary teacher; former assistant principal, K-8; principal, K-6; former head of schools, K-12. Reg# 388320 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Claudia Salinas, MA. Throughout her college counseling career what Ms. Salinas has valued the most have been the relationships with the students she has counseled. She is the first in her family to attend college. It is her belief that the path to college is an opportunity to reflect on and consider the many possibilities of career choices, appropriate majors, and selection of the school which would be the best choice to empower students to recognize and own their options. Deren Finks Reg# 388322 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Veronica Ortiz, MA, former assistant director of admission and assis‑ tant dean of admission at two Los Angeles-based private colleges

EDUC X 414.90

Testing/Career Assessment

4.5 units College-bound students encounter a series of standardized examina‑ tions as they progress toward college admission. The PSAT/NMSQT, SAT, ACT, and Advanced Placement tests are the most common. Topics include what each exam tests for, validity of test results, issues of bias, and the effect of coaching. In the realm of career planning, numerous career inventories can help students—both college-bound and other‑ wise—identify their career interests and propensities; some of the more widely used career instruments are highlighted. Reg# 388323 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 M David An, MEd. In his experience as a college counselor, he has worked with an 800-student case load of juniors and seniors at a public high school located in northern California. He has conducted class workshops, made presentations, and hosted family evenings information sessions. He founded the First Gen Essay Coach Program and has run a grant-funded program “Saturday Success Days.” Reg# 388324 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 M David An, for credits see this page.

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Reg# 388325 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 M Sally Lozada, PhD, who serves as the director of Counseling and Guid‑ ance at a private Midwest high school with the responsibilities of implementing pathways of success for students in grades 9-12. This entails course selection in preparation for post-secondary options, liaison with college, university, selective services, employers and apprenticeships for student matriculation, manage and implement master course and faculty schedule, all aspects of state and national testing, scholarship acquisition, as well as institutional accreditation.

EDUC X 414.84

Special Issues in College Counseling

4.5 units This course in the College Counseling Certificate focuses on individual groups of students with unique perspectives in the admissions pro‑ cess, such as students with learning differences, athletes, actors, and underserved students who are members of the LGBT community, first-generation students, transfer students, etc. The specificity and changeability of the course content allows the program to keep information current and provide certificate students with recent views or changing critical elements in the counseling profession. Reg# 388333 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M Joan Canzone, MS, associate director of college counseling at a Los Angeles-based private high school Reg# 388334 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M Yetunde Daniels Rubinstein, MS, associate director of college coun‑ seling at a Los Angeles-based private high school

EDUC X 414.89

Financial Aid Fundamentals

4.5 units Financial aid is complex and information intensive, and college coun‑ selors must understand this important component of the college admissions process. Topics include history of financial aid; types and sources of financial aid; how to apply for federal, state, and institutional aid; eligibility; how aid is determined; and scholarship search services. Recommended: Students who are enrolled in the College Counseling Certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option, they would be required to take another elective course. Please notify us at onlineccc@uclaextension. edu if you wish to choose this option. Reg# 388331 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Students who are enrolled in the college counseling certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option they would be required to take another elective course. Please notify us if you decide to do this by sending an email to onlineccc@uclaextension.edu. M Linda Dagradi, EdD, educator with more than 35 years of experience in leadership positions in financial aid administration, school counsel‑ ing, and enrollment management Reg# 388332 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Students who are enrolled in the college counseling certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option they would be required to take another elective course. Please notify us if you decide to do this by sending an email to onlineccc@uclaextension.edu. M Pam Walker, MA. In her professional career of more than 29 years in higher education, she worked at both private and state colleges within the Massachusetts area Bill Smith

EDUC X 414.85

Practicum in College Counseling

6.0 units Apply theory and methodology in a genuine counseling situation under professional supervision. Students complete 65 hours of super‑ vised fieldwork in a local counseling venue and earn 50 hours of academic credit. Fieldwork must consist of individual counseling or meeting with students in group settings. For those who may have difficulty making arrangements to complete 65 hours of student counseling, they may complete 35 hours of counseling, as well as a pre-approved research project which is submitted to the instructor at the completion of the class. Students also participate in the online portion of the course in which practicum experiences are shared with colleagues and reviewed by the instructor. Prerequisite(s): Completion of the six required courses and formal enrollment in the certificate. Students may not enroll until their Practi‑ cum proposal has been approved and they have received permission from the College Counseling Certificate advisor. Reg# 388447 Fee: $550 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M Lauren Carter, MA, who has dedicated her entire career of 30+ years to the college admissions and college counseling profession. Ms. Carter has served as the director of College Admissions at NYU, authored college admissions articles as a Contributing Writer for Huffington Post, and most recently serves as director of College Counseling at Sidwell Friends School (DC). She is a graduate of the University at Albany, NYU, and the College of Saint Rose. Reg# 388449 Fee: $550 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Julia Varriale, MA, college counseling consultant. Recipient of the UCLA Extension Distinguished instructor Award Reg# 388450 Fee: $550 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & John Shull, EdS, who has worked at six international schools during the past 30 years as a director of Counseling and Special Services and as a university counselor. Mr. Shull began his seventh international school experience in the 2017/18 school year at St. Stephen’s School in Rome, Italy as the director of University and College Counseling. Reg# 388454 Fee: $550 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M Esther Hugo, EdD, adjunct professor, Loyola Marymount University’s School of Education; recipient, UCLA Extension Distinguished Instruc‑ tor Award, 2008.

Electives EDUC X 414.80

Finalizing the College Counseling Process

4.5 units Drawing on the theory and information presented in the required courses included in the UCLA College Counseling certificate program, this 45-hour course provides a project-based learning approach for Practicum-ready students to apply their knowledge and experience. Using the latest research and publications available in the field, this interactive class draws on the theory and information presented in other required courses and challenges students to apply their knowledge, strategies, and approaches with real-life students. Emphasis is on the development of tools and strate‑ gies in determining student goals, aspirations, college lists, admission, and financial options—all focused on helping students and their families make the final college decision. This course is designed to meet the needs of counselors in public, private, or independent settings. Prerequisite(s): Students must have completed the Introduction to Counseling for College Admission course prior to enrolling in this course. Reg# 388342 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Cyndy McDonald, MA, who has more than 20 years of experience as a school counselor and educational consultant. She founded Higher Education Consultants Association (HECA) and a nonprofit program, After Military Planning (AMP). She is president of an online college counseling system and operates a college counseling practice.

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Enroll at uclaextension.edu or call (800) 825-9971

EDUC X 414.98

College Counseling for International Students

4.5 units The college admission process for international students is explored, with an emphasis on the special needs and requirements for interna‑ tional students applying to U.S. colleges and universities. This course explores the challenges of helping international students understand and navigate the unfamiliar landscape of the U.S. university system, while helping students and families understand the importance of fit vs. rankings. In addition, issues unique to international students such as testing, financial, and visa requirements; the ethics of working with agents; writing effective personal statements; and demonstrating interest from afar are also explored. Recommended: Students who are enrolled in the college counseling certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option, they would be required to take another elective course. Please notify us if you with to choose this option by emailing onlineccc@uclaextension.edu. Reg# 388337 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 Students who are enrolled in the college counseling certificate program may take the College Counseling for International Students course in place of the required Financial Aid Fundamentals course. When choosing this option they would be required to take another elective course. Please notify us if you decide to do this by sending an email to onlineccc@uclaextension.edu. Internet access required John Shull, EdS, who has worked at six international schools during the past 30 years as a director of Counseling and Special Services and as a university counselor. Mr. Shull began his seventh international school experience in the 2017/18 school year at St. Stephen’s School in Rome, Italy as the director of University and College Counseling.

EDUC X 414.99

Preparing Community College Students for Transfer

4.5 units This course emphasizes the development of knowledge and skills with regard to guiding and supporting community college students through all steps of their community college education, from enrollment through transfer application and admission. Students learn about community college matriculation processes, course selection, transfer application, and how to strategically position prospective transfer students for admission to public and privates colleges and universities. Students explore the current community college landscape as well as big issues like challenges for disadvantaged populations and persis‑ tence towards transfer. Students learn about the critical programs essential to supporting persistence and transfer, like those for firstgeneration college students, articulation agreements, admissions priority agreements, honors, and financial aid. Reg# 388341 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 Required Textbook available as PDF only, Community College Counselor Sourcebook2nd Ed. by College Board. Purchase it online at the College Board website. M Rosina Wright-Castro, PhD, who serves as an academic counselor at community college located in the Los Angeles area.

EDUC X 414.96

The Business of Educational Consulting

4.5 units Educational consultants are unique among business professionals because their goal is not just to have a profitable practice but also to truly make a difference in the lives of their clients. This course focuses on how to create a successful practice using basic business principles and entrepreneurship skills. Topics covered include steps needed to begin the process: early decisions, formulating the business plan, business structures, fee setting, contracts, creating a marketing plan, and social media. The material in this course is intended to help you create your personal business template so you can launch a success‑ ful educational consulting business.

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Reg# 388338 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Charlotte Klaar, PhD, CEP, certified educational planner, who is a nationally recognized leader in the independent educational consult‑ ing industry. She was awarded the Steven R. Antonoff Award for Profes‑ sional Achievement in recognition of her contributions to the profession. She has more than 20 years of college counseling experience. Reg# 388339 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Nov. 28 M & Jennifer Mandel, MA, owner and president of a private college coun‑ seling firm. Recipient of 2018 Distinguished Instructor Award

EDUC 846

Introduction to Making College Affordable

1.5 CEUs College financing has become an integral element in the college search and enrollment process, particularly for first-generation and low-income students. However, college financing rouses anxious and often fearful responses from parents, students, and even counselors. This short, intensive course is designed to make counselors aware of key areas related to college affordability. The course brings in family concerns and challenges of living with debt, both of which are impor‑ tant for counselors to know and weigh. The topics include an overview of the financial aid delivery system, an examination of college cost issues, the relationship between admission and financial aid applica‑ tion, a review of the sources and awarding of aid, the role of financial aid administrators, the challenge of educational debt, and the role of advisors in the college financing process. Reg# 388344 Fee: $295 No refund after 29 Oct. MOnline Oct. 25-Nov. 7 M Linda Dagradi, EdD, educator with more than 35 years of experience in leadership positions in financial aid administration, school counsel‑ ing, and enrollment management

EDUC 845

Introduction to College Admissions

1.5 CEUs The purpose of this short, intensive course is to introduce potential advisors or counselors, who are either new to the field or are making a career change, to numerous aspects of the college admissions process. During this two-week course, students develop an under‑ standing of key factors such as choosing the “right” college, the application process, financial aid, the impact of standardized test scores, and how to communicate with various types of parents and guardians through case study scenarios. We also explore the charac‑ teristics of college bound students, guiding students towards a pro‑ spective major or career, and how to maneuver the emotional and mental health aspects that come with applying to college. In this course, students practice applying their newfound knowledge and skills to real case study examples. Upon completion, students are prepared and have confidence to continue their studies in counseling or pursue advanced topics via enrollment in the full UCLA College Counseling certificate program. The ideal student for this course is an aspiring college advisor, current school counselor, CBO advisor, or other professional working in college advisement who seek to expand their experiential learning of college admissions. Reg# 388343 Fee: $295 No refund after 7 Oct. MOnline Oct. 3-17 Shanell Leggins, EdD in Educational Leadership with an emphasis in Educational Psychology, MA in Counseling and Pupil Personnel Ser‑ vices Credential, BA in Sociology with a minor in Psychology, as well the college counseling certificate. Dr. Leggins has worked in the field of education for more than 20 years and as a counselor for more than 15 years. Her counseling experience spans from public, private, domestic, and abroad. She currently works as the associate director of College Guidance at an independent school in Los Angeles, CA.

TESOL For information about the TESOL Certificate, call (310) 825-4191, email eceonline@uclaextension.edu, or visit uclaextension.edu/ education/certificates.

EDUC 825

Introduction to the TESOL Program

1.0 CEUs This course prepares the student for success in the TESOL Certificate and the TESOL Portfolio. The course is mandatory and must be taken first in the series. This course gives a clear overview of all that is expected to successfully complete the program. It reviews the entire program, including the scope of work, goals, requirements, and portfolio assignments in the four TESOL classes. Expectations for success and time frames are discussed. This course prepares students to save work from each course that will be compiled into a portfolio during the TESOL Practicum Portfolio course. The TESOL certificate is designed to balance current teaching theories and practical experi‑ ence in second language acquisition instructional methods. Reg# 388353 Fee: $75 No refund after 23 Sept. MOnline Sept. 19-Oct. 2 M Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 425.02

Cultural Perspectives and Teaching Methods in TESOL

5.0 units This course presents an intensive consideration of culture and diver‑ sity and their impacts in school classrooms. Instruction focuses on the nature and manifestations of culture, methods and strategies for learning about cultural differences and similarities, and strategies for diversity inclusiveness. Examine the values, customs, mores, and communication styles of cultural groups; interpret the communicative behavior of individual students; and understand how these various factors impact teaching. Reg# 388354 Fee: $698 No refund after 7 Oct. MOnline Oct. 3-Nov. 27 M Kimberly Persiani, EdD, assistant professor, CSULA; international and multicultural education at the University of San Francisco, bilingual education and social justice and equity. Reg# 388355 Fee: $698 No refund after 7 Oct. MOnline Oct. 3-Nov. 27 M Marie Webb, PhD in English Composition and Applied Linguistics from IUP; UCSB Lecturer-Department of Linguistics; UCLA Extension Instruc‑ tor and TESOL Teaching Practicum Curriculum Designer

EDUC X 425.01

TESOL Methods for Children 5-12 Years: Reading, Writing, Listening and Speaking

5.0 units This practical, online introduction for teachers of English to speakers of other languages (TESOL) presents techniques for teaching listening, speaking, reading, and writing skills to younger learners of English, ages 5-12 years. Candidates learn to assess learner demands and understand the roles played by instructors of younger, emergent English learners. Candidates learn to identify learning objectives, formulate lesson plans, employ teaching strategies, select classroom materials, and design assessments for English learners, specifically for teaching children. Reg# 386398 Fee: $698 No refund after 7 Oct. MOnline Oct. 3-Nov. 27 Please note that while late enrollment into a course is acceptable up to three days after the course start date, it is the responsibility of each student to acquire all required books and course materials by the time they are needed in the course. M & Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

Enroll at uclaextension.edu or call (800) 825-9971 Education EDUC X 425.04

Instructional Technologies for TESOL Classrooms

5.0 units This online course presents and evaluates current technologies and their applications in the TESOL classroom, urban distance learning, and adult TESOL education. Participants learn strategies for overcom‑ ing technophobia among English teachers and learners. The computer is an effective classroom tool, and through methods’ instruction and hands-on practice, participants learn the benefits of instructional technology for TESOL classes. Reg# 388356 Fee: $698 No refund after 7 Oct. MOnline Oct. 3-Nov. 27 M Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

EDUC X 425.05

TESOL Practicum Portfolio

2.0 units Students must pass all four core courses with a “C” or better to be eligible for this course. This is the culminating course in the TESOL Certificate. The TESOL Practicum Portfolio integrates prior learning, assignments, lesson plans, and observations from the TESOL courses and provides students the opportunity to reflect and refine their teaching practices. Participants compile a professional digital port‑ folio that captures and highlights their best work from each course. The portfolio also includes the development of professional goals and a comprehensive teaching philosophy. A taped video lesson and classroom observation for each course is included in the final port‑ folio, providing detailed evidence of teaching strengths. The com‑ pleted portfolio supports participants in job placement and interviews and tells the personal story of learning and growth throughout the TESOL program. Reg# 388357 Fee: $230 No refund after 25 Nov. MOnline Nov. 21-Dec. 18 Students must pass all four core courses with a C or better, or be concurrently enrolled in the fourth core course, to be eligible for TESOL Practicum Portfolio. Please note that while late enrollment into a course is acceptable up to three days after the course start date, it is the responsibility of each student to acquire all required books and course materials by the time they are needed in the course. M Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

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K-12 California Teacher Credentialing & Authorizations CLAD Through CTEL Certification Enrollment in these courses is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. These courses are not part of the TESOL program.

EDUC 804.1

Introduction to the Study of Teaching English Language Learners (CLAD Through CTEL Certificate)

0.5 CEUs This orientation to the CLAD through CTEL Program gives applicants a clear understanding of the entire program, including its scope and goals, requirements, standards, procedures that affect competencies, and field experience(s). This orientation is a prerequisite for all other CLAD through CTEL courses and includes formal application to the UCLA Extension program. Prerequisite(s): Submitted application to UCLA Extension’s English Learner Added Authorization program. Reg# 388595 Fee: $25 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 Discounts cannot be applied to fees for this course. Enrollment in this course is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. This course is not part of the TESOL program. M Lauren Flemming

Reg# 388764 Fee: $650 No refund after 14 Oct. MOnline Oct. 10-Nov. 20 Enrollment in this course is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. This course is not part of the TESOL program. M Ann Ingman

EDUC X 426.9

CTEL Portfolio

1.0 units The CTEL Portfolio brings together learning and field experiences from the other CTEL courses in a cohesive manner. Candidates collaborate with instructors from each course individually to determine an appropriate field assignment based on academic and professional interests and establish the material that should be included in the CTEL Portfolio. Although field assignments differ between candidates, everyone must complete a CTEL Portfolio that documents their experi‑ ences, including organized reflections and evidence of knowledge, skills, and abilities. Prerequisite(s): Enrollment is restricted to students who have com‑ pleted EDUC 804.1, EDUC X 426, EDUC X 426.1, EDUC X 426.2, and EDUC X 426.3 and submitted an approved application to UCLA Extension’s English Learner Added Authorization program. Reg# 388768 Fee: $200 No refund after 2 Dec. MOnline Nov. 28-Dec. 11 Enrollment in this course is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. This course is not part of the TESOL program. M Kris Lambert, MA, UCLA Extension Distinguished Instructor Award, 2016

K-12 Clear Teaching Credentials

EDUC X 426

Culture and Inclusion

4.0 units Fulfills Equity, Diversity, and Access requirement (Standard 9) for the SB2042 Preliminary Credential. Please obtain the approval of your credential program advisor before enrolling to ensure that this course satisfies your credential program requirements. Examine culture and cultural diversity and the relationship to academic achievement, development, implementation, and evaluation of culturally inclusive instruction. Topics include cultural concepts and perspectives, cultural contact, cultural diversity in California and the United States, crosscultural interaction, the roles of culture in the classroom and the school, culturally inclusive learning environments, family and community involvement, and culturally inclusive curriculum and instruction. Reg# 388762 Fee: $650 No refund after 14 Oct. MOnline Oct. 10-Nov. 20 Enrollment in this course is only for those who are seeking to obtain the CLAD-CTEL authorization on a CA teaching credential or are doing it for professional development. This course is not part of the TESOL program. M Marisela Limon Recendez, MEd, University of California, Los Angeles, EdD, University of Southern California

EDUC X 426.1

Language and Language Development

4.0 units Fulfills English Language Learner requirement (Standard 12) for the SB2042 Preliminary Credential when taken with X 426.3. Please obtain the approval of your credential program advisor before enrolling to ensure that this course satisfies your credential program requirements. Presents a research-based conceptual understanding of language systems, structures, forms, functions, and variations of both aural and written language forms. Topics include applying language functions and variations, discourse, and pragmatics directly to assessment and instruction of English learners; specific linguistic and socio-linguistic challenges of English learners; and materials and methods for under‑ standing and analyzing socio-cultural and political factors that affect second-language development.

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For information about California clear credential programs and courses that satisfy CTC clear credential requirements, call (310) 825-4191, email credentials@uclaextension.edu, or visit uclaextension. edu/education/k-12-california-teacher-credentialing-authorizations.

EDUC 839

Teacher Induction Transition and the Individual Learning Plan

Upon entering the UCLA Extension Induction Program, each participat‑ ing teacher works with his/her mentor to plan for the transition from a preliminary teacher credential program to this teacher induction program. After a review of the California Standards for the Teaching Profession (CSTP) and available evidence of teaching performance from the teacher’s preliminary credential program, the mentor guides the participating teacher to develop professional growth goals for an individual learning plan (ILP). The ILP is integrated into each induction program course and periodically updated throughout the program. The mentor and participating teacher discuss the methods and criteria that are used to measure ongoing growth in the CSTP and assess readiness to be recommended for the Clear Credential at the conclu‑ sion of the program. Reg# 388739 Fee: $100 No refund after 23 Sept. MOnline Sept. 19-Oct. 2 Course restricted to students admitted into the UCLA Extension Teacher Induction—California Clear Credential program; no public enrollment allowed. M Elizabeth Chappelle, MEd, gifted education

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Enroll at uclaextension.edu or call (800) 825-9971

EDUC X 439.1

Teacher Induction A: Effective Learning Environments

6.0 units This is one of four required core courses in the UCLA Extension Teacher Induction Program, leading to a California Clear Credential (Multiple Subject, Single Subject, or Education Specialist). The essen‑ tial question for this course is: Who are my students and how do I create an effective environment for learning for all students?This course is designed to support induction candidates in accomplishing several objectives in the context of (a) their own individual learning plan and the California Standards for the Teaching Profession (CSTP), (b) the support they receive from an induction mentor, and (c) the course’s essential question regarding knowing your students and creating effective learning environments for all students: a) In consul‑ tation with the assigned mentor, develop an individual learning plan (ILP) that identifies CSTP-related areas of need for professional growth and includes one or more goals that are connected to the course’s essential question; b) in consultation with the assigned mentor, develop an inquiry question and classroom-based action plan to examine an area of need identified in the ILP that focuses on improv‑ ing an aspect of teaching practice that has an impact on student learning—the inquiry question should have a connection to the course’s essential question, and the action plan should allow for col‑ lection of evidence to assess effectiveness with students as well as evidence of teacher growth; c) in consultation with the assigned mentor, select and use relevant pathway-to-learning modules provided in this course, as well as other recommended resources, to build deeper understanding in the area of need that is the subject of the inquiry question and action plan; and d) use a plan-teach-reflectapply approach to implement the action plan for the inquiry question. This approach includes collecting and analyzing sources of evidence for analysis and reflection that may include classroom video and artifacts of student learning, and includes mentor coaching with respect to identified areas for improvement of teaching practices. The implementation of the action plan culminates in reflection on how new knowledge and insights will be applied to ongoing practices to create an effective environment for learning for all students, as well as initial ideas for a capstone project that will be completed in the final course of the program. Reg# 388769 Fee: $1,325 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to students admitted into the UCLA Extension Teacher Induction—California Clear Credential program; no public enrollment allowed. M Claudia Norris, MS, director of Madera/Mariposa SELPA

EDUC X 439.3

Teacher Induction C: Assessing Students’ Learning and Growth

6.0 units Teacher Induction C is one of four required core courses in the UCLA Extension Teacher Induction Program, leading to a California Clear Credential (Multiple Subject, Single Subject or Education Specialist). The essential question for this course addresses assessing students for learning, as well as planning instruction and designing learning experiences. This course design supports induction candidates in accomplishing several objectives in the context of the following: Individual Learning Plan (ILP) and the California Standards for the Teaching Profession (CSTPs), ongoing support and collaboration with a trained induction mentor, essential question framework regarding assessing students for learning, as well as planning instruction and designing learning experiences for all students. Reg# 388772 Fee: $1,325 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to students admitted into the UCLA Extension Induction program; no public enrollment allowed. M Elizabeth Chappelle, MEd, gifted education Reg# 388774 Fee: $1,325 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to students admitted into the UCLA Extension Induction program; no public enrollment allowed. M Virginia Tura

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Reg# 388776 Fee: $1,325 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to students admitted into the UCLA Extension Induction program; no public enrollment allowed. M Patricia McCullum, MEd

EDUC 839.1

Teacher Induction Mentor Support A

2.0 CEUs A key component of the teacher induction program is its job-embedded system of mentoring support and professional learning. The UCLA Extension mentor that is assigned to each participating teacher is responsible for coordinating with the teacher, school site administrators, and program instructors to support the teacher’s planning and imple‑ mentation of an individual learning plan and to provide coaching and ongoing support for improving instructional practices. Participating teachers receive an average of at least one hour per week of individual‑ ized support throughout each academic year during which they are enrolled in the induction program, and they maintain documentation of all support activities. Participating teachers who have been assigned a UCLA Extension mentor must be enrolled concurrently in this course while completing the other induction program coursework. Reg# 388743 Fee: $725 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to students admitted into the UCLA Extension Teacher Induction—California Clear Credential program; no public enrollment allowed. M Lauren Flemming

EDUC 839.3

Teacher Induction Mentor Support C

2.0 CEUs A key component of the teacher induction program is its job-embedded system of mentoring support and professional learning. The UCLA Extension mentor that is assigned to each participating teacher is responsible for coordinating with the teacher, school site administrators, and program instructors to support the teacher’s planning and imple‑ mentation of an individual learning plan, and to provide coaching and ongoing support for improving instructional practices. Participating teachers receive an average of at least one hour per week of individual‑ ized support throughout each academic year during which they are enrolled in the induction program, and they maintain documentation of all support activities. Participating teachers who have been assigned a UCLA Extension mentor must be enrolled concurrently in this course while completing the other induction program coursework. Reg# 388744 Fee: $725 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to students admitted into the UCLA Extension Teacher Induction—California Clear Credential program; no public enrollment allowed. M Lauren Flemming

EDUC 839M

Teacher Induction Mentor Collaboration

1.0 CEUs Teacher Induction Program Mentors prepare for their role and respon‑ sibilities to guide new teachers through multiple cycles of individual‑ ized professional learning and reflection. Mentors learn about how UCLA Extension’s program is designed to align with state requirements and the California Standards for the Teaching Profession (CSTP). Men‑ tors build knowledge and skills that enable them to support and coach new teachers with a focus on individual learning plans and improving teaching practices. Supported by online and video-conferencing technologies, Mentors learn methods to provide just-in-time support as well as to engage with new teachers in coaching conversations about teaching performance, student learning, and professional growth. Mentors also participate in a collaborative community of practice with their peers to enhance their own skills as mentors and instructional coaches. Reg# 388747 Fee: $0 No refund after 7 Oct. MOnline Oct. 3-Feb. 12 Course restricted to Mentors in UCLA Extension Teacher Induction— California Clear Credential program; no public enrollment allowed. Patricia Murphy, MSEd, Program Director, Creative Support

K-12 Preliminary Credentials For information about California preliminary credential programs and courses that satisfy CTC preliminary credential requirements, call (310) 206-8342, email credentials@uclaextension.edu, or visit education.uclaextension.edu/credentials.

EDUC X 312.8A

Health Education for Teachers

2.0 units Fulfills Health Education requirement (Standard 10) for SB 2042 Pre‑ liminary Credential. Please obtain the approval of your credential program advisor before enrolling to ensure that this course satisfies your credential program requirements. Taking a holistic view of health, including physical, mental, emotional, and social well-being, this course motivates teachers of all levels and subjects to become active agents of health promotion. Based on the content areas of health instruction in the California Health Framework, topics include alcohol, drug, and tobacco use; nutrition; physical fitness; childhood obesity; HIV/AIDS; stress; peer harassment and school violence prevention; conflict resolution; emotional and behavioral disorders; and legal mandates affecting health and health education in schools. Reg# 388777 Fee: $500 No refund after 14 Oct. MOnline Oct. 10-30 This course does not include the CPR certification requirement; such certification should be obtained by contacting your local American Red Cross or American Heart Association. Please note that while late enrollment into a course is acceptable up to four days after the course start date, it is the responsibility of each student to acquire all required books and course materials by the time they are needed in the course. Enrollment limited; advance enrollment required. M Erin Wade, MA, principal, Antelope Valley Learning Academy

EDUC X 315A

Principles and Methods of Teaching Elementary Reading

4.5 units This course fulfills California requirements for (a) a subject-specific pedagogy course for teaching reading in a Multiple Subject Creden‑ tial program (CA Preliminary Multiple Subject Credential Program Standards, 2017) and (b) a course in developing English language skills for beginning readers for credentialed Single Subject teachers who want to add a multiple subject credential (CTC document CL621A 4/2017). Topics include assessment and instruction of founda‑ tional reading skills in the early grades, strategies to develop reading and comprehension of narrative and informational text to build discipline-specific knowledge, methods of instruction that are sensi‑ tive and responsive to the individual needs of all students, and selection of appropriate instructional materials and assessments. In order to complete assignments, participants must have access to at least 2-3 learners in the same grade level (in a classroom, after-school program, or other setting). Reg# 388750 Fee: $725 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 Strategies That Work: Teaching Comprehension for Understanding and Engagementis required reading for the first class. M & Harriet Levine, Harriet Feinstein-Levine, MA Reading and Literacy

Enroll at uclaextension.edu or call (800) 825-9971 Education EDUC X 330.54

Single Subject Methods for Teaching English

4.0 units This course focuses on methodologies appropriate for facilitating English/language arts instruction at the middle and high school levels in a variety of classroom settings. As candidates for the Single Subject Credential in English, students in this course learn, practice, and reflect on the specific pedagogical knowledge needed to teach English/ language arts to secondary students. We explore a variety of teaching strategies for organizing a secondary English/language arts curricu‑ lum using the national standards of the Common Core. Teacher can‑ didates discuss, plan, implement, and assess appropriate instruction using current best practices for the effective teaching of English/ language arts. The course addresses various curricular areas of English/language arts, including the teaching of writing, reading comprehension and literature, language applications, grammar, speak‑ ing applications and visual media, and how they can be effectively integrated into daily lesson planning while meeting Common Core Standards. Additionally, teacher candidates learn how to be reflective practitioners who regularly engage in classroom action research to improve their teaching. Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject) Reg# 388752 Fee: $725 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M & Jennifer DaCosta

EDUC X 330.56

Single Subject Methods for Teaching Social Science

4.0 units This course is designed for credentialed teachers who are looking to add a certification in social studies to their credential. The pri‑ mary goal of this course is for candidates to learn specific teaching strategies that are effective in supporting them to teach the stateadopted academic content standards for students in history/social science (grades 7-12). The course is centered on developing an understanding of historical thinking and learning new methods to help secondary students think, read, and write like historians. Participants in the course have an opportunity to design lessons and learning experiences that they can use to teach social studies, while also continuing to build their own understanding of what it means to learn social studies. Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject) Reg# 388757 Fee: $725 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 Enrollment limited; early enrollment advised. M Victoria Harvey, PhD, UC Santa Barbara

EDUC X 330.55

Single Subject Methods for Teaching Mathematics

4.0 units This course is designed to prepare secondary math candidates to effectively plan and deliver the state-adopted academic content standards for students in mathematics (grades 7-12). The candidate has multiple opportunities to learn, practice, and reflect upon mathe‑ matics-specific pedagogical knowledge and skills in order to enable students to understand basic mathematical computations, concepts, and symbols to solve common problems and novel problems; help students solve real-world problems using mathematical reasoning and concrete, verbal, symbolic, and graphic representations; provide a secure environment for taking intellectual risks and approaching problems in multiple ways; model and encourage students to use multiple ways of approaching mathematical problems; encourage discussion of different solution strategies; foster positive attitudes toward mathematics; and encourage student curiosity, flexibility, and persistence in solving mathematical problems. The course also helps students in grades 7-12 to understand mathematics as a logical system that includes definitions, axioms, and theorems; understand and use mathematical notation and advanced symbols; and assign and assess work through progress monitoring and summative assessments that include illustrations of student thinking such as open-ended questions, investigations, and projects. Prerequisite(s): CA General Education Teaching Credential (Multiple Subject or Single Subject) Reg# 388756 Fee: $725 No refund after 23 Sept. MOnline Sept. 19-Nov. 13 M Allison Leggett, EdD

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Engineering

Enroll at uclaextension.edu or call (800) 825-9971

ENGINEERING

For more information call (310) 825-4100.

Aerospace & Mechanical Engineering Advanced Plumbing Systems Design MECH&AE X 400.8

Plumbing Systems Design I: Code and Engineering Fundamentals

4.0 units 3.3 CEUs This course reviews codes and basic engineering principles and graphic presentations related to plumbing systems design, including load calculations, piping design, and equipment selection—based upon the latest issue of several plumbing codes. Instruction also covers plumbing fixtures and piping material selection. Topics include a brief history of plumbing; plumbing fixtures; sanitary waste and vent; traps, pumps, and sewage ejectors; potable hot and cold water; and storm water. Reg# 388615 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 This online course will offer weekly live lectures via zoom and the instructor will make recordings of these sessions available on a weekly basis. While not mandatory, it is highly recommended to participate in these live sessions of about one hour duration. Students will be notified of the day and time through the course syllabus. Enrollment limited; early enrollment advised. Visitors not permitted. Daniel Murphy, PE, LEED, CIPE/CPD, CBCP, CFPS; principal, Murphy Exports.

MECH&AE X 400.10

Reg# 388617 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 This online course will offer weekly live lectures via zoom and the instructor will make recordings of these sessions available on a weekly basis. While not mandatory, it is highly recommended to participate in these live sessions of about one hour duration. Students will be notified of the day and time through the course syllabus. Enrollment limited; early enrollment advised. Visitors not permitted. Daniel Murphy, PE, LEED, CIPE/CPD, CBCP, CFPS; principal, Murphy Exports.

MECH&AE X 400.16

Fire Protection for Plumbing Engineers

4.0 units 3.3 CEUs This course provides engineers, designers, and contractors with a basic technical understanding and appreciation of fire protection systems, specifically automatic sprinkler systems, standpipe systems, fire pumps, and water supplies. Students will develop an understand‑ ing of design and installation practices of systems, calculation methods, installation standards, product evaluations, and review and approval of fire protection design plans. Prerequisite(s): Successful completion of Plumbing Systems I, II, and III, or consent of instructor. Reg# 388619 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. Douglas Nadeau, president, RAN Fire Protection Engineering

MECH&AE X 400.17

Plumbing Systems Design III: Systems Applications

4.0 units 3.3 CEUs This course covers the concepts of special plumbing systems and plumbing components and equipment with discussion on fire protec‑ tion systems and green plumbing. Students are also exposed to information needed to relate “special systems” to the overall concept of plumbing design. This course emphasizes the science behind the concepts of plumbing and special systems and stresses the impor‑ tance of critical thinking skills. The course is not intended to teach you how to “do” plumbing but rather how plumbing and related systems are “done.” Prerequisite(s): A good grasp of fundamental mathematics and com‑ pletion of MECH&AE X 400.8 Plumbing Systems Design I and MECH&AE X 400.9 Plumbing Systems Design II with a grade of “C” or better.

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Hospital and Laboratory Plumbing Systems Design

4.0 units 3.3 CEUs Learn basic hospital and laboratory design from a plumbing design standpoint. The course covers hospital medical gas systems (piping, equipment valves, and alarms), as well as laboratory gas systems, (piping and storage systems). Instruction also provides an introduction to pure water systems, followed by laboratory waste systems. Reg# 388620 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. Stephen Howe, PE, certified energy manager

Engineering Review Courses C&EE 859

Contractors State License Board (CSLB) Exam Preparation

3.6 CEUs Taught live by a qualified and experienced instructor, this course offers the curriculum to prepare construction tradespersons to take the Contractors State License Board (CSLB) exam and become building contractors. The curriculum includes a complete coverage of the License Law—including ethics, contracts, labor, administrative law, business formation—as well as a complete review of construction Math with practice questions and test taking skills. As part of this course, students will receive their formal OSHA 10HR training certification card. The instructor also will guide students through the requirements and the application process to apply for their Contractor’s License exam (A, B, or C). Reg# 388871 Fee: $999 No refund after 28 Sept. A Remote 6 mtgs Saturday, 9am-4pm, Oct. 1-Nov. 5 Remote Classroom While this course will focus only on the Contractor’s Law and Math portions of the exam, individual trades can be discussed during the course with the instructor. Students can optionally purchase the specific trade study guide book unique to their own trade path, and for your convenience 24 different study guides pertaining to the different trades are available on Amazon. Search by the author’s name: Dr. Brian Nelson. Enrollment limited; early enrollment advised. Visitors not permitted. Dr. Brian Nelson, BA, JD, Adjunct Professor and Director of Building Trades Institute Vivian Taslakian, MBA, MS, BSEE, PMP

Enroll at uclaextension.edu or call (800) 825-9971 Engineering

HVAC MECH&AE X 424.7

HVAC Design Fundamentals

4.0 units 3.3 CEUs In this course, students learn the basic engineering calculations and design rules of air conditioning systems. Available tools and software to design the HVAC system for a commercial building are introduced and used. The design rules taught in this course adhere to California codes and regulations, and the goal is for students to learn the steps needed for designing a sample project. Prerequisite(s): High school math including algebra, geometry, and calculus. High school physics including thermal energy and units conversion. Reg# 388622 Fee: $999 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6-9pm, Sept. 22-Dec. 1 Remote Classroom Enrollment limited; early enrollment advised. Visitors not permitted. Amir Saadat, senior project manager, PE, building general contractor, ISO-9001 internal auditor, LEED

Lean Six Sigma For a complete certificate description visit uclaextension.edu/engineering. For information call (310) 825-4100 or email et@uclaextension.edu.

MECH&AE X 428.69

Six Sigma Green Belt

4.0 units 3.3 CEUs The Six Sigma Management System is rocking the business world by helping organizations meet or exceed customer requirements through greater efficiency and profitability. “Sigma” is a statistical measurement term that indicates how far a given process deviates from perfection, and the highly disciplined Six Sigma process allows organizations to develop and deliver near-perfect products and services. The central idea behind Six Sigma is that if you can measure how many defects exist in a process, you can systematically eliminate them and get as close to “zero defects” as possible. This course shows students how to identify and manage process-improvement projects using the systematic, analytical Six Sigma approach. Topics include manage‑ ment roles and responsibilities that support Six Sigma philosophy, specific analysis techniques that can be applied to a process, and inspiring case studies of company successes. Class exercises include simulations that demonstrate the application of tools and techniques. This course also prepares students to take the American Society for Quality Green Belt Certification exam. Reg# 388802 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Tony Oliver Reg# 388801 Fee: $999 No refund after 13 Sept. X In-Person 11 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 29 UCLA Extension DTLA: 261 S. Figueroa St. Enrollment limited; early enrollment advised. Visitors not permitted. Nareg Tovmassian, Six Sigma Black/Green Belt holder, PMP, PMI-ACP; director of Project Management Institute (PMI)—LA Chapter San Fer‑ nando Valley satellite; Senior Black Belt advisor for Southern California Edison.

MECH&AE X 428.80

Lean Six Sigma Black Belt I

4.0 units 3.3 CEUs Lean Six Sigma helps organizations develop and deliver near-perfect products and services in a more efficient way to both meet and exceed customer requirements and become more profitable. This course prepares students to fulfill the role of a Six Sigma Black Belt, providing technical guidance and mentoring to Green Belts, leadership, and other team members. Subjects include strategic planning, measuring performance, team development, and understanding the customer. Completing both Lean Six Sigma Black Belt I and II provides students with practical knowledge to improve their organizations and excel in their careers. This is not an exam prep course. Prerequisite(s): Successful completion of the UCLA Extension MECH&AE X 428.69 Six Sigma Green Belt, or a comparable Green Belt course from a recognized source and consent of instructor. Reg# 388803 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. David Arvonio, DM, MBA, MPA, Lean Six Sigma Master Black Belt, Amazon.com, Inc.

MECH&AE X 428.90

Lean Six Sigma Black Belt II

4.0 units 3.3 CEUs For decades, the Lean and Six Sigma methodologies have been help‑ ing organizations meet and exceed customer requirements while becoming more efficient and profitable. Lean and Six Sigma help organizations develop and deliver near-perfect products and services. Lean is a term developed by Toyota that focuses on the relentless pursuit of removing waste from business practices. The term “Sigma” is a statistical term that measures how far a given process deviates from perfection. The central idea behind Six Sigma is that if you can measure how many defects you have in a process, you can systemati‑ cally determine how to eliminate them, getting as close to “zero defects” as possible. This course demonstrates advanced Lean and Six Sigma tools and techniques. Students learn to document enter‑ prise-level processes, identify the steps necessary to implement a Lean Six Sigma system, as well as learn how to teach and mentor in the workplace. Reg# 388804 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. David Arvonio, DM, MBA, MPA, Lean Six Sigma Master Black Belt, Amazon.com, Inc.

Bioengineering Biotechnology Engineering For a complete certificate description, visit uclaextension.edu/engineering/certificates. For information, call (310) 825-4100 or email et@uclaextension.edu.

BIOENGR X 431.1

Fundamentals of Biotechnology Engineering

4.0 units 3.3 CEUs This course provides an overview of central biotechnology engineering topics covering the various approaches on how to engineer products using genes and genome, recombinant DNA technology and genom‑ ics, microbiology biotechnology, plant biotechnology, animal biotech‑ nology, forensic analysis, and medical biotechnology. The course also covers biotechnology regulations and ethics. Prerequisite(s): Knowledge of cell biology or molecular biology. Reg# 388810 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Bill Tawil, PhD, director, Abbott Medical Laboratories (a St Jude Medical Company); adjunct professor, bioengineering, UCLA.

BIOENGR X 431.3

Process Development and Quality Systems for Biotechnology

4.0 units 3.3 CEUs Overview of drug development from molecule to product, manufacture to regulatory, and product launch. Basic scientific principles in drug development are covered with an emphasis on quality management principles, focusing on GxPs, including GLP, GMP, GDP, GCP, and GAMP. Reg# 388813 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Bill Tawil, PhD, director, Abbott Medical Laboratories (a St Jude Medical Company); adjunct professor, bioengineering, UCLA.

Medical Device Engineering BIOENGR X 430.1

Fundamentals of Medical Device Engineering

4.0 units 3.3 CEUs This course introduces the challenges and opportunities for creative, impactful medical device engineering that meets FDA regulation. It includes examples of current device development and identifies the medical and technical frontiers of this industry. Quality considerations and risk management are a part of the FDA mandated design process. This course illustrates how this constraint is not an obstacle but an opportunity to compete on the basis of meaningful product features and reliability. Upon completing this course, the student gains a broad exposure to this industry and understands the special considerations regarding engineering for product safety in a regulated environment. Reg# 388805 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. David Law, MS, Hewlett-Packard, business consultant

BIOENGR X 430.3

Process Development and Quality Systems for Medical Devices

4.0 units 3.3 CEUs This course provides a foundation for medical device industry profes‑ sionals seeking to solidify their understanding of quality systems requirements and process development best practices. This enables them to successfully engage within medical device product develop‑ ment teams in an industry setting, scope efforts appropriately, and reduce compliance risks. The course focuses on identifying best practices to address the relationship between product design and process development. Students learn an overview of design controls, requirements for medical device process validation, statistical tools used to characterize and optimize processes and designs, process validation and strategies to develop robust manufacturing processes, and use of statistical software (Minitab). Reg# 388806 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. David Law, MS, Hewlett-Packard, business consultant

BIOENGR X 430.5

Medical Device Manufacturing: Processes, Equipment, and Techniques

4.0 units 3.3 CEUs Today’s medical manufacturing environment requires state-of-the-art manufacturing processes to deliver the highest quality components for the lowest cost. This course focuses on manufacturing processes and techniques that are routinely used in the manufacturing of implantable medical devices. Instruction emphasizes understanding the capabilities of manufacturing processes and developing manu‑ facturing strategies based on engineering requirements, product volume, and cost constraints. Reg# 388807 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. David Deily, principal manufacturing engineer, Boston Scientific Neuromodulation

Engineering

Enroll at uclaextension.edu or call (800) 825-9971 C&EE X 407.2

Civil & Environmental Engineering

Construction Materials and Building Systems

Construction Management For a complete certificate description, visit uclaextension.edu/engineering/certificates. For information, call (310) 825-4100 or email et@uclaextension.edu.

C&EE 777

Budget, Plan, Build: Construction Management Essentials

In spite of detrimental COVID shutdowns, the construction industry persists as a pillar of the U.S. economy. The current crisis has only amplified the need of construction managers to continue to drive this crucial sector, resulting in continued job opportunities and profes‑ sional growth. Come hear our industry expert in construction manage‑ ment and gain a general understanding of construction projects with an emphasis on the role of the project manager. To properly oversee construction projects, it is important to comprehend the key industryleading construction management tools for blueprint review, cost estimating, and project scheduling. This session will provide an overview of their application through an examination of actual building construction projects. This info session concludes with a live demon‑ stration of the different Construction Management offerings on our website for your consideration—Certificate, Specialization, CSLB exam prep, and Master’s program. Reg# 388872 Fee: $0 No refund after 5 Oct. A Remote 1 mtg Wednesday, 12-1:30pm, Oct. 5 UCLA X Open Enrollment limited; early enrollment advised. Dan McAuliffe, MS, PE, LEED AP BD+C, founder and principal, Argo Engineering, Inc. (argo-eng.com/); Distinguished Instructor Award, 2019. Vivian Taslakian, MBA, MS, BSEE, PMP Christopher Arnett Reg# 388873 Fee: $0 No refund after 16 Nov. A Remote 1 mtg Wednesday, 12-1:30pm, Nov. 16 UCLA X Open Enrollment limited; early enrollment advised. Dan McAuliffe, MS, PE, LEED AP BD+C, founder and principal, Argo Engineering, Inc. (argo-eng.com/); Distinguished Instructor Award, 2019. Vivian Taslakian, MBA, MS, BSEE, PMP Christopher Arnett

C&EE X 407.1

Fundamentals of Construction Management

4.0 units 3.3 CEUs This course covers the basic principles and responsibilities in con‑ struction management, including interface requirements between real estate, leasing, legal, feasibility, finance, lending, marketing, account‑ ing, and public agencies; defining and controlling the scope of a project; and functions of the construction manager: planning, organiz‑ ing, staffing, directing, and managing the other team members. Other topics include management principles, estimating, scheduling, budget‑ ing, purchasing, design, safety, insurance, construction techniques, labor, and public relations. Reg# 388702 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 3 Enrollment limited; early enrollment advised. Diego Ramirez, MS in Civil Engineering, Construction Engineering and Management

4.0 units 3.3 CEUs This course studies construction materials, equipment, methods, and regulatory influences. Topics include construction for site and civil work; seismic resistance; technology of basic building materials; interior and exterior finishes; and plumbing, electrical, and mechanical systems. Instruction discusses current developments in materials, systems, and construction techniques in light of changing factors of production, regulatory constraints, and current trends. Reg# 388711 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Perla Hernandez Lastra, MS, LEED AP, senior project manager, S.L. Leonard & Associates, Inc. Reg# 388703 Fee: $999 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6-9pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Charles Choe

C&EE X 407.3

Construction Planning and Management Systems Using Primavera

4.0 units 3.3 CEUs This course presents an in-depth study of the current systems and techniques applied in construction planning, scheduling, control, and delay impact analysis. Instruction emphasizes the Critical Path Method approach to developing baseline schedules, progress measurement, earned value, integrated management systems, and as-planned versus as-built analysis. The course also includes hands-on computerized scheduling using Primavera Systems software. Reg# 388713 Fee: $1,299 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Diego Ramirez, MS in Civil Engineering, Construction Engineering and Management Reg# 388717 Fee: $1,299 No refund after 2 Oct. MOnline 11 mtgs Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Dan McAuliffe, MS, PE, LEED AP BD+C, founder and principal, Argo Engineering, Inc. (argo-eng.com/); Distinguished Instructor Award, 2019.

Reg# 389050 Fee: $1,099 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Artin Mgrtichian, MISM, MPM, PMP, LEED GA, project manager, Med‑ Media Group

C&EE X 412.8

Construction Project Management Using MS Project

4.0 units 3.3 CEUs This course presents the software program used to manage and control construction projects. Instruction features hands-on training in the use of Microsoft Project Professional software to conduct mul‑ tiple tasks such as preparing construction schedules which include definitions of detailed activities and assignments of logic relationships; defining and managing costs and resources (labor, equipment, and materials); sorting and categorizing information; preparing monthly updates of schedules; reviewing, analyzing, and troubleshooting schedules; developing, analyzing, and presenting delay issues; and producing reports and graphics. Reg# 388783 Fee: $1,099 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Ataa Aly, senior project engineer, San Diego International Airport

C&EE X 412.9

Reading Construction Blueprints

4.0 units 3.3 CEUs This is an introductory course in reading and analyzing architecture and construction technology documents, in which students acquire the theory and practice to read complete sets of drawings used in building design and building construction. Students explore all ele‑ ments of architecture and construction technology document reading, from sheet characteristics and drawing symbols to reading specialty prints and construction specifications. Students develop skills in reading, visual perception, technical communication, and problem solving. Students are given a full set of construction project docu‑ ments to work through typical problems commonly encountered by professionals. This course utilizes the pdf viewing and editing software Bluebeam Revu to navigate the construction documents. Reg# 388784 Fee: $1,099 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Evan Nishizu, project manager; MS in civil engineering, USC.

C&EE X 438.8

Leadership in Energy and Environmental Design

C&EE X 412.1

Fundamentals of Construction Costs and Estimating

4.0 units 3.3 CEUs This course provides an overview of the basic procedures for estimat‑ ing general construction costs. While there is a range of cost estimat‑ ing tools in the construction industry such as Procore , this course focuses on using RSMeans as the tool of choice for professional cost estimators and knowledgeable project managers. Topics include the preparation of quantity surveys (take-offs) and the development of material, labor, and equipment costs, including pricing of contractor and subcontractor work from actual working drawings and specifica‑ tions. The cost estimating skills you’ll learn using RSMeans , the most widely-used estimating app, will significantly reduce your learning curve with a wide range of other cost-estimating software in the construction management industry. Reg# 388719 Fee: $1,099 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Dan McAuliffe, MS, PE, LEED AP BD+C, founder and principal, Argo Engineering, Inc. (argo-eng.com/); Distinguished Instructor Award, 2019.

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4.0 units 3.3 CEUs Green buildings embody a design intent on balancing environmental responsiveness and responsibility, resource efficiency, and cultural and community sensitivity. The course primarily focuses on the LEED Rating System, currently the centerpiece of the most innovative, effec‑ tive aspects of green design. The course covers both versions of the rating system administered by USGBC, LEED 2009, and LEED v4. Topics range from sustainable principles, current sustainable design, and building practices to specific elements of the LEED rating system. This course benefits individuals who are very hands-on in their role in the design and construction of a green building, as well as anyone with an interest in understanding the basic nuances of green building. Reg# 388799 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Dimitris Klapsis, LEED AP, senior project manager

Enroll at uclaextension.edu or call (800) 825-9971 Engineering C&EE X 489.14

MECH&AE X 400.13

4.0 units 3.3 CEUs As a specialty trade in the construction industry, electrical systems can be complex and confusing to the non-expert. Students learn the the essentials of electrical systems for commercial construction with an overview of fundamentals, construction procedures, electrical equipment, electrical design, and regulatory requirements. Instruction emphasizes the integration of electrical systems with project site development and related construction trades. This course covers the current requirements of the California Electrical Code and other build‑ ing and construction regulations, as well as applicability to green building design and sustainability development. Topics also include electrical plan reading, single-line diagram design, panel schedule design, and load calculations. Reg# 388786 Fee: $999 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Ronald Takiguchi, BS in Electrical Engineering, professional engineer (PE), Certified Building Official (CBO)

4.0 units 3.3 CEUs This course focuses on the application of solar heating systems in commercial and residential buildings, with an emphasis on solarheated hydronic plumbing systems. Students learn how to assess a site’s characteristics for potential solar applications, size the heating load, select the appropriate solar system configuration and associated equipment, and develop an economic analysis of a solar system’s performance. Many of the principles and practices studied can also be applied to the assessment and development of utility-scale solarthermal power plants, development of solar heating systems for sin‑ gle-family homes, and assessment of solar-photovoltaic applications. Also explored are solar heating methods, components, and system configurations that are proven and known to perform well over the long term, including more complex solar “combisystems,” which fea‑ ture an economical combination of space heating, domestic hot water, and other heat sources and heat loads. Instruction covers the differ‑ ences between the most popular types of solar heat collectors and the common types of solar heating systems, their components, and control strategies. Topics discussed include configuration selection, equipment sizing and specification of solar heating system collectors and other components, and their integration into typical hydronic heating systems. Reg# 388798 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 This online course will offer weekly live lectures via zoom and the instructor will make recordings of these sessions available on a weekly basis. While not mandatory, it is highly recommended to participate in these live sessions of about one hour duration. Students will be notified of the day and time through the course syllabus. Enrollment limited; early enrollment advised. Jonathan Smithers, PE, MS, certified energy manager, LEED AP, certi‑ fied carbon manager

Electrical Design and Construction

C&EE X 489.16

Introduction to Building Information Modeling (BIM)

4.0 units 3.3 CEUs This introductory course in Building Information Modeling (BIM) focuses on Autodesk’s Revit Architecture as a platform for learning key principles in the application of digital media in the design and docu‑ mentation of building elements within a parametric environment. Fundamental training is provided so students can progress to more advanced design computation and its application in the construction industry. Through a series of lectures and exercises, this course explores basic BIM concepts that apply to all parametrically driven CAD systems. The software tool used in this course requires a Windows Operating System. Reg# 388788 Fee: $999 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. Visitors not permitted. Ramo Khem, PhD in architecture, BIM Certificate, DArch, solutions manager, Herzog

C&EE X 490.1

Introduction to Civil Engineering for Horizontal Infrastructure

4.0 units 3.3 CEUs An overview of the planning, design, construction, and project/con‑ struction management of horizontal infrastructure. Infrastructure considered in this course are roadways/highways, earthwork, domes‑ tic water distribution systems, sewer collection systems, and storm drain collection systems. The course and coursework follows a project from concept to completion. Topics include site considerations and evaluation, project planning, infrastructure design, construction and site safety, and project closeout. Reg# 388796 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Cyle Coles, Construction manager, Vanir Construction

Solar Thermal Energy Solutions

EC ENGR X 425.10

The Solar Energy Solution: Harnessing Solar Power in the Home and Office

4.0 units 3.3 CEUs This course helps individuals or organizations augment their home and/or business power requirements with solar energy. Students gain a general overview of the knowledge to choose and ultimately design an appropriate system and discuss the various forms of solar energy with a specific emphasis on solar electricity (i.e. how electricity can be generated, stored, and utilized in the home and workplace through solar energy). Installation techniques, methods of monitoring system performance, and proper maintenance procedures are also discussed. This class is primarily for anyone interested and concerned about the financial, environmental, and self-sufficiency aspects of solar energy. While not a highly technical course, a basic electrical/mechanical educational background is helpful due to the technology that will be covered. Home and business owners, contractors, sales people, entrepreneurs seeking business opportunities, and those who have a keen interest in solar technology should derive significant benefits from participating in this course. Reg# 388800 Fee: $999 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 Remote Classroom Enrollment limited; early enrollment advised. Visitors not permitted. Rod Bergen, BEE, Registered Professional Engineer; president, Quan‑ tum Sciences, Inc.

Electrical & Computer Engineering Communication Systems EC ENGR X 422.14

Modern Communication Systems

4.0 units 3.3 CEUs Modern communication systems include satellite, fiber optic, mobile cellular phone, microwave systems, and Internet communications; as well as cable TV, AM and FM radio, VHF, UHF, HDTV, shortwave, fire, police, telephone, fax, voice, TV, local government, and computer networking systems. This course explores and compares these systems and how to design them, from both a theoretical and practical point of view. Instruc‑ tion also covers contemporary modulation; coding; and communication theory, including LDPC, turbo coding, and convolutional coding; as well as M-ary APSK, PSK, ASK, and FSK modulation. Additional topics include spread spectrum systems, such as GPS; the IP protocol; the IOS model; 2G, 3G, and 4G wireless systems; iPhone and iPad devices; and various communications standards, such as DVB-S2. Students explore practical and analytical topics in the design and understanding of communication systems, such as Fourier series and integrals, time and frequency domain representation of communication signals, convolution, linear systems, transfer functions, sampling theorem, and probability and statistical theory as applied to communication problems. Students also learn about job opportunities and business trends in the communica‑ tions field. The instructor in this course will demonstrate the use of Matlab and other software tools for analysis, simulation, and problem solving. These tools are provided as part of the course fee as an option for student use and will not be part of the course grading criteria. Reg# 388819 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. David Taggart, PhD, senior engineering specialist, The Aerospace Corporation

EC ENGR X 423.20

Modern Microwave and Millimeter-Wave Systems with DSP Enhancement

4.0 units 3.3 CEUs This course looks at the economic and technical revolution in the microwave, millimeter-wave, and DSP areas. Instruction discusses applications including satellites and earth terminals, wireless phones and cell sites, antennas, and radar systems. Students gain an under‑ standing of satellites, such as Astrolink and Globalstar, along with antenna designs, such as phased arrays, reflectors, lenses, and MBAs, beam-forming networks, digital/analog phase and amplitude control devices, and power splitters and combiners. Other topics include SAW filters, MMICs, up/down converters, frequency synthesizers, and other components. DSP techniques are discussed in conjunction with these systems, as well as A/Ds, D/As, and ASIC concepts. Students learn systems concepts, such as G/T, EIRP, IMs, PIMs, phase/amplitude characteristics, noise figure, and channelization. Students also receive an overview of techniques, such as TDMA, FDMA, and CDMA, as well as modulation/coding concepts. The course also examines the eco‑ nomic considerations of these technologies. The instructor in this course demonstrates the use of Matlab and other software tools for analysis, simulation, and problem solving. These tools are provided as part of the course fee as an option for student use and will not be part of the course grading criteria. Reg# 388820 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. David Taggart, PhD, senior engineering specialist, The Aerospace Corporation

Engineering

Integrated Circuit Design For information, call (310) 825-4100 or email et@uclaextension.edu.

EC ENGR X 457.25

RF Integrated Circuit Design

4.0 units 3.3 CEUs This course covers the design of radio-frequency integrated circuits (RFICs) used for wireless communications, and it focuses on theoreti‑ cal and practical RF circuit design techniques from architecture down to transistor level circuit design. The course starts with fundamental concepts in RF design, harmonic distortion, noise, impedance trans‑ formation, Smith-Charts, and s-parameters, then introduces transceiver architectures and focuses on low-noise amplifier design. Next, lectures cover RF power amplifiers, phase-locked loops, and oscillators. The course concludes with a design project in which a low-noise amplifier is designed and characterized through simulations. Special emphasis is made throughout the course on understanding the device and interconnects parasitics, the power distribution impedance effects, the fabrication technology limitations, and the implementation of efficient techniques to mitigate these effects used for wireless com‑ munications. The course also focuses on theoretical and practical RF circuit design techniques from architecture down to transistor level circuit design. Reg# 388821 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Chaiyuth Chansungsan, PhD, Electrical Engineering, University of Washington; founder, SIdoctor Technologies.

EC ENGR X 457.56

Power Integrity and Noise Coupling in Integrated Circuits

4.0 units 3.3 CEUs This course covers the analysis and design of integrated circuits power delivery networks focusing on power integrity and noise coupling in chip, package, and printed circuit board (PCB) structures. Topics include power delivery impedance in chip/package/PCB codesign, loop inductance, effective decoupling capacitors techniques, power delivery impedance variation with frequency and resonance peaks, noise generation in chip substrate and power delivery net‑ works, noise propagation in various types of substrated and fabrication technologies, noise reception in sensitive circuits, noise coupling suppression techniques, and power integrity and noise coupling modeling and simulation. The learning approach balances qualitative and quantitative analysis methods with practical intuitive techniques for understanding the physical phenomena. Students are exposed to various practical examples and are guided to complete a design project in which they develop the power delivery network and simu‑ late the power integrity and noise coupling effects in a chip/package/ PCB integrated circuit structure. Reg# 388822 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Cosmin Iorga, PhD, founder and president, Noisecoupling.com

Enroll at uclaextension.edu or call (800) 825-9971

Technical Management For a complete certificate description visit uclaextension.edu/techmanagement. For more information email et@uclaextension.edu or call (310) 825-4100.

Blockchain Technology Management MGMT 790

Understanding Blockchain—Seminar Series

Blockchain has distinguished itself as the technical architecture of choice for a great many projects boldly attempting to solve critically important and meaningful problems. The next iteration of the internet has blockchain as its bedrock, and building an understanding of the precepts of this often opaque technology positions professionals with an interest in tech to pivot into this high-demand space and super‑ charge their career potential. Join us in this series where we dive into important blockchain topics (NFT’s, cryptocurrency, tokens, Bitcoin, Ethereum, hashing, smart contracts, Web3, Metaverse, etc.) that deliver substantive understanding about blockchain as the transformative tool poised to continually disrupt industries in the States and abroad. Reg# 388630 Fee: $0 A Remote 3 mtgs Wednesday, 12-1:30pm, Sept. 28 UCLA X Open Wednesday, 12-1:30pm, Oct. 26 UCLA X Open Wednesday, 12-1:30pm, Nov. 30 UCLA X Open Sept. 28 | Payment Rails and Productivity Processes Oct. 26 | The Global Impact of Blockchain Nov. 30 | Industry Guest Speaker Robert Mowry Alex Nascimento, MA, MBA Vivian Taslakian, MBA, MS, BSEE, PMP Christopher Arnett

MGMT X 457.1

Fundamentals of Blockchain Technology

4.0 units 3.3 CEUs The course aims to provide a solid and holistic foundation of the technology which is useful irrespective of the function and role of the student (project management, legal, compliance, operations, business development, IT/technology, digital transformation, finance, strategy, and others). It covers the fundamentals, including understanding the difference between decentralization, distributed ledger (DLT), block‑ chain technology, and bitcoin. It also covers blockchain’s unique characteristics which makes it a powerful solution to solve some critical challenges. The course also covers the blockchain structure (public versus private and permission models), smart contracts, and the blockchain stack (layers). While it is focused on blockchain tech‑ nology, the course aims to position the technology in the larger context of digital transformation, traditional technologies, and as a comple‑ ment to other emerging technologies (for example Internet of Things or machine learning). Students get exposure to real organizations, use cases, and continuously apply theory to real business problems. Reg# 388568 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Robert Mowry

MGMT X 457.3

Blockchain Technology Adoption and Implementation

4.0 units 3.3 CEUs After a few years of proof-of-concepts, blockchain solutions will now be adopted at scale. The difficulty in scaling from proof-of-concept to fully viable solutions is where many blockchain solutions fail. This course aims to empower the student with tools and knowledge to shape well-thought out blockchain implementations. Discussions and coursework build on vital insights and real-life learnings to aid in the deployment journey, helping you de-risk early adoption and ensure careful consideration of consequences for permissioned blockchains. The course will also be a great addition to build knowl‑ edge and understanding of blockchain technology in more general terms. It introduces keu components, including laws and regulations, digital identities, personal data handling, smart contract legalities, cybersecurity, governance of blockchain networks, interoperability, and others. Prerequisite(s): Completion of MGMT X 457.1 Fundamentals of Block‑ chain Technology course recommended, or prior experience in basic blockchain concepts. Reg# 388569 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Robert Mowry

MGMT X 457.5

Blockchain Cryptocurrency Applications in Business and Finance

4.0 units 3.3 CEUs Blockchain is disrupting the global financial industry and changing the way we view money and business. This course lays the founda‑ tion for gaining an understanding of the market implications and business opportunities associated with blockchain and cryptocur‑ rencies. Gain the competitive advantage in understanding how cryptocurrencies function in the blockchain finance space. Topics include Bitcoin and new cryptocurrencies, NFTs, DeFi, loans, real estate, security tokens, and other investment examples such as decentralized autonomous organizations (DAOs). In addition, this course provides an overview of the business opportunities associated with how security tokens, as the digital assets and cryptocurrencies compliant and regulated by governmental agencies, can revolutionize industries such as finance, real estate, and venture capital. This course aims to cover the factors and principles that govern the plan‑ ning, organizing, and managing of cryptocurrencies, digital assets, and blockchain-based companies or new ventures. Discussions will center on understanding how cryptocurrencies and blockchain will change the way we think about money, disrupt the role central banks have in conducting monetary policy, and empower the unbanked. Students should leave the course with a comprehensive understand‑ ing of the global competitive landscape and core concepts of how to evaluate cryptocurrencies and blockchain investments. Reg# 386667 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Alex Nascimento, MA, MBA

Contract Management MGMT X 408.5

Negotiation Principles and Techniques

4.0 units 3.3 CEUs This course provides a framework for analyzing how to approach the negotiation of a contract and dealing with the goals of the other party. Mock negotiations illustrate the principles and skills needed to achieve planned objectives. Topics include human behavior theories and their applications in negotiation; traits of the negotiator; planning the negotia‑ tion; plus techniques, tactics, strategies, and countermeasures. Reg# 388052 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Vincent Padilla, JD; USC, contracts lead; Boeing.

