TPA Program: Manual Cinema, Jazz at Lincoln Center Orchestra with Wynton Marsalis

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Manual Cinema

The 4th Witch

Sat, Nov 15

McCullough Theatre

Jazz at Lincoln Center Orchestra with Wynton Marsalis

Sat, Nov 15

Hogg Memorial Auditorium

Beyond the Performance

The Heller Awards for Young Artists are moving to TPA in 2026!

18 Manual Cinema The 4th Witch 26 Jazz at Lincoln Center Orchestra with Wynton Marsalis

Proud Sponsor

Welcome to Texas Performing Arts!

Thank you for joining us! We’re thrilled you’re here to experience our 2025/26 Texas Performing Arts Season. Curated with a focus on artistic excellence and boundary-defying creativity, this season showcases international superstars, Austin icons, and trailblazing creators for a lineup unlike any other.

In addition to welcoming back celebrated artists and companies, we’re excited to support several original new works this season that will be developed in residence at TPA. These adventurous productions include Robin Frohardt’s Shopping Center Parking Lot, a follow-up to her acclaimed 2022 immersive installation

The Plastic Bag Store. Chicago’s Manual Cinema bring their unique approach to Macbeth with The 4th Witch, blending shadow puppetry and original music into a live cinematic event. And Austin’s Rude Mechs will revisit their mesmerizing Not Every Mountain as part of the Fusebox Festival. And that’s just the beginning—explore the full season at texasperformingarts.org.

The 25/26 Performing Arts Season complements our Broadway in Austin series and our Texas Welcomes lineup of concerts, comedy, and family entertainment. We have something for everyone and invite you to be inspired by live performance with us all season long.

On with the show!

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Beyond the Performance

At TPA, we believe in the unique power of live performance to uplift, connect, and create community and we ensure that our engagement with the arts reaches far beyond the stage. Each year, thousands of students and Central Texas residents participate in TPA’s educational and outreach programs, including pre- and post-show talks, workshops, masterclasses, and youth performances. By offering an array of transformative experiences, we aim to inspire people of all ages and enhance the role of the performing arts in Austin.

Our 25/26 season is underway with a spectacular lineup of 17 not-to-miss live performances and a number of ways to interact with and learn from our visiting artists. Here are just a few highlights from this past season:

Company members of the Broadway smash hit Moulin Rouge The Musical! led a dance class for UT students and the community during its two-week run.

TPA held its first-ever free school day performance of a Broadway musical, Peter Pan, welcoming 3,000 students from across the Austin area to Bass Concert Hall for an unforgettable experience. Photo by Robert Silver.

TPA and Impact Arts Austin teamed up to host a workshop for local musical theatre students, featuring a mock audition and dance call led by Hamilton cast member Jorge Guerra.

Following the performance of the critically acclaimed Broadway play Come From Away, audience members stayed for a post-show Q&A and discussion with the cast.

Students from Austin’s Evenground Dance Studio came together for a hip-hop foundations workshop, where they learned moves from the Versa-Style Street Dance Company.

Raise the drama. Raise the curtain. Raise a glass

The Heller Awards for Young Artists—Austin’s Tony Awards® for High School Musical Theatre—are moving to TPA in 2026!

The Heller Awards for Young Artists (HAYAs) are moving to TPA, the home of Broadway in Austin, and will become a permanent program beginning this season. The HAYAs ceremony will take place at Bass Concert Hall in the spring of 2026.

This highly anticipated annual event celebrates the exceptional talents of high school musical theatre students and educators across the Greater Austin area, while also fostering the next generation of Broadway performers. What began with 19 participating schools in its inaugural year at the Long Center for the Performing Arts has since expanded to include 37 schools— and continues to grow.

Modeled after the Tony Awards®, the HAYAs honor the entire high school musical experience, on and

off the stage. Awards are presented in 19 categories such as best production, lead and supporting performers, and technical design. Through TPA’s membership in the Broadway League, the winners of lead actor and actress at the HAYAs go on to the National High School Musical Theatre Awards, also known as the Jimmy Awards. These students join top students from other U.S. regional programs to perform on a Broadway stage in New York City and participate in a week-long training intensive with notable theatre professionals.

Ready to make a difference for the next generation of performers? Contact support@texasperformingarts.org or call 512.232.8567.

Photo by Henry Huey

Sharing Joy

A gift from longtime Texas Performing Arts members Bill and Anita Cochran enriches the lives of thousands of Austin-area children.

The William and Anita Cochran Endowment for Performing Arts Access and Education supports performances by nationally recognized artists for students from elementary through high school. With their gift, the Cochrans are helping Texas Performing Arts continue to be one of the nation’s highest-impact live arts organizations.

You can support Texas Performing Arts, like the Cochrans, through your will, trust or estate plan to share the joy of vibrant performing arts programming for generations to come.

Call 800-687-4602 or email giftplan@austin.utexas.edu for more information.

scan the qr code to learn more about gift and estate planning.

ART BEYOND THE STAGE

Discover works from Landmarks’ collection at Bass Concert Hall

Photo by
Sheri Clark Henriksen.
Koren Der Harootian Prometheus and Vulture, 1948
Photo by Paul Bardagjy

Mark Morris Dance Group

The Look of Love: An Evening of Dance to the Music of Burt Bacharach

Jan 17, 2026 | Bass Concert Hall

This is choreography that, in the words of the song, says ‘more than just words could ever say.’ — The New York Times

Texas Performing Arts and Fusebox present

Manual Cinema

The 4th Witch

Commissioning & Support

The 4th Witch received lead commissioning support from Spoleto Festival USA with co-commissioning support from ArtsEmerson (Boston, MA) and Cal Performances, University of California (Berkeley, CA).

Support for The 4th Witch is provided by the College of Fine Arts O’Donnell Visiting Artist Endowment.

Representation

Elsie Management

Laura Colby, President

Anna Amadei, Vice President www.elsieman.org TEL: 718 797 4577

Media Sponsors:

Performance Details

Manual Cinema’s The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and flees into a dark forest. Told through shadow puppetry, actors in silhouette and live music (without dialogue or narration), The 4th Witch begins on the eve of an invasion of a small town by the local warlord, Macbeth. The girl flees the invading army and escapes into the nearby forest. Orphaned and exiled, she is rescued by a witch, who adopts her as an apprentice. As she becomes more skilled in witchcraft, her grief and rage draw her into a nightmarish quest for vengeance against the warlord who killed her parents: Macbeth.

