TRIASbook

trias book

TRIAS is at the forefront of the science center and museum industry in Poland. We create professional expositions – from concept to final venues.

01 | ABOUT

02 | HOW DO WE OPERATE?

THE CENTER FOR THE POPULARIZATION OF SCIENCE AND INNOVATION OF THE UNIVERSITY OF WARMIA AND MAZURY KORTOSFERA IN OLSZTYN

NATIONAL MARITIME MUSEUM IN GDANSK

SCIENCE ISLAND IN KAUNAS

03 | COMPLETED PROJECTS

MARITIME SCIENCE CENTER IN SZCZECIN

50

GEN SCIENCE GENERATOR IN JASLO

EPI-CENTRE OF SCIENCE IN BIALYSTOK

64

EXPOSITION AT NATIONAL BANK OF POLAND

76

MUFO MUSEUM OF PHOTOGRAPHY IN CRACOW

84

EDUCATION CENTER OF THE WARTA MOUTH NATIONAL PARK IN SLONSK

102

NATIONAL MUSEUM OF TECHNOLOGY IN WARSAW

128 94

COPERNICUS SCIENCE CENTER IN WARSAW

138

MOTOEXPERYMENTARIUM - ART DEPOT IN SZCZECIN

110

ART DÉCO IN PLOCK

118

TRIAS GROUP

After more than 28 successful years it holds 6 subsidiaries, 2 non-profit organizations and employs 200 professionals –engineers, project managers, educational experts, designers, architects, software developers, etc.

TRIAS is the Polish prime contractor that creates science centers and museums - from design through implementation to ready to use facilities. Our company is a leader in providing tailor-made, 360-degree solutions for large scale projects.

TRIAS has carried out over 60 science center and museum projects during more than 28 years of activity. The company’s priority is to create unique exhibitions by integrating state-of-art multimedia systems and latest technology with traditional exhibits and vintage museum pieces. We also specialize in providing advanced audio, video, light solutions for domestic and international venues. Having an in-house Creative and Design Office and Software Development Office, we provide pitch perfect solutions, that are strongly based

STARTED IT’S ACTIVITY IN 1996

TRIAS GROUP

on customer needs. Both offices work closely together and deliver complete products: from a story, through concept, technical project, to executive project and implementation.

A group of professional, experienced project managers, technicians, as well as in-house Production Office, guarantee that final results are in line with the project and always meet our customers’ expectations. While designing, we always have the newest UX standards in mind. Our Creative Design team has a vast and impressive portfolio, including but not limited to science centers. Similarly Software Development team created many apps for various science centers and museums. Most of our engineers hold AVIXA CTS certificates that gu-

arantee highest level of technical knowledge and design practices. With cutting-edge multimedia solutions and hand-made products comes need of professional maintanance.

Digiservice, a subsidiary of TRIAS Group, is a company with more than 20 years of experience in the market, a reliable service partner for a wide range of science centers, museums, public institutions, sports facilities and business clients. It operates mainly in Poland but has numerous clients in European countries as well. More than 3000 satisfied customers has already benefited company’s expertise. Digiservice closely cooperates with TRIAS and services all our products.

02 | HOW DO WE OPERATE?

THE CENTER FOR THE POPULARIZATION OF SCIENCE AND INNOVATION OF THE UNIVERSITY OF WARMIA AND MAZURY

KORTOSFERA IN OLSZTYN

TRIAS is responsible for design and creation of the exhibition of The Center for the Popularization of Science and Innovation of the University of Warmia and Mazury Kortosfera. The leading themes of the new exhibition space are agriculture, food, diet, health, nature and

the human impact on the environment. The exhibition is mainly based on interactive devices and combines multimedia and mechanical solutions. All this will surely make Kortosfera very popular with visitors of all age categories, especially younger viewers.

YOUNG SPACE EXPLORERS

HOW TO FEED THE FUTURE?

