Interior Design Portfolio of Tripti Gupta

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PORTFOLIO

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TRIPTI GUPTA . . . . . . . . . . . . . . . . . .

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INTERIOR DESIGNER

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Phone: +6581154311 +91 8754505155

Email :guptatripti@raffles-designer.com

Online portfolio: https://www.coroflot.com/TRIPTIGUPTA

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PORTFOLIO

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TRIPTI GUPTA . . . . . . . . . . . . . . . . . .

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INTERIOR DESIGNER

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“Good design follows, Great design is followed “ - M. Cobani

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Credentials -Residential deisgn -Retail design -Office design -Hospitality design -Construction details - Budget and costing

Interests Photography Painting Playing keyboard Dancing Travelling

Computer Skills Revit 3ds max Auto cad Photoshop Illustrator InDesign Sketch up

Languages English Hindi Tamil

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Education Raffles College of higher Education, Singapore BA(Hons)degree in Interior Design (2019-current) Advanced Diploma in interior Design (2017-2019)

EDUCATIONAL experience: COIL The coil is an international project which was in collaboration with the Coventry University in UK. The project was to build a pavilion inspired by the subcultures of Singapore.

MOET HENNESSY collaboration: Moet Hennessy is a wines and spirits company.

We collaborated with Moet Hennessy on the renovation for their headquater office at Singapore to incorporate more breakout areas and co-working spaces.

Manual Skills Model Making Architectural Drafting Free hand drawing Marker rendering

About me is a passionate interior designer from Chennai, India. She has an excellent approach to solving problems and a proven ability to generate fresh solutions for the renovation of an interior space including structural alterations. She has excellent leadership and multi- tasking.

Tripti Gupta

TA B L E O F CONTENTS . . . . . . . . . . . .

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1. RESTAURANT DESIGN 2. OFFICE DESIGN

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3. PAVILION DESIGN

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4. NAIL SALON DESIGN

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5. APPENDIX

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01 BLANK CANVAS / RESTAURANT DESIGN

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01 BLANK CANVAS / RESTAURANT DESIGN

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BLANK CANVAS .

Restaurant Design

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BLANK CANVAS

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Project Description Using art therapy.

Having informative talks and sessions Hotsting events Vand performances

New chance for ex felon to rebuild their life 100% proceeds go towards the yellow ribbion project

Farm to table restaurant Having hydroponics in the restaurant.

Serving fresh harvest.

Located at 222 Queen St. Singapore.

01 BLANK CANVAS / RESTAURANT DESIGN

Design Concept Creating flexible spaces for different occasions and events as in case of a stage performance, exhibition etc.

Art done by the ex-felon would be displayed.

Customers shall enjoy a uniqueexperience where they could paint anywhere in the restaurant

incroporating different levels in the restaurant by adding rasied platforms and mezanine to make the space look more dynamic and fun

The restaurant is designed in such a way as to be cost- efficient, recyclable materials have been incroporated to make the furniture.

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01 BLANK CANVAS / RESTAURANT DESIGN

Floor Plans

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LEVEL 1 4 6

1 Entrance, Reception 2 Waiting Area 3 Gallery/Exhibit area 4 Dining area 5 Staff Entry

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6 Kitchen 7 Hydroponics area 8 Storage

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9 Stage/ raised seating 10 Bathtub Seating

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MATERIALS USED:

Mainly Oak herringbone harndwood flooring and Concrete flooring was used as it is a high traffic area

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LEVEL 2 11 Dance area convertible

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to dining

12 Storage 13 Dining 14 Outdoor Dining 15 Bar 16 Kitchen

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01 BLANK CANVAS / RESTAURANT DESIGN

Dining space, convertible to rehersal and seminar room On the mezanine here flexible chair have been placed which in any case can be put together to save space. This area has mirror on one side behind which there is storage. A flexible partition on the side encloses the area which could otherwise be used as a private space for holding seminars, and dance rehersals.

Softwares used: SketchUp, to model , Twilight to render and Adobe Photoshop to edit.