The 4th Witch, an inversion of Shakespeare’s Macbeth, explores themes of grief, war, generational conflict, and cycles of violence through the collateral damage left behind on the battleground.

Production Credits

Concept and Direction by Drew Dir

Devised by Drew Dir, Sarah Fornace and Julia Miller

Original Score and Sound Design by Ben Kauffman and Kyle Vegter

Storyboards and Puppet Design by Drew Dir

Lighting Design by David Goodman-Edberg

Costume and Wig Design by Sully Ratke

Silhouette Masks by Julia Miller

Costume Assistant Griffin DiStasi

Puppet Build Assistant Caitlin McLeod

Sound Engineer Mike Usrey

Stage Manager and Board Operator Kyle Vegter

Creative Producer Laura Colby

Cast Puppeteers:

Lizi Breit (Witch)

Leah Casey (Witch)

Sarah Fornace (Girl)

Julia Miller (Lead Witch)

Jeffrey Paschal (Macbeth)

Musicians:

Erica Kremer - Cello, Vocals

Lucy Little - Violin, Vocals

Alicia Walter - Keys, Guitar, Vocals

COMPANY BIO

Manual Cinema is an Emmy Award winning performance collective, design studio, and film/video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen.

Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and live music, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. The company was awarded an Emmy in 2017 for “The Forger,” a video created for The New York Times and named Chicago Artists of the Year in 2018 by the Chicago Tribune. Their shadow puppet animations are featured in the film remake of Candyman, directed by Nia DaCosta and produced by Jordan Peele’s Monkeypaw Productions. Recent productions include Leonardo! A Wonderful Show about a Terrible Monster, based on books by Mo Willems, an adaptation of Charles Dickens’ A Christmas Carol, and a revamped production of The Magic City, based on Edith Nesbit’s 1910 novel. In 2023, Manual Cinema completed production on their first self-produced short

film, Future Feeling, and toured with folk rock band Iron & Wine the following year. Manual Cinema’s newest production, The 4th Witch, is an inversion of Shakespeare’s Macbeth and premiered at the Spoleto festival in June, 2025.

Manual Cinema has toured throughout North America and to four continents. Highlights include: Under The Radar/The Public Theater (NYC), Adelaide Festival (AUS), Santiago a mil (Chile), Edinburgh Fringe Festival, Singapore International Festival of the Arts, and the Tehran International Puppet Festival (Iran). The company has received commissioning for new performance works from Cal Performances (Berkeley), Metropolitan Museum of Art (NYC), The Kennedy Center, ArtsEmerson (Boston), Spoleto Festival (USA), The Poetry Foundation, and La Monnaie de Munt (Belgium). They have received grant support from the National Theater Project, US Artists International, and ArtsCONNECT.

We’d love to hear from you! Follow us at @manual_cinema; join our newsletter via our website: www.manualcinema.com; and support us via Patreon.

CAST BIOSPUPPETEERS

LIZI BREIT (Witch, Puppeteer) is a Chicago-based artist. She has

been performing and designing with Manual Cinema since 2011.

LEAH CASEY (Witch, Puppeteer) is a Chicago-based actress, dancer, and writer. When not on stage, she can be found lending her voice to all manner of audiobooks, or with the cast of Project STELLAR, a science fiction podcast about a group of crazy kids who have close encounters of the awesome kind. Chicago credits: Murder on the Orient Express, Grease, Cinderella (Drury Lane), A Christmas Carol (Writers Theatre/Manual Cinema), Leonardo and Sam (Chicago Children’s Theatre/Manual Cinema), Frankenstein (Court Theatre/Manual Cinema), For Colored Girls… (Court Theatre), Romeo and Juliet (Teatro Vista), STORM (Walkabout/ Moonfool). Leah is represented by the dedicated team at Shirley Hamilton.

SARAH FORNACE (Girl, Puppeteer, Co-Deviser, CoArtistic Director) is a director, puppeteer, choreographer, and narrative designer based in Chicago. She is a co-Artistic Director of Manual Cinema. Outside of Manual Cinema, Sarah has worked as a performer or choreographer with Redmoon Theatre, Lookingglass Theatre Company, Court Theatre, Steppenwolf Garage, and Blair Thomas and Co. Most recently, Sarah wrote the story mode for

the video game Rivals of Aether. In 2017, she directed and edited the first episode of the web series, The Doula is IN. In 2016, she directed and devised an “animotion” production of Shakespeare’s Hamlet with Rokoko Studios for HamletScenen at Kromborg Castle in Elsinore, Denmark.

JULIA MILLER (Lead Witch, Puppeteer, Co-Deviser, Silhouette Masks, Co-Artistic Director) is a director, puppeteer, and designer. With Manual Cinema she has directed Mementos Mori and The End of TV as well as created original roles in Frankenstein (The Creature/Elizabeth), Ada/ Ava (Ada), Lula del Ray (Lula’s Mother), The Magic City (Helen), Hansel und Gretel (Hansel), and Leonardo! (Sam). In Chicago, she has worked as a performer and puppeteer with Redmoon Theatre and Blair Thomas and Co. She spent several years training in devised theatre, clown and mask with Double Edge Theatre, Carlos García Estevez and at the Accademia dell’Arte in Arezzo, Italy.

JEFFREY PASCHAL (Macbeth, Puppeteer) is originally from a town called Corning in Upstate New York. In 2012 Jeff moved to Chicago to go to school at Northwestern University where he majored in Theatre. At Northwestern Jeff was involved with several theatre productions

including Fabulation directed by Jerrell Henderson and Anna in the Tropics directed by Henry Godinez as well as directing and producing several short films through the school’s RTVF program. Jeff graduated from Northwestern with a B.S. in Theatre in 2016. He currently lives in Chicago and is represented by Gray Talent Group.

CAST BIOS - MUSICIANS

ERICA KREMER (Cello, Vocals) is a cellist, pianist, and songwriter based in Brooklyn, New York. Having recently received her Master’s degree under cellist Edward Arron, she is building a music career tailored to her interests of democratizing classical music, blurring genre and cultural lines, and making music on her own terms. Refusing to be put in a box, she has performed and toured as a former member of the Carriola String Quartet, holding a residency with Sinfonia Gulf Coast; as a rock and roll cellist, across the country, in the Black Jacket Symphony; and as a folk musician featured in the Ocrafolk Festival, as a part of Saltare Sounds.