HUMANA BEING THAT EATS

I SOW THEREFORE I AM

UNDERGROUND KINGDOM

The Center for the Popularization of Science and

YOUNG SPACE EXPLORERS HOW TO FEED THE FUTURE? HUMAN - A BEING THAT EATS

The construction of a major science center exhibition like Kortosfera is quite a challenge for the entire project team, which is why it was so important to have excellent cooperation between everyone involved. Scientists responsible for the substantive content, architects, graphic designers, technicians, programmers, carpenters, model makers - all worked tirelessly to create this unique place. Great attitude of the representatives of the contracting authority was another unquestionable advantage. A clear vision, ability to cooperate and understanding of common goals greatly facilitates the implementation of such a complex investment.

- Roman Zwiejski, Project Manager at TRIAS responsible for the realization of Kortosfera

KORTOSFERA

The Center for the Popularization of Science and Innovation of the University of Warmia and Mazury Kortosfera

KORTOSFERA

KORTOSFERA

The

The Center for the Popularization of Science and

EXHIBITION 100 YEARS OF THE POLISH SAILING IN NATIONAL MARITIME MUSEUM IN GDANSK

210 m 2 230 2622 of floor space permanent exhibits number of cloth fragments forming wind installations on the ceiling

The TRIAS Design Team was responsible for the design and author’s supervision of a new temporary exhibition at the National Maritime Museum in Gdansk, which was created in celebration of the 100th anniversary of the establishment of the Polish Yachting Association in 2024. The exhibition tells the story of Polish sea and

inland sailing. Visitors have the opportunity to learn about the people who created sailing achievements over the past century, see yachting accessories and equipment, clothing and everyday objects. There are also hand-on exhibits showcasing practical sailing knowledge.

The exhibition design, the graphics, the typography used or the elements of small architecture all relate directly to the main theme. The colors and shapes used in the creation of the scenography bring to mind the rough sea, which helps to create a coherent and immersive space. Navy blue and white reminiscent of fo-

amy waters and the depths of the sea dominate the floor, while the graphics on the walls are associated with a blurred horizon and refer to the infinity of the ocean. Set in the center, a dynamic, partially transparent structure in the shape of a yacht’s hull symbolizes the sailing adventure. It is the heart of the exhibition, com-

bining the history of Polish voyages with the spirit of sailing competition. While the installation on the ceiling, consisting of fragments of material moved by a gentle stream of air, refers to wind and waves.

When embarking on the design of the exhibition 100 Years of Polish Sailing, we wanted visitors to feel the unique atmosphere of sea voyages and boundless depths. Helping to achieve this goal were a specially selected color scheme, the use of the element of wind and authentic attributes associated with sailing.

- Klaudia Walaszek-Wieczorek, Architect at TRIAS

SCIENCE ISLAND

IN KAUNAS

Science and Innovation Promotion Centre ‘Science Island’ will accommodate permanent and temporary expositions, a unique virtual projection space, STEAM laboratories, cafés and administrative part. 140 exhibits will create the permanent exhibition, while temporary exhibitions will be replaced once a year.

Main exposition consists of 7 themes: human body and health, food, nature and environment, waste and pollution, energy, transport and communication. Each space will stand out in its individual form and with its own exhibits. Eight part of the Science Center will be dedicated to the youngest visitors (3-6 years), adapted to their

cognitive needs. Here children will get acquainted with science through games, sensations, colors and shapes.

Elements of the new exhibition’s scenography will refer to modernism, which occupies an important place among Kaunas’ main architectural motifs. The sce-

nography was inspired by the city’s most recognizable Modernistic buildings: the Central Post Office, Žaliakalnis Funicular Raylway, M. K. Čiurlionis National Museum of Art, Vytautas the Great War Museum, Bank of Lithuania and others. The colors of the exhibition will be consistent with the architecture of the interior.

We are delighted to be part of the Science Island project, especially since it is the first science center in Lithuania. As we are responsible for both design and creation, we can already say that it will be an exclusive object on the European scale. We have been on the Polish market for more than 28 years, and over the last few years we have focused on science centers, museums and exhibition spaces.

- Dawid Polasik, Commercial Director at TRIAS

View of the I-Center from

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

The positive decision is immediately transmitted via light path to the lamp located above an exhibit.

Additional scheme of the central exhibit (I-Center)

The positive decision is immediately transmitted via light path to the lamp located above an exhibit.

1.6.1.2.5.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

Than it uses the light path on the ceiling to reach the central exhibit.

