Date 11/25~11/30, 2012
Venue
Kota Kinabalu, Malaysia
Organizer
Total Museum of Contemporary Art, Seoul
Host
Kolej Yayasan Sabah
Cooperation
Chungang University, Korea
Igong Korea
Sabah Computer Society
Seokyeong University, Korea
Project director
Sungdae HONG
Nathalie Boseul SHIN
Supportors
Arts Council Korea
Ministry of Resource Development and Information Technology, Sabah
Digital Playground began in 2005 in South Korea as Digital Media Art Festival showcasing city promotion exhibitions from Eujongbu city. Since then this event has evolved to include workshops and exhibitions whereby 2007 marked the first installment of Digital Playground headed by the Total Museum of Contemporary Art, Seoul. Subsequent Digital Playground events, namely Digital Playground 2008 – Hack the City and Digital Playground 2009 –Open Your Source generated huge success and attracted fans in media art in Korea that the Total Museum of Contemporary Art, Soongsil University and Chungang University of Korea turned Digital Playground into an international project by choosing Kota Kinabalu as the venue and collaborating with Kolej Yayasan Sabah, thus the annual project Playground in Island was born.
In the first year 2010, over 30 Korean artists came to Kota Kinabalu showcasing interactive media art and conducting different workshops in collaboration with Kolej Yayasan Sabah. Local people, especially students and teachers at Kolej Yayasan Sabah, were exposed to digital technology and media art. They also had the opportunity to work and learn alongside Korean artists and digital specialists.
In 2011, the Sabah Computer Society and the Sabah State Library were privileged to team up with KolejYayasan Sabah as the local partners for Playground in Island 2011 Such collaboration with Korea resulted in the introduction of new concepts and emerging technologies in digital media to Sabah.
Playground in Island 2012 is slated to be even bigger and bolder by reaching out to the general public on the awareness of new digital media in the day-by-day life and the application of these technologies in the civil and public sectors as we move towards the new digital Media age. Playground in Island 2012 intends to broaden its spectrum by diversifying into media art exhibition, public art project, workshops, and film and animation screening projects.
Date 11/26~11/29
Venue
New Media Center Function Hall, KYS
Artists
Changsun KOH
Dongjo KIM
Youngeun KIM
Sanghun NAM
Jeongsu MOON
a KIM
Unzi KIM (Hyungki KIM)
Yoonkyung BAE
Miohk YOO
Kyungjoo PARK
Eunkyung YOO
Yeadam SHIN
Hyeyoung YOO
Woncheol LEE
You Na LEE
HyunyiJUNG
Sungdae HONG
Curator
Sungdae HONG
고창선(Changsun KOH)
Bit/Beat 2012
Bit/Beat, People could partake in the interactive process to play music or sounds suing sensors. tried to describe the complex workings of individuals and the society via the sounds. A person’s monologue is plain to hear but multiple people taking part in the interactive activity will generate sounds closer to music. Most of my works do not just stop at inducing interactions with viewers but strive for esthetic actions. propose the viewing attitudes for the audience, so the viewers look at the art work and other viewers who come to see the work. My work makes use of physical actions of the viewers rather than utilizing screens for images because I am interested in viewers’ esthetic appreciation derived from physical perception, not the appreciation through immersion.
김동조(Dongjo KIM)
hyperventilation
Author(step): Dongjo KIM Year/ Time & Format: 2012
공간에 대한 감각의 변화를 일으키는 환각은
개념을
허구의 관계를 성립시켜 공존의 자리를 만든다. 본
만들어지는 상호작용의 지점을 말하고 있다. 그리고 관객과 바람을 통해 인터랙션을 하게 된다. 이 작품의 구성은 구 형태이며 팬 18개로 만들어져 있다. 또한, 3개의 적외선 센서로 인체에 대한 감지를 한다.