Enroll at uclaextension.edu or call (800) 825-9971 Engineering MGMT X 408.61

International Business Contracting

4.0 units 3.3 CEUs This course covers the economic, social, political, and business cus‑ toms that affect contracting in the international environment. Topics covered include the influence of foreign commercial practice and government controls, as well as the financial and economic impact on the development and operation of various contractual forms. This course also includes a workshop on drafting and negotiating contracts with an emphasis on selection techniques covering standard and not-so-standard contractual provisions. Reg# 388053 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. Lee Schuh, JD, contracts and financial consultant; recipient, UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 408.64

High-Tech Industry Contracts

4.0 units 3.3 CEUs This course covers the major areas of managing high-technology contracts: licensing strategies, policing and enforcing licenses, form‑ ing and managing a joint venture, entering into and maintaining strategic alliances, and transferring technology. Emphasis is on the role of the contract manager in the areas of technology contracts in domestic and international transactions. Also included is a global market focus dealing with affiliated companies and divisions in other countries. Background data is provided for each major topic. Familiar‑ ization with the legal terms of technology contracts is emphasized, and the course covers both parties in the transactions. Reg# 388055 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Visitors not permitted. Lee Schuh, JD, contracts and financial consultant; recipient, UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 408.66

Commercial Contracts: Bidding and Financial Management

4.0 units 3.3 CEUs Successful companies do several things well. They understand the value of the goods and services that they offer customers, price their goods and services competitively for their markets, and understand and manage the costs of their goods and services to maximize profit‑ ability and aggressively manage their cash. In this course, students learn how these successful companies develop and execute their sales, pricing, and profitability strategies. Students learn the role of cost data, market information, and competitive intelligence in develop‑ ing these pricing policies. The course also examines the role of promo‑ tions and discounts in reducing inventories. As profitability is impacted by an enterprise’s financial management, the course reviews how successful companies undertake the financial management of their enterprise. This includes analyzing the three major financial state‑ ments, reviewing the budgeting and cost monitoring process, identify‑ ing cash management practices, and studying how capital investment decisions are made. Additionally, the course familiarizes students with the types of sales and marketing behavior that could violate U.S. anti-trust law. Reg# 388054 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Vincent Padilla, JD; USC, contracts lead; Boeing.

Government Cost Estimating & Pricing MGMT X 442.14

Cost/Price Analysis for Government and Subcontractor Contracting

4.0 units 3.3 CEUs This course covers the financial analysis of vendor proposals to verify the reasonableness of the quoted prices. Instruction provides meth‑ ods of price analysis and techniques to verify the price. Students also learn methods of performing cost analysis on aerospace contracts. Instruction emphasizes the steps involved in the process, sources of information, and application of good analysis methods. Other topics include a review of government and industry approaches and the role of auditors. Reg# 388056 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Marek Gwozdziowski, MBA

Supply Chain Management MGMT X 445

Fundamentals of Supply Chain Management

4.0 units 3.3 CEUs This course covers the domain of purchasing and the flow of purchas‑ ing tasks—from determining the requirements for goods and services through their acceptance. Major topics include supply chain manage‑ ment, purchasing as a socioeconomic force, purchasing and profit, profit multiplier, purchasing objectives, and the purchasing process. The practical use of all basic procedures and purchasing techniques is explained, including purchasing services, organizational consider‑ ations and alternative, sourcing, quantity, and inventory planning and control. The course also covers price determination, negotiation and cost-price analysis, capital acquisitions, value analysis, quality require‑ ments, specifications, inventory cost savings, shipping, and purchasing with ethical and social responsibility. Reg# 388057 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Lee Schuh, JD, contracts and financial consultant; recipient, UCLA Extension Distinguished Instructor Award, 2007.

MGMT X 445.67

Logistics, Operations, Methods, and Systems in Supply Chain

4.0 units 3.3 CEUs Logistics classically refers to activities that are performed at the back end of the supply chain process—such as shipping products and satisfying customers. In the past, logistics was viewed in a fragmented way, where such functions as transportation, warehousing, material handling, and documentation management were considered as sepa‑ rate and standalone activities. Given the fact that we now live in the information age, the power of the computer, as well as an appreciation of the systems approach, has generated a new respect for logistics as a discipline has developed. The various components of logistics are now viewed in terms of their interrelationships and how they collec‑ tively add value to the supply chain. This course provides an overview of the key elements of a successful logistics organization starting with a strategic decision on logistics design and concluding with day-today operation of a logistics system that meets both customer and company objectives. Topics include location analysis (distribution centers and warehouses), transportation management, inventory management, international logistics, logistics technology, and ware‑ house management. By course’s end, students have an increased knowledge of the dimensions of a logistics system that allows them to broaden their contributions to the supply chain. Prerequisite(s): MGMT X 445 Fundamentals of Supply Chain Manage‑ ment or consent of the instructor. Reg# 388058 Fee: $999 No refund after 2 Oct. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. Tony Swaim, DBA, MBA, PMP, Certified Six Sigma Black Belt; principal, Tony Swaim & Associates.

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Entertainment

Enroll at uclaextension.edu or call (800) 825-9971

ENTERTAINMENT

For more information call (310) 825-9064.

Film & TV For more information call (310) 825-9064, email entertainmentstudies@uclaextension.edu, or visit entertainment.uclaextension.edu.

Business & Management of Entertainment MGMT X 403.31

The Business of Entertainment

4.0 units With the entertainment industry converging into a worldwide mass media, both business and operation models continue to rapidly evolve. This introductory course for producers, directors, writers, development personnel, and aspiring media executives examines the changing business issues associated with the entertainment industry. Through lectures, discussions with industry guests, and case studies, instruction focuses on current business and production issues and introduces new business models to navigate content onto new distribution platforms. Some history is highlighted to provide a context for current practices and potential. The course also features opportunities to meet senior entertainment industry executives in various sectors. Topics include financing, contracts, intellectual property issues, licensing, worldwide theatrical marketing and distribution, worldwide home entertainment marketing and distribution, worldwide television production and distri‑ bution, multi-channel network distribution and opportunities, the impact of piracy, and leveraging new distribution platforms. By the end of the course, students should have an understanding of the opportuni‑ ties available in the business of entertainment. Reg# 388105 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M Vernon Mortensen, filmmaker and development executive. Mr. Mortensen wrote and produced the movies Army Dog and A Sierra Nevada Gunfight, and produced and directed the limited series Universal Dead, as well as the pilot for the new animated series Mars Bar. He is in pre-production on Dakota, starring Megan Fox. Reg# 388104 Fee: $745 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom M & Tim O’Hair, an executive and producer of multiple features, including Black ’47 and A Hologram for the King, starring Tom Hanks. From 20102018, Mr. O’Hair ran Primeridian Entertainment, overseeing all develop‑ ment, finance, and production. He also oversaw film including Bring it On and Hulk as an executive at Universal Pictures.

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Reg# 388103 Fee: $745 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA: Physics & Astronomy Bldg. No meeting Nov. 24. M & Randy Greenberg, executive producer of The MEG and Cowboys & Aliens; founder of The Greenberg Group, a global entertainment investment and content strategy consultancy. He was previously the SVP/head of international theatrical marketing and distribution for Universal Pictures.

MGMT X 403.34

Entertainment Financing: From First $ to Distribution of Profits

4.0 units This course covers the financial aspects of each step of the motion picture value chain (from development through profit participation) and considers the implications of financial choices. Designed to give you a general understanding of how financial deals are structured, topics include how film financing is secured, connecting the produc‑ tion budget to the financing, when a completion guarantor is required, and the various types of domestic and international distribution arrangements. You also learn about third-party profit participation agreements and the practical aspects and procedures that underlie them; terms and definitions that impact bottom line considerations, including contingent compensation; distribution fees and expenses; the producer’s share of profit; distinctions between production, distri‑ bution, and marketing costs; and how these costs may significantly impact recoupment and profits. Reg# 388106 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M Jeanette B. Milio, feature film and television producer and financier who ran a media fund that invested in the production, acquisition, and worldwide distribution of over 40 television and theatrical projects for HBO, Showtime, ABC, USA Network, Disney, Lionsgate, Sony Pictures, Warner Bros. and others. Reg# 388458 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA: Bunche Hall M Richard Kiratsoulis, Senior Financial Advisor and Global Media Consultant for selective high net worth individuals and independent film companies in the areas of film financing, production, and distribu‑ tion. Financing transactions structured for films include Escape Plan, The Grey, and Broken City. Previously, Mr. Kiratsoulis was the President & COO of Media 8 (Monster, The Upside of Anger, and Musketeer).

MGMT X 476.99

Marketing Entertainment: Strategies for the Global Marketplace

4.0 units Today, marketing entertainment is a global enterprise, and motion pictures, television shows, streaming content, and video games are the assets that drive expanding ancillary markets. How these proper‑ ties are marketed determines their financial success and future. The instructor and a select number of the industry’s top marketing profes‑ sionals address myriad issues on how entertainment content, includ‑ ing feature films, gets marketed in today’s increasingly competitive market. Topics include creating brand-centric franchise-driven strate‑ gies; positioning an entertainment property as a brand in popular culture; marketing and distribution strategies in a converging market‑ place; secrets to creating compelling audio-visual, social/digital, and print advertising; the power of social media; the influence and use of research; and leveraging international strategies and new media promotional and licensing strategies to create valuable partnerships and revenue streams. Reg# 388107 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M Scott Edwards, executive vice president of Creative Advertising for Fox Entertainment, where he oversees advertising for countless televi‑ sion shows, including 9-1-1, BH 90210, Empire, Last Man Standing, and The Masked Singer. Mr. Edwards also helped launch the shows 24: Live Another Day, Gotham, and The X-Files.

MGMT X 403.33

Independent Film Financing

4.0 units In today’s ever-changing market, filmmakers need to have a working understanding of a wide variety of financial models in order to suc‑ cessfully fund the different phases of their entertainment projects. This course explores film finance methods, discusses the advantages and disadvantages of each, and provides sources for additional informa‑ tion. The goal is to become familiar with numerous ways to finance a feature or documentary film that may vary at different stages of your career. In addition, you are exposed to many different sources of additional information regarding film financing so that you may be confident with your choices relating to film finance. You also gain an awareness of the many film finance scams that exist in the market‑ place so that you are in a better position to avoid such problems. Topics include gifts and grants, active and passive investor financing, federal and state securities law compliance, lender financing, studio/ industry financing, and the broader film finance environment. Reg# 388459 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & John Cones, securities/entertainment attorney who advises indepen‑ dent feature film producers on matters relating to investor financing of feature films and entertainment projects. He has prepared or par‑ ticipated in over 250 business offerings for feature films, TV pilots, documentaries, and more.

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment MGMT X 402.32

Starting Your Own Entertainment Production Company

4.0 units A practical primer on starting a business, staying in business, and thriving—whether in motion pictures, television, or another entertain‑ ment industry venture. This course addresses essential issues regard‑ ing the legal and business affairs basics, planning, implementation, and management. Guest speakers include industry experts in enter‑ tainment financing, intellectual property, union issues, distribution, film and television production, and other matters relating to managing and operating an independent production company. Reg# 388460 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA: Dodd Hall M David Pierce, attorney, Pierce Law Group, LLP, who specializes in representing entertainment companies in corporate operations, intel‑ lectual property, and labor and employment issues. His clients include Lionsgate Entertainment, Earthview, Inc. (The Amazing Race), and The Comedy Store. Patrick J. Gorman, entertainment attorney in private practice. Mr. Gorman represents both established and start-up entertainment companies, domestically and globally, in the motion picture, music, and television industries, as well as producers, actors, directors, and screenwriters.

MGMT X 403.01

Legal Primer for the Entertainment Business

4.0 units This unique course explores key legal principles and contractual relationships within the film and television industry through a dynamic assortment of lectures and hands-on workshops. You develop a core understanding of subjects including idea protection, copyright, defa‑ mation, privacy, and the right of publicity. In addition, you are exposed to key issues in manager agreements and in standard film and televi‑ sion agreements, including literary option/purchase agreements, life rights agreements, collaboration agreements, and talent employment agreements. The course concludes with exploring independent film finance and distribution deals. Through learning some essential “countermeasures” to use when reviewing such contracts, you are empowered in a way usually only reserved for elite talent lawyers—and have a lot of fun in the process. Reg# 388108 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Early enrollment advised. M & David Wienir, assistant general counsel at HarperCollins and senior director of business affairs at HarperCollins Productions. Mr. Wienir is also the author of four books, including Amsterdam Exposed and Making It On Broadway. He was a business affairs executive at United Talent Agency (UTA) and practiced law at two of the top entertainment law firms, representing clients such as Steven Spielberg and Madonna.

Acting THEATER X 407.5

Acting Techniques: The Fundamentals

4.0 units In this introduction to acting, learn fundamental performance tech‑ niques and exercises, including relaxation, concentration, sense memory, emotional recall, improvisation, character tasks, and text analysis. You then apply these techniques by rehearsing and perform‑ ing monologues and two-character scenes. In-class partner work and weekly assignments are required. Reg# 388223 Fee: $745 No refund after 24 Sept. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. M Toni Attell, Emmy-nominated actor, comedian, and mime whose background includes a variety of work in theater, film, and television. Ms. Attell has opened for Jay Leno, Steve Martin, and Robin Williams and has guest-starred on numerous television dramas and sitcoms.

THEATER X 422.12

Voice and Movement for the Screen Actor

4.0 units This holistic approach to movement, voice, and speech aims at liberat‑ ing and enhancing the performer’s natural capacity for moving, sounding, and speaking as applied to performance on camera. Using techniques developed by Alexander, Spolin, and Sills, learn to feel the way the human body naturally functions when it is free of adverse conditioning. Exercises in posture and breathing, tonal quality, pitch range, projection, and body characterization lead to enhanced char‑ acter portrayal, emotional truth, and increased energy and mental alertness. You experiment with vocal and body energies, discover numerous choices in communicating text, and find new ways of tap‑ ping into the imagination and soul of a character. Reg# 388030 Fee: $745 No refund after 23 Sept. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M Kellynn Meeks, actor and producer whose credits include the Funny or Die exclusive web series, The Snooze Room, and 10 years’ experience as a company member of the Los Angeles Women’s Shakespeare Company. She is a Lessac-certified trainer who has studied under Arthur Lessac.

THEATER X 410.3

Acting for the Camera I

4.0 units Learn to get comfortable in front of the lens. Exercises begin with on-camera interviews so students can view their screen images in playback. Instruction focuses on understanding technical and emo‑ tional adjustments required for working in front of the camera in a relaxed and truthful way and developing intimacy with the camera. Topics include the difference between frame sizes and learning to hit marks. Hone your acting techniques through scene-study guidelines and sensory and moment-to-moment exercises, as well as monologue work. Some exercises are performed on camera with emphasis on close-ups, simple scenes, and basic camera moves. The instructor critiques individual students’ work during playback. Reg# 388464 Fee: $745 No refund after 25 Sept. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Students are recorded on camera during several sessions; those wishing to keep a copy of their work must bring a flash drive to each session. Enrollment limited; early enrollment advised. M Lisa Chess, actor whose film credits include Frankie and Johnny Are Married, The Hollow, and Separate Lives. Ms. Chess was a semi-regular on the TV series Picket Fences and has guest-starred on television shows such as The Practice, Family Law, and The Division.

FILM TV X 438.40

The Working Actor: Get the Audition, Book the Job

4.0 units This interactive course provides you with career strategies that help generate audition opportunities and skills that increase your ability to book the job. Learn how to identify your unique product, position it strategically in the marketplace, and develop effective auditioning and meeting techniques. Topics include self-marketing, networking, headshots and resumes, cold reading, obtaining and working with the five areas of representation, reviewing contracts, understanding union issues, and selecting the best career services for actors. You also create a personalized business plan. Industry guest speakers include casting directors, agents, and personal managers who offer advice and networking opportunities. Reg# 387941 Fee: $745 No refund after 24 Sept. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom M Adam Lieblein, president for 16 years of Acme Talent & Literary, a bicoastal agency, who represented actors for film, television, com‑ mercials, print modeling, and voiceover work. After Acme’s several divisions were sold at the end of 2008, Mr. Lieblein returned to produc‑ ing and teaching across the country.

THEATER X 419.3

Playing the American: An Acting and Accent-Reduction Workshop

4.0 units Participants who are not native speakers of American English hone their craft and learn to perform credibly in mainstream America. The ultimate objective is to achieve a seamless accent shift that does not call attention to itself or get in the way of the acting. Working in a safe, supportive environment, you learn to build confidence and trust in your creative process; modify voice, speech, and delivery; break through acting blocks and limitations; and develop tools for dealing with performance anxiety. Throughout the course, you perform mono‑ logues, scenes, cold reading, and improvisation. Prerequisite(s): All participants must speak English fluently. Reg# 388692 Fee: $745 No refund after 26 Sept. Y Hybrid (In-Person) 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Saturday, 2-5pm, Oct. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. M Instructor to be announced

THEATER X 410.5

Acting for the Camera II

4.0 units Building on the skills learned in Acting for the Camera I, you prepare for work professionally by practicing in all styles that you may audi‑ tion—features, sitcoms, TV dramas, and commercials. Focusing on the flexibility of the actor in front of the camera, you develop camera techniques in scene study using scripts from TV series, sitcoms, and films. You also learn blocking and continuity with emphasis on master, two-shots, and close-ups. You perform individual and ensemble scenes increasing in complexity in terms of emotion and subtext, and the final project is a three-person scene. The material from the final project is edited and becomes the basis for developing your show reel. Prerequisite(s): THEATER X 410.3 Acting for the Camera I or previous acting on camera experience. Reg# 388686 Fee: $745 No refund after 24 Sept. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M Ernesto Gonzalez, bilingual actor whose credits include co-starring roles in TV shows such as Carol’s Second Act (CBS), Indebted (NBC), Grace and Frankie (Netflix), and Alone Together (Freeform). He has also performed in regional theaters across the country and is a member of SAG, AEA, and the Television Academy.

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Entertainment

Enroll at uclaextension.edu or call (800) 825-9971

THEATER X 433

FILM TV X 478.282

4.0 units Do people say you have a wonderful voice? Are you an actor missing out on opportunities in this exciting field? Gain a comprehensive understanding of the tools needed to excel in TV and radio commer‑ cials, animation, narration for documentaries, and other areas of voice over work. Instruction includes breath and microphone technique, script analysis, finding characters spontaneously, and how to keep it fun—even when the pressure’s on. You also learn how to pursue a career in voice over. Reg# 388278 Fee: $745 No refund after 26 Sept. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Saturday, 2-5pm, Oct. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. Students record voice over exercises directly onto their own recording devices. M & Instructor to be announced

4.0 units In this capstone course of the Cinematography Certificate program, apply your knowledge of the principles and elements of cinema‑ tography through several short filmmaking assignments. Lectures and discussion cover various advanced lighting and shooting techniques and the examination of film genres and visual styles. You are asked to test your creativity and understanding of different cinematography concepts, techniques, and genres presented by completing shooting exercises using your own camera outside of class. Student work is screened and critiqued in class. You must provide your own video camera, have access to editing equipment and software, and be able to output your assignments to various media sources. This course also provides a bridge to the profes‑ sional world by discussing various paths of entry and employment opportunities into the cinematography field. Prerequisite(s): Students must have access to a digital video camera, editing equipment, and software. Successful completion of FILM TV X 478.27A Introduction to Cinematography and FILM TV X 478.283 Lighting for Emotional Impact is required. Reg# 388539 Fee: $999 No refund after 2 Oct. Y Hybrid (In-Person) 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 Remote Classroom Enrollment limited; early enrollment advised. M Roman Zenz, award-winning cinematographer. Mr. Zenz has served as a director of photography on several TV documentaries and lifestyle shows, including the History Channel’s Million Dollar Genius and ARTE’s Tracks. He recently wrote, produced, and directed the docu‑ mentary, Urban Fruit, airing on Amazon Prime.

Pursuing a Career in Voice Overs

Cinematography FILM TV X 478.27A

Introduction to Cinematography

4.0 units An introduction to the fundamental tools and principles used by the cinematographer to create digital or film images generated from the context of the story. The curriculum covers visualization, the negative, digital manipulation, sensitometry, filters and lenses, lighting, color, laboratory procedures, camera systems, special effects, and image control—all illustrated through video clips and other media. You gain a solid foundation for applying the concepts presented, as well as prepare for subsequent cinematography workshops. Students must have access to a digital camera for assignments. Prerequisite(s): Students will be required to complete camera assign‑ ments that will require both still and moving images. Student-provided equipment can be as simple as a smartphone camera or DSLR. Reg# 388599 Fee: $745 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 7:30-10pm, Sept. 21-Nov. 30 Remote Classroom M & Deland Nuse, cinematographer and director of independent films whose credits include the indie feature The Chilling and the documen‑ tary The Other Bridge. Mr. Nuse won the Triple Play Award for Cinema‑ tography at the 2006 Long Island Film/Video Expo for the film The Showdown.

FILM TV X 478.27B

Visualization and Exposure

4.0 units This course is designed to deepen the cinematographer’s understand‑ ing of the principles and methods of visualization on-set and in preproduction with particular emphasis on digital exposure and pre-visualizing lighting design and execution. Instruction covers pre-production tools and techniques for cinematographers with emphasis on lighting, lenses, cameras, camera movement, and color. Each week, you participate in exercises and workshops designed to help you master the skills used for visualizing the lighting, camera, and exposure of the scene. You also practice the techniques of com‑ position and framing (interior and exterior). You learn how to design shots, achieve compositional balance, tracking, gear-heads, fluid heads, eye-lines, and two-shots. Prerequisite(s): Successful completion of or concurrent enrollment in FILM TV X 478.27A Introduction to Cinematography. Reg# 388605 Fee: $1,345 No refund after 3 Oct. Y Hybrid (In-Person) 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Enrollment limited; early enrollment advised. M Lesley Elizondo, cinematographer, writer, and director for films, TV series, documentaries and music videos. Ms. Elizondo served on the lighting crew of Francis Ford Coppola’s “Live Cinema” production, Distant Vision. She is currently the director of photography on the shows Salem High, Fight Forward, and Ya Basta.

The Craft of the Cinematographer

FILM TV X 478.301

The Role of the Digital Imaging Technician in Cinematography

4.0 units With the prevalence of HD, 4K, and digital cinema technology, the digital imaging technician (DIT) has become crucial in helping the director of photography achieve and maintain the desired look of the picture. There are growing entry-level opportunities in this field, and the DIT is becom‑ ing a vital part of the camera department for all types of productions. The course is designed to train aspiring cinematographers on the tasks of the DIT including workflow, color management, LUTs, ACES, data management, dailies generation, and many other on-set tasks. Instruc‑ tion also provides a basic introduction to the art and techniques of color correction and the digital intermediate, including tutorials on industryleading color and look management software. Prerequisite(s): Students will be assigned a color correction project and are expected to use some type of image manipulation software to work with the images. Cost-free options will be described in class, and the instructor will work with each student to make sure they have a usable software tool to complete the project. Reg# 388028 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Jason Knutzen, cinematographer on more than 30 narrative and documentary projects, professional colorist, and expert in post-pro‑ duction workflows. Mr. Knutzen is currently an educational contributor to the Global Cinematography Institute in the areas of traditional, vir‑ tual, and digital cinematography.

Directing FILM TV X 478.9

The Craft of the Director

4.0 units A director must have the ability to interpret and translate the written ideas of the screenplay into cinematic form. This overview lecture course gives the aspiring director a comprehensive practical under‑ standing of the film director’s craft—the language, grammar, and tools of the medium—from the first script reading to the last day of principal photography and into post-production. Lectures, discussions, screen‑ ings, assignments, and class projects guide you through the process of preparing a film for shooting. Topics include script analysis, casting, directing the actor, acting for the camera, collaborating with the creative team, camera blocking, planning the shot list, photographing the subtext, film grammar, visual composition, the role of music, and sound effects. Reg# 388049 Fee: $745 No refund after 7 Oct. A Remote 11 mtgs Saturday, 9am-12pm, Sept. 24-Nov. 19 Remote Classroom Saturday, 9am-12pm, Dec. 3-10 Remote Classroom M David Martin-Porras, director and writer whose credits include the shorts Inside the Box, which was nominated for a Goya Award, La Viuda (The Widow), for which he won the DGA Student Film Award, and Ida y Vuelta (Round Trip), which was a finalist for a Student Academy Award. Alma Jimenez Ochomogo Beth Schore Reg# 388051 Fee: $745 No refund after 8 Oct. X In-Person 11 mtgs Sunday, 10am-1pm, Sept. 25-Dec. 11 UCLA: Haines Hall No meeting Nov. 27. M Jerome Sable, writer-director & composer for film and television. His films have played at over 75 film festivals worldwide. His feature debut, Stage Fright, a horror musical comedy starring Minnie Driver and Meat Loaf, was distributed by Magnolia Pictures. He has worked for Sony, NBC, Fox, Blumhouse, and more.

FILM TV X 475.44

Directing Actors for the Screen

4.0 units If directors are the architects of film, then actors are the artisans of a collaborative team working together to realize a singular vision. Through discussions, exercises, casting sessions, and the presentation of scenes, you analyze and apply the directorial skills required for a suc‑ cessful artistic collaboration with performers. You select one dramatic and one comic scene, then cast, rehearse, and present the scenes in class. Topics include analyzing the script, the Method approach to acting, defining objectives, creating dramatic conflict, and the elements of characterization. Actors for class scenes are selected during in-class auditions, and final scenes are performed on camera. Reg# 388061 Fee: $745 No refund after 7 Oct. X In-Person 11 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited; early enrollment advised. M & Instructor to be announced Reg# 388062 Fee: $745 No refund after 7 Oct. X In-Person 11 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited; early enrollment advised. M & Julian Goldberger, screenwriter/director, WGA member, whose credits include The Hawk Is Dying starring Paul Giamatti and Michelle Wil‑ liams, and the critically acclaimed indie trans. He has written scripts for Universal Studios and Lionsgate, as well as major producers including Marc Platt, Ted Hope, and Ed Pressman.

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment

FILM TV X 479.03

FILM TV X 476.95

FILM TV X 478.432

4.0 units The director’s job is to translate the script to the screen. From the first reading of the script to locking picture and sound in post-production and beyond as you promote your project, script analysis informs every conversation you have and every decision you make about the work. In this workshop, you learn to read and interpret a script in depth, focus your creativity on the cinematic opportunities of storytelling, and organize and communicate your ideas clearly and effectively to your actors and your crew. Through examples at various stages of production, practical exercises and scene work, you discover the power of script analysis to unlock your creativity and develop a thorough grasp of the material you are directing. Reg# 388243 Fee: $745 No refund after 7 Oct. Y Hybrid (In-Person) 23 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10 Remote Classroom Saturday, 7-10pm, Dec. 3-10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Prior to enrolling in this course, you must select a scene to analyze from before 1980 that is no longer than 2-3 pages and features a maximum of 2 actors. Many can be found here: https://thescriptsavant.com/free. Do not watch the movie, but read the entire screenplay. You are expected to have taken at least one directing course prior to enrollment. Your instructor will hold an optional screening after the course ends to review final, edited projects. This course will be held remotely with select In-Person meetings. Students on an F1 Visa are required to attend In-Person classes. M & Peter Lauer, veteran television director. Mr. Lauer has directed epi‑ sodes of Emily in Paris, Younger, Arrested Development, At Home with Amy Sedaris, Awkward, Brooklyn Nine-Nine, Scrubs, and many more. His executive producing and directing credits also include Level Up, Reaper, and Malcolm in the Middle.

4.0 units As the first hands-on course in the directing series, you complete four short films using your own video camera. Instruction focuses on the basic building blocks of narrative filmmaking: the shot, mise-en-scene, concept, the actor, environment, sound, and montage. Assignments explore aspects of visual expression through the use of composition, rhythm, and point-of-view; moving from black and white/silent com‑ positions to the use of color; non-sync sound; and editing. Your work is screened and critiqued by the instructor and class. Prerequisite(s): Students must provide their own digital video camera and have access to editing equipment and software. Reg# 388233 Fee: $745 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 16 Remote Classroom Wednesday, 7-10pm, Nov. 30-Dec. 7 Remote Classroom No meeting Nov. 23. M & Arkesh Ajay, award-winning director, producer, writer, and editor of numerous short films and theater productions. Mr. Ajay’s recent awards include the Hollywood Foreign Press Award for Artistic Merit and Alfred P. Sloan Screenwriting Award for a feature film screenplay. Reg# 388241 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 23. M & Bijon Ahmed

4.0 units Discover what it takes to be an effective producer and director in the flourishing genre of unscripted television and gain insights in the process of creating a valid series concept that can sell. Through lec‑ tures, discussion with industry guests, and analysis of landmark shows, this course navigates the cluttered landscape of non-fiction broadcast and cable television and focuses on how to succeed as a strong producer and director. You develop an idea from scratch and learn how to complete a total package that is ready to be pitched to a TV network and/or a streaming service. Topics include developing your idea, pitching, getting the job, prepping the shoot, directing/ producing on location, interview techniques, what to do once it’s in the can, tech talk, post-production tips, the life of a director/producer in the field, and looking ahead to the future of the genre. Reg# 388109 Fee: $745 No refund after 2 Oct. A Remote 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 Remote Classroom M Jim Milio, award-winning producer and director who has created more than 400 hours of TV for such networks as National Geographic (Dog Whisperer), Discovery Channel, and CBS (Rescue 911). Mr. Milio has received three People’s Choice Awards and multiple Emmy and WGA nominations.

FILM TV X 476.271

4.0 units Designed for filmmakers who need to develop the necessary skills to make better films and viewers who want to better understand and appreciate the complexity of the cinematic text, this course outlines the many components of film language used by great directors to tell their stories in the most effective way. Through a wide selection of multimedia material—including film and sound clips, pictures, articles, and interviews—you analyze shooting and editing tech‑ niques employed by the greatest filmmakers of all time. Topics range from functional usage of image composition and lighting to camera movements, editing, and sound. The purpose of this course is to give clarity to the filmmaking process and to enhance the enjoyment of film viewing. Reg# 388532 Fee: $745 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 4 M & Michael Green, has taught film studies and screenwriting for a decade. His film writing has appeared in Film International, Senses of Cinema, Bright Lights Film Journal, and The Journal of Film and Video, among others. He is also the co-editor of Race in American Film: Voices and Visions that Shaped a Nation. Reg# 388535 Fee: $745 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 UCLA: Bunche Hall Saturday, 2-5pm, Oct. 22 UCLA: Bunche Hall No meeting Nov. 24. M & Peter Hanson, screenwriter, director, producer, and educator. Among his credits are hundreds of print and online articles, three books on cinema, and films including the feature-length documentary Tales from the Script, which features interviews with dozens of Hollywood screenwriters. Instructor to be announced

Understanding the Story: Script Analysis for Directors

Production Sound for Directors

2.0 units The importance of quality sound in a movie cannot be overstated. Of particular interest to directors and independent filmmakers who want to understand the production and post-production workflow, this overview course covers such topics as the nature of sound and its aesthetics, microphone characteristics, the sound recording chain, budgeting and scheduling, and what can be fixed in post versus what can only be done during production. Instruction includes equipment and listening demonstrations. Many of the practical techniques pre‑ sented are suitable for student productions. Reg# 388063 Fee: $545 No refund after 24 Sept. Y Hybrid (Remote) 3 mtgs Sunday, 10am-4pm, Sept. 25-Oct. 2; Oct. 16 Remote Classroom Online Oct. 9-15 The third class will consist of asynchronous content to be completed via Zoom and a one-on-one meeting with the instructor scheduled during or around class time. Visitors not permitted. M Ashley Maria, production sound mixer whose many credits include the documentary Take Every Wave: The Life of Laird Hamilton and the short Night Shift, both of which were selected for Sundance, and a commercial for Reebok starring Ronda Rousey. She is the recipient of the DGA student minority award. Reg# 388232 Fee: $545 No refund after 22 Oct. D Hybrid (Remote) 4 mtgs Sunday, 10am-2pm, Oct. 23-Nov. 6; Nov. 20 Remote Classroom Online Nov. 13-19 The third class week will consist of asynchronous content to be completed via Zoom and a one-on-one meeting with the instructor scheduled during or around class time. Visitors not permitted. M Ashley Maria, for credits see above.

Directing Workshop I: Composition and Movement

FILM TV X 476.581

The Language of Filmmaking

Direct and Produce Reality and Documentary Television

Film & TV Development FILM TV X 476.243

Developing Your Short Film

4.0 units Learn the development process as it relates to short films with the focus on developing a short film treatment, first draft, and second draft. You gain an understanding of the basics of story structure and how the specific storytelling elements—theme, plot, characters, and dia‑ logue—work in synergy toward the goal of an effective short story. Topics include character development, creating realistic dialogue, discovering what you are driven to say through your story’s theme, and planning the scenes with a limited budget in mind. Lectures and exercises illustrated with film clips and readings emphasize the role of story, creating original characters and developing plot points for different genres of films. You submit your work-in-progress throughout the quarter for evaluation and feedback by the instructor and the class. At the end of the course, you have honed your idea and have a final short script or treatment ready for shooting. Reg# 388244 Fee: $745 No refund after 2 Oct. A Remote 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 Remote Classroom M & Cynthia Riddle, MFA award-winning writer/producer, former develop‑ ment exec at MGM, and WGA member whose credits include Crossroads, Puppy Love, Brittany Murphy Story, and Poisoned Love: The Stacey Castor Story. Ms. Riddle has written projects for Netflix, Showtime, Disney, Lifetime, Starz, Hallmark, and others. Reg# 388316 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M & Samuel Gonzalez, Jr. Emmy-nominated, multi-award-winning film director and Iraq War Veteran. His films include the features, Railway Spine (Amazon) and The Retaliators (Netflix), and the award-winning shorts, The Springfield Three and That Night. He has directed music videos and commercials for several high-profile clients.

Entertainment

FILM TV X 476.894

Introduction to Feature Film Development

4.0 units What happens to a script or novel when it is submitted to a buyer and what happens after it’s optioned or sold? In this introductory course, students interested in a career in development or filmmakers looking to guide their projects towards a green light learn the essential steps in the development process. Sessions focus on the key positions and roles in that process, from the story department and its readers to studio and production company executives. Topics include finding new talent and generating ideas, talent lists, networking and tracking, pitching, and moving up. Weekly assignments include reading screen‑ plays, writing synopses, development notes, script coverage, and developing pitches and ideas. Upon completion of the course, you have gained an understanding of the development process and the entry-level jobs available in development, such as reader and assistant to the producer, actor, or creative producer. Prerequisite(s): Familiarity with the production process for film and television through training and/or experience. Reg# 388520 Fee: $545 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Students interested in development are strongly encouraged to take this course first. M & Monika Skerbelis, author, producer and programming director for The American Pavilion Emerging Filmmaker Showcase at the Cannes Film Festival. Her former positions include VP of creative affairs and execu‑ tive story editor at Universal Pictures Story Department and story editor at 20th Century Fox.

FILM TV X 476.22

Story Analysis for Film and Television

4.0 units Designed for aspiring readers, development executives, producers, and storytellers, this course offers a pragmatic, comprehensive overview of story analysis and the tools used by the professional reader. Throughout the course, you learn and practice coverage skills while gaining an understanding of the elements of story. Topics include various types of coverage, how to compose story notes, comparative coverage, charac‑ ter breakdowns, treatments, and outlines. Through weekly assignments, you are required to practice reading and writing for several formats and to deadline. In addition, the current job market and the various expecta‑ tions of studios and independent producers are discussed. Upon completion of the course, you have written at least two pieces of full coverage that can be used as part of a professional portfolio or for auditioning for a job as a reader or an assistant. Prerequisite(s): Strong English composition skills. Reg# 388448 Fee: $745 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 4 Enrollment limited. M Marla White, development consultant for Sony International Television Networks through her company, Marla White Consulting. Ms. White has also served as the vice president of Development at Fedora Entertainment and Longbow Productions, where she contributed to the feature, A League of Their Own. Reg# 388453 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 UCLA: Dodd Hall M & Brandon Loureiro, film and television executive at Jonah Hill’s Strong Baby Productions, where he has helped build a slate of over seventy projects from the ground up. Prior to Strong Baby Productions, Bran‑ don worked in production and development at Paramount Pictures, Lionsgate, DreamWorks Animation, and Fox.

FILM TV X 476.244

Story Development Workshop: Crafting Your Original Story

4.0 units Producers, development executives, directors, and writers gain practi‑ cal experience adapting and developing their own stories for motion pictures, movies-of-the-week, and miniseries. Emphasis is placed on studying dramatic structure, learning techniques that strengthen character development, and understanding the importance of col‑ laboration with writers. You are called upon to write development notes; compile directors/writers lists; and learn the difference between beat sheets, step outlines, and story outlines. You also learn

Enroll at uclaextension.edu or call (800) 825-9971 how to assess the marketplace by determining what network and studio executives are looking for, as well as the best way to quickly and effectively pitch an idea. You are welcome to submit written works in-progress for in-class critiques. At the end of the course, you have honed your storytelling craft by writing original treatments based on your story outline developed in class. Prerequisite(s): Good written communication skills. Previous training in story analysis is recommended but not required. Reg# 387937 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited; early enrollment advised. M Scott Agostoni, SVP of Development & Production and in-house consultant at Dick Cook Studios. Mr. Agostoni also runs his own management and consulting practice. Previously, He was a motion picture and TV literary/graphic novel agent with WME and nonscripted & alternative TV agent with WMA. Reg# 388509 Fee: $745 No refund after 23 Sept. Y Hybrid (In-Person) 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. M Lynne Moses, award-winning, multi-produced screenwriter, play‑ wright, and short fiction writer. Her feature films include Twisting Fate and Cupid’s Prey (Nicholl Fellowship Top-10 Finalist). She has also written and directed three award-winning short films, including Le Chat Est Mort starring Elizabeth Perkins.

Post-Production FILM TV X 404A

Post-Production for Film and Television

4.0 units Emphasizing how new technologies continue to impact post-produc‑ tion, this course provides an overview of the post-production pipeline from dailies through delivery. Class topics include a step-by-step overview of each stage of the process and building the post-production team: editors, audio mixers, composers, sound-designers, visual effects artists, and post-production management. The latest trends in postproduction are covered. Instruction may include guest speakers. Reg# 388044 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M Barry Goch, accomplished feature film and television finishing editor with credits including Spiderman: Homecoming, Passengers, Money Monster, Eye in the Sky, and Game of Thrones. He is currently working on A Million Little Things (ABC) and recently finished a Netflix comedy special. Mr. Goch is a member of the Editorial Advisory Board and is West Coast Contributor for Post Perspective. Reg# 388046 Fee: $745 No refund after 3 Oct. MOnline Sept. 19-Dec. 4 M Robert Scheid, Apple-certified Final Cut Pro, Motion, and DVD Studio Pro instructor; television producer; film and television editor and colorist. Reg# 388039 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA: Haines Hall No meeting Nov. 23. M & Kumari Bakhru, award-winning associate producer and entertainment executive. MMs. Bakhru has worked in post-production and distribu‑ tion in Film, Television, and Video Games for Warner Bros. Lucasfilm, Dolby, and Walt Disney Studios. She is the co-author of The Guide to Post-Production, 3rd edition.

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Reg# 388037 Fee: $745 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA: Physics & Astronomy Bldg. No meeting Nov. 24. M Richard Greenberg, former head of Post Production at Miramax where he was responsible for defining workflow, scheduling, budgeting, and guiding studio product through the post production process from image capture through picture editing to visual effects and sound finishing. Over the years, Mr. Greenberg has also written and produced marketing materials, sold new product-placement technologies, and been a senior executive at several prominent Hollywood post-produc‑ tion facilities.

FILM TV X 479.613

The Art and Craft of Film Editing

4.0 units Editing is storytelling. Throughout the process, from first assembly to final delivery, editors are responsible for fulfilling the film’s potential through a full command of craft, as well as an aesthetic understanding of story, character, and rhythm. By examining different editing styles, this course covers the elements of storytelling, performance, pace, emotion, action, continuity, and time manipulation. Instruction includes lectures, discussion, and viewing exercises. You also learn to select the most appropriate editing systems and technology by evaluating the limitations of budgets and time. Reg# 388318 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA: Dodd Hall M & Jason Rosenfield, ACE, a film editor who has collaborated with direc‑ tors ranging from Hollywood legend Robert Altman to three-time Oscar-winning documentarian Mark Jonathan Harris. Mr. Rosenfield’s work has received multiple Emmy Awards, an Oscar nomination, a Peabody, a DGA Award, and R.F. Kennedy Award. He has served on the boards of ACE and the TV Academy. Reg# 388321 Fee: $745 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom M & Tyler Danna, filmmaker who has edited and produced content for Sony Pictures, Fox, Disney, Universal, Fremantle, Riot Games, Verizon, and more. He offers training in editing software: Avid, Premiere, and Final Cut Pro. He has also written pilots and feature screenplays for production companies.

FILM TV X 477.84

Introduction to Adobe Premiere

4.0 units Adobe Premiere Pro is used by professionals across the spectrum of filmed entertainment, including feature films, music videos, and docu‑ mentaries. You learn how to use this powerful program, from simple editing techniques to more complex compositing, layering, tilting, motion graphics, and sound design. Instruction includes illustrated lectures, demonstrations, discussion, and class projects. Topics include starting a project, organization and subclipping, timeline and basic editing tools, editing audio, video effects, color correction and grading, titles and motion, exporting, and posting online. Prerequisite(s): You are required to have a working, current copy of Adobe Premiere Pro CC, as well as have video and audio files ready for use while learning Adobe Premiere Pro. Reg# 388326 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 Enrollment limited; early enrollment advised. M Joel Austin Higgins, editor specializing in the Adobe Creative Cloud Suite. Mr. Higgins has executed After Effects projects for clients like D.A.R.E. International, Mercedes-Benz, and Hasbro and is a recurring editor for a myriad of YouTube creators and online enterprises. He is also a writer, actor, and filmmaker.

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment FILM TV X 477.85

Producing

4.0 units Using Adobe After Effects, learn to produce projects similar to those found in the real entertainment media world of digital effects and animation. Topics include an introduction to the interface, working with layers and masking, rotoscoping, motion graphics, tracking and stabilizing with Mocha for After Effects (a plug-in that is included with AE), creating set extensions, compositing computer-generated imag‑ ery over video footage, and color correction. Finally, put it all together with practical projects where you will learn shortcuts, tips, and tricks. Prerequisite(s): Familiarity with digital video and basic Photoshop and Illustrator techniques. Students must have access to Photoshop, After Effects, Illustrator, and Adobe CS6 or higher. Reg# 388327 Fee: $745 No refund after 19 Sept. MOnline Sept. 19-Dec. 11 Early enrollment advised. M David Dodds, Los Angeles-based motion graphics designer; his experience spans a decade in motion graphics, special effects, broad‑ cast design, character animation, and infographics. He has worked for studios such as Stardust, Mirada, Logan, and NFL Networks. Author of Hands-On Motion Graphics with Adobe After Effects CC: Develop Your Skills as a Visual Effects and Motion Graphics Artist.

FILM TV X 404

Adobe After Effects for Filmmakers: An Introductory Workshop

FILM TV X 479.28

Introduction to Avid Media Composer

4.0 units This course provides an introduction to Avid Media Composer, an industry-standard non-linear film/video editing application. This long-standing editing software is affordable; has easy-to-use video editing tools; and streamlined HD, file-based, and stereo 3D work‑ flows. You learn to cut scenes from sample footage and gain an understanding of editorial processes and workflow. Instruction leads you through the interface and basic editing techniques before moving on to trimming, fine-tuning the edit, adjusting audio, handling multicamera editing, adding transitions, adding titles, and outputting your finished project. Prerequisite(s): Background in editing, production, or post-production is strongly suggested. You must have access to a Mac laptop with a minimum of 20 GB of free space, a power adapter, and Avid Media Composer 7 or 8 (installed and fully updated) and headphones. Reg# 388358 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 23. Early enrollment advised. M Toi Juan Shannon, editor for television, films, and documentaries and an AVID Certified instructor. Mr. Shannon has edited for E!, The NFL Network, and BET, where he edited the series, Beauty and the Baller. His feature and documentary credits include Acts of Desperation, As Evil Does, and Pancrase Hybrid History.

FILM TV X 478.013

Post-Production Sound For Film and Television

4.0 units This practical course provides insights for the role of sound supervi‑ sor and other sound professional in film and TV projects. Through lectures, demonstrations, exercises, and field trips, students develop an overall vision for an effective sound throughout the movie or TV series. Students learn and utilize Pro-Tools. Topics will cover dialog clean up and editing; recording ADR; foley: hard effects and use of background sounds from libraries; and practices of music editing including temp scores and mix. Field trips take place at an ADR ses‑ sion studio, a Foley studio, and a dubbing stage. Students must have their own computers (Mac recommended) with an active subscription to the Pro-Tools software. Reg# 388349 Fee: $745 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. M Woody Woodhall

Pre-Production and Production for Film and Television

4.0 units This survey course presents an overview of the real-world aspects of producing as practiced in the various sectors of filmed entertain‑ ment, from script development through pre-production and produc‑ tion. Topics include the producer’s interface with the writer, director, and other key personnel; pitching and selling ideas; script breakdown and scheduling; budgeting; and all the critical on-the-set issues facing the producer. Reg# 388100 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Amotz Zakai, vice president, Echo Lake Productions. Mr. Zakai has worked on such projects as Tsotsi (Oscar winner, 2006), Water (Oscar nominated, 2007), Away from Her, and Thirteen Conversations About One Thing. Reg# 388101 Fee: $745 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA: Dodd Hall M Samantha Sprecher, independent producer working in film, television, and branded content. Ms. Sprecher has deep roots in comedy, having run Billy Crystal’s production company for 20 years. She currently has projects at Netflix, Sony, Apple, and Madison Wells. Reg# 388099 Fee: $745 No refund after 5 Oct. A Remote 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. M & Bridget Terry, award-winning producer and writer whose credits include Showtime film They, PBS documentary The Kennedys: America’s Emerald Kings, and projects for Netflix and NBC-Universal. Ms. Terry formerly served as a showrunner at Showtime and is currently the owner of Chaise Lounge Productions.

FILM TV X 478.13A

The Art of Line Producing

4.0 units This comprehensive, step-by-step overview of physical production processes covers the tangible and intangible aspects of line produc‑ ing, including budget; breakdown and scheduling; hiring and working with cast, director, staff, crew, and outside vendors; choosing loca‑ tions; equipment and music; how to deal with divergent personalities and specific problem-solving during production; and the differences between producing a movie independently versus with a studio. The course also includes a comprehensive introduction to Movie Magic scheduling software. This is not an introduction to production course. Prerequisite(s): A basic knowledge of film production is highly recom‑ mended. Students must purchase the latest version of Movie Magic Budgeting software. Reg# 388178 Fee: $745 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. M & Nicole Layson, line producer and production manager on multiple feature films and television series, including Hitting the Breaks, Reborn, and American Fighter. Ms. Layson has also produced numerous music videos, commercials and shorts, many of which she developed. Reg# 388633 Fee: $745 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 Remote Classroom M Instructor to be announced

FILM TV X 476.6

Low-Budget Filmmaking

4.0 units In this detailed exploration of low-budget filmmaking, learn techniques and theories examining all phases of the process, from development to production to post-production. The focus is on translating a mini‑ mum budget into maximum quality on screen. Topics include the script, financing the production, evaluating the marketplace, analyzing and breaking down the screenplay, learning to apply creativity to a budgetary plan to maximize on-screen value, casting, selecting key production personnel, production design, music, editing, sound design, marketing, and distribution. Throughout the class, you are able to apply concepts learned to your own projects. Reg# 387936 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Kim Adelman, filmmaker who co-produced the independent feature Just Friends and has produced 19 shorts that have played in more than 150 festivals, winning more than 30 awards. She has authored two film books, Making It Big in Shorts and The Ultimate Guide to Chick Flicks, and currently writes for Indiewire.

FILM TV X 408

Building an Online Audience

4.0 units In the Internet age, uploading your work to YouTube or Vimeo is imperative, and successful producers/directors/actors can now demonstrate a growing online audience. This course shows you how to create a public face and promotional platform for your creative content. Using relevant video platforms, social media, and available website creation tools, learn to present and promote your body of work. Instruction emphasizes group discussion and interaction, as you are encouraged to use each other’s sites and platforms in various assignments. Topics include identifying different audiences; basic video and audio production; mastering available video and audio; review of social media branding sites; creating an individual brand and brand messages; understanding design as it relates to presenta‑ tion; audience building tools such as fan pages, tweet marketing, cross-commenting strategies and “response-to” uploading; responding to audience; and professional interaction. The course goal is to create an individual presentation plan across chosen platforms that is critiqued by your peers. Reg# 388451 Fee: $745 No refund after 23 Sept. D Hybrid (Remote) 3 mtgs Sept. 19-Dec. 4 Wednesday, 6-9pm, Sept. 21; Nov. 2; Nov. 30 Remote Classroom This course includes two Remote sessions (live on Zoom) offered on Sept. 21 and Nov. 30, and one In-Person session on Nov. 2. See schedule for details. Early enrollment advised. M Noemi Zeigler, producer, director, screenwriter, and comedian. Ms. Zeigler is an award-winning screenwriter and the co-producer and host of the web series, The Minx Mandate with Madeline Minx and Hot Flash AF. Her work has screened at top festivals including South by Southwest and the Ann Arbor Film Festival.

FILM TV X 479.088

Movie Magic Budgeting

2.0 units For production managers, producers, corporate finance personnel, and production accounting professionals, this course provides you with a practical understanding of the budgeting process, including how to use Movie Magic Budgeting, a budgeting software application. You prepare a movie-of-the-week budget based on information that typi‑ cally would be available during pre-production, including a script, day-out-of-days, one-line schedule, shooting schedule, departmental budgets, and other hypothetical parameters. This is not an introduction to production course. Prerequisite(s): Students must purchase the latest version of Movie Magic Budgeting software. Reg# 388210 Fee: $545 No refund after 21 Sept. A Remote 6 mtgs Thursday, 7-10pm, Sept. 22-Oct. 27 Remote Classroom Enrollment limited; early enrollment advised. & M Adriana Rotaru

Entertainment

FILM TV X 475

Producing Commercials for All Platforms: A Practical Workshop

4.0 units From concept to completion, learn to produce commercials for TV as well as for all integrated marketing platforms (video games, cinema, Internet, TV, and cell phones). You break down storyboards; write specifications; create bids; estimate special FX, editorial, talent, and music; and prepare a final estimate and production schedule for presentation and critique in class. You also learn how to get the best prices, stay on budget and schedule, and use the tools of advanced media. Instruction includes industry guest speakers with discussion and screenings of the best current spots. Reg# 388456 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 30 UCLA: School of Public Affairs Bldg. M Instructor to be announced

MGMT X 403.61

Marketing and Distributing Independent Films Across All Platforms

4.0 units What are the considerations involved in financing, packaging, selling, or acquiring a financially viable film? Producers, filmmakers, and screenwriters learn what makes a project attractive to potential buy‑ ers; study a variety of deal structures; and learn how to find domestic and overseas distribution for theatrical, television, DVD, and alternative markets. You gain knowledge on how to craft a distribution strategy from the earliest stages of project development. Topics include choos‑ ing materials, budget, and casting; selling the film through festivals and markets; key buyers; evolving distribution outlets, such as Internet and cell phones; the roles of producer, marketing and sales executives, and executive producers; and an overview of film financing models. Reg# 388457 Fee: $745 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 22 UCLA: Dodd Hall Saturday, 10am-5pm, Oct. 29 UCLA: Dodd Hall No meetings Oct. 18, Nov. 1. M Mark Padilla, senior vice president of Sales and Acquisitions at Double Dutch International. Mr. Padilla manages the worldwide sales for numerous films, including Nostalgia, Romans, and Super Troopers 2. He previously oversaw sales, acquisitions, and distribution at Myriad Pictures and Essential Entertainment. Reg# 388102 Fee: $745 No refund after 25 Sept. MOnline Sept. 21-Dec. 4 M & Kevin Mardesich, writer, producer, and marketer, who began his Hollywood career running the Story Department at Oliver Stone’s development company, Ixtlan. Mr. Mardesich helped execute corporate communications for Fox’s sports/entertainment cable channels. He currently runs KevinMardesich.com, a communications practice for film, television, and industry leaders—helping each client tell their story.

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M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

Enroll at uclaextension.edu or call (800) 825-9971

Music For more information call (310) 825-9064, email entertainmentstudies@uclaextension.edu, or visit entertainment.uclaextension.edu.

Film Scoring MUSC X 483.2

Advanced Orchestration: Applied Techniques for the Studio and Scoring Stage

4.0 units Building on what was learned in Instrumentation and Introduction to Orchestration, this course further explores the unique evocative capabilities of each musical instrument and examines their applica‑ tions in regard to scoring to picture, considered from both the com‑ poser’s and orchestrator’s perspective. Examine examples of effective orchestration techniques using both classical score study and case studies from film scores. You also learn how to work with different types of sketches to create a professional quality score. Apply tech‑ niques by composing two short pieces to be played in class: one incorporating instruments from the woodwind, brass, and percussion families and one incorporating instruments from the string family, including harp. Prerequisite(s): Knowledge of music notation and theory, experience in music composition, and MUSC X 483.43 Instrumentation and Intro‑ duction to Orchestration, or consent of instructor. Basic working knowledge of a music notation program such as Sibelius is highly recommended as students are required to produce and print music scores and instrumental parts for their assignments. Reg# 388534 Fee: $1,999 No refund after 4 Oct. Y Hybrid (In-Person) 12 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom This course will meet weekly via Zoom. Recording Sessions will be In-Person at Recording Studios in Los Angeles. If you are not in Los Angeles, you may still take this class. Your compositions can still be recorded by professional musicians, but you won’t have the experience of attending the live recording session. This will not be counted against you provided you meet all deadlines and requirements. In-Person recording sessions, schedule, and locations to be arranged. Students on an F1 visa are required to attend the In-Person sessions. Discounts cannot be applied to a portion of fees for this course. Enrollment limited; early enrollment advised. Visitors not permitted. M Richard Bronskill, Orchestrator for over 100 films, including Vice, Mission: Impossible-Rogue Nation, Hotel Transylvania, and 21 Jump Street. Mr. Bronskill has worked with many notable Hollywood compos‑ ers, such as Michael Giacchino, Nicholas Britell, Christopher Young, Christophe Beck, Mark Mothersbaugh, and Rolfe Kent.

MUSC X 449.91

The Art and Craft of MIDI

4.0 units Learn to bring your electronic realizations of your demos and scores to more vivid life. Through take-home assignments, learn to produce sample-based “cues” that sound more musical and realistic. Student work is presented and critiqued each week in class. Assignments involve programming selections from the classical literature, beginning with small chamber pieces and progressing to large symphonic works. The class culminates in a final assignment of an original orchestral cue set to picture. In addition to the aesthetics of synthestration, this course also covers project studio requirements and considerations, such as computer choices, sequencing software, sample libraries, “electronic” orchestration techniques, and mixing techniques, all with the primary objective of producing “musical” facsimiles of acoustic instrument performances. Prerequisite(s): MUSC X 483.43 Instrumentation and Introduction to Orchestration and/or prior experience in instrumentation and orches‑ tral composing. Access to and proficiency in using a home studio with sequencing software and samples are required for completion of assignments. The course does not include instruction in any specific software. Participants must already have adequate knowledge and resources to MIDI program short orchestral works and deliver these electronically.

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Reg# 388541 Fee: $745 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. Enrollment limited; early enrollment advised. M & James T Sale, film composer and conductor. Mr. Sale scored the music for features such as Return to Zero, Sister Cities, and Saint Judy and co-wrote the music for films, including Cloudy With a Chance of Meatballs, The LEGO Movie, and Hotel Transylvania 1 and 2.

MUSC X 449.41

Recording, Mixing, and Editing Techniques for Film Composers

4.0 units Geared towards film composers, this course teaches you the basics of recording, mixing, and editing in the modern DAW environment. Topics include music pre-production, signal flow and signal process‑ ing, how to create realistic mock-ups, exploring the balance and context of a mix with special consideration given to genre-appropriate sound mixing, delivery specifications (including stem mixes and ses‑ sion interchange between DAWs), and the basics of music editing for a scored film and temp-tracked film project. By course end, students learn the complete production process from pre-production, recording, mixing, and editing music to picture. Prerequisite(s): Access to and proficiency in using a home studio with sequencing software, and samples are required for completion of assignments. The course does not include instruction in any specific software. Reg# 388594 Fee: $745 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. M & Instructor to be announced

MUSC X 498

Advanced Film Scoring Workshop

4.0 units This course will immerse you in the creative and logistical process of scoring a film. Topics include collaborating and communicating with directors, dealing with temp scores, learning how spotting sessions work, incorporating themes and variations, and overcoming creative roadblocks. In addition, you learn how to breathe life into your scores, how to find your voice, and how to communicate beyond the notes on the page when working with live ensembles. Instruction includes the opportunity to record your cues in a professional recording studio with live musicians. Prerequisite(s): MUSC X 449.41 Recording, Editing, and Mixing Tech‑ niques for Film Composers and MUSC X 483.1 Film Scoring on a Budget, or consent of instructor. Reg# 388536 Fee: $1,999 No refund after 25 Sept. Y Hybrid (In-Person) 12 mtgs Sunday, 2-5pm, Sept. 25-Dec. 11 Remote Classroom This course will meet weekly via Zoom. Recording Sessions will be In-Person at Recording Studios in Los Angeles. If you are not in Los Angeles, you may still take this class. Your compositions can still be recorded by professional musicians, but you won’t have the experience of attending the live recording session. This will not be counted against you provided you meet all deadlines and requirements. Students on an F1 visa are required to attend the In-Person sessions. In-Person recording sessions, schedule, and locations to be arranged. Discounts cannot be applied to a portion of fees for this course. Enrollment limited; early enrollment advised. Visitors not permitted. M James Venable, whose feature film credits include Venom, Scary Movie 5, Eurotrip, and Supercon. His score for Foster’s Home for Imaginary Friends earned him an Emmy nomination and an Annie Award, his third of four. Mr. Venable is also known for his scores in animated television shows Powerpuff Girls, Samurai Jack, and Clarence.

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment MUSC X 448.171

The Business of Film Music

4.0 units Focusing on the vital business skills needed to build and maintain your career as a film and television composer, this course features comprehensive coverage of current business and financial practices in the industry. You learn about the role of agents, managers, and lawyers; making the most advantageous deal; the role performing rights organizations such as ASCAP, BMI, and SESAC in the collection of public performance royalties; and the responsibilities and proce‑ dures in collecting royalties for your work. You also gain an under‑ standing of the difference in operating your business as a sole proprietor or as a corporation and in the legal issues surrounding composer contracts and liability. Brand-building is an important component of a successful career: you study the philosophy of build‑ ing your own brand as a film composer or as an assistant for another composer, and you explore the role of social media in the promotion of your brand. Collaboration issues are also discussed and include building your team and managing the work of others, communicating with your directors and producers, and working with contractors. Industry guest speakers share their expertise in these various areas and supplement extensive discussions and exercises. Reg# 388562 Fee: $745 No refund after 4 Oct. X In-Person 12 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 23. M Brian Ralston, award-winning film/TV composer whose credits include the features Crooked Arrows and Being Rose, starring Cybil Shepherd and James Brolin, as well as additional music for season four of Angel. Mr. Ralston is one of the co-hosts of SCOREcast, a popular industry-insider podcast for film and TV composers.

MUSC X 498.3

Fundamentals of Conducting: From the Symphony to the Scoring Stage

4.0 units Learn the fundamentals of conducting taught by a professional film and concert conductor. You will practice all aspects of baton tech‑ nique, including beat patterns, irregular meters, and contrasting articulations/gestures. You will work on cueing, conducting to picture, conducting to a click track, and podium presence. You will conduct live professional musicians as well as conduct to recordings. Atten‑ dance is strongly encouraged for the first class meeting, during which important foundations are established. Conducting begins at the second meeting and attendance is mandatory. Prerequisite(s): The equivalent of two years of training in music at the college level, or consent of instructor. Reg# 388570 Fee: $1,999 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 Burbank: Local 47 Musicians Union, 3220 Winona Ave Discounts cannot be applied to a portion of fees for this course. Enrollment limited; early enrollment advised. Visitors not permitted. M Jonathan Merrill, award-winning composer, conductor, and producer whose vocal and instrumental music has appeared in hundreds of commercials and television episodes.

MUSC X 482.8

Anatomy of a Film Score

4.0 units Aspiring film composers, producers, and directors gain an understand‑ ing of what makes an effective and memorable film score and how it is assembled. Weekly in-depth film score analyses are illustrated with recordings, film clips, documentary footage, and discussions focused on how music is used as subtext in films. Film selections cover a broad range of styles moving from Hollywood classics to recently released films. The ability to read music is not required. Film scores by John Williams, Bernard Herrmann, Max Steiner, Miklos Rozsa, Jerry Gold‑ smith, Michael Giacchino, James Newton Howard, among others, are discussed.

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Reg# 388538 Fee: $745 No refund after 7 Oct. X In-Person 11 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited; early enrollment advised. M Steve Rothstein, PhD, composer of numerous orchestral, choral, and chamber works

MUSC X 485

Composing Music for Animation

4.0 units Composing music for animation places special demands on the composer. Musical jokes are more prevalent, there are quicker changes in style and mood, and the music is often “wall-to-wall.” This course addresses each of these characteristics in the following broad schools of animation: story-driven, action oriented animation, and hip and quirky. You learn about the traditional and new approaches to composing for animation and how to build tempo maps, which in many cases is half the job. The differences and similarities between scoring an animated movie and scoring an animated TV show also are discussed. You compose, arrange, and orchestrate cues in your home studio for scenes every week. Both peers and instructor critique each cue in class. Prerequisite(s): One course in or demonstrated competence in har‑ mony, composition, standard orchestration techniques, and proficiency in MIDI/sequencing. Students should have access to sequencing software (e.g. Logic, Cakewalk, Pro Tools) and a project studio to create cues. Reg# 388543 Fee: $745 No refund after 4 Oct. X In-Person 12 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. M Charles Fernandez, Emmy- and Annie-nominated composer who has worked for most of the major studios as a composer on such animated series as Casper, 101 Dalmatians, Doug, Aladdin, Mermaid, and Robot Chicken, as well as many live and animated features.

