SE0029-01 Myre, C. - Three Tales of Camaraderie (High Voice) PREVIEW by T.U.X. People's Music

THREE TALES OF CAMARADERIE

FOR HIGH VOICE, CLARINET, & PIANO

INSTRUMENTATION:

Voice (C3-G4)

Clarinet in Bb Piano

ABOUT:

Sing for those you love and those who have always been by your side. This cycle for voice, piano, and clarinet is perfect for singers seeking to explore modality and constantly changing time.

FROM THE COMPOSER:

The Three Tales of Camaraderie consist of a series of texts by American poet Henry Wadsworth Longfellow (1807-1882). I began with the final song in the cycle and worked my way backwards, incorporating new ideas and making changes as I continued along. After a long process of editing, experimenting, and changing lasting about six months, I settled on the piece that became the final copy of the cycle. Through it all, it remains very faithful to the original songs that I finished in February of 2018. The songs are lighthearted, and all are connected by the theme of brotherhood and friendship.

DURATION: 6'35"

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First printing, November 2020 Additional parts are available for purchase from the publisher online.

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            Voice Piano                              Moderato  damper pedal freely as needed                                                3                                                                         3 Mmm                               articulated                        6                                           3 Thebrookletcame fromthemountain                                      Assangthebardof old,                                            Three Tales of Camaraderie

© Copyright 2020 "TUX People's Music" All Rights Reserved www.tuxpeoplesmusic.com SE0029-2019-01 for High Voice, Clarinet, and Piano H.W. Longfellow I. The Brook and the Wave Original Key: D Major PERUSALCOPY legaluserequirespurchase

Cody Myre 2019

                        9                      3 Runningwith feetofsilver                                         3 Overthesandsof gold!                                                                  12                        Fara             Meno Mosso     way inthe                                          15       bri nyo cean                               loco                                                             17   There                        3 rolledaturbu lent                            wave.                                2 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

                  20   Now                     sing ing a                                                                  22       long theseabeach                                                              Now                            25       3 howlingalongthe         3      cave                   3                              29                                                                    3 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

      33          3 Andthebrooklethasfound the                                  billow,                                            35         3 Thoughthey flowedsofara                                 part,                                  3       37         3 3 Andhasfilled withitsfreshnessand                                              sweet ness                             3 3         39         3 Thatturbulent,bit ter                hold damper pedal until after first note of "Parker Cleaveland"   heart!              *   4 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

Parker Cleaveland

                        Voice Clarinet in B  Piano          Adagio  = 60  damper pedal freely as necessary                                                                        4         Ofallthemanylivesthat               Ihaveknown,None                          Iremembermorese reneand                                 7   sweet,      3            3                    Moreroun dedinitselfand                                   5 Three Tales of Camaraderie SE0029-2019-01

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II.

Original Key: F

Dorian

        9         morecompleteThan              3          3           his,wholiesbeneaththisfun'ral                                                             11  stone.                                                                                    These                                                     15        pines,thatmur murinlow                     5         5          monotone,These                        walksfrequentedby                            5        5  6 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

                        18     scho lastic                   rit.   feet,                                       With Pulse  = 72              20     Were                  11                11                        allhisworld;but                                                  22       in thiscalm re                                           treat Forhim a                                       7 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

                                 24     Teacher'schairbe                        camea                                        5      5   Adagio  = 60                            27   throne.                                                   3 3                3                                                           31                         Withfondaffectionmem 'ry                     lovestodwellOnthe          8 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

                 36          old days,when hisexample                     made Apastimeofthe      3            3                              38      toiloftongueandpen;                               And            3          3             now,amid thegroveshe      5                                                   41    lovedsowell                          That             11                       3 3 3                            3 3 3 9 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

                                43        naught couldlurehimfromtheir                                          gratefulshade,He                                    45         3 3 sleeps, but                               3       wakeselsewhere,                                         3 3 3                          47         forGodhathsaid,                             A                men!                        10 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

                                      Moderato  = 78                                                                                                                                      5                                                                                              I                                                                         10      shotanarrow                               intotheair,                                 It                      felltoearth,I                                                  14         knewnotwhere;For,so                                      swiftlyit flew,the                       sightCould not              follow     inits     11 Three Tales of Camaraderie SE0029-2019-01

The Arrow



Voice Piano PERUSALCOPY legaluserequirespurchase

III.

and the Song Original Key: C

Dorian

                            19   flight.                              I                                   

                                 intotheair,                                                                 23     It                       felltoearth,I                              knewnotwhere;                                            27   For        Meno Mosso     whohas                         sightso                                                 keenand                                               strong,               That                        33     itcan             follow         rit.     flightof      song?                        Tempo I                                                              12 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase

breathedasong

                           39                                                                                                                              43                                 Long,long                         afterward,                     inan             oak                                      48           Ifoundanarr ow,                                   stillunbroke;                         Andthe           song,frombe ginningto                                            52     end, I                 foundagain intheheartofa                                Più Mosso    friend                                          13 Three Tales of Camaraderie SE0029-2019-01 PERUSALCOPY legaluserequirespurchase