Tulsa Festival Ringers Inc., Tulsa’s only auditioned community handbell ensemble, is a seasonal favorite! They will perform along with The Tulsa Carolers, Tulsa’s premiere Christmas caroling company. Free reservations required at tulsapac.com/brown-bag-it!
TPAC presents Straight No Chaser: Holiday Road
TULSA
is the official program of the Tulsa Performing Arts Center
110 E. Second St., Tulsa, OK 74103
918-596-7122 • TulsaPAC.com
PUBLISHER Tulsa Performing Arts Center
WRITER/EDITOR Amanda Nichols
CREATIVE DIRECTOR Andrea Maduro
ADVERTISING SALES Kaley Jobe
CHIEF EXECUTIVE OFFICER
Mark Frie
CHIEF FINANCIAL AND OPERATING OFFICER
Jen Alden
VP OF DEVELOPMENT AND ENGAGEMENT
Sara Phoenix
VP OF OPERATIONS
Scott McLarty
DIRECTOR OF PROGRAMMING
Terri McGilbra
DIRECTOR OF MARKETING
Andrea Maduro
TECHNICAL DIRECTOR
Craig Ziettlow
DIRECTOR OF TICKETING SERVICES
Jeff Newsome
DIRECTOR OF PATRON SERVICES
Tosha Faith
DIRECTOR OF DEVELOPMENT
Pete Otis
DIRECTOR OF FACILITIES MAINTENANCE
James Stewart
TULSA PERFORMING ARTS CENTER TRUST
CEO Mark Frie
CHAIR Wendy Garrett
VICE CHAIR Jay Krottinger
TREASURER Jen Alden
SECRETARY Brian K. Shore
TRUSTEES Billie Barnett, Ken Busby, Laura Creekmur, Linda Frazier, Kirk Hayes, Paul Johnson, Mayor Monroe Nichols, Martin Newman, Louie Napoleone, Tina Peña, Brian Shore, Julie Smith, Hayley Stephens
EMERITUS TRUSTEE Robert J. LaFortune
Intermission is published monthly by the Tulsa Performing Arts Center Trust For advertising information, contact Kaley Jobe at kjobe@tulsapac.com
No part of this publication may be reproduced without the written permission of the Tulsa Performing Arts Center: 918-596-2368, anichols@tulsapac.com.
TPAC update
Any Given Child
Last season, we announced we were producing an Any Given Child program for Tulsa Public Schools’ seventh graders, a performance that would invite local artists to craft a play that tells the stories of Native American history and resilience. And thanks to the generous support of our sponsors, we were able to do just that in February 2025 for approximately 2,200 students and educators. For most of these kids, it was the first time they’d been in our building and enjoyed a live theatre experience. Providing this access to our youth is one of Tulsa Performing Arts Center’s main goals, and the overwhelmingly positive feedback after the show made it all that much more meaningful. This year, we’re producing and expanding this original play, Channeling Our Ancestors, once again from November 4 through 7! Created by Indigenous Oklahoman artists, the play gives young audiences a fun way to connect with Native American and Oklahoman history. It’s fun, it’s youthful, and it is a 100% Oklahoma original thanks to creators Becca Worthington, Welana Queton, Devyn Wickson, Elise Bear, Jason Tillery, Lulu Goodfox and Simon Washee. Their involvement will be ongoing as we expand the production to include more Native stories, dance, scenery, costumes and props. The open call for actors and performers also brought more submissions this year, so we’re hopeful that through this endeavor we’re engaging and growing a new community of local artists to connect and create on Tulsa PAC stages. The Native TV and film industry has been booming in Oklahoma; it is time for live theatre to be a showcase for Native storytellers too.
Any Given Child would not be possible without our sponsors and the coordination and support from the Foundation for Tulsa Schools. Any Given Child, in alignment with the national model created by John F. Kennedy Center, ensures equitable access to quality arts education and experiences for every K–8 student at Tulsa Public Schools. Along with Channeling our Ancestors for seventh graders, we’ll also present another Any Given Child production, Aesop’s Greatest Hits, for kindergartners in February. New for this season, we’re adding a Friday evening performance for both shows at a budget price so that other families and students can enjoy. Hope you can join us!
photo by Nathan Harmon
Terri McGilbra
november events
TPAC Imagination Series
Channeling Our Ancestors
Channeling Our Ancestors is an original production from the Tulsa Performing Arts Center, created by Indigenous Oklahoman artists. Through a series of comedic sketches based on popular TV show tropes, audiences will be entertained and educated on what it means to be an Indigenous person in today’s society.