MUSC X 424.8

The DJ as Music Producer: Ableton Live & DJ Technology

4.0 units This course is ideal for beginners who want to get started as a DJ, or for intermediate students seeking to augment their skills. Increasingly, DJing and music production go hand in hand as different but comple‑ mentary skillsets. DJs who also produce their own music, remixes, or mashups increase their chances to get bookings. Instruction covers both the essential DJ software and hardware alongside Ableton Live. Through a hands-on approach, including in-class practice, demonstra‑ tion, lectures, and take home assignments, you learn the art and techniques of DJing both on the creative and technical sides. Topics include beat matching, mixing, scratching, transitions, BPM changes, how to develop a signature sound, and how to perform for a variety of audiences. You also learn the basics of music production using Ableton Live including warping, using samples, drum and synth pro‑ gramming, recording audio, mixing/EQing, and song composition. You create your own mashup, remix, original track, and record a DJ mix by the end of the course. Reg# 389014 Fee: $745 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited; early enrollment advised. M & Justin Paul, artist, label developer, charting music producer, and DJ performing at concerts, festivals, and special events around the world. He recently became the head of A&R for Underground Sun Music.

MUSC X 478.52

Composing Music for Video Games

4.0 units Through weekly writing assignments and audio-visual demonstrations, you gain an understanding of the composition techniques, organiza‑ tion, and delivery formats unique to the video game industry. Topics include in-game versus cinematic scoring, budgeting and project management, contracts, technology tools for asset creation and pro‑ cessing, music engines and compositional techniques specific to video game music, electronic music creation versus using live musi‑ cians, mixing, composing for different game genres and audio formats, delivery of assets for different console formats, and pitching for proj‑ ects. Weekly composition assignments focus on writing original adaptive music similar to works created for current games. Prerequisite(s): MUSC X 449.91 The Art and Craft of MIDI and/or equiva‑ lent experience in music composition is required. Students must have access to and working knowledge of a sequencing host software (Logic, Cubase, Pro Tools, etc.) and familiarity with how to export audio mixes of their compositions into different audio formats. Reg# 388545 Fee: $745 No refund after 3 Oct. D Hybrid (Remote) 11 mtgs Tuesday, 10am-1pm, Sept. 20; Nov. 29 Remote Classroom Online Sept. 27-Nov. 22 Enrollment limited; early enrollment advised. M Ashwin Subramanian, (Aks), composer, producer, and vocalist trained by Oscar-winner AR Rahman. He is an expert melodist and has credits in albums, film & TV, theater, and video games. As a program‑ mer, he is also fluent in music implementation for interactive media. His game titles include Big City Adventure and Siva Yatra.

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Entertainment

Music Business MUSC X 448.81

Music Publishing: A Creative and Business Perspective

4.0 units This entry-level course is of interest to songwriters, bands, and produc‑ ers but applicable to anyone who wants to learn both the creative and business basics of music publishing from A-Z. You learn how to improve your chances for getting seen, heard, and signed. Topics include effective songs, broadcast quality recordings, and brand equity; how to ensure that you’re not getting ripped off: United States copyright basics, copyright registration in Washington D.C. and cowriter and producer splits; what music publishing companies can do for your career: song-plugging, advances, and copyright administra‑ tion; how to make sense of publishing deals and copyright assign‑ ment: exclusive songwriter agreements, co-publishing deals, and administration agreements; and how to get paid for your music and master recordings: mechanical royalties, performance royalties, synch fees, master-use fees, print royalties, new electronic transmissions, and foreign sub-publishing monies. You also learn how and when to join important music organizations and societies: ASCAP, BMI, SESAC, Sound Exchange, and The Harry Fox Agency; and how to start your own publishing company: self-publishing, music libraries, resource guides, and pitching your own music in film, TV, games, advertising, corporate videos, movie trailers, and DVD featurettes. No prior under‑ standing of music publishing is needed. Reg# 388360 Fee: $745 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. Enrollment limited; early enrollment advised. M & George Schwindt, founder and managing director of 26F Music, where he provides publishing administration for music artists and bands such as Gogol Bordello, Dustin Welch, and Reverend Peyton. He was also Flogging Molly’s drummer for 20 years, a globally recognized band with over 3 million units sold. Reg# 388442 Fee: $745 No refund after 30 Sept. MOnline Sept. 26-Dec. 11 This is an online (asynchronous) class with optional Zoom meetings held on Wednesday nights from 7-8pm, to be recorded for those who cannot attend live. Enrollment limited; early enrollment advised. M & Bobby Borg, major label, international, and DIY recording/touring artist with more than 25 years of experience in the music business. He is a music business consultant, A&R advisor to music supervisors and independent labels, and the best-selling author of numerous music business books and articles. Michael Eames, composer, songwriter, author, and music industry professional who founded the independent music publishing company PEN Music Group. Previously, Mr. Eames oversaw the international activities and film & television department of Don Williams Music Group.

MUSC X 447.31

The Insider’s Guide to Music Management

4.0 units The music manager’s role is crucial to a musician’s career success, yet very few people who enter the entertainment industry have any idea what a manager does or how one can help their career. This course is designed to explain the management side of the music business. Find out what music managers do, why they are important, and how to avoid management pitfalls. Lectures, discussion, and industry guests address topics such as when to get a manager, the role of the manager in the indie world, and managing music in the digital age. Reg# 388443 Fee: $745 No refund after 2 Oct. X In-Person 10 mtgs Monday, 6:30-10pm, Sept. 19-Nov. 21 UCLA: Dodd Hall Enrollment limited; early enrollment advised. M & Adam LaRue, a 20 year veteran of the industry, Mr. LaRue has mar‑ keted the album launches of Rancid, Mavis Staples, Glen Hansard, Portugal The Man, Plain White T’s, At The Drive-in at labels Epitaph, Anti, and Fearless Records. He currently represents Jerry Harrison of the Talking Heads and Modern Lovers.

Enroll at uclaextension.edu or call (800) 825-9971 MUSC X 484.31

MUSC X 449.2

4.0 units Defining the role of the music supervisor by drawing on the combined resources of the film and television communities to marry music and moving images, this course is for anyone interested in the business and art of film and television music. Lectures and discussion with guest speakers present the principles and procedures of music supervision. Past guest speakers have included composers, music supervisors, filmmakers, producers, music licensing representatives, and executives. Reg# 388444 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 23. M Instructor to be announced Reg# 388445 Fee: $745 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom No meeting Nov. 23. M Ryan Svendsen, music supervisor who currently serves as head of music at Millennium Media. His credits include The Hitman’s Wife’s Bodyguard, Jolt, The Protégé, and Till Death. Mr. Svendsen managed the music campaigns for over 80 Lionsgate soundtracks, including the Oscar winning song and score for La La Land.

4.0 units In today’s rapidly evolving music industry, licensing stands out as one of the most stable ways to make money. Turning your talent into dollars and cents requires an understanding of how the licensing process works. This introductory course for entertainers, songwriters, produc‑ ers, managers, music supervisors, and music industry executives, examines the business issues associated with licensing rights in the music industry. Through lectures, case studies, and discussions with notable industry guests, instruction focuses on the business and legal aspects of licensing. Topics include detailed examination of the various types of licenses that apply to the music industry, rights and clearance issues, applicable terms from publishing and record deals, typical representation arrangements, and negotiation and networking strate‑ gies. By the end of the course, students understand how to make the most of the myriad licensing opportunities available in the music business and how to avoid problems associated with those opportunities. Reg# 388461 Fee: $745 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 UCLA: Bunche Hall No meeting Oct. 4. M Gary Greenberg, attorney in the music industry whose clients include Jimmy Cliff and Kendrick Lamar’s producers. He wrote the American Bar Association handbook, How to Build and Manage an Entertainment Law Practice, and co-wrote the book Everything You’d Better Know About the Record Industry. Elizabeth Scarnati Janeen Rae Heller Beth Schore

Music Supervision for Film and Television

MUSC X 448.80

Do-It-Yourself Music Marketing

4.0 units Of interest to DIY musicians, producers, managers, startup record label personnel, and anyone interested in learning fundamental marketing concepts used by the most innovative companies today. You learn how to describe your vision; identify a market need; analyze your fans; learn from your competitors; demo your products and services; set your marketing plan goals; and find the perfect mix of new marketing strategies ranging from branding, product, price, place, promotion, and marketing information systems. The Internet, word-of-mouth, guerrilla marketing techniques, social media, mobile marketing, publicity, music licensing, live performing and touring, merchandising, face-to-face selling, sales promotions, radio, and sponsorships are all addressed in course lectures, reading assignments, and discussions with indus‑ try guests. You are provided with the opportunity to craft a customized, low-budget marketing plan of attack using step-by-step templates and to receive constructive criticism from the instructor and fellow stu‑ dents. At the end of the class, student teams are asked to solve realworld marketing problems by presenting innovative solutions before a small panel of guest judges. Reg# 388446 Fee: $745 No refund after 7 Oct. D Hybrid (Remote) 12 mtgs Sept. 24-Dec. 10 Saturday, 7-10pm, Sept. 24-Dec. 10 Remote Classroom This course includes both live, synchronous remote instruction meetings and asynchronous online content. Refer to course syllabus for online session details. M & Bobby Borg, major label, international, and DIY recording/touring artist with more than 25 years of experience in the music business. He is a music business consultant, A&R advisor to music supervisors and independent labels, and the best-selling author of numerous music business books and articles.

Music Licensing: Turning Talent into Dollars

Music Production MUSC X 480

Introduction to Logic Pro

4.0 units Logic Pro is a professional music production program that combines composition, notation, and audio production facilities. Of interest to songwriters, composers, audio producers, and audio engineers, this course introduces you to the primary features and basic user interface of Logic Pro. Using your own Mac, you walk through the process of creating an actual song, from recording; producing a Virtual Drum track; editing audio with Flex Time, Pitch, and Smart Tempo; and recording/editing/arranging of MIDI sequences and Apple Live Loops to digital effects processing, sampling, Logic remote, Step Sequencing and Remix FX also using iPhone/iPad, automation, and mixing. Prerequisite(s): Basic computer skills and basic audio technology concepts. Students must have access to their own Mac computer with a minimum of 15 GB of free space, a power adapter, and Logic Pro (10.5 and above—installed and fully updated); audio interface/mic/midi keyboard/controllers and smart devices are optional but highly recommended. Reg# 388510 Fee: $745 No refund after 7 Oct. MOnline Oct. 3-Dec. 11 Enrollment limited; early enrollment advised. M & Maurizio OttO De Togni, composer for commercials and TV, music/ sound editor, and producer. Mr. De Togni is an Apple-Certified master trainer in Logic Pro and an Avid-Certified Pro Tools Expert instructor. His clients include Paramount Pictures, Maroon 5’s James Valentine, and Jesse Carmichael.

Enroll at uclaextension.edu or call (800) 825-9971 Entertainment MUSC X 479.12

MUSC X 440

4.0 units Ideal for those who have recently started with Pro Tools and have been working with the system for less than one year or long-time users looking to familiarize themselves with the latest updates. Learn the foundational skills and working knowledge needed to perform basic Pro Tools operations, and begin your own projects or interface with others using Pro Tools. Topics include system capabilities, navigation and display basics, understanding the edit and mix windows, making your first audio recording, making selections and playing audio, using the editing modes and tools, importing audio and working with video files, using fades, managing audio clips, elastic audio, basic mixing concepts, introduction to Real Time plug-ins, and an introduction to MIDI within Pro Tools. This course prepares you for the AVID certifica‑ tion Pro Tools 101 exam. Prerequisite(s): Basic computer skills and basic audio technology concepts. Students must have access to their own Mac or PC laptop with a minimum of 15 GB of free space, a power adapter, and Pro Tools 2020 (12 or later will be allowed too—installed and fully updated); audio interface/mic/midi keyboard and smart devices are optional but recommended. Reg# 388462 Fee: $745 No refund after 7 Oct. MOnline Oct. 3-Dec. 11 Enrollment limited; early enrollment advised. M & Maurizio OttO De Togni, composer for commercials and TV, music/ sound editor, and producer. Mr. De Togni is an Apple-Certified master trainer in Logic Pro and an Avid-Certified Pro Tools Expert instructor. His clients include Paramount Pictures, Maroon 5’s James Valentine, and Jesse Carmichael.

4.0 units Learn the ins and outs of the creative side of music production. Classes are hands-on, real-world, intensive, and cover such concepts as choosing musicians and finessing the best performance out of artists. In this workshop-style class, you are required to produce, mix, and master one music project—either a live band or a solo artist. Your project must incorporate live instruments as well as programmed instruments. The course is personalized to help each student explore the full potential of creating and producing their music. Topics include pre-production, recording using Pro Tools or Logic, getting great vocal performances through microphone techniques, recording and mixing techniques, mastering, and budgeting. Near the end of the course, your projects are played and critiqued in class. Prerequisite(s): MUSC X 441.3 Audio Recording Theory. Students must have access to a Pro Tools or Logic system and must be proficient in either of these systems. Reg# 388515 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. In-person field trip locations to be announced. Enrollment limited; early enrollment advised. M & Instructor to be announced Mike McClellan, Mike McClellan is a producer, songwriter, and com‑ poser. Coming to LA by way of the Pacific Northwest, Utah, Brazil, and the UK, Mike has picked up a diverse musical background along the way. As a producer, he’s worked with dozens of artists including Ryan Innes, Ashley Hess, and Jay Warren (whose album Give Love went #1 on the iTunes R&B chart in 2020). As a composer, Mike has won multiple awards for his film scoring work and his production library cues have been placed in media all over the world. He has a Masters in Music Production from Leeds Beckett University.

Introduction to Pro Tools

MUSC X 441.3

Audio Recording Theory

4.0 units Specifically tailored to independent artists, this course presents a practical and effective introduction to the theory, art, and craft of sound recording. Instruction covers the basics of audio, acoustics, and electronics, as well as the theory and operation of the most commonly used signal processors, audio consoles, monitor loudspeakers, and microphones and their application to the digital audio workstation production process. Reg# 388511 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 UCLA: Bunche Hall M Michael Blum

Create and Produce Your Own Music Project

MUSC X 409.8

Professional Songwriting for the Commercial Market: A Weekly Workout

4.0 units This is a workshop for songwriters who are seeking to hone their craft through support and critique. Each class is divided into two parts: the first section is devoted to critiques of songs students perform live or on a recording; the second section features lectures and discussion. Topics include aesthetics of contemporary songwriting and song critique; song styles; defining character through language; writing for a mass audience; song ideas; writing the surprise and payoffs; col‑ laboration; deconstruction, image-making, and emotional plot points; and creating real moments in songs. Reg# 388521 Fee: $745 No refund after 7 Oct. X In-Person 12 mtgs Saturday, 10am-1pm, Sept. 24-Dec. 10UCLA Extension Lind‑ brook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited; early enrollment advised. M & Anika Paris, award-winning songwriter whose work has been featured in major films and on television. She recorded three solo CDs and toured the world with Stevie Wonder, John Legend, and John Mayer. She is the author of Five Star Music Makeover, Making Your Mark in Music, and a book of poetry, Woven Voices.

MUSC X 448.14B

The Art and Craft of Music Mixing

4.0 units Learn the art and craft of mixing music as it applies to the many creative and technical considerations involved in mixing records. All aspects of mixing are covered, from root principles to specialized techniques of established mixers. Also covered are in-depth explora‑ tions of various audio plug-ins, hardware, monitors and room treat‑ ment, sound-replacing, tuning and nudging elements when needed, printing the mix, analog vs. digital, and the Mastering process and how it now relates to new playback levels for streaming platforms. Reg# 388519 Fee: $745 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 23. In-person field trip to be determined. See syllabus for more details. Enrollment limited; early enrollment advised. M Joe Corcoran, a producer, engineer, composer, and musician who has contributed to platinum and gold records by Korn, Dave Matthews Band, Michael Jackson, and others. Mr. Corcoran also produced and mixed the world’s first commercial music recording from outer space, Chris Hadfield’s “Space Oddity.”

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

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C UC CREDIT May be t ransferable to other colleges and universities. Learn more on our website.

Environmental Studies & Public Policy

Enroll at uclaextension.edu or call (800) 825-9971

ENVIRONMENTAL STUDIES & PUBLIC POLICY For more information call (310) 825-7093.

Sustainability & Environmental Studies For more information call (310) 825-7093 or visit uclaextension.edu/sustainability.

GEOG XL 5

People and the Earth’s Ecosystems

5.0 units Exploration of ways in which human activity impacts the natural environment and how modification of the environment can eventually have significant consequences for human activity. This course uses case studies to examine real environmental problems that confront us today. c Reg# 388248 Fee: $845 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Fulfills Life or Physical Sciences General Education requirement of the UCLA College of Letters and Science. Required course in Environmental Studies Certificate. Elective in Sustainability Certificate. Enrollment deadline: Sept. 23. Enrollment limited. Visitors not permitted. M & Chelsea Robinson, PhD, founder and executive director

ENVIRON X 400

Principles of Sustainability I: Introduction

4.0 units This introductory survey lays the foundation for the study of global sustainability. With universal principles as a broad framework, this course provides a basic understanding of environmental systems and the interrelationship and effect of humans upon the environment. Topics include a historical overview of sustainability and the current problems and issues, an overview of earth’s physical and biological systems and the impact of environmental issues like climate change on these systems, an examination of environmental and urban issues and strategies, and tools to investigate and analyze sustainable environmental practices. Reg# 388246 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Required course in Sustainability Certificate. Enrollment deadline September 23. Enrollment limited. Visitors not permitted. M & Nurit Katz, MBA, MPP, chief sustainability officer, UCLA Reg# 388247 Fee: $745 No refund after 4 Oct. Y Hybrid (In-Person) 11 mtgs Wednesday, 5:30-8:30pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. Required course in Sustainability Certificate. Enrollment deadline: Sept. 27. Enrollment limited. Visitors not permitted. M & Nurit Katz, MBA, MPP, chief sustainability officer, UCLA

MGMT X 401

Principles of Sustainability II: Current Issues and Case Studies

4.0 units Gain a broad exposure and intimate knowledge of the business aspects of sustainability through real-world business case studies. Key elements of this course include identifying practical tools, measur‑ ing performance, and reviewing best practices. Upon completion, you have an understanding of the challenging and often competing interests between businesses and the regulatory, social, and techno‑ logical efforts occurring globally. Prerequisite(s): ENVIRON X 400: Principles of Sustainability I: Introduc‑ tion. If you are currently enrolled in ENVIRON X 400, you must receive a grade of “C” or better in ENVIRON X 400 to continue the series. Reg# 388259 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Required course in Sustainability Certificate. Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. Prerequisite: ENVIRON X 400: Principles of Sustainability I: Introduction. If you are currently enrolled in ENVIRON X 400, you must receive a grade of “C” or better in ENVIRON X 400 to continue the series. Enrollment limited. Visitors not permitted. Enrollment deadline: Sept. 23. M David Pedersen, MBA, independent consultant

ENVIRON X 402

Principles of Sustainability III: Stakeholders and Engaging Communities

4.0 units This course focuses on the human element, addressing the adequacy and equity of sustainability efforts and taking the universal principles to a different level that includes environmental justice. The emphasis is on behaviors and characteristics of the individual as well as the larger group and community influences that help shape and transform the individual into a sustainable global citizen. Topics include psychosocial and socio-cultural behaviors affecting beliefs, change, and decision making; potential effects of sustainable action vs. inaction; pathways toward sustainable education and awareness; advocacy and activism; and the ethics of sustainability efforts across nations, including future opportunities and challenges. Includes guest experts, case studies, and site visits. Upon completing this course, students have a preparatory knowledge and understanding of individual and group roles in global sustainability; the interconnectedness and necessity of collaboration between social, economic, and ecological responsibilities; and the importance of advocacy and the media in raising and maintaining awareness of global sustainability and citizenry. Prerequisite(s): ENVIRON X 400: Principles of Sustainability I: Introduc‑ tion. If you are currently enrolled in ENVIRON X 400, you must receive a grade of “C” or better in ENVIRON X 400 to continue the series.

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Reg# 388463 Fee: $745 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 UCLA Extension Gayley Center: 1145 Gayley Ave. Required course in Sustainability Certificate. Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. Prerequisite: ENVIRON X 400: Principles of Sustainability I: Introduction. If you are currently enrolled in ENVIRON X 400, you must receive a grade of “C” or better in ENVIRON X 400 to continue the series. Enrollment limited. Visitors not permitted. Enrollment deadline: Sept. 25. M & Victoria Charles, MS, LEED Green Association Accreditation, founder of the Climate Action Leadership Program

ENVIRON X 405

Supply Chain Sustainability

4.0 units This course is designed to provide an introduction to the subject of sustainable supply chains in business. The course provides a basic understanding of the nature of complex supply chains, the role that sustainability plays in business, and the most commonly encountered challenges in a business career. This course looks at how we integrate environmentally, socially, and financially viable practices into an organization’s complete product and/or services lifecycle, from prod‑ uct design and development to material selection (including raw material extraction or agricultural production), manufacturing, packag‑ ing, transportation, and end-of-life. It is about managing the supply base to drive innovation towards a more sustainable future. It provides practical advice on how to identify supply chain sustainability issues when they arise, how to get enough information to assess one’s responsibilities, how to analyze a complex set of choices, and how to marshal the resources of a large organization to act responsibly and ethically. While the course includes some business theory, it is designed to be approached by the seasoned manager, the novice businessperson, and students in school. Reg# 388472 Fee: $745 No refund after 5 Oct. Y Hybrid (In-Person) 11 mtgs Thursday, 6-9pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting on Nov. 24. Enrollment limited. Visitors not permitted. Enrollment deadline: Sept. 28. M Bonnie Nixon, MS; PHD student, who is a corporate sustainability executive, strategist, and human rights educator.

Environmental Studies & Public Policy 59

Enroll at uclaextension.edu or call (800) 825-9971 PUB PLC X 460.5

PUB PLC X 495

4.0 units This rigorous course provides accelerated exposure to the real-world challenges and opportunities of implementing renewable energy projects. Participants are introduced to fundamental concepts, tools, and resources. Students then apply the course concepts in a facili‑ tated learning environment, both qualitatively and quantitatively, to real case studies drawn from industry. Topics include large-scale wind energy projects, distributed solar projects, bioenergy, energy efficiency, clean-tech commercialization, and climate change mitigation. Students will assess policy questions, evaluate economic opportunities, and develop meaningful recommendations regarding the case studies. After successfully completing this course, participants will be better equipped to evaluate policy alternatives, participate in public stake‑ holder processes, and make critical organizational decisions related to renewable energy. There are no prerequisites for this course. Internet access is required to access course materials, participate in discussion forums, and submit course requirements. Reg# 388260 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Elective course in Sustainability Certificate. Elective course in Sustainable Business and Management Specialization. Enrollment limited. Visitors not permitted. Enrollment deadline: Sept. 23. M Akima Cornell, PhD at University of Essex; principal, Akima Consulting, LLC.

4.0 units The internship provides students with a unique experiential learning opportunity related to environmental sustainability. The internship site is selected by the eligible student from among a variety of related disciplines, allowing the student to create a distinctive independent learning experience. The purpose is to apply the material learned in formal Sustainability Certificate academic courses to a workplace setting, acquiring valuable job skills. Students gain hands-on experi‑ ence by working on real industry problems/projects in the private or public sector or in a nonprofit organization. Students intern for a mini‑ mum of 120 working hours. Throughout the internship, students communicate and work alongside an Extension instructor who helps guide them through the process. Students are required to complete a final report of their experience once they complete the internship. Prerequisite(s): Fifty percent of the program requirements (thus, three of the five courses) must be completed before taking the Internship course. Reg# 388501 Fee: $810 No refund after 23 Sept. Independent Study/Internship Sept. 19-Dec. 4 Elective course in Sustainability Certificate. Restricted course. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 23. Akima Cornell, PhD at University of Essex; principal, Akima Consulting, LLC.

Renewable Energy Economics and Policy

Sustainability Internship

PUB PLC X 461

MGMT X 481.5

4.0 units The course provides a better understanding of how future energy solutions—both power and transportation—address climate change and environmental protection from a policy standpoint. Instructors broadly discuss climate change, including greenhouse gas emissions, their impacts, and policy actions to reduce such impacts. The course also briefly discusses interrelationships among greenhouse gases, environmental quality, public health, energy security, and long-term sustainability. Upon successful completion of the course, students should be able to better analyze, plan, and advise on future actions in response to new and evolving federal, state, and local programs and policies in this area. Reg# 388249 Fee: $745 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Elective course in Sustainability Certificate. Required course in Environmental Studies Certificate. Enrollment deadline: September 23. Enrollment limited. Visitors not permitted. M Therese Zarlengo, MS, retired meteorologist, National Weather Service

4.0 units This course provides a broad overview of global business practices in sustainability, designed to help students develop a strong foundation in this complex subject. The primary focus is helping students under‑ stand the business rationale for sustainability. Students examine why and how a business is addressing environmental and sustainability issues across sectors and industries. Additionally, the course covers the various principles, models, methodologies, and indicators of sus‑ tainability to help students understand how global business aware‑ ness and practices in the field have evolved since the concept first emerged in the 1980s. Reg# 388014 Fee: $795 No refund after 1 Apr. MOnline Mar. 28-June 12 M & Misha Kouzeh, MS, consultant, trainer, TEDx speaker

Climate Change, Energy, and the Environment

Global Business Practices in Sustainability

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

Visit our website for textbook information.

C UC CREDIT May be t ransferable to other colleges and universities. Learn more on our website.

Finance & Investments

Enroll at uclaextension.edu or call (800) 825-9971

FINANCE & INVESTMENTS

For more information call (310) 206-7247.

Credit Analysis & Management For more information call (310) 206-1654 or email fmpcertificate@uclaextension.edu.

MGMT X 430.612

Conducting a Credit Analysis I

4.0 units This course prepares you for your first day of work: where to start, what to look at, what to do, and what you need in a real-world work environment. Learn how to evaluate and explain how to repay an asset-based loan, revolving credit, and a term loan. The initial focus is on the cash conversion cycle in the analysis of asset-based loans, trade finance, factoring, accounts receivable securitization, and cap‑ tive finance companies. Learn how to evaluate and explain credit decisions based on the financial condition of the applicant and other factors equally important in determining creditworthiness. You also learn what non-financial considerations to evaluate and how to incorporate internal concerns and competing priorities into a final credit decision. Reg# 388790 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. Robert S. Shultz, co-founding partner, Quote to Cash Solutions (Q2C) LLC

MGMT X 430.616

Managing a Loan Portfolio

4.0 units Learn to underwrite and manage a portfolio of commercial mortgages and syndicated, middle-market, asset-based, and trade finance loans. Explore loan origination, including the loan proposal, credit analysis, and agreement. Discuss the control of risk in a portfolio, including credit policy, risk rating, reserves, loan review, internal audit, and workout. Examine compliance with regulatory standards governing safety and soundness (Basel II/III and FDICA), community reinvest‑ ment (CRA), and money laundering (Patriot Act). As part of the course, you receive credit analysis formats, loan agreement forms, and bank examination manuals. Reg# 388791 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Robert S. Shultz, co-founding partner, Quote to Cash Solutions (Q2C) LLC

Finance Those students planning to pursue a career as financial or investment professionals are advised to enroll in the Finance Certificate. Students are advised to complete MGMT X 1A and MGMT X 1B Principles of Financial Accounting (or equivalent courses) and MGMT X 422 Cost Accounting and Analysis before enrolling in the certificate, since these are prerequisites for many courses in the curriculum.

Reg# 388792 Fee: $795 No refund after 4 Oct. Y Hybrid (In-Person) 11 mtgs Wednesday, 6:30-8:30pm, Sept. 21-Nov. 30 UCLA Extension Gayley Center: 1145 Gayley Ave. Visitors not permitted. M & Fred Kuhns, CMA, MBA, principal, FRK Consulting

MGMT X 430.131

Finance For more information call (310) 206-1689 or email pwilliams@uclaextension.edu.

MGMT X 130A

Applied Managerial Finance

4.0 units 3.3 CEUs This course offers an introduction to some of the more important topics in Managerial Finance, with an emphasis on the methods and sources of financing for corporations. Topics include corporate finan‑ cial analysis, financial planning procedures, present value and security valuation, capital budgeting, capital structure, and approaches to raising capital. The course also covers securities markets, factors, and models explaining security returns, as well as the concept of market efficiency. Financial calculator is required. c Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Financial Accounting or equivalent, or consent of instructor. Reg# 388583 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. & Ralph Zwetow, MBA, principal, Credit Training Resources Reg# 388585 Fee: $795 No refund after 2 Oct. Y Hybrid (In-Person) 11 mtgs Monday, 6:30-8:30pm, Sept. 19-Nov. 28 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Enrollment limited. & David E. French, MBA, president, David French & Associates, LLC, a business strategy consultancy

MGMT X 130B

Advanced Applications of Managerial Finance

4.0 units 3.3 CEUs This course demonstrates the advanced implementation of corporate finance through the presentation of theories and their applications. Students analyze stock and bond valuations, capital budgeting and working capital management, leasing, option pricing, risk/return, cost of capital, financial forecasting, capital structures, dividend policy, and investment banking. The implications of market responses to major financial strategies are also examined. c Prerequisite(s): MGMT X 130A Applied Managerial Finance or consent of instructor.

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Business Acquisition and Divestiture: Strategy and Finance

4.0 units This course is intended primarily for investors looking to acquire a small to mid-sized business or corporate executives and professionals looking to expand their company’s prospects via merger and acquisi‑ tion (M&A). This course combines an analytical framework with real-world applications to introduce the key processes and techniques involving business combinations. Key topics include current trends in M&A, accounting foundations, legal constraints, tax implications, business valuation techniques, and M&A risk management. Students learn how to prepare, evaluate, and execute business mergers and acquisitions through lectures, discussion forums, case studies, and assigned practice questions. Participants leave the course with an understanding of how to put together a deal, minimize overpaying, and increase their chances of success in a business combination. Prerequisite(s): MGMT X 130A Basic Managerial Finance or equivalent, or the consent of the instructor. Reg# 388709 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. & Peter Lou, MBA, MA, CFA, senior manager, Wells Fargo Bank

MGMT X 430.132

Business Valuation

4.0 units This course explores the basics of business valuation, including how businesses, equity, and enterprise are valued. Students learn the main methods of valuation (intrinsic and relative), their strengths and weak‑ nesses, and when to apply each. Topics include discounted cash flow, comparable market multiples, comparable transaction multiples, and liquidation/terminal value. Additional topics include free cash flow, financial statement analysis, industry competitive analysis, growth projec‑ tion, financial forecasting, discount rate, and capital asset pricing. Prerequisite(s): This course is intended for students with strong accounting/finance background. Minimal prerequisites include Intro‑ ductory Financial Accounting and Introductory Corporate Finance. This course also requires working knowledge of Microsoft Excel. Reg# 388726 Fee: $795 No refund after 2 Oct. D Hybrid (Remote) 11 mtgs Monday, 7-9pm, Sept. 19-Nov. 28 Remote Classroom Elective course in the Finance Certificate. Enrollment limited. Hairong Gui, PhD

Finance & Investments 61

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 430.137

MGMT X 460.988

4.0 units This course is based on the fundamental principle that the first step to successfully investing your money is to not lose it. Covering the theory and practice of behavioral finance, including a history of financial bubbles, scams, and a study of the heuristics (rules of thumb) and biases that drive human behavior. Other topics in this course include prospect theory, common investment mistakes, the role of randomness in finance, retirement planning, and practical applications of behavioral finance. Also presented are basic principles of traditional portfolio theory and behavioral finance research that suggests there are persistent market traits that can generate excess returns. Reg# 388782 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. & Victor Dosti, BS, MBA, director of research, Whittier Trust

4.0 units Currency devaluations are a major cause of global economic chaos, thereby forcing multinational companies, as well as importers and exporters, to make long-term decisions that are undermined by daily trading occurrences. Currency traders, including hedgers, arbitrageurs, and even speculators now are challenged by twenty-four hour global currency trading with markets made for almost any currency. This course is designed to help students, managers, and aspiring traders meet the challenges of managing currency operations, capitalizing on opportunities, and reducing the risks of foreign exchange swings. Instruction identifies major areas of currency risks, strategies, and organizational structure requirements. Participants are provided a framework for analyzing the causes of expected exchange rate move‑ ments and how to deal with them. Students also review foreign cur‑ rency events, both past and current, focusing on the implications of these events on future capital flows and growth. Reg# 388718 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA: Dodd Hall Visitors not permitted. M & Richard Learman, BA, MBA, CPA

Behavioral Finance

MGMT X 430.135

Money, Banking, and the Financial Markets

4.0 units This course explores how banks and other financial institutions oper‑ ate in a globalized world. Instruction includes an overview of monetary policy and how the central bank regulates and supervises the banking system, as well as the tools it employs as it manages the cost and availability of money in the economy. With commercial banks and investment banks now virtually the same, the course also covers other important facets of banking: corporate finance, underwriting, lending, foreign exchange, asset management, trust services, credit cards, cash management, trading of bonds and foreign exchange, and various services and products. A review and discussion of recent financial legislation also is included. Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Accounting. Reg# 388707 Fee: $795 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-8:30pm, Sept. 22-Dec. 8 UCLA: Physics & Astronomy Bldg. Enrollment limited; early enrollment advised. Visitors not permitted. M & Sean Shahverdian, BA, MBA, Certified Fraud Examiner (CFE) and Retirement Plans Associate (RPA)

MGMT X 432.3

Financial Statement Analysis

4.0 units This course is intended for financial and credit analysts; CPA or CFA candidates; investors; business managers; or individuals who are involved in equipment or real estate financing, leasing, or trade credit analysis. The course focuses on the mechanics of financial statement analysis, including balance sheet and income statement analysis, ratio analysis, cash flow analysis, common size analysis, and trend analysis. Particular emphasis is placed on quality of earnings analysis. Students are expected to analyze and evaluate free cash flow generation, profit‑ ability, operating efficiency, and the impact of leverage on business risk and return on equity. Prerequisite(s): MGMT X 1A and MGMT X 1B Principles of Accounting or consent of instructor. Reg# 388826 Fee: $795 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Dec. 6 Remote Classroom Visitors not permitted. M & Chee-Sum Tan, MBA, FCCA, CPA, CFA, ABV, controller/accounting manager, Union Bank of California Reg# 388740 Fee: $765 No refund after 12 Oct. D Hybrid (Remote) 11 mtgs Thursday, 4:30-6:30pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. M & Tanesha Morgan, PhD, MBA, MSHA

Global Currency Management

MGMT 833.380

Ethics in Finance

1.2 CEUs This course focuses on the ethical issues confronting financial profes‑ sionals, including extensive coverage of the recent financial crisis and the very latest developments affecting ethics within the financial world. Instruction includes an overview of the ethical standards in finance, including the primary elements necessary to make proper ethical decisions. The course also covers key definitions, issues, and general theories of business and finance ethics, citing examples from the recent scandals that have shaken public confidence in Wall Street and the world financial markets. Main topic areas include overview and fundamentals of ethics in finance, the retail customer, invest‑ ments, financial markets, and financial management. Students leave the course with a better overall understanding of ethical issues con‑ fronting financial professionals and how to apply ethical behavior in everyday business practices. Reg# 388733 Fee: $320 No refund after 28 Sept. MOnline Sept. 26-Oct. 23 Enrollment limited. M Peter Lou, MBA, MA, CFA, senior manager, Wells Fargo Bank

Financial Literacy MGMT 833.821T

Women, Wealth and Wisdom: Sustainability & Climate Change

0.15 CEUs Climate change is in the news so how can you be more sustainable at home and at work? Come hear why it matters and what can be done. and what works from experts in the field. Reg# 388793 Fee: $25 No refund after 5 Oct. A Remote 1 mtg Thursday, 12-1:30pm, Oct. 6 Remote Classroom Instructor to be announced

MGMT 833.849

Career Seminar: Digital Transformation

0.15 CEUs Digital Transformation is not simply creating digital copies of forms. It is about adding value to your company by streamlining and simplify‑ ing processes. Come and hear from a panel of experts in this field talk about how skills in this area can help you advance your career. Reg# 388823 Fee: $25 No refund after 2 Nov. A Remote 1 mtg Thursday, 11:30am-1pm, Sept. 8 Remote Classroom Instructor to be announced

MGMT X 430.136

Internship in Finance

4.0 units The internship provides practical experience in a variety of financerelated job functions within the private, public, or nonprofit sectors and is an opportunity to apply the material previously studied in finance courses. Students intern with sponsoring companies for a minimum of 120 hours and must secure their internship assignment and submit all required paperwork by June 13. Prerequisite(s): Restricted to students enrolled in one of the four Finance Certificates and who have completed a minimum of four courses within that certificate. International students must contact the International Student Office at (310) 825-9351 to confirm eligibility. Internet access is required to retrieve course materials. Reg# 388111 Fee: $795 No refund after 12 Sept. Independent Study/Internship Sept. 19-Dec. 4 Enrollment limited. M Fred Kuhns, CMA, MBA, principal, FRK Consulting

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

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Finance & Investments

Business Economics, Math & Statistics For more information email toliveirademoura@uclaextension.edu. All X 1-199 and X 400-level four-unit courses in this section can be applied toward the General Business Studies Certificate. Courses in this section are also recommended for pre-MBA students.

MGMT X 100

Applying Economics to Business Decisions

4.0 units 3.3 CEUs This course examines the effort of the enterprise to secure profits and the nature of demand for its products. Topics include cost and production, allocation of resources through competition, forms of market competition, relation of size to efficiency, markets for produc‑ tive factors, incentives and growth, and capital budgeting. Various concepts of algebra and statistics may be used in the analysis of economic theory. c Reg# 388026 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M & Britt Hastey, MS, MBA, vice chair, Business Administration Department, Los Angeles City College

MGMT X 110

Mathematical Solutions for Businesses

4.0 units 3.3 CEUs This course provides a fundamental background for administrators in the public and private economic sectors, as well as a solid review of pre-MBA mathematics. Topics include linear and matrix algebra (with special emphasis on demand/supply and cost/revenue analysis) and differential calculus. Students are encouraged to bring in examples of mathematical applications based on their professional experiences. c Reg# 388036 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 M & Jesse U. Overall, PhD, member of the Technical Staff, Rigel^3 Group; recipient of the UCLA Extension Distinguished Instructor Award. Reg# 388050 Fee: $795 No refund after 13 Sept. A Remote 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 Remote Classroom M & Bijan Raphael, MA, PhD

MGMT X 115

Business Statistics

4.0 units 3.3 CEUs This course explores the elements of probability, probability distribu‑ tions, estimation and confidence intervals, tests of significance and hypotheses, linear regression and correlation, time-series analysis, and principles of index numbers. Additionally, the course covers applications to the analysis and decision-making aspects of daily business problems. c Prerequisite(s): MGMT X 110 Mathematical Solutions for Business or consent of instructor. Reg# 388117 Fee: $795 No refund after 12 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M & Mary Dereshiwsky, PhD, MS, part-time associate professor, Mathemat‑ ics and Statistics, University of Maryland at University College

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 430.136

MGMT X 433.032

4.0 units This course is designed for financial professionals and personal inves‑ tors who recognize the importance of diversifying their investment portfolios and who have a desire to understand the risks and rewards of asset classes outside of the traditional categories of stocks and bonds. Instruction provides an overview of alternative investment assets, strategies, and portfolio management. Topics include hedge funds, private equity, structured products/derivatives, and real assets (focus on real estate). Guest lectures given by experienced financial professionals expound upon the various subjects covered. Reg# 388789 Fee: $795 No refund after 5 Oct. D Hybrid (Remote) 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA: Dodd Hall Elective course in the Finance Certificate. Visitors not permitted. No meeting 11/24. Instructor to be announced

Internship in Finance

Alternative Investment Strategies

Investments

MGMT X 433.033

MGMT X 433.01

4.0 units Whether your personal investment style is conservative or aggressive, long-term or short-term, this in-depth course educates individuals on the utilization of options and demonstrates how options can add value to your current investment strategies. Intended for investors who want to utilize options as part of their overall investment mix or for those who already employ options and want to expand their usage, this course explores the basics of options and some of the common mis‑ conceptions regarding them. Participants learn about the unique attributes of options and why investors have to think differently when investing in these instruments, whether as a stand-alone investment or in conjunction with existing stock positions. The course includes stock and index option strategies, as well as an understanding of the nomenclature of the terms used in option trading. Additional topics include the use of spreads, straddles, combinations, butterflies, con‑ dors, and other intermediate forms of option strategies. Prerequisite(s): A basic understanding of the stock market is recommended. Reg# 388781 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. & Victor Dosti, BS, MBA, director of research, Whittier Trust

Fundamentals of Investing

4.0 units This course offers an introduction to investments, including investment analysis, portfolio management, and capital markets. Designed to provide the basic concepts and principles of investing, the course examines investment policies, types of securities, factors that influence price changes, timing purchases/sales, preparing investment pro‑ grams to meet objectives, investment risk and return, and portfolio balancing. Instruction also includes an overview of the securities market and its behavior, including sources of information about the various instruments traded, procedure of trades, and the relevant mechanics and techniques of the market. Reg# 388779 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M & Salman Sadiq, BA, MBA, JD, attorney, financial industry regulatory authority Reg# 388742 Fee: $795 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Visitors not permitted. M & Instructor to be announced

MGMT X 433.02

Security Analysis

4.0 units This updated, rigorous, and exciting course examines companies and industries using a fundamental and timeless classical approach first developed by Benjamin Graham in 1934. Instruction focuses on the examination of equities and bonds by taking an in-depth look at the financial statements concentrated on the income statement, balance sheet, cash flow statement, and financial notes. The tools and techniques used are as relevant today as they were when Graham first developed the basis for value investing. Through case study analysis of actual companies, students learn the tenets of value investing, ratio analysis, and industry analysis. This course draws on subsequent editions of Graham’s classic, Security Analysis, considered by many professional investors to be the best book written on fundamental analysis. Prerequisite(s): X 433.01 Fundamentals of Investing and X 432.3 Financial Statement Analysis, or consent of instructor. Reg# 388785 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA: Dodd Hall M & Steven Yamshon, PhD, LhD, MBA, managing director, Stevens First Principles Investment Advisors

Managing and Understanding Stock Option Strategies

MGMT X 460.983

International Investing

4.0 units More and more individuals are investing internationally to take advan‑ tage of its potential growth and diversify their investment portfolios. This course provides you with a comprehensive overview of invest‑ ment opportunities and strategies in international markets, including the developed world and expanding emerging markets. Learn how to navigate the obstacles that confront the international equity and bond markets and the special risks involved with international investing. Topics include examining how asset allocation strategies can help control risk, international investment products, analyzing political and economic risks in countries and regions, performing research and identifying information sources, and balancing and controlling risks. With these and other tools, you learn to make informed investment decisions and analyze the global and regional economic trends that may affect investment outcomes. Reg# 388737 Fee: $795 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Visitors not permitted. M & Trent Revic, Trent Revic, MBA, FCMA, CGMA

Finance & Investments 63

Enroll at uclaextension.edu or call (800) 825-9971

Personal Financial Planning The courses in this section are part of UCLA Extension’s traditional evening and online Personal Financial Planning Certificate. This eight-course certificate is intended for financial planning professionals who want to expand their current careers or for individuals who are planning to pursue a career transition into this field. The courses also provide approved curriculum for students who are planning to sit for the CFP™ Certification Examination.

MGMT X 430.31

Survey of Personal Financial Planning

4.0 units This course introduces students to the profession of personal financial planning, emphasizing the identification and quantification of financial objectives and the interrelated facets of a wide range of technical personal financial planning material. The course is intended for indi‑ viduals who wish to become practitioners in financial planning, those considering a career transition, and for professionals currently in the financial services industry seeking to advance their careers—bankers, insurance and security brokers, investment and financial advisors, real estate professionals, CPAs, trust officers, and attorneys. Topics include qualitative and quantitative methods used in the financial planning decision-making process. Additionally, the course covers principles of income taxation, investment analysis and procedure, insurance, employment benefit plans, estate planning, cash-flow management, ethics, strategies, and processes of professional practice. Recommended: May be taken prior to or concurrently with MGMT X 430.391 Financial Analysis in Personal Financial Planning. Both of these courses must be taken before all other courses in the Personal Financial Planning Certificate. Reg# 388531 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. & Robert Watson, MBA, financial advisor, ING Financial Partners Reg# 388555 Fee: $795 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA: Royce Hall Enrollment limited. M & Instructor to be announced

MGMT X 430.391

Financial Analysis in Personal Financial Planning

4.0 units This course covers the basic analytic tools and mathematical tech‑ niques used in personal financial planning and introduces the eco‑ nomic concepts underlying the profession. Topics include percentage calculations, family cash flows, basic corporate financial statements, interest and compound growth, understanding the financial section of the newspaper, bond yield calculations, internal rate of return, net present value, basic statistics, and equity analysis. Economic concepts covered include national income accounting, the Federal Reserve System, economic indicators, recession, depression, inflation, deflation, supply and demand, and the money supply. An HP 12C calculator is required. May be taken concurrently with MGMT X 430.31 Survey of Personal Financial Planning. This course and MGMT X 430.31 Survey of Personal Financial Planning must be taken before all other courses in the Professional Designation in Personal Financial Planning. Reg# 388573 Fee: $795 No refund after 2 Oct. Y Hybrid (In-Person) 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Oct. 17 UCLA: Dodd Hall Monday, 6:30-9:30pm, Oct. 24-Nov. 28 Remote Classroom Visitors not permitted. M & Steve Minihan, MBA, CFP , Westlake Financial Advisors LLC; recipient of the UCLA Extension Distinguished Instructor Award, 2019.

MGMT X 427.904

MGMT X 430.35

4.0 units A survey of the various plans available to provide retirement and other investment-oriented employment benefits to employees, significant planning opportunities for tax deferral and capital accu‑ mulation, and the advantages and disadvantages of various alterna‑ tives. Topics include stock options, non-qualified deferred compensation plans, Section 125 cafeteria plans, and other nonpen‑ sion-related benefits. The course emphasizes qualified corporate retirement plans, including pension and profit-sharing plans; noncorporate retirement programs, such as Keogh plans, IRAs, and Simplified Employee Pension plans; fiduciary responsibility require‑ ments in connection with retirement plans; and taxation and timing of benefits. Recent legislation is examined. Prerequisite(s): MGMT X 430.31 Survey of Personal Financial Planning, MGMT X 430.391 Financial Analysis in Personal Financial Planning, or consent of instructor. If you are enrolling in this course to fulfill a UCLA Extension certificate program requirement, you must select the “for credit-letter grade” credit option during the checkout process. Addi‑ tionally, if you are enrolling in this course to fulfill a requirement for (re)certification offered by an external governing body, it is recom‑ mended that you select the “for credit-letter grade” credit option. Reg# 388557 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. & Jason Thomas, adjunct faculty in Financial Planning/Education Specialist, University of Redlands and Pure Financial

4.0 units This course analyzes fundamental insurance principles and approaches to insurance needs. Instruction covers life, health, prop‑ erty, casualty, and liability insurance, as well as the role insurance plays in financial and estate planning. You learn to integrate personal and capital insurance needs into a comprehensive financial plan. Prerequisite(s): MGMT X 430.31 Survey of Personal Financial Planning, MGMT X 430.391 Financial Analysis in Personal Financial Planning, or consent of instructor. Reg# 388571 Fee: $795 No refund after 3 Oct. D Hybrid (Remote) 11 mtgs Tuesday, 7-9pm, Sept. 20-Nov. 29 Remote Classroom Enrollment limited. & Helen Zhao, BS, MBA, CPA, CFP, CFA; financial planning director, Morgan Stanley. Lovett Goode, BA, Certificate in Personal Financial Planning, UCLA Extension; director/principal, KYRAS Insurance Services

Retirement Plans and Other Employee Benefits

MGMT X 430.32

Investments in Personal Financial Planning

4.0 units An examination of the role of various investment vehicles in meeting financial goals, securities markets, sources of information about the various instruments traded, and the procedure of trades. This course introduces various market theories, including modern portfolio theory and the extension to this theory by Markowitz and Sharpe. Other topics include the analysis of business cycles; market analysis; analysis of individual companies; the market in debt instruments; and alternative instruments, including options, warrants, convertibles, commodity futures, mutual funds, and tangibles. Prerequisite(s): MGMT X 430.391 Financial Analysis in Personal Finan‑ cial Planning and MGMT X 430.31 Survey of Personal Financial Plan‑ ning, or consent of instructor. Reg# 388561 Fee: $795 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Visitors not permitted. M & Steve Minihan, MBA, CFP , Westlake Financial Advisors LLC; recipient of the UCLA Extension Distinguished Instructor Award, 2019.

MGMT X 430.33

Income Taxation in Personal Financial Planning

4.0 units This course examines the issues and determination of tax liability for numerous events and activities as they relate to the financial plan. Students are given the necessary information and tools of income taxation to make financial planning decisions within the context of either personal or client financial goals and objectives. Topics include tax issues and concepts in relation to insurance, investments, benefit planning, intrafamily transactions, and business operations. Students are taught and asked to demonstrate an understanding of the follow‑ ing planning techniques: excluding income, deferring income, shifting income, and managing or timing income. Prerequisite(s): MGMT X 430.31 Survey of Personal Financial Planning, MGMT X 430.391 Financial Analysis in Personal Financial Planning, and MGMT X 427.08 Fundamentals of Tax Preparation, or MGMT X 127 Federal Income Taxation, or consent of instructor. Reg# 388567 Fee: $795 No refund after 4 Oct. D Hybrid (Remote) 11 mtgs Wednesday, 6-8pm, Sept. 21-Nov. 30 Remote Classroom Visitors not permitted. M & Mark Cecchini, CFP , senior wealth manager, Aspiriant, LLC

Insurance in Personal Financial Planning

MGMT X 439.3

Estate Planning

4.0 units This course is designed to aid accountants, trust officers, attorneys, life insurance underwriters, and financial planners in solving estate planning problems. Topics include tax objectives, wills and living trusts, the unlimited marital deduction, saving the “second tax,” holding title to property, lifetime gifts and trusts, life insurance and annuities, employee benefit plans, business interests, and post-death problems. Recent tax law changes are also covered. Reg# 388577 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M & Walter Whitaker, JD, MBA, LA Elder Law Reg# 388578 Fee: $795 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Visitors not permitted. & Instructor to be announced

MGMT X 430.38

Personal Financial Planning Capstone

4.0 units This capstone course bridges academic coursework with actual practice management by introducing students to the skills and tools needed for developing a comprehensive financial plan for a client. The first part of the course provides a review of the financial planning CFP Board topics, including ethics and principles of communication and counseling. Classes also review/apply the process and techniques for preparing and presenting a financial plan in an environment of non-liability. This course fully meets the financial plan development course requirement to CFP Board’s education standards, effective Jan. 1, 2012. This course may also be taken by individuals who plan to sit for the CFP Examination on a “challenge status” (e.g. CPA, JD, CFA , ChFC, CLU). Prerequisite(s): Completion of the other seven required courses in the Personal Financial Planning Certificate. Reg# 388572 Fee: $895 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. Early enrollment required. M & Dan Casey, MBA, Certificate in Personal Financial Planning, UCLA Extension; CFP , Westlake Financial Advisors LLC. Steve Minihan, MBA, CFP , Westlake Financial Advisors LLC; recipient of the UCLA Extension Distinguished Instructor Award, 2019.

Finance & Investments

MGMT 833.374

Review Course for the CFP Certification Examination

3.3 CEUs This review course is intended for those who have successfully completed a CFP Board-Registered educational program and are planning to sit for the CFP Certification Examination. The review course also is intended for CPAs and those who plan to sit for the exam on a challenge basis. The sessions provide an extensive review of the board topics that are the basis for the CFP Certification Examination. The review sessions help build self-confidence and increase knowledge while also providing immediate feedback from the instructors and other participants, so you can perform your best on the exam. Exer‑ cises review several case studies and employ the necessary tech‑ niques to approach the various types of exam questions. Reg# 388581 Fee: $1,125 No refund after 28 Sept. X In-Person 4 mtgs Thursday, Friday, Saturday, Sunday, 8am-6pm, Sept. 29-Oct. 2 UCLA Extension DTLA: 261 S. Figueroa St. Course materials are also included and come directly from Kaplan education. To place your order please contact Phil Williams at pwilliams@uclaextension.edu or (310) 206-1689 for further information. Premium Live Review package comes with everything you need to effectively prepare for the CFP exam. Some students benefit by attending an online review class in addition to the live lectures. To participate in an online review, feel free to upgrade to both options for an additional $249. After enrolling with UCLA and receiving your portal login details, please call (888) 450-4681. Enrollment limited; early enrollment advised. Visitors not permitted. Instructor to be announced

Enroll at uclaextension.edu or call (800) 825-9971 MGMT 833.379

Ethics in Personal Financial Planning

0.7 CEUs This course focuses on the unique role of a certified financial planner, their fiduciary responsibility when working with clients is emphasized throughout. Operating “with utmost good faith and in a manner rea‑ sonably believed to be in the best interest of the client.” Instruction begins with a more general perspective by examining the key defini‑ tions, issues, and theories of business ethics before moving on to ethical decision making and conduct specific to the financial planning profession. The remainder of the course time is spent reviewing the CFP Code of Ethics, Practice Standards, Disciplinary Processes and Procedures, sanctions and other disciplinary outcomes, and the Fit‑ ness Standards as updated by the CFP Board in 2019. By the end of this program, the participant should be equipped to understand the structure and content of the revised Code and Standards, including significant changes from prior rules; describe CFP Board’s fiduciary duty; identify material conflicts of interest to avoid or fully disclose them, obtain informed consent, and manage them; understand the duty to report to CFP Board and the duty to cooperate; identify the practice standards when providing financial advice that requires financial planning; and understand the duty to provide information to clients when providing financial planning and/or financial advice. Reg# 388582 Fee: $285 No refund after 28 Sept. MOnline Sept. 26-Oct. 23 Required course in the Personal Financial Planning Certificate. Enrollment limited. Michael Hausknost, BS, CFP , senior vice president, City National Bank

MGMT X 430.383

Internship in Personal Financial Planning

4.0 units The internship provides practical experience in a variety of financial planning job functions within the financial advisory and wealth management sectors, and it is an opportunity to apply the material previously studied in your personal financial planning courses. Stu‑ dents intern with sponsoring companies for a minimum of 120 hours and must secure their internship assignment and submit all required paperwork by June 13. This internship is eligible for three months of credit toward CFP Board’s work experience requirement. Prerequisite(s): Restricted to students enrolled in the Personal Finan‑ cial Planning Certificate and who have completed a minimum of five courses in the Personal Financial Planning Certificate program. International students must contact the International Student Office at (310) 825-9351 to confirm eligibility. Reg# 388038 Fee: $795 No refund after 12 Sept. Independent Study/Internship Sept. 19-Dec. 4 Enrollment limited. M Mark Cecchini, CFP , senior wealth manager, Aspiriant, LLC

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

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Health Care & Counseling 65

Enroll at uclaextension.edu or call (800) 825-9971

HEALTH CARE & COUNSELING For more information call (310) 825-7093.

Alcohol & Drug Abuse Counseling & Studies Certificate Courses The UCLA Extension Alcohol and Drug Abuse Counseling Certificate is approved by California Consortium of Addiction Programs and Professionals Education Institute (CCAPP-EI). This certificate meets the educational requirements for those seeking professional certification from CCAPP (formerly CAADAC) and its certification board, CCAPP Credentialing. It is each student’s responsibility to select the board through which s/ he seeks certification and become familiar with the requirements of that chosen board.

COM HLT X 470.1

Pharmacological Aspects of Alcohol and Other Drugs

4.0 units This course provides students with a basic level of understanding of addiction from a historical, cultural, psychological, and neurobiological perspective. This course examines alcohol and other drug dependen‑ cies through a multidisciplinary approach with lectures, discussions, film, exercises, and readings. To understand its complicated nature as a disease, the course focuses on different substances of abuse and the current genetic and environmental research in the development of substance use disorders. Specific topics to be covered include the biological, developmental, psychological, environmental, and social factors that lead to vulnerability to addictions; symptoms of addictive disorders; prevalence across the life span among target populations, including adolescents, seniors, families, and those with trauma expo‑ sure; and various treatment approaches, including both behavioral and medication-assisted intervention strategies. Reg# 387812 Fee: $705 No refund after 2 Oct. A Remote 11 mtgs Monday, 6:30-9:30pm, Sept. 19-Nov. 28 Remote Classroom Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 25. & Instructor to be announced Reg# 387808 Fee: $705 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 28. & Grant Hovik, MA

COM HLT X 470.3

COM HLT X 470.5

2.0 units This course provides students with a basic level of understanding of the etiology of addiction and clinical implications derived from the application of psychology to chemically dependent behavior. To understand its complicated nature as a disease, the course focuses on current genetic and environmental research in the development of substance use disorders. Specific topics to be covered include the biological, developmental, psychological, environmental, and social factors that lead to vulnerability to addictions; symptoms of addictive disorders; and prevalence across the life span among target popula‑ tions, including adolescents, seniors, families, and those with trauma exposure. We also examine various treatment approaches from a developmental perspective, including translational approaches to treatment that bridge biology and behavior. Reg# 387804 Fee: $465 No refund after 20 Sept. A Remote 5 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Oct. 18 Remote Classroom Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Enrollment deadline: September 26. Visitors not permitted. Instructor to be announced

4.0 units This introductory course provides an overview of evidence-based counseling skills referencing guidelines set forth by the International Certification and Reciprocity Consortium (ICRC) and The Substance Abuse & Mental Health Services Administration (SAMSHA). These counseling skills include: the 12 Core Functions of Substance Abuse Counselors and the Addiction Counseling Competencies outlined in TAP 21. Students outline the 12 Core Functions and discuss how they apply to clients entering substance use disorder treatment. Students are introduced to counseling and case management skills by using bio-psychosocial and multi-axial assessments as well as developing treatment plans based on case studies. Evidence-based treatment modalities are discussed. Ethical and Legal Considerations are intro‑ duced. Students are introduced to the certification requirements of professional organizations including the California Consortium of Addiction Programs and Professionals (CCAPP). Students also identify community resources that are useful when working with clients dur‑ ing their internship. The course discusses traditional treatment pro‑ grams, agency programs, professional diversion programs, sober living, and extended care programs as possible placement sites. Other topics include community resources, basic treatment planning, case management and social assessment, crisis intervention, counseling the suicidal client, and substance misuse and sexuality. Reg# 387810 Fee: $705 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 26. Jonathan Halyalkar, CADC-I Reg# 387813 Fee: $705 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 27. Instructor to be announced

Developmental Aspects of Psychology and Addiction

COM HLT X 470.4

Bringing Recovery to Diverse Populations

4.0 units This course provides exposure to the fundamentals of cross-cultural counseling of substance-abusing and dependent individuals. The cul‑ tural impact of race, nationality, gender, age, sexual orientation, religion, and socio-economic status on the development and progression of substance use disorders is explored. In addition, commonly encountered cultural obstacles to traditional chemical dependency counseling are examined. Suggestions are offered on how to culturally enrich existing counseling services and when to refer to alternative culturally specific treatment programs. This course also explores clinical aspects and current trends in the prevention and treatment of such diseases as tuberculosis; hepatitis A, B, and C; and HIV/AIDS. Topics include current issues in epidemiology, psychosocial issues and strategies to help cli‑ ents, treatment planning for the whole person (not just the disease), culturally competent intervention, harm reduction strategies, and special counseling needs of HIV and other critically ill patients. Reg# 387803 Fee: $705 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 28. & Instructor to be announced

Introduction to Counseling and the 12 Core Functions

Health Care & Counseling

COM HLT X 470.6

Law and Ethics for Addiction Professionals

2.0 units This course is designed to help students clarify their own beliefs and values, review the dynamics of the profession’s Code of Ethics, gain knowledge about legal implications, and explore ethical issues related to substance use disorder counseling. In addition, students learn about the scope of practice for certified addiction counselors. Reg# 387806 Fee: $485 No refund after 1 Nov. A Remote 6 mtgs Tuesday, 6:30-9:30pm, Oct. 25-Nov. 29 Remote Classroom Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Enrollment deadline: Oct. 31. Visitors not permitted. Jaz Robbins

COM HLT X 470.10

Family Counseling Skills

4.0 units This course provides a brief overview of the theoretical and practical methods of assessing and implementing the basic counseling skills for treating substance use disorders in family systems. Information is presented through lectures and interactive discussions. Students are expected to acquire a knowledge base to apply treatment models in counseling, supporting interventions, and collaborating with other professionals. The course inspires students to connect their own experience with family systems by tracking behavior patterns in their own family of origin and the relationships they have inside and outside of the family. Prerequisite(s): COM HLT X 470.5 Introduction to Counseling and the 12 Core Functions, COM HLT X 470.7 Individual Counseling Skills, COM HLT X 470.9 Group Counseling Skills. Reg# 387807 Fee: $705 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 28. &. Berenice Rosillo, LMFT

COM HLT X 470.11

Supervised Field Work Practicum

5.5 units The Supervised Field Work Practicum, extending over two quarters, is designed for students who have completed the prerequisite courses in the Alcohol and Drug Abuse Counseling Certificate. Students are assigned a minimum of 255 hours of on-site agency internship and must attend classroom meetings to attain the requirements for com‑ pletion. The classroom meetings are a combination of lecture, supervi‑ sion, and experiential processes. The goal is to create an environment in which the students will experiment with counseling skills, take “safe risks” in expanding their counseling repertoire, and receive support from their peers and guidance from the instructor. Students will increase confidence and knowledge, both in the clinical aspects of counseling and legal requirements related to the operations of addic‑ tion treatment centers. Emphasis is placed on core aspects of counsel‑ ing. Students participate in supervised groups to practice counseling techniques and interact with guest speakers during lectures. Prerequisite(s): Students must successfully complete all prerequisite courses to receive permission to enroll. Reg# 387802 Fee: $1,005 No refund after 3 Oct. X In-Person 18 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Mar. 21 UCLA Extension Gayley Center: 1145 Gayley Ave. No meetings Jan. 24; Feb. 14; Mar. 7. Required course in the Alcohol and Drug Abuse Counseling Certificate. Restricted course; call (310) 825-7093 for permission to enroll. Web enrollments automatically generate a “Permission to Enroll” request. Visitors not permitted. Enrollment deadline: Sept. 26. & Andrew Kurtz, MA, LMFT

Enroll at uclaextension.edu or call (800) 825-9971

Fitness Instruction COM HLT X 451.1

Practical Training for Fitness Instructors

14.0 units Bring your knowledge of anatomy and biomechanics to life by learning the basic equation for all exercise instruction, keys to effective exercise demonstration, the art of various cueing techniques, safety and preci‑ sion of fitness-testing administration, and fundamentals of exercise progression. Gain practical exercise instruction experience while you practice these skills in a safe, supportive environment with the oppor‑ tunity for feedback. This course trains you to be a personal fitness trainer and/or group exercise leader who works with mainstream populations and addresses training special populations. Learn, prac‑ tice, and receive feedback in the execution of various exercises using a variety of equipment. Exercise genres covered include selectorized equipment, cable equipment, free weights, body weight exercises, basic powerlifting techniques, kettlebells, plyometrics and sports conditioning, basic mat Pilates and core training, popular cardio machines, walking, running, stretching/flexibility, and other small equipment (medicine balls, foam rollers, Dyna Discs, gliding discs, Bosu balls, stability balls, tubing and resistance bands, etc.). Improve your form for better exercise demonstration when teaching. Partici‑ pants observe and shadow trainers and fitness instructors, then teach others in a supervised setting with the opportunity for feedback. Wednesday lectures cover concept review and test prep. Friday classes are for practical training and concepts. This course is 3 quarters in length and UCLA Extension students will be taking the course alongside UCLA students. Reg# 387907 Fee: $825 No refund after 1 Nov. X In-Person 52 mtgs Wednesday, 7:30-9pm, Oct. 26-Dec. 7; Jan. 11-Mar. 15; Apr. 5-June 7 UCLA: John Wooden Center Friday, 3-5pm, Oct. 28-Nov. 4-Dec. 9; Jan. 13-Mar. 17; Apr. 7-June 9 UCLA: John Wooden Center No meeting Nov. 11 & 25. Meets Fall through Spring Quarter. Enrollment/class participation is contingent on signing a liability waiver. Two full elective credits in Fitness Instruction Certificate. Visitors not permitted. Enrollment deadline: Oct. 27. Elisa Terry, NSCA-CSCS, FITWELL program director, UCLA Recreation

COM HLT X 452

Resistance Training Fundamentals

4.0 units This course covers basic and advanced methods of resistance training implementation to develop performance qualities including strength, power, and endurance. Instruction examines the use of periodization to prescribe effective strength and conditioning programs as well as the assessment of anaerobic and aerobic adaptations to training. Proper movement patterns and resistance training techniques are prioritized to safely develop experience in this course. Prerequisite(s): PHYSCI X 452 Applied Anatomy and Biomechanics. Reg# 387906 Fee: $825 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 29 UCLA Extension Gayley Center: 1145 Gayley Ave. Enrollment and class participation are contingent on signing a liability waiver. Required course in Fitness Instruction Certificate. Visitors not permitted. Enrollment deadline: Sept. 26. M Instructor to be announced

PHYSCI X 400.6

Human Anatomy and Physiology

4.0 units This course provides an introduction to the structure; function; and integration of cells, tissues, and organs of the human body. Students learn about the muscular, nervous, cardiovascular, respiratory, digestive, renal, endocrine, reproductive, sensory, and cognitive systems. Instruction develops from molecular and cellular principles through organs and organ systems. It also covers energy metabolism and fluid compartments; homeostasis and responses to stress; and central nervous system func‑ tions in movement, consciousness, and language. Reg# 387905 Fee: $825 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. For general education students. Meets physiology requirement in Fitness Instruction Certificate. Visitors not permitted. Enrollment deadline: Sept. 28. M Miguel-Angel Gutierrez, PhD

PHYSCI X 449

The Human Body: How It Functions

4.0 units The body is a dynamic organism exhibiting a complex integration of biochemical, mechanical, and physical functions. This course provides a systems approach in order to understand the normal function of cells, nerves, hormones, muscles, respiratory system, heart and circu‑ lation, immune system, digestion, and metabolism. Reg# 387904 Fee: $825 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 This course provides a foundation for additional required courses in the Fitness Instruction Certificate and should be taken first. Meets physiology requirement in Fitness Instruction Certificate. Enrollment deadline: Sept. 23. M John Farr, MS, MA, CSCS, USAW, strength and conditioning coach

PHYSCI X 451

Introduction to Human Nutrition

4.0 units This course provides students with a background in the basics of nutrition and stresses the link between nutrition practices, health, disease, and exercise performance. Topics include macronutrient needs; vitamins, minerals, and other supplements; energy balance; weight control; the effects of nutrient excesses and deficiencies on performance; ergogenic aids; eating disorders; and how to recognize nutrition practices that may require professional referral. Students also gain practical knowledge through understanding nutrition labeling and evaluating literature. Reg# 387902 Fee: $825 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Required course in Fitness Instruction Certificate. Enrollment deadline: Sept. 27. M Instructor to be announced

PHYSCI X 452

Applied Anatomy and Biomechanics

4.0 units This course provides fitness instructors with an understanding of musculoskeletal anatomy and the application of basic biomechanical principles to the moving body. This application allows fitness instruc‑ tors to analyze a movement and identify poor mechanics that could contribute to injury, design exercises for particular muscle groups, and more safely and effectively advise on the use of exercise equipment. Prerequisite(s): PHYSCI X 400.6 or PHYSCI X 449. Reg# 387901 Fee: $825 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Nov. 28 UCLA Extension Gayley Center: 1145 Gayley Ave. Required course in Fitness Instruction Certificate. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 25. M Renae Jackson, MS

Health Care & Counseling 67

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Patient Advocacy HLT POL X 407.1

Fundamentals of the U.S. Health Care System

4.0 units This initial course in the Patient Advocacy Certificate provides an overview of the health care system. Topics include health care reform; system components; how we pay for health care; how health care is delivered; consumer and provider perspectives; and emerg‑ ing health care issues in the twenty-first century, including quality measurement, patient safety, and technology. Students receive a foundation for understanding health care delivery systems and health insurance policies, benefits, and costs in order to assist patients and providers in navigating the intense, dynamic, and complex U.S. health care system. Reg# 387900 Fee: $825 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Required course in Patient Advocacy Certificate. Enrollment limited to 25 students. Enrollment deadline: Sept. 23. M & Randy Farber, MSHA, president, Farber Consulting Group, Inc.; COO, Southern California Gastroenterology Associates; lecturer, Department of Health Administration, CSUN.