Than it uses the light path on the ceiling to reach the central exhibit.

it uses the light path on the ceiling to reach the central exhibit.

Additional scheme of the central exhibit (I-Center)

1.6.1.2.5. Additional scheme of the central exhibit (I-Center)

A positive decision is being made.

A positive decision is being made.

A positive decision is being made.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Additional scheme of the central exhibit (I-Center)

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect. The positive decision is immediately transmitted via light path to the lamp located above an exhibit.

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

The positive decision is immediately transmitted via light path to the lamp located above an exhibit.

The positive decision is immediately transmitted via light path to the lamp located above an exhibit.

The positive decision is immediately transmitted via light path to the lamp located above an exhibit.

All the

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

Than it uses the light path on the ceiling to reach the central exhibit.

Than it uses the light path on the ceiling to reach the central exhibit.

Than it uses the light path on the ceiling to reach the central exhibit.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

Visitors make opposing decisions.

Visitors make opposing decisions.

Visitors make opposing decisions.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

Visitors make opposing decisions.

Visitors make opposing decisions.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

Visitors make opposing decisions.

Next lights fall directly into the middle of the sculture and mix together, while pulsing at the same time.

Next lights fall directly into the middle of the sculture and mix together, while pulsing at the same time.

Next lights fall directly into the middle of the sculture and mix together, while pulsing at the same time.

Next lights fall directly into the middle of the sculture and mix together, while pulsing at the same time.

Next lights fall directly into the middle of the sculture

Next lights fall directly into the middle of the sculture and mix together, while pulsing at the same time.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

The opposing decisions are immediately transmitted via light paths to the lamps located above exhibits.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

The opposing decisions are immediately transmitted via light paths to the lamps located above exhibits.

The opposing decisions are immediately transmitted via light paths to the lamps located above exhibits.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

The opposing decisions are immediately transmitted via light paths to the lamps located above exhibits.

The opposing decisions are immediately transmitted via light paths to the lamps located above exhibits.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Making different decisions at the same time, using stands that

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

Than they use light paths on the ceiling to reach the central exhibit.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

Than they use light paths on the ceiling to reach the central exhibit.

Than they use light paths on the ceiling to reach the central exhibit.

Than they use light paths on the ceiling to reach the central exhibit.

Than they use light paths on the ceiling to reach the central exhibit.

the central exhibit.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

Making different decisions at the same time, using stands that affect the I-Center

All the data is summarized, collected from time to time, and sent to screens located in three benches. Making

All the data is summarized, collected from time to time, and sent to screens located in three benches.

I-Center is the main exhibit of Science Island. The sculpture is in an organic, irregular shape at the core of the Science Island, symbolizing a monument in the city center or a modern ‘living’ building. At the same time, the shape refers to the seed of a plant that we need to nurture.

All the data is summarized, collected from time to time, and sent to screens located in three benches. Making

Making different decisions at the same time, using stands that affect the I-Center

It integrates seven topics of the permanent exhibition, reflecting the idea, that all fields our activities influence the balance and wellbeing of our planet. The idea of the I-Center is to remind the visitors, that no matter what they are involved in at the moment (i.e. Transport, Communication or Energy) they need to consider the global perspective.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5. Additional scheme of the central exhibit (I-Center)

1.6.1.2.5.

1.6.1.2.5.

A negative decision is being made.

1.6.1.2.5.

1.6.1.2.5.

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

Additional scheme of the central exhibit (I-Center)

decision is being made.

A negative decision is being made.

A negative decision is being made.

A negative decision is being made.

A negative decision is being made.

1.6.1.2.5.

1.6.1.2.5.

1.6.1.2.5.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

After that the light falls directly into the middle of the sculture and creates a gentle, pulsing light effect.

The negative decision is immediately transmitted via light path to the lamp located above an exhibit.

The negative decision is immediately transmitted via light path to the lamp located above an exhibit.

The negative decision is immediately transmitted via light path to the lamp located above an exhibit.

The negative decision is immediately transmitted via light path to the lamp located above an exhibit.

The negative decision is immediately transmitted via light path to the lamp located above an exhibit.