JOHN H. WILLIAMS THEATRE
November 4 at 10 a.m.
November 4 at 12 p.m.
November 5 at 10 a.m.
November 5 at 12 p.m.
November 6 at 10 a.m.
November 6 at 12 p.m.
November 7 at 10 a.m.
November 7 at 6:30 p.m.
Celebrity Attractions
Dog Man: The Musical
Based on the worldwide bestselling hit series by Dav Pilkey, Dog Man: The Musical is a hilarious and heartwarming production following the chronicles of Dog Man, who with the head of a dog and the body of a policeman, loves to fight crime and chew on the furniture.
CHAPMAN MUSIC HALL
November 4 at 6:30 p.m.
november events
II: Holst’ s
The Planets
7:30pm
Nov. 8, 2025
Tulsa PAC
Tulsa Symphony Orchestra
Holst’s The Planets
Beloved conductor Ron Spigelman returns to lead a cinematic and celestial journey with the Tulsa Symphony Orchestra. Featuring iconic film scores from John Williams’ E.T. and Star Wars, the program crescendos with Holst’s cosmic masterpiece The Planets, accompanied by breathtaking NASA imagery.
CHAPMAN MUSIC HALL
November 8 at 7:30 p.m.
TPAC
Straight No Chaser: Holiday Road
RIAA-certified Gold and holiday favorites a cappella group Straight No Chaser are back for another festive fall with their Holiday Road Tour. Straight No Chaser will be sharing the joy, “dad jokes,” and songs of the season with families around the country.
CHAPMAN MUSIC HALL
November 13 at 7:30 p.m.
november events
Tulsa Town Hall
Peter McBride and Kevin Fedarko
Pete McBride is a Sony Artisan of Imagery who traveled to 75 countries documenting remote expeditions from Everest to Antarctica before turning his attention to his backyard jewel, the Colorado River. Kevin Fedarko spent 20 years writing about conservation and exploration for National Geographic, the New York Times, and Esquire.
CHAPMAN MUSIC HALL
November 14 at 10:30 a.m.
Theatre Tulsa Rent
La Vie Boheme! Enjoy Jonathan Larson’s iconic Pulitzer Prizewinning musical that shaped a generation of audiences and taught us all to measure our life in love.
LIDDY DOENGES THEATRE
November 14 at 8 p.m.
November 15 at 2 p.m.
November 15 at 8 p.m.
November 16 at 2 p.m.
november events
Moxie Events
The Magic of Motown
Don’t miss this amazing journey through all of the hits! Hailed by audiences as “THE BEST MOTOWN SHOW IN THE COUNTRY,” the show will dazzle you for over two hours!
CHAPMAN MUSIC HALL
November 15 at 7:30 p.m.
Celebrity Attractions
Dr. Seuss’ How The Grinch Stole
Christmas The Musical
Dr. Seuss’ How The Grinch Stole Christmas! The Musical is the record-setting Broadway holiday sensation, which features the hit songs You’re A Mean One Mr. Grinch and Welcome Christmas from the original animated special. Max the Dog narrates as the mean and scheming Grinch, whose heart is “two sizes too small,” decides to steal Christmas away from the Holiday loving Whos.
CHAPMAN MUSIC HALL
November 18 at 7 p.m.
November 19 at 7 p.m.
November 20 at 7 p.m.
November 21 at 7 p.m.
November 22 at 2 p.m.
November 22 at 7 p.m.
November 23 at 1 p.m.
November 23 at 6:30 p.m.
november events
TPAC
Sam Harris: Beyond the Rainbow with Music Direction by Michael Orland
Sam Harris returns to his Oklahoma roots with his new show Beyond the Rainbow, a nod to his legendary rendition of Somewhere Over the Rainbow that put him on the map on Star Search at age 22 and which Jimmy Fallon called “one of the greatest performances ever on television ever!”
JOHN H. WILLIAMS THEATRE
November 22 at 7:30 p.m.
Chamber Music Tulsa Maxwell Quartet
1st Prizewinner and Audience Prizewinner at the 9th Trondheim International Chamber Music Competition in 2017, and hailed as “brilliantly fresh, unexpected and exhilarating” by The Scottish Herald, and “superb storytelling by four great communicators” by The Strad Magazine, the Maxwell Quartet is now firmly regarded as one of Britain’s finest young string quartets.