HLT POL X 407.5

HLT POL X 407.8

Care Planning and Patient Navigation

4.0 units Care planning and navigation are key skills that all patient advocates will use in their daily work. This culminating course outlines the critical knowledge and skills necessary for advocates to create roadmaps for patient navigation and care planning. Course work provides the opportunity for students to integrate the knowledge and practice some of the skills they have acquired in the prerequisite courses utilizing simulated patient case studies. Topics include importance of docu‑ mentation, scope of practice, practice specialization, motivational interviewing, the art of conducting assessments, community resources, working through difficult patient situations, and formulating a self-care plan. Students create a simulated patient case study in the first week of class and develop a care plan and roadmap for naviga‑ tion, which is presented during the last week of class. In addition, they participate in a patient management meeting every three weeks with their assigned team members to discuss patient cases and resources for care planning. Reg# 387897 Fee: $825 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Permission to enroll is required to enroll in course. For more information, please call (310) 825-7093. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23. M Adisa Cartwright

Introduction to Health Care Finance: The Advocate’s Role

4.0 units Patient advocates may be called upon to answer questions and pro‑ vide resources to assist patients and family members with financial matters. This course outlines the fundamental concepts, knowledge, and skills necessary to discuss aspects of private insurance, Medicare and Medicaid coverage, how to navigate third-party payer systems, and how to identify resources for the uninsured. Reg# 387899 Fee: $515 No refund after 23 Sept. MOnline Sept. 19-Oct. 30 Required course in Patient Advocacy Certificate. Enrollment limited to 25 students. Enrollment deadline: Sept. 23. M & Edward Carloni, MBA, retired, senior contract negotiator, Health Care Partners Medical Group

HLT POL X 407.7

Introduction to Bioethics

4.0 units Patients often are faced with a variety of options and alternatives in making decisions about their health care, particularly as the health care system has evolved to a more patient-centered mode of practice. In their role as educators and liaisons, patient advocates need a working knowledge of ethical issues involving patient, family, and physician rights and responsibilities. This course provides an overview of the ethical and moral questions that arise in the practice of patient advocacy in relation to medical treatment and scientific research. Reg# 387898 Fee: $515 No refund after 4 Nov. MOnline Oct. 31-Dec. 4 Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Nov. 4. M Instructor to be announced

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

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Humanities & Social Sciences

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HUMANITIES & SOCIAL SCIENCES For more information call (310) 825-7093.

Anthropology

Economics

Philosophy

ANTHRO XL 3

ECON XL 1

PHILOS XL 7

5.0 units Introduction to study of culture and society in comparative perspec‑ tive. Examples from societies around world to illustrate basic principles of formation, structure, and distribution of human institutions. Of special concern is contribution and knowledge that cultural diversity makes toward understanding problems of modern world. c Reg# 388676 Fee: $798 No refund after 3 Oct. X In-Person 12 mtgs Monday, 6-10pm, Sept. 19-Dec. 5 UCLA: Bunche Hall Fulfills General Education (GE) requirement for the UCLA College of Letters and Science. GE Foundation Category: Foundations of Society and Culture—Social Analysis. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Oct. 3. M & David Blundell, PhD, anthropology, UCLA, former professor of Interna‑ tional Doctoral and Master’s Program in Asia-Pacific Studies, National Chengchi University, Taipei, Taiwan

4.0 units Introduction to principles of economic analysis, economic institutions, and issues of economic policy. Emphasis on allocation of resources and distribution of income through price system. c Reg# 388678 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 23 students. Visitors not permitted. Enrollment deadline: Sept. 23. M & Niree Kodaverdian, PhD, economics, USC; visiting assistant professor at Pomona College and an adjunct instructor at Pasadena City College.

5.0 units Introductory study of philosophical issues about nature of the mind and its relation to the body, including materialism, functionalism, behaviorism, determinism and free will, nature of psychological knowledge. c Reg# 388656 Fee: $798 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Applies toward the Humanities (Philosophy) requirement in the College of Letters and Science. Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23. There is no textbook for this course. All readings will be posted on Canvas. Jennifer Zamzow, PhD, Philosophy, University of Arizona

Culture and Society

Communication COMM XL M147

Sociology of Mass Communication

4.0 units Same as SOCIOL XL M176. Studies in relationship between mass communication and social organization. Topics include history and organization of major media institutions, social forces that shape production of mass media news and entertainment, selected studies in media content, and effects of media on society. c Reg# 388677 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Enrollment deadline: Sept. 23. Terri L. Anderson, PhD, lecturer, sociology, UCLA

Principles of Economics: Microeconomics

ECON XL 2

Introduction to Philosophy of Mind

Principles of Economics: Macroeconomics

4.0 units Introduction to principles of economic analysis, economic institutions, and issues of economic policy. Emphasis on aggregative economics, including national income, monetary and fiscal policy, and interna‑ tional trade. c Reg# 388679 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 23 students. Visitors not permitted. Enrollment deadline: Sept. 23. M & Niree Kodaverdian, PhD, economics, USC; visiting assistant professor at Pomona College and an adjunct instructor at Pasadena City College.

History HIST XL 154

History of California

4.0 units This course covers the economic, social, intellectual, and political development of California from earliest times to present. c Reg# 388655 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Formerly numbered XL 163. Midterm and final exams are proctored online; additional requirements include microphone, headphones/ speakers, and webcam. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23. Gregory Brueck, PhD, History, UC Davis

Psychology PSYCH X 401

Happiness: Theory, Research, and Application in Positive Psychology

4.0 units What makes human beings flourish? In this course, we will examine, discuss, and apply theories and research within the field of positive psychology. Lectures, readings, papers, and in-class exercises are based on the scientific discoveries, philosophical questions, historical perspectives, and practices of well-being. Topics include: biological and physiological determinants of happiness, how happiness is measured, roles of human neuroanatomical structures in well-being, human character strengths and virtues, positive emotions, meaning and engagement, relationships, accomplishment, resilience, pleasure vs. long-term happiness, bi-directional relationship between physical health and positive affect, roles of evolution and motivation in happi‑ ness, and whether or not the pursuit of happiness is a practical endeavor and moral obligation. Reg# 387875 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment deadline: Sept. 23. M & Ajit Singh Mann

Humanities & Social Sciences 69

Enroll at uclaextension.edu or call (800) 825-9971 PSYCH XL 10

PSYCH XL 127A

4.0 units This introductory course provides an overview of the vast and fascinat‑ ing field of psychology. General introduction includes topics in cogni‑ tive, experimental, personality, developmental, social, and clinical psychology; six hours of psychological research required. c Reg# 387878 Fee: $895 No refund after 26 Sept. X In-Person 22 mtgs Tuesday, Thursday, 6:30-8:30pm, Sept. 20-Dec. 6 UCLA: Boelter Hall No meeting Nov. 24. Visitors not permitted. Enrollment deadline: September 21. M & Instructor to be announced

4.0 units This course presents the study of psychological disorders including depression, anxiety, substance use disorders, and schizophrenia across lifespan. The role of biological, behavioral, social, cognitive, and cultural factors; diagnosis; and treatment approaches are reviewed. Students critically evaluate theories, research, and treatment related to psychological disorders from a cultural and social perspective. Discussion focuses on how stigma affects access to care and what practices can be implemented to support inclusiveness. c Prerequisite(s): PSYCH XL 10 (Introductory Psychology) Reg# 387882 Fee: $895 No refund after 2 Oct. A Remote 11 mtgs Monday, 6:15-9:15pm, Sept. 19-Nov. 28 Remote Classroom Lecture three hours. Weekly one-hour discussion online through the Canvas Learning Management System. Visitors not permitted. Enrollment deadline: Sept. 25. M & Andrea Mandelblatt-Rashtian, PhD, lecturer, Los Angeles City Col‑ lege; lecturer, CSUN; psychologist in residence, Valley Trauma and Family Services, Santa Clarita; psychologist in private practice.

Introductory Psychology

PSYCH XL 100A

Psychological Statistics

4.0 units This course covers basic statistical procedures and their application to research/practice in various areas of psychology. c Prerequisite(s): Psychology XL 10 (Introductory Psychology) and one course from Mathematics 2, Program in Computing 10A, Statistics 10; or one term of calculus. Reg# 387876 Fee: $895 No refund after 25 Sept. A Remote 22 mtgs Monday, Wednesday, 6-8pm, Sept. 19-Nov. 30 Remote Classroom Visitors not permitted. Enrollment deadline: Sept. 20. M & Mohammad Abdolvahab, PhD

PSYCH XL 115

Principles of Behavioral Neuroscience

4.0 units This course covers nervous system anatomy, physiology, pharmacol‑ ogy, and their relationships to behavior. c Prerequisite(s): Psychology XL 100A (Psychological Statistics) and Life Sciences XL 2, 7A, or 15. Reg# 387877 Fee: $895 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA: Young Hall No meeting Nov. 24. Lecture three hours. Weekly one-hour discussion online through the Canvas Learning Management System. Visitors not permitted. Enrollment deadline: Sept. 28. M & Brian D. Armstrong, PhD, assistant research professor, Department of Neuroscience; director, Light Microscopy Core Facility, Beckman Research Institute, City of Hope.

PSYCH XL 120A

Cognitive Psychology

4.0 units This course presents a survey of cognitive psychology—how people acquire, represent, transform, and use verbal and nonverbal information. Topics include perception, attention, imagery, memory, representation of knowledge, language, action, decision-making, and thinking. c Prerequisite(s): XL 10 Introductory Psychology, XL 100A Psychological Statistics, junior standing, or consent of instructor. Reg# 387881 Fee: $895 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 UCLA: Math Sciences Lecture three hours. Weekly one-hour discussion online through the Canvas Learning Management System. Visitors not permitted. Enrollment deadline: Sept. 27. M & Instructor to be announced

Abnormal Psychology

Sociology SOCIOL XL 1

Introductory Sociology

5.0 units Survey of characteristics of social life, processes of social interaction, and tools of sociological investigation. c Prerequisite(s): Student must have completed high school by enroll‑ ment date. Reg# 388682 Fee: $798 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Fulfills General Education (GE) requirement for the UCLA College of Letters and Science. GE Foundation Category: Foundations of Society and Culture—Social Analysis. Midterm and final exams are proctored online; additional requirements include microphone, headphones/ speakers, and webcam. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23, 2022. Robert McKee, PhD, sociology, University of Nevada, Las Vegas; sociol‑ ogy instructor, College of Southern Nevada and Southern New Hampshire University.

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

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Landscape Architecture & Horticulture

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LANDSCAPE ARCHITECTURE & HORTICULTURE For more information call (310) 825-9414.

Landscape Architecture For more information call (310) 825-9414 or email landscapearchitecture@uclaextension.edu. Note: The Landscape Architecture Program does not support AutoCAD on the Mac. All CAD courses are fast-paced and complex; absence from any meet‑ ing is discouraged. The courses require at least three hours of com‑ puter work outside of class per week. Lab hours are not available; therefore, students must have access to their own hardware and software for the courses in which they enroll. Laptops are required for certain courses; check individual course descriptions for specifics. FREE SOFTWARE AND SOFTWARE LICENSES Certificate students may download AutoCAD for free upon proof of student status and may be eligible for academic rates on other soft‑ ware for their home computer. Prices and restrictions are subject to change. Software versions should reflect the version used in class as an older version may not possess the same interface or tools demon‑ strated in class. Each student must verify that their computer meets the software’s minimum system requirements. For more information call (310) 825-9414.

ARCH X 472

Introduction to the Landscape Design Professions

4.0 units This introductory course covers the history, scope, types, and scale of landscape design professions; licensure; professional societies; and current issues. Terminology, construction concepts, basic graphic skills, and model-making are also introduced. Reg# 388300 Fee: $950 No refund after 27 Sept. A Remote 11 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom No meeting Nov. 23. M & Steve Lang, managing principal of the Southern California office of Moore Iacofano Goltman (MIG) in Fullerton. Specializing in park and recreation planning and design, Mr. Lang has been actively involved in award-winning projects for more than 35 years.

ARCH X 472.4D

Design Graphics 1: Drafting and Drawing of the Built Environment

4.0 units Students learn introductory drafting, lettering, and drawing techniques as they relate to the field of Landscape Architecture and professional standards. All work product is developed from Tongva Park, a real site located in Santa Monica. At the end of this course, students make a presentation to the instructor and visiting guests. The students present a package of work product that includes hand drafting of a dimen‑ sioned site plan, section/elevations, and perspective sketch. Reg# 388304 Fee: $950 No refund after 25 Sept. Y Hybrid (In-Person) 12 mtgs Saturday, 9am-12pm, Sept. 17 Remote Classroom Tuesday, 6:30-9:30pm, Sept. 20-Nov. 8 Remote Classroom Saturday, 9am-5pm, Nov. 5 Field Trip Saturday, 9am-5pm, Nov. 19 Remote Classroom Saturday, 9am-3pm, Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Attendance at pre-course Zoom workshop on Saturday, Sept. 17 is required. Site visit to Tongva Park on Nov. 5 is required. In-person final presentation Dec. 10 is required. Two webcams required for this drafting course; cell phone camera is not allowed. Articulating arm for camera mount required. M & David Squires, MA in architecture and urban design, UCLA; BS in landscape architecture and regional planning, Washington State University. Mr. Squires is the principal of AroundYOU, a multi-disciplin‑ ary studio offering master planning, solar planning, architectural design, landscape architecture, and garden design.

ARCH X 471.1A

Landscape Design 1: Site Design Basics

4.0 units This course explores basic design elements, principles, and issues relevant to landscape architecture. Projects emphasize abstract 3D space and form; the basics of site design: conceptual design, imagery, and symbolism; and basic issues of proportion, scale, and composition. Prerequisite(s): ARCH X 472 Introduction to the Landscape Design Professions and ARCH X 472.4D Design Graphics I: Drafting and Draw‑ ing of the Built Environment.

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Reg# 388299 Fee: $950 No refund after 26 Sept. Y Hybrid (In-Person) 12 mtgs Tuesday, 7-10pm, Sept. 20; Oct. 4-Dec. 6 Remote Classroom Saturday, 9am-12pm, Sept. 24 Field Trip M & Steven Chavez, a licensed landscape architect and founding principal of SCA-LARC. Mr. Chavez received a Bachelor of Landscape Architec‑ ture from the University of Washington and an MFA in Photography with an emphasis on urban landscapes from the University of Ulster. His core interest is designing high-use public and civic spaces.

ARCH X 472.4E

Design Graphics 2: Communication for Site Analysis, Conceptual and Site Design

4.0 units Students build upon drafting, lettering, and drawing techniques learned in Design Graphics 1. As the second class in the series, it also concentrates on the graphic conventions for site analysis, conceptual design, design process and measured plan, perspective, and section elevations as they relate to the field of landscape architecture and professional standards. All work product is developed from the Tongva Park site used in Design Graphics 1, located in Santa Monica. At the end of this course, students make an oral presentation to the instructor and visiting guests. The students present a package of work product that includes hand drafting and colored rendering of a conceptual site plan; section/elevations and perspective vignettes; and graphic package of progress drawings, including site analysis graphics, design concept studies, and a final design concept with supporting design elements. Prerequisite(s): ARCH X 472 Introduction to the Landscape Design Professions and ARCH X 472.4D Design Graphics 1. Reg# 388305 Fee: $950 No refund after 28 Sept. Y Hybrid (In-Person) 12 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 Remote Classroom Saturday, 9am-12pm, Nov. 5 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Saturday, 9am-12pm, Dec. 10 Remote Classroom No meeting Nov. 24.. M & Rebecca Schwaner, MA, landscape and project designer at StudioMLA. Her built work includes streetscapes, affordable housing environ‑ ments, park and civic projects, and reclamation and restoration of habitat. In 2010 she was selected Outstanding Instructor of the year in Arts, Landscape Architecture Program.

Landscape Architecture & Horticulture 71

Enroll at uclaextension.edu or call (800) 825-9971 ARCH X 472.12A

Grading and Drainage

4.0 units This course covers the basic grading and drainage techniques used in every landscape architecture project. Students learn the skills necessary to grade a site of moderate complexity while considering public health, safety, and welfare. Instruction covers contour signa‑ tures and contour manipulation by cutting and/or filling and storm‑ water management techniques including low-impact design, bioretention, and detention and retention areas. Basic grading formu‑ las and cut and fill calculations are presented. The course also intro‑ duces landform grading and erosion control together with road and path layout and alignment for pedestrian and vehicular circulation. Prerequisite(s): ARCH X 472.4D Design Graphics I, ARCH X 471.1B Landscape Design 2, ARCH X 493.992 Introduction to AutoCAD, or equivalent as determined by the program office. Reg# 388301 Fee: $950 No refund after 26 Sept. Y Hybrid (In-Person) 13 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Saturday, 9am-12pm, Oct. 15 Location to be announced Sunday, 9am-12pm, Nov. 20 UCLA Extension DTLA: 261 S. Figueroa St. Oct. 15 class location to be announced. M & Jeff Chamlee, BLA, landscape architect (CA 1736); director of produc‑ tions for Architect Design Group. With more than 35 years’ experience in a diverse array of project types, such as Kenneth Hahn State Rec‑ reation Area, Veterans Memorial Regional Park in Sylmar, and Roxbury Memorial Park in Beverly Hills, among many others.

ARCH X 472.8A

Plant Identification: Trees

4.0 units One of the two required plant material courses; focuses on plants, their communities, and place in the landscape. Instruction focuses on large-scale materials that often influence the landscape architect’s overall site composition. This course concentrates on trees, shrubs and companion plant groupings, and planting location as design elements. Participants study plant texture, density, form, color, and other characteristics as articulators of space. Attention is given to cultural, taxonomical, and landscape maintenance idiosyncrasies. Each class meeting is either classroom/outdoors on campus or a field trip. Students must bring a camera to all classes. Reg# 388306 Fee: $950 No refund after 28 Sept. Y Hybrid (In-Person) 9 mtgs Thursday, 7-10pm, Sept. 22-Dec. 1 Remote Classroom Sunday, 9am-4pm, Oct. 16; Nov. 19 Field Trip No meetings Oct. 13, Nov. 3, 17 & 24. Oct. 16 meeting at Huntington Botanical Gardens Nov. 19 meeting at Devil Mountain Nursery, Filmore, CA M & Lisa Smith, arborist #464, and owner of The Tree Resource, a treeconsulting firm. She is currently president of the Board of Directors for the Western Chapter of the International Society of Arboriculture.

ARCH X 472.14A

Landscape Construction Methods and Materials

4.0 units This course investigates the various materials used in building land‑ scapes (masonry, concrete, wood, metal, water, and lighting). Their physical properties, characteristics, and applications in terms of function and aesthetics are also studied and evaluated. Students demonstrate knowledge and proper use of these materials in detailed exercises and drawings. Prerequisite(s): ARCH X 493.6 AutoCAD 2, and ARCH X 472.12B Irrigation Practices and Water Conservation.

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Reg# 388302 Fee: $950 No refund after 27 Sept. Y Hybrid (In-Person) 12 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 9 Remote Classroom Saturday, 9am-12pm, Oct. 8 Field Trip Saturday, 11am-2pm, Nov. 5 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Wednesday, 7-10pm, Nov. 30-Dec. 7 Remote Classroom No meeting Nov. 23. Must be taken before or concurrently with X 472.14B Landscape Construction Drawing I. Oct. 8 site visit at UCLA campus. M & Patrick Reynolds, landscape architect (CA 4440), landscape contrac‑ tor, certified irrigation designer and auditor, and CEQA and NEPA Certi‑ fied. His 35 years’ experience ranges from design, park master planning, land acquisitions, trails design, and construction. Mr. Reynolds is currently the Parks Division manager for Culver City. Anna Mendiola, Anna Mendiola is a licensed landscape architect with over 30 years of experience in private and public practice. Ms. Men‑ diola is a past president of the SoCal chapter of ASLA and was a member of the CA Landscape Architects Technical Committee. She has a BS in Plant Science from UCR and an MLA from Cal Poly Pomona.

ARCH X 472.14B

Landscape Construction Drawing I

4.0 units This construction drawing course imparts a working knowledge of procedures and techniques. Students learn the process of assembling a complete and comprehensive set of construction drawings in which title and base sheets, dimensioned layout sheets, and demolition plans are prepared. Grading, drainage, and other drawings prepared in other courses are incorporated into the overall document package. Prerequisite(s): ARCH X 493.6 AutoCAD 2, ARCH X 472.12A Grading and Drainage, ARCH X 472.5 Landscape Design 5: Planting Design, ARCH X 472.12B Irrigation Practices and Water Conservation, and ARCH X 472.19 Landscape Design 6: Concept Design. Reg# 388303 Fee: $950 No refund after 28 Sept. A Remote 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24. Must be taken after or concurrently with X 472.14A Landscape Construction Methods and Materials. AutoCAD software required. M & Perla Arquieta, who has worked with Galper/Baldon Associates, Laura Saltzman Associates, Artecho Landscape Architects, KAA Design Group, and most currently, The County of Los Angeles Parks and Recreation. Ms. Arquieta’s body of work includes residential, institu‑ tional, commercial, and public projects. She is a member of ASLA.

ARCH X 493.9

Professional Practices in Landscape Architecture

2.0 units This course covers professional relationships and the rights and responsibilities between parties in the public and private sectors. Instruction emphasizes professional practices and project manage‑ ment, including licensing and consumer protection, setting up and managing a private practice, cost estimating and bid solicitation, contracts and contract documents, liability and insurance, administer‑ ing projects under construction, and professional ethics. Prerequisite(s): Completion of year one and two courses. Reg# 388308 Fee: $550 No refund after 26 Sept. Y Hybrid (In-Person) 6 mtgs Tuesday, 7-10pm, Sept. 20-Oct. 11 Remote Classroom Saturday, 1-4pm, Oct. 8 UCLA: Rolfe Hall Tuesday, 7-10pm, Oct. 25 Remote Classroom M & Anna Mendiola, Anna Mendiola is a licensed landscape architect with over 30 years of experience in private and public practice. Ms. Men‑ diola is a past president of the SoCal chapter of ASLA and was a member of the CA Landscape Architects Technical Committee. She has a BS in Plant Science from UCR and an MLA from Cal Poly Pomona.

ARCH X 493.33

Fundamentals of Exterior Lighting

2.0 units Understanding how the eye functions as light levels change is criti‑ cal to successful lighting design. In this course, students learn the unique lighting design skills of manipulating the eye through dark and light spaces and creating safe night spaces and compositions. The course highlights basic light concepts such as the lighting vocabulary, how the eye and brain function to provide vision, how we see light and how it affects what we “see,” and how to quantify color for lighting design. The course covers various exterior lighting applications for roadways, sports lighting, retail/commercial, struc‑ tures, parking lots, building exteriors, landscapes, and residential design. Instruction also covers the process of lighting design and its concepts, such as designing with respect to the dark sky and addressing safety and security. Reg# 388736 Fee: $550 No refund after 30 Oct. Y Hybrid (In-Person) 4 mtgs Saturday, 11am-3:30pm, Oct. 29; Nov. 19; Dec. 3 Remote Classroom Saturday, 4-8:30pm, Nov. 5 Field Trip Elective course in Landscape Architecture, Horticulture and Gardening Certificates. Field trip on Nov. 5 - Glassell Park, Los Angeles. M Yvonne English, registered landscape architect (CA5484), licensed landscape contractor, and LEED AP who is the founding principal of Legends Design Studio, Inc. Her 18 years in multiple landscape design and construction roles grant her hands-on experience in all facets of landscape conception. She has designed and installed lighting sys‑ tems for the past 15 years.

ARCH 747

LARE Section 1: An Intensive Review

Designed for students who are preparing to take the Landscape Architects Registration Exam (LARE) Section 1: Project and Construc‑ tion Administration, this workshop covers the knowledge and skills associated with regulations, contracts, and construction administra‑ tion processes. Reg# 388295 Fee: $337 No refund after 28 Sept. A Remote 1 mtg Saturday, 8am-5pm, Oct. 1 Remote Classroom Early enrollment required. M Angela Woodward, BSLA, landscape architect (CA 2126) with over 30 years’ experience practicing landscape architecture in California and Arizona, Ms. Woodward has specialized in municipality projects and infrastructure projects. Served as past president of the American Society of Landscape Architecture (ASLA), Southern California Chapter.

ARCH 748

LARE Section 2: An Intensive Review

Designed for students who are preparing to take the LARE Section 2: Inventory and Analysis, this workshop covers the knowledge and skills related to inventory, data gathering, analysis, programming, regional land use planning, site land use planning, and principles of design. Reg# 388296 Fee: $337 No refund after 29 Sept. A Remote 1 mtg Sunday, 8am-5pm, Oct. 2 Remote Classroom Early enrollment required. M Angela Woodward, BSLA, landscape architect (CA 2126) with over 30 years’ experience practicing landscape architecture in California and Arizona, Ms. Woodward has specialized in municipality projects and infrastructure projects. Served as past president of the American Society of Landscape Architecture (ASLA), Southern California Chapter.

Landscape Architecture & Horticulture

ARCH 749

LARE Section 3: An Intensive Review

Designed for students preparing to take LARE Section 3: Design. This workshop covers the knowledge and skills required for site design from principles of design and initial programming through preliminary design stages. Revised exam includes analysis, details, and design materials. Reg# 388297 Fee: $337 No refund after 27 Oct. A Remote 1 mtg Sunday, 8am-5pm, Oct. 30 Remote Classroom Students are expected to have basic drafting supplies, trace paper, and a calculator. Textbook provided as a PDF once the course starts. Early enrollment required. M Angela Woodward, BSLA, landscape architect (CA 2126) with over 30 years’ experience practicing landscape architecture in California and Arizona, Ms. Woodward has specialized in municipality projects and infrastructure projects. Served as past president of the American Society of Landscape Architecture (ASLA), Southern California Chapter.

ARCH 750

LARE Section 4: An Intensive Review

Designed for students preparing to take LARE Section 4: Grading, Draining, and Construction Documentation. This workshop covers the knowledge and skills for preparing plans, including demolition, grad‑ ing, drainage, planting, and stormwater management. Also covers construction documentation and specifications. Reg# 388298 Fee: $588 No refund after 25 Oct. A Remote 2 mtgs Friday, 12-5pm, Oct. 28 Remote Classroom Saturday, 8am-5pm, Oct. 29 Remote Classroom Students are expected to have basic drafting supplies, trace paper, and a calculator at each class meeting. Textbook provided as a PDF once the course starts. Early enrollment required. M Angela Woodward, BSLA, landscape architect (CA 2126) with over 30 years’ experience practicing landscape architecture in California and Arizona, Ms. Woodward has specialized in municipality projects and infrastructure projects. Served as past president of the American Society of Landscape Architecture (ASLA), Southern California Chapter.

Horticulture & Gardening Enrollment is open to anyone interested in learning the science of horticulture or the common techniques to successful gardening. For more information call 310-825-9414 or email at horticulture@uclaextension.edu.

BIOLGY X 496.2

General Botany for Gardeners

4.0 units This course provides a general introduction to the study of plant structures and functions, emphasizing these aspects as they relate to the natural survival and cultivation of plants. Topics include types and functions of leaves, stems, flowers, and fruits; plant-water relations; basic genetics; ecological tolerances; and an introduction to plant names and groupings. Many of the topics include ample hands-on experience with plants. Reg# 388310 Fee: $650 No refund after 25 Sept. MOnline 11 mtgs Sept. 19-Nov. 28 Core course in Horticulture Certificate. Elective course in the Landscape Architecture Certificate. M & Valerie Wong, PhD, plant and microbial biology. Dr. Wong earned a bachelor’s degree in biochemistry from Wellesley College, and her most recent research investigates microbes living inside plants and lichens of the subarctic, through work with the University of Minnesota.

BIOLGY X 498.2

Horticultural Pest Management

4.0 units This course covers the identification and management of common garden insects, diseases, and weeds common in the California land‑ scape. Topics include integrated pest management (IPM) and biologi‑ cal and other non-chemical methods of control, as well as information on available chemicals and safety programs required for their uses. Reg# 388311 Fee: $650 No refund after 27 Sept. X In-Person 11 mtgs Wednesday, 7-10pm, Sept. 21-Nov. 16-Dec. 7 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 23. Core course in Horticulture Certificate. M & Instructor to be announced

Enroll at uclaextension.edu or call (800) 825-9971 BIOLGY X 499

Plant Materials for Landscape Use

4.0 units This course presents the characteristics of up to 150 plants selected for their garden use and seasonal interest in the Southern California area. Topics include trees; shrubs, ground covers; vines; and herba‑ ceous plants, emphasizing their landscape use, appropriate place‑ ment, horticultural care, and ornamental features. A course project is required for all credit students. Reg# 388274 Fee: $650 No refund after 28 Sept. X In-Person 11 mtgs Thursday, 6:30-8:30pm, Sept. 22-29 UCLA Extension Gayley Center: 1145 Gayley Ave. Saturday, 10am-3pm, Oct. 8 Field Trip Saturday, 8-11am, Oct. 15 Field Trip Saturday, 10am-2pm, Oct. 22 Field Trip Saturday, 10am-3pm, Oct. 29-Nov. 5 Field Trip Saturday, 10am-1pm, Nov. 12-19 Field Trip Thursday, 6:30-9:30pm, Dec. 1-8 UCLA Extension Gayley Center: 1145 Gayley Ave. Core course in Horticulture Certificate. Saturday field trips to various gardens in LA County. Visitors not permitted. M Ava Post, Ava Post is a professional horticulturist and environmental advocate for over 12 years managing and creating nonprofit gardens. She holds a Bachelors of Science in Plant Sciences from Cornell University, an Associates of Applied Science in Ornamental Horticul‑ ture, and is also a Certified California Naturalist.

BIOLGY X 494

Introduction to Horticulture

4.0 units Designed for beginners and experienced gardeners, this course covers the basics of garden care in California and provides the student with the knowledge to solve many of the problems commonly faced in keeping plants healthy. Topics include soils and soil amendments; fertilizers; plant physiology and identification methods; planting, pruning, and staking techniques; turf grasses; plant selection guide‑ lines; and pest and disease control. The course also includes a brief history of horticulture and an introduction to taxonomy. Students are encouraged to bring in plants for identification and discussion. Includes field trips. Reg# 388309 Fee: $650 No refund after 26 Sept. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Required course in the Gardening Specialization. Elective course in the Landscape Architecture and Horticulture Certificates. M & Gary Jones, chief horticulturist at Armstrong Garden Centers. He has served as a member of the Board of Trustees for The Arboretum of Los Angeles and is a member of the Board of Advisors for Southern Cali‑ fornia Chapter of The Mediterranean Garden Society.

BIOLGY X 497.19

Planting Design for the Home Gardener

4.0 units This course covers the principles of design for the residential garden using a combination of plant materials and built elements. Instruction includes spatial, functional, climatic, and visual analysis of the site. It also explores the design process for laying out the garden; choosing site-appropriate plants; providing structural definition; and producing desired moods, vistas, and aesthetic effects. Reg# 388359 Fee: $650 No refund after 28 Sept. A Remote 10 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 1 Remote Classroom No meeting Nov. 24. Elective course in the Horticulture Certificate. M & Wendy Glomb, BLA, who began teaching at UCLA Extension in 2013. She is a member of the L.A. chapter of the AIA and has a practice in Los Angeles as well as Santa Barbara.

Languages & English for International Students 73

Enroll at uclaextension.edu or call (800) 825-9971

LANGUAGES

For more information call (310) 825-7093.

Chinese

French

CHIN X 403A

FRNCH XL 3

4.0 units HSK 5 Advanced Mandarin 1 is the first of a four-quarter series of Advanced Mandarin language and culture. The main goal for this course is to help students get prepared for the HSK 5 test. The com‑ municative Language Teaching Approach method is used in this course. This broad and dynamic method emphasizes communication for real-life situations. It develops linguistic fluency in an interactive way. In class, students engage in communicative activities in Manda‑ rin. Therefore, students must prepare using online materials, as well as put time and effort into mastering it before coming to class for participating enthusiastically in a variety of oral activities in groups and pairs. Reg# 388660 Fee: $675 No refund after 27 Sept. A Remote 18 mtgs Wednesday, 5-7pm, Sept. 21-Nov. 16 Remote Classroom Friday, 5-7pm, Sept. 23-Dec. 2 Remote Classroom Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23. M & Xu Yang, BA, Tianjin Conservatory of Music. MA, National University

4.0 units A continuation of XL 2, this course emphasizes past and future verb tenses, commands, object pronouns, idiomatic expressions, and the expansion of cultural vocabulary using a communicative, thematicallybased approach. Conducted entirely in French. c Prerequisite(s): FRNCH XL 2 Elementary French, or proof of equivalent and consent of instructor at the first session. Reg# 388662 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 If taken for credit, successful completion of French XL 3 applies toward the Humanities (Language and Linguistics/Foreign Language) requirement of the UCLA College of Letters and Science. Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Enrollment deadline: Sept. 23. M & Evelyne Fodor, PhD, French and Francophone Studies, UCLA

HSK 5 Advanced Mandarin 1

Elementary French

SPAN XL 3

Elementary Spanish

4.0 units Introductory Spanish language and culture course that is proficiencyoriented, communicative, and task-based to help develop communica‑ tive competence in four skill areas (listening, speaking, reading, and writing). c Prerequisite(s): SPAN XL 2 Elementary Spanish, or proof of equivalent and consent of instructor at the first session. Reg# 388675 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 If taken for credit, successful completion of SPAN XL 3 satisfies the Foreign Language requirement of the UCLA College of Letters and Science. Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23. Svetlana V. Tyutina, PhD in Spanish, Florida International University, Miami, Florida; PhD in Applied Linguistics, Herzen State Pedagogical University of Russia, St. Petersburg, Russia.

Spanish SPAN XL 1

Elementary Spanish

4.0 units This introductory Spanish language and culture course is proficiencyoriented, communicative, and task-based to help develop communica‑ tive competence in four skill areas (listening, speaking, reading, and writing), as well as cultural competence. c Reg# 388663 Fee: $688 No refund after 23 Sept. MOnline Sept. 19-Dec. 5 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 23. M & Mariana Pensa, PhD, Comparative Literary Studies, Carleton University

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

Visit our website for textbook information.

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Legal Programs

Enroll at uclaextension.edu or call (800) 825-9971

LEGAL PROGRAMS

For more information call (310) 825-0741 or email legal@uclaextension.edu.

Paralegal Studies LAW X 406

Paralegal Training Program

36.0 units UCLA Extension’s Paralegal Training Program (PTP) is approved by the American Bar Association and seeks to prepare students to function as ethical, effective, and efficient professional paralegals in law firms, businesses, government, and nonprofit organizations; to perform a wide variety of legal work under the supervision of attorneys; and to adapt easily to the changing role of the paralegal as well as the chang‑ ing needs of the legal community. The PTP provides training in sub‑ stantive and procedural law, legal analysis, professional responsibility, legal forms, legal technology, and practical skills needed to work in the public or private sector as a competent and professional paralegal. This program fulfills educational requirements to practice as a para‑ legal in California. Instructors for the program are approved by the UCLA School of Law and include judges, attorneys, paralegals, and other legal professionals. Assistance in career counseling and job search opportunities are available to current students and program graduates. Paralegals may not provide legal services directly to the public, except as permitted by law. Lifetime placement assistance is available to PTP graduates. Pursuant to ABA Guidelines, students must take at least nine-semester credits or the equivalent of legal specialty courses through synchronous instruction. Law X 406 Paralegal Train‑ ing Program meets this requirement. Reg# 386496 Fee: $7,995 No refund after 1 Nov. A Remote 86 mtgs Monday-Friday, 9am-12:30pm, Oct. 3, 2022-Mar. 16, 2023 Remote Classroom No meetings October 4-5, 10, 25; Nov. 3, 11, 15, 23-25, 29; Dec. 8, 19-23, 26-30; Jan. 2-3, 13, 16, 26; Feb. 8, 20, 23, 28; Mar. 3, 10. Refund Policy: Full refund before program start through end of day for first session of the program; $2,000 nonrefundable until 30 calendar days after the start of class; no refund thereafter. M Aymara E. Zielina, JD Reg# 386497 Fee: $7,995 No refund after 1 Nov. A Remote 86 mtgs Monday, Wednesday, 6:30-10pm, Oct. 3, 2022-Aug. 30, 2023 Remote Classroom No meetings Oct. 5; Nov 23; Dec. 26, 28; Jan. 2, 16; Feb. 20; May 29; June 19; July 3, 2023. Refund Policy: Full refund before program start through end of day for first session of the program; $2,000 nonrefundable until 30 calendar days after the start of class; no refund thereafter. M Aymara E. Zielina, JD

LAW 713

Information Session: Paralegal Training Program

Learn about opportunities in the paralegal field at our free information session. Explore the benefits of UCLA Extension’s Paralegal Training Program, including financial aid and lifetime career services, and hear from a program graduate, an instructor, and a member of the Los Angeles Paralegal Association. Reg# 386488 Fee: $0 A Remote 1 mtg Saturday, 10am-12pm, Oct. 22 Remote Classroom A Free Event Aymara E. Zielina, JD Reg# 386489 Fee: $0 A Remote 1 mtg Saturday, 10am-12pm, Jan. 21 Remote Classroom A Free Event Aymara E. Zielina, JD

LAW X 407.2

Effective Writing in Legal and Business Settings

1.0 units This course reviews key components of clear and effective written communications to utilize in emails, print correspondence, and more formal memoranda in the most common legal employer settings. A companion to the oral communications course, it covers pre-writing essentials including audience, purpose, tone, form, internal organiza‑ tion, clarity, appropriate vocabulary, time management, revision, and proofreading, as well as grammar and style. The course also addresses various ways of handling serious mistakes in written communications, including misinterpretations, errors and typos, and misdirected correspondence. Reg# 388838 Fee: $195 No refund after 18 Nov. A Remote 2 mtgs Saturday, 9am-2pm, Nov. 19; Dec. 3 Remote Classroom M Nairi Gruzenski, JD

Other Legal Programs LAW X 407.3

Legal Internship

2.0 units The internship provides practical legal experience in a variety of legal settings in the private or public sector, including with non-profit organizations, courts, government agencies, and in-house depart‑ ments. Course restricted to students and graduates of the Paralegal Training Program. Prerequisite(s): This course is restricted to current students and gradu‑ ates of the Paralegal Training Program. Reg# 388837 Fee: $395 No refund after 19 Sept. Independent Study/Internship Sept. 19-Dec. 11 Aymara E. Zielina, JD

LAW X 420

Business Law: Fundamentals

4.0 units This course explores the legal environment in which businesses oper‑ ate and the critical interaction between business and the legal system. Students examine various areas of the law which are integral to the operation of business enterprises today. Topics include contracts, torts, agency, Uniform Commercial Code, bankruptcy, and the different forms of business entities. Business owners, managers, accountants, para‑ legals, and all those seeking to enrich their general understanding of the legal system can benefit from this course. Business Law: Funde‑ mentals also prepares students for the legal section of the CPA Exam. Reg# 388123 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Sanjesh Sharma, JD, Loyola Law School; BS, UCSD.

Legal Programs 75

Enroll at uclaextension.edu or call (800) 825-9971 MGMT 808.72

Understanding U.S. Business Immigration Law

2.0 CEUs This course is designed for human resources professionals, in-house legal personnel, practitioners in other areas of the law, paralegals, and others who interface with immigration law issues. Instruction covers fundamental concepts and practical aspects of immigration law, with an emphasis on business immigration. The focus is on practical solu‑ tions and strategies for handling immigration-related issues in the workplace. The course provides an overview of various increasingly complex areas of immigration law, including employment-based immigration, non-immigrant and immigrant visas, and I-9 compliance. Reg# 388836 Fee: $395 No refund after 26 Sept. A Remote 6 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Oct. 25 Remote Classroom G. Fabricio Lopez, JD, attorney, The Walt Disney Company; member, American Immigration Lawyers Association (AILA).

Legal Secretary Training For more information visit uclaextension.edu/lstp or call (310) 825-0741.

LAW 808.62

Legal Secretary Training Program

5.0 CEUs Behind every good attorney is a great legal secretary. Professionalism, competence, and efficiency: these are the qualities law firms seek in a legal secretary. In today’s business world, the legal secretary who has the legal, technical, and people skills to work effectively with lawyers, judges, staff, industry experts, clients, and the general public is in high demand. That’s why the UCLA Extension Legal Secretary Training Program (LSTP) has spent more than a decade preparing students with practical and substantive legal knowledge to work in this fast-paced and challenging career. Our program can benefit not only those seeking to become legal secretaries but anyone interested in learning about the law office structure, the litigation process, and general legal principles. With specialized and focused instruction, our program can prepare you to become a vital part of a legal team, broaden your opportunities for job advancement, and enhance your goal of professional and personal growth. Our course consists of a combination of practical exercises, written assignments, case studies, and a final exam. Reg# 386523 Fee: $995 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Deborah Adams Deutsch, paralegal; recipient of the UCLA Extension Distinguished Instructor Award, 2013.

Course Icons Provide Information At-a-Glance X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE Technical requirements, page 1.

v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED

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C UC CREDIT May be t ransferable to other colleges and universities. Learn more on our website.

Osher Lifelong Learning Institute (OLLI) at UCLA

Enroll at uclaextension.edu or call (800) 825-9971

OSHER LIFELONG LEARNING INSTITUTE (OLLI) AT UCLA For more information call (310) 206-2693.

Taste of Osher Please download a free version of zoom at zoom.us to participate in this course. These two-hour lectures are open to the public as well as OLLI members. Plus members pay no fee for this course. These oneday courses give people a chance to experience a high quality and enjoyable adventure in learning.

GENINT 721.672

African American Portraiture: The Poetics of History, Memory, and Revolutionary Love

The art of portraiture is a genre that recognizes the importance of the person depicted: their status, wealth, and place in their community. The right to be pictured, or to picture oneself, is a declaration of worth and citizenship. In this course, we explore innovative, photographic self-portraiture by African Americans during and immediately following the Civil War. We also focus on contemporary African American por‑ traiture created in diverse media - from photography to textiles - that redresses social injustice with beauty, power, and grace. Reg# 387788 Fee: $15 No refund after enrollment. X In-Person 1 mtg Saturday, 1-3pm, Oct. 1 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Plus members pay no fee for this course. Open to the public. Visitors not permitted. No refund allowed. Andrea Liss, PhD in Contemporary Art History and Visual Culture, UCLA; professor Emerita at California State University San Marcos (CSUSM) OLLI at UCLA

GENINT 721.695

Sharon’s Salon with Lionel Friedberg: South Africa, Then and Now

Emmy-award winning documentary filmmaker and New York Times best-selling author Lionel Friedberg grew up in South Africa under apartheid. Many of the films he made there dealt with the country’s institutionalized racial segregation, as well as the customs and culture of its indigenous people. Lionel moved to Los Angeles with his family in 1985 to raise his children and continue his career in a more open society. In this interview, he shares his vast knowledge of South Africa’s history and culture, the Jewish immigrant experience in South Africa, and the African shamans who influenced his life. This course will be recorded. Students will have access to the video for 30 days.

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Reg# 388452 Fee: $15 No refund after enrollment. A Remote 1 mtg Thursday, 10am-12pm, Nov. 3 Remote Classroom This course will be recorded. Enrolled students will have access to the video for 30 days. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Sharon Boorstin, screenwriter and former contributing writer for the Los Angeles Times, specializing in lifestyle and travel. Ms. Boorstin has written for magazines including Bon Appetit, Smithsonian, and Town & Country Travel and is the author of the memoir/cookbook Let Us Eat Cake: Adventures in Food & Friendship.

GENINT 721.696

Critical Race Theory: Context, Controversy, and Call to Action

Critical Race Theory is an academic concept that is more than 40 years old, developed by legal scholars to interpret America’s institutions in the context of race and civil rights. In recent months, legislators in many states have rushed to pass laws to ban the teaching of CRT from K-12 classroom across the country. Yet what exactly is CRT? It can be hard to know. There’s no manifesto or mission statement. That’s made Critical Race Theory a bit of a moving target. In this course, we have three goals. The first objective is to locate the origins of CRT, establish its core premises, describe the recent controversy, and interrogate the stakes of it all. The second objective is to show CRT in action—to nar‑ rate the histories of voting rights and of crime and punishment in the United States through the lens of Critical Race Theory. The third is to introduce participants to a list of practices that CRT scholars believe all of us can adopt to mitigate the worst legacies of slavery in our supposedly post-slavery world. This course will be recorded. Students will have access to the video for 30 days. Reg# 388455 Fee: $15 No refund after enrollment. A Remote 1 mtg Wednesday, 10am-12pm, Nov. 9 Remote Classroom This course will be recorded. Enrolled students will have access to the video for 30 days. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Richard Bell, PhD, professor of History at the University of Maryland; author of the new book Stolen: Five Free Boys Kidnapped into Slavery and their Astonishing Odyssey Home, which was shortlisted for the 2020 George Washington Prize and the 2020 Harriet Tubman Prize.

GENINT 721.643

Renewing and Restoring Yourself in the Time of COVID

The fear, grief, and anger of the last years may fade, but COVID-19 has deeply affected our mind, body, and spirit. Many continue to experi‑ ence the emotional long-haul of this pandemic —anxiety; depression; burnout; and loss of motivation, meaning, or purpose. We need to find ways of renewing, healing, and restoring ourselves from our trauma and stresses. In this course we learn strategies for renewing long-term health and happiness and re-evaluating life-purpose and goals. Mindfulness training can help develop greater hardiness, resilience, and calm. Participants are introduced to restorative mindfulness strategies that can foster well-being even in these challenging times. Reg# 388685 Fee: $15 No refund after enrollment. Y Hybrid (In-Person) 1 mtg Thursday, 1-3pm, Nov. 17 UCLA Extension Gayley Center: 1145 Gayley Ave. This section will be presented in-classroom. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Jeffrey Hutter, PhD, psychologist in private practice; former assistant clinical professor, School of Medicine, UCLA; past president, Gestalt Therapy Institute of Los Angeles; former clinical consultant to the Mindfulness and Psychotherapy training program for clinicians at the Institute for Meditation and Psychotherapy Reg# 388882 Fee: $15 No refund after enrollment. D Hybrid (Remote) 1 mtg Thursday, 1-3pm, Nov. 17 Remote Classroom This course will be presented in Zoom. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Jeffrey Hutter, PhD, psychologist in private practice; former assistant clinical professor, School of Medicine, UCLA; past president, Gestalt Therapy Institute of Los Angeles; former clinical consultant to the Mindfulness and Psychotherapy training program for clinicians at the Institute for Meditation and Psychotherapy

Osher Lifelong Learning Institute (OLLI) at UCLA 77

Enroll at uclaextension.edu or call (800) 825-9971 GENINT 721.681

I Left My Heart in San Francisco

From its Spanish Mission beginnings to its Victorian era to its modern structures, San Francisco, like all cities, is defined by its architecture, demographics, geography, climate, and the people and cultures that have shaped the city. From historical to contemporary structures, this course explores the iconic structures that make San Francisco so iconic. Discussion of architectural styles and the context in which these build‑ ings were created add to our study of the “City by the Bay.” This course will be recorded. Students will have access to the video for 30 days. Reg# 388097 Fee: $15 No refund after enrollment. Y Hybrid (In-Person) 1 mtg Monday, 1-3pm, Nov. 21 UCLA Extension Gayley Center: 1145 Gayley Ave. This section will be presented in-classroom and will be recorded. Enrolled students will have access to the video for 30 days. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Eleanor Schrader, MBA, Loyola Marymount University. Ms. Schrader has done graduate work in fine and decorative arts at Sotheby’s Institute in London and New York and graduate studies in architectural history at USC. She was a recipient of the UCLA Extension Department of the Arts Instructor of the Year Award in 2002, and the UCLA Exten‑ sion Distinguished Instructor Award in 2008. Reg# 388883 Fee: $15 No refund after enrollment. D Hybrid (Remote) 1 mtg Monday, 1-3pm, Nov. 21 Remote Classroom This course will be presented in Zoom and will be recorded. Enrolled students will have access to the video for 30 days. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Eleanor Schrader, MBA, Loyola Marymount University. Ms. Schrader has done graduate work in fine and decorative arts at Sotheby’s Institute in London and New York and graduate studies in architectural history at USC. She was a recipient of the UCLA Extension Department of the Arts Instructor of the Year Award in 2002, and the UCLA Exten‑ sion Distinguished Instructor Award in 2008.

GENINT 741.323

Yiddish Phrases for Everybody

Yiddish phrases have been used and continue to be used by Ameri‑ cans in daily life. Because Yiddish evolved from diverse sources and multiple languages, it is uniquely expressive, warm, and quite often amusing. This course explores numerous Yiddish phrases and their translations into English. Students are encouraged to ask questions and share stories as the translations are shared. Reg# 388270 Fee: $15 No refund after enrollment. A Remote 1 mtg Tuesday, 10am-12pm, Nov. 29 This course is free and open to the public. Visitors not permitted. No refund allowed. Marganit Lish, CSLA; Life Teaching Credential, CSUN; MAT in educa‑ tion, University of Judaism.

GENINT 721.586

Let’s Talk Chocolate: Tasting and Buying

As the world’s most craved food, chocolate makes an ideal holiday gift. However, you may think you are buying quality when you are actually buying a confection loaded with sugar. In this course, we learn how to make sophisticated choices and distinguish the difference between craft chocolates versus mass manufactured chocolates. Students taste seven different chocolates and learn how a particular cacao’s origin and production affect a bar’s flavor. A chocolate maker will speak to the class and we will review other area chocolate makers through an exploration of their website menus, which offer large selections of bean to bar chocolates. Reg# 387779 Fee: $15 No refund after enrollment. X In-Person 1 mtg Saturday, 10am-12pm, Dec. 3 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Lee Scott Theisen, PhD, American history, Latin American history and art, University of Arizona

GENINT 721.694

Frenzied Times: The Roaring Twenties in Los Angeles

The 1920s were wild times in Los Angeles; scorning Prohibition, organized crime flourished, and social behavior escaped traditional boundaries - never to return. In this course, we explore the popular culture, milestones, scandals, and legends of this tumultuous era in our city’s history. Topics include the impact of silent movies (from the star worship of Rudolf Valentino to the star scandal of Fatty Arbuckle’s murder trial), the changes resulting from L.A.’s growing population, car culture, and landmark construction projects (from the Hollywood Bowl and Bullock’s Wilshire to City Hall). We also look at the speakeasies, casinos, and offshore gambling ships where Angelenos broke the rules. This course will be recorded. Students will have access to the video for 30 days. Reg# 388517 Fee: $15 No refund after enrollment ✢ Hybrid (Flexible) 1 mtg Friday, 1-3pm, Dec. 9 UCLA Extension Gayley Center: 1145 Gayley Ave. This course will be recorded. Enrolled students will have access to the video for 30 days. Open to the public. Plus members pay no fee for this course. Visitors not permitted. No refund allowed. Sharon Boorstin, screenwriter and former contributing writer for the Los Angeles Times, specializing in lifestyle and travel. Ms. Boorstin has written for magazines including Bon Appetit, Smithsonian, and Town & Country Travel and is the author of the memoir/cookbook Let Us Eat Cake: Adventures in Food & Friendship.

Lecture Courses Lecture courses are taught by the high-caliber instructors and guest speakers for which UCLA Extension is world renown. Our courses explore art, music, literature, history, science, languages, psychology, current events, and many other exciting fields. There are no tests, grades, or homework, though some courses include readings. You must be at least 50 years old and a current member of the Osher Lifelong Learning Institute (OLLI) at UCLA to enroll in these courses. To become a member, proceed with enrolling in an OLLI course and you will be prompted to purchase a membership during checkout.

GENINT 711.314

Shakespeare for Beginners and Experts, Part 3

William Shakespeare is widely regarded as the greatest author of plays and poems in the English language. What is not widely recognized is that he wrote for two audiences: playgoers eager for entertainment and the thoughtful ‘wiser sort’ who were deeply concerned with the political, cultural, religious, and social questions of the day. Shake‑ speare had a lot to say to both audiences which accounts for his timeless popularity. In this course, we read four of Shakespeare’s plays and sonnets and discuss them as well-informed lovers of the theater and poetry. We also sift his writings for the provocative ideas—sedi‑ tious, ungodly, and rebellious—that fired the imagination of the ‘wiser sort’ then and now. We read the following plays: The Taming of the Shrew, The Tempest, Loves’ Labors Lost, The Merry Wives of Windsor; as well as Shakespeare’s Sonnets. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 387550 Fee: $135 No refund after 4 Oct. A Remote 8 mtgs Monday, 10am-12pm, Sept. 19 Remote Classroom Monday, 10am-12pm, Oct. 3-Nov. 14 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $40 for this course. Visitors not permitted. Steve Sohmer, PhD, MA

GENINT 711.398

American Civil Religion

In 1967, an American sociologist named Robert Bellah published an article claiming that, alongside churches, synagogues, mosques, and temples there also existed “an elaborate and well-institutionalized civil religion in America.” He observed that Americans embrace a common civil religion with certain fundamental beliefs, values, holi‑ days, and rituals in parallel to, or independent of, their chosen reli‑ gion. Since his time, the term and its study has flourished; American civil religion is today an academic tool in understanding what was and is the United States of America. In this course, we explore the historical roots of American civil religion, beginning with its origins in Europe and its development in the new world. As with any religion, we deal with the religious archetypes and structures—cosmogonic myths, creation myths, prophets, martyrs, holidays, sacred land, sacred texts, and more. Reg# 387752 Fee: $115 No refund after 28 Sept. X In-Person 6 mtgs Tuesday, 1-3pm, Sept. 20-Oct. 25 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $34 for this course. Visitors not permitted. Phyllis Herman, PhD in the history of religion, UCLA; professor of religious studies at CSUN.

GENINT 721.680

American Artists Abroad

Before the 20th century, Europe was considered the center of the art world. Steeped in artistic tradition and with no structured train‑ ing available at that time in the US, most American artists journeyed to Paris or other parts of Europe to study. Seeking more opportunity, freedom, and expertise, many of those artists chose to remain abroad. By the late 19th century several of the world’s most influen‑ tial painters were American expatriates. In this course we look at Samuel Morse (who went to the Louvre every day for more than two years) and other 19th century artists who moved abroad to establish their career. Among those covered are James McNeil Whistler, Henry Ossawa Turner, John Singer Sargent, and Mary Cassatt. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 388015 Fee: $115 No refund after 29 Sept. A Remote 6 mtgs Wednesday, 10am-12pm, Sept. 21-28 Remote Classroom Wednesday, 10am-12pm, Oct. 12-Nov. 2 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Enrollment limited. Visitors not permitted. Katherine Zoraster, MA, adjunct professor of art history at Moorpark College, California State University, Northridge, and the Los Angeles Academy of Figurative Arts

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Osher Lifelong Learning Institute (OLLI) at UCLA

GENINT 721.689

A World of My Own: Alternate Reality in Movies

In this era of social anxiety, political populism, and lack of trust in facts, it is not surprising that the movie industry is doubling down on stories of alternate realities. In this course, we explore time traveling—to alternative versions of our lives with Coherence, Mr. Nobody and into a 1950s TV show with Pleasantville. We also look at stories that seem to offer primarily what their premise suggests—an escape from real‑ ity—but also shed light on the social and political contradictions of the world. Whether these alternate realities are created by the minds of powerful narrators, as seen in Orson Welles’s F for Fake; or by trauma‑ tized characters, as seen in The Last Command; or are forced onto a character, as in The Truman Show —these parallel universes are not there to remind us that our reality is flawed, but rather that, for all its imperfections, it should still be cherished, fixed, preserved and pro‑ tected. And no other film could better convey this idea than Lost Landscapes of Los Angeles, an assembly of rare and never-beforeseen footage that reconstructs the lost world that once occupied the very same streets of the cities in which we live. Reg# 388258 Fee: $130 No refund after 29 Sept. X In-Person 6 mtgs Wednesday, 1:30-3:30pm, Sept. 21-28 UCLA Extension Gayley Center: 1145 Gayley Ave. Wednesday, 1-3:30pm, Oct. 12-Nov. 2 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $39 for this course. Visitors not permitted. Alessandro Pirolini, PhD in American Film History, University of London; author of Rouben Mamoulian and The Cinema of Preston Sturges. Dr. Pirolini also has written numerous articles, essays, and film reviews for publications such as Cineforum, Ottoemezzo.com, and Il Nuovo Spettatore.

GENINT 721.491

Cosmology, Astronomy, and Space Exploration in the News

Due to advances in technology, what we thought we knew about the fundamentals of cosmology, astronomy, and space exploration is evolving almost daily. In this course, we explore the latest concepts, news, and discoveries regarding multiverses, gravitational waves, black holes, neutron stars, exoplanets, and the beginning of our uni‑ verse. We also follow the progress of NASA’s and ESA’s missions to the moon, Mars, and Europa—Jupiter’s ice covered moon, and much more. Reg# 387764 Fee: $135 No refund after 29 Sept. A Remote 8 mtgs Wednesday, 6:30-8:30pm, Sept. 21-28 Remote Classroom Wednesday, 6:30-8:30pm, Oct. 12-Nov. 16 Remote Classroom Plus members pay only $40 for this course. Visitors not permitted. Shelley R. Bonus, award-winning writer, astronomical historian, and lecturer; content creator for the Caltech Infrared Astronomy website, CoolCosmos and currently telescope coordinator for the Mt. Wilson Observatory.

GENINT 711.261

Art of the French Revolution: Baroque to Romanticism

In late 17 th century and 18 th century France, art was used as a power‑ ful tool by the ruling class and others seeking power and change. Through beauty and propaganda, art was used to present power, sway beliefs, extol virtue, and make social commentary. In this course, we look at how French art developed from the Baroque under Louis XIV through Neoclassicism of the Enlightenment and the French Revolu‑ tion, and to Romanticism emerging at the onset of the 19th century. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 388035 Fee: $115 No refund after 22 Sept. A Remote 6 mtgs Thursday, 10am-12pm, Sept. 22-Oct. 27 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted. Katherine Zoraster, MA, adjunct professor of art history at Moorpark College, California State University, Northridge, and the Los Angeles Academy of Figurative Arts

GENINT 721.691

U.S. History, Part 2: America’s First Citizen: Ben Franklin and His Times

Benjamin Franklin was an international star through much of the 18th century, and for many Europeans, he represented what it meant to be an American and what might be possible in the new world. Franklin became a Zelig-like figure in American history, one who was seemingly present at all of the key moments of our nation’s creation. These moments included the writing of the Declaration of Independence, the signing of the Treaty of Paris (that ended the Revolutionary War), and the creation of the Constitution in 1787 among others. In this course, we focus on Franklin’s extraordinary evolution from a powerful advo‑ cate for his king and the British Empire to one of its harshest critics and an extraordinary voice in support of America’s revolutionary cause. Reg# 388312 Fee: $85 No refund after 22 Sept. A Remote 2 mtgs Thursday, 1-3pm, Sept. 22-29 Remote Classroom Plus members pay only $25 for this course. Visitors not permitted. This course will be recorded. Enrolled students will have access to videos for the duration of the course. Jared Day, PhD, taught American history at Carnegie Mellon University in Pittsburgh for 16 years. His areas of expertise are U.S. political, urban, and cultural history as well as world history from the 15th century to the present. He now teaches at Three Rivers Community College in Norwich, CT.

