Apéritif

VOLUME 01

ISSUE 01

FALL 2019

VolumePRESS 01 †1 RED DRAGON

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TO SERVE MAN

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The savory spectacle of “Hannibal”

stopped watching “Hannibal” in Season 1, after a corpse was carved into a cello, its vocal cords splayed like strings, then “played.” I stopped watching again when Dr. Frederick Chilton, played by the redoubtable Raúl Esparza, got his guts tugged out of his abdomen, like red-sauced linguini, while he was still conscious. I stopped watching when an acupuncturist drove a needle through an eyeball, and again when a man’s leg was roasted and fed to him. Each time, the decision felt like a sane and, maybe, ethical position. Enough nihilism, enough torture, I thought. Enough serial killers glamorized as artists and geniuses.

psychiatrist who commits hideous murders. He takes “trophies” from the bodies—a liver here, a heart there—then cooks and serves them to unwitting guests. (Most episodes feature dazzling cooking montages, notorious for making viewers hungry, then making them feel guilty.) His justification is that he “eats the rude,” like David Chang, but with slightly less rigid ethical boundaries. Hannibal is quite a catch: he plays the harpsichord and the theremin, he’s a natty dresser, and he knows his Dante. By day, he’s a libertarian life coach for his patients’ Jungian shadows, often manipulating lesser serial killers into covering his tracks—in this universe, as on “Dexter,” serial killers are as common as daisies.

But that righteous high never lasted. I kept sneaking back, peeking through my fingers—a glimpse here, a binge there—either numbing myself or, depending on one’s perspective, properly sensitizing myself. Gradually, my eyes adjusted to the darkness. By midway through Season 2, “Hannibal” felt less like a blood-soaked ordeal than like a macabre masterpiece, pure pleasure and audacity. With hints of David Cronenberg and Michael Mann, David Lynch and Stanley Kubrick, it has a formal ambition that is rare for television. It reflexively turns the ordinary into the alien and vice versa. Corpses pile onto a nightmarish totem pole; bees pour out of eye sockets; men swallow songbirds whole. Over time, patterns emerge, revealing an uneasy meditation on intimacy, the vulnerability of the human body, and the power of art—its ability to make us crave something we thought we’d find disgusting.

Hannibal’s opposite number—his love interest, basically—is the tetchy, delicate Will Graham. Played by the sad-eyed Hugh Dancy, Will is a criminal profiler for the F.B.I. whose pathological empathy is far more crippling than Hannibal’s lack of the stuff. When he visits a murder scene, he enters a fugue state and becomes the killer, imagining the crime while murmuring the show’s mantra: “This is my design.” The two men circle each other seductively—best friends and homoerotic nemeses, client and therapist—each getting inside the other’s head, sometimes literally. Last season ended with Hannibal gutting Will with a kitchen knife after stroking his cheek—a moment of symbolic penetration that sent the show’s fans, self-proclaimed Fannibals, into raptures.

This season, the third, Hannibal gave Will, who survived, a valentine: a man’s corpse that he had pulverized, then sculpted into the shape of a human heart and displayed in a church, like a holy relic.

It’s possible, of course, that I love the show because it confirms my worst suspicions about food culture. For those who haven’t seen “The Silence of the Lambs” or read Thomas Harris’s novels, from which the story is adapted, the basic plot is this: Hannibal Lecter, played with waxwork hauteur by Mads Mikkelsen, is a brilliant

None of this is treated even mildly realistically, and yet it’s not exactly camp, either. As the show’s creator, Bryan Fuller (the wizard behind the dreamlike “Wonderfalls” and “Pushing Daisies”), has suggested, “Hannibal” is a show that regards spectacle with a Volume 01 †