WESTBY PAVILION
November 22 at 7 p.m.
JOHN H. WILLIAMS THEATRE
November 23 at 3 p.m.
december spotlight
American Theatre Company
A Christmas Carol
Gather your family for an unforgettable experience as you dive into the heartwarming story of Scrooge, a grumpy miser whose journey leads to redemption and the discovery of true joy. Don’t miss the chance to witness this inspiring holiday classic at the Tulsa Performing Arts Center’s John H. Williams Theatre, where we proudly celebrate our 49th season! Join us and make cherished memories together!
JOHN H. WILLIAMS THEATRE
December 4 at 7:30 p.m.
December 5 at 7:30 p.m.
December 6 at 7:30 p.m.
December 7 at 2 p.m.
December 10 at 7:30 p.m.
December 11 at 7:30 p.m.
December 12 at 7:30 p.m.
December 13 at 7:30 p.m.
December 14 at 2 p.m.
December 17 at 7:30 p.m.
December 18 at 7:30 p.m.
December 19 at 7:30 p.m.
December 20 at 7:30 p.m.
December 21 at 2 p.m.
December 23 at 7:30 p.m.
december spotlight
Tulsa Ballet
The Nutcracker
Tulsa’s holiday tradition returns! Tulsa Ballet’s The Nutcracker includes nods to the original story, with a setting in 19th century Germany, and special elements designed specifically for Tulsa including the beloved Golden Driller!
CHAPMAN MUSIC HALL
December 7 at 1 p.m.
December 7 at 6 p.m.
December 12 at 7 p.m.
December 13 at 2 p.m.
December 13 at 7 p.m.
December 14 at 1 p.m.
December 14 at 6 p.m.
December 19 at 7 p.m.
December 20 at 2 p.m.
December 20 at 7 p.m.
December 21 at 1 p.m.
December 21 at 6 p.m.
TPAC Brown Bag It
Tulsa Festival Ringers and The Tulsa Carolers
Tulsa Festival Ringers Inc., Tulsa’s only auditioned community handbell ensemble, is a seasonal favorite! They will perform along with The Tulsa Carolers, Tulsa’s premiere Christmas caroling company — a collection of professional singers, grouped in quartets, dressed in Dickensian costume.
JOHN H. WILLIAMS THEATRE
December 10 at 11 a.m.
December 10 at 12:15 p.m.
Sam Harris Returns Home
A Triumphant Homecoming
When Sam Harris takes the stage at the Tulsa Performing Arts Center this fall with Beyond the Rainbow with Music Direction by Michael Orland, it won’t be just another performance, it will be a homecoming. The Sand Springs native, who launched his career at the astonishingly young age of 15, returns to Tulsa with a deeply personal, emotionally charged show.
“I’m so excited to come home,” Harris says. “For years, I performed at the Tulsa PAC every year or every other year: big Christmas concerts, special events, even Joseph and the Amazing Technicolor Dreamcoat after my national tour. But between other projects and COVID, I stopped coming as regularly. This feels like coming full circle.”
A Journey of Resilience
Harris has never been one to shy away from risk. Leaving home to pursue his craft, he carved out an
extraordinary career as a singer, actor and writer. Yet even for a performer as seasoned as Harris, the past few years have been daunting.
After contracting COVID-19, Harris developed a serious condition known as “COVID-related vocal dysphonia.” His vocal cords, he says, “basically had a stroke.” For the first time in his life, Harris couldn’t create a note; he had lost something he had come to rely on.
“It was terrifying,” Harris recalls. “I wasn’t even sure I wanted to sing again, the fear of inconsistency, or disappointing people, was overwhelming.”
But thanks to the encouragement of friends, including the ever-direct Patti Lupone, who told Harris to “stick your courage to the sticking place, face your fear head on and put it in its proper place,” and the gentle guidance of his longtime collaborator and music director, Michael Orland, Harris began
to rebuild both his voice and his confidence. “We started songs in lower keys, raised them up step by step, and made smart choices. Michael isn’t just a music director, he’s also a therapist,” Harris says with a laugh. Through hard work and perseverance, Harris’ voice is stronger than ever.
Building Beyond the Rainbow
With Beyond the Rainbow, Harris promises more than a concert. “It’s a show,” he says. “It’s theatrical. It’s a roller coaster. It goes up and down and sideways. It’s a lot of fun, it’s emotional, and it’s always about the story.”