GENINT 721.690

Classical Music Masterpieces in Films, Part 2

Classical music has been an integral part of film since the very begin‑ ning with the silent film era. At that time most individuals in charge of providing music were classically trained musicians. Compositions considered to be ‘masterpieces’ throughout history carry a cultural significance for viewers and thus enrich films with added layers of meaning and complexity. In Part II of the series, we view critically acclaimed films that use famous classical masterpieces—outside their original context—to create added layers of meaning. We discuss cul‑ tural, historic, and aesthetic issues associated with the application of a specific classical piece in significant films such as Stanley Kubrick’s 2001: A Space Odyssey (1968), Francis Ford Coppola’s Apocalypse Now (1979), Tom Hooper’s The King’s Speech (2010), and more. Reg# 388269 Fee: $115 No refund after 30 Sept. X In-Person 6 mtgs Thursday, 1-3pm, Sept. 22-Oct. 27 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $34 for this course. Visitors not permitted. Anahit Rostomyan, MMus in organ performance, MA in musicology. In addition to pursuing dual DMA and PhD degrees in these two fields of study at UCLA, she is an avid performer of period keyboard instruments.

GENINT 731.300

Music of France during the 19th Century

Music by German composers such as Beethoven and Wagner typically dominate the history of Classical Music. However, the music of France has also played a significant role in shaping much of European culture and society. This course focuses on French music beginning in the 19 th century, exploring composers and musical traditions through the fin de siècle. We delve deep into the impact of composers such as Hector Berlioz, Georges Bizet, Camille Saint-Saëns, Gabriel Fauré, Claude Debussy, Maurice Ravel, and many others. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 387771 Fee: $135 No refund after 1 Oct. A Remote 8 mtgs Friday, 10am-12pm, Sept. 23-Nov. 18 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $40 for this course. Visitors not permitted. Ryan Shiotsuki, PhD in musicology; lecturer in musicology, UCLA and Chapman University.

Enroll at uclaextension.edu or call (800) 825-9971 GENINT 721.685

Great Conductors of Classical Music

In the history and reception of classical music, we often focus primarily on composers, their lives, and their work throughout their career. Whether we go to the concert hall or play a CD at home, an integral part of the listening experience involves encounters with different performers and interpretations that bring the musical composition to life. As time passes, performance traditions and values vary from artist to artist. In this course, we focus primarily on the role the conductor plays in shap‑ ing the music and orchestral repertoire we hear. Beginning with the acoustic recording era, we explore the performances of conductors spanning the 20th century to the present day, from Arthur Nikisch, Wilhelm Furtwängler, and Arturo Toscanini to Leonard Bernstein, John Eliot Gardiner, and Gustavo Dudamel. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 388173 Fee: $135 No refund after 1 Oct. A Remote 8 mtgs Friday, 1-3pm, Sept. 23-Nov. 18 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $40 for this course. Visitors not permitted. Ryan Shiotsuki, PhD in musicology; lecturer in musicology, UCLA and Chapman University.

POL SCI 747

Beyond the Headlines

Pulled from today’s headlines, this exclusive speaker series offers an in-depth analysis of significant contemporary issues. Each week, an expert from the political, social, technological, or economic spectrum provides a 1-hour lecture focused on a major global, national, or local issue. Afterwards, students have the opportunity to participate in a 30-minute Q&A session with the speaker. A list of speakers for this term will be available online approximately one month before the course begins. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 387760 Fee: $165 No refund after 5 Oct. Y Hybrid (In-Person) 8 mtgs Tuesday, 10:30am-12pm, Sept. 27-Nov. 15 UCLA Extension Gayley Center: 1145 Gayley Ave. This section will be presented in-classroom and the sessions will be recorded. Enrolled students will have access to videos for the duration of the course. Course fee is $165 for both OLLI Basic and Plus members. Enrollment limited; enrollment prior to the first class required. Visitors not permitted. Jim Aldinger, former two-term mayor of Manhattan Beach during his tenure on the Manhattan Beach City Council. He worked for Hughes Aircraft Company (later Boeing) designing and building satellites for more than 30 years. William Yu, PhD; economist, UCLA Anderson Forecast; visiting assis‑ tant professor of UCLA Anderson School of Management. Dan Schnur, professor at UCB’s Institute of Governmental Studies, Pepperdine University’s Graduate School of Public Policy, and USC’s Annenberg School of Communications. Mr. Schnur hosts a weekly webinar for the LA World Affairs Council Town Hall ( www.lawac.org ) called “Politics in the Time of Coronavirus”. Reg# 388879 Fee: $165 No refund after 5 Oct. D Hybrid (Remote) 8 mtgs Tuesday, 10:30am-12pm, Sept. 27-Nov. 15 Remote Classroom This section will be presented as a Zoom webinar and the sessions will be recorded. Enrolled students will have access to videos for the duration of the course. Course fee is $165 for both OLLI Basic and Plus members. Enrollment limited; enrollment prior to the first class required. Visitors not permitted. Jim Aldinger, former two-term mayor of Manhattan Beach during his tenure on the Manhattan Beach City Council. He worked for Hughes Aircraft Company (later Boeing) designing and building satellites for more than 30 years.

Osher Lifelong Learning Institute (OLLI) at UCLA 79

Enroll at uclaextension.edu or call (800) 825-9971 GENINT 711.319

GENINT 721.673

GENINT 721.692

In this course we take a spirited inquiry into the complex and compel‑ ling history of our pursuit of spices, not just for food but also for medi‑ cines, magic, religious ceremonies, showing off, and sex. Spices have underwritten the economies of kingdoms and countries, they have been the cause of wars, and they have produced wealth that facilitated the production of great art. The politics of spices provoked Europe’s Age of Exploration, which resulted in the discovery of new worlds. We explore how the spice trade forged an enduring, often exploitative, relationship between the Europe and Asia and the western hemisphere. Reg# 388120 Fee: $135 No refund after 11 Oct. A Remote 8 mtgs Monday, 10am-12pm, Oct. 3-Nov. 21 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Carlo Coppola, PhD in comparative literature, University of Chicago

In this course Bob Stern is joined by expert guest speakers each week to discuss what’s on the Nov. ballot, with particular emphasis on Cali‑ fornia’s statewide elections, controversial California ballot propositions, the gubernatorial and U.S. Senate races, local competitive elections, and those of interest throughout the country. We take notice of the competitive elections for attorney general and state controller, as well as the city of L.A. mayor’s race and the L.A. County sheriff’s race. We will also look at campaign financing, the initiative process, and reforms to our election system. The final class analyzes the Nov. 8 election results and their meaning, especially for the 2024 Presidential election. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 387824 Fee: $115 No refund after 14 Oct. A Remote 6 mtgs Thursday, 1-3pm, Oct. 6-Nov. 10 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $34 for this course. Visitors not permitted. Robert Stern, JD, Former president of the Center for Governmental Studies, a research organization; former chair of the Council on Gov‑ ernmental Ethics Laws; former legislative and Secretary of State staffer; first general counsel for the California Fair Political Practices Commission and co-author of reform laws.

A contemporary of Henry VIII, Sultan Suleiman the Magnificent led the Ottomans to their geo-political apex —even as he and his immediate heirs sowed the seeds of centuries of Ottoman decline. In this course, we examine one of the least understood aspects of Renaissance-era European history—the extraordinary impact of the Ottoman Empire on people and events in the 16th century. We also explore the aspects of Ottoman rule that made them so effective as well as the sources of their decline in later centuries. Sulieman’s rule contained both the elements of success and the seeds of failure to come. Reg# 388313 Fee: $85 No refund after 28 Nov. A Remote 2 mtgs Monday, 1-3pm, Nov. 28-Dec. 5 Remote Classroom Plus members pay only $25 for this course. Visitors not permitted. Jared Day, PhD, taught American history at Carnegie Mellon University in Pittsburgh for 16 years. His areas of expertise are U.S. political, urban, and cultural history as well as world history from the 15th century to the present. He now teaches at Three Rivers Community College in Norwich, CT.

Spice: The History of a Passion

GENINT 731.399

Iconic Jazz Guitarists

The guitar has been an integral instrument in jazz going back to the late 19 th century when it was the musical voice of the blues. It’s an incredibly versatile instrument that can shout, whisper, swing, and rock in the hands of talented musicians like Kenny Burrell, Wes Montgomery, George Benson, Bill Frisell, Barney Kessell, and Stanley Jordan. In this course we explore iconic jazz guitarists from beginning with the 1930s and 1940s, when Eddie Lang took the guitar from a rhythm instrument to a featured voice in bands. In the same period, Django Reinhardt, the Belgian Gypsy guitarist, created a unique sound with his Hot Club of France Quintet. We also learn about Texan Charlie Christian and his electrically amplified gingering guitar style which totally altered the sound and use of the guitar in jazz. We then move into the early 1950s to explore Les Paul’s system that allowed overdub‑ bing and multiple voicing which again expanded the instrument. We also cover the Brazilian influenced soft Latin sound of guitarists like Laurindo Almeida and Charlie Byrd followed. Learn about how the guitar became the lead voice of countless bands as well as becoming the instrument that best complemented the human voice. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 387778 Fee: $125 No refund after 11 Oct. Y Hybrid (In-Person) 7 mtgs Monday, 1-3pm, Oct. 3-Nov. 14 UCLA Extension Gayley Center: 1145 Gayley Ave. This section will be presented in-classroom, and the course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $37 for this course. Visitors not permitted. Patrick Collins, former jazz DJ and television producer by vocation and jazz fan by avocation. An active part of the Los Angeles jazz scene since the ‘70s, Mr. Collins has served as the chairman and a board member of the nonprofit L.A.-based Jazz Bakery, as well as a member of The Friends of Jazz at UCLA. Reg# 388881 Fee: $125 No refund after 11 Oct. D Hybrid (Remote) 7 mtgs Monday, 1-3pm, Oct. 3-Nov. 14 Remote Classroom This section will be presented in Zoom, and the course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $37 for this course. Visitors not permitted. Patrick Collins, former jazz DJ and television producer by vocation and jazz fan by avocation. An active part of the Los Angeles jazz scene since the ‘70s, Mr. Collins has served as the chairman and a board member of the nonprofit L.A.-based Jazz Bakery, as well as a member of The Friends of Jazz at UCLA.

The 2022 Nov. Elections

GENINT 741.318

The Blues: How Three Chords Became Rock & Roll

Rock & Roll exists because of the blues. This course explores how songs sung by enslaved Africans in the southern U.S. became gospel music, the acoustic blues of the Mississippi Delta, the electrified sounds of Chicago, and the rhythm and blues associated with Memphis. When this music became mainstream in the fifties, Rock & Roll was born, creating careers for artists like Aretha Franklin, The Drifters, and a guy named Elvis. The blues inspired rock groups on both sides of the ocean, the soulful sounds of Motown and Philadelphia, and hip hop/rap music. In this course we listen to music clips to understand this evolution Rock & Roll, how it produced social change and technological advancement worldwide. Historic recordings are presented, including the Georgia Sea Island Singers recorded by Alan Lomax, Delta blues artists, Chicago blues, and Memphis R&B. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 387551 Fee: $135 No refund after 19 Oct. A Remote 8 mtgs Tuesday, 1-3pm, Oct. 11-Nov. 29 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $40 for this course. Visitors not permitted. Andrew Muson, the Julliard School of Music; music and marketing consultant.

Biography of Europe, Part 3: Suleiman the Magnificent and the Apex of the Ottoman Empire in Europe

GENINT 721.687

Rome and its First Emperors: From Augustus to Nero

The Roman state was a Republic for 500 years before Augustus (Rome’s first emperor) created a Roman autocracy that replaced the Republic’s representative democracy. In this course we examine the first 100 years of Rome’s empire. We explore how Augustus built his imperial regime, the tools he used to maintain it, and the reasons Romans accepted it. We then look at Augustus’s successors—the emperors Tiberius (14-37 AD), Caligula (37-41), Claudius (41-54) and Nero (54-68) —to consider how imperial power evolved under them and why Romans accepted concentrating absolute power into the hands of one man. This course will be recorded. Students will have access to videos for the duration of the course. Reg# 388190 Fee: $85 No refund after 2 Dec. A Remote 2 mtgs Friday, 10am-12pm, Dec. 2-9 Remote Classroom This course will be recorded. Enrolled students will have access to videos for the duration of the course. Plus members pay only $25 for this course. Enrollment limited. Visitors not permitted. Edward Watts, PhD in History from Yale University, Alkiviadis Vassili‑ adis Endowed Chair and the Chair of the History Department at UCSD. He is the author of six books and the editor of five others including Mortal Republic: How Rome Fell Into Tyranny (Basic Books).

GENINT 731.337

Post-War Paris: The Rebirth

Four years of Nazi occupation dampened but never extinguished the creative spirit of Paris. When Paris was liberated in 1944, that spirit exploded in many directions, making the city once again a cultural mecca. Existentialism and feminism influenced literature, film, and music. After the gloom and shortages of wartime, the fashion industry came back to life and Parisian playwrights reinvented theatre. Popular music incorporated biting social criticism; the words of great poets and jazz became the music of the young. In this course we explore this amazingly vital cultural milieu that flourished amid enormous political tensions. Reg# 387552 Fee: $115 No refund after 9 Nov. X In-Person 6 mtgs Tuesday, 1-3pm, Nov. 1-Dec. 6 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $34 for this course. Visitors not permitted. Mort Kamins, attorney and freelance writer who has written exten‑ sively on American cultural history, contemporary literature, jazz, classical music, sports, business, and law, including articles for Esquire, Sports Illustrated, Billboard, Los Angeles, Texas Monthly, Writer’s Digest, and Los Angeles Times, among others

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Osher Lifelong Learning Institute (OLLI) at UCLA

Discussion Groups Discussion groups are for members who want to ask questions, offer answers, and share their knowledge in the classroom. Established instructors act as facilitators to create an environment in which participants explore subjects in an atmosphere of intellectual stimulation, creative self-expression, and socializing without the expectation of tests or grades. Depending on the nature of the course, there could be a modest amount of preparation or readings required, and you may be called upon for your insights—members should be ready to participate. You must be at least 50 years old and a current member of the Osher Lifelong Learning Institute (OLLI) at UCLA to enroll in these courses. To become a member, proceed with enrolling in an OLLI course and you will be prompted to purchase a membership during checkout.

GENINT 721.675

Nobel Laureates You May Not Know, Part 5: Plays

The Nobel Prize in literature is recognition for a lifetime’s achievement; what is always singled out for praise is an original voice in the service of moral or social vision. The greatest literature always tells us (in broad or specific ways) how we live—and how we might live—giving us a window on human failures, hopes, and victories. In this course, we read plays that are social and realistic, metaphysical, and artistically groundbreaking. Among them, Eugene O’Neill’s The Iceman Cometh, a work of dark realism, is considered by many as his greatest play. Harold Pinter’s The Homecoming dramatizes the compelling issues of sex and power within the family. George Bernard Shaw’s St. Joan examines the themes of individualism, faith and even feminism. Luigi Pirandello’s Six Characters in Search of an Author, is an absurdist classic in which the char‑ acters, claiming they are the incomplete creations of an author, demand to be included in the play. Peter Handke’s The Hour We Knew Nothing of Each Other enquires into the boundaries of language when it no longer serves the purposes of a genuine human community. And Dario Fo’s Accidental Death of an Anarchist “plays with” the idea of police corruption, impersonation, infiltration, and double-talk. Reg# 387853 Fee: $80 No refund after 4 Oct. A Remote 8 mtgs Monday, 10am-12pm, Sept. 19-Dec. 5 Remote Classroom No meetings Sept 26; Oct 17, 31; Nov 14. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Leonard Koff, PhD, UC Berkeley; associate, UCLA Center for Medieval and Renaissance Studies. He taught in the English Department and developed courses for the Comparative Literature Department at UCLA, and is the recipient of the Distinguished Instructor Award from UCLA Extension (2009) and the Dean’s Award (2019).

GENINT 721.676

Best American Essays, Part 1

The essay is an expression of the human voice addressing an imag‑ ined audience, seeking to shift opinion, to influence judgment, to appeal to another in his or her common humanity. As Joyce Carol Oates puts it, the essay “is the ideal literary form to convey the vision of who we are and where we are going.” The essays we read in this course—direct and intimate—take on subjects of profound significance, retaining, at the same time, the power of a personal address. For example, W.E.B Du Bois’s “Of the Coming of John” is a chilling prophetic work that traces the journey of a seemingly ordinary black boy from southeastern George, sent north to be educated in a Negro school, who returns more foreign to his former relatives and neighbors than a Georgian white man. H.L. Mencken’s “The Hills of Zion” is a passion‑ ate repudiation of evangelical Christianity and anti-intellectualism; and Henry Adams’s “A Law of Acceleration” strikes a disturbingly contemporary note in its contemplation of a mechanist universe reduced to a series of relations, and mankind itself reduced to “motion in a universe of motion.” Reg# 387861 Fee: $80 No refund after 10 Oct. A Remote 8 mtgs Sunday, 12-2pm, Oct. 2-Dec. 11 Remote Classroom No meetings Oct. 23; Nov. 13 & 27. Plus members pay only $40 for this course. Visitors not permitted. Leonard Koff, PhD, UC Berkeley; associate, UCLA Center for Medieval and Renaissance Studies. He taught in the English Department and developed courses for the Comparative Literature Department at UCLA, and is the recipient of the Distinguished Instructor Award from UCLA Extension (2009) and the Dean’s Award (2019).

GENINT 721.688

A Short History of American Agriculture

Our understanding of how food gets from farm to pantry is often misunderstood. This course examines the modern history of American Agriculture as it emerged from the Dust Bowl years and became a world-wide phenomenon. We follow the development of modern farming from a political, environmental, social, economic, and techno‑ logical perspective. Reg# 388245 Fee: $80 No refund after 4 Oct. A Remote 6 mtgs Monday, 6:30-8:30pm, Sept. 19 Remote Classroom Monday, 6:30-8:30pm, Oct. 3-31 Remote Classroom Plus members pay only $40 for this course. Visitors not permitted. Kurt Hohenstein, PhD, MA, JD, author of Coining Corruption: The Making of the American Campaign Finance System and The Rules of the Game: Simple Truths Learned from Little League. Dr. Hohenstein has taught as an Associate Professor of History at Winona State University, and is an independent historian for the SEC Historical Society.

GENINT 721.684

Disruption: New Short Fiction from Africa

Drawn from the four corners of the continent, from Libya and Sierra Leone to Kenya and Botwana, the 21 stories we read serve up an imaginative feast, many unfolding the consequences of the environ‑ mental degradation of the planet. The contributors, however, have not parroted the doom and gloom often found in dystopian or apocalyptic fiction and have instead opted for wildly original narratives. We read this exciting, creative collection of short stories in the anthology, Disruption: New Short Fiction from Africa, edited by Rachel Zadok, Karina Szczurek, and Jason Mykl Snyman. The anthology was compiled during 2019-2020 and published in 2021; the disruption theme was selected before COVID-19 appeared and is ironically relevant. Reg# 388115 Fee: $80 No refund after 28 Sept. A Remote 8 mtgs Tuesday, 10am-12pm, Sept. 20-Nov. 8 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Maria Siciliano, MPA, Harvard University; MS in gerontology, USC; principal and founder, Gerontology in Action.

GENINT 721.679

The Historical Jesus and the Aftermath

No figure in Western history has been given more print, scholarship or speculation than the person called Jesus. In this course, we explore who or what Jesus was—a Jewish revolutionary, a divine spiritual man, an unlucky artisan, a mythical figure—or perhaps something else altogether. We also examine the consequences that followed his life—the Church, Christianity, and Christology and whether they truly reflect the man. This course is not just a synthesis of what the scholars say, but an investigation that the class takes on in this interactive discussion group. Reg# 387969 Fee: $80 No refund after 28 Sept. A Remote 8 mtgs Tuesday, 1-3pm, Sept. 20-Nov. 8 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Vincent Coppola, PhD in philosophy, Pontifical Gregorian University; MFA in film and theater arts, UCLA.

Enroll at uclaextension.edu or call (800) 825-9971 GENINT 721.683

Short Story International: An Irish Perspective, Part 2

This course is an exploration into the short-story genre of a single liter‑ ary tradition; in this instance, the Irish. The suggested book is The Oxford Book of Irish Short Stories edited by the distinguished Irish short-story writer, William Trevor. It trace the development of the short story in Ireland, including centuries-old tales from the vibrant Irish oral story-telling tradition (seven have been translated from the original Irish—aka Erse or Gaelic—especially for this anthology) to the English writings of Elizabeth Bowen, Frank O’Conner, Patrick Boyle, and to other notable contemporary writers who, together, dynamically reflect a cross section of Irish society, their voices resonating through urban and rural regional landscapes, private and public passions, and intense, dramatic political events. Reg# 388113 Fee: $80 No refund after 29 Sept. A Remote 8 mtgs Wednesday, 10am-12pm, Sept. 21-28 Remote Classroom Wednesday, 10am-12pm, Oct. 12-Nov. 16 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Carlo Coppola, PhD in comparative literature, University of Chicago

GENINT 721.682

American Theatre on the Big Screen

In this course, we view four plays by the most influential American playwrights of the 20th century, all adapted into feature films. But first, we watch Eugene O’Neill: A Documentary Film. We then view Long Day’s Journey into Night, for which Eugene O’Neill posthumously received the 1957 Pulitzer Prize for Drama; Tennessee Williams’ A Streetcar Named Desire, Arthur Miller’s All My Sons, and Edward Albee’s Who’s Afraid of Virginia Woolf. After each viewing, we analyze how each film uses the verbal, visual, and visceral art form in present‑ ing the work. As Hamlet said, “The play’s the thing wherein to catch the conscience of the king.” Reg# 388098 Fee: $80 No refund after 29 Sept. X In-Person 5 mtgs Wednesday, 1-4pm, Sept. 21 UCLA Extension Gayley Center: 1145 Gayley Ave. Wednesday, 1-4:30pm, Sept. 28 UCLA Extension Gayley Center: 1145 Gayley Ave. Wednesday, 1-4pm, Oct. 12-19 UCLA Extension Gayley Center: 1145 Gayley Ave. Wednesday, 1-4:30pm, Oct. 26 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Visitors not permitted. Vincent Coppola, PhD in philosophy, Pontifical Gregorian University; MFA in film and theater arts, UCLA.

GENINT 711.229

Current Events: Understanding Our World

This unique discussion group focuses on exploring the news of the week. Participants share articles and opinions that pertain to what’s happening both in the United States and internationally, particularly to introduce diverse views. Many of the pundits we analyze write for The New York Times, the Wall Street Journal, the Washington Post, and the Los Angeles Times. These include such political writers as David Brooks, Thomas Friedman, Paul Krugman, Ross Douthat, Fareed Zakaria, John Bolton, Peggy Noonan, Maureen Dowd, and many more that the class may wish to cover. We also examine such magazines as The New Yorker, The Atlantic, The New Republic, and other journals that give in-depth coverage of current topics. This is your chance to listen and to be heard on the events of today. Please note: this is a large format discussion group - over 75 students enroll each quarter. Reg# 387553 Fee: $80 No refund after 30 Sept. A Remote 8 mtgs Thursday, 10am-12pm, Sept. 22-Nov. 10 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Myrna Hant, PhD, research scholar, Center for the Study of Women, UCLA, who has researched popular culture and mature adults in the media

Osher Lifelong Learning Institute (OLLI) at UCLA 81

Enroll at uclaextension.edu or call (800) 825-9971 GENINT 721.678

GENINT 741.432

In this course, we look at work created by artists working now—mainly through virtual studio visits but also through virtual museum tours. Virtual museum tours offer institutional readings of contemporary artists and their work, which inherently reflects the point of view of that institu‑ tion. Virtual studio visits introduce contemporary work from individual artists, from whom we learn the interests, passions, and circumstances which inform their projects. Recognizing the role of the institution and the role of the artist in the cultural context of our times is an intriguing unfolding of history in the making. Between sessions recaps are pro‑ vided to augment contextual readings of the presentations. Discussion is encouraged as it inspires further observation and awareness. Reg# 387921 Fee: $80 No refund after 30 Sept. A Remote 6 mtgs Thursday, 1-3:30pm, Sept. 22-Oct. 27 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Deborah Cohen, MA in culture and performance, UCLA; PhD in culture and performance, UCLA.

Designed for students who have had one year of French. This course prepares you to have a conversation with native speakers of French. Real-life dialogues include engaging topics such as meeting people, making plans, discussing leisure activities, and just having fun. Homework assignments include oral exercises on specified topics; students prepare their discussion points during the week and share with the whole class. Reg# 387801 Fee: $80 No refund after 29 Sept. A Remote 8 mtgs Wednesday, 6:30-8:30pm, Sept. 21-28 Remote Classroom Wednesday, 6:30-8:30pm, Oct. 12-Nov. 16 Remote Classroom Plus members pay only $40 for this course. Visitors not permitted. Ruth Anne Gooley, PhD in French and Francophone studies, UCLA

Art Now: Virtual Visits with Working Artists

Foreign Languages GENINT 731.210

Spanish II for Everyday Life

A continuation of Spanish I, Part II is an immersion-style course. After a first session in English, instruction is conducted in Spanish. The course offers an easy, no stress way to build on what you learned in the first course and is great for those with intermediate knowledge of the language. Reg# 387521 Fee: $135 No refund after 28 Sept. A Remote 8 mtgs Tuesday, 10am-12pm, Sept. 20-Nov. 8 Remote Classroom Plus members pay only $40 for this course. Visitors not permitted. Emilia Chuquin, PhD, Spanish, UNM, Albuquerque

GENINT 741.268

High-Level Spanish Conversation

This conversation course is for those more advanced Spanish speakers who want to continue improving their oral Spanish skills. Using authentic sources from Latin America, students improve their spoken Spanish through interpretation, imagination and critical reading. Stories are read and retold in small groups in front of the class in order to improve vocabulary, pronunciation, and idiomatic expressions. Students who have completed Spanish IV or Literary Spanish are at the appropriate fluency level for this course. Reg# 387798 Fee: $80 No refund after 28 Sept. A Remote 8 mtgs Tuesday, 1-3pm, Sept. 20-Nov. 8 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Emilia Chuquin, PhD, Spanish, UNM, Albuquerque

GENINT 741.433

French Conversation 2: High Intermediate

Designed for students who have taken two or more years of French or who have lived in a French-speaking country, this class prepares you to have a conversation with native speakers of French. Real-life dialogues include engaging topics such as meeting people, making plans, discussing leisure activities, and just having fun. Homework assignments are oral exercises on specified topics that students prepare during the week, then share with the whole class. Reg# 387800 Fee: $80 No refund after 28 Sept. A Remote 8 mtgs Tuesday, 6:30-8:30pm, Sept. 20-Nov. 8 Remote Classroom Plus members pay only $40 for this course. Visitors not permitted. Ruth Anne Gooley, PhD in French and Francophone studies, UCLA

French Conversation 1: Low Intermediate

GENINT 721.801

Real Life Spanish Conversation I

This course provides a comfortable space for students with a basic knowledge of Spanish to practice their conversation skills under an instructor’s guidance. Students respond to prompts provided by the instructor, while their peers ask follow-up questions or make com‑ ments, all in Spanish. The instructor facilitates the conversations and corrects vocabulary or grammar as needed. Please note: This is not a beginner’s class; some Spanish is required. Reg# 387837 Fee: $80 No refund after 30 Sept. A Remote 8 mtgs Thursday, 10am-12pm, Sept. 22-Nov. 10 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Susan McMillen Villar, PhD in Hispanic and luso Literatures, lan‑ guages cultures, and linguistics. Retired director of Spanish and Portuguese Language Instruction, University of Minnesota, Twin Cities

GENINT 741.250

Real Life Spanish Conversation II

This course provides a comfortable space for students with an inter‑ mediate knowledge of Spanish to practice their conversation skills under an instructor’s guidance. Students respond to prompts provided by the instructor, while their peers ask follow-up questions or make comments, all in Spanish. The instructor facilitates the conversations and corrects language as needed while also introducing more advanced grammar and vocabulary skills. Please note: This course is intended for intermediate Spanish speakers; students approaching fluency are encouraged to take our High-Level Spanish Conversation course. Reg# 387838 Fee: $80 No refund after 30 Sept. A Remote 8 mtgs Thursday, 1-3pm, Sept. 22-Nov. 10 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Susan McMillen Villar, PhD in Hispanic and luso Literatures, lan‑ guages cultures, and linguistics. Retired director of Spanish and Portuguese Language Instruction, University of Minnesota, Twin Cities

Creativity, Games & Movement These courses are interactive. Members are able to practice or apply what they learn in class. You must be at least 50 years old and a current member of the Osher Lifelong Learning Institute (OLLI) at UCLA to enroll in these courses. To become a member, proceed with enrolling in an OLLI course and you will be prompted to purchase a membership during checkout.

GENINT 721.550

iPhone Photography Workshop: Creating Works of Art

Want to learn how to use your iPhone to create artistic photos? In this course we review how to take an in-focus, well-exposed picture and how to crop and edit it. We work with elements of composition, color, and lighting, so your photo has impact. We discuss different apps to give your photos uniqueness and a type of artistry. Posing, photo books, matting, and displaying your photos will also be discussed. This is an interactive class; each week you are given an assignment which is critiqued the following week. Reg# 387844 Fee: $80 No refund after 4 Oct. X In-Person 8 mtgs Monday, 10am-12pm, Sept. 19 UCLA Extension Gayley Center: 1145 Gayley Ave. Monday, 10am-12pm, Oct. 3-Nov. 14 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Visitors not permitted. Ellen Demsky, award-winning photographer in the Los Angeles area who has taught digital photography for 15 years at the Learning Tree University, Pierce College (Oasis program), and privately. She began her athletic journey at age 60, is a current World Duathlon (bike & run) champion, and winner of the LA Marathon for her age group.

GENINT 711.326

Beginning Mah-Jongg

Mah-Jongg is a game of both skill and luck that originated in China many centuries ago. It was brought to the West in the 1920s and is played with four players seated around a table. Tiles are shuffled, die are cast, and rituals involving the allocation of tiles and then the exchange of tiles begin. The first person to match a hand of 14 tiles and thus call “Mah-Jongg” ends the game, whereupon tiles are scored, and a winner is declared. This course introduces the beginner to the basic rules and simple strategies. Learn to play this enjoyable, social, and thought-provoking game! Please visit osher.uclaextension.edu/mj to find out what the requirements and pre-requisites are for each level. Every student will need to purchase the 2022 Mah-Jongg card from the National Mah-Jongg League at: www.nationalmahjonggleague.org. The large card for $9 is preferred. Reg# 387842 Fee: $80 No refund after 28 Sept. X In-Person 7 mtgs Tuesday, 1-3pm, Sept. 20-Nov. 1 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Sheila Strober, MEd, retired middle school science teacher; has played Mah Jongg and participated in Mah Jongg tournaments for 20 years.

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Osher Lifelong Learning Institute (OLLI) at UCLA

GENINT 741.287

GENINT 741.359

As we travel along life’s path, our stories are the most precious gifts we can pass on. In this course students are encouraged to write stories that have affected their hearts. Be they funny or sad, about good times or bad, each student has an opportunity to share a new short story every week. Write a story about the one that got away, or the one you decided to stay with. Write about the lessons you learned, the dinners you burned, or what you did when you came to a particu‑ lar fork in your road. Note: this course has required weekly writing assignments. Students must meet weekly deadlines in order to receive instructor feedback and participate in group storytelling sessions. Reg# 387839 Fee: $80 No refund after 29 Sept. A Remote 8 mtgs Wednesday, 1-3pm, Sept. 21-28 Remote Classroom Wednesday, 1-3pm, Oct. 12-Nov. 16 Remote Classroom Plus members pay only $40 for this course. Enrollment limited. Visitors not permitted. Shelley R. Bonus, award-winning writer, astronomical historian, and lecturer; content creator for the Caltech Infrared Astronomy website, CoolCosmos and currently telescope coordinator for the Mt. Wilson Observatory.

This is a slow meditative course, intended for those with little or no yoga experience, or those with physical limitations. In this course we integrate awareness of the breath with gentle movement to facilitate a feeling of wholeness, well-being, and joy. Mats are required unless you elect to use a chair instead of a mat. Note: Students must sign a waiver before participation. Reg# 387874 Fee: $80 No refund after 13 Oct. A Remote 8 mtgs Wednesday, 1-2:30pm, Sept. 28 Remote Classroom Wednesday, 1-2:30pm, Oct. 12-Nov. 16 Remote Classroom Wednesday, 1-2:30pm, Nov. 30 Remote Classroom Plus members pay only $40 for this course. Participants are required to sign a waiver form which will be provided. Enrollment limited. Visitors not permitted. Mona Wells, hatha yoga teacher in Los Angeles and New York for more than 15 years

Life Stories that Stir the Soul

GENINT 731.346

Finding Your Movement Intelligence

The Feldenkrais Method works slowly and systematically to build new patterns of movement. By doing very small and easy but complex movement puzzles, we learn to rewire our nervous systems to align mind with body. In this course, we become experts at knowing how our bodies work—what is possible and easy and what is more difficult or even impossible at the time. We experiment with variations in our movement patterns to build resiliency and expand our repertoire of ways to do the same movements with refinement. Anyone can benefit, since the emphasis is on learning as we once did as babies—organi‑ cally. Discover the pleasure of moving painlessly and gracefully. Note: Students must sign a waiver before participation. Reg# 388225 Fee: $80 No refund after 30 Sept. A Remote 10 mtgs Thursday, 10-11am, Sept. 22-Dec. 1 Remote Classroom Plus members pay only $40 for this course. Visitors not permitted. Participants are required to sign a waiver form which will be provided. Stacy Barrows, PT, GCFP is a doctor of physical therapy, is a certified PMA Pilates and Feldenkrais instructor. Ms. Barrows has invented tools for self-care and authored a book on their use. She is the owner of Smart Somatic Solutions, a small private practice in Southern California.

Beginning Gentle Yoga

GENINT 741.360

Intermediate Yoga

This is a nurturing Hatha flow course intended for those with founda‑ tional experience practicing yoga. In this course meditation and yoga nidra are integrated into our practice to enhance relaxation, renewal, and connecting to our true nature. Mats are required. Note: Students must sign a waiver before participation. Reg# 387885 Fee: $80 No refund after 7 Oct. A Remote 8 mtgs Thursday, 6:30-8pm, Sept. 29-Nov. 17 Remote Classroom Plus members pay only $40 for this course. Participants are required to sign a waiver form which will be provided. Mona Wells, hatha yoga teacher in Los Angeles and New York for more than 15 years

GENINT 721.693

Traditional Tai Chi

Tai Chi is well-known for bringing the mind, body, and spirit together to improve balance, prevent injury, and promote good health. This peaceful martial art helps to clear the mind, reduce stress, and enhance flexibility along with promoting overall wellness. The steps are soft and the slow movements are simple. The postures and move‑ ments accord with the principles of yin and yang and build an intimate awareness with one’s natural internal and external energy, building a great sense of inner peace. Each week a new tai chi posture is intro‑ duced, followed by a 50-minute tai chi flow sequence. In this course we learn how to open the body’s energy pathways and prepares for proper tai chi form training. Note: Students must sign a waiver before participation. Reg# 388330 Fee: $80 No refund after 30 Sept. X In-Person 8 mtgs Thursday, 1:30-3pm, Sept. 22-Nov. 10 UCLA Extension Gayley Center: 1145 Gayley Ave. Plus members pay only $40 for this course. Participants are required to sign a waiver form which will be provided. Enrollment limited. Visitors not permitted. Samuel Barnes, director of Tai Chi Works Studio and the Qigong Heal‑ ing Institute in Beverly Hills. Mr. Barnes has been teaching Tai Chi for more than 42 years and is a master teacher of Tai Chi, Qigong, Hsing I, Bagua, and Meditation. He has travelled extensively in China and Tibet studying and practicing at the source of these eastern practices.

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Real Estate 83

Enroll at uclaextension.edu or call (800) 825-9971

REAL ESTATE

For more information call (310) 206-2714 or email industrysegementprograms@uclaextension.edu. Educational Requirements for the Real Estate Salesperson and Broker Licenses: UCLA Extension does not administer either of the State of California exams. UCLA Extension offers courses that satisfy all the education require‑ ments for qualifying to take the Real Estate “Salesperson” and/or “Broker” License Exams. For complete information, including licensing requirements, please contact The Department of Real Estate (DRE) at dre.ca.gov. Salesperson License Course Requirements: In addition to the general requirements found on the BRE website, successful completion of three college-level courses is required to qualify for a real estate salesperson examination. For more information see page 00. Broker License Course Requirements: For a list of UCLA Extension courses that correspond to the required courses found on the BRE website, visit uclaextension.edu/ BrokerLicense.

MGMT UL 893.02

Real Estate Technologies

Metropolitan areas are in dire need of affordable housing. Many wonder what is being done about it, why it doesn’t exist in every neighborhood, why it has become such a negative issue, and why it has become so expensive to build. Join a panel of experts as they discuss these topics, including traditional and new ways to address affordable housing and the recent passage of California State Housing Legislation SB-8 and SB-9. Reg# 387974 Fee: $0 No refund after 19 Oct. A Remote 1 mtg Thursday, 10am-12pm, Oct. 20 Remote Classroom Admission is free, but advance registration is required. Mark Ramseyer

MGMT X 475.1

Real Estate Principles

5.0 units This practical study of the basic principles, economic aspects, and laws of real estate covers the information needed to obtain a real estate license and/or for better management of personal investments. Topics include legal descriptions and estates; encumbrances, liens, and homesteads; agencies; contracts; mathematics; financing and lenders; appraisals; escrows; title insurance; leases, landlords, and tenants; urban economics and planning; taxation; and careers in real estate. Reg# 387995 Fee: $830 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 .Enrollment Limited. Bonnie Burke, BA, broker/owner, Heritage Realty

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Reg# 387994 Fee: $830 No refund after 2 Oct. Y Hybrid (In-Person) 6 mtgs Monday, 6-10pm, Sept. 19; Oct. 3, 17 & 31; Nov. 14 & 28 UCLA Extension Gayley Center: 1145 Gayley Ave. Online Sept. 26; Oct. 10 & 24; Nov. 7 & 21 Enrollment limited. Michael Fiorina, CEO, Total Commercial Real Estate

MGMT X 475.2

Real Estate Practice

5.0 units This course covers the elements of day-to-day real estate sales and brokerage practices, emphasizing the selling process and the handling of a real estate transaction from listing to closing escrow. Topics include securing and qualifying listings and prospects, advertising, financing, closing the sale, and expediting the escrow. Additionally, the course covers owning and operating a real estate business, managing salespeople and office personnel, budgeting, and develop‑ ing and maintaining effective community relations. Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor. Reg# 387996 Fee: $830 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Nov. 28 M Tony Papillo, attorney, real estate broker, CAR Certified Forms Trainer

MGMT X 475.4

Real Estate Finance

5.0 units This course surveys the concepts, methods, and techniques of financ‑ ing residential and non-residential real estate while also identifying and analyzing the various instruments used for such purposes. Instruction covers sources, characteristics, and parameters of mort‑ gage capital; fixed, variable rate, and other alternative types of mort‑ gages; government-assisted financing (such as VA, FHA, and SBA); the secondary mortgage market; mathematical analysis of finance transactions (amortization, loan constants, present and future value, compound interest, APR, capitalization rates, debt coverage, and other financial ratios and ways of determining yield); loan underwriting, processing, closing, and servicing; foreclosures and alternatives thereto (such as short sales) and related antideficiency law issues; guaranties; construction, bridge, permanent, wraparound, mezzanine, and leasehold financing; impact of how title is held and real estate tax effects; comparison of investment choices, both before and after taxes are factored in; plus syndication and other equity sharing issues. Case studies for financing proposals for single-family, multifamily, and commercial transactions are featured. Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor.

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Reg# 387997 Fee: $830 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Richard H. Lehman, MBA Reg# 387998 Fee: $830 No refund after 3 Oct. Y Hybrid (In-Person) 11 mtgs Tuesday, 6-10pm, Sept. 20-Nov. 29 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. Instructor to be announced

MGMT X 476.15

Real Estate and Land Economics

4.0 units This course covers the economic foundations of real estate value, as well as location theory; the economics of spatial patterns—the forces that shape cities and influence the real estate industry and land uses; and theories of growth and decay of local areas, cities, and regions. Other topics include real estate cycles, business fluctuations, and identification of specific urban land use and land values. Prerequisite(s): MGMT X 475.1 Real Estate Principles, previous experi‑ ence, or consent of instructor. Reg# 387999 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M Tracy Green, DBA, MSIRE, MPA, author, broker, specializing in brown‑ fields, distressed properties, loss mitigation, and sustainable development

Real Estate

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MGMT X 476.2

MGMT X 476.35

MGMT X 477.10

4.0 units This course provides an overview of property management funda‑ mentals for the real estate professional, individual owner, or real estate student. Property types covered include office, retail, industrial, condominium, and apartment buildings. Responsibilities of the property manager/owner are studied, including tenant relations, landlord/tenant law, leasing/renting, human resources, office admin‑ istration, insurance, financial statements/budgets, building mainte‑ nance, vendor services, and property management as a career. The course includes weekly open discussions on current industry events and issues. Reg# 388001 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M Tom Morehouse, CRB, e-PRO, MBA broker/co-owner, Berkshire Hatha‑ way HomeServices California Properties Reg# 388000 Fee: $795 No refund after 5 Oct. Y Hybrid (In-Person) 6 mtgs Thursday, 6:30-9:30pm, Sept. 22 & 29; Oct. 13 & 27; Nov. 10; Dec. 1 Remote Classroom Thursday, 6:30-9:30pm, Oct. 6 & 20; Nov. 3 & 17; Dec. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. M Greg Potikyan, associate director, Newmark Grubb Knight Frank

4.0 units The internship course provides eligible students an opportunity to earn elective credit toward the certificate program based on an internship position—comprised of at least 120 hours of practical application of course material—that the student has secured and had approved by UCLA Extension. UCLA Extension does not provide internship place‑ ment. Eligible students are responsible for securing internship opportunities. Course is only available to Real Estate Certificate stu‑ dents who have completed a substantial portion (generally 20 units) of the program curriculum with a GPA of 3.0 or better. A UCLA Exten‑ sion instructor acts as an internship coordinator to monitor the internship throughout to ensure a substantive learning experience. Reg# 388003 Fee: $795 No refund after 25 Sept. Independent Study/Internship Sept. 19-Dec. 4 International students who wish to pursue paid internships must contact the International Student Office at (310) 825-9351 to confirm eligibility. Web enrollments require the submission of an initial application. Initial application must be submitted one week before the quarter begins. An advisor will contact you after initial application review. Restricted course. Discounts cannot be applied to fees for this course. Robert Abelson, Ph.D. CA Certified General Appraiser, AQB Certified USPAP Instructor, Certified Distance Education Instructor through IDEC

4.0 units Designed to provide students with a comprehensive understanding of the multidisciplinary field of real estate development, this course begins with an introduction to the roles and responsibilities of the real estate developer, then explores various issues specific to the development process. Topics include market and site analysis; com‑ munity planning; entitlements; social, political, and environmental implications; architecture and design; budgeting and financial analy‑ sis; construction; sales and marketing; and property and asset management. Various project types are studied, including residential, retail, office, hospitality, industrial, and mixed-use. Coursework includes case studies. Prerequisite(s): MGMT X 475.1 Real Estate Principles, or previous experi‑ ence and consent of instructor. Reg# 388006 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. M Mark Ruff, Mark Ruff has over 30 years of real estate experience, including brokerage, investment, development, consulting, and thirdparty review. Mark’s primary interests include financial underwriting and deal structures for real estate investments and developments of primarily multi-family properties. Mark returns to UCLA Extension from USC where he taught undergraduates and graduate students a variety of real estate subjects, including Development, Market Analysis, Advanced Real Estate Finance, and the theory and creation of real estate value.

Property Management

MGMT X 476.321

Fundamentals of Commercial Real Estate

4.0 units This course is for people who are interested in entering the practice of commercial real estate. The course provides an introduction to the fundamentals of commercial real estate by covering the four major property types: multi-family, office, retail, and industrial. Students are presented with an overview of the major differences between com‑ mercial real estate and personal use real estate. Topics include the common agent activities found in the commercial real estate market‑ place, including leasing, brokerage, development, property manage‑ ment, and financing; the financial factors in commercial real estate investments; and discussion of the common rules of thumb, including cost per square foot, gross rent multiplier, capitalization rate, and the cash-on-cash return. Participants also learn common lender terminol‑ ogy that applies to commercial real estate, the types of loans available, and an understanding of the concept of leverage. Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor. Reg# 388002 Fee: $795 No refund after 3 Oct. Y Hybrid (In-Person) 11 mtgs Tuesday, 6:30-9:30pm, Sept. 20; Oct. 4 & 18; Nov. 1 & 15; Dec. 6 UCLA: Royce Hall Online Sept. 27; Oct. 11 & 25; Nov. 8 & 29 M Todd Weaver, CCIM, CPM, president, Synergy Commercial Real Estate, Inc.

Internship in Real Estate

MGMT X 476.7

Legal Aspects of Real Estate

4.0 units An overview of California real property law and its influence on various aspects of the real estate industry. The course examines the legal issues surrounding real estate ownership and transfer, contracts, rights and duties of ownership, conveyance issues, mortgages and deeds of trust, easements, government control and powers, escrow and title insurance, zoning, landlord and tenant problems, real estate brokerage and agency relationships, and agency ethics. Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor. Reg# 388004 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 M Brien Walton, JD, LLM, senior vice president, Executive Coaching Systems, Inc.

MGMT X 476.8

Real Estate Market Analysis

4.0 units This course explores the sources of data used in economic studies and provides an in-depth analysis of trends, market activity, sales, lending, leasing, and how research studies are conducted. Other topics include land-use studies and city planning, traffic studies, population behavior and mobility, and consumer spending and trade area. Stu‑ dents learn through case studies, demonstrations, and class participa‑ tion in the analysis of shopping center development, tract development (sales, projections, and surveys), service station location, population projections, employment trends, urban renewal projects, and com‑ munity reuse studies. Prerequisite(s): MGMT X 475.1 Real Estate Principles or consent of instructor. Reg# 388005 Fee: $795 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. Tracy Green

Real Estate Development

MGMT X 477.12

Real Estate Development, Construction, and Management

4.0 units This course identifies the steps required to conceive and execute resi‑ dential and commercial development projects. Upon completion of the course, students should be able to discuss the terminology and com‑ ponents and identify the process required for managing such projects. The course introduces basic project organization, scheduling, financial feasibility, zoning, financing, and project management. Instruction is designed to prepare students to work with developers, builders, and financial organizations involved in the development process. Reg# 388007 Fee: $795 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Adnan Tapia, MBA, principal, Ploutus Advisors

MGMT X 477.84

Commercial Property Management

4.0 units Learn the techniques and strategies for successful management of commercial buildings, strip-shopping centers, and public venues. Analyze both the financial and physical management functions. Topics include various forms of real estate ownership, management agree‑ ments, budgeting and financial reports, standard operating proce‑ dures, marketing and leasing service contracts, insurance, plant and energy management, facility maintenance practices/audits, security and emergency procedures, and tenant and employee relations. Prerequisite(s): MGMT X 476.321 Fundamentals of Commercial Real Estate, or consent of the instructor. Reg# 388009 Fee: $795 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6-9pm, Sept. 21-Nov. 30 Remote Classroom Jessica Frazier, MBA, Frazier Group Realty Inc.

Real Estate 85

Enroll at uclaextension.edu or call (800) 825-9971 MGMT X 477.7

Commercial Real Estate Brokerage

4.0 units This course analyzes the market and financial issues in commercial real estate acquisitions and dispositions. Students learn ethics and the acquisitions and dispositions processes through multiple perspectives, from obtaining the listing and marketing the property to qualifying an offer and closing the deal. Students also learn the proper use of sophis‑ ticated commercial real estate terminology, practical application of state of the art financial analysis tools, and abstract the most popular listing and purchase contract forms used by professionals. This course is designed for the residential agent who wants to crossover to com‑ mercial, as well as for the seasoned commercial broker, investor, owner, and user who needs to sharpen their skills. Other professionals who can benefit from this course include attorneys, accountants, bankers, asset managers, property managers, and developers. Reg# 388008 Fee: $795 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24, 2022. Todd Weaver, CCIM, CPM, president, Synergy Commercial Real Estate, Inc.

MGMT X 477.9

Real Estate Investment Analysis

4.0 units A must for anyone dealing with the investment aspects of real estate. This course examines residential, multiresidential, commercial, indus‑ trial, and special-purpose real estate investments, as well as reviews application of investment ratios to expense factors, mortgage loan constants, and equity yields before and after income and capital gains taxes. Other topics include capitalization; negative vs. positive lever‑ age; depreciation methods and recapture; simplification of actuarial tables and mathematical formulas; internal rates of return; net present value; related yield measurement techniques; senior, junior, and inclusive trust deeds; fee, leasehold, and subordination alternatives and combinations; explanation and calculation of financial provisions of commercial leases; and prevailing rental rates and operating expenses. Working knowledge of a Financial Calculator (HP12C, HP10B II, etc.) and Microsoft Excel, or other popular spreadsheet software, is highly recommended. Prerequisite(s): MGMT X 475.1 Real Estate Principles, or previous experi‑ ence and consent of instructor. Reg# 388011 Fee: $795 No refund after 23 Sept. MOnline 11 mtgs Sept. 19-Dec. 4 M Larry Nease, MBA, MSBA, president, Terra Conejo Properties, Inc.

MGMT X 477.95

Using ARGUS Enterprise for Commercial Real Estate Analysis

4.0 units This course examines how to analyze real estate investment property using the Argus Enterprise module. The course also prepares partici‑ pants for the Argus Enterprise certification examination. Property types covered include office, retail, industrial, and multi-family. Students gain hands-on training in utilizing these programs through the analysis of case studies provided by the instructor. Students obtain a working knowledge of how to gather and input data; analyze income and expenses; understand tenant reimbursements; and generate meaning‑ ful reports for investors, developers, lenders, and others. Participants learn to analyze sale/purchase decisions and leasing activities from the perspective of the owner/lessor and the tenant/lessee. This course is beneficial for investors; appraisers; real estate analysts; property developers; real estate investment companies; property managers; asset managers; insurance companies; mortgage bankers; institu‑ tional lenders; leasing professionals; and employees of Federal, State, and Municipal agencies and planning departments. This course is not designed for residential or small multi-family analysis. Prerequisite(s): Students enrolling in this class must have a basic working knowledge of leasing concepts and income/expenses for real estate. Reg# 388012 Fee: $795 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 29 Remote Classroom Students with MAC PCs: You will need to have either Parallel or Bootcamp installed with Windows application in order for the Argus Enterprise software to install correctly. Please direct your questions to Argus prior to enrolling to make sure your computer is updated prior to receiving access to the software: argussoftware.com/contact-us/. If you don’t have the proper applications installed on your computer you will not be able to load the Argus software. It is your responsibility to verify that the required applications are installed on your MAC computer. M Karen Davidson, CRE, MAI, president/owner, Davidson & Associates Reg# 388013 Fee: $795 No refund after 4 Oct. Y Hybrid (In-Person) 11 mtgs Thursday, 6-9pm, Sept. 22; Oct. 6 & 20; Nov. 3 & 17; Dec. 8 UCLA Extension DTLA: 261 S. Figueroa St. Thursday, 6-9pm, Sept. 29; Oct. 13 & 27; Nov. 10; Dec. 1 Remote Classroom Students with MAC PCs: You will need to have either Parallel or Bootcamp installed with Windows application in order for the Argus Enterprise software to install correctly. Please direct your questions to Argus prior to enrolling to make sure your computer is updated prior to receiving access to the software: argussoftware.com/contact-us/. If you don’t have the proper applications installed on your computer you will not be able to load the Argus software. It is your responsibility to verify that the required applications are installed on your MAC computer. M Steven R Norris, MAI, CRE; principal/owner, Norris Realty Advisors; BA, Economics, UCLA.

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Sciences & Math

Enroll at uclaextension.edu or call (800) 825-9971

SCIENCES & MATH

For more information call (310) 825-7093.

Sciences For more information call (310) 825-7093.

Biology LIFESCI XL 7A

Cell and Molecular Biology

5.0 units Introduction to basic principles of cell structure and cell biology, bio‑ chemistry, and molecular biology. P/NP or letter grading. c Reg# 388364 Fee: $1,010 No refund after 26 Sept. X In-Person 22 mtgs Monday, 6:30-9:30pm, Sept. 19-Oct. 17; Oct. 31-Nov. 7; Nov. 21-Dec. 5 UCLA: Math Sciences Wednesday, 6:30-7:45pm, Sept. 21-Nov. 30 UCLA: Math Sciences Monday, 6:30-9:30pm, Oct. 24-Nov. 14 UCLA: Boelter Hall No meetings Nov. 21 & 23. Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C. Visitors not permitted. Enrollment deadline: Sept. 23. M & Yao Wang, PhD Reg# 388363 Fee: $1,010 No refund after 27 Sept. A Remote 21 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Dec. 6 Remote Classroom Thursday, 6:30-7:45pm, Sept. 22-Dec. 1 Remote Classroom No meeting November 22 & 24. Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C. Visitors not permitted. Enrollment deadline: Sept. 23. M & Miguel-Angel Gutierrez, PhD

LIFESCI XL 7B

Genetics, Evolution, and Ecology

5.0 units Principles of Mendelian inheritance and population genetics. Introduc‑ tion to principles and mechanisms of evolution by natural selection, population, behavioral and community ecology, and biodiversity, including major taxa and their evolutionary, ecological, and physiologi‑ cal relationships. Letter grading. c Prerequisite(s): LIFESCI XL 7A Cell and Molecular Biology.

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Reg# 388365 Fee: $1,010 No refund after 26 Sept. A Remote 21 mtgs Monday, 6:30-9:30pm, Sept. 19-Dec. 5 Remote Classroom Wednesday, 7-9:30pm, Sept. 21-Nov. 30 Remote Classroom No meetings Nov. 21 & 23. Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C. Visitors not permitted. Enrollment deadline: Sept. 23. M & Jana Johnson, MS, PhD Reg# 388366 Fee: $1,010 No refund after 27 Sept. X In-Person 21 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Dec. 6 UCLA: Young Hall Thursday, 7-9:30pm, Sept. 22-Dec. 1 UCLA: Young Hall No meeting November 22 & 24. Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C. Visitors not permitted. Enrollment deadline: Sept. 23. M & Jana Johnson, MS, PhD

LIFESCI XL 7C

Physiology and Human Biology

5.0 units Organization of cells into tissues and organs and principles of physiol‑ ogy of organ systems. Introduction to human genetics and genomics. Letter grading. c Prerequisite(s): LIFESCI XL 7B Genetics, Evolution, and Ecology. Reg# 388367 Fee: $1,010 No refund after 26 Sept. X In-Person 21 mtgs Monday, 6:30-9:30pm, Sept. 19-Dec. 5 UCLA: Boelter Hall Wednesday, 6:30-7:45pm, Sept. 21-Nov. 30 UCLA: Boelter Hall No meetings Nov. 21 & 23. Lecture only. The textbook will be used throughout LIFESCI XL 7A, 7B, and 7C. Visitors not permitted. Enrollment deadline: Sept. 23. M & Ryan Williams, MD, PhD specialized in neuroscience, tissue regenera‑ tion, and anatomical pathology

LIFESCI XL 23L

Introduction to Laboratory and Scientific Methodology

3.0 units Introductory life sciences laboratory designed for undergraduate students. Opportunity to conduct wet-laboratory cutting-edge bioin‑ formatics laboratory experiments. Students work in groups of three conducting experiments in areas of physiology, metabolism, cell biology, molecular biology, genotyping, and bioinformatics. Letter grading. c Prerequisite(s): LIFESCI XL 7B Genetics, Evolution, and Ecology. Recom‑ mended to be taken concurrently with LIFESCI XL 7C Physiology and Human Biology. Reg# 388362 Fee: $765 No refund after 3 Oct. X In-Person 10 mtgs Tuesday, 6-9pm, Sept. 20-Nov. 22 UCLA: Enrollment/class participation contingent on signing a liability waiver. Enrollment limited to 20 students. Visitors not permitted. Enrollment deadline: Sept. 27. M Sherry Soliman, MS, science editor, Demand Media

LIFESCI XL 107

Genetics

5.0 units Not open for credit to students with credit for Life Sciences 4. Advanced Mendelian genetics, recombination, biochemical genetics, mutation, DNA, genetic code, gene regulation, and genes in populations. c Prerequisite(s): LIFESCI XL 7C Physiology and Human Biology, LIFESCI XL 23L Introduction to Laboratory and Scientific Methodology, CHEM XL 14A General Chemistry for Life Scientists I, and CHEM XL 14C Struc‑ ture of Organic Molecules. Reg# 388361 Fee: $995 No refund after 27 Sept. X In-Person 20 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 UCLA: Geology Thursday, 7-10pm, Sept. 22-Nov. 17 UCLA: Geology No meetings Nov. 24. Letter grading. Lecture only. Visitors not permitted. Enrollment deadline: Sept. 23. M & Michael Dowicki, PhD

Sciences & Math 87

Enroll at uclaextension.edu or call (800) 825-9971 PHYSCI XL 3

MCD BIO XL 138

5.0 units This course provides students with an understanding of the human body and its organization—from molecular to cellular to tissues and organs—and how component parts function in an integrated manner to permit life as we know it. c Reg# 388376 Fee: $1,050 No refund after 27 Sept. A Remote 16 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 Remote Classroom Wednesday, 7-10pm, Sept. 28 Remote Classroom Wednesday, 7-10pm, Oct. 12; Oct. 26; Nov. 2; Nov. 16 Remote Classroom No meeting Nov. 22. Fulfills in part the UCLA General Education requirement for Life Sciences. Not open for credit to Physiological Science majors. Enrollment/class participation contingent on signing a liability waiver form. Enrollment limited to 20 students. Visitors not permitted. Enrollment deadline: Sept. 23. M & Ronald Cooper, PhD Ali Izadpanah, M.S. in Physiological Science Cord D Kirshner, RN, MSN, CNL Reg# 388377 Fee: $1,050 No refund after 27 Sept. A Remote 16 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 Remote Classroom Thursday, 7-10pm, Sept. 29; Oct. 13; Oct. 27; Nov. 3; Nov. 17 Remote Classroom No meeting Nov. 22, 2022. Fulfills in part the UCLA General Education requirement for Life Sciences. Not open for credit to Physiological Science majors. Enrollment/class participation contingent on signing a liability waiver form. Enrollment limited to 20 students. Visitors not permitted. Enrollment deadline: Sept. 23. M & Ronald Cooper, PhD Ali Izadpanah, M.S. in Physiological Science Cord D Kirshner, RN, MSN, CNL

5.0 units This course teaches the cellular and molecular basis of animal embry‑ ology and describes the events of development common to many multicellular organisms. Lectures emphasize the genetic, cellular, and molecular mechanisms involved in development. Topics include changes in gene expression and cell-to-cell interactions and how these lead to particular developmental outcomes. Students also learn how alterations in normal patterns of gene expression and cell-cell interaction lead to developmental defects and disease. Prerequisite(s): LIFESCI XL 3, XL 4, XL 23L or LIFESCI XL 7A, XL 7B, XL 7C, and XL 107. Reg# 388369 Fee: $995 No refund after 4 Oct. X In-Person 10 mtgs Wednesday, 6:30-10pm, Sept. 21-Nov. 30 UCLA: La Kretz Hall No meeting Nov. 23. Visitors not permitted. Enrollment deadline: Sept. 28. M Diana Rigueur, PhD

Introduction to Human Physiology

PHYSCI XL 13

Introduction to Human Anatomy

5.0 units This course presents a structural survey of the human body, including the musculoskeletal, nervous, circulatory, respiratory, digestive, and genitourinary systems. Laboratory includes examination of human cadaver specimens. c

MCD BIO XL 100

Introduction to Cell Biology

5.0 units This course covers the analysis of cell organization, structure, and function at the molecular level. Cell membranes and organelles, membrane transport, cellular signaling, cytoskeleton and cell move‑ ment, intracellular trafficking, and cell energetics also are covered. Not open for credit to students with credit for C139 or M140. c Prerequisite(s): LIFESCI XL 7A Cell and Molecular Biology; LIFESCI XL 7B Genetics, Evolution, and Ecology; LIFESCI XL 7C Physiology and Human Biology; LIFESCI XL 23L Introduction to Laboratory and Scien‑ tific Methodology. Reg# 388368 Fee: $995 No refund after 2 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 19-Nov. 28 Remote Classroom No meeting Nov. 21. Visitors not permitted. Enrollment deadline: Sept. 26. M & Saba Aliyari,

Developmental Biology

MCD BIO XL 144

Molecular Biology of Cellular Processes and Experimental Applications of Theory

5.0 units This course presents the basic fundamentals of modern molecular biology both from the perspective of known molecular mechanisms for regulating fundamental processes in cells and from a theoretical applied perspective for using molecular biology as a laboratory tool. Special emphasis will be placed on molecular mechanisms that relate to chromatin and histone modifications, DNA replication and repair, transposition, microRNAs, meiosis, and splicing. Application of molecu‑ lar biology as a tool to understand embryonic development, repro‑ gramming, cancer, and stem cells will also be presented. Emphasis will be placed on helping students develop a sophisticated under‑ standing of DNA, RNA, and protein, as well as the capability of inter‑ preting experimental data and designing basic experiments to address fundamental questions in biology. Prerequisite(s): Life Sciences XL 3, XL 4, XL 23L OR Life Sciences XL 7A, XL 7B, XL 7C, and XL 107. Reg# 388370 Fee: $995 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 6:30-10pm, Sept. 20-Dec. 6 Remote Classroom No meeting Nov. 22. Enrollment deadline: Sept. 27. M Visitors not permitted. Olga Vagin, PhD, associate researcher, Department of Physiology, David Geffen School of Medicine at UCLA

MIMG XL 6

Microbiology for Nonmajors

4.0 units Designed for non-science students; introduction to biology of micro‑ organisms (bacteria, viruses, protozoa, algae, and fungi), their signifi‑ cance as model systems for understanding fundamental cellular processes, and their role in human affairs. Not open for credit to stu‑ dents with credit for course 101. c Reg# 388373 Fee: $995 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 Remote Classroom No meeting Nov. 22. Lecture only. If students require a microbiology laboratory course, please refer to MIMG XL 100L (offered in Fall and Spring Quarters). Visitors not permitted. Enrollment deadline: Sept. 27. M Payam Benyamini, PhD

MIMG XL 100L

Microbiology Laboratory for Professional Schools

3.0 units Experimental techniques of microbiology, with emphasis on cultivation and characterization of bacteria. Laboratory exercises include light microscopy, quantitative techniques, and identification methods. Students learn to work effectively in groups to perform experiments, record observations, and analyze results. Limited to non-majors. Letter grading. c Prerequisite(s): Life Sciences 7A, 7B, and 23L. Reg# 388371 Fee: $2,743 No refund after 26 Sept. X In-Person 21 mtgs Monday, 7:30-9:30pm, Sept. 19-Dec. 5 UCLA Extension Gayley Center: 1145 Gayley Ave. Saturday, 9am-12pm, Sept. 24-Dec. 3 Santa Monica College: Science Building No meetings Nov. 21 & 26. Enrollment contingent upon signing a liability waiver form. Additional nonrefundable fee $285. Enrollment limited to 25 students. Visitors not permitted. Enrollment deadline: Sept. 25. M Rishab Gupta, PhD; UCLA School of Medicine PBL Tutor Faculty, pro‑ fessor emeritus, Surgical Oncology, UCLA David Geffen School of Medicine; chief due diligence officer, IndieBio.