LUCY LITTLE (Violin, Vocals) is a musician, improvisor, composer, and audio producer currently based in NYC, but with deep and loving roots in Chicago, where she lived for 10 years. As a composer, Lucy has written

and recorded scores for theatrical productions and podcasts, including for the Audible Original plays Daddies (2022) and Marrow (2023). As a performer, Lucy plays violin with the Chicago-based indie rock and folk project Half Gringa, has an electroacoustic solo project, and has performed with musicians from around the world, including with singer/songwriters Aisha Burns, Dani Larkin, MICHA Música, Afarin Nazarijou, and more. Lucy holds a Master’s degree from the New England Conservatory, a Bachelor’s from the University of Chicago, is an U.S. Fulbright alum and a 2022 OneBeat Fellow.

ALICIA WALTER (Keys, Guitar, Vocals) is a singer-songwriter, composer, and pianist from Chicago. Known for her “nearcosmic voice” (WIRED) and “stratosphere of songwriting all her own” (Consequence of Sound), Walter has released two celebrated albums under her own name: Right Noise (BIG EGO Records 2023) and I Am Alicia (Sooper Records 2021). In 2024, she performed in venues across the US and Europe, most recently alongside artists Veronica Swift and Danielle Ponder. Her music has been featured in nationally syndicated TV shows, including NBC hit drama, “This Is Us,” and “All Rise.” Walter rose to acclaim as bandleader of beloved Chicagobased art rock group, Oshwa.

STAFF & CREATIVE TEAM BIOS

LAURA COLBY (Creative Producer) Recipient of NAPAMA’s 2016 Liz Silverstein Award, Colby secures funds to create new work via Elsie Management (which she founded in 1995). In 2020, Colby served as Creative Producer in the creation and delivery of Manual Cinema’s Christmas Carol—a show that was livestreamed for 24 performances in December 2020, during the height of the pandemic closures. She served as Managing Producer for LaTasha Barnes’ The Jazz Continuum and Monique Martin’s Minty Fresh Circus. Colby’s podcast, The Middle Woman, a roadmap to managing the performing arts, is available on all podcast platforms. www.elsieman.org

DREW DIR (Concept, Director, Storyboards and Puppet Design, Co-Deviser, Co-Artistic Director) is a writer, director, and puppet designer. Previously, he served as the Resident Dramaturg of Court Theatre and a lecturer in theater and performance studies at the University of Chicago. He holds a master’s degree in Text and Performance Studies from King’s College London and the Royal Academy of Dramatic Art.

GRIFFIN DISTASI (Costume Assistant) (they/he) is an illustrator, maker, voice actor, and circus artist who has

been spending the years since graduating University of Illinois with a degree in mechanical engineering working to marry engineering and art any way they can. Their work spans from poster design and comic illustration to rigging and puppet design, and they are thrilled to be working with Manual Cinema for the first time.

DAVID

GOODMAN-EDBERG (Lighting Designer) is a Chicago based lighting designer working in the realms of dance, theatrical, and architectural design. He has designed and toured with such companies as Cerqua Rivera Dance Theatre, Eisenhower Dance Detroit, Visceral Dance Chicago, and Water Street Dance Milwaukee, and lit works set on companies such as Chicago Repertory Ballet, Chicago Tap Theater, Joel Hall Dancers, and Thodos Dance Chicago. Theatrically, he has designed with puppet & object oriented companies such as Rough House and Cabinet of Curiosity as well as with such companies as Adventure Stage, Akvavit Theatre, Factory Theater, The Gift Theater, Organic Theater, Red Tape Theater, The Syndicate, and Trap Door Theatre. Architecturally, he has lit pieces at the art space 6018|North and worked as an assistant/associate designer for projects at various Universal Studios theme parks (in Beijing, Hollywood, Orlando,

BEN KAUFFMAN (Original Score and Sound Design, Co-Artistic Director) is a composer, director, interactive media artist and co-Artistic Director of Manual Cinema. His film and interactive work has been shown at The Jay Pritzker Pavilion (Chicago), The Peggy Notebaert Nature Museum (Chicago), and CUNY’s Baruch College (NYC). He has lectured and given workshops at The Metropolitan Museum of Art, New York University and Parsons the New School of Design. His past Composer/ Sound Designer credits with Manual Cinema include Ada/ Ava, The End of TV, and the New York Times documentary The Forger. He holds a Master’s degree from New York University’s Interactive Telecommunications Program (ITP).

CAITLIN MCLEOD (Puppet Build Assistant) is a Chicago based costume, scenic, and puppet designer. Recent design credits include: Romeo and Zooliet (St. Louis Shakespeare); Fat Ham (Virginia Stage Co); The Little Mermaid (Drury Lane); Lavender Men (About Face); Blues for an Alabama Sky (Virginia Stage Co);The Dream King (Teatro Vista); Trouble in Mind (Timeline); The Seagull (Steppenwolf); Exquisite Corpse (Rough House). Craftwork credits include The

Goodman, The Kennedy Center, Lookingglass, and Northlight. Caitlin is a co-curator of NBS: Chicago’s Puppet Slam, company member of Rough House, and project manager of the Chicago Puppet Studio. Instagram @CaitlinMcLeodDesign

SULLY RATKE (Costume and Wig Design) is a multi-disciplinary visual story-telling artist with an appetite for compelling language, mystery, whimsy, and spiritual philosophy.

MIKE USREY (Audio Engineer) “That may be the most important thing to understand about humans. It is the unknown that defines our existence. We are constantly searching, not just for answers to our questions, but for new questions. We are explorers. We explore our lives day by day, and we explore the galaxy trying to expand the boundaries of our knowledge. And that is why I am here: not to conquer you with weapons or ideas, but to coexist and learn.” – Benjamin Lafayette Sisko KYLE VEGTER (Stage Manager and Board Operator, Original Score and Sound Design, CoArtistic Director) is a composer, producer, sound designer, and Managing Artistic Director of Manual Cinema. As a composer of concert music he’s been commissioned by such groups as The Chicago Symphony Orchestra’s MusicNOW series, The Pacific Northwest Ballet, and and Osaka), Disney Shanghai, and several Margaritaville restaurants. dglxdesign.com

TIGUE. His music and sound design for theater and film has been performed worldwide and commissioned by the New York Times, NPR’s Invisibilia, Topic (First Look Media), the Museum of Contemporary Art Chicago, StoryCorps, The Art Institute of Chicago, The Poetry Foundation, Hubbard Street Dance, the O, Miami Poetry Festival, and others. His past Composer/ Sound Designer credits with Manual Cinema include Lula Del Ray, Ada/ Ava, FJORDS, Mementos Mori, The End of TV and various other performance and video projects. He has been an artist in residence at High Concept Laboratories, and co-founded Chicago’s only contemporary classical music cassette label Parlour Tapes+.