Audiences can expect a rich mix of material, from Broadway classics, standards, pop hits, all the way to U2, all woven together with Harris’ signature storytelling. “When I go to the theatre, I want to laugh, cry, think and escape. Especially now, when the world feels so divided, we need experiences that connect us as humans.”
Coming Home
For Harris, this Tulsa performance is about more than music. It’s about honoring his roots and the people who shaped him.
“Sand Springs is my hometown. I was lucky to have amazing teachers who really saw me and nurtured me,” he says, recalling his secondgrade teacher, Mrs. Maule, who let him write and stage his first play, and high school drama teacher Roy Briscoe, who challenged and inspired him. “What a gift.”
It’s also a bittersweet return. Harris lost his father in 2018 and his beloved brother Matt just two years ago. “Coming home is always about coming home to those memories,” he says quietly. His mother, who now lives near him in Los Angeles, will join him for the trip. “She said, ‘I guess I’ll come,’ and I said ‘You guess? Of course you’re coming!’”
For longtime fans and new audiences alike, Sam Harris: Beyond the Rainbow with Music Direction by Michael Orland promises an unforgettable evening of music, storytelling and connection.
“It’s about friends, reunions, and being home. That’s going to be really good for me too.”
TPAC PRESENTS
SAM HARRIS: BEYOND THE RAINBOW WITH MUSIC DIRECTION BY MICHAEL ORLAND
November 22 at 7:30 p.m.
John H. Williams Theatre
A Tradition That Endures: American Theatre Company’s 49th
A Christmas Carol
For nearly half a century, and for as long as the Tulsa Performing Arts Center has existed inside this building, the TPAC has come alive each December with the sights, sounds and spirit of A Christmas Carol. Presented by American Theatre Company (ATC), this beloved Tulsa tradition marks its 49th year in 2025, which is proof that the story of redemption and generosity never grows old.
At the heart of the production is Karl Krause, who first joined the show in 1977 after auditioning in the Mayo Hotel’s Crystal Ballroom. “I had just graduated high school,” Krause recalled. “I met Kitty Roberts’ brother at a foosball tent, and before I knew it, I was auditioning for her new theatre company.” Cast as Marley, he quickly became a fixture with ATC, building sets, performing in schools and, eventually, stepping into the role of Ebenezer Scrooge. “This will be my 36th or 37th year as Scrooge,” he says. “Time flies.”
Krause’s Scrooge has become a study in nuance. “He plays it differently every night,” says Troy Cope, who has appeared in the show for four years. “He adds new mannerisms, it’s incredible to watch.” That spirit of authenticity, the cast agrees, is what keeps audiences returning year after year. Cope and Sean Rooney, who now co-direct the production, both joined A Christmas Carol in 2021. “I was cast as young Scrooge and was instantly hooked,” Cope said. “My family comes every year. It’s become a holiday tradition for us too.” Rooney first appeared as the Ghost of Christmas Present after years of friendly nudging from ATC veteran Lori Carlson. “Once you do A Christmas Carol, you get bitten by a different kind of theatre bug,” Rooney laughed. “It just keeps pulling you back.”
While the story remains timeless, the show itself has evolved. After the beloved rotating stage set was retired for safety reasons, the
production moved toward a more minimalist design. “You don’t need excess,” Rooney said. “You just need the story, talented actors, and great music.” Cope agreed: “Having it scaled back lets the audience focus on the relationships, the transformation of Scrooge and the heart of the message.”
Krause has watched that evolution with pride. “It’s amazing how many people have been part of this show, possibly thousands,” he reflected. “It’s really become
a family. The kids who grew up in it come back, spread the word and bring their own families.”
Despite changes in design and direction, the heart of the production has stayed constant: connection, tradition and joy. “Every year, we hear from families who say, ‘This is our holiday tradition,’” Rooney said. “You see generations come together, sharing laughter and tears. That’s what keeps us going.”
Krause, now 67, says the story still moves him deeply. “It’s helped me
as a person,” he said. “Each year, I’m reminded to hold on to joy and to give whatever kindness I can. That’s what A Christmas Carol is all about, seeing the light and sharing it.”