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sort of worship. When “Hannibal” began, lens, as shock effects: Nietzsche is peachy, but it mimicked the structures of network cop sicker is quicker. It certainly makes the show procedurals, but the show has long since shed a tough one to recommend to strangers. But that carapace, not unlike the way Hannibal these images coalesce into metaphors for morshrugs off what he calls his “person suit,” the tality and loss. A teacup breaks and then comes demeanor that lets him pass for normal. In a back together; we see that it’s like a skull shatrecent interview on RogerEbert.com, Fuller tering, which in turn reflects a grieving man’s explained that, when he hires directors for the wish for time to go backward. Tears are stirred series, he tells them, “This is not an episode of into Martinis. A woman’s corpse is sewn into a television. This is a pretentious horse’s womb, and after she’s cut art film.”“Hannibal” stands out out the doctors feel a heartbeat for its ability to risk absurdity in her torso; they slice her open and self-seriousness, only to and a live blackbird flies out. emerge with something gloriSymbols overlap eerily, as senses ously strange and profound, in do in synesthesia: a heartbeat is the realm of opera and poetry. a clock tick is a drumbeat. The When Will examines that arch dialogue has the same mulheart sculpture, for instance, COQUILLES tiplicity, with ordinary idioms it folds open, ventricles falling taking on sinister resonance, Season 1 Ep. 5 from “the one that got away” to the floor, and then walks toward him on twisted, black, to “the devil you know.” “You nightmare legs, transforming smoked me in thyme,” one vicinto a demonic elk. tim remarks, as he’s served a dish of himself, with typically shrewd And, despite the gore, there’s double meaning. a disarming fairy-tale quality to the world of “Hannibal,” In one of last season’s most in part because the murders, spectacular scenarios, a black with few exceptions, lack the male corpse is discovered in misogynistic underpinnings SHIIZAKANA the river, coated in resin. The of real-life serial killings, man had escaped from an art Season 2 Ep. 9 or even the snappy kink of project built by a serial killer Harris’s books. No one is Hannibal had never met: he’d raped on “Hannibal,” even in torn himself out of a mural a fantasy; instead, the victims comprising dozens of corpses, get repurposed as mushroom of varying skin tones—racial farms. When female chardiversity reinterpreted as pigacters get hurt—whether ment, people reduced to they’re shot or shoved out a brushstrokes. When Hannibal window or, in one case, sliced climbs a ladder to the top of a finely, like garlic—there’s corn silo, he looks down and PRIMAVERA little gendered sadism to the sees a pattern: from above, the act. Graphic sexual violence curled bodies form an eye. The Season 3 Ep. 2 isn’t inevitably exploitative; image suggests outrageous sometimes it’s a welcome force for real- ideas: one eye gazing at another, God at his ism. But, in the arms race of suffering on creation, his creation back at God, through television, “Hannibal” ’s elision works as a the open pupil of the building’s roof. small, idealistic promise to viewers: while Hannibal calls down to the killer, “I love anything can happen, that one thing won’t. your work.”

Murder, on the other hand, is up for grabs—and treated with brazen disrespect. On “Hannibal,” corpses are fungible art supplies, like clay or oil paint, in sequences in which bodies are stitched into frescoes or twisted into grotesque displays. Skin is stretched into wings, corpses are bent into apiaries, belladonna is planted in heart cavities. It would be easy to see such choices through a cynical 6 † Apéritif Fall 2019

The scene was so outlandish that it made me laugh out loud. It also felt like a reminder of the show’s own double consciousness about what it means to watch from a distance, to admit that we’re voyeurs who enjoy foie gras and veal. (There are moments when one suspects the show is sponsored by peta.)

For anyone who watches modern television, Hannibal may seem familiar: he’s another middle-aged male genius with a fetish for

As Season 3 begins, the show has entered a state of feverish theatricality.

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absolute control, like Don Draper and Walter White and Dr. House and Francis Underwood. Astrologically speaking, he’s a Sherlock with Lucifer rising. But, mainly, Hannibal suggests the fantasy of the uncompromising television auteur: he’s the perfectionist who cares only that every detail of his vision be realized, no matter what sacrifices that might require. This is his design.

As Season 3 begins, the show has entered a state of feverish theatricality, adding frame upon frame, underlining its own artificiality: in one flashback, Hannibal recites the magic words “Once upon a time,” and a red velvet curtain fills the screen. A fugitive from justice, Hannibal has fled to Europe, where he’s been riding motorcycles, sipping champagne,

killing people in order to steal their curatorial positions, and posing as man and wife with his former therapist, Bedelia Du Maurier (the deliciously chilly Gillian Anderson, speaking so low that their scenes are like whisper contests). It’s not entirely clear whether Bedelia is his hostage or his co-conspirator. “Observe or participate?” he asks, after he bludgeons a man with a bust of Aristotle in front of her. “Are you at this very moment observing or participating?” “Observing,” she whispers, a tear streaking her face. It’s one of many exchanges that seem designed to challenge the viewer’s role but also to suggest that we should stop fooling ourselves. Bedelia doesn’t hurt anyone, but she is too curious to look away. Like anyone who can’t stop watching Hannibal, she’s decided that what he offers is too good not to have a taste. 

EMILY NUSSBAUM

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SEASON ONE

SEASON TWO

SEASON THREE

Basically, we’ve seen that Will Graham is being manipulated by Hannibal Lecter, his motives are a bit ambiguous but it can be assumed that he wants Will to become a murderer. Hannibal actively tries to accomplish his goals by messing with many of the F.B.I’s ongoing investigations.