The negative decision is immediately transmitted via light path to the lamp located above an exhibit.

Then data and statistics, in form of floating dots, appear on three large hidden under a mirrored base.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Additional scheme of the central exhibit (I-Center)

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Additional scheme of the central exhibit (I-Center)

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

Than it uses the light path on the ceiling to reach the central exhibit.

Than it uses the light path on the ceiling to reach the central exhibit.

Than it uses the light path on the ceiling to reach the central exhibit.

Than it uses the light path on the ceiling to reach the central exhibit.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base. Than it uses the light path on the ceiling to reach the central exhibit.

Then data and statistics, in form of floating dots, appear on three large screens hidden under a mirrored base.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

All the data is summarized, collected from time to time, and sent to screens located in three benches.

Making decision, using stand that affect the I-Center 1.6.1.2.5.

When visitor approaches, motion detector set the light being’s reaction - it is delicate and shy.

When visitor approaches, motion detector set the light being’s reaction - it is delicate and shy.

When visitor approaches, motion detector set the light being’s reaction - it is delicate and shy.

When visitor approaches, motion detector set the light being’s reaction - it is delicate and shy.

When visitor approaches, motion detector set the light being’s reaction - it is delicate and shy.

When visitor approaches, motion detector set the light being’s reaction - it is delicate and shy.

(Familiarisation)

Making decision, using stand that affect the I-Center

Making decision, using stand that affect the I-Center

Making decision, using stand that affect the I-Center

The shape of the light continues to float, reacting to the movement of a person located at the motion sensor

The shape of the light continues to float, reacting to the movement of a person located at the motion sensor

The shape of the light continues to float, reacting to the movement of a person located at the motion sensor

The shape of the light continues to float, reacting to the movement of a person located at the motion sensor

The shape of the light continues to float, reacting to the movement of a person located at the motion sensor

The shape of the light continues to float, reacting to the movement of a person located at the motion sensor

Making decision, using stand that affect the I-Center

Making decision, using stand that affect the I-Center

When a person makes a slow movement, the light being in the I-Centre moves away, giving an expression of concern.

When a person makes a slow movement, the light being in the I-Centre moves away, giving an expression of concern.

When a person makes a slow movement, the light being in the I-Centre moves away, giving an expression of concern.

When a person makes a slow movement, the light being in the I-Centre moves away, giving an expression of concern.

When a person makes a slow movement, the light being in the I-Centre moves away, giving an expression of concern.

When a person makes a slow movement, the light being in the I-Centre moves away, giving an expression of concern.

The light changes form when a new decision arrives or when it senses a chaotic movement.

When a person makes a sudden movement, light being in the I-Centre tries to hide, as if being afraid.

When a person makes a sudden movement, light being in the I-Centre tries to hide, as if being afraid.

The light changes form when a new decision arrives or when it senses a chaotic movement.

The light changes form when a new decision arrives or when it senses a chaotic movement.

The light changes form when a new decision arrives or when it senses a chaotic movement.

The light changes form when a new decision arrives or when it senses a chaotic movement.

The light changes form when a new decision arrives or when it senses a chaotic movement.

Visitors’ actions that effect the I-Center

When a person makes a sudden movement, light being in the I-Centre tries to hide, as if being afraid.

When a person makes a sudden movement, light being in the I-Centre tries to hide, as if being afraid.

When a person makes a sudden movement, light being in the I-Centre tries to hide, as if being afraid.

When a person makes a sudden movement, light being in the I-Centre tries to hide, as if being afraid.

The light takes on its full glowing form when it is calm.

The light takes on its full glowing form when it is calm.

The light takes on its full glowing form when it is calm.

The light takes on its full glowing form when it is calm.

The light takes on its full glowing form when it is calm.

The light takes on its full glowing form when it is calm.

9

Additional scheme of the central exhibit (I-Center) 9 9

Visitors’ actions that effect the I-Center

Visitors’ actions that effect the I-Center

Visitors’ actions that effect the I-Center

The ‘behavior’ of the exhibit is strongly reminiscent of emotional living being. Change in intensity of lights inside the I-Center reflects its ‘emotional’ state. When visitor’s decisions at the exhibition lead to increased pollution, the lights of the I-Center change dramatically, creating an impression of the rapid heart pulse or quick breathing. On the other hand, when the visitors make sustainable choices, the central exhibits reacts with warm, relaxed, pulsating lights, and even funny glitters and light shows. The impression that the sculpture is alive is enhanced by its reaction to the visitors.