Laws of time and space are broken by hallucination which alters the sense of time and space. In this art-work the hallucination creates a coexistence relation between reality and fiction. The potential space created from this relation is the interaction itself. Approaching the object creates interaction, which results in wind, blown from the object towards the user. The art-work is created from 18 computer fans which are connected in shape of a sphere. There are 3 infra-red motion sensors which detect if something approaches the sphere. The sphere itself is covered with a fake-fur fabric which allows the wind to pass through.
김진아(Gina K)
Meditation I + N Author(step): Gina K Year/ Time & Format: 2012작업에서 풀잎 막대(자연)와 검은 막대(인위)가 반복된 바코드의 이미지는 반복 속에서 생(生)과 멸(滅)을 거듭 하는 것이 우리 존재의 운명임을 말하려는 것이다. 동시에 이 작업은 풀잎과 검은 막대의 수직 이미지가 반복됨 으로써 수평적 확산의 효과를 아울러 거두고 있다. 생명이 가진 영원에 대한 수직적 희원이 생명‘들’에 대한 수평 적 이해로 넓어지는 것이다. 자연(nature)과 인위라는 대립마저도 해소되고 조화를 이루는 것, 그게 바로 우주 와 생명과 자연(Nature)으로서의 인간의 본원적인 정체성이 아닐 것인가.
The image of bar codes that alternates leaf bars and black bars in the works of GINA KIM tells that it is the destiny of existence that birth and death alternates continuously in such repetitions.
Simultaneously, the works earn the effects of horizontal expansion by alternating the vertical image of leaves and black bars. This means that the vertical desire toward the eternity of life extends to horizontal understanding of lives. Making harmony with eliminating the confrontation between nature and artificiality, is this the original identity of human beings as universe, life, and nature?
김영은(youngeun KIM) + 남상훈(sanghun NAM)
Party in the city
Window 7 OS, NVIDIA Quadro FX Series Video Card, 3D Projector, Kinect, Active 3D glasses
Party in the city>는 3D 와 2D 모두로 관람할 수 있는 인터랙티브 인스톨레이션 작업이다. 배경 화면은 차가운 느낌의 흑백의 이미지로 시작되며 서울 이미지이다. 관객들이 참여하여 꽃을 그렸을때 점차적으로 꽃에 둘러싸인 화려한 컬러의 도시 배경 화면으로 변해져 간다. 화면은 다시 야경으로 바뀌며 관객의 인터 랙션에 따라 꽃잎들이 모여 불꽃놀이를 이룬다. 처음 흑백의 이미지는 공해에 찌든 회색도시의 차가움을 표현하며 꽃이 그려짐에 따라 컬러로 변해 가는 화면은 동화 속 이야기처럼 꽃들의 깨끗하고 아름다운 도 시를 의미하고 새로운 시작과 희망을 바라보는 것을 의미한다. 밤이 되어 모두가 잠든 사이 꽃들은 불꽃놀 이와 함께 그들만의 파티를 즐긴다. 관객의 인터랙션에 따라 stop motion 애니메이션으로 꽃이 피는 과정 을 보여준다. 이 과정은 마치 관객 자신이 손짓과 몸짓으로 회화 작품을 그리는 듯한 느낌을 안겨준다. 미 술 재료와 회화적 기법을 통해 그린 회화적 요소가 컴퓨터 기술과 한 작품에 공존함으로써 자칫 미디어아 트가 드러내기 쉬운 차갑고 가벼운 느낌이 아니라 관객에게 아날로그적 감성을 자극하여 회화적 추억을 돌 아보게 하는 따뜻한 느낌을 전달한다. 미래 지향적인 3D 입체 기술을 이용하여 아날로그적 회화와 연결 시켜서 작가와 관객, 관객과 관객 과거와 현재가 소통할 수 있는 자리를 마련하고자 했다.