Texas Performing Arts presents

Jazz at Lincoln Center Orchestra with Wynton Marsalis

Support for Jazz at Lincoln Center with Wynton Marsalis is provided by Suzanne and Bill Childs.

Media Sponsors:

WYNTON MARSALIS, Music Director, Trumpet

RYAN KISOR, Trumpet

KENNY RAMPTON, Trumpet

MARCUS PRINTUP, Trumpet

VINCENT GARDNER, Trombone

CHRIS CRENSHAW, Trombone

ELLIOT MASON, Trombone

SHERMAN IRBY, Alto and Soprano

Saxophones, Flute, Clarinet

ALEXA TARANTINO, Alto and Soprano

Saxophones, Flute, Clarinet

CHRIS LEWIS, Tenor and Soprano Saxophones, Clarinet, Bass Clarinet

ABDIAS ARMENTEROS, Tenor and Soprano

Saxophones, Clarinet, The Zou Family Chair in Saxophone

PAUL NEDZELA, Baritone and Soprano

Saxophones, Clarinet, Bass Clarinet

DAN NIMMER, Piano, The Zou Family Chair in Piano

CARLOS HENRIQUEZ, Bass, The Mandel

Family Chair in honor of Kathleen B. Mandel

OBED CALVAIRE, Drums

Program to be announced from the stage.

MEET THE ARTISTS

With the world-renowned Jazz at Lincoln Center Orchestra and guest artists spanning genres and generations, Jazz at Lincoln Center produces thousands of performances, education, and broadcast events each season in its home in New York City (Frederick P. Rose Hall, “The House of Swing”) and around the world, for people of all ages. Jazz at Lincoln Center is led by Chairman Clarence Otis, Managing and Artistic Director Wynton Marsalis, and Executive Director Greg Scholl.

The Jazz at Lincoln Center Orchestra (JLCO), comprising 15 of the finest jazz soloists and ensemble players today, has been the Jazz at Lincoln Center resident orchestra since 1988 and spends over a third of the year on tour across the world. Featured in all aspects of Jazz at Lincoln Center’s programming, this remarkably versatile orchestra performs and leads educational events in New York, across the U.S. and around the globe; in concert halls; dance venues; jazz clubs; public parks; and with symphony orchestras; ballet troupes; local students; and an ever-expanding roster of guest artists. Under Music Director Wynton Marsalis, the Jazz at Lincoln Center Orchestra performs a vast repertoire, from rare historic compositions to Jazz at Lincoln Centercommissioned works, including

compositions and arrangements by Duke Ellington, Count Basie, Fletcher Henderson, Thelonious Monk, Mary Lou Williams, Dizzy Gillespie, Benny Goodman, Charles Mingus, and current and former Jazz at Lincoln Center Orchestra members Wynton Marsalis, Wycliffe Gordon, Ted Nash, Victor Goines, Sherman Irby, Chris Crenshaw, and Carlos Henriquez.

Throughout the last decade, the Jazz at Lincoln Center Orchestra has performed with many of the world’s leading symphony orchestras, including the New York Philharmonic; Cleveland Orchestra; Philadelphia Orchestra; Czech Philharmonic; Berlin Philharmonic; Boston Symphony Orchestra; Chicago Symphony Orchestra; London Symphony Orchestra; Sydney Symphony Orchestra; Melbourne Symphony Orchestra; St. Louis Symphony Orchestra; Los Angeles Philharmonic and many others. Marsalis’ three major works for full symphony orchestra and jazz orchestra, All Rise - Symphony No. 1 (1999), Swing Symphony – Symphony No. 3 (2010), and The Jungle –Symphony No. 4 (2016), continue to be the focal point of Jazz at Lincoln Center Orchestra’s symphonic collaborations.

The Jazz at Lincoln Center Orchestra has also been featured in several education and performance residencies in the last few years, including those in

Melbourne, Australia; Sydney, Australia; Chautauqua, New York; Prague, Czech Republic; Vienna, Austria; London, England; São Paulo, Brazil; and many others.

Education is a major part of Jazz at Lincoln Center’s mission; its educational activities are coordinated with concert and Jazz at Lincoln Center Orchestra tour programming. These programs, many of which feature Jazz at Lincoln Center Orchestra members, include the celebrated Jazz for Young People™ family concert series; the Essentially Ellington High School Jazz Band Competition & Festival; the Jazz for Young People™ Curriculum; Let Freedom Swing, educational residencies; workshops; and concerts for students and adults worldwide. Jazz at Lincoln Center educational programs reach over 110,000 students, teachers and general audience members.

Jazz at Lincoln Center, NPR Music and WBGO have partnered to create the next generation of jazz programming in public radio: Jazz Night in America. The series showcases today’s vital jazz scene while also underscoring the genre’s storied history. Hosted by bassist Christian McBride, the program features hand-picked performances from across the country, woven with the colorful stories of the artists behind them.

In 2015, Jazz at Lincoln Center

launched Blue Engine Records (www. jazz.org/blueengine), a new platform to make its vast archive of recorded concerts available to jazz audiences everywhere. The label is dedicated to releasing new studio and live recordings as well as archival recordings from past Jazz at Lincoln Center performances, and its first record— Live in Cuba, recorded on a historic 2010 trip to Havana by the Jazz at Lincoln Center Orchestra with Wynton Marsalis—was released in October 2015. Big Band Holidays was released in December 2015, The Abyssinian Mass came out in March 2016, The Music of John Lewis was released in March 2017, and the JLCO’s Handful of Keys came out in September 2017. Blue Engine’s United We Swing: Best of the Jazz at Lincoln Center Galas features the Wynton Marsalis Septet and an array of special guests, with all proceeds going toward Jazz at Lincoln Center’s education initiatives. Blue Engine’s most recent album releases include 2020’s A Swingin’ Sesame Street Celebration and 2021’s The Democracy Suite featuring the JLCO Septet with Wynton Marsalis.