01 BLANK CANVAS / RESTAURANT DESIGN

VOID

VOID

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01 BLANK CANVAS / RESTAURANT DESIGN

BAR AND DINING The bar is located on the second level of the restaurant. Convertible seating with tables that can become a display stand, to sufficient storage is provided.

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VOID

VOID

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Double volume space

VOID

01 BLANK CANVAS / RESTAURANT DESIGN

VOID

Double volume space viewed from standing on the stage. The Mezanine can be viewed and is built a little lower than the original level 2 so that people from that level can also view the events going on the stage while eating.

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01 BLANK CANVAS / RESTAURANT DESIGN

bathtub seating area In the view of sustainability, old bathtubs were recycled and converted to seating in the restaurant. Old rubber tiers were stacked to be converted into coffee tables.

Modeling for this project has been done on Sketch up and rendered using Twilight render. It has further been edited on Photoshop.

01 BLANK CANVAS / RESTAURANT DESIGN

ref. ref. ref. ref. ref.

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3D SKETCHES 1

DINING SEATS CONVERTIBLE TO DISPALY STANDS

Pull out chairs that convert it into a seating space from exhbition display stand

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BATHTUB INSPIRED SEATING

Recycling bathtub to make seats and recycling tyres to make coffee tables

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01 BLANK CANVAS / RESTAURANT DESIGN

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WOODEN BEAMS CONTINUING ONTO CEILING

REVERSIBLE DINING TABLES

with resin . . . . cork coating to prevent damage

. . . . powder coated steel bars for support

The table can be flipped and glass can be placed on top for versatile use.

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02 MOET HENNESSY / OFFICE DESIGN

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02 MOET HENNESYY / OFFICE DESIGN

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MOET HENNESSY Office Design

MOET HENNESSY

Project Description Located at Moet Hennessy office Park Avenue, Level 9 Singapore 239918.

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Client- Jayesh Menon asked to redesign the office and incorpoate several break out areas and flexible co-working spaces

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Design concept Eliminate boundaries in the space to open up the space. create zones without using walls and doors.

incroporating different levels in the restaurant by adding rasied platforms and mezanine to make the space look more dynamic and fun

Encourage more open spaces in the offices to encourage visual connectivity as well as to help them feel more calm.

Creating flexible spaces for different functions.where spaces can serve as a breakout area as well as a brain storming area.

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Floor Plan The complete floor plan of moet hennesy headquaters in Singapore, with the focus areas highlighted

MH- seating space Theatre area

Pantry

LEVEL 1

Breakout area

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02 MOET HENNESYY / OFFICE DESIGN

Conference room

pantry and wine tasting area

wine display and reception

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BREAKOUT AREA This project was a group project done in teams of 4.

The entire floor plan ws designed by the team and then the important spaces were extracted and each member specifically designed the individual areas.

The areas chosen here was the breakout and brainstorming area.

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1 Phone booth 2 Breakout area 3 Fire exit 4 Pantry kitchen 5

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Pantry bar counter

6 Brainstorming area

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front elevation of the breakout and pantry areA

Projector screen for discussions and presentations

Oak wood laminated Wooden cubes moveable with storage

Telephone booth

Bean bags for relaxing

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White board to discuss and have

Pantry area to take a break and energise

Wine trolley made of plywood and walnut wood laminate

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trailing jade plants

Oak Wooden beams going up to the ceiling with plants

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Brainstorming area SCENARIO 2 This is the scenerio one where the cubes can be stacked one on top of each other and made into forms that look like stairs. Beside them is the chilling area with bean bags and a projector in case any video has to be shown. Wooden beams from the wall continue to the ceiling supporting hanging plants(trailing jade). This is one set up where the workers can gather either to take a break or hold brainstorming sessions.

Flexible boxes that can be stacked in different ways to create diff seating arrangements.

It can used as sotrage as well.

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Brainstorming area SCENARIO 1 This is the scenerio two where the cubes can be stacked randomly beside each other to make it look rough and playful.