MIMG XL 102

Introductory Virology

4.0 units This course covers the biological properties of bacterial and animal viruses, replication, methods of detection, interactions with host cells, and multicellular hosts. Topics provide a general overview of the viral world and its diversity. The main focus will be on comparing the dif‑ ferent viral taxa, especially their replication mechanisms; interactions with host cell/organisms; and their role as etiological agents of epi‑ demic diseases, cancer, and heart conditions. Their use as molecular tools will also be discussed. c Prerequisite(s): Life Sciences 7A, 7B, and 23L. Reg# 388372 Fee: $995 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 7-10pm, Sept. 20-Dec. 6 UCLA: Physics & Astronomy Bldg. No meeting Nov. 22. Lecture three hours. Visitors not permitted. Enrollment deadline: Sept. 27. M Olivier Pernet, PhD

MCD BIO X 405

Cancer Biology

4.0 units Cancer accounts for nearly one in four deaths in the United States, and the cost to individuals and society is staggering at $217 billion each year. While billions of dollars are also spent on funding research that will help determine the causes, development, and progression of cancer, there is much more to learn in order to prevent and treat cancer effectively. This course explores the molecular and cellular biology of cancer, as well as reviews the current advances in therapy. The course is divided into two parts. The first part examines the nature and causes of cancer and provides an overview of important signaling mechanisms, and the second part emphasizes how cancer metasta‑ sizes and advances in treatment. Prerequisite(s): LIFESCI XL 7A, 7B, 7C Reg# 387892 Fee: $845 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6-9pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 22. Visitors not permitted. Enrollment deadline: Sept. 28. M & Rishab Gupta, PhD; UCLA School of Medicine PBL Tutor Faculty, pro‑ fessor emeritus, Surgical Oncology, UCLA David Geffen School of Medicine; chief due diligence officer, IndieBio.

Sciences & Math

ORL BIO X 401

Osteoimmunology: Bone and Immune Interactions and Related Pathologies

4.0 units This course addresses the ontogenesis of the osteoimmune processes and discusses bone pathologies that involve immune responses, such as osteoarthritis, osteoporosis, and osteonecrosis through the normal human life span. The interactive curriculum includes a balanced mix of lectures; individual performance; group work; and online discussion on the subject of the interaction and interconnectivity between bone, immune biology, and certain pathological states. Basic courses in human physiology and immunology are recommended prerequisites. Prerequisite(s): PHYSCI XL 3 Introduction to Human Physiology and MIMG X 401 Fundamentals of Immunology or equivalent course work. Reg# 387891 Fee: $845 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. Enrollment deadline: Sept. 23. M & Andre Barkhordarian, PhD

PATH X 405

Histology for the Health Sciences: Basic Tissues of the Body

3.0 units All body organs are made up of combinations of the four basic tissues: epithelium, connective tissue, muscle, and nervous tissue. In this course you examine these four basic tissues and look at how they are specialized to perform specific functions in different organs. Along with Histology for the Health Sciences II: Organ Systems, you apply the knowledge you have gained in this course to examine the histo‑ logical structure and cellular specializations of organs and organ systems of the body. This curriculum in histology is typical of what students study in medical, dental, and allied health courses at univer‑ sities throughout the world. What makes this course unique is the opportunity for you to become engaged with innovative learning resources through a number of interactive tools presented within an online learning platform, coupled with modern online pedagogy. Another exciting feature is being able to view histological sections of body tissues and organs using innovative virtual microscopy tools. Prerequisite(s): Basic knowledge in biology. Reg# 387890 Fee: $845 No refund after 23 Sept. MOnline Sept. 19-Nov. 27 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment Deadline: Sept. 23. M Instructor to be announced

PHYSCI X 412

Functional Neuroanatomy

4.0 units Scientists have learned more about the central and peripheral nervous systems in the past 10 years than in every previous century due to the accelerated pace of research and new techniques in neuroimaging. This course takes advantage of the emerging science to explore the physical structures, organization, and related functions of the human nervous system. Topics include study of the brain sectors responsible for the basic senses (hearing, tasting, smelling, and touching); identify‑ ing structures involved with such elementary tasks as breathing, eating, moving, and sleeping; discussion of complex processes, such as communicating, reasoning, and feeling; and a review of common nervous system pathologies and their related structural changes. Prerequisite(s): Basic knowledge of human biology and physiology, preferably neurophysiology. Reg# 387889 Fee: $845 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment limited. Enrollment deadline: September 23. M & Helder Araujo, MD, PhD

Enroll at uclaextension.edu or call (800) 825-9971 PHYSCI X 415

Endocrinology

4.0 units The endocrine system is an intricate complex of hormone-producing glands that maintain homeostasis and healthy function of the body. This course explores the molecular and cellular mechanisms that mediate how hormones affect metabolism, growth, and sexual devel‑ opment. Students gain practical experience applying their knowledge by reviewing case studies and the current clinical diagnosis and interventions for treating endocrine diseases, such as hyperthyroidism, hypothyroidism, diabetes, and pituitary disorders. Reg# 387888 Fee: $895 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited. Enrollment deadline: Sept. 23. M & Joseph Esdin, PhD

Reg# 387883 Fee: $895 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Enrollment deadline: Sept. 23. M & Helder Araujo, MD, PhD Reg# 388942 Fee: $895 No refund after 4 Oct. A Remote 11 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 30 Remote Classroom Enrollment deadline: Sept. 27. M &Ã‚Â Ryan Williams, MD, PhD specialized in neuroscience, tissue regenera‑ tion, and anatomical pathology

Chemistry

PHYSCI X 425

CHEM XL 14A

4.0 units Examine the physiology of animals at the molecular, cellular, system, and whole organism levels. Instruction covers neural, muscular, cir‑ culatory, renal, immune, respiratory, reproductive, and digestive sys‑ tems and focuses on a wide variety of vertebrates and invertebrate animals to understand how they physiologically overcome challenges imposed by the surrounding environment. Reg# 387887 Fee: $895 No refund after 23 Sept. MOnline Sept. 19-Dec. 4 Midterm and final exams are proctored online; additional requirements include microphone, headphones/speakers, and webcam. Enrollment limited. Enrollment deadline: Sept. 23. M & Joseph Esdin, PhD

4.0 units This course provides an introduction to physical and general chemis‑ try principles; atomic structure based on quantum mechanics; atomic properties; trends in the periodic table; chemical bonding (Lewis structures, VSEPR theory, hybridization, and molecular orbital theory); gaseous and aqueous equilibria; properties of inorganic and organic acids, bases, and buffers; and titrations. c Prerequisite(s): High school chemistry, or equivalent background and three-and-a-half years of high school mathematics. Reg# 388385 Fee: $935 No refund after 3 Oct. A Remote 10 mtgs Tuesday, 6-10pm, Sept. 20-Nov. 29 Remote Classroom No meeting Nov. 22. Not open for credit to students with credit for CHEM 11A or 20A. This is the first chemistry course in the sequence for premedical and other pre-allied health studies. Fulfills in part the UCLA General Education requirement for Physical Sciences. Enrollment deadline: Sept. 27. Visitors not permitted. M & David James Watts, MS in chemistry, UCLA Reg# 388384 Fee: $935 No refund after 7 Oct. X In-Person 10 mtgs Saturday, 9am-1pm, Sept. 24-Dec. 3 UCLA: Young Hall No meeting Nov. 26. Not open for credit to students with credit for CHEM 11A or 20A. This is the first chemistry course in the sequence for premedical and other pre-allied health studies. Fulfills in part the UCLA General Education requirement for Physical Sciences. Enrollment deadline: Oct. 1. Visitors not permitted. M & David James Watts, MS in chemistry, UCLA

Animal Physiology

PHYSCI X 452.6

Foundations in Human Physiology

3.0 units Everyone experiences the elegant workings of the body, but few of us understand the underlying processes. Unfold the mysteries of the cell and the basic structure and function of the nervous, muscular, endo‑ crine, cardiovascular, respiratory, digestive, and immune systems by taking this online course. Whether you are preparing for a career in health sciences, planning to teach introductory science courses, or simply want to understand the latest news stories about genetic engineering or personal health, you can benefit from the cutting-edge information presented in this introductory course offered in an asyn‑ chronous online format. Prerequisite(s): Basic college-level chemistry and a human anatomy course are strongly recommended. Reg# 387886 Fee: $845 No refund after 23 Sept. MOnline Sept. 19-Nov. 27 Early enrollment advised. Enrollment deadline: Sept. 23. M & Dr. Judith N. Halle, PhD, RNC, professor, research faculty, Doctorate of Executive Leadership Program, Mountain State University; former dean of health sciences and nursing, Mountain State University.

General Chemistry for Life Scientists I

PHYSCI X 459.10

Introduction to Pathophysiology: Disease States in the Human Body

4.0 units This course is designed as an overview of the mechanisms and consequences of disease based on physiological dysfunction in the major organ systems. Each organ system is introduced by a brief and basic review covering normal structure and function, followed by the pathology and some common disorders of each system. Discussion includes common clinical presentations of disease and the mecha‑ nisms underlying signs and symptoms. Diseases covered include cardiovascular, cancer, Parkinson’s, Alzheimer’s, hepatitis, infections, and diseases of the kidney and cardiovascular system (some topics may vary by quarter). Recommended: Basic college-level chemistry and a human anatomy course are strongly recommended.

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Sciences & Math 89

Enroll at uclaextension.edu or call (800) 825-9971 CHEM XL 14B

General Chemistry for Life Scientists II

4.0 units This course covers phase changes; thermochemistry; first, second, and third laws of thermodynamics; free energy changes; electrochem‑ istry and its role as an energy source; chemical kinetics, including catalysis, reaction mechanisms, and enzymes; coordination com‑ pounds; general classes and naming of organic molecules; structure, conformations, and relative energies of organic molecules; application of thermodynamics and kinetics to organic and biochemical reactions; and use of molecular modeling software to illustrate molecular struc‑ tures and their relative energies. c Prerequisite(s): CHEM XL 14A General Chemistry for Life Scientists I and MATH XL 31A Differential and Integral Calculus, with a grade of C- or better. Reg# 388387 Fee: $935 No refund after 5 Oct. X In-Person 10 mtgs Thursday, 6-10pm, Sept. 22-Dec. 1 UCLA Extension DTLA: 261 S. Figueroa St. No meeting Nov. 24. Fulfills in part the UCLA General Education requirement for Physical Sciences. Visitors not permitted. Enrollment deadline: Sept. 29. M & David James Watts, MS in chemistry, UCLA Reg# 388386 Fee: $935 No refund after 7 Oct. A Remote 10 mtgs Saturday, 9am-1pm, Sept. 24-Dec. 3 Remote Classroom No meeting Nov. 26. Fulfills in part the UCLA General Education requirement for Physical Sciences. Visitors not permitted. Enrollment deadline: Oct. 1. M & Benny Ng,

CHEM XL 14BL

General and Organic Chemistry Laboratory I

3.0 units This laboratory class provides an introduction to volumetric, spectro‑ photometric, and potentiometric analysis. Instruction also covers the use and preparation of buffers and pH meters and synthesis and kinetics techniques using compounds of interest to students in life sciences. c Prerequisite(s): CHEM 14A General Chemistry for Life Scientists I with grade of C- or better, or co-prerequisite CHEM 14B General Chemistry for Life Scientists II. Reg# 388388 Fee: $2,112 No refund after 27 Sept. X In-Person 10 mtgs Friday, 6-10pm, Sept. 23-Dec. 9 Santa Monica College No meeting Nov. 11 & 25 Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 23. $280 nonrefundable. M Kevin Barnese, PhD

CHEM XL 14C

Structure of Organic Molecules

4.0 units This course presents continuing studies in the structure of organic molecules, with emphasis on biological applications. Topics include resonance, stereochemistry, conjugation, and aromaticity; spectros‑ copy (NMR, IR, and mass spectrometry); introduction to the effects of structure on physical and chemical properties; and survey of biomo‑ lecular structure. c Prerequisite(s): CHEM XL 14B General Chemistry for Life Scientists II. Reg# 388390 Fee: $935 No refund after 4 Oct. A Remote 10 mtgs Wednesday, 6-10pm, Sept. 21-Nov. 30 Remote Classroom No meeting Nov. 23. Not open for credit to students with credit for CHEM 10D. Visitors not permitted. Enrollment deadline: Sept. 28. M & Ochan Otim, PhD, BCES, winner of the 2017 UCLA Extension Distin‑ guished Instructor Award

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Reg# 388389 Fee: $935 No refund after 7 Oct. X In-Person 10 mtgs Saturday, 9am-1pm, Sept. 24-Dec. 3 Santa Monica College No meeting Nov. 26. Not open for credit to students with credit for CHEM 10D. Visitors not permitted. Enrollment deadline: Oct. 1. M & Kevin Barnese, PhD

4.0 units This laboratory class covers the synthesis and analysis of compounds; purification by extraction, chromatography, recrystallization, and sublimation; characterization by mass spectroscopy; UV, NMR, and IR spectroscopy; optical activity; electrochemistry; and pH titration. c Prerequisite(s): CHEM XL 14B General Chemistry for Life Scientists II, CHEM XL 14BL General and Organic Chemistry Laboratory I, and CHEM XL 14C Structure of Organic Molecules. Reg# 388391 Fee: $2,733 No refund after 28 Sept. X In-Person 19 mtgs Saturday, 9am-12pm, Sept. 24-Nov. 12; Dec. 3 Santa Monica College Saturday, 1-5pm, Sept. 24-Dec. 3 Santa Monica College No meeting Nov. 26. Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline Sept. 23. M & Wei-Hao Huang, PhD

Reg# 388393 Fee: $935 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6-9:30pm, Sept. 20-Oct. 11; Oct. 25-Nov. 8; Nov. 29-Dec. 6 UCLA: Haines Hall Tuesday, 6-9:30pm, Oct. 18; Nov. 15 UCLA: Broad Art Center No meeting Nov. 22 Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 27. M & Shakir Sayani, PhD Reg# 388394 Fee: $935 No refund after 4 Oct. X In-Person 11 mtgs Wednesday, 6-9:30pm, Sept. 21-Dec. 7 UCLA: Haines Hall No meeting Nov. 23 Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 28. M & Shakir Sayani, PhD Reg# 388395 Fee: $935 No refund after 6 Oct. A Remote 10 mtgs Friday, 6-9pm, Sept. 23-Dec. 9 UCLA: Haines Hall No meetings Nov. 11 & 25. Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 30. M & Sen Wang,

CHEM XL 14D

CHEM XL 153B

4.0 units This course covers organic reactions, nucleophilic and electrophilic substitutions and additions, electrophilic aromatic substitutions, carbonyl reactions, and catalysis. Instruction also covers the molecular basis of drug ac tion and the organic chemistr y of pharmaceuticals. c Prerequisite(s): CHEM XL 14C Structure of Organic Molecules. Reg# 389203 Fee: $935 No refund after 2 Oct. A Remote 10 mtgs Monday, 6-10pm, Sept. 19-Nov. 28 Remote Classroom No meeting Nov. 21. Not open for credit to students with credit for CHEM 10D or 10E. Visitors not permitted. Enrollment deadline: Oct. 26, 2022. M & Ochan Otim, PhD, BCES, winner of the 2017 UCLA Extension Distin‑ guished Instructor Award Reg# 388392 Fee: $935 No refund after 7 Oct. X In-Person 10 mtgs Saturday, 9am-1pm, Sept. 24-Dec. 3 UCLA: Young Hall No meeting Nov. 26. Not open for credit to students with credit for CHEM 10D or 10E. Visitors not permitted. Enrollment deadline: Oct. 1, 2022. M & Ochan Otim, PhD, BCES, winner of the 2017 UCLA Extension Distin‑ guished Instructor Award

4.0 units This course covers nucleotide metabolism, DNA replication and repair, transcription machinery, regulation of transcription, RNA structure and processing, and protein synthesis and processing. c Prerequisite(s): LIFESCI XL 7A Cell and Molecular Biology; LIFESCI XL 7B Genetics, Evolution, and Ecology; LIFESCI XL 7C Physiology and Human Biology; LIFESCI XL 23L Introduction to Laboratory and Scien‑ tific Methodology; and CHEM XL 153A Biochemistry: Introduction to Structure, Enzymes, and Metabolism. Reg# 388396 Fee: $935 No refund after 6 Oct. A Remote 11 mtgs Friday, 6-9pm, Sept. 23-Dec. 9 Remote Classroom No meeting November 11 & 25. Visitors not permitted. Enrollment deadline: Sept. 30. M & Nagendra N. Mishra, PhD

CHEM XL 14CL

General and Organic Chemistry Laboratory II

Organic Reactions and Pharmaceuticals

CHEM XL 153A

Biochemistry: Introduction to Structure, Enzymes, and Metabolism

4.0 units This course covers structure of proteins, carbohydrates, and lipids; enzyme catalysis and principles of metabolism, including glycolysis and the citric acid cycle; and oxidative phosphorylation. c Prerequisite(s): LIFESCI XL 7A Cell and Molecular Biology; LIFESCI XL 7B Genetics, Evolution, and Ecology; LIFESCI XL 7C Physiology and Human Biology; LIFESCI XL 23L Introduction to Laboratory and Scien‑ tific Methodology; and CHEM XL 14D Organic Reactions and Pharmaceuticals.

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Biochemistry: DNA, RNA, and Protein Synthesis

CHEM XL 153C

Biochemistry: Biosynthetic and Energy Metabolism and Its Regulation

4.0 units This course discusses the metabolism of carbohydrates, fatty acids, amino acids, and lipids. Additionally, the course covers photosynthetic metabolism and assimilation of inorganic nutrients. Finally, the course covers the regulation of these processes. c Prerequisite(s): LIFESCI 2 and LIFESCI 3 (or LIFESCI 7A, 7B, and 7C), LIFESCI 23L, and CHEM 153A with a grade of C or better. Reg# 388397 Fee: $935 No refund after 5 Oct. X In-Person 11 mtgs Thursday, 6-9:30pm, Sept. 22-Dec. 8 UCLA: Rolfe Hall No meeting Nov. 24 Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 29. M & Shakir Sayani, PhD

Sciences & Math

Enroll at uclaextension.edu or call (800) 825-9971

Physics

Other Sciences

PHYSICS XL 10

HLT POL X 450

Physics

4.0 units This course covers planetary motion; Newton’s laws; gravitation, electricity, and magnetism; wave motion, light, sound, and heat; rela‑ tivity; quantum mechanics; atoms; subatomic particles; and the development of physical ideas in their cultural and historical perspective. c Prerequisite(s): Two years of high school mathematics, including algebra. Reg# 388378 Fee: $955 No refund after 7 Oct. A Remote 10 mtgs Saturday, 9am-12:30pm, Sept. 24-Dec. 3 Remote Classroom No meeting Nov. 26. Fulfills in part the UCLA General Education requirement for Physical Sciences. Not open for credit to students with credit for Physics 6A, 5A, or equivalent mechanics courses. Visitors not permitted. Enrollment deadline: Oct. 1. M Jun Park, PhD

PHYSICS XL 5A

Physics for Life Sciences Majors: Mechanics and Energy

5.0 units Statics and dynamics of forces, motion, and energy, including thermal energy, with applications to biological and biochemical systems. c Prerequisite(s): Calculus series, such as LIFESCI 30A, 30B or MATH 3A, 3B, 3C (3C may be taken concurrently); or MATH XL 31A, 31B or equiva‑ lent. PHYSICS 5A, 5B, and 5C form a one-year sequence in basic physics for students in the biological and health sciences. Calculus is used throughout. Successful completion of basic calculus courses is a prerequisite for admission to this sequence. Reg# 388379 Fee: $1,060 No refund after 26 Sept. X In-Person 29 mtgs Monday, Wednesday, 6-7:45pm, Sept. 19-Oct. 17 UCLA: Physics & Astronomy Bldg. Monday, Wednesday, 6-7:45pm, Oct. 24-Nov. 30 UCLA: Physics & Astronomy Bldg. Wednesday, 8-10pm, Sept. 21-Nov. 16 UCLA: Location to be announced Wednesday, 6-7:45pm, Oct. 19 UCLA: Kaplan Hall No meetings Nov. 21 & 23. Enrollment/class participation contingent on signing a liability waiver form. Physics XL 5B and XL 5C will be offered in Winter Quarter and Spring Quarter. Nonscience majors interested in a general physics course should take XL 10 Physics when next offered. Internet access required to retrieve course materials. Fulfills in part the UCLA General Education requirement for Physical Sciences. Enrollment limited to 26 students. Visitors not permitted. Enrollment deadline: Sept. 23. Jacqueline Pau, PhD Reg# 388380 Fee: $1,060 No refund after 26 Sept. X In-Person 29 mtgs Monday, Wednesday, 6-7:45pm, Sept. 19-Nov. 30 UCLA: Physics & Astronomy Bldg. Monday, 8-10pm, Sept. 19-Nov. 14 UCLA: Location to be announced Wednesday, 6-7:45pm, Oct. 19 UCLA: Kaplan Hall No meetings Nov. 21 & 23. Enrollment/class participation contingent on signing a liability waiver form. Physics XL 5B and XL 5C will be offered in Winter Quarter and Spring Quarter. Nonscience majors interested in a general physics course should take XL 10 Physics when next offered. Internet access required to retrieve course materials. Fulfills in part the UCLA General Education requirement for Physical Sciences. Enrollment limited to 26 students. Visitors not permitted. Enrollment deadline: Sept. 23. Jacqueline Pau, PhD

Clinical Genetics: Medical and Public Health Perspectives

4.0 units This course discusses core concepts in basic and applied genetics, exploring their relevance to clinical medicine, public health, and genetic counseling. The course begins with a review of introductory molecular genetics and genetic epidemiology, then explores the role of genetics in the diagnosis, treatment, and prevention of disease throughout the life cycle. Through readings and threaded online dis‑ cussions, students also examine the ethical, legal, and social implica‑ tions of genetics in medical practice, research, and population health. The completion of weekly multiple-choice review questions promotes mastery of the information presented. The course culminates with a Journal Club project that allows the student to focus on a topic of personal interest. Reg# 388399 Fee: $780 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 A previous course in general biology and/or a background in health care is recommended. Visitors not permitted. Enrollment deadline: Sept. 23 M & Claudia Mikail, MD, MPH, who is a clinical geneticist and author of Public Health Genomics: The Essentials. As a medical school admis‑ sions consultant, she helps students achieve their best. She received her BA at Princeton, MD at Mt. Sinai School of Medicine, MPH at Columbia, and fellowship at UCLA.

Math & Statistics For more information call (310) 825-7093.

MATH XL 31B

Integration and Infinite Series

4.0 units This course covers transcendental functions, methods, applications of integration, sequences, and series. c Prerequisite(s): MATH 31A Differential and Integral Calculus with a grade of C- or better. Reg# 388404 Fee: $935 No refund after 2 Oct. X In-Person 11 mtgs Monday, 6-9pm, Sept. 19-Dec. 5 UCLA: Dodd Hall No meeting Nov. 21 Visitors not permitted. Enrollment deadline: Sept 26. M & Ryan Valles, MS

MATH X 402.1

Introduction to Calculus

4.0 units This course covers the different applications of both differential and integral calculus to representative problems characteristic of the public and private economic sectors. Major topics covered in differ‑ ential calculus include optimization, applications of the first and second derivatives that will find the optimized and inflection values of various functions, integral calculus, and procedures for finding either area under one curve or between two curves. Students are expected to apply the relevant techniques from differential and integral calculus in a wide variety of real-world contexts related to the prob‑ lem-solving needs of public and private sector organizations. Upon completing this course, students should be able to take first deriva‑ tives of functions to find minimum and maximum values and take second derivatives to find inflection points of a function. Students are expected to understand the fundamental theorem of calculus and its implications for applied real-world problems. Prerequisite(s): MATH 903 Intermediate Algebra for College Students or equivalent. Reg# 388400 Fee: $865 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 Coursework must be submitted as Microsoft Word or Excel attachments. Visitors not permitted. Enrollment limited; early enrollment advised. Enrollment deadline: Sept. 23. M & Matin Lackpour, MBA, EdD, PhD, mechanical engineer, Los Angeles Department of Water and Power (retired)

STATS XL 10

Introduction to Statistical Reasoning

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5.0 units This course provides an introduction to statistical thinking and under‑ standing, including strengths and limitations of basic experimental designs, graphical and numerical summaries of data, inference, and regression as a descriptive tool. Not open for credit to students with credit for Economics 40. Fulfills in part the UCLA General Education requirement for Life or Physical Sciences. c Prerequisite(s): Three years of high school mathematics. Reg# 388409 Fee: $985 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 6-9:15pm, Sept. 20-Dec. 6 Remote Classroom No meeting Nov. 22 Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 27. M & Miles Chen, PhD, lecturer in statistics, UCLA

STATS XL 13

Introduction to Statistical Methods for Life and Health Sciences

5.0 units This introductory course for pre-health professionals covers the pre‑ sentation and interpretation of data, descriptive statistics, introduction to correlation and regression, and introduction to basic statistical inference (estimation, testing of means and proportions, ANOVA) using both bootstrap methods and parametric models. c Prerequisite(s): Three years of high school mathematics.

Sciences & Math 91

Enroll at uclaextension.edu or call (800) 825-9971 Reg# 388411 Fee: $985 No refund after 5 Oct. A Remote 11 mtgs Thursday, 6-9:15pm, Sept. 22-Dec. 8 Remote Classroom No meeting Nov. 24 Not open for credit to students with credit for STATS 10, 11, 12, or 14. Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 29. M & Miles Chen, PhD, lecturer in statistics, UCLA

STATS X 402

Introduction to Statistics and Quantitative Methods

4.0 units This introductory statistics course emphasizes practical application of the statistical analysis. The introduction covers the role of statistics in research; understanding statistical terminology; the use of appropriate statistical techniques; and interpreting findings in the fields of science, economics, nursing, business, and medical research. Topics include graphing and tabulation of data, central tendency measures, disper‑ sion, probability theory, probability distribution, sampling techniques, confidence interval, and hypothesis testing. Reg# 388405 Fee: $865 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 It is recommended that students have the latest antivirus, word processing, and spreadsheet software. Coursework must be submitted as Microsoft Word or Excel attachments. Visitors not permitted. Enrollment limited; early enrollment advised. Enrollment deadline: Sept. 23. M & Andy Niknafs, MS, PhD, lead engineer, Los Angeles Department of Water and Power Reg# 388406 Fee: $865 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 It is recommended that students have the latest antivirus, word processing, and spreadsheet software. Coursework must be submitted as Microsoft Word or Excel attachments. Visitors not permitted. Enrollment limited; early enrollment advised. Enrollment deadline:Sept. 23. M & Andy Niknafs, MS, PhD, lead engineer, Los Angeles Department of Water and Power

STATS X 402.1

Advanced Statistics and Quantitative Methods

4.0 units This advanced course in inferential statistics emphasizes the practical application of statistical analysis. Instruction includes an examination of the role of statistics in research; understanding statistical terminol‑ ogy; use of appropriate statistical techniques; and interpretation of findings in the fields of economics, business, nursing, and medical research. Topics include graphing and tabulation of data, hypothesis testing for small and large samples, chi-squared, statistical quality control, analysis of variance (ANOVA), regression, correlation, and decision making under uncertainty. Prerequisite(s): STATS X 402 Introduction to Statistics and Quantitative Methods Reg# 388407 Fee: $865 No refund after 23 Sept. MOnline Sept. 19-Dec. 11 Coursework must be submitted as Microsoft Word or Excel attachments. Enrollment limited; early enrollment advised. Enrollment deadline: Sept. 23. M & Matin Lackpour, MBA, EdD, PhD, mechanical engineer, Los Angeles Department of Water and Power (retired)

Placement Exam Students enrolling in this course need to complete the math placement exam before the first class. Please sign up for the math placement exam through ALEKS. Each student will be charged a $20 fee (non-refundable) which covers 12 months of access to the Prep and Learning Module, which is a resource for refreshing your math skills.

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Exam Length: 30 Questions Time: You should plan to complete the placement exam within an uninterrupted 2-hour sitting If you score 80% or higher, we recommend that you enroll in Calculus MATH XL 31A If you score between 60% - 79%, we recommend that you enroll in Pre-Calculus MATH XL 1 If you score less than 60%, we recommend that you enroll in an algebra course After taking the placement exam, you are given the opportunity to review certain topics through targeted learning exercises in the Prep and Learning Module. Retake the exam, if necessary After engaging with the Prep and Learning Module for at least 3 hours, you can take the placement exam again The retake exam will become available 24 hours after the initial exam was completed. You will have access to the Prep and Learning Module for 12 months after taking the initial exam.

MATH XL 1

Precalculus

4.0 units This course covers function concept; linear and polynomial functions and their graphs; applications to optimization; inverse, exponential, and logarithmic functions; and trigonometric functions. c Prerequisite(s): Intermediate Algebra for college students with a grade of C or better or two-and-a-half years of high school mathematics. Reg# 388401 Fee: $935 No refund after 7 Oct. X In-Person 11 mtgs Saturday, 1-5pm, Sept. 24-Dec. 10 UCLA: Geology No meeting Nov. 26 Students who are not qualified to take this course should enroll in 903 Intermediate Algebra for College Students. Visitors not permitted. Enrollment deadline: Oct. 1, Enrollment/class participation contingent on completing the math placement exam. M & John Sepikas, PhD

MATH XL 31A

Differential and Integral Calculus

4.0 units This course covers differential calculus, its applications, and the introduction to integration. c Prerequisite(s): MATH XL 1 Precalculus with a grade of C- or better, or three-and-a-half years of high school mathematics, including some coordinate geometry and trigonometry. Reg# 388402 Fee: $935 No refund after 3 Oct. A Remote 11 mtgs Tuesday, 3:30-6:30pm, Sept. 20-Dec. 6 Remote Classroom No meeting Nov. 23 Students who are not qualified to take this course should enroll in MATH XL 1 Precalculus. Enrollment/class participation contingent on completing the ALEKS placement exam. Visitors not permitted. Enrollment deadline: Sept. 28. M & Esmaail Nikjeh, MS Reg# 388403 Fee: $935 No refund after 3 Oct. X In-Person 11 mtgs Tuesday, 6-9pm, Sept. 20-Dec. 6 UCLA: Dodd Hall No meeting Nov. 22 Students who are not qualified to take this course should enroll in MATH XL 1 Precalculus. Enrollment/class participation contingent on completing the ALEKS placement exam. Visitors not permitted. Enrollment deadline: Sept. 27. M & Ryan Valles, MS

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

WRITING & JOURNALISM For more information call W riters’ Program (310) 825-9415

Writers’ Program Written Communication For help in choosing a course, contact the Writers’ Program at (310) 825-9415.

NEW WRITCOM 702.1E

Résumé Writing Basics

Getting the attention of a potential employer is difficult in today’s competitive market. Doing so in a digital world is even harder. Making your résumé shine and highlighting your individual skills will certainly be an added advantage. In this three-hour workshop, you will learn how to transform your résumé into a powerful tool to get noticed. You will learn how to personalize your résumé to fit each job you apply to. Students will also learn how to adapt a résumé for both digital and direct employment opportunities. Students will leave the workshop with a better understanding of how to craft a strong résumé as well as leave with a strong rough draft that can be used for future employ‑ ment opportunities. Reg# 388751 Fee: $0 A Remote 1 mtg Saturday, 10am-1pm, Nov. 5 Remote Classroom Scott Eagan, owner and acquisitions editor for Greyhaus Literary Agency focusing exclusively on the traditional romance and women’s fiction market. Mr. Eagan is an active member of the Romance Writers of America, has provided freelance critique work with Writer’s Digest, and worked as a reviewer with Publisher’s Marketplace.

NEW WRITCOM X 404

Editing, Proofreading, and Reviewing

4.0 units Writing is not easy. And yet, writing is still a principle means of com‑ munication. We apply for jobs with a written cover letter and resume. We request things from our employers. We communicate through social media. However, because we are often not there “in person” we have to ensure that our writing is strong, concise and accurate. It is during the revision and editing stages when the written message can be strengthened to maximize the usefulness of the message. This course will walk participants through the revision and editing process of their writing The course will focus on skills such as: Adjusting sentence structure and vocabulary to better meet the needs of indi‑ vidual circumstances and audiences; Knowing how to proofread and edit your own writing; Understanding basic grammar rules dealing with punctuation, sentence structure and word choice; Knowing how to proofread and edit someone else’s writing; Understanding how to use software and technology to improve our writing; Knowing where to go to get additional assistance

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Journalism (310) 825-7093.

Reg# 388787 Fee: $745 No refund after 5 Oct. MOnline Sept. 21-Dec. 6 Enrollment limited to 15 students. M Scott Eagan, owner and acquisitions editor for Greyhaus Literary Agency focusing exclusively on the traditional romance and women’s fiction market. Mr. Eagan is an active member of the Romance Writers of America, has provided freelance critique work with Writer’s Digest, and worked as a reviewer with Publisher’s Marketplace.

WRITCOM X 401

Clear and Descriptive Writing

4.0 units Clear and Descriptive Writing focuses on the basics of sentence and paragraph, providing tools to enable clear, focused, and descriptive essays and other writing objectives. Starting with focused sentence exercises, you move toward creating clear, thoughtful, and organized paragraphs that employ tone, voice, and diction. As well as complet‑ ing exercises and writing assignments, you collect examples of writing—both effective and ineffective—to present to the class in order to share and examine writing strategies. Toward the end of the class, students develop one essay-length piece of writing. In workshop groups, you hone this piece and help classmates improve their work. You leave with skills you can apply in various settings and with different writing projects. Reg# 388741 Fee: $745 No refund after 5 Oct. MOnline Sept. 21-Dec. 6 Enrollment limited to 15 students. M Jessica Barksdale, MFA, MA, author of 15 novels including The Play’s the Thing and a poetry collection, When We Almost Drowned. Ms. Barksdale’s short stories, poems, and essays have appeared in Compose, Salt Hill Journal, The Coachella Review, and Carve Magazine. She is a professor of English at Diablo Valley College and teaches in the MFA program at Southern New Hampshire University.

WRITCOM X 402

Persuasive Writing

4.0 units Persuasive writing is all around us: in editorials, in advertising, social media, and even in the emails we write to friends and coworkers. Persuasive messages can take the form of logical arguments, emotion‑ ally charged rhetoric, or short narratives (e.g. a TV ad). Designed for writers of all experience levels, this course introduces you to major persuasion theories from social and media psychology and to some ideas from cognitive neuroscience relevant to persuasion in a manner that is both accessible and fun. You complete exercises that help you practice persuasive writing, participate in discussions, and get feed‑ back from peers. By the end of the course, you know how to choose the best route to persuasion, considering your audiences’ motivation and readiness to change and how to format and craft a message to make it more persuasive.

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Reg# 388746 Fee: $745 No refund after 5 Oct. MOnline Sept. 21-Dec. 6 Enrollment limited to 15 students. M Carlos Allende, PhD in Media Psychology with a concentration in audience engagement and a self-directed concentration in media neuroscience. He teaches psychology and researches the motivational effect of compassion in securing engagement as well as the paradoxi‑ cally positive effect of stereotypical representation. His fiction incor‑ porates history with social satire. Rare Bird Books published his novel Love, or the Witches of Windward Circle in 2015 and he was a panelist on modern horror at the LA Times Festival of Books in 2016. He won the 2019 Quill Prose Award with his novel Coffee, Shopping, Murder, Love, which will be published in June 2022 by Red Hen Press.

Creative Writing For help in choosing a course or determining if a course fulfills certificate requirements, contact the Writers’ Program at (310) 825-9415.

Basics of Writing These basic creative writing courses are for students with no prior writing experience. Instruction is exercise-driven; the process of workshopping—in which students are asked to share and offer feedback on each other’s work with guidance from the instructor—is introduced. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING 721.2E

Storytelling Starter Kit

In this one-day workshop, we find the stories that only you can tell. Through prompts and playful writing exercises, you learn how to generate unique and gripping story ideas, find your first line, and learn simple techniques for structuring a personal story for performance. By the end of the workshop, you have the beginnings of an unforget‑ table, personal story that you can tell in one of the city’s many story‑ telling shows, like The Moth Story Slam and many other ideas in your back pocket to continue to develop into full pieces. Reg# 388614 Fee: $0 No refund after 8 Oct. A Remote 1 mtg Saturday, 10am-1pm, Sept. 24 UCLA X Open Enrollment limited. M Cole Kazdin, MS, writer, performer, and Emmy-winning television journalist. Ms. Kazdin is a regular contributor to VICE and has written for The New York Times. She is a three-time Moth GrandSLAM cham‑ pion and tells stories onstage all across the country, on NPR, and in the book All These Wonders.

Writing & Journalism 93

Enroll at uclaextension.edu or call (800) 825-9971 WRITING X 400

WRITING X 410

2.0 units This six-week course is perfect for anyone just getting started on their path to being a writer. Students work in small breakout sessions with experienced writers and teachers, then attend a lecture by various guest speakers with expertise in fiction, poetry, nonfiction, or screen‑ writing. Short assignments are workshopped in the weekly breakout sessions. The goal of the course is to expose new writers to a variety of types of writing while getting their creative juices flowing. At the end of the quarter, students feel more confident about their skills and are prepared for further study of writing. Reg# 388604 Fee: $485 No refund after 12 Nov. A Remote 6 mtgs Saturday, 1-4pm, Oct. 29-Nov. 19 Remote Classroom Saturday, 1-4pm, Dec. 3-10 Remote Classroom No meeting Nov. 26. Enrollment limited to 12 students. M Norman Kolpas, author and editor whose several hundred nonfiction pieces have appeared in many publications, including Bon Appetit, HOME, Elle, Sunset, Southwest Art, and The Times of London. Mr. Kolpas is also the author of more than 40 nonfiction books and consults with, and ghost writes for, many top personalities and brands. Reg# 388607 Fee: $485 No refund after 12 Nov. A Remote 6 mtgs Saturday, 1-4pm, Oct. 29-Nov. 19 Remote Classroom Saturday, 1-4pm, Dec. 3-10 Remote Classroom No meeting Nov. 26. Enrollment limited to 12 students. M Ruben Quesada, MFA, PhD, poet, translator, and editor of the anthol‑ ogy Latinx Poetics: Essays on the Art of Poetry. Dr. Quesada’s writing has appeared in Harvard Review, Best American Poetry, American Poetry Review, Ploughshares, and elsewhere. He has served as an editor and coordinator for The Rumpus, Kenyon Review, AGNI, Pleiades, Publishing Triangle Awards, and PEN America Literary Awards. He hosts a monthly broadcast called the Mercy Street Readings and serves on the board of the National Book Critics Circle.

2.0 units Do you aspire to write creatively but don’t know where to start? This supportive workshop provides you with many techniques to motivate and guide you. You learn how to transform observation and personal experience into imaginative prose, create dynamic characters and dialogue, and write from different points of view. By the end of the course, you have in hand a series of short sketches or a draft of a short story and the key tools you need to write creatively. Reg# 388465 Fee: $485 No refund after 9 Nov. MOnline Oct. 26-Dec. 6 Enrollment limited to 15 students. M Ella Martinsen Gorham, writer from Los Angeles. Ms. Martinsen Gorham’s short stories have been published in New England Review, ZYZZYVA, Carve, and Best American Short Stories 2019. She was a finalist in the 2020 Raymond Carver Short Story Contest.

Introduction to Creative Writing

WRITING X 420

Nonfiction: Essential Beginnings

2.0 units Sometimes the best stories are true. To help you turn your personal experiences, anecdotes from everyday life, and family stories into compelling narratives, this workshop teaches beginning writers the basic elements of good storytelling. You learn how to excavate memo‑ ries and discover fresh or unexpected facets of your life stories. Through weekly exercises, you generate new material and learn an array of fictional techniques to tell your nonfiction story, including how to play with voice, focus on a small unit of time, and describe land‑ scape and character. By the course’s completion, you have in hand a series of short sketches or a draft of a nonfiction piece. Reg# 388612 Fee: $485 No refund after 9 Nov. MOnline Oct. 26-Dec. 6 Enrollment limited to 15 students. M liz gonzález, MFA, author of Dancing Santa Ana Winds: Poems y Cuentos New and Selected. Ms. gonzález’s work has appeared in Wide Awake: The Poets of Los Angeles and Beyond, and the San Francisco Chronicle, among others. She is the director and founder of Uptown Word & Arts, promoting literacy and the arts.

Fiction: Essential Beginnings

WRITING X 403

Finding Your Story

2.0 units The scariest part of writing is staring at that blank page! This workshop is for anyone who has wanted to write but doesn’t know where to start or for writers who feel stuck and need a new form or jumping off point for unique story ideas. The course provides a safe, playful atmosphere to experiment with different resources for stories, such as life experi‑ ences, news articles, interviews, history, and mythology. A series of in-class exercises explore or introduce different writing forms—such as short stories, personal essay, plays, and even poems or songs—and generate a notebook filled with unique story ideas from which you craft several short pieces. Reg# 388466 Fee: $485 No refund after 10 Nov. A Remote 6 mtgs Thursday, 7-10pm, Oct. 27-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. M Laurel Ollstein, MFA, award-winning playwright, director, and actor. Her plays produced around the country include They Promised Her the Moon, Cheese, Esther’s Moustache, Blackwell’s Corner, Insomniac, and The Dark Ages, among others. Her newest work includes PANDORA, commissioned from the Getty Villa.

WRITING X 461.2E

Power Up Your Writing: Deeper Characters, Deeper Truths

2.0 units How do writers create work that electrifies readers and stays with them long after they have turned the last page? One key is that they create characters who live on in the readers’ minds; another is that they dig into their own hearts and minds to reveal deeper truths. Whether you’re writing fiction, poetry, memoir, or essay, this course helps you to do both. The process of being able to create memorable characters includes building the vivid worlds they live in, and exploring how they reveal who they are—and what they want—through action and speech, as well as through what they own, wear, value, and desire. The body as a metaphor for feelings about ourselves and others is explored, and visual arts—painting, sculpture, photography—offer pathways to get at your own truths. In revising your work, you gain tools for going deep into the story to reveal rich, new insights. Suitable for beginners and experienced writers. Reg# 388467 Fee: $485 No refund after 9 Nov. MOnline Oct. 26-Dec. 6 Enrollment limited to 15 students. M Rochelle J. Shapiro, author of Miriam the Medium and Kaylee’s Ghost. Ms. Shapiro’s essays have been published in The New York Times and Newsweek. Her short stories and poems have been published in many anthologies and literary magazines, such as The Iowa Review, Sedge, and Moment.

WRITING X 404

Defeating Distraction: Creating a Writing Practice

2.0 units Whether you are writing a screenplay, short story, personal essay, or not even writing yet at all (but would like to!), the way to create and finish any project is through a consistent and committed writing practice. The regular discipline of writing can feel elusive and at times unattainable, but it can be done! In this course, students learn the fundamentals of creating a lasting writing practice as well as con‑ crete tools to employ as defenses against procrastination and writer’s block. Class time will consist of lectures, in-class writing prompts, and exercises to build craft, with homework assignments geared towards setting manageable goals and accountability. Think of it as “Couch to 5K” personal training—but for writing. Rather than focusing on revising or improving a particular writing project, the class focuses solely on committing to the writing practice itself. By the end of the course, students will have the skills to build a sustainable writing practice that they can maintain long after the class is over. All levels of writers are welcome. Reg# 388613 Fee: $485 No refund after 10 Nov. A Remote 6 mtgs Thursday, 7-10pm, Oct. 27-Dec. 1-8 Remote Classroom No meeting Nov. 24. Enrollment limited to 20 students. M Cole Kazdin, MS, writer, performer, and Emmy-winning television journalist. Ms. Kazdin is a regular contributor to VICE and has written for The New York Times. She is a three-time Moth GrandSLAM cham‑ pion and tells stories onstage all across the country, on NPR, and in the book All These Wonders.

Special Topics for All Writers Courses in this section are open to students who want a deeper understanding of a specific craft issue or area of study. These courses fulfill the elective requirement for creative writing certificates. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING 701.2E

Women’s Write Night

Looking for creative inspiration? This one-night workshop takes you on a 3-hour journey into the heart of your creative voice. Using playful writing prompts designed to inspire and ignite fresh material, partici‑ pants write, share, explore, and discover their voice on the page in fresh and surprising ways—all within a nurturing community of women writers. During these three hours, we write without judging, we share strength-based feedback, and we celebrate our commitment to show‑ ing up for our writing and ourselves. This is a quick bite of The Women’s Writing Workshop. Reg# 389054 Fee: $0 No refund after 22 Sept. A Remote 1 mtg Thursday, 7-10pm, Sept. 22 UCLA X Open Enrollment opens two weeks prior to the event. Enrollment limited. M Robin Finn, MPH, MA, is the author of the novel Restless in L.A. Her writing has appeared in The Washington Post, The Los Angeles Times, BuzzFeed, and many others. She is a creativity and project coach, and the creator and founder of Heart. Soul. Pen. an L.A.-based course that blends deep-dive creativity and writing.

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Writing & Journalism

NEW WRITING X 461.27E

Autofiction

3.0 units This course explores the amorphous nature of autofiction, which blurs the boundaries between creative nonfiction and fiction. Using char‑ acter development, scene building, artful description, time tinkering, and other key craft elements of both fiction and nonfiction, autofiction challenges its writers to curate, reimagine, and distill the writers’ truths into a cohesive narrative. The course includes a variety of readings that span across fiction, nonfiction, and visual art. The course goals are to have a selection of newly written and revised flash autofiction pieces or short form piece, and to have a plan to continue exploring the genre beyond this course. Reg# 388729 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Jennifer Chukwu, MFA, writer and visual artist from the Midwest and author of The Unfortunates. Ms. Chukwu was a 2019 Lambda Literary Fellow. Her work has appeared in New Delta Review, Black Warrior Review, DIAGRAM, and TAYO, and she has presented her writing and art at University of Wisconsin-Madison, National Louis University, The University of Manchester, and elsewhere.

NEW WRITING X 463.11E

Submission Strategies

2.0 units Participants in this workshop will gain understanding and practice for the literary journal submission process. Activities will include identify‑ ing personal publication goals, finding open calls that best fit your creative work, writing cover letters, and building submission trackers. Participants will have an opportunity to workshop a small packet of poems or flash pieces, or an essay or story under 4000 words in order to ready a manuscript for submission. The final session will be saved for submitting in real time and strategizing for the future. Reg# 388728 Fee: $485 No refund after 9 Nov. A Remote 6 mtgs Wednesday, 7-10pm, Oct. 26-Dec. 7 Remote Classroom No meeting Nov. 23, 2022. Enrollment limited to 15 students. M Xochitl-Julisa Bermejo, MFA, author of the poetry collection Posada: Offerings of Witness and Refuge. Ms. Bermejo has taught courses on social justice poetry, literary communities of Los Angeles, and literary submission strategies. Her work is published in Acentos Review, CALYX, and crazyhorse, among others.

NEW WRITING X 465.1E

Creative Café 2.0: Food & Writing

1.5 units Food is a fact of life, a universal shared culture, and amongst our most intimate concerns. Now, more than ever, food looms large in our personal, political, environmental and cultural spheres. For writers, food can inspire a lifetime supply of evocative literature. In four, halfday sessions spanning two weekends, we will consider current approaches to food, read great food writing, do in class exercises and overnight assignments for class critique, shaping a work through multiple drafts. Students will discover exciting ways to write about food, as well as expand their creative horizons regarding outlets, whether it be food-centric blogs, online literary sites, podcasts, social media, books, or publishing with traditional mainstream media. Genres covered include fiction, non-fiction, memoir, essay, and poetry. Course is appropriate for all writing levels, from fresh beginner to fine-aged pro. Possible Guest Speaker. Reg# 388650 Fee: $269 No refund after 24 Sept. A Remote 4 mtgs Saturday, Sunday, 10am-1:30pm, Oct. 1 & 2; Oct. 8 & 9 Remote Classroom Enrollment limited to 15 students. M Nancy Spiller, author of the memoir It’s Compromise Cake: Lessons Learned From My Mother’s Recipe Box and Entertaining Disasters: A Novel (with Recipes). Ms. Spiller was an editor at the Los Angeles Times Syndicate, and her articles and essays have appeared in such publications as Los Angeles Review of Books, Los Angeles Times Sunday Magazine, and Salon.com.

Enroll at uclaextension.edu or call (800) 825-9971 WRITING X 463.4E

Creative Writer’s Boot Camp

2.0 units In this six week workshop, writers develop a productive writing practice and deepen their knowledge of the craft of writing. In this course, we design achievable thirty-day plans for success with a writing project and develop skills for recognizing and neutralizing the undermining powers of resistance and the inner critic. We also focus on the art of craft (plot, character, and voice) and devote time to the practice of compassionate self-critique. Class sessions include time for in-class writing, revision, and safe, supportive feedback. Reg# 388649 Fee: $485 No refund after 25 Oct. A Remote 6 mtgs Tuesday, 6-9pm, Oct. 11-Nov. 22 Remote Classroom No meeting Nov. 15. Enrollment limited to 15 students. M Lesley Hyatt, MFA and Fulbright Scholar, has taught imaginative writ‑ ing to students of all ages and backgrounds for over 20 years. She leads writing workshops and mindfulness groups at UCLA Ext Writers Program, Skirball Cultural Center, and privately throughout the L.A. area and on Zoom.

ENGL XL 138

Creative Writing: Screenplay

5.0 units Available for UCLA transferable credit and designed specifically for creative writers, this workshop introduces you to writing the featurelength screenplay. To ground your understanding of what distinguishes this narrative form from long and short fiction and plays, you study screenplay form and theory as well as published screenplays. Through weekly writing assignments, you learn key elements of feature film writing—including story, plot, structure, characterization, dialogue, and visual storytelling—and you build your critical skills through the process of giving and taking critiques. The course goal is to complete one full treatment and the first 10 pages of one feature. c Reg# 388626 Fee: $745 No refund after 5 Oct. MOnline Sept. 21-Dec. 6 Enrollment limited to 15 students. M Jon Bernstein, screenwriter and WGA member who wrote Meet the Robinsons, Ringmaster, and Beautiful. He has worked on film and TV projects for Paramount, DreamWorks, 20th Century Fox, NBC/Universal and the CW. He is a recipient of the UCLA Extension Outstanding Instructor Award in Screenwriting.

WRITING X 463.7E

The Psychology of Compelling Storytelling

3.0 units Novice storytellers tend to associate the quality of a story with the quality of its prose. While a clear and concise style will facilitate understanding, the commercial success of “poorly written” books demonstrates that good storytelling, the kind of storytelling that fas‑ cinates and persuades, calls for a different skill: the ability to create urgency. This is not an ordinary writing course. This course explains how it is that stories engage and persuade and provides a theoretical background of the mental processes that guide attention and decision making as well as of the limits of cognition so that students can apply that knowledge to the crafting of more engaging and more persuasive stories. For that purpose, this course takes a multidisciplinary approach to storytelling, borrowing concepts from media psychology, communication studies, social psychology, and even seemingly unrelated disciplines such as cognitive neuroscience and ethology, the study of animal behavior. Reg# 388632 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Carlos Allende, PhD in Media Psychology with a concentration in audience engagement and a self-directed concentration in media neuroscience. He teaches psychology and researches the motivational effect of compassion in securing engagement as well as the paradoxi‑ cally positive effect of stereotypical representation. His fiction incor‑ porates history with social satire. Rare Bird Books published his novel Love, or the Witches of Windward Circle in 2015 and he was a panelist on modern horror at the LA Times Festival of Books in 2016. He won the 2019 Quill Prose Award with his novel Coffee, Shopping, Murder, Love, which will be published in June 2022 by Red Hen Press.

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Reg# 388638 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. M Carlos Allende, PhD in Media Psychology with a concentration in audience engagement and a self-directed concentration in media neuroscience. He teaches psychology and researches the motivational effect of compassion in securing engagement as well as the paradoxi‑ cally positive effect of stereotypical representation. His fiction incor‑ porates history with social satire. Rare Bird Books published his novel Love, or the Witches of Windward Circle in 2015 and he was a panelist on modern horror at the LA Times Festival of Books in 2016. He won the 2019 Quill Prose Award with his novel Coffee, Shopping, Murder, Love, which will be published in June 2022 by Red Hen Press.

WRITING X 461.23

The Art of Creative Research I

3.0 units All writers conduct research, and every genre benefits from systematic query and investigation. Whether gathering family stories via oral history, re-walking Paul Revere’s path for a dystopian novel of historical fiction, shadowing a group of surfers for the sake of a narrative profile, observing open heart surgery in making the pilot of a hospital drama surge with realism, or fact-checking dates for a sociopolitical perfor‑ mance poem, inquiry and investigation enrich all forms of storytelling. Advanced and novice writers develop a project-specific research portfolio experientially by accessing special collections, searching physical and electronic archives, handling historical artifacts, utilizing expeditions to geographical environments, and managing living sources ethically, ready to integrate their findings into literary works. By the end of the course, writers possess a portfolio of information gathered to enhance either a project in progress or future works. Reg# 388648 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Shawna Kenney, MFA, award-winning author of the memoir I Was a Teenage Dominatrix and contributing editor with Narratively magazine. Her latest book is Live at the Safari Club, and her essays have been published in The New York Times, Playboy, Creative Nonfiction, and more.

WRITING X 461.13E

Conquering Your Story and Its Superstructure

2.0 units The first fundamental challenge facing all writers, whether novice or professional, is the process of transforming your premise into a compelling, sustainable story. This intensive workshop focuses solely on the art of the story, with an emphasis on such fundamentals as character development, super-objective, rising conflict, scene work, and the all-important quest to find your story’s superstructure. Through a series of lectures, published examples, and in-class writing exercises, writers learn how to spot critical mistakes often made in the initial development of any narrative. This workshop is designed for writers with a specific story they feel passionate about telling. After the course, you have a greater understanding of what makes a story work, along with your own detailed superstructure outline to use in the development, completion, and revision of your story. Reg# 388468 Fee: $485 No refund after 7 Oct. A Remote 6 mtgs Friday, 10am-1pm, Sept. 23-Nov. 18 Remote Classroom No meetings Oct. 14 & 28; Nov. 11. Enrollment limited to 12 students. M Steven Wolfson, MFA, award-winning playwright, and founding member of The Mark Taper Forum’s Mentor Playwrights Project. A WGA member, Mr. Wolfson is the recipient of two UCLA Extension Outstand‑ ing Instructor Awards in Creative Writing and Screenwriting.

Writing & Journalism 95

Enroll at uclaextension.edu or call (800) 825-9971 WRITING X 464.1

Voices of Color Workshop I

3.0 units A workshop for all underrepresented writers of color, where we take a process-driven approach to create our own work that accurately depicts our respective communities’ values in our own words. We examine global story models to see how we can better write our lived experience in the face of western systems of oppression and patriar‑ chy. In this workshop, we work toward one practice in our art and our lives. All are welcome. Reg# 388469 Fee: $0 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 6-9pm, Sept. 27-Nov. 29 Remote Classroom Admission to this course is by application only. Applicants must submit a 10 page writing sample and one paragraph personal statement to be considered for admission. Review of applications begins on Sept. 6. Enrollment limited to 15 students. M Wally Rudolph, a multi-disciplinary artist and author of the novels Four Corners and Mighty, Mighty, among other works of creative writ‑ ing. Born in Canada to Chinese-Jamaican immigrant parents, Mr. Rudolph is the former co-chair of the Asian American Writers Committee of the WGA and writer-in-residence at the Annenberg Beach House.

WRITING X 460

Creative Writing Certificate Capstone

3.0 units This course satisfies the final requirement for Certificate in Creative Writing candidates by providing a structured environment in which to engage in activities that help writers move from workshop feedback reliance toward self-directed writing and revision. Students articulate a personal course goal that aligns with their larger goals as a writer, then craft a plan to reach it by the end of the course. Independent work on creative projects is supported by class discussions focused on professional development and guest speakers who illuminate different aspects of a writing life. By the end of the course, students will reach their independent writing goal and complete a series of written assets that help them transition to a writer’s life. Reg# 388470 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Restricted course; only Creative Writing Certificate students who have completed 18 units are eligible to enroll. Enrollment limited to 12 students. M Rachel Kann, MFA, author of How to Bless the New Moon, a WORD: Bruce Geller Memorial Prize recipient. Ms. Kann has been a Writer-inResidence for Brandeis Collegiate Institute, a New England Jewish Poetry Festival’s Featured Poet, and a Cosmic Sister “Women of The Psychedelic Renaissance” awardee at the Spirit Plant Medicine Confer‑ ence. Her poetry film, The Quickening, was an official selection for Anaheim International Film Festival. She is a recipient of the UCLA Extension Writers’ Program Outstanding Instructor of the Year Award.

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Fiction Writing Beginning Fiction Writing Courses in this section are recommended for students with some prior writing experience. Instruction is a mix of lecture and workshopping. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of their work. Those new to writing should consider courses in the Basics of Writing section. Please call an advisor at (310) 8259415 to determine which course will best help you reach your writing goals.

ENGL XL 137

Creative Writing: Short Story

5.0 units This workshop covers the key elements of fiction writing, including plot, characterization, setting, point-of-view, and various story develop‑ ment techniques, as well as publication markets. Your goal is to develop three short stories over the course of the quarter. c Reg# 388471 Fee: $745 No refund after 4 Oct. A Remote 11 mtgs Tuesday, 7-10pm, Sept. 20-Nov. 29 Remote Classroom Enrollment limited to 15 students. M Merrill Feitell, MFA, author of the award-winning Here Beneath LowFlying Planes. She was on the faculty at University of Maryland’s MFA program and taught writing at Columbia University and the Pratt Institute. Ms. Feitell’s fiction has appeared in Best New American Voices, among many others.

WRITING X 412.1

Short Story I

3.0 units It is said that all of us have locked inside at least one good story to tell. Through lectures on craft, short writing exercises, assignments, and discussion, you learn how to tell yours. Topics include plot, pointof-view, setting, description, conflict, characterization, dialogue, ten‑ sion, rewriting, and submission strategies. The course goal is to draft and revise at least one short story. This course is a prerequisite for students who are continuing in the short-fiction sequence. Reg# 388473 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Mary Jones, MFA, author of the short story collection The Goodbye Process. Ms. Jones’ stories and essays have appeared in Electric Literature’s Recommended Reading, EPOCH, Alaska Quarterly Review, Columbia Journal, The Hopkins Review, Southwest Review, Gay Mag, Brevity and others. The recipient of a summer prose fellowship from The University of Arizona Poetry Center, her work has been cited as notable in The Best American Essays and appeared in The Best Microfiction 2022. Reg# 388474 Fee: $720 No refund after 12 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 28-Nov. 30 UCLA: Bunche Hall Enrollment limited to 15 students. M Ron Darian, author and writer/producer whose fiction has appeared in Fiction International, Inkwell, and The MacGuffin, among many oth‑ ers. Mr. Darian is also a WGA member whose television credits include Frasier, Mad About You, and 7th Heaven. He was recently nominated for a Pushcart Prize.

WRITING X 411.1

Novel I

3.0 units That novel is inside you waiting to emerge, but knowing how and where to start can be daunting. This course provides you with weekly assign‑ ments, group interaction, and instructor feedback to help you explore various methods of writing your first novel while learning the key craft points of plot, structure, characterization, point-of-view, sense of place, and voice. The goal is to complete the first chapter of your novel by establishing an intimacy with your characters as you artfully shape their journey and to develop an overall concept to guide you through your story. Required for students considering the long-fiction sequence. Reg# 388477 Fee: $720 No refund after 10 Oct. X In-Person 10 mtgs Monday, 7-10pm, Sept. 26-Nov. 28 UCLA: Boelter Hall Enrollment limited to 15 students. M & Chris L. Terry, MFA, author of the novels Black Card (Catapult, 2019) and Zero Fade (Curbside Splendor, 2013), which was named Best Book of the Year by Slate and Kirkus Reviews. Mr. Terry’s short work has appeared in PANK, Razorcake, Very Smart Brothas, and more. He has taught for PEN America, Writing Workshops LA, and Storycatchers Theatre. Reg# 388475 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Malia Márquez, MFA, author of This Fierce Blood. Ms. Márquez’s fiction was nominated for Best of the Net 2021 and shortlisted for the Staunch Short Story Prize 2020 and the Yes Yes Books (longform) Fiction Prize in 2019. Reg# 388476 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Dan López, assistant editor at Counterpoint Press. Mr. López is the author the novel The Show House, named a best book of the year by the Chicago Review of Books, and the short story collection, Part the Hawser, Limn the Sea, which was a finalist for Lambda Literary Award in debut fiction.

WRITING X 416.1E

Science Fiction and Fantasy Novel I

3.0 units Science fiction and fantasy novels are immensely popular and have inspired some of our most beloved, successful, and long-lived media franchises. But speculative novels are challenging to write due to their complex settings, their need to orient readers to an entirely unique world and its rules, and the challenge of connecting audiences to characters who might not even be human. This workshop provides both aspiring and experienced writers with genre-specific tools necessary to plan and begin a sci fi or fantasy novel. We focus on establishing a new world and its characters in the first pages of the book, working on both foundational skills like characterization and pacing as well as the worldbuilding skills unique to this genre of fiction. This course includes a workshop of your first chapter. The goal is to complete a compelling opening, a first chapter of up to 25 pages, and a preliminary outline for the whole book over the first of this two-course sequence. Reg# 388478 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. M Henry Lien, JD, UCLA Law. Mr. Lien teaches law in the ArchitectureInterior Design Department and was awarded Outstanding Instructor of the Year. He practiced as an attorney, served as the Glass Garage Gallery owner and as president of the West Hollywood Fine Art Gallery Association. Mr. Lien currently works as a private art dealer and also teaches for the Writers’ Program. His Peasprout Chen middle-grade fantasy series has received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist.

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

WRITING X 417.1E

WRITING X 462.2

WRITING X 462.1

3.0 units The horror novel is on one of its upswings, and America has a huge interest in vampires, zombies, paranormal activity, and Lovecraftian cosmic horror. Horror is both highbrow (Penguin Classic is re-issuing Thomas Ligotti’s collections) and low-brow (Tales from the Crypt has returned). This course provides aspiring horror writers with a broad understanding of the modern horror scene and its roots and helps you figure out how your vision and style fit into it. You discover what you’re good at, learn the pitfalls and obstacles you must avoid to create the well-paced novel that will sell, and acquire the skills and tech‑ niques you need to scare the pants off your readers. The course goal is to create an outline for your entire project, craft the perfect begin‑ ning for your horror novel, and receive expert advice about selling it. Reg# 388479 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15. M Don Webb, author of 24 books, including a St. Martin’s Press mystery series, five nonfiction books on the occult, a volume of poetry, and collections of horror, western, and science fiction stories. Mr. Webb is the winner of both the Fiction Collective and Death Equinox Awards.