WYNTON MARSALIS

Wynton Marsalis (Music Director, Trumpet) is the Managing and Artistic Director of Jazz at Lincoln Center. Born in New Orleans, Louisiana in 1961

to a musical family, Mr. Marsalis was gifted his first trumpet at age 6 by Al Hirt. By 8, he began playing in the famed Fairview Baptist Church Band led by Danny Barker. Yet it was not until he turned 12 that Marsalis began his formal training on the trumpet. Subsequently, Wynton began performing in bands all over the city, from the New Orleans Philharmonic and New Orleans Youth Orchestra to a funk band called the Creators. His passion for music rapidly escalated. As a young teenager fresh out of high school, Wynton moved to New York City in 1979 to attend The Juilliard School to study classical music. Once there, however, he found that jazz was calling him. His career quickly launched when he traded Juilliard for Art Blakey’s band, The Jazz Messengers. By 19, Wynton hit the road with his own band and has been touring the world ever since. From 1981 to date, Wynton has performed 4,777 concerts in 849 distinct cities and 64 countries around the world. Mr. Marsalis made his recording debut as a leader in 1982 and has since recorded 110 jazz and classical albums, four alternative records, and released five DVDs. In total, he has recorded 1,539 songs at the time of this writing. Marsalis is the winner of 9 GRAMMY Awards, and his oratorio Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. He’s the only

musician to win a GRAMMY Award in two categories, jazz and classical, during the same year (1983, 1984).

Mr. Marsalis has solidified himself as an internationally acclaimed musician, composer and bandleader, educator and advocate of American culture. As a composer, his body of work includes over 600 original songs, 11 ballets, four symphonies, eight suites, two chamber pieces, one string quartet, two masses, one violin concerto, and in 2021, a tuba concerto. Included in this rich body of compositions is Sweet Release; Jazz: Six Syncopated Movements; Jump Start and Jazz; Citi Movement/ Griot New York; At the Octoroon Balls; In This House, On This Morning; and Big Train. As part of his work at Jazz at Lincoln Center, Wynton has produced and performed countless new collaborative compositions, including the ballet Them Twos, for a 1999 collaboration with the New York City Ballet. That same year, he premiered the monumental work All Rise, commissioned and performed by the New York Philharmonic along with the Jazz at Lincoln Center Orchestra and the Morgan State University Choir. All Rise was performed with the Tulsa Symphony Orchestra as part of the remembrance of the centennial anniversary of the Tulsa Race Massacre in June 2021. Since the onset of the COVID-19 pandemic, Wynton

and the Jazz at Lincoln Center Orchestra have released 7 fulllength albums and 4 singles on Blue Engine Records.

Mr. Marsalis is also a globally respected teacher and spokesman for music education. For Jazz, Wynton led the effort to construct Jazz at Lincoln Center’s new home–Frederick P. Rose Hall–the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004. He conducts educational programs for students of all ages and hosts the popular Jazz for Young People™ concerts produced by Jazz at Lincoln Center. In addition to his work at JALC, Wynton is also the Founding Director of Jazz Studies at the Juilliard School. Mr. Marsalis has written and is the host of the video series “Marsalis on Music,” the radio series “Making the Music,” and a weekly conversation series titled “Skain’s Domain.” He has written and co-written nine books, including two children’s books, Squeak, Rumble, Whomp! Whomp! Whomp! and Jazz ABZ: An A to Z Collection of Jazz Portraits, both illustrated by Paul Rogers. Wynton has received such accolades as having been appointed Messenger of Peace by United Nations SecretaryGeneral Kofi Annan (2001), The National Medal of Arts (2005), The National Medal of Humanities (2016). In December 2021, Marsalis and Jazz at

Lincoln Center were awarded the Key to New York City by Mayor Bill de Blasio. Marsalis has received honorary doctorates from 39 universities and colleges throughout the U.S, including Harvard, Yale, Princeton, and Tulane University in New Orleans. Wynton Marsalis’ core beliefs and foundation for living are based on the principles of jazz. He promotes individual creativity (improvisation), collective cooperation (swing), gratitude and good manners (sophistication), and faces adversity with persistent optimism (the blues).

Jason Moran

Duke Ellington: My Heart Sings

Jan 31, 2026 | Bates Recital Hall

The most provocative thinker in current jazz. — Rolling Stone

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Heather Petkovsek

Carolyn & Marc Seriff

Michael J. Zamkow & Sue E.

Berman Charitable Foundation

$10,000–99,999

Applied Materials Foundation

Christie & Jason Barany

Carolyn Rice Bartlett

Charitable Foundation

Jamie Barshop

Suzanne & Bill Childs

Rob Ignatowski & Daniel Pacheco

Mila McCutchen

Marcia & Gary Nelson

Terri & Chris Pascoe

Texas Commission on the Arts

Marcelle & Stephen Spilker

Laura & David Starks

We extend our ongoing gratitude to donors who have established endowments at Texas Performing Arts to support our programs in perpetuity:

Alex and Dee Massad Endowment Fund

Arts Education Endowment

Heller Awards for Young Artists Endowment

Joann and Gaylord Jentz Endowment for Student Engagement

Kathy Panoff Texas Performing Arts Student Engagement Endowment

Nancy Lee and Perry R. Bass Concert Hall Endowment

William & Anita Cochran Endowment for Performing Arts Access & Education

Phillip Auth Endowed Dance Fund for Texas Performing Arts

PAC Fund for the Creation of New American Art

Performing Arts Center Endowment for Performing Excellence

Robert L. Tocker Endowed Excellence Fund for Student Volunteerism

Topfer Endowment for Performing Arts Production

Z. T. Scott Family Endowment for the Performing Arts

Gifts pledged or received as of Aug 10, 2025

Texas Inner Circle Members

Texas Performing Arts gratefully acknowledges the financial support of our members. Each year, members help fund robust education and engagement initiatives, affordable student tickets, and critical student employment opportunities that make Texas Performing Arts so much more than what you see on our stages.

Donations made as of Aug 10, 2025

We regret that limited space does not allow us to list every member. For information on ways to give, please visit texasperformingarts.org/membership, call the membership office at 512.232.8567, or email us at support@texasperformingarts.org.