9

Visitors’ actions that effect the I-Center 9 9

9

9

03 | COMPLETED PROJECTS

MARITIME SCIENCE CENTER IN SZCZECIN

PROJECT

IN FIGURES: of floor space thematic zones permanentexhibits floors

3100 m 2 3 5 213

The Prof. Jerzy Stelmach Marine Science Centre (MCN) is Poland’s largest science center dedicated to water and shipping.

The MCN’s leitmotif is the sea - a subject that allows for an attractive presentation of issues in the fields of physics, mathematics, astronomy, geography, medicine, technology, ecology, sociology, history or culture, among others.

Showing a variety of phenomena by means of examples related to sailing, waves, wind, fishing or harbor life

will makes it a unique facility not only in Europe, but also worldwide.

The permanent exhibition is located on three floors of the center’s building, totaling some 3100 m2

TRIAS is responsible for the full realization of the exhibition - from the concept, architectural design and design of the multimedia systems, through set design and preparation of applications for multimedia devices, to the construction and installation of the exhibits.

The MCN is the largest science center in Poland dedicated to water and shipping in its broadest sense. A broad range of diverse exhibits is available to visitors. There are fully interactive devices, some operate on water and others use advanced AV solutions and dedicated applications. There are also some exhibits that use motion detection technology. The whole exhibition has been wrapped in a coherent scenographic design.

-

Jacek Augustyn, Project Manager at TRIAS

EPI-CENTRE OF SCIENCE IN BIALYSTOK

PROJECT IN FIGURES:

3200 m2 of floor space

16

140

permanent exhibits thematic zones

Epi-Centre of Science is the largest science centre in Poland east of Vistula river. Established to promote science, research and innovation, the institution is a creative space to explore inventions, technologies and laws of

nature. You will find exhibits covering topics from the following fields: optics, transport, telecommunications, medicine, automation, robotics, mechanics and many more. Each thematic zone is distinguished by a sceno-

graphy that relates to specific subject. The exhibition offers a immersive journey for everyone, regardless of age: young and old, children and adults, students and teachers.

Designing Epi-Centre of Science was a real treat for creative architects, because aside from being a fascinating science center with fantastic exhibits, it also required a coherent architectural concept with plenty of scenography. Each of eleven thematic zones of the main exhibition has a unique design motif - colors, shapes, materials and patterns, that originates from the addressed subject matter.

- Mateusz Morski, Creative Director at TRIAS

EXPOSITION AT NATIONAL BANK OF POLAND

2 000 m2 of floor space

250 PROJECT IN FIGURES:

the history of money. One can witness the birth of the coin and banknote, the first banks, economic theories, see how money is created, how an ATM and credit card work. In addition to over permanent exhibits

Occupying over 2000 sq. m museum focuses on direct contact with the history of money, the economy and its mechanisms. It is a kind of time machine that takes visitors to the key places in

10000 traditional exhibits, numismatic items and information texts, it offers over 250 interactive multimedia stands.

This was a very prestigious project in the center of Polish capital city. Because of that we were able to use the best materials and technology available at that moment. To this day it is one of the most interesting tourist attraction in Warsaw.

- Jakub Szymus, Technical Director at TRIAS

MUFO MUSEUM OF PHOTOGRAPHY IN CRACOW

PROJECT IN FIGURES:

700 m2

2

5 55

of floor space thematic zones permanent exhibits floors

The new multimedia-rich exhibition ‘What Makes Photo?’ at the Museum of Photography in Cracow (MuFo) is the first exhibition in Poland to present a cross-sectional view of the history of photography, its present and it’s future. Visitors have the opportunity to learn about different photographic techniques, to understand how modern prints are made, but also to find out what methods were previo-

usly used to record images on paper. The new exhibition also features an extensive collection of works by Polish photographers. Another important aspect of the exhibition is the presentation of the cultural significance of photography - how it was used to convey information, but also to influence public opinion. The arrangement of the exhibition gives visitors the opportunity to explore,

experience and freely contemplate the main themes of the exhibition. Original exhibits, reproductions and factual content are presented in the exhibition using alternating forms - hands-on interactive elements, texts and infographics, allowing visitors to experiment and discover on their own. TRIAS was responsible for the creation of the exhibition.