For nearly five decades, Tulsa audiences have gathered to celebrate that message of redemption, community, and the enduring magic of theatre. And as the company prepares for its milestone 50th anniversary next year, this 49th edition serves as both reflection and a promise: the spirit of Christmases past, present and future lives on at the Tulsa Performing Arts Center.
AMERICAN THEATRE COMPANY
A CHRISTMAS CAROL
December 4 at 7:30 p.m.
December 5 at 7:30 p.m.
December 6 at 7:30 p.m.
December 7 at 2 p.m.
December 10 at 7:30 p.m.
December 11 at 7:30 p.m.
December 12 at 7:30 p.m.
December 13 at 7:30 p.m.
December 14 at 2 p.m.
December 17 at 7:30 p.m.
December 18 at 7:30 p.m.
December 19 at 7:30 p.m.
December 20 at 7:30 p.m.
December 21 at 2 p.m.
December 23 at 7:30 p.m.
John H. Williams Theatre
Photos by April Skidgel, Tracee George-Orcutt, and Kevin Hudgins McCool
Rising Stars: Tulsa Students Shine on the National Stage
Two Oklahoma students recently proved that Tulsa’s next generation of performers can compete, and win, on the biggest stages in the country.
From Broadway’s Minskoff Theatre to Harlem’s legendary Apollo, Dawson Fullingim and Chiedza Mahuni have each made history, bringing home national recognition and embodying the power of local arts education and opportunity through programs at the Tulsa PAC.
Finding His Spotlight: Dawson Fullingim
When 18-year-old Dawson Fullingim stepped onto the stage of the theatre currently housing Broadway’s The Lion King, he felt both the thrill of performance and the culmination of years of hard work. As northeastern Oklahoma’s Best Actor at The Discovery Awards, presented by Celebrity Attractions and Tulsa PAC, Fullingim advanced to New York City for the Jimmy Awards (National High School Musical Theatre Awards), where he earned a coveted national finalist spot.
“Performing at the Jimmy Awards was a surreal experience,” Fullingim said. “Getting to perform on The Lion King stage in a Broadway theatre was incredible and something I will never forget.”
Fullingim, a recent graduate of Lincoln Christian School, has competed at The Discovery Awards
for two years, winning Best Actor both years. But he says this second trip to Broadway deepened his appreciation for the craft: “My first time at the Jimmy Awards, I was so excited to be there. Returning to Broadway a second time was even harder and made me appreciate the work it took to get there even more.”
His performance, coaching sessions and week-long workshops with Broadway professionals challenged him to grow both technically and emotionally.
“The biggest lesson I learned is not to compare yourself to others,” Fullingim said. “Everyone has their own story. Keep your head down, get to work and have fun. If you can find joy in what you’re doing, that translates to everyone watching.”
Fullingim also appreciates the community that made his journey possible. “I’m really grateful for the Tulsa PAC and Celebrity Attractions
for giving us the opportunity to go perform nationally and live our dreams,” he said. “Being able to represent Tulsa on a national stage was both a great responsibility and a great honor.”
Now preparing to study musical theatre at the University of Oklahoma, Fullingim hopes to one day originate a role onstage. “I’d love to be involved in developing something new and getting to play a new character,” he said. “Ultimately, I’d be so blessed to make a living telling stories that connect with people, whether on Broadway or in front of a camera.”
Making History: Chiedza Mahuni
For Chiedza Mahuni, a senior at Union High School, stepping onto a stage for the first time wasn’t just a performance, it was a transformation.
Mahuni won second place at the Tulsa Performing Arts Center’s regional Next Narrative Monologue Competition, then went on to capture second place nationally at the finals held at Harlem’s historic Apollo Theater.
“In that moment, I didn’t believe it,” Mahuni recalled. “When they said my name, I had to pinch myself. It was one of the most beautiful experiences I’ll never forget.
The Next Narrative Monologue
Competition gives high school students the opportunity to perform contemporary works that reflect the diversity and complexity of the Black experience. For Mahuni, it became a moment of both artistic and personal awakening.
“I’d never performed on a stage before,” she said. “Through the workshops, I learned so much about myself, that I could do this, that it’s not that scary.”
Her trip to New York, which included seeing her first Broadway show and meeting industry professionals like Phylicia Rashad, was “life changing.” “Being on a stage with all those other kids was intimidating at first,” she said. “But it was also surreal, like, these are the greats I’ll see on TV one day, and I get to share a room with them.”
Mahuni credits her growth to the TPAC workshops, where teaching artists encouraged students to “live authentically.”