This is one set up where the employees can gather either to take a break, have small discussions etc. Beside them is the chilling area with bean bags and a projector in case any video has to be shown. Wooden beams from the wall continue to the ceiling supporting hanging plants(trailing jade). Beside this area lies the pantry where the employees can have coffee or some while from the wine trolley

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3D SKETCHES 1

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3 1

SEATING/STORAGE BOXES

Cushion Storange Inside

Cushion

Storange Inside Cushion Storange Inside

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2

BAR COUNTER Clear glass Steel rods Steel frame champagne coloured, yellow acrylic sheets

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WOODEN BEAMS CONTINUING ONTO CEILING

Oak wood laminated beams that run up to the ceiling

Trailing jade plants used as it is easy to maintain

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pantry area

The pantry is located next to the breakout area. The pantry has a warm lighting to show relaxed environment. Employees can come here for a coffee break . This area represents the concept of having levels by having cubes of different sizes. The pantry is also on a different level from that of the brain storming area to create different zones

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Model Photos

Side view Model photo of Moet Hennessy made for the breakout/brainstorming area and the pantry/bar counter area with the featured ceiling and wall that has plants encircling it.

Top view of the breakout/ brainstorming area and the pantry with the telephone

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03 THE AUM / PAVILLION DESIGN

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03 THE AUM / PAVILLION DESIGN

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AUM Pavillion Design

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the aum Project Description

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In regards to the dying trades in Singapore, the designers came together to inform the public about the stories of the dying trades of Singapore through the means of a pavilion that is inspired by their lifestyle. The pavilion will narrate the story of the chosen subculture.

A thorough inspection and analysis was carried out in Chinatown, to identify and spot certain dying trades that form the identity of Singapore’s rich and diverse cultures coexisting in the country.

The Hindu Temple Priest was finally chosen to be the topic to be explored. The nostalgic experience of the pavilion will help individuals gain a deeper insight into the roots of Singapore.

Located alonside the Clarke Quay river.

SITE EXPLORED: Chinatown, Singapore.

About Sri Mariamman temple: Sri Mariamman Temple was founded in 1827 by the Indian Naraina Pillay during the colonial period. This Hindu temple is named after the principal deity, Mariamman, who is a South Indian goddess and is said to cure bad illnesses.

About the Temple Structure: The temple is built in Dravidian architectural style. The temple structure is a trapezoidal prism that points to the sky, the purpose of which is to bring humans and gods closer, using symbolism to express the ideas and beliefs of Hinduism. The exterior of the temple is noted for its ornate sculptures of mythical beasts deities and soldiers. These colourful sculptures make it one of the most astonishing buildings in Singapore.

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Design Concept The Aum is an educative and interactive pavilion inspired by the lifestyle of the priest. It aims to narrate the lifestyle and work of the Hindu Priest. “AUM” is a mantra that is chanted by the temple priest as it embodies strenght.

Uncover Uncovering means exposing and which is done by dissecting the temple’s top structure(Gopuram) part by part into different layers and drawing modular structures that would join to compose the temple structure. The design includes the modular hexagonal structures that are derived from the temple tiers at the top of the temple (Trapezoidal prism).

Explore Exploring would mean ‘to travel in or through something’ .

This will be indicated by creating a path for the people to follow, which would be the path of flow of the temple visitors.

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conceptualisation and DESIGN PROCESS MODEL 1: A radius for cutting the slits on the paper was decided and cut accordinly. They were then folded and when expanded, they created such a structure. design techniques used: cutting, folding and expansions

MODEL PROCESS 2: The hexagonal shape was extracted and then a ‘Z’ shaped stucture was cut out. these were then linked together to form the original hexagonal shape. design techniques used: tying.

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MODEL PROCESS 3: The hexagonal shape was extracted and then each fold was illustrated as asingle component. They were then repeated in numbers and slits were made to be able to intersect(insert in the slit, creating a joint) them. These peices were then stacked one on top of each other by interlacing them in the slits and securing them in place. design techniques used: cutting, folding, interlacing

MODEL 4: This design was inspired by teh initial model. the fold in the model was extracted and each component was used as one modular strusture. they were then increased in size and stacked one after each other. They were thenn placed in such a way that when people walked they’d be following the flow of path of movement of the temple visitors design techniques used: Stacking and repetion

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FLOOR PLAN

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1 Entrance into the pavillion 2 Central triangle representing connection to god

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CIRCULATION PLAN CIRCULATION FLOW: This immitates the flow of path of the temple visitors

MATERIALS USED: The main frame structure is composed of teak wood which is very durable and sustainable. Cotton cloth (worn by the priest) is used to cover some of the openings to partially let light in and can be used as a canvas for projections of the story line. For the panels, SRPX - Self Reinforced Polymer Matrix, from Miniwiz shall be used as it is very sustainable,durable and light-weight material.