Benefactor’s Circle

$10,000+

Virginia and Gilbert Burciaga

Lee Carnes

Colleen Clark

Kim and Greig Coates

Curtiss Cobb

Elizabeth Curtis

Chris Arboleda and Jared Ellis

Mindy Ellmer

Luke and Shari Ledbetter

James Popp and Cynthia Fraser

Richard J. Ruckman, MD

Producer’s Circle

$5,000–9,999

Anonymous (2)

Anne Beroza

Grizelda and Tim Black

Tahra and Michael Boatright

Renee’ Butler and Kay Stowell

Sam Caire

Kelli and John Carlton

Sue and Kevin Cloud

Cindy Cook

Ronda and John Cullen

Niccolo and Natasha De Masi

Kathleen Dignan

Jim Ferguson and Art Sansone

Jane and James Flieller

Frost Bank

Jorge Garcia and Linda Nguyen

Joanne Guariglia

Radena and Brian Hampton

Jeremy Harrell

Gladys Heavilin

Stacy Hock

Mellie and Tom Hogan

Sean and Jeanine Hudson

Rob Ignatowski and Daniel Pacheco

Frank N Ikard Jr

Lynn Katz and Scott Hinz

William Kellogg

Gretchen and Lance Kroesch

Cheryl Lachowicz

Sarah Levithan Daniels and Michael Daniels

Ed and Aneka Lilya

Casey Blass and Lee Manford

Wayne Orchid

Debbie and Jim Ramsey

Gina and Don Reese

Annie Zucker and Michael Regester

Sanchez Law

Jaime Silver

Colby Simpson

Laura and David Starks

Carole Tower and Matthew St. Louis

Lorri Stevenson

Robert Stiles

Louann and Larry Temple

Jill and Stephen Wilkinson

Director’s Circle

$2,500–4,999

Anonymous (7)

Sara Alexander

Mandy and Heather Andress

Bonnie L. Bain

Carolyn R. Bartlett

Cynthia and Jim Bast

Becky Beaver

Jennifer Bierman

Carolyn and Andrew Birge

Nawaf Bitar

Christopher and Adrienne Bosh

Nancy and David Bourell

Tom Bowen

Michelle and Brian Brocklesby

Donald Brode

Kim and Thomas Reed Brown

Peggy and Gary Brown

Jim Caballero and Josie Galindo Caballero

Kenneth and Mandy Cardenas

Chih-Hao Chang and Peggy Wang

Suzanne and Bill Childs

Christopher and Claudia Christensen

Anita and William Cochran

Joseph Collins

Beth and Walter Compton

Bill and Karen Cox

Tracy Dahl-Burg and George Burg

Monica De Leon

Brenda and John DeHart

Joan Dentler

Mechele Dickerson

Susan and David Donaldson

Kimberley Eakin

Nancy and Jim Edsel

Barbara Ellis and Alex McAlmon

Josef Ermis

Kevin Espenlaub and John Hampton

Laura L. Estes and Joyce A. Lauck

Jessica and Marc Evans

Kim and Ken Fess

Carol and Clint Fletcher

Pamela and David Frager

Clay Francis

K Friese & Associates

Kristen Furhman

Susan Gaddis

Moneesha and John Garcia

Robert and Shannon Gardner

Nancy Gary and Ruth Cude

Eva Garza-nyer

Patricia Gilbert

Susan and Barry Goodman

Karen and Rowland Greenwade

Sven and Robin Griffin

Cheri Gross

Dr. Jeremy Guiberteau and Dan Jackson

Drs. Lynn Azuma and Brian Hall

Jennifer and Randall Harris

Hannah Heerlein

Mary Ann and Andrew Heller

Chuck Ross and Brian Hencey

Drs. Sherronda and Thaddeus Henderson

Anne Hilbert

Jody and Stephanie Hooten

Michael and Meredith Hostick

Amy and Jeffrey Hubert

Kathleen Hull

Shannon Hutcheson

Jo and Jon Ivester

Michael and Mary Johnson

Maxx Judd and Donn Gauger

Jennifer Kaufman

Carolyn Kavanagh

Finn Kennedy and Catherine Osborne

Betsy and Matt Kirksey

Margaret Denena and Cliff Knowles

Jan Houston Knox

Sheila Kothmann

Loree and Burney LaChance

Courtney Lane

Matthew Lara

Carl Lauryssen

Donna, Calvin and Callie Lee

Rick Leyh

Mr. and Mrs. George F. Littlejohn

Dr. and Mrs. Thomas Loftus

Peggy Manning Blanks

Charles and Leslie Martinez

Jose Martinez

Alyse Mason

Meredith and Richard McCathron

Katie McClarty

Linda McCollum

Katharine McCormick

Molly McDonald

Christine Messina

John and Brenda Mosher

Michael Murray

Thanhhao and Scott Neuendorf

Jeff Neumann

Mr. and Mrs. Jon Newton

Jacqui Nissen

Jacqueline and Shawn O’Farrell

Leora Orent and Art Markman

OroSolutions

Vicki Osherow

Terri and Chris Pascoe

Connie and Samuel Pate

Robert, Faith, and Scout Perez

Michelle and Ben Peterson

Shari and John Pflueger

Machelle Pharr

Samantha Porter

Wanda Potts

Javier Prado and Family

Roger and Katarzyna Priebe

Erin Vander Leest and Tom Pyle

Alec Rhodes

The Richards

Richie & Gueringer P.C.

Cesar and Susan Rodriguez

Ali Saidi

Joel Sanchez

Nancy Scanlan

Susan Schaffer

Steve Schaffer

Melissa Schmalbach

Dr. Eugene and Dianne Schoch

Nina and Frank Seely

Kristen Simpson

Vijay Sitaram

Barry and Laura Smith

Cynthia and Logan Spence

Richard Stanford

Bryce Steeg

Shari and Eric Stein

Laura and Andy Steinbach

Michelle Stott

Bruce Stuckman

Elisa and Joel Sumner

Peter and Joan Swartz

William and Larry Tabbit-Humphrey

Caroline Tang

Caroline, Olivia, and John Taylor

Heather and Jeffrey Tramonte

Gregory Tran and Monica Wu Tran

Rebecca Vandenberg

Daniel and Sara-Jane Watson

Angie Watson

Leslie and Bryan Weston

Mark Wheeler

Dr. Lucas Wong and Dr. Lisa Go

Center Stage

$1,000–2,499

Anonymous (16)

