OR0016-01 Hartman, B. - Lament PREVIEW

BRADLEY S. HARTMAN

LAMENT FOR STRING ORCHESTRA INST RUMEN TA TI ON: 8

Viol in I

8

Viol in I I

5

Viol a

5

Cel lo

5

Contrabas s

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qu ire s

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ch a

PY

C r O pu

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S re A

RU

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PE

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A BO UT:

Bradl ey Hartman’ s homage t o hi s hi gh school ment or i s as heart felt and si ncere as it is ref lect i ve. I t s thought ful str ing writ i ng and l i ght syncopat i on of f er a

chall enge wit hout being overwhel mi ng for early-i nt ermediat e s tri ng ensembles .

FROM THE COMPOSER:

C r O

Att ending hi gh school is not the easi est of t as ks for so me people, mys elf being one of t hem. Each day, t here was anot her t ask to complete, anot her fi ght t o be by the beast t hat was high school . Al though I was not a st ri ng player, t he

se

fought , anot her fri endshi p l ost to a si ll y mat t er. I t was easy to get swall owed up

ch a

orchest ra teacher, Mr. Lawl or, seemed to unders tand me. He became a ment or

through my high school years. Despi te how I may have f el t about mysel f on any

gi ven day, Mr . Lawl or had t he hi ghes t level of confidence i n me. He knew when I was havi ng a rough day and woul d i mmedi at el y cal l me int o hi s of f ice. He was a

pu

L

man that li ved li fe t o t he f ul lest, and as if i t were his last .

Sadl y, on December 23, 2 005 he di d li ve hi s l as t day when he l ost hi s batt le t o

qu ire s

S re A

st age 4 lung cancer. I did not have t he opport uni ty to say goodbye when he pass ed away, but when t he opport uni ty to perf orm i n an alumni reci tal came up, I wrot e t his pi ece f or solo piano. When I deci ded to arrange thi s piece f or an inst rumental ensemble, i t seemed fi tt i ng that it s houl d be arranged f or st ri ngs bef ore any other sett ing.

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DURATI ON: 3' 54"

Scan t o l earn more about

know t hat you are playi ng

t his composer!

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Scan t o l et t he composer

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t hei r pi ece!

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Firs t print ing, November 202 0 Addit i onal part s are avai lable f or purchase f rom t he publi sher onl ine.

© Copyri ght

2 020 " TUX Peopl e' s Music" All Ri ght s Res erved

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qu ire s

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C r O pu

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S re A

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PE

In memory of Mr. James Lawlor

Lament Score Largo













   





 



  

    

 

Vc.

     

 



  



  

RU

 

Cb.

    

 



   6

   



   

Vla.

   

Vc.

 

Cb.

   



        











3

 





    







9  

                                                      7 8 





  



       







       





       10

  

   

le ga

PE Vln. II



     

lu

10

   



 



 

         

 11





 

 

© Copyright 2020 "TUX People's Music" All Rights Reserved Tuxpeoplesmusic.com OR0016-2013-01



     

    





 9   



 

 



  



     

      

     13

4











        

12





se

5

Vln. I





 

2

    

     



1

  

Vla.





 

qu ire s

Vln. II







S re A

5

  



PY



    

        

se

   

  

     

ch a

Contrabass



     

         

   

C r O



    

pu

Cello

   

Violin II



  

L

Viola

                   

Violin I

Vln. I

Bradley S. Hartman 2013

for String Orchestra

 14

Lament

   

Vla.

  

Vc.

  

Cb.

 

 



 

 

 

 

 









  



 15

16

       

Vla.

   

     

Vc.

     

       









19

                                            24

24

Vln. II

Vla.

Vc.

Cb.

OR0016-2013-01



 



































  

















 

 



























25    

le ga

PE

Vln. I

 



  









17



    





20

 











    









 

  

    









 





























 

 25





  









  





18

  

21

se



 

  



lu

Cb.

 



  





  

  



RU

Vln. II



   

S re A

Vln. I

 

L

           

19

 

  

    













PY

Vln. II



se



C r O

Vln. I

17

       

pu



qu ire s

15

ch a

2

22    

23 

  

   



       







       

   







 

26





 

 

          

27



 28

Lament

Vln. II

   

Vla.

  

Vc.

           

Cb.

 





 







                

29















30

31

rit.







         





         

 







 

Vla.

 

    





Vc.

      





qu ire s

Vln. II









   

RU 

34





   

Vla.

   

Vc.

 

Cb.

   



    

38 OR0016-2013-01

  

   











     









 39

 



   





                 37

36



le ga

Vln. II

   



PE

Vln. I







37 a tempo    



35

lu

38



se

Cb.





                                      32 33

           

L

Vln. I

 

S re A

34

  

 

      

   





PY



se

  



33     

ch a



Vln. I



      

C r O



pu

29

3



 

  



 

       







       



 

        





 40



  41

 

 

Lament

Vln. II

Vla.

Vc.

 



 



   



     

  



  

 

          





         

  









   



 





45 

  

  





Vln. I



    

       



Vln. II

   

     





Vla.

   

Vc.

   



 

 



52

   







Vln. II







Vla.

  

Vc.

 

Cb.

  



























 

       53









 















 







 







48





45

  

 





   

52 OR0016-2013-01

 

le ga

PE

Vln. I

  

se

47



lu

Cb.

  

    



RU







44

S re A

47



 





43







  

























49

50



 

 











 

 

   

    









  



    



 

 

 

  

 

 

 

 

 

 

  

  54

 

51  



46 

































L

42

  

C r O





 



pu









qu ire s

Cb.

 

  

PY

Vln. I



ch a

42

se

4

55

56