Postscript: Countering Restriction with Expansion: Cultivating Kaleidoscopic Counterpublics “What is always needed in the appreciation of art, or life, is the larger perspective. Connections made, or at least attempted, where none existed before, the straining to encompass in one’s glance at the varied world the common thread, the unifying theme through immense diversity.” ~Alice Walker, In Search of Our Mothers’ Gardens “There is something quite profound about not knowing, claiming not to know, or not gaining access to knowledge that enables us to know that we are not the sole (re)producers of our lives. But we would have to apprehend the loss that comes from not knowing and feel its absences in an immediate and palpable way in order to remake ourselves enough, so that our analyses might change. We have to learn how to intuit the consequences of not knowing, to experience their effects in order to reverse some of the deeply embedded deposits on which an imperial psyche rests.” ~M. Jacqui Alexander, “Whose New World Order? Teaching for Justice”
I recently delivered a demo talk of this project to be part of a public speaker series in Vermont. I created a slideshow with the title, “How Literature May Make Us Better Global Citizens” and gave a twenty-minute gloss on how literature allows us to look at the world from multiple perspectives, providing us with opportunities to understand beyond our own worldviews. I qualified the lived importance of the talk by incorporating recent Harvard studies documenting decreased empathy levels in students who suggest their parents have taught them to prioritize financial gain over the well-being of others. I discussed how after teaching global literature for years I noticed that students either distance themselves from the truth claims being made by the narrative (“This is too far from my experience,” “I am not the proper audience,” “I’m so glad I’m not them”) or over-identify with the narrators by erasing the very real material and ideological differences between them (“I totally get where she’s coming from,” said the student whose father works on Wall Street says about the narrator in Breath, Eyes, Memory). I 260