Margaret Abbott

Cynthia Abel

Amy Adame

Mark Aitala

Sujata Ajmera

Linda and Jake Aleman

Emily Allen and Ron Altizer

Page and Neal Amador

Windy Andre

Joe Annis

Aparicio Family

Danielle Armstrong

Cecelia Arvallo

Patricia Asbra

Evan Atkinson

Dr. Tony and Paula Aventa

Donna and Manuel Ayala

Cathy and Rich Bachik

Matt Baker

Addison, Sydney, Kori, and

David Baker

The Ballon Family

Billy and Amanda Bamzier

Jana and Barry Bandera

Richard Banks

Armando Basualdo

Debra Bawcom

Anne Bawden

Joshua Becker

Dr. Steven A. Beebe

April Berman

Bala Bharadwaj

Ashley Bias

Carolyn and Jon Bible

Robert and Kimberly Birdwell

Kevin Black and William Basinger

Chris Blackburn

Denis Blake

Stephanie and Michael Blanck

Michael Boggan

Robert Bracewell

Marvin Brittman

Janice and Charlie Brown

Christy and William K. Browning

Carolyn Bryant

Danielle Bundy and John Atkinson

Esther Ray Burns

Kelly Canavan

Martin Cano

Ms. Susie Capozza

Adam Case

Spenser Chen

Jason and Betty Chen

Mary and Michelle Cheng

Alison Clare

Black Sheep Unique Rugs LLC

Amy Clemmons and Mark Clarke

Cleveland Family

Sharon Cohan

Eric Cohan

Jen and Jeff Cohen

Sarah Compton

Cathy and Rick Coneway

Patrick Conolly

Shea Cordial

Jeanette Cortinas

Shelby Crownover

Elaine Daigle

Gail and Mark Dankis

Wilma Dankovich

Celeste Dannelly

Chip Dart

Lorraine and John Davis

David Deaton and Wes Hansen

Lisa and Paul Delacruz

Joanna Detchon

The DiLeo Family

Lucy Ditmore

Jennifer Dixon

Kristin Doles

Beth Domel

Lyzz Donelson

Bethany Dudley

Maria Dwyer

Jeffrey Dwyer

Brian Dziuk

Susan and David Eckelkamp

Jennifer Emerson

Angella Emmett

Fernando Espinosa

Julia Evans

Rebecca D. Ewing

Laura Farrell

Flowers Family

Michael Floyd

Jane W. Fountain

Chris and Julie Frampton

Tom and Ann Francese

Michael Garza

Jon and Joanna Geld

Keri Gerber

James and Breanna Giannoules

Sharon and Richard Gibbons

Sean and Wendi Gibbons

Glenn Gilkey

Laura and John Gill

Don Gladden

Steven M. Gorman

Chris Graf

Becky and Craig Griffin

Kate Grimaldo

Jana and John Grimes

Dr. Suchitra Gururaj and Joe Carey

Maria Gutierrez and Peter Nutson

Mike Hall and Jack Landers

Jane Hall

Sara Hamill

Caroline Hamilton

Shirley Hammond

Cindy and John Hanly

Amy and Peter Hannan

Jane Hatter

Trey and Christie Hebert

John Hernandez

James Hester

Kristy Hetzel

Kevin Hight

Michael and Rhonda Hissey

Travis and George Baxter-Holder

Jodi Holland

Jay Howard

Bethany Howell

Carol Isbell

John C. Jackson

Dr. Jannett Jackson

Frank and Lisa Jalufka

Kathleen and Jim Jardine

Kristin Jarrett

Alexandre Jasserme

Christina Johnsen

Anita and Ralph Jones

The Joshua Family

Katie Kauachi

Rita Kemner Salyer

Susanna and Michael Khazhinsky

Ashley and John Klebs

Kathryn J Kotrla MD

Aileen Krassner

Carrie Kroll

Harvey Kronberg

John Kump

Amy Lambert

Law Office of David Gross

Joanie Lawler

Camilia Lellis

Chuck and Kristin Lemons

Monica LeRoy

Sue and Larry Lewellyn

Kristen and Robert Lewis

Jenny and Luis Lidsky

Suzanne Lima

Jennifer and Christian Loew

Victor and Tricia Lopez

Robert Lowrey and Allyson Murphy

Johny Ly

Gayle and Scott Madole

Richard Maier

Marquette Maresh Reddam

Joyce Martin

Ryan Martinez and Thomas Gilbert

Drs. Victor Martinez and Christopher Rose

Eugene Martir

Stephanie Mayes

Robert Mccabe

John McCaffrey

Nan and Bruce McCann

Sara McClelland

Chris McClung

Denise McCullough

McDonald Family

Ford McTee

Mario, Laura and Marcus Mendoza

Frances Ellen and Paul Metzger

Lynn Meyer and Rick Clemens

Pauline and Alfred Meyerson

Lauren Mikol

Lori and Rob Miller

Lauren Miller

Veronica Mindieta

Janet Mitchell

Bri Thatcher and Andy Modrovich

James W. Moritz

Sarah Morris

Motal Family

Robert Mundell

Shannon Murdoch

Bill and Emilia Murphy

Scott Murphy and Brandon

Wollerson

Rachel Naugle

Brian Neidig

Diane and John Newberry

Milam Newby

Margaret and Brian Nilson

Caleb North

Lori Nunan Shaw

Debbie Olander

Eric and Allison Olson

Dan and Deborah O’Neil

Jim Oney

Cottom and Dickerson Families

Augustine Park and Eun Eoh

The Pate Family

Cindy and Kelly Payne

Keitha Peacock

Ellen Pelletier

Robert Pender

Sally Pendergras

Karen and Wes Peoples

Adele and Brian Peterman

Katherine Petersen

Heather Petkovsek

Nancy and Frank Petrone

Tami Pharr

Suzanne Pickens and Douglas Hoitenga

Carla and Steve Portnoy

John Potthoff

Kate and Scott Powers

Liza, Ed and Hannah Prendergast

Ryan Putman

Eric Rabbanian

Meghan Railey

Randy Ramirez

Dawn and Thomas Rich

Lynda Rife

Sandra and James Robinson

Laura Robinson

Tracy Romano

Patricia Rotunda

Jerry Roudebush

Summer Rydel

Susan E. Salch

Keely Schaefer

Julie and Richard Schechter

Christopher Schmitt

Amy and Rob Rose

Austin Seal Co.