3.0 units Setting and description are foundational to a story and can support larger themes well—if done thoughtfully with fresh and vivid language, attention to detail, implication, and perspective. They can, in effect, give one’s characters a home or space to work within, as well as open up possibilities for deepening and expanding the scope of any story. In this reading and exercise-based class, we explore and practice descriptive writing and its power in establishing setting and mood while enlivening action and supporting symbolic relationships in fiction and creative nonfiction. Each week, we read sample fiction and creative nonfiction to identify how the content is influenced by the description of setting, action, events, and objects. By the end of class, you have improved skills in writing descriptively to enrich and enliven your work. Reg# 388483 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Trebor Healey, author of three novels, a book of poetry, and three collections of short stories, as well as the co-editor of two anthologies. Mr. Healey’s journalism on immigration has appeared in Newsweek and Capital & Main, and his erotic fiction has been selected for the Best American Erotica series. He has taught numerous residential writing retreats as well as several LGBT Youth writing workshops, and he is the recipient of a Lambda Literary Award, two Publishing Triangle awards, and a Violet Quill award.

3.0 units This is a reading and exercise-based class designed to explore and practice dialogue, voice, and point-of-view in fiction and creative nonfiction. Each week, we read sample fiction and creative nonfiction to identify how the content is influenced by the narrative choices the writers make. We discuss how dialogue can bring characters and situ‑ ations to life without imitating the hesitation or redundancy of real conversation and identify the benefits and drawbacks of narrating your work in first, second, and third-person point-of-view. We explore the power of voice and the influence of narrative distance on the reader. Weekly exercises put theory into practice and help discover what works (and what doesn’t) in your own writing practice. Reg# 388482 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. M Ploi Pirapokin, MFA, nonfiction editor at Newfound Journal and the co-editor of The Greenest Gecko: An Anthology of New Asian Fantasy forthcoming from Wesleyan University Press in 2021. Ms. Pirapokin is featured and forthcoming in Tor.com, Pleiades, The Offing, and more.

WRITING X 462.3

These courses are designed for students who have fulfilled the prerequisites stated in each description. Instruction includes lectures as appropriate, but the focus is on workshopping. Students continue to share and offer feedback in a supportive environment. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

Horror Novel I

WRITING X 445.1

Young Adult Novel I

3.0 units The young adult novel is one of the fastest-growing and exciting genres in publishing today. With complex young characters, realistic dialogue, and gripping prose, readers young and old can’t get enough of these novels. In a supportive and inspiring environment, you explore the elements of a YA novel’s plot, character, language, setting, and voice—all enhanced by in-depth lectures, discussions, manuscript workshopping, and generative writing exercises. Also covered is the current market‑ place for young adult fiction and how to query agents. You leave the class with a completed first chapter and a rough outline of your entire book, as well as the tools to continue writing on your own. Reg# 388480 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Kelly Barson, MFA, author of the novels 45 Pounds and Charlotte Cuts it Out. Ms. Barson has published articles in Highlights for Children Magazine, Hunger Mountain Literary Journal, and other local family magazines. She is a panelist and speaker at many library events and conferences.

WRITING X 413.7E

Write a Novel in a Month as Part of National Novel Writing Month

3.0 units Write a novel in a month! Is it possible? Over 100,000 writers around the world in 2016 thought so. The challenge of National Novel Writing Month (NaNoWriMo) is to write an entire draft of a 50,000-word novel over the 30 days of November. Before launching into one of the wildest writing experiences ever, you meet twice with the instructor and classmates to develop the essential strategies you need to complete your novel draft. Then, for the next five weeks of this “write-shop,” you write with the instructor offering writing exercises and tips designed to generate material and move your draft along, word-by-word, to the 50,000-word goal. At the eighth meeting, we discuss the next steps in moving you toward publication and have a class reading, just like a published author would. Our last two classes are workshops to get you started on the revision process. You come out of the course with a draft of your novel, a start in revising, and the tools to decide where to go from there. Come prepared with writing materials. Reg# 388481 Fee: $300 No refund after 1 Nov. A Remote 10 mtgs Tuesday, 7-10pm, Oct. 18-Dec. 6 Remote Classroom Saturday, Sunday, 10am-1pm, Dec. 10-11 Remote Classroom M & Ian Randall Wilson, MFA, MA, fiction writer and poet whose work has appeared in North American Review, The Gettysburg Review, Alaska Quarterly Review, and The Boston Literary Review, among many others. Mr. Wilson’s story collection, Hunger and Other Stories, and his novella Great Things Are Coming, were published by Hollyridge Press.

Setting and Description

Character and Conflict

3.0 units One of the most misunderstood concepts in the craft of fiction writing is the relationship between character and conflict. A story can involve a complex character with fascinating thoughts, ideas, and interests, but without a conflict that motivates the character to act, the ensuing story will be stagnant and flat. In this class, we explore, through our own writing and through published work, how to create richly imag‑ ined characters and how to challenge them with conflicts that threaten their hidden, most deeply held desires, forcing them to act in ways that change the world around them. Each week, we read sample fiction to identify craft tools that help us determine and convey the flaws in our characters, flaws that then help us pick a conflicted situation to push our characters into action. Weekly writing exercises put theory into practice and help you discover what works (and doesn’t) in your own writing practice. Reg# 388484 Fee: $720 No refund after 13 Oct. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 UCLA: Rolfe Hall No meeting Nov. 24. Enrollment limited to 15 students. M Aatif Rashid, author of Portrait of Sebastian Khan. Mr. Rashid has published short stories in The Massachusetts Review, Metaphorosis, Arcturus, and Barrelhouse; and nonfiction in The Los Angeles Review of Books, as well as online on Medium. He currently writes regularly for The Kenyon Review blog.

Dialogue and Point of View

Intermediate Fiction Writing

WRITING X 412.2

Short Story II

3.0 units Focusing on close textual analysis and intensive writing practice, you create two short stories and revise one in this ten-week workshop. Weekly lectures on technique, analysis of published stories, and indepth instructor and peer critique develop and deepen your under‑ standing of the art and craft of short story writing. Strategies for approaching the marketplace are also discussed. Prerequisite(s): WRITING X 412.1 Short Story I or comparable workshop experience. Reg# 388486 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. M Ben Loory, MFA, author of the collection Stories for Nighttime and Some for the Day (Penguin), winner of the 2012 Nobbie Award for Book of the Year. His stories have been published in The New Yorker, The Rattling Wall, and The Los Angeles Review of Books, among others, and performed on NPR’s This American Life. Reg# 388485 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Wendy Oleson, MFA, PhD, fiction writer, poet, and essayist whose work has appeared in journals and anthologies including Copper Nickel, Baltimore Review, PANK, and The Journal. She was a Van Sickle Fellow and a recipient of a Washington Square Review Fiction Award, the Elizabeth Bruss Prize, and the storySouth Million Writers Award.

Writing & Journalism 97

Enroll at uclaextension.edu or call (800) 825-9971 WRITING X 411.2

Novel II

3.0 units Armed with your overall concept and first chapter, you continue to develop your knowledge of craft by writing scenes using characters and situations from the projected novel and workshopping your in-progress work. Mini-lectures on the art of the novel, intuitive creative process, and conventional vs. non-conventional approaches to novel structure also are covered. The goal is to complete 50 pages of your novel. Prerequisite(s): WRITING X 411.1 Novel I or comparable workshop experience. Reg# 388489 Fee: $720 No refund after 10 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 26-Nov. 28 Remote Classroom Enrollment limited to 15 students. M & Radhika Sharma, MFA, author of the short story collection Parikrama and the novel Mangoes for Monkeys. Ms. Sharma’s writing has appeared in The San Francisco Chronicle, The San Jose Mercury News, India Currents, The Santa Clara Review, and others. Reg# 388487 Fee: $720 No refund after 13 Oct. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 UCLA: Bunche Hall No meeting Nov. 24. Enrollment limited to 15 students. M Chris L. Terry, MFA, author of the novels Black Card (Catapult, 2019) and Zero Fade (Curbside Splendor, 2013), which was named Best Book of the Year by Slate and Kirkus Reviews. Mr. Terry’s short work has appeared in PANK, Razorcake, Very Smart Brothas, and more. He has taught for PEN America, Writing Workshops LA, and Storycatchers Theatre. Reg# 388488 Fee: $720 No refund after 19 Oct. MOnline Oct. 5-Dec. 13 Enrollment limited to 15 students. M Paul Witcover, MA, author of six novels, including The Watchman of Eternity, and a collection of short stories. His critical essays and book reviews have appeared in Locus, Realms of Fantasy, and The New York Review of Science Fiction. With writer Elizabeth Hand, he co-created and co-wrote the DC Comics series Anima.

WRITING X 411.3

Novel III

3.0 units For those with a minimum of 50 pages of a novel-in-progress, this workshop guides you to generate at least 50 new pages, as well as learn essential self-editing techniques with the instructor and peers reviewing each participant’s project in detail. Refinements of char‑ acter, structure, emotional content, and the development of the writer’s voice are also explored. The goal is to produce a substantial portion of your novel. Prerequisite(s): WRITING X 411.2 Novel II or comparable workshop experience. Reg# 388491 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 6:30-9:30pm, Sept. 28-Nov. 30 Remote Classroom Enrollment limited to 15 students. M Francesca Lia Block, MFA, author of House of Hearts and The Thorn Necklace: Healing Through Writing and the Creative Process and many bestselling and award-winning novels, including The Elementals, Beyond the Pale Motel, Dangerous Angels: The Weetzie Bat Books, Necklace of Kisses, and Roses and Bones. Ms. Block received the Margaret A. Edwards Lifetime Achievement Award.

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Reg# 388490 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Robert Eversz, MFA, author of the novels Zero to the Bone, Digging James Dean, Burning Garbo, Killing Paparazzi, Gypsy Hearts, and Shooting Elvis. Mr. Eversz’s novels have been translated into 15 languages. He has been the finalist judge for the AWP Award Series in the Novel.

WRITING X 413.1E

Story Structure for the Novel

3.0 units Many aspiring novelists write with the hope that inspiration will come. The result is time wasted on a flabby novel with no clear shape and a sagging pace. On the other hand, story structure gives your novel a skeleton; it forms the bones of your story. And just as adding flesh and clothing to a body makes that body more unique, so does any creative addition the writer makes to his or her basic structure. This course teaches you how to build that skeleton, from a solid premise line to building the moral argument of your novel. You ensure that your novel has what story structure guru John Truby calls the “seven key steps,” and you learn how reversals and reveals, as well as character wants and needs, can drive your story to a satisfying conclusion. Exercises are worksheets which focus on structural elements such as character ghosts, story world, and more. By the end of the course, you have in hand a six-page synopsis that works. Reg# 388492 Fee: $720 No refund after 12 Oct. D Hybrid (Remote) 10 mtgs Sept. 28-Dec. 6 Saturday, 10-11am, Oct. 1-Dec. 3 Remote Classroom Enrollment limited to 15 students. M & Caroline Leavitt, New York Times bestselling author who has pub‑ lished 11 novels, including her latest, Cruel Beautiful World. A critic for The San Francisco Chronicle and People, Ms. Leavitt is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.

WRITING X 413.6E

Write a Novel in 10 Weeks

3.0 units In this fast-paced, fun, and exhilarating novel writing course, you do the unthinkable: write a novel in ten weeks from start to finish. Tap‑ ping into the rich material inside your subconscious, you do mini exercises in class that form the plot, characters, setting, genre, and structure of your very own work of fiction. At home, you write three pages a day to complete your manuscript. This is a class for begin‑ ners and seasoned writers alike. All that is required is discipline, determination, and commitment. Reg# 388493 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. M Tempany Deckert, author who has published 18 novels for middle grade and young adult readers, including It’s Yr Life, The Shooting Stars, and the series Kids Inc./Radio Rebels and Kids Inc./Fashion Police for Macmillan. Ms. Deckert is also an actress and motivational speaker.

Advanced Fiction Writing Advanced-level courses are primarily workshop-driven and are designed for students who are well into their projects. Admission is by submission only and the selection process is competitive. It is recommended that students take intermediate-level courses prior to submitting their work. For instructions on submitting work, contact the Writers’ Program at (310) 825-9415 or go to writers.uclaextension.edu/continuing-students. The submission deadline for fall is Sept. 6 at 9am PT. Visitors are not permitted in advanced-level courses. Submission Guidelines for Advanced Fiction Writing Courses Please note that there are no pre-approvals. To be eligible for an advanced creative writing course, all students must submit one docu‑ ment (double-spaced, 12-point font, 1-inch margins on all sides) con‑ taining a 10-page writing sample; a synopsis of up to one page for any longer submitted works (novels); a personal statement of one para‑ graph outlining what the student hopes to gain from the class; and a list of previous courses completed in the Writers’ Program or other programs with instructors (when known).

WRITING X 412.3

Short Story III

3.0 units The short story, one of the most challenging of all literary forms, requires the precision and imagistic intensity of poetry combined with novelistic elements of structure, setting, and characterization. This workshop helps you to realize your fictional intentions through detailed written critiques and to prepare your stories for publication in targeted markets. The course goal is to complete two new stories and one revision. Prerequisite(s): WRITING X 412.2 Short Story II or comparable workshop experience. Reg# 388494 Fee: $795 No refund after 21 Sept. MOnline Sept. 28-Dec. 6 Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. Adam Prince, MFA, PhD, fiction writer whose short story collection, The Beautiful Wishes of Ugly Men, was published by Black Lawrence Press. His work has appeared in The Southern Review and Missouri Review, among others. He is a Pushcart Prize nominee and a Tickner Fellow at the Gilman School in Baltimore. Reg# 388495 Fee: $795 No refund after 27 Sept. A Remote 10 mtgs Tuesday, 6:30-9:30pm, Oct. 4-Dec. 13 Remote Classroom No meeting Oct. 18. Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. Colette Sartor, MFA, fiction writer, author of the linked story collection Once Removed (UGA Press) and winner of the Flannery O’Connor Award for Short Fiction. Ms. Sartor’s work has appeared in Kenyon Review Online, Carve Magazine, Slice, The Rumpus, Colorado Review, Prairie Schooner, and elsewhere.

X IN-PERSON, page 1. A REMOTE, page 1.

m ONLINE, page 1. v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

M WEB-ENHANCED COURSE, page 1. & TEXTBOOK REQUIRED C UC CREDIT

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

WRITING X 411.4

Novel IV

3.0 units For students with at least 100 pages of a novel, this advanced work‑ shop focuses on elements of technique and vision necessary for a work to be considered complete. You receive intensive instructor and peer critiques of manuscript chapters and their relation to the overall work, including a review as needed of the effective use of voice, tone, mood, imagery, and metaphor. A major goal of this course is to give you the self-editing skills to polish and revise your entire novel within and beyond the course itself. Prerequisite(s): WRITING X 411.3 Novel III or comparable workshop experience. Reg# 388496 Fee: $795 No refund after 21 Sept. MOnline Sept. 28-Dec. 6 Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. Jessica Barksdale, MFA, MA, author of 15 novels including The Play’s the Thing and a poetry collection, When We Almost Drowned. Ms. Barksdale’s short stories, poems, and essays have appeared in Compose, Salt Hill Journal, The Coachella Review, and Carve Magazine. She is a professor of English at Diablo Valley College and teaches in the MFA program at Southern New Hampshire University.

WRITING X 411.5

Novel V

3.0 units For students who have completed Novel IV, this intensive workshop is specifically directed toward refining an advanced manuscript into a polished novel. The focus is on structural and thematic aspects and the maintenance of the author’s unique voice. You work closely with your peers and the instructor to assess portions of individual manu‑ scripts. Emphasis is given to developing and perfecting self-editing techniques. The overall goal of the course is for each novel to reach a professional level appropriate for eventual publication. Prerequisite(s): WRITING X 411.4 Novel IV or comparable workshop experience. Reg# 388497 Fee: $795 No refund after 21 Sept. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. Mark Sarvas, MFA, author of the novels Harry, Revised (Bloomsbury), finalist for the SoCal Independent Booksellers First Novel Award; and Memento Park (Farrar, Straus & Giroux), winner of the 2019 American Book Award and finalist for the Sami Rohr Prize in Jewish Literature. Mr. Sarvas is a member of the National Book Critics Circle and PEN/ America.

WRITING X 411.6

Master Class in Novel Writing

9.0 units This dynamic and rigorous Master Class in Novel Writing is designed for those serious about revising and polishing their novels and getting published. The nine-month, 30-week structure allows for intensely individual instruction, peer critiques from a community of likedminded, talented writers, and a focus on process and results. Each participant’s unique voice is cultivated so that it remains true to the singular vision for his or her novel, while ongoing one-on-one mentor‑ ing by a professional novelist provides distinctly personal support. Workshops include discussion and implementation of the basic craft elements of writing including, but not limited to, developing structure, creating vibrant, memorable characters, setting and maintaining tone, creating scenes that further your theme, and the art of revision. Guest speakers (authors, agents, editors) share their insights on writing, publishing and staying balanced through the sometimes daunting process of it all. Master Class students’ novel excerpts are submitted to an established agent for review and consideration at the completion of the course. Participants may withdraw their application anytime before acceptance.

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Reg# 388498 Fee: $3,860 No refund after 29 Aug. Y Hybrid (In-Person) 4 mtgs Sept. 28-June 6 UCLA Extension Gayley Center: 1145 Gayley Ave. No meetings Dec. 20 & 27; Mar. 8 & 22. This course includes a four-day, in-person residency from Mar. 16 - 19, 9am-5pm PT. A full novel manuscript submission is required as part of the application. Restricted course; approval needed to enroll. Not eligible for any discounts. Enrollment limited to eight students. Visitors not permitted. No refund after enrollment. Natashia Deón, MFA, two-time NAACP Image Award Nominee for Outstanding Literature, practicing criminal attorney, and author of the critically acclaimed novels, The Perishing and GRACE, which was named a Best Book by the New York Times and awarded Best Debut Novel by the American Library Association’s Black Caucus. A PEN America Fellow, Ms. Deón has also been awarded fellowships and residencies at Yale, Prague’s Creative Writing Program, Dickinson House in Belgium and the Virginia Center for Creative Arts. Her per‑ sonal essays have been featured in The New York Times, Harper’s, The Los Angeles Times, Harper’s Bazaar, American Short Fiction, Buzzfeed and other places.

Creative Nonfiction Beginning Creative Nonfiction Writing Courses in this section are recommended for students with some prior writing experience. Instruction is a mix of lecture and workshopping. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of their work. Those new to writing should consider courses in the Basics of Writing section. Please call an advisor at (310) 8259415 to determine which course will best help you reach your writing goals.

NEW WRITING 721.4E

Interview Tips, Tricks, and Techniques

In this three-hour introductory class students will learn techniques to strengthen interview skills, including how to get an interview, how to build rapport, how to prepare for an interview, why an interview is not just a conversation, how to write your interview, and more. We will practice interviewing skills in class. Students will leave class with the skills and confidence to conduct, write, and pitch an interview. Reg# 388671 Fee: $0 No refund after 15 Oct. A Remote 1 mtg Saturday, 10am-1pm, Oct. 22 Remote Classroom Enrollment opens two weeks prior to the event. Enrollment limited. M Roberta Wax, freelance writer; former reporter, United Press Interna‑ tional; former president, Society of Professional Journalists, Los Angeles Chapter. Ms. Wax is a contributor to many magazines and newspapers, including the Los Angeles Times, Westways, Emmy, and Animation.

WRITING X 424.20E

Writing Short Form Nonfiction

2.0 units Short, well-focused articles provide one of the surest pathways for breaking into publication. It’s easier than you might think—if you know how the print and online publishing worlds work, understand the needs and demands of particular markets, and put some effort into polishing your skills. In this enjoyable six-week course, you achieve all those goals while you produce weekly assignments of 250-500 words in specific nonfiction genres, including personal essay, how-to story, interview/profile, reviews, trends stories, ghostwriting, narrative nonfiction, and research essays—which are then workshopped in class. You gain valuable experience in thinking and writing like a pro, all while having fun in a positive, supportive, and constructive environ‑ ment. The course goal is to write and begin polishing at least eight short nonfiction pieces while gaining a clearer understanding of what editors look for, how they think, and how to pitch to them.

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Reg# 388670 Fee: $485 No refund after 15 Nov. A Remote 6 mtgs Tuesday, 7-10pm, Nov. 1-Dec. 6 Remote Classroom Enrollment limited to 15 students. M Norman Kolpas, author and editor whose several hundred nonfiction pieces have appeared in many publications, including Bon Appetit, HOME, Elle, Sunset, Southwest Art, and The Times of London. Mr. Kolpas is also the author of more than 40 nonfiction books and consults with, and ghost writes for, many top personalities and brands.

WRITING X 424.2E

Creative Alchemy: Finding and Writing Life Stories You Were Meant to Tell

3.0 units This course is for anyone who has a story from “real life” that needs to be told. Sometimes your story is about a person, place, thing, or some concealed part of yourself; a remembered time or event; or even something that will happen as you give account to its unfolding. Over the span of this course, you identify this element of your story’s core fascination and acquire the skills to tell it, including researching and interviewing techniques, cultivating your own unique writing voice, and constructing your story into a combination of episodes that advance and present it to best dramatic and imaginative effect. Finally, you investigate possible venues where each story might most effec‑ tively be presented. Reg# 388666 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. M Harry Youtt, fiction writer and Pushcart Prize-nominated poet whose recent collections include I’ll Always Be from Lorain and Outbound for Elsewhere. Mr. Youtt is a co-recipient of the UCLA Extension Outstand‑ ing Distinguished Instructor Award and the UCLA Extension Instructor Award in Creative Writing. Judith Prager, PhD, fiction and nonfiction writer whose works include The Newman Factor, Verbal First Aid, and The Worst Is Over: What to Say When Every Moment Counts. She is a co-recipient of the UCLA Extension Distinguished Instructor Award and the UCLA Extension Outstanding Instructor Award in Creative Writing.

WRITING X 421.1

Creative Nonfiction I

3.0 units This course explores the unlimited possibilities of creative nonfiction, which embraces forms of creative writing such as personal essay, memoir, profiles, and more. Working with the same techniques as fiction, including artful language choices, dialogue, character develop‑ ment, structure, and plot, you are guided to transform factual events and experiences into a complete, imaginative narrative. This course includes several readings from a variety of nonfiction authors. The course goal is to produce one complete and revised narrative essay, as well as additional material to develop further. Reg# 388651 Fee: $720 No refund after 10 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 26-Dec. 5 Remote Classroom No meeting Oct. 31. Enrollment limited to 15 students. M Jacqueline Stenson, MSJ, nonfiction writer who has been published in the Los Angeles Times, NBC News, Reuters, Health, Self, Fit Pregnancy, Shape, Women’s Health, BabyTalk, Family Circle, and Ladies’ Home Journal. Ms. Stenson has worked as an editor with Condé Nast Publications and NBC News.

Writing & Journalism 99

Enroll at uclaextension.edu or call (800) 825-9971 WRITING X 422.1

WRITING X 424.18E

WRITING X 424.25E

3.0 units “Personal Essay” is a broad term that encompasses humorous essays, opinion pieces, and mini-memoirs—but which always details the writer’s journey through a specific experience. This workshop teaches aspiring personal essayists how to be a compelling first-person nar‑ rator and employ craft elements such as theme, character develop‑ ment, voice, pacing, scene-setting, and exposition to tell their stories. The goal is to complete at least one personal essay (600-2,500 words) and develop material for future essays. Reg# 388653 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 6-9pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. M Brittany Ackerman, MFA, author of the memoir The Perpetual Motion Machine, and the novel The Brittanys. Mrs. Ackerman’s publications include Entropy, No Tokens, Hobart, Electric Lit, Lit Hub, Cosmonauts Ave, and more. Her nominations and awards include Best American Short Stories nominee, Pushcart Prize nominee, American Book Fest Book Awards Finalist for Autobiography, and Red Hen Press Nonfiction Award Winner. Reg# 388652 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Victoria Zackheim, MA, editor of six anthologies of personal essays, including The Other Woman, For Keeps, The Face in the Mirror, and Faith. Her documentary, Where Birds Never Sang: The Ravensbruck and Sachsenhausen Concentration Camps, aired nationwide on PBS. She is a San Francisco Library Laureate.

3.0 units Literary journalism is nonfiction prose that transcends “who, what, where, and when” to give a more detailed, richer, and vivid picture of real events. It combines an immersive approach to reporting with the aims and techniques of fiction. Although this type of writing has roots in antiquity (i.e. Thucydides’s The Peloponnesian War), contemporary practitioners include Tom Wolfe, Joan Didion, John McPhee, and Gay Talese. Today, literary journalism appears in periodicals such as The New Yorker, The Atlantic Monthly, Esquire, and Harper’s Magazine, as well as in the magazines or literary supplements of many major newspapers. By the end of the course, you have an understanding of the basic techniques for reporting and writing such journalism and at least one project started. Reg# 388668 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Robert Edward Anasi, PhD, author of Bohemia: Scenes from the Life of Williamsburg, Brooklyn. Mr. Anasi’s works have appeared in the New York Times, Salon, Virginia Quarterly Review, and Los Angeles Times, among others. He has received a New York Foundation for the Arts Fellowship and a Schaeffer Fellowship.

3.0 units Everybody’s a critic, or so they say. When you can share any and every opinion on social media, what makes professionally published reviews special? Why should one person’s take on a movie, TV show, book, or other piece of art matter more than yours or mine? But the truth lies in the opposite: When everyone has a platform to offer their opinion, learning the true art of criticism is all the more important for standing out. In this course, we learn how to effectively and compellingly craft cultural critiques in the 2020s, with units on film, TV, books, literature, and more. We read such critics as Emily Nussbaum, Wesley Morris, and Doreen St. Felix, while exploring the different multimedia platforms criticism can live on today. The focus of this class is be on sharpening your critical faculties and developing your voice as a writer, with the ultimate goal of finding your space as a respected critic. Reg# 388537 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Heather Scott Partington, MFA, writer, teacher, and book critic. Ms. Partington’s writing has appeared in The New York Times, The Washington Post, The Los Angeles Times, The San Francisco Chronicle, and Alta Journal. She is a board member for the National Book Critics Circle, and VP in charge of Emerging Critics.

Personal Essay I

WRITING X 423.1

Memoir I

3.0 units A memoir is a book-length narrative that is told from the writer’s point of view and captures a meaningful slice of the writer’s life. If you have a story to tell and would like to figure out how best to tell it, this course helps you get started. In-class writing exercises help you identify significant moments from your life, decide on a workable structure for telling your story, and determine what exactly your story is about. You also focus on the habits and tools you need to establish and maintain a writing practice and read excerpts from a range of memoirs for inspiration and guidance. By the end of the course, you have an outline and a draft of one to two chapters. Reg# 388665 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Liz Stephens, PhD, author of the memoir, The Days Are Gods. Ms. Stephens’ essays appear in Brief Encounters: An Anthology of Short Nonfiction and Dirt: An Anthology. She has served as managing editor and contributor to Brevity: A Journal of Concise Nonfiction. Reg# 388664 Fee: $720 No refund after 13 Oct. X In-Person 10 mtgs Thursday, 6:30-9:30pm, Sept. 29-Dec. 8 UCLA: Bunche Hall No meeting Nov. 24. Enrollment limited to 15 students. M Eileen Cronin, PhD; memoirist and psychologist whose book Mermaid, translated in three languages, was one of O Magazine’s Best Memoirs of the Year. She’s received a Vermont Studio Center Fellowship and the Washington Writing Prize and was a finalist for Pirate’s Alley Faulkner Competition.

Literary Journalism I

WRITING X 424.21E

Storytelling for Social Justice

3.0 units Well-told, new narratives can change the world. Living in a time of rising movements such as Black Lives Matter, MeToo, DACA/refugee and immigrant rights, LGBTQ rights, and more, students are encour‑ aged to uncover stories that are not included in our history textbooks. Through workshops, students gain access to pathways to explore personal history, family narratives, and stories amidst their communi‑ ties. Students read and produce compelling creative nonfiction—mem‑ oir, essays, literary journalism, blogging, audio/video recording, live performance, and more—to share with larger audiences. Integral to the creation of new work is revision, peer feedback, and literary work that serves as models. By the end of the course, students have begun a narrative in a format of their choice that they develop into a com‑ pleted project in order to share with the larger community. Reg# 388667 Fee: $720 No refund after 12 Oct. D Hybrid (Remote) 4 mtgs Sept. 28-Dec. 6 Tuesday, 6-7:30pm, Oct. 4-18 Remote Classroom Tuesday, 6-7:30pm, Dec. 6 Remote Classroom Enrollment limited to 15 students. M Sehba Sarwar, MA, author of the novel Black Wings. Ms. Sarwar’s writings have appeared in New York Times Sunday Magazine, Asia: Magazine of Asian Literature, Callaloo, and elsewhere. She has taught writing workshops at University of Houston and through nonprofits.

WRITING X 424.3E

Writing Out of Your Life

3.0 units Writing out of your life can be a process of self-revelation, a way of discerning the pattern of your life even while you’re in the midst of living it. Whether you want to write a memoir or transmute your life into fiction or poetry, this workshop helps you mine the rich vein of material that is yours alone. The focus of this workshop is on produc‑ tion and encouragement, rather than editing and critiquing. Using a combination of weekly prompts and assignments, instructor feedback, and group interaction, you write a series of autobiographical narra‑ tives. For both beginners and seasoned writers who want to get in touch with their personal voice. Reg# 388669 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Lynn Lauber, fiction writer, essayist, and ghostwriter who has pub‑ lished the autobiographical fiction books White Girls and 21 Sugar Street and a memoir/writing book Listen to Me: Writing Life into Meaning, all with W. W. Norton. Ms. Lauber’s work has appeared in The New York Times.

Writing the Review

Intermediate Creative Nonfiction Writing These courses are designed for students who have fulfilled the prerequisites stated in each description. Instruction includes lectures as appropriate, but the focus is on workshopping. Students continue to share and offer feedback in a supportive environment. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING X 424.22E

Story Structure for Narrative Nonfiction

3.0 units Many narrative nonfiction writers find themselves writing into a memory, problem, image, or question, but they struggle to create meaning out of it. Other writers have a theme or meaning in mind but struggle to find a narrative. Finding a structure for your narrative nonfiction can build momentum and meaning while giving your work the skeleton it needs to come to life. This course gives you an overview of many different types of skeletons found in narrative nonfiction, and it encourages you to experiment with these skeletons as you work on your project. You learn tools to deal with the particular challenge nonfiction writers have in building meaning in their writing: how much do you use the reflective voice and how does this affect how a story is built? Each week, you submit writing intended to help you practice the craft tools we discuss. By the end of the course, you have a syn‑ opsis and outline for your project. Reg# 388674 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Gordon Grice, MFA, nonfiction writer who is the author of four books, including The Red Hourglass: Lives of the Predators and Deadly Kingdom: The Book of Dangerous Animals. Mr. Grice’s shorter pieces have appeared in The New Yorker, Harper’s, GQ, and others.

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100

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

WRITING X 421.2

WRITING X 423.3

WRITING X 421.4

3.0 units Designed for those who have already begun to explore memoir or other narrative nonfiction genres, this workshop guides you to take your skills to the next level by focusing on a collection of essays, a single project, or other types of nonfiction prose; works-in-progress are welcome. Every week, you read several short, stylistically adven‑ turous pieces to expand your repertoire and post a new installment of your own project for feedback from your instructor and peers. The goal is to create two new essay-length works of creative nonfiction and polish your skills for publication. Prerequisite(s): WRITING X 421.1 Creative Nonfiction I or comparable workshop experience. Reg# 388546 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Grace Perry, author of The 2000s Made Me Gay: Essays on Pop Culture. Ms. Perry is a contributor to The Onion, Reductress, Outside, BuzzFeed, Eater, The Takeout, Chicago Magazine, and more. She is the co-creator of the podcast series Who Killed Jenny Schecter? and was named “a talented new voice,” by Publishers Weekly.

3.0 units Designed for serious writers with at least 50 pages of their memoir, this workshop offers a structured writing environment to generate new material and ongoing critique. Issues of structure, theme, and honing the author’s unique voice are emphasized. You will develop self-editing techniques and participate in intensive workshopping. The course goal is to produce a substantial portion of your memoir. Prerequisite(s): WRITING X 423.2 Memoir II or comparable workshop experience. Reg# 388586 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 14 Remote Classroom No meetings Oct. 5; Nov. 24. Enrollment limited to 15 students. Elizabeth Silver, MA, author of the memoir The Tincture of Time: A Memoir of (Medical) Uncertainty and the critically acclaimed novel The Execution of Noa P. Singleton. Ms. Silver has published work in The Washington Post, McSweeney’s, New York Magazine, Literary Hub, and The Los Angeles Review, among others. Her work has earned fellow‑ ships and residencies from Ucross Foundation, Ragdale, Byrdcliffe Artist Colony, A Room of Her Own Foundation, and the British Centre for Literary Translation.

9.0 units Designed for writers serious about revising their draft memoirs and personal essay collections into polished works for publication, this 30-week course allows for in-depth critiques from a community of nonfiction writers, personalized guidance, and ongoing, one-on-one mentoring from a professional writer. In a challenging but supportive workshop environment, you will study the advanced elements of craft such as capturing memorable moments, developing a narrative structure, braiding your story with larger universal themes, and the art of revision. Guest speakers share their insights on writing, publish‑ ing, and the nonfiction market as you shape your next draft and pre‑ pare a professional book proposal. Master Class students’ excerpts are submitted to an established agent for review and consideration at the completion of the course. Reg# 388780 Fee: $3,860 No refund after 4 Sept. A Remote 30 mtgs Tuesday, 10am-1pm, Oct. 4. 2022-May 30, 2023 Remote Classroom No meetings Nov. 22; Dec. 13, 20, & 27; March 28. Restricted course; approval needed to enroll. Not eligible for any discounts. Enrollment limited to eight students. Visitors not permitted. No refund after enrolling. Submission Guidelines for Master Class in Creative Nonfiction Writing Please submit the following materials (Word Document or PDF only): a one-page personal statement that includes your writing background, previous creative writing courses taken, and a two-page synopsis of your work-in-progress. In a separate document, submit the completed first draft of your creative nonfiction manuscript (either a memoir or personal essay collection). (Note: participants in this master class work only on the project submitted for admission. No exceptions. Each page should be numbered, typed in 12-point Times New Roman font, and double spaced with 1-inch margins.) Barbara Abercrombie, author of 15 books, including Courage and Craft: Writing Your Life into Story; A Year of Writing Dangerously; and Kicking in the Wall. Ms. Abercrombie is a recipient of the UCLA Exten‑ sion Distinguished Instructor Award and the UCLA Extension Outstand‑ ing Instructor Award in Creative Writing.

Creative Nonfiction II

WRITING X 422.2

Personal Essay II

3.0 units Unlike fiction, personal essay offers an opportunity to explore the choices you’ve made, whether life-changing moments or those little decisions that set us on a new course. Through this exploration, you come to a better understanding of family dynamics and how events from the past have affected the choices you make today. In this course, you expand your knowledge of what makes an essay stronger, more compelling, and more honest. This course guides you to write and revise one or more personal essays to be submitted for publication and to pinpoint the best markets and outlets for your work. Prerequisite(s): WRITING X 422.1 Personal Essay I or comparable workshop experience. Reg# 388672 Fee: $720 No refund after 13 Oct. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 UCLA: Bunche Hall No meeting November 24. Enrollment limited to 15 students. M Brian Sonia-Wallace, author of The Poetry of Strangers. Mr. SoniaWallace’s reportage has appeared in Rolling Stone and The Guardian, and he writes regularly for the LA County Department of Cultural Affairs. He is the founder of RENT Poet, which produces live, custom poetry for events, and he has been the Writer-in-Residence for Mall of America, Amtrak, and the Boston Harbor Islands.

WRITING X 423.2

Memoir II

3.0 units Designed for the serious writer committed to participating in a struc‑ tured writing regimen as well as engaging in ongoing critiques and craft discussions, this course guides you to examine key issues in your work, create an involving storyline out of your life experience, and cast yourself as a compelling character readers want to follow. You also develop the self-editing skills you need to polish and revise your material at a level appropriate to submit to publishers. Includes discus‑ sion of current marketplace. The course goal is to complete 50 wellcrafted pages of your project. Prerequisite(s): WRITING X 423.1 Memoir I or comparable workshop experience. Reg# 388673 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. M Liz Stephens, PhD, author of the memoir, The Days Are Gods. Ms. Stephens’ essays appear in Brief Encounters: An Anthology of Short Nonfiction and Dirt: An Anthology. She has served as managing editor and contributor to Brevity: A Journal of Concise Nonfiction.

Memoir III

Advanced Creative Nonfiction Writing Advanced-level courses are primarily workshop-driven and are designed for students who are well into their projects. Admission is by submission only and the selection process is competitive. It is recommended that students take intermediate-level courses prior to submitting their work. For instructions on submitting work, contact the Writers’ Program at (310) 825-9415 or go to writers.uclaextension.edu/continuing-students. The submission deadline for fall is Sept. 6 at 9am PT. Visitors are not permitted in advanced-level courses. Submission Guidelines for Advanced Creative Nonfiction Writing Courses Please note that there are no pre-approvals. To be eligible for an advanced creative writing course, all students must submit one docu‑ ment (double-spaced, 12-point font, 1-inch margins on all sides) con‑ taining a 10-page writing sample; a synopsis of up to one page for any longer submitted works (memoirs or collections); a personal state‑ ment of one paragraph outlining what the student hopes to gain from the class; and a list of previous courses completed in the Writers’ Program or other programs, with instructors (when known).

WRITING X 421.3

Creative Nonfiction III

3.0 units Designed for serious writers who seek to refine their creative nonfic‑ tion manuscripts—including memoirs and personal essay collec‑ tions—into polished works, this intensive workshop helps you polish your writing and find your narrative’s energy and unique voice. You also develop and perfect self-editing techniques as well as explore the current market. The course goal is to have two chapters and a book proposal or two short essays ready to submit to publishers, as well as increase mastery over this artistic form. Prerequisite(s): WRITING X 421.2 Creative Nonfiction II or comparable workshop experience. Reg# 388760 Fee: $795 No refund after 21 Sept. A Remote 10 mtgs Wednesday, 6:30-9:30pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. Alison Singh Gee, MA, nonfiction writer who has written for Marie Claire, InStyle, International Herald Tribune, and the Los Angeles Times. Ms. Gee was a staff writer for People magazine and her memoir, Where the Peacocks Sing, was named a National Geographic Traveler Book of the Month.

Master Class in Creative Nonfiction Writing

Writing for Young Readers Writing for Kids and Middle Grade Readers WRITING X 446.2E

Writing for Young Readers I

3.0 units If you want to write for kids, you need to think like a kid and enjoy the process of returning to the imaginative, possibility-filled world of childhood. This course introduces you to all major categories of writing for young people, including concept books, picture books, beginning readers, chapter books, middle grade novels, young adult (YA) novels, and nonfiction for all age ranges. You learn the basic storytelling principles of story structure, plot, character development, and dialogue as it applies to each genre, and discover your own niche in the world of children’s publishing. You also learn how to tailor your work to the psychological and emotional development, reading abilities, and interests of each age group. The goal is to complete a draft of a manu‑ script for a picture book or a sample chapter and chapter outline for older readers. Query letters, marketing, and resources for children’s book writers are also covered in detail. Reg# 388507 Fee: $720 No refund after 12 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 No meeting Nov. 23. Enrollment limited to 15 students. M Laurel van der Linde, author of several nonfiction books for children, including So, You Want to be a Dancer? and The Pony Express, as well as articles published in Equus and Horse Illustrated. Ms. van der Linde has produced and/or directed many audiobooks for Hachette and others.

Writing & Journalism 101

Enroll at uclaextension.edu or call (800) 825-9971

Writing Picture Books WRITING 741.2E

Introduction to Picture Books

You have the dream—I’ve always wanted to write a children’s picture book. But.. how? This inspiring class offers you practical tools to help you realize that dream. It includes writing exercises, examples of cur‑ rent picture books and behind-the-scenes stories and practical advice from an award-winning author. By the end of this class you’ll have tools to guide you in this vibrant field. Reg# 388508 Fee: $30 No refund after 18 Nov. A Remote 1 mtg Saturday, 12-3pm, Nov. 19 Remote Classroom Enrollment limited. M April Halprin Wayland, author of seven picture books, including New Year at the Pier: A Rosh Hashanah Story, named Best Jewish Picture Book. She won the Myra Cohn Livingston Award for Girl Coming In for a Landing: A Novel in Poems, and is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.

WRITING X 441.1

Picture Book I

3.0 units Created for the beginning writer, this course explores the various genres within the category of children’s picture books, including nonfiction, writing in rhyme, classics, and concept books for young children. Writing exercises focus on improving fundamental craft skills, such as characterization, story structure, setting, voice, and point-ofview. You are encouraged to expand your creative thinking in order to develop your own unique writing style (your voice), and a peer feedback group provides a nurturing atmosphere for discussion of each writer’s work. The goal is to complete a draft of a picture book manuscript and a market list of potential publishers. Reg# 388505 Fee: $720 No refund after 12 Oct. MOnline 10 mtgs Sept. 28-Dec. 6 Enrollment limited to 15 students. M Stefanie Hohl, MFA, M. Ed.; author of ABC See, Hear, Do series, The Remember Tree, and Where is the Star. Ms. Hohl is the founder of Playful Learning Press, a publishing company focused on teaching children through movement. Reg# 388504 Fee: $720 No refund after 15 Oct. A Remote 10 mtgs Saturday, 1-4pm, Oct. 1-Dec. 10 Remote Classroom No meeting Nov. 26. Enrollment limited to 15 students. M Kim Tomsic, author of middle grade novel The 11:11 Wish and the pic‑ ture book The Elephants Come Home, among others. Ms. Tomsic’s books have been recognized as a SCBWI Crystal Kite Winner for the Southwest Region, New York Public Library Best Book of the Year, Norman A. Sugarman Best Children’s Biography Honor, and selected as Junior Library Guild Selection

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WRITING X 441.2

WRITING X 432.1E

3.0 units This workshop takes you beyond the picture book basics and teaches you to master the specific craft techniques used in creating successful picture books, including strong beginnings and endings, the power of the page turn, audience participation, engaging language, humor, and musicality. Short writing exercises help you develop a deeper under‑ standing of each of these techniques and their purposes and prepare you to undertake your main project for the course: a picture book manuscript. You engage in an ongoing feedback process overseen by the instructor, which provides a “safe zone” for discussion of student work and helps you hone your own critique skills. The course goal is to complete a picture book manuscript. Reg# 388506 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 This course will offer three optional Zoom meetings on 4 October, 26 October, and 1 December at 5pm PT. Enrollment limited to 15 students. M Terry Pierce, MFA, author of 23 children’s books including Mama Loves You So, My Busy Green Garden, and Soccer Time! Ms. Pierce has received an Association of Educational Professionals Distinguished Achievement Award and was an AEP Golden Lamp Finalist for Mother Goose Rhymes.

3.0 units Popular culture can shape your poetry and create a unique voice. In this workshop, students analyze the work of contemporary poets who utilize popular culture to fuel creativity and spark discussion on how poetry informs and responds to social and political events. Students write and share work, drawing inspiration from various forms of media and text such as photography, film, dance, music videos, and more. The course goal is to finish with a portfolio of five to seven polished and completed poems and understand how popular culture influences and enriches the creative mind. Reg# 388502 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Rosebud Ben-Oni, MFA, author of If This Is the Age We End Discovery which won the 2019 Alice James Award, and turn around, BRXGHT XYXS, and 20 Atomic Sonnets. Ms. Ben-Oni’s work appears in POETRY, APR, Academy of American Poets’ Poem-a-Day, Poetry Society of America, Tin House, and Guernica, among others. A recipient of fellowships and grants from the New York Foundation for the Arts, City Artists Corps, CantoMundo and Queens Council on the Arts, her work has been commissioned by the National Sept. 11 Memorial in NYC.

Picture Book II

Poetry These workshops are tailored to students with specific levels of experience in poetry writing. Please review course descriptions carefully or call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

ENGL XL 136

Creative Writing: Poetry

5.0 units Available for UCLA transferable credit, this workshop combines writing assignments with an exploration of contemporary poetry. You look at forms ranging from the sonnet to prose poems and develop your own voice. Each week the work of a contemporary poet is discussed and writing assignments are critiqued. The course goal is to finish with a number of polished and completed poems and understand the demands and rewards of living an inspired life through poetry. c Reg# 388499 Fee: $745 No refund after 6 Oct. X In-Person 11 mtgs Thursday, 7-10pm, Sept. 22-Dec. 8 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 24. Enrollment limited to 15 students; early enrollment advised. c Rick Bursky, MFA, poet and author of the poetry collections I’m No Longer Troubled by the Extravagance, Death Obscura, and The Soup of Something Missing, which won the Dorothy Brunsman Prize; and The Invention of Fiction. Mr. Bursky’s work has appeared in American Poetry Review, Iowa Review, Harvard Review, Black Warrior Review, and Prairie Schooner.

WRITING X 431.2

Poetry II

3.0 units For those with some previous training in poetry, this intermediate workshop focuses on creating work which emphasizes lyrical and innovative language, personal insight, and individual voice. In addition, you refine your knowledge of a number of the craft’s formal elements, including structure, imagery, metaphor, and pace, in order to stretch the boundaries of your creative experience. The goal is to produce work which is ambitious and resonant. Reg# 388500 Fee: $720 No refund after 12 Oct. D Hybrid (Remote) 9 mtgs Sept. 28-Dec. 6 Wednesday, 7-8:30pm, Sept. 28-Nov. 30 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. M Miguel Murphy, MFA, author most recently of Shoreditch, and two previous collections of poetry, Detainee, and A Book Called Rats, winner of The Blue Lynx Prize for Poetry. Mr. Murphy’s poems and reviews appear in The American Poetry Review, Quarterly Wes t, and The Los Angeles Review, among others.

Poetry in Popular Culture

WRITING X 432.12E

The Art of Craft, the Secrets of Revision— Toward Publication

3.0 units This workshop engages students in the processes of both creation and revision with the goal of evolving drafts into striking, accom‑ plished poems. Imagery, pacing, line-breaks, compression and expan‑ sion, and appearance of the poem on the page are explored, together with the element of discovery. The sensibility and criteria of various editors, local and national, is discussed. Appropriate for those with some formal training. Reg# 388503 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. M Suzanne Lummis, poet, author of Open 24 Hours, and editor of Wide Awake: Poets of Los Angeles and Beyond. Ms. Lummis’s work has appeared in The New Yorker, Ploughshares, and The Hudson Review, among others. She is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.

Editing and Publishing These courses are designed for writers who want to improve their editing skills or develop competencies toward a career in editing and publishing. Some courses help advanced writing students prepare and submit their work for publication. Please call an advisor at (310) 825-9415 to determine which course will best help you reach your writing goals.

WRITING 714.3E

Publishing During the Pandemic: Webinar

In this pre-recorded webinar, several editing and publishing instruc‑ tors from UCLA Extension’s Writers’ Program discuss the current state of the publishing industry, the ins and outs of various professional editing and publishing roles, and tips on navigating the job search in these exciting fields. Reg# 388755 Fee: $0 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Please note this two-hour webinar is pre-recorded and can be watched at any time during the availability period of September-Dec. 6. M

102

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

WRITING X 451.1

WRITING X 452.2

WRITING X 456.1

3.0 units This course gives students an overview of copyediting processes involved in preparing a manuscript for editorial review or publication. Appropriate for writers of all genres and those seeking to develop professional skills in copyediting, students learn best practices for completing a document review, including common grammar rules, copyediting notation, and reading like a copyeditor. Reg# 388699 Fee: $720 No refund after 10 Oct. MOnline Sept. 28-Dec. 6 No meeting Oct. 31. Enrollment limited to 15 students. M Erin Stalcup, MFA, editor-in-chief of Defunct, co-founder of Waxwing, & former Editor of Hunger Mountain. Ms. Stalcup taught in community colleges, liberal arts schools, prisons, state schools, & MFA programs in NY, NC, TX, & AZ. She’s published a story collection & two novels. Learn more at erinstalcup.xyz. Reg# 388701 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Instructor to be announced

3.0 units This course focuses on the general trajectory of book publication from the launch of the book on, specifically the role of editor in the modern iterations of publishing. It covers the entire process, from a book being sold into the market to release, PR, and marketing, as well as how an editor helps build an author’s career. We also focus on how the job of an editor looks different in different types of publishing—big five, small press, University press, etc. We also cover some of the history of publishing and how it has changed recently. Reg# 388708 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 6-9pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. M Kate Gale, PhD, co-founder and Managing Editor of Red Hen Press. Ms. Gale is the author of several books of poetry, librettos and novels in process.

3.0 units Candidates for the Certificate in Literary Representation and Certificate in Editing and Publishing complete 100 hours of internship work for a pre-approved literary agency or publisher. Over the course of the internship, they gain a practical understanding of the day to day operation of these businesses while engaging in professional develop‑ ment discussions with other interns in this course. Internships are restricted only to candidates in the Certificate in Literary Representa‑ tion and Certificate in Editing and Publishing, and only to those stu‑ dents who have completed a substantive portion of their course work (at least 9 units). Students must complete the internship application for approval to enroll. Reg# 388759 Fee: $600 No refund after 21 Sept. Independent Study/Internship Sept. 28-Dec. 6

Copyediting I

WRITING X 451.4

Copyediting II

3.0 units This course provides extensive copyediting practice. Appropriate for writers of all genres and those seeking to develop professional skills in copyediting, students learn best practices for completing a docu‑ ment review, including common grammar rules, copyediting notation, and reading like a copyeditor. The course relies on The Chicago Manual of Style and involves the use of various in-house/client-created style guides. Students should expect rigorous reading assignments and some team-based communications with strict adherence to deadlines. Completion of Copyediting I prior to enrollment in Copyediting II is highly recommended. Students are expected to have functional competency in using Track Changes in Word prior to the course. Reg# 388705 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Jeanne De Vita, MFA in Creative Writing, award-winning author, and editor. Ms. De Vita’s dystopian series Bug is an Amazon Editor’s Pick on Kindle Vella. She has published extensively as a staff writer and ghost‑ writer. Ms. De Vita teaches writing and editing courses for UCLA Extension and edits several New York Times and USA Today bestselling authors.

WRITING X 451.2

Developmental Editing

3.0 units An editor’s job includes not only improving the mechanics of writing but identifying places where content isn’t working or needs revision and development. This skill is also invaluable for writers, who can use it to shape their own work or to make extra money as they work on their own projects. Using exercises and readings, students learn how to use the elements of craft to draft editorial letters and representative line edits. Class discussions also explore the various roles of profes‑ sional editors. The goal is to gain confidence as an editor by lineediting a large piece of fiction and writing a detailed editorial letter as the final class assignment. Required for the Certificate in Literary Representation and the Certificate in Editing and Publishing. Reg# 388706 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. M Rebecca Bohanan, MFA, writer, and print publishing editor at Zagat and MAD magazine. She has been published in the New York Times’ Modern Love column, and on HuffPost and Jezebel.

Editorial Management II: Publication and Beyond

WRITING X 455.1

Contracts, Rights, and Signing Authors

3.0 units Literary agents are uniquely positioned in the publishing world to have their hands in many facets of the book process, from a book’s incep‑ tion through to finished copies and publicity. This course begins with an overview of the Agency Agreement, the contract that binds an author with an agent. Students analyze the contract in order to gain a general understanding of the role and responsibilities of an agent and how they go about shepherding authors and their work. This course also unravels the mysteries of book Publishing Agreements and provides a step-by-step guide to understanding the legal lan‑ guage, recognizing which subsidiary rights can (and should) be negotiated, and the differences between a good deal and bad deal—it isn’t always money. Students leave the course with a general knowl‑ edge of what it takes to foster a book project from query to signed contracts. Required for the Certificate in Literary Representation. Reg# 388710 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Linda Camacho, MFA, Agent at Gallt & Zacker Literary Agency repre‑ senting award-winning children’s and adult fiction. Ms. Camacho has held various positions at Penguin Random House, Dorchester, Simon and Schuster, Writers House, and Prospect Agency, handling every‑ thing from foreign rights, editorial, marketing to operations.

WRITING X 455.3

Marketing and PR for Writers and Agents

3.0 units This course provides a comprehensive introduction to communica‑ tions with a focus on personal branding, public relations, and market‑ ing. Aspiring authors or literary agents learn about the work of a book publicist or marketing professional and develop the skills necessary to effectively communicate about a book or literary project to a wide audience. Required for the Certificate in Literary Representation. Reg# 388716 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. M Scott Eagan, owner and acquisitions editor for Greyhaus Literary Agency focusing exclusively on the traditional romance and women’s fiction market. Mr. Eagan is an active member of the Romance Writers of America, has provided freelance critique work with Writer’s Digest, and worked as a reviewer with Publisher’s Marketplace.

Internship in Editing and Publishing

Screenwriting For help in choosing a course or determining if a course fulfills certificate requirements, contact the Writers’ Program at (310) 825-9415.

Special Topics for Film & Television Writers Courses in this section are open to students who want a deeper understanding of a specific craft or area of study. These courses fulfill the elective requirement for screenwriting certificates.

NEW SCRIPT 726.13

Anatomy of a Pilot

A new television show has exactly one shot at survival: its pilot epi‑ sode. If the viewer isn’t grabbed in the first hour, they’re gone forever. But what is a pilot? How is it different from all other forms of screen‑ writing? What makes a good one work and a bad one fail? And how can you be sure yours is one of the winners? In this intense, informa‑ tive, and entertaining course, you learn everything you need to know about what goes into a winning pilot. By dissecting recent network and cable pilots; you examine character, theme, and structure; and discuss which pilots best launched their respective series. Emphasis is on identifying the common structural elements of all successful pilots, gaining an understanding of “weekly franchise” versus “series mythology,” and crafting long-term character arcs. Reg# 388795 Fee: $0 No refund after 4 Nov. X In-Person 1 mtg Saturday, 10am-1pm, Nov. 5 UCLA: Haines Hall Enrollment opens two weeks prior to course date. Richard Hatem, executive producer/TV writer; WGA member, who created Miracles and The Gates for ABC. His writing and producing credits include The Lost Room, Witches of East End, Damien, Tru Calling, Supernatural, The Secret Circle, The Dead Zone, Grimm, andOnce Upon A Time in Wonderland.

Writing & Journalism 103

Enroll at uclaextension.edu or call (800) 825-9971 SCRIPT 726.1

Showrunners and Show Writers

Join a panel of current TV showrunners, writers, and producers as they reveal their journey to a writing career and to creating, scripting, and running the popular TV series and describe their paths to success. Topics include writing on staff vs. freelance, writing and rewriting in the room, network vs. cable vs. streaming series, and a concentration on career-building advice. You participate in direct conversation with these producer/writers throughout the session. Former panelists included Frank Cardea executive producer/writer (NCIS); Gina Lucita Monreal co-executive producer/writer (NCIS); Adam Faberman execu‑ tive story editor/writer (Big Bang Theory); Billy Grundfest exec pro‑ ducer/writer (Mad About You and the current international version of that series, major award shows like the Oscars, Emmys, and Grammys); and Tiffany Lo and Ethel Lung co-writers(Blood and Treasure). Reg# 388775 Fee: $0 No refund after 2 Dec. A Remote 1 mtg Saturday, 10am-1pm, Dec. 3 UCLA X Open Enrollment opens two weeks prior to course date. Ed Scharlach, writer-producer; WGA and PGA member who has had over 300 prime-time television episodes produced, ranging from Happy Days and Mork and Mindy to Quantum Leap and What’s New Scooby-Doo? Mr. Scharlach has earned Emmy, Annie, and Writers Guild Award nominations and a Cable ACE Award.

SCRIPT X 471.1

Comics and Graphic Novels I

3.0 units From big-budget superheroes to critically acclaimed dramas, many of pop culture’s most entertaining stories originated from comic books and graphic novels. Through their unique marriage of words and pic‑ tures, comics can be a magical yet accessible form of expression. This workshop provides a comprehensive introduction to the craft of writing and creating comics. We begin by focusing on visual theory and critical thinking about sequential storytelling. Students study the form and its influences, then experience a classroom version of the editorial process by taking a story of their own from pitch to outline to completed script to visual work, regardless of drawing abilities (stick figures work well!). All story genres are welcome. The goal of the workshop is for each student to complete and visually execute an 8-10-page comic story. Includes special guest speakers based on availability. Reg# 388797 Fee: $720 No refund after 15 Oct. A Remote 10 mtgs Saturday, 10am-1pm, Oct. 1-Dec. 10 Remote Classroom No meeting Nov. 26. Enrollment limited to 15 students. Brian Cunningham, writer/producer/editor for comic book and entertainment business. Mr. Cunningham has edited several The New York Times -bestselling collections of comics and graphic novels. He was one of the first editors of the Folio Award-winning Wizard Magazine. As a DC Comics editor, he shepherded such series as Superman, Justice League, Green Lantern, and The Flash.

SCRIPT X 442.1

Developing Video Game Narratives

3.0 units Writing for games requires an understanding of structure that goes beyond linear storytelling. From the early days of tabletop gaming to more recent hits like Mass Effect and Fallout, writers are expected to hold many possible worlds—with multiple branching story points—in their heads. And to ultimately translate those concepts into actionable materials. In this course, you explore the nature of interactive story by working in multiple different formats (choose your own adventure, virtual novels, the Telltale style, etc.) and writing games that exemplify the fundamental concepts of branching narrative. The course goal is to develop a vocabulary for interactive fiction and to write a game in the format of your choosing that can be used as a calling card for future work.

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Reg# 388770 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 5-8pm, Sept. 29-Dec. 1-8 Remote Classroom No meeting Nov. 22. Enrollment limited to 15 students. Jonathan Callan, Writer and narrative designer for games and anima‑ tion who served on the VR titles Raw Data and Sprint Vector. Mr. Callan has also written on games such as Walking Dead: Onslaught and Westworld: Awakenings. In the world of television, he’s written for over a dozen series, including Young Justice, Lego Jurassic World and Justice League Action.

SCRIPT X 462.1E

Writing Animation

3.0 units Animation is a fully creative universe without limits on sets, costumes, or special effects. All it takes is your imagination and the willingness to jump into a field friendly to new talent. This course guides you through the entire TV and Internet animation script writing process, starting with the building blocks of good writing: story structure, character development, and sharp dialogue. You then write your spec script, learning how to find the voice and style of a particular show, pitch stories, create solid outlines, write the first draft, and deal with notes and changes. The course goal is to complete a polished sample script. Guest speakers include show runners, producers, and execu‑ tives who discuss how to break in; what agents do and don’t do; the process of getting your script bought and produced; how to connect with artists that can make your vision visual; and how to have a sat‑ isfying career in a field where your imagination is free. Reg# 388758 Fee: $720 No refund after 13 Oct. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 UCLA: Royce Hall No meeting Nov. 24. Enrollment limited to 15 students. Brooks Wachtel, Emmy Award-winning television writer; WGA mem‑ ber whose credits include over 100 episodes of such animated series as Spiderman, ToddWorld, X-Men, Heavy Gear, and Clifford the Big Red Dog. His novel Lady Sherlock: Circle of the Smiling Dead was recently published by WordFire Press.

SCRIPT X 415.10

Relationship Driven Screenwriting I

3.0 units Good movies—across all genres—are really about relationships: people with problems, searching for answers, who find them through their interactions with other people. Or aliens. Or pets. Even with an arch enemy. Beneath any good script is a core relationship that makes us want to go on a journey, to see where these two characters will end up. It’s at the heart of every story type, from buddy cops, star-crossed lovers, and mothers and daughters to the King of England and his speech therapist (The King’s Speech). Relationship Driven Screenwrit‑ ing is a fresh way of looking at movies that allows you to develop meaningful characters, build an active story, write effective dialogue, and deliver a theme, all by way of that important, central vehicle. Through lectures and workshops, you apply this approach to your own material, crafting a full outline and thirty pages of your script, launch‑ ing your story and its relationships toward something incredible. Prerequisite(s): X 410.1 Feature Film I, X 410.2 Feature Film II, X 410.3 Feature Film III, and X 410.4 Feature Film IV; or departmental approval. Reg# 388749 Fee: $720 No refund after 5 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA: Bunche Hall No meeting Oct. 5; Nov. 23. Enrollment limited to 15 students. Michael Weiss, screenwriter; WGA member; former vice president of production for Miramax Films whose produced credits include Journey to the Center of the Earth; Jarhead 3: The Siege; and The Scorpion King 4: Quest for Power. Mr. Weiss has sold and written scripts for Fox, Sony, Universal and Warner Bros.

SCRIPT X 463.1E

Creating Powerful Scenes and Sequences

3.0 units The writing of powerfully constructed scenes featuring compelling characters is the key to any screenplay or dramatic teleplay’s success. This intensive workshop gets you writing and rewriting your own scenes, and arms you with a specific skill set that enables you to improve and elevate your work. Drawing on great scenes and sequences from memorable movies and cable shows throughout the course, you learn to identify the essential building blocks for the creation of dynamic scenes; work with conflict, subtext, characteriza‑ tion, dialogue, and imagery, get feedback that will up your game; and make significant headway in creating an eminently marketable screenplay or pilot. Prerequisite(s): SCRIPT X 410.1 Feature Film I and SCRIPT X 410.2 Feature Film II, or department approval. Reg# 388754 Fee: $720 No refund after 3 Oct. X In-Person 10 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 UCLA Extension Gayley Center: 1145 Gayley Ave. No meetings Sept. 26 & Oct. 31. Enrollment limited to 15 students. Colin Francis Costello, screenwriter, director, and WGA-East member, whose credits include The Stream starring Rainn Wilson and Alternate Universe. Mr. Costello’s TV credits include Lost n’ Found and Detectives Club. He has also written and directed award-winning shorts, including The After Party and Dreamwisher.

SCRIPT X 415.8

Writing a Low Budget Feature

3.0 units The film market is changing faster every day. Audiences have become hungrier for a wider variety of stories and voices. As economic trends in the film industry shift and change, savvy writers can prepare for a variety of production sizes. This is a perfect time to develop a lower budget film. There are some tricks and techniques to master when writing a low budget feature film. Budgetary restrictions can often lead to greater creativity. In this course, students learn how to write a screenplay for a low budget. This workshop focuses on the best practices of writing a lower budget film that is still exciting, surprising, and innovative. The course also explores low budget and indie films that launched careers, as well as different ways of getting that script from paper to screen. Reg# 388773 Fee: $720 No refund after 5 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom No meetings Oct. 5 & Nov. 23. Enrollment limited to 15 students. Julia Camara, award-winning Brazilian screenwriter/filmmaker and WGA member who won a Telly Award for the sci-fi found footage feature Occupants. Ms. Camara’s feature directorial debut In Transit won Best Experimental Film at four different festivals. Her other writing credits include Area Q and Open Road.