One lesson still guides her: “Before I perform, I tell myself, ‘My name is Chiedza, and when I walk into a room, I make history happen,’ And I did,” she said, laughing.
She also shared her gratitude for the support that made the trip possible. “I didn’t have to pay for anything, not travel, not food, nothing. It’s incredible that an opportunity like this exists. It changed my life.”
Cultivating the Future of Theatre in Tulsa
Programs like The Discovery Awards and Next Narrative Monologue Competition are part of the TPAC’s mission to nurture young talent and provide life-changing artistic opportunities, from regional stages to national spotlights.
Both Fullingim and Mahuni embody what’s possible when local students are given a platform to express themselves. “It’s not just about competition,” Mahuni said. “It’s about connecting, growing and realizing you belong.”
Keep on eye on our website and socials to catch this year’s Discovery Awards and Next Narrative Monologue Competition in person.
Photo credit: Timm Dower
our supporters
Community support from these sponsors help us provide more art than ever before. For more information on how to become a sponsor, visit tulsapac.com/corporate-sponsorships.
Marcus Abernathy
Brad & Amy Absher
Ina Agnew
Katy Anderson
Anonymous
Martha Asher
Eric & Adry Auerbach
Russell & Belva Barber
Lynda Barksdale
Barnett Family Foundation
Bruce & Kami Barton
Charlene Bassett
Pete & Aesha Beattle
Phillip & Linda Berrey
Jana Bingman
Janis Blanton
The Block Family
Bruce & Nancy Bolzle
Linda Booker
Britani Talley Bowman
Elise & Terry Brennan
Samuel Briggs &
Robert Young
Thank you to our Luminaries for helping us fund our community engagement programs, helping us inspire, lead and give light to others!
Celebrity Attractions presents Disney’s Beauty and the Beast
JANUARY–FEBRUARY EVENTS
JANUARY
Theatre Tulsa Frozen
JOHN H. WILLIAMS THEATRE
January 9 at 8 p.m.
January 10 at 2 p.m.
January 10 at 8 p.m.
January 11 at 2 p.m.
January 16 at 8 p.m.
January 17 at 2 p.m.
January 17 at 8 p.m.
January 18 at 2 p.m.
January 23 at 8 p.m.
January 24 at 2 p.m.
January 24 at 8 p.m.
January 25 at 2 p.m.
Liz Carr
Liz Carr Training
Winter Musical Theatre Concert
LIDDY DOENGES THEATRE
January 10 at 1 p.m.
January 10 at 7 p.m.
Tulsa Symphony Orchestra Brahm’s Symphony No. 2
CHAPMAN MUSIC HALL
January 10 at 7:30 p.m.
Celebrity Attractions & TPAC Hadestown
CHAPMAN MUSIC HALL
January 13 at 7:30 p.m.
January 14 at 7:30 p.m.
TPAC Imagination Series The Wind in the Willows
JOHN H. WILLIAMS THEATRE
January 27 at 9:30 a.m.
January 27 at 11:30 a.m.
January 27 at 6:30 p.m.
Celebrity Attractions Disney’s Beauty and the Beast
CHAPMAN MUSIC HALL
January 27 at 7:30 p.m.
January 28 at 7:30 p.m.
January 29 at 7:30 p.m.
January 30 at 8 p.m.
January 31 at 2 p.m.
January 31 at 8 p.m.
February 1 at 1 p.m.
February 1 at 6:30 p.m.
Chamber Music Tulsa Brooklyn Rider WESTBY PAVILION
January 31 at 7 p.m.
JOHN H. WILLIAMS THEATRE
February 1 at 3 p.m.
FEBRUARY
Tulsa Town Hall
Georgia Hunter
CHAPMAN MUSIC HALL
February 6 at 10:30 a.m.
Tulsa Symphony Orchestra Celebrating Black History Month
CHAPMAN MUSIC HALL
February 7 at 7:30 p.m.
Check
Tulsa Ballet
The Sleeping Beauty CHAPMAN MUSIC HALL
February 12 at 7 p.m.
February 13 at 7:30 p.m.
February 14 at 7:30 p.m.
February 15 at 2:30 p.m.
Emery Entertainment Inc.
An Evening with C.S. Lewis
LIDDY DOENGES THEATRE
February 14 at 2 p.m.
February 14 at 7:30 p.m.
February 15 at 2 p.m.