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EXTERIOR VIEW

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03 THE AUM / PAVILLION DESIGN

ISOMETRIC

The trianle formed in te centre of the pavilion is a symbol of God Siva which denotes His Absolute Being. It represents the element fire and portrays the process of spiritual ascent and liberation spoken of in scripture.

Hence, in the centre area, also pertaining to the fire walking festival, sand is placed and holographic projections are depicted to show the story.

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INTERIOR VIEWS

Looking at the centre of the pavilioninto the open sky.

Interior vierw of each modular structure an dthe projections inside

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04 BEAUTY HOUSE / NAIL SALON DESIGN

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04 BEAUTY HOUSE / NAIL SALON DESIGN

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beauty house Nail Salon Design

Beauty house

Project Description The aim of this was for the designers to go out and search for their own potential clients/existing shops.

The chosen shop was a nail salon called Beauty House

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They were to redesign the existing shops and modify the space based on the needs and requirements of the client.

180 Bencoolen St, The Bencoolen, Singapore 189646.

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Design Concept Affordable looking but very elegant and chic at the same time.

Creating flexible spaces for different occasions and functions such as, manicure pedicure, facil or spa etc..

incroporating different levels in the salon by adding rasied platforms to make the space look more dynamic and fun.

a very neutral colour sceme, with hints of teal to resemble elegance has been applied.

MATERIALS USED

Engineered Ashwood used for flooring white wood for the wall behind reception and spa concrete for wall to give a more naturalistic effect White paint

oak wood laminate for reception and manicure counters

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DEVELOPMENT SKETCHES

04 BEAUTY HOUSE / NAIL SALON DESIGN

floor plan

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1 Spa room 2 Pedicure Area

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3 Manicure Station 4

4 Reception 5 Waiting Area

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NAIL SALON AREA This is the main area of the small nail salon. On the left is the pedicure chairs and on the right is a manicure station and on another pedicure station. The equipment cart has been placed next to the area and is easily accessible by the staff for pedicure/ manicure.

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RECEPTION AND MANICURE STATION This is the reception and manicure area. People can come in and enquire at the reception and then wait at the waiting area opposite the reception.

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Lighting: The mood achieved with the help of lighting is very peaceful, and calming. General and accent lighting has been used with the help of track lights, to light up the whole place. Accent lights such as pendant lights have been used above the pedicure stations to highlight the work areas and create focal points which helps in grabbing the attention of the viewer.

Cove lighting has been used behind the mirrors to further define the pedicure station areas.

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SPA ROOM A space for the sink and washing machine has been provided as per the further comments and feedbacks from the clients. Wall mounted shelves have been utilized to store the cosmetics and products that will be used during the service. 2 facial beds have been provided in the spa room. A curtain divider has been provided incase both the beds are in use to provide privacy to the customers.

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APPENDIX Other

works

57

05 APPENDIX / CONSTRUCTIONS

CONSTRUCTION DRAWINGS

05 APPENDIX / CONSTRUCTIONS

58

59

05 APPENDIX / CONSTRUCTIONS

CONSTRUCTION DRAWINGS

05 APPENDIX / CONSTRUCTIONS

60

61

05 APPENDIX / CONSTRUCTIONS

CONSTRUCTION DRAWINGS

05 APPENDIX / CONSTRUCTIONS

GENERAL NOTES The contractor to be responsible for: - Verifying all drawings, specifications,dimensions and measurements as well as site, conditions and notifying the designer of all discrepancies and omissions before commencing the works.

- Submitting samples and shop drawings for review and approval by designer before commencing works.

- Ensuring that all work is keeping with all national building codes.