When we embarked on the realization of the MuFo in Cracow, we were given a very interesting architectural space, which we successfully managed to transform into the unique exhibition regarding the history and future of the art of photography. One of the most interesting challenges during this accomplishment was a close cooperation with the local conservator of monuments, whose role was to assure that the effects of our work were consistent with the rules of proper display of historic photographs.

- Filip Prasal, Sales Manager at TRIAS

GEN SCIENCE GENERATOR IN JASLO

PROJECT

IN FIGURES:

7

62

interactive exhibits

24

700 m2 over of floor space thematic zones multimedia exhibits

GEN Science Generator in Jaslo is an ambitious science centre with an immersive and well-thought narration and a lot of interactive exhibits. Seven thematic zones refer to the local, industrial

cultural heritage, present how science influences people’s everyday life in these areas and show what may await us in the future. The concept of the exhibition identifies popular science

thematic zones linked to the local and regional industrial cultural heritage, drawing on the potential of the city of Jaslo and the region but also reaching far into the future.

GEN Science Generator was a bold project that resulted in the rich in content science center. Covering multiple STEM topics, it is first and foremost a great way to interest younger generation in science and technology. Thanks to that, the GEN became one of major tourist attraction in town of Jaslo.

- Radoslaw Cetner, Project Manager at TRIAS

Kinetic Friction in Liquids exhibit; World in Motion thematic zone 07

Planets exhibit; Voyage to Mars thematic zone

EDUCATION CENTER OF THE WARTA MOUTH NATIONAL PARK IN SLONSK

PROJECT

IN FIGURES:

900 m2 of floor space

100

12

permanent exhibits high-end multimedia projectors creating 3D mapping Balloon Flight

The main goal of the Education Center of the Warta Mouth National Park is to present the natural values of the Warta Mouth - both fauna, flora and geography of

the area. Numerous and interesting multimedia, interactions, graphics, models (e.g. of an airplane fuselage, a river bank or a beaver lodge), exhibits and models

create a very interesting and varied exhibition, which will be of interest not only to younger viewers, but also to adults.

Mock-up of a riverbank and a large-scale aquarium; River thematic zone

The use of modern technology for educational purposes has a very positive effect on reception of the content. Cooperation with the Warta Mouth National Park has resulted in an exhibition space unique in Poland, combining traditional exhibits and models with innovative multimedia solutions. The exhibition project was created in agreement with the construction project. As a result, there was space for such unique exhibits like the Baloon Flight or aquarium.

- Marcin Wojczynski, Vice-president at TRIAS

MOTOEXPERYMENTARIUM - ART DEPOT IN SZCZECIN

PROJECT IN FIGURES:

200 m2 of exhibition space

15

interactive exhibits

The new space at Museum Of Technology And Transport - Art Depot is a permanent interactive exhibition, arranged as a modern vehicle inspection station. The

theme of the new exhibition is automotive industry, one of the fastest growing and changing areas of life. It is also a story about the history of technology in Pome-

rania. In keeping with the idea of the exhibition, it designed as a workshop of an enthusiast who appreciates both the past and innovations of technology.

This exhibition is mainly based on mechanical and mechatronic solutions. Multimedia devices, on the other hand, are only a supplement, helping to convey substantive issues.

- Aleksandra Litwora, Architect at TRIAS

ART DÉCO EXHIBITION IN PLOCK

PROJECT IN FIGURES:

700 m2

2

1800

of exhibition space floors antique pieces

Art Déco exhibition, a part of Mazovian Museum in Plock is the largest presentation of the art collection of the 1920s and 1930s in Poland.