Celebrity Attractions
A Beautiful Noise: The Neil Diamond Musical CHAPMAN MUSIC HALL
February 17 at 7:30 p.m.
February 18 at 7:30 p.m.
February 19 at 7:30 p.m.
February 20 at 8 p.m.
February 21 at 2 p.m.
February 21 at 8 p.m.
February 22 at 1 p.m.
February 22 at 6:30 p.m.
Theatre North
The Colored Museum
LIDDY DOENGES THEATRE
February 21 at 8 p.m.
February 22 at 3 p.m.
February 28 at 8 p.m.
March 1 at 3 p.m.
TPAC Imagination Series
Aesop’s Greatest Hits
JOHN H. WILLIAMS THEATRE
February 23 at 10 a.m.
February 23 at 11:30 a.m.
February 24 at 10 a.m.
February 24 at 11:30 a.m.
February 25 at 10 a.m.
February 25 at 11:30 a.m.
February 26 at 10 a.m.
February 26 at 11:30 a.m.
February 27 at 10 a.m.
February 27 at 11:30 a.m.
February 27 at 6:30 p.m.
HELPFUL INFO
TPAC ADMINISTRATIVE OFFICES are located at 110 E. Second Street, Tulsa, OK., 74103-3212. Office hours: Mon.–Fri. 9 a.m. to 5 p.m. Telephone 918596-7122. Fax 918-596-7144. Please subscribe to our monthly TPAC email newsletter online at TulsaPAC.com.
PARKING Convenient underground parking is located west of the building, accessed from Second Street. Event parking also is available in several lots across the street to the east and south of the TPAC. Prepay available at https://www.americanparking.com/events
ADMISSION AND LATE SEATING Lobby doors open two hours prior to an event. Chapman Music Hall doors normally open 30 minutes prior to curtain. The remaining theaters open 30 minutes before curtain. Late seating is at the discretion of each sponsoring organization. Latecomers may be temporarily held out of the theatre or asked to take seats at the back if available.
TICKET OFFICE HOURS are Monday through Friday 10:30 a.m. to 5:30 p.m. In addition to regular hours, it opens two hours prior to curtain for events scheduled in Chapman Music Hall. The Second Street ticket office, 110 E. Second Street on the north side of the building, opens two hours prior to each curtain for tickets to events scheduled that day in John H. Williams Theatre, Liddy Doenges Theatre or Charles E. Norman Theatre.
PHONE ORDERS Call the TPAC ticket office at 918-596-7111. Outside Tulsa call 1-800-364-7111. Nominal service charges are added to all phone and Internet orders. The TPAC ticket office accepts DISCOVER, MasterCard, VISA and American Express. Subscriber hotline: 918-596-7109.
BUYING TICKETS ONLINE Buy tickets at tulsapac.com using VISA, DISCOVER, MasterCard, or American Express. Access your tickets from your mobile device by logging into your account at tulsapac.com. You can access your tickets in the My Events section, and add them to your digital wallet. Tickets will be scanned by ushers at the door.
EXCHANGES The ticket office gladly exchanges tickets to events with more than one performance, subject to certain guidelines. Otherwise, all sales are final.
GROUP SALES AND BUILDING TOURS Group discounts are available. Please call 918-596-7109 for group sales assistance. Tours of the TPAC are offered free of charge and last approximately 45–60 minutes. Arrangements may be made by calling 918-596-7122.
SERVICES FOR PERSONS WITH DISABILITIES All Performing Arts Center facilities are accessible to persons with disabilities. Please ask about wheelchair-accessible seating when purchasing your ticket. Parking is located on the street level of the parking garage near the TPAC elevators. Use the south elevator to reach Chapman Music Hall. Restroom facilities are located in the Third Street Lobby for Chapman Music Hall events, and adjacent to the John H. Williams Theatre Lobby for events in the TPAC’s other theaters. The TPAC has a Listen Technologies RF system to assist the deaf and hard of hearing. It is available at coat check for Chapman Music Hall events. Ask the house manager on duty for equipment for the Williams, Doenges and Norman Theatres. Devices are provided at no cost.
PLEASE NOTE: The TPAC is a tobacco-free facility. Smoking and vaping are not allowed, nor is the use of chewing tobacco. Also, as a courtesy to the performers and audience, please turn off all audible message systems and cellular phones.
For more visitor information, please visit us at TulsaPAC.com.