- All necessary repairs, patching and cleaning of site during and after completition of works.

- Verifying existing site conditions prior to submissions of quotations.

- Not starting the construction unless these drawings are signed approved.

- All work specified on all drawings and specifications and supplying all necessary materials and labour required to complete all phases of work in accordance with the designer's standards.

SPECIFIC NOTES :

NO.

A B

A B

DATE:

REVISIONS:

DETAIL NO. SHEET NO.

COURSE: CS1

ASSIGNMENT TITLE: BATHROOM DETAILS

DRAWING TITLE: FLOOR PLAN AND FLOORING PLAN STUDENT NAME:

TRAN HIEU NGUYEN (GORDON) GUPTA TRIPTI

DATE: 29/8/18 SCALE: 1:20

SHEET:

01

62

63

05 APPENDIX / CONSTRUCTIONS

CONSTRUCTION DRAWINGS

05 APPENDIX / CONSTRUCTIONS

GENERAL NOTES The contractor to be responsible for: - Verifying all drawings, specifications,dimensions and measurements as well as site, conditions and notifying the designer of all discrepancies and omissions before commencing the works.

- Submitting samples and shop drawings for review and approval by designer before commencing works.

- Ensuring that all work is keeping with all national building codes.

- All necessary repairs, patching and cleaning of site during and after completition of works.

- Verifying existing site conditions prior to submissions of quotations.

- Not starting the construction unless these drawings are signed approved.

- All work specified on all drawings and specifications and supplying all necessary materials and labour required to complete all phases of work in accordance with the designer's standards.

SPECIFIC NOTES :

NO.

A B

A B

DATE:

REVISIONS:

DETAIL NO. SHEET NO.

COURSE CS1

ASSIGNMENT TITLE: BATHROOM DETAILS

DRAWING TITLE: ELEVATIONS STUDENT NAME:

TRAN HIEU NGUYEN (GORDON) GUPTA TRIPTI

DATE: 29/8/18 SCALE: 1:20

SHEET:

02

64

65

05 APPENDIX /

CONSTRUCTION DRAWINGS

CONSTRUCTIONS

05 APPENDIX / CONSTRUCTIONS

GENERAL NOTES The contractor to be responsible for: - Verifying all drawings, specifications,dimensions and measurements as well as site, conditions and notifying the designer of all discrepancies and omissions before commencing the works.

- Submitting samples and shop drawings for review and approval by designer before commencing works.

- Ensuring that all work is keeping with all national building codes.

- All necessary repairs, patching and cleaning of site during and after completition of works.

- Verifying existing site conditions prior to submissions of quotations.

- Not starting the construction unless these drawings are signed approved.

- All work specified on all drawings and specifications and supplying all necessary materials and labour required to complete all phases of work in accordance with the designer's standards.

SPECIFIC NOTES :

NO.

A B

A B

DATE:

REVISIONS:

DETAIL NO. SHEET NO.

PROJECT TITLE AND LOCATION:

-

DRAWING CONTENTS

SECTION AND DETAILS OF L-SHAPED CABINET DESIGNER NAME:

TRAN HIEU NGUYEN (GORDON) GUPTA TRIPTI CLIENT NAME:

DATE: 29.08.2018 SCALE: 1:10

SHEET:

3

66

67

05 APPENDIX / FUNTION CHART

furniture chart

05 APPENDIX / EQUIPMENT CHART

equipment chart

Note: The equipment and furniture chart belong to the Blank Canvas project.

68

69

05 APPENDIX / MARKER RENDERINGS

MARKER RENDERINGS

05 APPENDIX / MARKER RENDERINGS

70

71

05 APPENDIX / 3DS MAX RENDERINGS

3DS MAX RENDERINGS

RESIDENTIAL- KITCHEN

RESIDENTIAL- LIVING ROOM

05 APPENDIX / 3D CAD RENDERINGS

3DAUTO CAD RENDERINGS

RESIDENTIAL- KITCHEN

RESIDENTIAL- LIVING ROOM

72

THANK YOU I would like to thank all my friends, family and lecturers for guiding me throughout, believing in me and helping me reach where I am today.