In the latest episode we saw that Will connected the dots to come to the conclusion that a certain Killer has been active since he came across Garret Jacob Hobbs. My theory is this: Will is subconsciously aware that Hannibal is that Killer.

Hannibal Lecter is not his real name.

The name “Hannibal Lecter” has always felt really adorable to me. Pseudonymous, really. Hannibal, after the Roman military conqueror, and “Lecter”, possibly derived from the Latin word “Lectus”, which means “to read”, referencing his deductive ability. Hannibal Lecter means “genius of violence who reads”. We know Lecter isn’t above leaving the odd mocking clue in his identities - while in Italy he goes by the name Dr. Fell, which likewise seems like a cute jab at his own Luciferian persona.

Who’s to say his “real” name isn’t just another droll clue at his true nature?

Will Graham kills Francis Dolarhyde.

All season the show has played with the idea of Will being a murderer and, thus, no different from Hannibal. In episode 11, journalist Freddie Lounds (Lara Jean Chorostecki) said the she believes Will has the makings of a murderer.

—User Hafiz_Kafir

—User Wazula42

Then, of course, it was heavily implied that Will was responsible for letting Chilton suffer Dolarhyde’s vengeance since he knew what the Dragon would likely do after seeing the picture of Will with his hand on Chilton’s shoulder. Will’s mental health has appeared to be degrading more and more with each episode. Could he snap and kill Dolarhyde, fulfilling Hannibal’s vision?

—User Ja9GarofaloTV

FAN THEORIES

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Will the Teacup Gather Itself Back Fuller hasn’t given up on Together? Bryan trying to make a “Hannibal” season 4

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roducer Bryan Fuller still hasn’t given up on making season 4 of Hannibal. The franchise revolving around the fictional cannibalistic serial killer started in the early ‘80s when Thomas Harris released the book Red Dragon. Over the years Harris released three more books in the Hannibal series, and the character has even made it into several movies, with the likes of Brian Cox, Anthony Hopkins, and Gaspard Ulliel playing the titular character.

In 2013, Hannibal was brought to the small screen with Mads Mikkelsen playing Hannibal and Hugh Dancy playing the FBI Special Investigator Will Graham. The show aired on NBC and did quite well with fans and critics; however, the show’s declining ratings caused Hannibal to be cancelled in 2015 after three seasons. Soon after the show was cancelled, Fuller explained that he was looking to move Hannibal to Amazon or Netflix, but unfortunately neither streaming service picked up the show. At one point, it was even thought Hannibal might continue as a movie instead of a fourth season. It’s been nearly four years since the show was cancelled, but Fuller hasn’t given up yet.

Replying to a fan on Twitter, Fuller made it clear that he was still trying to get Hannibal season 4 greenlit. After the season 2 finale of the BBC show Killing Eve, a fan tweeted at Fuller to see if there had been any progress made on season 4 of Hannibal since the last time he updated fans. Fuller

explained that the show’s cast and fellow producer Martha De Laurentiis still wanted to continue the series, but they were still waiting for someone to pick up the show. Fuller’s full post can be read below: “No one has given up! I’ve made it clear I want to do it, the cast wants to do it and Martha wants to do it. We just need a network or a streaming service that wants to do it, too. I don’t feel there’s a clock on it or an expiration date for the idea. We just need someone to bite.”

- @BryanFuller Season 3 left the door open to continue the series and Fuller certainly has ideas for season 4. Fuller previously revealed that season 4 of Hannibal would “reinvent” the show. Fuller even teased that season 4 could include a Silence of the Lambs storyline and said he would have liked to cast Lee Pace as Buffalo Bill. The cast of the show, specifically Dancy and Mikkelsen, seem to be keen on reviving the show as well, with Dancy explaining that Hannibal season 4 would have been a “complete restart”.

Despite Fuller getting fans excited with insight for his vision of Hannibal season 4, fans have yet to get any concrete details about the show being picked back up. With the huge fanbase Hannibal has gathered since 2013, it is kind of surprising that the series has yet to be picked up by one of the big streaming services. Hannibal got away with a lot of gore for being on NBC, so fans can only imagine what they would be in store for if the show moved to a premium network like HBO or Showtime. Needless to say, fans should stay optimistic since Fuller’s passion for Hannibal is clearly still there. 

CHRISTOPHER FIDUCCIA

Volume 01 †

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“no forts in the bone arena of your skull for things you love.”

HANNIBAL LECTER S1E1

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