SCRIPT X 462.3E

Writing Your First Streaming TV Series

3.0 units Developing a new scripted television or streaming series is more excit‑ ing than ever. 2019 saw 532 original series in the US. Just one decade earlier there were less than half that number. For writers, this means the demand for original scripted series is hotter than ever. It used to be the high concept, a.k.a. easy to pitch series was every writer’s goal. Pitches sounded something like: “She’s a regular girl in high school who just happens to be the vampire slayer.” With the advent of stream‑ ing services, audience viewing habits have changed dramatically. We now binge watch and can stream any genre we want at any given time, day or night, whether it be fall, summer, winter, or spring. Writers are now encouraged to pitch series beyond the high concept. Series with a unique vision or format and more depth in storytelling are welcome and sought after. This course teaches the basics of how to develop a scripted series in the current TV and streaming landscape. Students conceive creative ideas and develop them into viable series formats and concepts with the goal of having a pitch deck in hand by the end of the course. If you have been wanting to make your own original series, this course starts you on your way.

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Writing & Journalism

Reg# 388771 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Dec. 6 Remote Classroom No meeting Nov. 22. Enrollment limited to 15 students. Cynthia Hsiung, exec-producer, award-winning writer/director, who served as a showrunner for Young Hercules, FanAddicts!, and a sci-fi series for Alibaba. She was part of the team that launched The Larry Sanders Show, Taxi Cab Confessions and The Real World and a former development exec for HBO, MTV and Warner Bros. She is the recipient of the UCLA Extension Distinguished Instructor Award.

SCRIPT X 415.4

Crafting Powerful Dialogue

3.0 units Dialogue may seem to be the easiest and most fun aspect of screen‑ writing (look at all those pages fly by, and with so much white space!), yet it’s often the most difficult thing for the aspiring screenwriter to do well. Great dialogue is a vital vehicle for developing character, enhanc‑ ing plot, and speaking to theme, among its many other uses. This course explores all of dialogue’s functions in depth and provides you with the pragmatic skill set that will make your dialogue more effective and make it snap, crackle, and pop on the page. Through writing exercises, analysis of screenplay pages and classic clips from both features and TV, and a dialogue diary that will help you develop an ear for good conversation, you sharpen and hone your dialogue prow‑ ess, and you put your new skills to work on your own projects, both present and future. Reg# 388767 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 6-9pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. Roberto Marinas, MFA and screenwriter/producer, whose credits include Lasso, Headgame, and Alien Vs. Zombies. His award-winning screenplay Last Road Home was selected for the 2007 Tribeca Film Festival, and he is also a recipient of the Walt Disney Studios Screen‑ writing Fellowship.

SCRIPT X 464.9E

Creating Memorable Characters Through Their Core

3.0 units Memorable stories are grounded by great characters. The core of who those characters are drive the story, but characters need to take action, and those actions need to ring true to their core as they move from one plot point to the next. Why is your character making that specific choice at a particular moment? What’s their motivation? Whether you are finished with a draft or just have a nugget of an idea, the core of your characters must be excavated. Through examples, discussions, and writing exercises, you discover your characters’ needs, wants, and drives. You flush out how your characters think and feel to discover who they are fundamentally. You also address how the core elements of your characters influence plot and structure and discover ways to reveal that through action and dialogue. The goal of this course is to chart the emotional journey of your protagonist character and leave with tools that can be applied to make every character, regardless of how big or small, play meaningful roles in your story. Reg# 388766 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Roz Weisberg, MFA, teacher/writer/book & script consultant. Her producing credits include Beastly and Where the Heart Is and the short films The Heebie Jeebies and Being Vincent. She serves/d as a con‑ sultant for Netflix, Resonate, The Disney Channel, National Geographic, Mission Pictures, and Focus Features.

Enroll at uclaextension.edu or call (800) 825-9971 SCRIPT X 464.5E

SCRIPT X 421.5

3.0 units Having a great story is crucial, but the key to selling your screenplay is character. You must have great characters. In this class, you learn how to create dynamic, exciting characters that audiences will love and actors will be dying to play (the real secret to selling and getting your screenplay made!). In this course, you analyze great movie characters, focusing on key scenes that make us fall in love with a character; examine unlikable characters, villains, and supporting characters; also, dive into narrative function, character arc, backstory, psychology and motivation, personality, and body language. Step by step, you build your characters through the use of weekly assign‑ ments, including exercises, worksheets, and scene writing, giving you the ultimate toolbox for creating truly great characters every time. Reg# 388748 Fee: $720 No refund after 5 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA: Bunche Hall No meetings Oct. 5 & Nov. 23. Enrollment limited to 15 students. Donald H. Hewitt, screenwriter and WGA member whose feature film credits include the English-language screenplay for Hayao Miyazaki’s Oscar-winning film, Spirited Away, My Neighbor Totoro, and the Oscarnominated Howl’s Moving Castle. Mr. Hewitt has written for Pixar, Miramax, New Line, and Disney.

3.0 units A new television show has exactly one shot at survival: its pilot epi‑ sode. If the viewer isn’t grabbed in the first hour, they’re gone forever. But what is a pilot? How is it different from all other forms of screen‑ writing? What makes a good one work and a bad one fail? And how can you be sure yours is one of the winners? In this intense, informa‑ tive, and entertaining course, you learn everything you need to know about what goes into a winning pilot. You watch and dissect recent network and cable pilots; examine character, theme, and structure; and discuss which pilots best launched their respective series. Emphasis is on identifying the common structural elements of all successful pilots, gaining an understanding of “weekly franchise” versus “series mythology,” and crafting long-term character arcs. We also discuss and develop student pilot ideas, help you turn your idea into a concise “pitch document” (a two-to-three-page breakdown of concept, character, and weekly story structure), and give you the tools you need to make the big move from pitch document to pilot outline and script. The course features guest speakers who have written, directed, and/or produced their own network television pilots. Reg# 388778 Fee: $720 No refund after 5 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA: Bunche Hall No meetings Oct. 5 & Nov. 23. Enrollment limited to 15 students. Richard Hatem, executive producer/TV writer; WGA member, who created Miracles and The Gates for ABC. His writing and producing credits include The Lost Room, Witches of East End, Damien, Tru Calling, Supernatural, The Secret Circle, The Dead Zone, Grimm, andOnce Upon A Time in Wonderland.

Ultimate Character Creation

SCRIPT X 451.1

Fundamentals of Story

3.0 units Whether you want to be a writer for film, television, or theatre, a dynamic understanding of story is absolutely necessary for success. In this course, you learn how to choose and develop your best story ideas while examining point of view, structure, character development, dialogue, subtext, crisis, and climax using classic and contemporary scripts as models. Tools to stimulate your writing incorporate acting improvisation as well as photography, painting, and music. Individual and group writing exercises are shared in a supportive atmosphere with guided rewriting as a core task in the course. At the end of the class, you’re able to integrate classic story principles in every facet of your work as well as use these tools to analyze your own writing and take it to the next level. Reg# 388745 Fee: $720 No refund after 3 Oct. X In-Person 10 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 UCLA Extension Gayley Center: 1145 Gayley Ave. No meetings Sept. 26 & Oct. 31. Enrollment limited to 15 students. John Henry Davis, MFA, director/screenwriter, playwright; WGA, DGA, SDC member whose credits include directing OZ, The Sarah Jones Show, and Broken Mirrors. He’s directed plays at the Lincoln Center, the Kennedy Center, and the Mark Taper Forum, including the show Daughters with Marisa Tomei.

SCRIPT X 425.5

Seasonal-Arc Structure for TV

3.0 units Television storytelling is undergoing significant shifts in the early twenty-first century, but the basics of structuring satisfying narratives are rooted in human psychology and are timeless. This vigorous tenweek course exposes and explores the underpinnings of classic cin‑ ematic story arcs in current, serialized shows (titles subject to change). At the same time, each student methodically practices the foundational, industry-standard skills required to create a high-quality series by developing characters and narrative arcs for an original TV show in their own unique voice. Reg# 388765 Fee: $720 No refund after 15 Oct. A Remote 10 mtgs Saturday, 2-5pm, Oct. 1-Dec. 10 Remote Classroom No meeting Nov. 26. Enrollment limited to 15 students. Shari Goodhartz, WGA member; multi-award nominated writer whose credits include Dragonheart: A New Beginning, Young Hercules, and Aeon Flux. Ms. Goodhartz’s career spans corporate (Coca-Cola), TV and film (live-action, animation, development, producing, documentary), wellness, publishing, and marketing.

Anatomy of a Pilot

SCRIPT X 469.5E

Script Doctoring

3.0 units Script doctors are the unsung heroes of the script development phase. They come in at the last minute to fix a script before production can start, and they often remain anonymous or uncredited (but get paid well for that). In this course, you learn the difference between a script analyst, script consultant, and script doctor, and how script doctors address the rewriting or polishing process of a script. We cover how to deepen concept and world, fix structure, enhance and flesh out characters, address characters’ relationships and interactions, escalate conflict and drama, work on specific scenes, elevate the dialogue, and best tackle and exploit theme, all while staying true to the essence of the script assigned to doctor as you take it to the next level. With the use of lectures, script readings/analysis, and practical workshops, you get a first-hand experience on the life of a script doctor and how to have a future career as one. Reg# 388761 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Cody Smart, an independent writer and script doctor from Chile. She holds degrees in English Literature & Linguistics, Screenwriting, Development and Producing. She worked as a script analyst for Sony, she’s a judge for multiple script and film competitions, she’s written some award-winning shorts, she’s head of the coverage department at a script hosting site and she does a bi-monthly vlog with tips for Screenwriters for Story Data. She takes pride in helping writers take their work to the next level.

Writing & Journalism 105

Enroll at uclaextension.edu or call (800) 825-9971 SCRIPT X 416.3E

SCRIPT X 410.1

3.0 units Designed for both aspiring story analysts and screenwriters who want to accelerate their careers, this course helps you master the methods used by story analysts who evaluate submissions to production companies, agencies, and studios. You learn how to do an in-depth analysis of the three-act structure, as well as dramatic and comic scene construction. You also learn the precise terminology used in story sessions, the foundations for great dialogue, and how to find original approaches to established genres. These and other principles become synthesized into coverage written to the highest professional standards in preparation for a job as either a story analyst or screen‑ writer who needs to critique his or her own scripts effectively. Reg# 388763 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Barney Lichtenstein, MA, professional story analyst for companies such as Amblin, Imagine, and New Line. Referring trained story ana‑ lysts to production companies, he is a UCLA Extension Outstanding Instructor in Screenwriting and story editor of a Peabody Award winning program.

3.0 units The first in a four-part sequence designed to take you through the full process of writing a feature film screenplay, this course grounds you in the key craft elements of story structure, plot, scene development, character, theme, genre, and dialogue and shows you how they work together to grip an audience’s emotions. You learn how to create and evaluate story ideas, explore how characters’ inner wants and immedi‑ ate goals shape and drive a screenplay’s action, see what constitutes compelling plots and subplots, and learn how to construct a scene. Throughout the course, you complete a series of exercises which serves as the basis for your script outline—a prose description of your screenplay. The course goal is to learn how to write effective, compel‑ ling scenes and to create a four-to-five-page outline that clearly delineates your script’s beginning, middle, and end. The ability to write an effective outline is a critical skill for the professional screenwriter, serves as the basis for most pitches, and is required for admission into SCRIPT X 410.2 Feature Film II. Reg# 387695 Fee: $720 No refund after 10 Oct. X In-Person 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 Enrollment limited to 15 students. Julian Goldberger, screenwriter/director, WGA member, whose credits include The Hawk Is Dying starring Paul Giamatti and Michelle Wil‑ liams, and the critically acclaimed indie trans. He has written scripts for Universal Studios and Lionsgate, as well as major producers including Marc Platt, Ted Hope, and Ed Pressman. Reg# 387925 Fee: $720 No refund after 10 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 26-Nov. 28 Remote Classroom Enrollment limited to 15 students. Rolla Selbak, writer/director of film and TV, Sundance alumna, and WGA member whose credits include Three Veils, Choke, and the viral web-series Kiss Her I’m Famous. Ms. Selbak currently has projects in development at Sony and 20th Century Fox, and has previously served on the board of directors at Outfest. Reg# 387922 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. Jennifer Lee Loy, M.F.A in Screenwriting. Ms. Lee Loy was accepted into the Fox Diversity Program for Television. Her screenwriting credits include feature length film Special Ops and short film Gambler’s Anonymous. Ms. Lee Loy was a screenplay finalist and quarter-finalist in the Austin Film Festival, Final Draft Big Break Screenwriting Com‑ petition, Page International Screenwriting Competition, Action on Film International Film Festival, and Shriekfest. Reg# 387694 Fee: $720 No refund after 12 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 28-Nov. 30 UCLA: Bunche Hall Enrollment limited to 15 students. Roberto Marinas, MFA and screenwriter/producer, whose credits include Lasso, Headgame, and Alien Vs. Zombies. His award-winning screenplay Last Road Home was selected for the 2007 Tribeca Film Festival, and he is also a recipient of the Walt Disney Studios Screen‑ writing Fellowship.

Writing Screenplay Coverage

Feature Film Beginning Feature Film Writing Recommended for beginning students, these courses build on one another in a four-part sequence. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of the work. By the end of the sequence, students have a completed draft of their first feature film script.

SCRIPT X 400

Introduction to Screenwriting

2.0 units This six-week course is perfect for anyone getting started on their path to becoming a screenwriter. Each class offers a broad-strokes intro‑ duction to a different writing format, such as Feature Film, Television Specs, Television Pilots, Web Series, Podcasting, and/or Graphic Novels, plus a look at the business of writing. Lectures by guest speak‑ ers offer insight and instruction on each topic, followed by guided workshop sessions where students put those theories into action on their own material. The goal of the course is to give new writers a taste of different screenwriting types to help deepen their overall knowledge while sparking their creative energy. At the end of the quarter, students should feel more confident about their skills and be prepared for further study of writing. Reg# 387918 Fee: $485 No refund after 10 Nov. A Remote 6 mtgs Thursday, 7-10pm, Oct. 27-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. Jacqueline Heinze, MFA, author and screenwriter, who writes screen‑ plays and develops story ideas for Jarrett Creative Group. Credits include The Preacher’s Daughter for Lifetime and Killision Course, an Oxygen true-crime series. Reg# 387919 Fee: $485 No refund after 10 Nov. A Remote 6 mtgs Thursday, 7-10pm, Oct. 27-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. Tonya Cannon, an award-winning screenwriter/producer/actor whose credits include Distortion (feature), Officer Involved (web series), and Sorry, Wrong Text (short film). Her newest horror film Wiles, which she wrote and directed, is set to release soon.

Feature Film I

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Reg# 387707 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Nov. 30 Remote Classroom Enrollment limited to 15 students. Tonya Cannon, an award-winning screenwriter/producer/actor whose credits include Distortion (feature), Officer Involved (web series), and Sorry, Wrong Text (short film). Her newest horror film Wiles, which she wrote and directed, is set to release soon. Reg# 387710 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Jon Bernstein, screenwriter and WGA member who wrote Meet the Robinsons, Ringmaster, and Beautiful. He has worked on film and TV projects for Paramount, DreamWorks, 20th Century Fox, NBC/Universal and the CW. He is a recipient of the UCLA Extension Outstanding Instructor Award in Screenwriting. Reg# 387712 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Ron Wilkerson, writer/director and WGA member whose credits include Stargate SG-1, Star Trek: The Next Generation, Star Trek: Voyager, and Trade Show. He is currently developing Dreamland for ABC Studios and is a recipient of the UCLA Extension Outstanding Instructor Award in Screenwriting. Reg# 387923 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. Christine Shin, MFA, award-winning Korean writer and director whose films have been distributed to iTunes, aired on PBS, and garnered multiple awards including Cine Golden Eagle Award. Ms. Shin is a Film Independent Fellow and Caucus Foundation Grant recipient. She also received a writing fellowship from Korean Film Council and CAPE. Christine currently teaches film and television at California State University Northridge and serves on the board of Alliance of Women Directors.

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v HYBRID (IN-PERSON), page 1. a HYBRID (REMOTE), page 1.

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106

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

SCRIPT X 410.2

Feature Film II

3.0 units This second in a four-part sequence in writing a feature film script has you hit the ground running. You begin by pitching your story based on your outline and revising it to make sure the premise can carry the entire movie. Armed with a workable outline, you then flesh it out into either a beat sheet or treatment (at the instructor’s discretion) and begin writing your screenplay. Personalized feedback along with mini-lectures on key craft points, including character development, story structure, and conflict, help you to meet the course goal, which is to write Act I (approximately 30 pages). May be repeated for credit. Prerequisite(s): SCRIPT X 410.1 Feature Film I. Students must bring a four-to-five-page outline they created in Feature Film I to first class meeting and be prepared to pitch it. Reg# 387926 Fee: $720 No refund after 11 Oct. X In-Person 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 UCLA Extension DTLA: 261 S. Figueroa St. Enrollment limited to 15 students. Andrew Knauer, MFA, screenwriter; WGA member who wrote The Last Stand, starring Arnold Schwarzenegger; Castle Falls starring Dolph Lundgren and Scott Adkins; and the upcoming Senior Year, starring Rebel Wilson. Reg# 387928 Fee: $720 No refund after 12 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. Ryan Ward, Screenwriter/director/producer; SAG member, who has worked for a decade in independent narrative film. His feature, Son of the Sunshine (Slamdance), was nominated for a Genie Award (Cana‑ dian Oscar). His other credits include In the Beginning was Water and Sky for PBS and AmeriKa (Berlinale/INPUT TV). Reg# 387939 Fee: $720 No refund after 12 Oct. D Hybrid (Remote) 10 mtgs Wednesday, 4-6pm, Sept. 28-Dec. 7 Remote Classroom No meeting Nov. 23. Enrollment limited to 15 students. Janna King, screenwriter and WGA member, who has written TV movies for Lifetime and Hallmark such as Christmas in the Air and Love, Of Course, along with a host of TV drama series. Ms. King’s film and TV credits also include kids animation like Dragon Tales and the Wacky Races reboot. She has developed and consulted for CBS, Disney and WB, and is the author of The Seasonaires, optioned for TV by Blumhouse. In addition, she has written and directed plays and awardwinning short films. Reg# 387945 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Valerie Brandy, screenwriter/director/actress and WGA member who wrote, directed, and starred in the feature film Lola’s Last Letter. Ms. Brandy has written for both the Disney Channel and Denver and Deli‑ lah Productions. She currently serves as a full-time staff writer for Disney’s live-action feature department. Reg# 387946 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Julia Camara, award-winning Brazilian screenwriter/filmmaker and WGA member who won a Telly Award for the sci-fi found footage feature Occupants. Ms. Camara’s feature directorial debut In Transit won Best Experimental Film at four different festivals. Her other writing credits include Area Q and Open Road.

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Reg# 387927 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. Donald Martin, screenwriter/producer and WGA member whose feature credits include the Netflix movieBrazen (starring Alyssa Milano), Queen Bees (starring Ellen Burstyn), Milton’s Secret (starring Donald Sutherland), Shackles (Sony), and Dim Sum Funeral (HBO). Mr. Martin has over 60 produced movies, mini-series and series for televi‑ sion, work that has won awards around the world. Also, he is nomi‑ nated for the 2022 Humanitas Prize for his screenplay Queen Bees and currently developing a series for Prodigy Pictures.

SCRIPT X 410.3

Feature Film III

3.0 units The third in a four-part sequence in writing a feature film screenplay, this course focuses on writing the next 45 pages of your script. You also refine your story outline; flesh out main and secondary charac‑ ters; continue to develop the art of the scene as it pertains to type, choice, structure, and placement; and begin to discover each charac‑ ter’s unique voice. You learn the habits you need to sustain the work of writing a screenplay. The goal is to write up to 45 pages from beginning of Act II. May be repeated for credit. Prerequisite(s): SCRIPT X 410.1 Feature Film I and SCRIPT X 410.2 Feature Film II. Students must bring their beat sheets or treatments and Act I to the first class meeting and be prepared to write. Reg# 387948 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. Elie El Choufany, MFA, screenwriter whose credits include Norm of the North: Family Vacation and Arabs in Space. Mr. Choufany has projects in development in film and TV. Other credits include his award-winning short films Contact and Towards the Sun. Reg# 387949 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Laurence Walsh-Hodson, screenwriter; WGA member whose credits include CSI: Miami and NCIS. Ms. Walsh co-produced and wrote on the critically acclaimed Syfy series The Dresden Files and Against the Wall. Her feature credits include Matching Hearts and With Love, Christmas for Hallmark and Carved for Fox. Reg# 387947 Fee: $720 No refund after 15 Oct. X In-Person 10 mtgs Saturday, 10am-1pm, Oct. 1-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited to 15 students. Colin Francis Costello, screenwriter, director, and WGA-East member, whose credits include The Stream starring Rainn Wilson and Alternate Universe. Mr. Costello’s TV credits include Lost n’ Found and Detectives Club. He has also written and directed award-winning shorts, including The After Party and Dreamwisher.

SCRIPT X 410.4

Feature Film IV

3.0 units In the last of a four-part sequence in writing a feature film screenplay, you reach FADE OUT. In the process of completing your script, you hone in on structuring conversations, explore how to maximize your story’s visual implications, deepen scene writing skills, assemble scenes to form powerful sequences, ensure your script’s central conflict is resolved, and work on theme and imagery. Also covered are revision techniques and the business aspects of feature film writing. The goal is to complete writing your first feature film script. Prerequisite(s): SCRIPT X 410.1 Feature Film I, SCRIPT X 410.2 Feature Film II, and SCRIPT X 410.3 Feature Film III. Students must bring their beat sheets or treatments, Act I and 45 pages of Act II to the first class meeting and be prepared to write. Reg# 387950 Fee: $720 No refund after 10 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 26-Nov. 28 Remote Classroom Enrollment limited to 15 students. Donald H. Hewitt, screenwriter and WGA member whose feature film credits include the English-language screenplay for Hayao Miyazaki’s Oscar-winning film, Spirited Away, My Neighbor Totoro, and the Oscarnominated Howl’s Moving Castle. Mr. Hewitt has written for Pixar, Miramax, New Line, and Disney. Reg# 387951 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Tony DuShane, author of Confessions of a Teenage Jesus Jerk and award-winning screenwriter of the adaptation directed by Eric Stoltz. His work has appeared in the Los Angeles Times, The Believer, Mother Jones, and he was a music columnist for the San Francisco Chronicle.

Intermediate Feature Film Writing Courses in this section are for students who have completed at least one screenplay. A new project is begun with an emphasis on craft issues such as structure, character development, and emotional content. Self-editing techniques are introduced.

SCRIPT X 411.1

Feature Film V

3.0 units Designed for writers with at least one screenplay under their belts, this workshop guides you to launch and make significant headway on a new project. The goal is to develop a strong premise that sustains your entire script, create and refine the story outline, and write Act I. Brief lectures on craft issues based on the demands of the partici‑ pants’ work supplement the workshop. Prerequisite(s): SCRIPT X 410.4 Feature Film IV or equivalent, or consent of instructor. Reg# 388017 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Michael Barlow, producer, screenwriter, and WGA member who, as an executive at Paramount Classics, oversaw Black Snake Moan and Mad Hot Ballroom. He was vice president of production at various major studios, including Orion Pictures. His writing credits include the miniseries Kidnapped and the ABC drama Family. Reg# 388016 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. Donald H. Hewitt, screenwriter and WGA member whose feature film credits include the English-language screenplay for Hayao Miyazaki’s Oscar-winning film, Spirited Away, My Neighbor Totoro, and the Oscarnominated Howl’s Moving Castle. Mr. Hewitt has written for Pixar, Miramax, New Line, and Disney.

Writing & Journalism 107

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Feature Film VI

3.0 units This workshop guides you to complete your current project. You focus on developing a successful second and third act with special attention given to structure, character development, emotional content, and cinematic style. You also acquire self-editing techniques essential for the professional writer. This is not a rewrite course; you must be working toward the completion of a feature-length script and have your outline and Act I of your script in hand. Prerequisite(s): SCRIPT X 411.1 Feature Film V, or equivalent, or consent of instructor. Reg# 388018 Fee: $720 No refund after 10 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 26-Nov. 28 Remote Classroom Enrollment limited to 15 students. Koji Steven Sakai, MFA, award-winning screenwriter/producer/novel‑ ist and WGA member, whose feature credits include Skeletons in the Closet, Commando, Dying to Kill, Monsters & Me, #1 Serial Killer, The People I’ve Slept With, and Haunted Highway. Mr. Sakai has produced a comedy special for Netflix and the comedy series, Comedy InvAsian, which premiered on Peacock. Reg# 388019 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Cynthia Riddle, MFA award-winning writer/producer, former develop‑ ment exec at MGM, and WGA member whose credits include Crossroads, Puppy Love, Brittany Murphy Story, and Poisoned Love: The Stacey Castor Story. Ms. Riddle has written projects for Netflix, Showtime, Disney, Lifetime, Starz, Hallmark, and others.

SCRIPT X 411.3

Feature Film VII

3.0 units Designed for those with a solid grasp of feature-length screenwriting who have written at least two complete screenplays, this workshop guides you to analyze and rewrite your draft and bring it to its fullest potential. You hone its premise, flesh out characters, deepen conflicts, and fine-tune structure, dialogue, tone, and action, receiving personal feedback and guidance throughout the process. You also get insight into how to market it. Prerequisite(s): SCRIPT X 411.2 Feature Film VI, or equivalent, or consent of instructor. Reg# 388020 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 6-9pm, Sept. 27-Nov. 29 Remote Classroom Enrollment limited to 15 students. Matthew Harrison, director/writer/producer, whose credits include Rhythm Thief (Jury Prize, Sundance Film Festival), Kicked in the Head (executive producer Martin Scorsese), Spare Me, Sex and the City, Popular, and Dead Last. Mr. Harrison received the UCLA Extension Outstanding Instructor Award.

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Advanced Feature Film Writing Advanced-level courses are primarily workshop-driven and are designed for students who are well into their projects. Admission is by submission only and the selection process is competitive. It is recommended that students take intermediate-level courses prior to submitting their work. For instructions on submitting work, contact the Writers’ Program at (310) 825-9415 or go to writers.uclaextension.edu/continuing-students. The submission deadline for fall is Sept. 6 at 9am PT. Visitors are not permitted in advanced-level courses.

SCRIPT X 412.3

Advanced Workshop: One-on-One Feature Film Rewrite

3.0 units This advanced workshop is intended for 12 serious writers who want to turn good scripts into great ones. You first work closely with the instructor to analyze your script’s overall strengths and weaknesses. Every week, you turn in pages and receive back specific notes that help guide you to concentrate on structure, characterization, scene construction, and other aspects of the screenwriting process. As you rewrite, you get further feedback, designed to prepare you to enter screenplay competitions and the commercial marketplace. The course goal is to rewrite your full-length feature film script. Prerequisite(s): Submit the feature-length screenplay that you will rewrite in the course. Reg# 388021 Fee: $795 No refund after 21 Sept. MOnline Sept. 28-Dec. 6 Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. Beverly Gray, PhD, screenwriter, author, and development exec who oversaw the development of 170 films at Concorde-New Horizons Pictures. Dr. Gray’s newest book is Seduced by Mrs. Robinson: How The Graduate Became the Touchstone of a Generation. She has written biographies of Roger Corman and Ron Howard.

Television Beginning Television Writing Recommended for beginning students who are writing a spec script of an existing comedy or drama series. With the close guidance of the instructor, students share and offer feedback in a supportive environment focused on assessing the strengths and weaknesses of the work.

SCRIPT X 421.1

Half-Hour TV I

3.0 units This course teaches you how to create an airtight story and outline—the critical first step in writing a strong half-hour comedy script of an existing series and a process that makes writing your script much easier, faster, and more successful. You begin by learning how to pin‑ point what makes any half-hour comedy show tick, studying the appeal and quirkiness of the main characters, and identifying the unique spin shows put on their stories. You then focus on your own script for a current show, finding the story and identifying the comedy in it, learn‑ ing how to pitch it, and creating a workable outline from which to write. Instruction also covers the “need to know” business aspects of the half-hour show, such as the current use of spec scripts to get jobs and the basics of how a comedy writer works on staff, how freelance writers move onto staff, how a writing staff is structured, and how writers work collaboratively “in the room.” All student projects must focus on current shows from a list provided by the instructor; no pilots. Reg# 388255 Fee: $720 No refund after 5 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom No meetings Oct. 5 & Nov. 23. Enrollment limited to 15 students. Teri Brown-Jackson, television writer, screenwriter, producer, and WGA member whose credits include The Parkers, Tyler Perry’s House of Payne, and That’s So Raven. Teri is also a writing instructor for a nonprofit called Kids In The Spotlight. Her short film Dark Chocolate won Best Dramatic Short at IFS.

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Reg# 388252 Fee: $720 No refund after 11 Oct. X In-Person 10 mtgs Tuesday, 7-10pm, Sept. 27-Dec. 6 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 22. Enrollment limited to 15 students. Chip Pope, MFA; TV writer/producer specializing in half-hour comedy/ dramedy; WGA and SAG-AFTRA member, whose credits include Lopez, Beavis and Butt-Head, The Ellen DeGeneres Show, The Rosie Show, and MTV’s Austin Stories. Mr. Pope has sold or produced pilots and shows at HBO, Comedy Central, ABC, NBC, LOGO, OWN, FOX, among many others. Reg# 388256 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Jim Staahl, writer, producer, and actor; WGA member; two-time Emmyaward nominee whose comedy feature credits include The Beverly Hillbillies, Under Surveillance, and Blow Hard. Mr. Staahl also has written sketch/variety shows for Steve Martin, Martin Short, and Howie Mandel.

SCRIPT X 421.3

One-Hour TV I

3.0 units Modeled directly on how writers write in the real world of one-hour dramas, this course focuses on what is most central to creating a strong script as well as the largest piece (40 percent) of the writer’s deal with any show: the story and outline. You learn to choose the best story for your script of an existing series, map it out from beginning to end, and write a strong outline in proper script format. In the process, you learn how to identify and capture the tone, characters, dialogue, and themes of any one-hour drama series—the key to breaking into the field. Also covered are the various genres (police procedurals, medical, legal) and their specific rules; what’s popular in the current marketplace; and how to work within the special requirements of timeslots, outlets, and styles. The course goal is to master the process of constructing an airtight story and detailed outline so you are ready to write a script for any current show as quickly and expertly as possible. All student projects must focus on current shows; no pilots. Reg# 388261 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Dec. 6 Remote Classroom No meeting Nov. 22. Enrollment limited to 15 students. Gail Gilchriest, producer, screenwriter, television writer, and WGA member whose credits include the reboot of Dallas, Sun Records, and the feature film My Dog Skip. Ms. Gilchriest has also developed televi‑ sion series for ABC, CBS, NBC, and Fox, and is the recipient of the Horton Foote Award for outstanding achievement in screenwriting. Reg# 388262 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Jacqueline Zambrano, writer/producer and WGA member and mul‑ tiple award nominee, Ms. Zambrano has written for numerous shows, including CSI: Crime Scene Investigation and Star Trek. She also has created and executive produced dramatic television series for Fox, CBS, Pax, and Showtime, and the Internet. Reg# 388257 Fee: $720 No refund after 15 Oct. X In-Person 10 mtgs Saturday, 10am-1pm, Oct. 1-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited to 15 students. Garth Twa, MFA, PhD, award-winning writer/director, WGA member whose credits include Good Witch for Hallmark, The Wright Verdicts for Dick Wolf, and the indie filmsBirds Die (Best Comedy, Fargo Film Festival), Pieces of Dolores, and Exterior Day. Currently he is in develop‑ ment with a feature and a series pilot.

108

Writing & Journalism

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SCRIPT X 421.2

Half-Hour TV II

3.0 units This workshop guides you to write a solid draft spec script from your half-hour comedy outline and move as far ahead as you can in polish‑ ing it. You begin by reworking your outline to simplify your story, nail down the essence of your characters, focus and tighten scenes, create mood and pacing, and punch up dialogue from the blueprint you’ve created. You then move to the writing and polishing stage. On the business side, you deepen your knowledge of the current comedy series marketplace and map out basic career building strategies. Students must bring a complete outline to the first class. All student projects must focus on current shows; no pilots. Prerequisite(s): SCRIPT X 421.1 Half-Hour TV I, or SCRIPT X 421.1N HalfHour TV Intensive I, or department approval. Reg# 388266 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 7-10pm, Sept. 27-Dec. 6 Remote Classroom No meeting Nov. 22. Enrollment limited to 15 students. Chris Atwood, writer and producer; Mr. Atwood studied playwriting under Edward Albee and performed standup comedy before turning his attention to screenwriting. He has written for shows such as 3rd Rock from the Sun, Reba, Two and a Half Men, 90210 and Reign and helped out on about a hundred million pilots. Reg# 388268 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Kevin Kelton, Emmy-nominated TV writer/producer whose credits include Saturday Night Live, Boy Meets World, Night Court, and A Different World. Mr. Kelton has written for ABC, CBS, NBC, FOX, FX, AMC, and the WB. He has also written original pilots for HBO and FX and articles for National Lampoon. Reg# 388263 Fee: $720 No refund after 15 Oct. X In-Person 10 mtgs Saturday, 10am-1pm, Oct. 1-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited to 15 students. Mary Gulino, comedy writer, director, WGA member whose credits include Upload, SMILF, and the digital series Decoys. Her short films have played at festivals across the nation, including Montclair Film Festival and San Diego International Film Festival. Mary is also a regu‑ lar contributor to multiple humor websites, including Reductress.

SCRIPT X 421.4

One-Hour TV II

3.0 units Mirroring the process that professionals undergo in current episodic series production, this course guides you to write a solid first draft of your script of an existing series and work on polishing it. You begin by refining your story idea and outline as needed and then write your script—focusing on capturing the essence of the show through its act structure, plot and story, multiple storylines, characters, scenes, and dialogue. You also learn how to develop your career game plan and the business of the one-hour drama. Students must bring a complete outline to the first class. All student projects must focus on current shows; no pilots. Prerequisite(s): SCRIPT X 421.3 One-Hour TV I or SCRIPT X 421.3N OneHour TV Intensive I or department approval. Reg# 388273 Fee: $720 No refund after 5 Oct. A Remote 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 Remote Classroom No meetings Oct. 5 & Nov. 23. Enrollment limited to 15 students. Margaret Lester, film and television writer, WGA member whose credits include NCIS (CBS), Manifest (NBC) and Snowfall (FX). Ms. Lester was selected for the inaugural class of Universal Pictures’ Emerging Writers Fellowship and is currently writing a feature film for Universal with Will Packer Productions.

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Reg# 388272 Fee: $720 No refund after 11 Oct. X In-Person 10 mtgs Tuesday, 7-10pm, Sept. 27-Dec. 6 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 22. Enrollment limited to 15 students. Ed Horowitz, MFA, screenwriter, and WGA member whose feature film credits include Exit Wounds, starring Steven Segal and DMX; On Deadly Ground; andK-9:P.I. starring Jim Belushi. Mr. Horowitz’s television credits include La Femme Nikita and more than a half-dozen pilot scripts for various networks. Reg# 388275 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Erica Byrne, screenwriter and WGA member whose numerous credits include episodes of La Femme Nikita; Nowhere Man; Silk Stalkings; Hunter; Knots Landing; and Walker, Texas Ranger. She received the UCLA Extension Outstanding Instructor Award in Screenwriting.

Intermediate Television Writing Courses in this section are for students who have completed at least one draft of a spec script of an existing series. The focus is on writing and polishing a solid first draft of an original pilot. Students also gain a better understanding of the business of writing for television.

SCRIPT X 422.1

Half-Hour TV III

3.0 units Television executives and showrunners want to read original pilots that demonstrate your unique voice and comedic sensibilities. This workshop shows you how to take your original comedy idea and develop a strong story, rife with memorable characters and even funnier jokes. Breaking story in the style of a real writer’s room, you develop a compelling story, brainstorm, and support another’s vision. By the end of course, you have strong act breaks, a full beat outline, and a critique of the beginning pages of your original half-hour pilot script. Prerequisite(s): SCRIPT X 421.1 Half-Hour TV I and SCRIPT X 421.2 HalfHour TV II; or SCRIPT X 421.1N Half-Hour TV Intensive I and SCRIPT X 421.2N Half-Hour TV Intensive II; or department approval. Reg# 388276 Fee: $720 No refund after 5 Oct. X In-Person 10 mtgs Wednesday, 7-10pm, Sept. 21-Dec. 7 UCLA Extension Gayley Center: 1145 Gayley Ave. No meetings Oct. 5 & Nov. 23. Enrollment limited to 15 students. Eric Abrams, screenwriter/producer and WGA member, whose TV credits include Liv & Maddie, Married with Children, Abby, Gary & Mike, among many others. Mr. Abrams co-wrote the film Crocodile Dundee in Los Angeles and has sold pilots to Fox, NBC, CBS, and UPN. Reg# 388279 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Andrew Osborne, MA, screenwriter and WGA member whose indie film credits include On_Line, The F Word, and Apocalypse Bop. Mr. Osborne received an Emmy Award for the Discovery Channel program, Cash Cab. He has developed projects for Warner Bros. HBO, MTV, and Orion. Reg# 388277 Fee: $720 No refund after 15 Oct. A Remote 10 mtgs Saturday, 10am-1pm, Oct. 1-Dec. 10 Remote Classroom No meeting Nov. 26. Enrollment limited to 15 students. Danny Kallis, showrunner/television writer/director, and WGA member who created The Suite Life of Zack and Cody, Suite Life on Deck, and Smart Guy. Mr. Kallis has served as the executive producer on series such as Life’s Work, Phenom, Hangin’ with Mr. Cooper, and Who’s the Boss?

SCRIPT X 422.3

One-Hour TV III

3.0 units Anyone who wants to work as a professional television writer has to be able to submit top-notch original material to agents and showrun‑ ners. In this fast-paced course, you take your idea for a one-hour TV series and turn it into an outline, write intensively, and get feedback from the instructor and fellow participants every week. Throughout this process, you learn how to envision the world of your show; create characters and conflict; build a storytelling engine; and nail down your show’s structure, tone, story, and act breaks. By the end of the course, you have strong act breaks, a full beat outline, and a critique of the first ten pages of your original one-hour pilot script. Prerequisite(s): SCRIPT X 421.3 One-Hour TV I and SCRIPT X 421.4 OneHour TV II; or SCRIPT X 421.3N One-Hour TV Intensive I and SCRIPT X 421.4N One-Hour TV Intensive II; or department approval. Reg# 388281 Fee: $720 No refund after 3 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 Remote Classroom No meetings Sept. 26 & Oct. 31. Enrollment limited to 15 students. Daniel Sussman, MFA, JD, screenwriter; WGA member who served as a staff writer for ABC’s The Practice. Mr. Sussman most recently sold his big-budget disaster feature Galveston to Warner Bros. Pictures. He has sold scripts to production companies, including Polaris Pictures and NBC Television Network. Reg# 388282 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Erica Byrne, screenwriter and WGA member whose numerous credits include episodes of La Femme Nikita; Nowhere Man; Silk Stalkings; Hunter; Knots Landing; and Walker, Texas Ranger. She received the UCLA Extension Outstanding Instructor Award in Screenwriting. Reg# 388280 Fee: $720 No refund after 15 Oct. X In-Person 10 mtgs Saturday, 10am-1pm, Oct. 1-Dec. 10 UCLA Extension Lindbrook Center: 10920 Lindbrook Dr. No meeting Nov. 26. Enrollment limited to 15 students. Tony Camerino, WGA writer known for his work on all five seasons of the hit drama Person of Interest (CBS) as well asA.P.B (Fox), Taken (NBC), and The Enemy Within (NBC). Mr. Camerino has developed original content for Netflix, Amazon, and Fox. His feature script Landslide (co-written with Will Staples), based on his military memoir How to Break a Terrorist, made the 2015 Blacklist, and is currently in development.

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Writing & Journalism 109

Enroll at uclaextension.edu or call (800) 825-9971 SCRIPT X 422.1N

Half-Hour TV Intensive III

3.0 units TV execs and showrunners want to read original pilots that demon‑ strate your unique voice and sensibilities. This course shows you how to take your original idea and develop a strong story rife with memo‑ rable characters and sharp moments. Breaking story in the style of a real writers room, you brainstorm, develop a compelling pilot, and support others’ vision. By the end of the course, you have strong act breaks, a full beat outline, and a critique of the first pages of your original half-hour pilot script. Prerequisite(s): SCRIPT X 421.1 Half-Hour TV I and SCRIPT X 421.2 HalfHour TV II; or SCRIPT X 421.1N Half-Hour TV Intensive I and SCRIPT X 421.2N Half-Hour TV Intensive II; or department approval. Reg# 388732 Fee: $720 No refund after 19 Sept. A Remote 10 mtgs Tuesday, Wednesday, 6-9pm, Sept. 20-Oct. 26 Remote Classroom No meetings Oct. 4 & 5. Enrollment limited to 15 students. Phil Kellard, executive producer-writer-director; WGA/DGA member whose credits include both drama and comedy from The Wayans Brothers; Martin; Doogie Howser, MD to Hooperman and The Inspectors. He has written series and pilots for ABC, CBS, NBC, Hulu, The Disney Channel, Showtime, FBC, and Syfy Channel. Mr. Kellard received an Emmy Award for instructional programming and the UCLA Extension Outstanding Instructor Award in Screenwriting, and is a contributing author to Inside the Room (Gotham Books/Penguin).

SCRIPT X 422.3N

One-Hour TV Intensive III

3.0 units In this intensive workshop, you write a solid outline of your pilot script and work on drafting the first ten pages. You begin by refining your story idea and outline as needed and then write your teaser, all the while focusing on capturing the essence of the show through its act structure, plot and story, multiple storylines, characters, scenes, and dialogue. By the end of the course, you have strong act breaks, a full beat outline, and a critique of the first 10 pages of your original onehour pilot script. Prerequisite(s): SCRIPT X 421.3 One-Hour TV I and SCRIPT X 421.4 OneHour TV II; or SCRIPT X 421.3N One-Hour TV Intensive I and SCRIPT X 421.4N One-Hour TV Intensive II; or department approval. Reg# 388735 Fee: $720 No refund after 19 Sept. A Remote 10 mtgs Tuesday, Thursday, 5-8pm, Sept. 20-Oct. 27 Remote Classroom No meetings Oct. 4 & 6. Enrollment limited to 15 students. Jacqueline Zambrano, writer/producer and WGA member and mul‑ tiple award nominee, Ms. Zambrano has written for numerous shows, including CSI: Crime Scene Investigation and Star Trek. She also has created and executive produced dramatic television series for Fox, CBS, Pax, and Showtime, and the Internet.

SCRIPT X 422.2

Half-Hour TV IV

3.0 units This workshop guides you to write a solid draft of an original pilot script from your half-hour outline created in a previous course. You start by reworking your story idea and outline as needed, fixing story problems and maximizing the comic potential. Special attention is paid to refining the world, characters, tone, and story of your pilot. You then move toward completing a first draft of your script, working on scenes, dialogue, and action, until it captures your original vision and matches a network’s likely requirements. You must bring a completed story outline to the first day of class. Prerequisite(s): SCRIPT X 422.1 Half-Hour TV III, or SCRIPT X 422.1N Half-Hour TV Intensive III, or SCRIPT X 422.7 Dramedy TV III, or depart‑ ment approval.

Reg# 388712 Fee: $720 No refund after 3 Oct. X In-Person 10 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 UCLA Extension Gayley Center: 1145 Gayley Ave. No meetings Sept. 26 & Oct. 31. Enrollment limited to 15 students. Tom Pinchuk, TV writer, comic book writer, and WGA member whose credits include Ben 10 (Cartoon Network) and Gormiti: Nature Unleashed (Mondo World). Mr. Pinchuk’s comics include Hybrid Bastards, Max Steel, Unimaginable, Tales From the Acker-Mansion, and Hero Hotel. Reg# 388714 Fee: $720 No refund after 11 Oct. A Remote 10 mtgs Tuesday, 6-9pm, Sept. 27-Dec. 6 Remote Classroom No meeting Nov. 22. Enrollment limited to 15 students. Barry Vigon, MFA, writer/producer, and WGA member who served as a co-exec producer on Malcolm & Eddie and Martin, a producer on Something Wilder, and a supervising producer on Veronica’s Closet. Mr. Vigon wrote for Soap, Roseanne, and Fame and created pilots for CBS, NBC, ABC, and The Disney Channel. Reg# 388715 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Bill Taub, screenwriter; WGA and WGC member who won a WGA Award for 101 Best Written TV Series, including Barney Miller and Hill Street Blues. Mr. Taub has written for Magnum P.I, Newhart, In the Heat of the Night, among others, and created the award-winning web series The G Spot. He has written pilots for NBC, Columbia, Warner Bros, and Paramount.

SCRIPT X 422.4

One-Hour TV IV

3.0 units This workshop guides you through writing a solid draft of an original pilot script from your one-hour outline created in a previous course. You start by reworking your story idea and outline as needed, fixing story problems, and maximizing the drama potential. Special attention is paid to refining the world, characters, tone, and story of your pilot. You then move toward completing a first draft of your script, working on scenes, dialogue, and action, until it captures your original vision and matches a network’s likely requirements. You must bring a completed story outline and first ten pages to the first day of class. Prerequisite(s): SCRIPT X 422.3 One-Hour TV III, SCRIPT X 422.3N OneHour TV Intensive III, or SCRIPT X 422.7 Dramedy TV III, or department approval. Reg# 388723 Fee: $720 No refund after 3 Oct. A Remote 10 mtgs Monday, 7-10pm, Sept. 19-Dec. 5 Remote Classroom No meetings Sept. 26 & Oct. 31. Enrollment limited to 15 students Donald Martin, screenwriter/producer and WGA member whose feature credits include the Netflix movieBrazen (starring Alyssa Milano), Queen Bees (starring Ellen Burstyn),Milton’s Secret (starring Donald Sutherland),Shackles (Sony), andDim Sum Funeral (HBO). Mr. Martin has over 60 produced movies, mini-series and series for televi‑ sion, work that has won awards around the world. Also, he is nomi‑ nated for the 2022 Humanitas Prize for his screenplay Queen Bees and currently developing a series for Prodigy Pictures. Reg# 388724 Fee: $720 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Laurence Walsh-Hodson, screenwriter; WGA member whose credits include CSI: Miami and NCIS. Ms. Walsh co-produced and wrote on the critically acclaimed Syfy series The Dresden Files and Against the Wall. Her feature credits include Matching Hearts and With Love, Christmas for Hallmark and Carved for Fox.

Reg# 388721 Fee: $720 No refund after 13 Oct. X In-Person 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. Enrollment limited to 15 students Ed Horowitz, MFA, screenwriter, and WGA member whose feature film credits include Exit Wounds, starring Steven Segal and DMX; On Deadly Ground; andK-9:P.I. starring Jim Belushi. Mr. Horowitz’s television credits include La Femme Nikita and more than a half-dozen pilot scripts for various networks.

SCRIPT X 422.7

Dramedy TV III

3.0 units With the rising popularity of the dramedy in today’s TV landscape, the opportunities for stories in this hybrid genre have never been greater for storytellers. In this course, many misconceptions of what a dram‑ edy is will be dispelled while exploring the boundaries of what’s possible within the format. A dramedy pilot is not just drama with some comedic elements or a comedy with serious subject matter. A true dramedy requires equal parts of both distinct genres in plot elements, including a deep emphasis on character development and inner conflict to enrich the story. By the end of the course, you have a solid understanding of how to combine drama and comedy genres and complete an outline for a one-hour or half-hour limited or openended series that best exemplifies the story you want to write. Prerequisite(s): SCRIPT X 421.1 Half-Hour TV I and SCRIPT X 421.2 HalfHour TV II; or SCRIPT X 421.3 One-Hour TV I and SCRIPT X 421.4 OneHour TV II; or SCRIPT X 421.1N Half-Hour TV Intensive I and SCRIPT X 421.2N Half-Hour TV Intensive II; or SCRIPT X 421.3N One-Hour TV Intensive I and SCRIPT X 421.4N One-Hour TV Intensive II; or depart‑ ment approval. Reg# 389006 Fee: $695 No refund after 12 Oct. MOnline Sept. 28-Dec. 6 Enrollment limited to 15 students. Andrew Osborne, MA, screenwriter and WGA member whose indie film credits include On_Line, The F Word, and Apocalypse Bop. Mr. Osborne received an Emmy Award for the Discovery Channel program, Cash Cab. He has developed projects for Warner Bros. HBO, MTV, and Orion.

SCRIPT X 422.2N

Half-Hour TV Intensive IV

3.0 units In this intensive workshop, you complete a solid first draft of your half-hour pilot script and work on polishing it. You begin by refining your story idea, the pitch document, and the outline you conceived in the prior course, as needed. You then continue to write your script, focusing on capturing the essence of the show through its act struc‑ ture, plot, multiple storylines, characters, scenes, and dialogue. Stu‑ dents must bring a complete outline and teaser pages to the first class. Prerequisite(s): SCRIPT X 422.1N Half-Hour TV Intensive III; SCRIPT X 422.1 Half-Hour TV III, or department approval. Reg# 388734 Fee: $720 No refund after 31 Oct. A Remote 10 mtgs Tuesday, Wednesday, 6-9pm, Nov. 1-Dec. 7 Remote Classroom No meetings Nov. 22 & 23. Enrollment limited to 15 students. Phil Kellard, executive producer-writer-director; WGA/DGA member whose credits include both drama and comedy from The Wayans Brothers; Martin; Doogie Howser, MD to Hooperman and The Inspectors. He has written series and pilots for ABC, CBS, NBC, Hulu, The Disney Channel, Showtime, FBC, and Syfy Channel. Mr. Kellard received an Emmy Award for instructional programming and the UCLA Extension Outstanding Instructor Award in Screenwriting, and is a contributing author to Inside the Room (Gotham Books/Penguin).

110

Writing & Journalism

Enroll at uclaextension.edu or call (800) 825-9971

SCRIPT X 422.4N

SCRIPT X 422.10

3.0 units In this intensive workshop, you complete a solid first draft of your pilot script and work on polishing it. You begin by refining your story idea, the pitch document, and the outline you conceived in the prior course, as needed. You then continue to write your script, focusing on captur‑ ing the essence of the show through its act structure, plot, multiple storylines, characters, scenes, and dialogue. On the business side, you learn how to develop your career game plan and hear from industry guest speakers on the business of the one-hour drama. Students must bring a complete outline and first 10 pages to the first class. Prerequisite(s): SCRIPT X 422.3N One-Hour TV Intensive III; SCRIPT X 422.3 One-Hour TV III; or department Approval. Reg# 388738 Fee: $720 No refund after 31 Oct. A Remote 10 mtgs Tuesday, Thursday, 5-8pm, Nov. 1-Dec. 8 Remote Classroom No meetings Nov. 22 & 24. Enrollment limited to 15 students. Jacqueline Zambrano, writer/producer and WGA member and mul‑ tiple award nominee, Ms. Zambrano has written for numerous shows, including CSI: Crime Scene Investigation and Star Trek. She also has created and executive produced dramatic television series for Fox, CBS, Pax, and Showtime, and the Internet.

3.0 units Whether you’ve written a pilot or a spec of an existing 1-hour drama, your goal is the same: to dig deeper, raise the stakes higher, stretch your characters further to make your script one that will leave an indelible mark on its readers. If you’re writing a pilot, have you intro‑ duced us to characters and situations that we want to come back to week after week? If you’re writing a spec of an existing show, have you been true to the characters and situations as we know them, and still told a story that is somehow new? In this course, you review the choices your characters make, the consequences of those choices, and how to make those consequences more dramatic. You look at your actions, your pacing, your tension and your stakes, among other things. The goal: to improve your script until it’s a story that demands the reader’s attention. Prerequisite(s): SCRIPT X 422.4 One-Hour TV IV, SCRIPT X 422.4N OneHour TV Intensive IV, or SCRIPT X 422.8 Dramedy TV IV, or department approval. Reg# 388730 Fee: $720 No refund after 13 Oct. A Remote 10 mtgs Thursday, 7-10pm, Sept. 29-Dec. 8 Remote Classroom No meeting Nov. 24. Enrollment limited to 15 students. William Hasley, screenwriter and WGA member who has sold features to 20th Century Fox, Universal, and Warner Bros. His TV credits include Swift Justice; Ghost Stories; Murder, She Wrote; Kung Fu; Young Riders; and Highway to Heaven and has also written for Castle Rock, Columbia, and Warner Bros.

One-Hour TV Intensive IV

SCRIPT X 422.9

Half-Hour TV V

3.0 units Whether you’ve written a pilot or a spec of an existing half-hour comedy, your goal is the same: to dig deeper, raise the stakes higher, stretch your characters further to make your script one that will leave an indelible mark on its readers. If you’re writing a pilot, have you introduced us to characters and situations that we want to come back to week after week? If you’re writing a spec of an existing show, have you been true to the characters and situations as we know them, and still told a story that is somehow new? In this course, you review the choices your characters make, the consequences of those choices, and how to make those consequences more dramatic. You look at your actions, your pacing, your tension and your stakes, among other things. The goal: to improve your script until it’s a story that demands the reader’s attention. Prerequisite(s): SCRIPT X 422.2 Half-Hour TV IV, or SCRIPT X 422.2N Half-Hour TV Intensive IV, or SCRIPT X 422.8 Dramedy TV IV or depart‑ ment approval. Reg# 388727 Fee: $720 No refund after 3 Oct. MOnline 10 mtgs Monday, 5-8pm, Sept. 19-Dec. 5 Remote Classroom No meetings Sept. 26 and Oct. 31. Enrollment limited to 15 students. Barry Vigon, MFA, writer/producer, and WGA member who served as a co-exec producer on Malcolm & Eddie and Martin, a producer on Something Wilder, and a supervising producer on Veronica’s Closet. Mr. Vigon wrote for Soap, Roseanne, and Fame and created pilots for CBS, NBC, ABC, and The Disney Channel.

One-Hour TV V

Advanced Television Writing Advanced-level courses are primarily workshop-driven and are designed for students who are well into their projects. Admission is by submission only and the selection process is competitive. It is recommended that students take intermediate-level courses prior to submitting their work. For instructions on submitting work, contact the Writers’ Program at (310) 825-9415 or go to writers.uclaextension.edu/continuing-students. The submission deadline for fall is Sept. 6 at 9am PT. Visitors are not permitted in advanced-level courses.

SCRIPT X 423.7

Advanced Show Bible and Pitch Deck Workshop

3.0 units Do you have a great pilot script, but no idea how to fully develop an engaging Show Bible or Pitch Deck that can help sell your show? In this workshop, we learn the importance of each of these industry documents when pitching your script, and what you need to include in each of them. With a combination of lectures and workshops, week after week we study some of the best Pitch Decks and Show Bibles from successful shows, discuss and work on the different areas of these documents regarding your own pilot, get notes in order to polish your work, and in 10 weeks you end up with a polished Pitch Deck or Show Bible (your choice) to shop around. This is an ideal course for students who want a structured and safe place to workshop their ideas and get constructive criticism, while also having a flexible schedule to go over the weekly lectures, readings, and assignments, and set deadlines to get you to complete your Pitch Deck or Show Bible. This is an advanced workshop, submission based, and limited to 12 students. Reg# 383006 Fee: $795 No refund after 28 Sept. MOnline Oct. 5-Dec. 13 Enrollment limited to 12 students. Visitors not permitted. $100 nonrefundable. Enrollment discounts limited to WP NOW members; no other discounts apply. The deadline for submissions is Sept. 6th at 9:00 AM (PT). Materials must be received by that time in order to be considered by the instructor. There is no fee to apply. Cody Smart, an independent writer and script doctor from Chile. She holds degrees in English Literature & Linguistics, Screenwriting, Development and Producing. She worked as a script analyst for Sony, she’s a judge for multiple script and film competitions, she’s written some award-winning shorts, she’s head of the coverage department at a script hosting site and she does a bi-monthly vlog with tips for Screenwriters for Story Data. She takes pride in helping writers take their work to the next level.

Journalism For more information about Journalism Certificates email journalism@uclaextension.edu or call (310) 825-7093.

JOURN X 440.1

Reporting and Writing I: Fundamentals of Journalism

4.0 units An introduction to and survey of multiple topics in journalism, includ‑ ing news judgment, analysis, and ethics, as well as some basic best practices of writing, research, and reporting. Students leave the course with a basic understanding of the inner workings of journalism and some goals for a career in media. Discussion sets the stage for JOURN X 440.2 Reporting II, which takes a more hands-on approach to practicing journalism. Reg# 388591 Fee: $695 No refund after 6 Oct. X In-Person 11 mtgs Thursday, 6:30-9:30pm, Sept. 22-Dec. 8 UCLA Extension Gayley Center: 1145 Gayley Ave. No meeting Nov. 24. One meeting to be arranged. Required course in the Journalism Certificate. Enrollment limited; early enrollment highly advised/recommended. Enrollment deadline: Sept. 22. Late enrollment deadline: Sept. 29 at 4:59pm. M & Jeffrey Wald, who is currently VP of Lights! Action! Company a worldwide manufacturer and distributor of Motion Picture Lighting Lenses to the Movie & Television Industry. Mr. Wald has served as a Television News Director, Executive Producer, Executive Director, Digital Media Consultant and Educator. He has developed news departments nationwide and is the recipient of 13 Emmys and many other Awards including Journalist of the Year from the Greater Los Angeles Chapter of the Society of Professional Journalists (SPJ) and just recently, the Diamond Circle Award from Pacific Pioneer Broadcasters. Mr. Wald ran the KTLA, Los Angeles, news department two times in his career, successfully positioning KTLA News as #1 in Southern California. He is the only Los Angeles TV News Director to serve in the same capac‑ ity, twice at the same TV station.

JOURN X 462

Media Law and Ethics

2.0 units For journalists, media lawyers, paralegals, and other communications professionals. This course analyzes the rights and responsibilities of the media. Instruction examines undercover investigations, ethics, defamation, invasion of privacy, reporter’s privilege and shield laws, access to courts and records, copyrights, and responsibility in the age of blogs and digital journalism. Reg# 388593 Fee: $445 No refund after 4 Oct. A Remote 7 mtgs Tuesday, 6:30-9:30pm, Sept. 20-Nov. 1 Remote Classroom Required course in the Journalism Certificate. Enrollment limited; early enrollment highly advised/recommended. Visitors not permitted. Enrollment deadline: Sept. 20. M & Scott Gurvey

Writing & Journalism 111

Enroll at uclaextension.edu or call (800) 825-9971 JOURN X 428

JOURN X 417

3.0 units Students learn elements of TV journalism, concentrating on news gathering and how to cover an on-the-spot news story with a camera crew. Topics include interviewing techniques; effective news gathering methods; practice on how to write in clear broadcast style to connect the details of a story with the pictures—especially under deadline pressures; and the mechanics, timing, and flow of current TV broad‑ cast style, both for regular news broadcast and “magazine-style” shows. Instruction includes specifics of television production and on-camera technique, including shooting a news story using a video camera and showing how news stories fit into a newscast. Career opportunities and the variety of methods used to produce a television newscast, both in theory and in practice, also are discussed. Reg# 389126 Fee: $630 No refund after 5 Oct. X In-Person 9 mtgs Wednesday, 6:30-9:30pm, Sept. 21-Nov. 16 UCLA Extension Gayley Center: 1145 Gayley Ave. Elective course in the Journalism Certificate. Additional requirements include access to digital video and audio recording devices (i.e. iPhone, iPad, or digital SLR). Enrollment limited. Early enrollment advised. Enrollment deadline: Mar. 31. Late enrollment deadline: Apr. 7. M & Jeffrey Wald, who is currently VP of Lights! Action! Company a worldwide manufacturer and distributor of motion picture lighting lenses to the movie and television industry. Mr. Wald has served as a television news director, executive producer, executive director, digital media consultant, and educator. He has developed news departments nationwide and is the recipient of 13 Emmys and many other awards, including Journalist of the Year from the Greater Los Angeles Chapter of the Society of Professional Journalists (SPJ) and just recently, the Diamond Circle Award from Pacific Pioneer Broadcasters. Mr. Wald ran the KTLA, Los Angeles, news department two times in his career, successfully positioning KTLA News as #1 in Southern California. He is the only Los Angeles TV news director to serve in the same capacity, twice at the same TV station. Jon Fischer, owner, Fischer Media Consulting and former news direc‑ tor, San Diego 6.

3.0 units Internships are an important first step in resume building, developing a professional network, and getting your foot in the door. The Journal‑ ism Internship course offers Journalism Certificate students in advanced standing an opportunity to acquire real-world experience, providing a crucial link between the classroom and the field. Interns work a minimum of 90-hours during one quarter and earn three units of elective credit toward the Journalism Certificate. Journalism Certifi‑ cate students use research skills to secure their own internship. A UCLA Extension journalism instructor monitors the internship through‑ out to ensure a substantive learning experience. Students must earn a passing grade of “B” or better to receive credit. For more information about prerequisites and the application process, email journalism@ uclaextension.edu or call (310) 825-7093. Prerequisite(s): Open to students who have established candidacy in the Journalism Certificate and have completed 50% of the program’s curriculum, including the following prerequisite courses: JOURN X 462 Media Law and Ethics, JOURN X 440.1 Reporting and Writing I: Funda‑ mentals of Journalism, JOURN X 440.2 Reporting and Writing II: The Practice of Journalism, and one elective, with a letter grade of “B” or better at the time of application. Reg# 388598 Fee: $695 No refund after 30 Sept. Independent Study/Internship Sept. 19-Dec. 11 Meetings to be arranged. Elective course in the Journalism Certificate. Enrollment limited; early enrollment advised. Visitors not permitted. Enrollment deadline: Sept. 30. Late enrollment deadline: Oct. 3. Scott Bowles, who is a retired film critic with USA Today and a former police reporter for the Washington Post, Detroit News, and Atlanta Journal-Constitution. Mr. Bowles is a two-time Pulitzer Prize nominee for beat reporting, including in 1991 for a project that coined the term “carjacking.”

TV Reporting and Production

JOURN X 440.3

Reporting and Writing III: The Modern Media World

4.0 units This course culminates the learnings of Reporting I and II into a com‑ prehensive look at what it means to work in media today and the possibilities and realities of the industry. Discussion includes the realworld aspects of planning, pitching, and executing stories and content on a variety of platforms. Students come away with a realistic and advanced view of how to succeed in modern journalism. Lessons also cover the specialized fields of journalism and media, so students can begin to target in a more definitive way where they want to focus. This signature learning experience in the UCLA Extension Journalism Cer‑ tificate helps students take that final step towards a media career and feel confident in their area of specialization. This is the course most graduates of traditional journalism programs wish they had taken. Prerequisite(s): JOURN X 440.2 Reporting and Writing II or equivalent experience and consent of the instructor. Reg# 388596 Fee: $695 No refund after 15 Sept. MOnline Sept. 19-Nov. 28 Required course in the Journalism Certificate. Enrollment limited; early enrollment highly advised/recommended. Visitors not permitted. Enrollment deadline: Sept. 23. Late enrollment deadline: Sept. 26. M & Nicole Charky, an award-winning journalist based in Los Angeles covering local, national and international breaking news for more than 12 years. She is an editor with Patch, covering LA’s Westside and the South Bay. Her breaking news reporting started with City News Ser‑ vice, the newswire for Southern California. Her experience includes working as a writer and producer with the Los Angeles Times, Snap‑ chat’s Discover Channel Brother, Maria Shriver, and NBC. She is an original member of ATTN:. Her writing has been published by Glamour, Men’s Health, and Mashable.

Journalism Internship

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Fall 2022 Course Offerings

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