The tour begins with an interactive calendar introducing the exhibition. The ground floor exhibition is an urban imitation of the city at night, which perfectly creates the atmosphere of the inter-war period and the art déco style. Here you can see the interiors of townhouses, the Fashion House with its extensive collection of costumes and accessories, a jeweller’s

shop, a bank and a mini-cinema. These spaces display the historic collections and faithfully reflect the atmosphere of the era. The dominant feature of the urban development is a vintage 1926 JOWETT Special Roadster car. The exhibition is complemented by a number of interactive stations, operated via touchscreen monitors. Also noteworthy is the 3D mapping, created using high-end projectors, which complements the architecture and brings the space to life.

On the first floor, visitors can see an arranged inter-war flat with interiors - living room, dining room, bedroom and kitchen. In addition, the exhibition area includes an arts and crafts gallery, comprising utilitarian and decorative wares in glass, ceramics and metal, as well as sculptures and paintings - including Tamara Lempicka’s ‚Still Life’. In the central section is the Hall of Identity, thematically referring to the Polish pavilion created for the 1925 International Exhibition of Decorative Arts and Design in Paris. 01

The new permanent Art Déco exhibition in Plock is a unique combination of historical exhibits, perfectly designed and arranged space and modern audio-video technology. By combining all the elements, we have managed to tell the story of this unique period in Polish art in a credible and interesting way.

- Maciej Beres, Architect at TRIAS AVI

NATIONAL TECHNOLOGY MUSEUM IN WARSAW

PROJECT IN FIGURES:

1100 m2

50 300 25

of floor space exhibits multimedia applications showcases and displays

Almost 1100 m2 of re-arranged space, new exhibition elements and invariably fascinating, also previously unpresented historic technological achievements – this is the new National Museum of Technology in Warsaw. The new exhibition entitled: ‘Poles’ contribution

to the world’s technical and scientific heritage’ tells the long story of the development of Polish technical thought, focusing in particular on the most significant engineering and scientific achievements of the period between the 17th and 20th centuries. Visitors will also be

able to learn about mathematics, see the development of tools and technical drawing - in a word, everything that builds the language of technology, without which the technological progress that has been going on for years, would not have been possible. 01

The National Museum of Technology has a lot of a great exhibits of vintage technology. For example, we have installed a Demoiselle aircraft replica five meters above the rotunda floor and an original Fort T on the special tilted platform. Because the Museum is under conservation protection, we could not interfere with the building structure and had to build a specially designed steel constructions. This was both demanding and complicated but finally we have managed to create an entire installation capable to hold the heavy exhibits and other scenography inside the building.

- Tomasz Skrzypczak, Project Manager at TRIAS

COPERNICUS SCIENCE CENTER IN WARSAW

Copernicus Science Center in Warsaw is one of largest and renowned educational institution in Europe. In 2022 TRIAS has created a part of new ‘Future is Now’ exhibition. The exhibits re-

fer to problems of pollution, deforestation of urban areas, energy production and consumption. There is also an exhibit explaining 5G signal coverage and one describing the importance of

so-called seed banks, which are meant to help biodiversity conservation. All elements of exposition are interactive with both multimedia and hands-on solutions.

It is very rewarding when our software is being used by roughly a million of visitors each year. Because the apps in Copernicus Science Center are being used by people in different age groups, accessibility and UX were crucial for us. The openness and competence of the Copernicus team, together with a shared awareness of purpose, made it possible to create best solutions in terms of the usefulness and value of the experience for visitors.

- Jakub Ostrowski, Software Development Manager at TRIAS

21 Kabaretowa Street Warsaw

sekretariat@trias.pl

T: + 48 22 839 49 35

M: + 48 509 920 767

concept and graphic design

Ewelina Jalocha

Mateusz Morski

photos

Piotr Krajewski

Maciej Bultowicz

Mateusz Morski

Marcin Giers

special thanks to

Marcin Wojczynski

Dawid Polasik

Jakub Szymus

Michal Kowalczyk

Maciej Beres

Aleksandra Adamczyk

Aleksandra Litwora

Klaudia Walaszek-Wieczorek

Radoslaw Cetner

Jacek Augustyn

Tomasz Skrzypczak

Jakub Ostrowski

Roman Zwiejski

copywriting

Maciej Bultowicz

Centrum Popularyzacji Nauki i Innowacji