Ella Segura

Christine and Anthony Sementelli

Linda Simonson

Steven Smith

Mariah Smith

Chuck Smith

Kimberly and David Solomon

Toni and Ted Spalding

Randy Sparks

Lisa and Rick Stipe

Stephanie and Paul Stone

Carolyn Stone Productions, LLC

Pamela Stryker

Studer Family

Matthew and Katherine Sturich

Geeta and David Suggs

Anna and Suresh Sundarababu

Kathy and Tom Sweet

Molly and Jeremy Sylestine

Dona and Ali Tabrizi

Daniel Tarrillion

Dwight Tejano

Donna Thomas

Mackenzie and Burwell Thompson

Michelle Thornburg

Letty Tomlinson

Stacy and Michael Toomey

Alice Toungate

Claudia and Luis Trejo

Dale Truitt

Kaylie Tully

Kevin Vanderlaan

Saradee and Melvin Waxler

Chrissie Welty

Marie and Phil Wendell

Leslie and Dana West

Michael White

Kathleen White

Marc Whitten

Nancy Whitworth Spong

Michael and KeriLyn Wick

Michael Wilen

Mr. and Mrs. Mark J. Williams

Dyanne and Stan Williams

Ann and Eric Wilson

Mike Wilson

Thomas Wilson

Kevin Wood

Mark Wood

Catherine and Scott Worley

Jeff Yedlin

Lena Yoo and Gerry Cardinal III

Jeannette and Mitch Young

Timothy Young

Nicholas Young

Micka and Richard Ziehr

Jose Zubia

Texas Performing Arts Staff

LEADERSHIP

Bob Bursey, Executive & Artistic Director

Bianca Hooi, Executive & Artistic Project Manager

Priscilla Perales, Assistant to the Executive & Artistic Director

PROGRAMMING

Bobby Asher, Director of Programming

Brendan Burke, Programming Manager

OPERATIONS

Sean Thorne, Managing Director

Cameron Weed, Human Resources Manager

Nathan Harper, Facilities Manager

Kristi Lampi, Director of Business Operations

Leigh Remeny, Business Operations Manager

Basil Montemayor, Business Operations Associate

Kat Carson, Senior Event Manager

Talia Graves, Event Manager

Alexander Reindl, Event Manager

Mia Spidel, Emerging Arts Professional, Programming & Events

MARKETING

& SALES

Dane Munson, Director of Marketing & Sales

Romina Jara, Associate Director, Marketing

Brady Dyer, Associate Director, Communications

Lizzie Choffel Cantu, Design Manager

Erica De Leon, Digital Marketing Manager

Lindsey Sageser, Marketing Associate

Madison Tran, Design & Media Associate

Tara Vela, Director of Ticketing

Dianne Whitehair, Ticketing Systems Manager

Alexander Baylor, Ticketing Manager

Elizabeth Requenez, Ticketing Manager

Meredith Delay, Texas Inner Circle Ticket Concierge

Sereniti Patterson, Emerging Arts Professional, Ticketing

DEVELOPMENT

Anna Langdell, Director of Development

Jeannette Thomas, Director of Major Gifts

Amy Burgar, Associate Director, Development

Chelsea Casner, Development Specialist, Major Gifts

Miguel Robles, Development Specialist, Operations

Sara Morales, Development Specialist, Membership and Sponsorship

EDUCATION & ENGAGEMENT

Tim Rogers, Director of Education & Engagement

Eric Vera, Education Program Manager

Aubrey Felty, Education & Engagement Program Coordinator

Insha Iqbal, Emerging Arts Professional, Education & Engagement

PRODUCTION

Blake Addyson, Director of Production

John Lewis, Production Supervisor

Mika O’Dwyer, Assistant Production Supervisor

Drew Millay, Audio/Video Supervisor

Bryce Riggle, Assistant

Audio/Video Supervisor

John “Hutch” Hutchinson, Assistant Audio/Video Supervisor

Camryn Senioris, Lighting Supervisor

Tracy Abercrombie, Assistant Lighting Supervisor

Brooke Dickerson, Assistant Lighting Supervisor

Travis Perrin, Staging & Rigging Supervisor

Audrey McGovern, Assistant

Staging & Rigging Supervisor

Jessie Mikolaichik, Assistant

Staging & Rigging Supervisor

GUEST EXPERIENCE

Blake McDonald, Director of Guest Experience

Amanda Adams, Associate Director, Guest Services

Kourtney Johnson, Guest Services Manager

FABRICATION & ACADEMIC PRODUCTION

Jeff Grapko, Director of Fabrication & Academic Production

Karen Maness, Associate Director, Fabrication

David Tolin, Project Manager, Fabrication

Jason Huerta, Operations Manager, Fabrication

Scott Bussey, Senior Technical Director

Earnest Mazique, Academic Production Technology Manager

Ashton Bennett Murphy, Properties Manager

Hank Schwemmer, Lead Fabricator

Eliot Haynes, Assistant

Audio/Video Supervisor, Academic Production

Michael Shanks, Assistant Lighting Supervisor, Academic Production

Leah Austin, Emerging

Arts Professional, Stage Properties

Julia Yelvington, Emerging Arts Professional, Scenic Art

Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.

House Managers

Dina Black

Megan Born

Virginia Bosman

Margaret Byron

Nancy Carrales

Sally Deweber

Sheri Dildy

Janine Dos Remedios

Amy Fuchs

Tony C Garcia

Joshua Hale

Leslie Hawkins

Carlos Hernandez-Heine

Olga Kasma-Carnes

Tamara Klindt

Sharon Kojzarek

Eric Lee

Lara Miller

Adrian Pena

Kimberly Reaves

Student Employees

Juno Adair

Joe Adkins

Daniela Albert

Nahla Beltran

Madhav Bhat

Juliana Brandao

Jose Calvillo

Hayley Carbajal

Jacob Cardenas

Sophia Carter

Eugenio Chapa

Lilly Cheesar

Rebecca Couch

Marie Jolie Day

Ava Deviney

Ally Dolley

Griffin Drake

Amanda Earp

Mariah Espocito

Sarah Jayne Ewing

Carla Garcia Leija

Ravleen Kaur Gill

Erin Glasscock

Dariela Gonzalez

Mia Guerra

Sarah Hartley

Catherine Heeman

Gabriela Hernandez

Alisa Irvin

Madison Jackson

Joe Jaxson

PJ Jetton

Bindi Kaplan

Dylan Lebensfeld

Codie Lightfoot

Jacqueline Mai

Anapaula MartinezBorrell

Regina Mendiola

Joe Morales

Mirabai Munton

Rachel Norris

Jessica Reed

Lee Rodgers

Mary Ruiz

Gracie Sanders

Andrea R Stanfill Castro

Debra Thomas

Leah Waheed

Marty Watson

Tonya Woods

Valeria Nunez Estrada

Michael Okooti

Lily Orozco

Zoya Patel

Valeria Blanco Perez

Blake Persyn

Haley Prince

Breanna Pruitt

Kenneth Qu

Caroline Ramsey

Frederick Richardson

Jose Salcido

Zoe Saldana

Robin Schuler

Ethan Sebree

Erin Simpson

Rain Snyder

Laura Soares

Nguyen Tang

Tara Tran

Jaden West

Bold Enough for the Spotlight

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TPA Program: Manual Cinema, Jazz at Lincoln Center Orchestra with Wynton Marsalis by Texas Performing Arts - Issuu