SE0028-01 Myre, C. - Three Tales of Camaraderie (Low Voice) PREVIEW by T.U.X. People's Music

THREE TALES OF CAMARADERIE

FOR LOW VOICE, CLARINET, & PIANO

INSTRUMENTATION:

Voice (G2-E4)

Clarinet in A Piano

ABOUT:

Sing for those you love and those who have always been by your side. This cycle for voice, piano, and clarinet is perfect for singers seeking to explore modality and constantly changing time.

FROM THE COMPOSER:

The Three Tales of Camaraderie consist of a series of texts by American poet Henry Wadsworth Longfellow (1807-1882). I began with the final song in the cycle and worked my way backwards, incorporating new ideas and making changes as I continued along. After a long process of editing, experimenting, and changing lasting about six months, I settled on the piece that became the final copy of the cycle. Through it all, it remains very faithful to the original songs that I finished in February of 2018. The songs are lighthearted, and all are connected by the theme of brotherhood and friendship.

DURATION: 6'35"

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First printing, November 2020 Additional parts are available for purchase from the publisher online.

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               Voice Piano                              Moderato  damper pedal freely as needed                                                   3                                                                       3 Mmm                               articulated                        6                                          3 Thebrookletcame fromthemountain                                      Assangthebardof old,                                           Three Tales of Camaraderie Cody Myre 2018 © Copyright 2020 "TUX People's Music" All Rights Reserved www.tuxpeoplesmusic.com SE0028-2018-01 for Low Voice, Clarinet, and Piano H.W. Longfellow I. The Brook and the Wave PERUSALCOPY legaluserequirespurchase

                           9                    3 Runningwith feetofsilver                                         3 Overthesandsof gold!                                                                   12                        Fara             Meno Mosso     way inthe                                           15      bri nyo cean                               loco                                                                17   There                       3 rolledaturbu lent                          wave.                                2 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                     20   Now                     sing ing a                                                                     22       long theseabeach                                                              Now                              25       3 howlingalongthe         3     cave                   3                                29                                                                    3 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

         33         3 Andthebrooklethasfound the                                  billow,                                                35         3 Thoughthey flowedsofara                                 part,                               3          37         3 3 Andhasfilled withitsfreshnessand                                              sweet ness                             3 3            39        3 Thatturbulent,bit ter                hold damper pedal until after first note of "Parker Cleaveland"   heart!              *   4 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

Parker Cleaveland

                                 Voice Clarinet in A Piano          Adagio  = 60  damper pedal freely as necessary                                                                                 4         Ofallthemanylivesthat               Ihaveknown,None                          Iremembermorese reneand                                          7    sweet,      3            3                    Moreroun dedinitselfand                                   5 Three Tales of Camaraderie SE0028-2018-01 II.

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                 9        morecompleteThan              3           3           his,wholiesbeneaththisfun'ral                                                                      11  stone.                                                                              These                                                              15        pines,thatmur murinlow                     5         5          monotone,These                        walksfrequentedby                            5        5  6 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                                 18     scho lastic                   rit.   feet,                                       With Pulse  = 72                       20     Were                  11                11                        allhisworld;but                                                           22       inthiscalm re                                          treat Forhim a                                           7 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                                          24     Teacher'schairbe                        camea                                        5      5   Adagio  = 60                                     27   throne.                                                  3 3                 3                                                                    31                           Withfondaffectionmem 'ry                     lovestodwellOnthe          8 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                          36          old days,when hisexample                     made Apastimeofthe      3            3                                       38      toiloftongueandpen;                               And            3          3             now,amid thegroveshe      5                                                            41    lovedsowell                          That             11                       3 3 3                            3 3 3 9 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                                         43        naught couldlurehimfromtheir                                          gratefulshade,He                                             45         3 3 sleeps, but                               3       wakeselsewhere,                                         3 3 3                                   47         forGodhathsaid,                             A                men!                        10 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                                      Moderato  = 78                                                                                                                                      5                                                                                                  I                                                                         10      shotanarrow                               intotheair,                                   It                     felltoearth,I                                                  14        knewnotwhere;For,so                                       swiftlyit flew,the                        sightCould not               follow       inits      11 Three Tales of Camaraderie SE0028-2018-01 III.

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The Arrow and the Song

                            19   flight.                            I                                    breathedasong                                 intotheair,                                                                 23     It                       felltoearth,I                              knewnotwhere;                                            27    For         Meno Mosso      whohas                         sightso                                           keenand                                              strong,              That                       33     itcan             follow         rit.     flightof       song?                      Tempo I                                                        12 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase

                           39                                                                                                                              43                                  Long,long                          afterward,                      inan              oak                                       48           Ifoundanarr ow,                                  stillunbroke;                        Andthe            song,frombe ginningto                                            52    end, I                  foundagain intheheartofa                               Più Mosso     friend                                          13 Three Tales of Camaraderie SE0028-2018-01 PERUSALCOPY legaluserequirespurchase