In the past media art work which dement only the contemplation to the audience like the old analog paintings, there is no media artistic reproducing and the artistic method what we pursue in 21th century. The modern technology in our century is advanced further and spread into the inspiration of the painting with my work. The background is colored city and flowers blossomed by viewer’s interaction from cold and pale gray image of city. The screen turns into night view, according to the interaction of the audience petals are gathered for the fireworks The first occurrence of monochrome image of a cold, gray city is expressing of the cold impersonality of some modern cities. To change the screen as the flowers are painted in colors means like a fairy tale in which warm, wonderful and beautiful city of flowers and looking at a new beginning and hope Flowers are enjoying the fireworks and hold their own party all was asleep at night.
김형기(unzi KIM)
Slow face fast
Author(step): Unzi KIM
Year/ Time & Format: 2012
Time seems to move faster when the body uses senses to operate an efficient process to accept the visual stimulus. On the other hand, we tend to analyze and comprehend the image slowly when the image is necessary for survival or stirs emotions. The world we live in, a chaotic world, requires the beauty of slow image. The emotional effect of slow and quick makes a natural feeling. Through it, we re-experience the emotion we learned, as deja-vu.
This piece is a single-channel work, but makes a 2-channel effect. With the 3-D screen, we see the projection-mapping effect, and be perceived as a 3-D visual.
배윤경(Yunkyung BAE) + 전유진(Youjin JEON)
Roll it to play it (가제)
Author(step): Yunkyung BAE, Youjin JEON
Year/ Time & Format: 2012 / 2min. / Moveable acrylic ball(sensors built inside)
A sphere, gets light on all side, makes the atmosphere that seems to be a sculpture which audience shall not touch and not allow to touch it. However, the sphere plays role when it is rolled. Rolling is essential potential of sphere and the audience get closer to the work through physical actions. The sphere makes various sound with rolling at the same time, and it changes interestingly an exhibition space of the existing solemn atmosphere. The humorous sound, when the rolling sphere makes, break a tension between an spectator and work.
The Sphere, its diameter is about 50m, has an micro-controller, an accelerometer sensor and a thin speaker built inside it. If the sphere is rolled like a ball, an accelerometer sensor inside it detects its movements and plays sounds of human voices like laugh sounds and humming through the speaker built in it. And if the sphere is placed on its metal rack, the spotlights around the rack turn on and light up the sphere so the sphere looks like an object for plastic art.
유미옥(Miohk YOO) + 박경주(Kyoungju PARK)
Fiore
Author(step): Miohk YOO(Przemyslaw KROMPIEC, Kyoungju PARK)
Year/ Time & Format: 2012
나무의 전반적인 컬러 링은 현재 실시간으로 트위터에 올라오는 감성적 단어와 비례하게 된다. 감성적 단어로는 Love, Happy, Hope, Sad, Enjoy, Hate, Believe, exciting로 분류하게 되고 색상은 빨 강,주황,노랑,초록,파랑,분홍,보라,갈색 총 8가지로 나뉘게 되는데 이는 색채 심리학에서 나타나는 상징적 의미를 가지고 있는 색상의 대표적인 예로 나타날 수 있다.
What happens when human emotional words are represented by a color? Emotion words such as Love, Happiness, Hope, Sadness, Joy, Hate, Belief, Excitement in this art-work are being matched and linked with specific colors and so they are represented on the Tree of Emotion. With use of a special Twitter API and Processing these 8-emotional words are being searched along the Twitter network and the results are being progressed. Extracted data is recalculated and presented on the Tree of Emotion as flowers of a matching emotion color. Everything is done in real-time and each calculation is don’t with a 1 minute delay.
유해영(Hyeyoung YOO)
Virtual RGB Fish
Author: Hyeyoung YOO / Co-op: Jaewan CHOI
My work titled virtual RGB fish is forming virtual image by glass. In empty glass- fishbowl decollated only with sand and imitation shells inside, virtual fish are swimming in the center. It’s by reflection of the light from ipad which is playing the movie on the top. I tried to show hologram, virtual reality and make it combine with real world. The fish images are edited to RGB color. The movie plays on loop.
정현이(Hyun Yi JUNG)
Mediated Ego
Author(step): Hyun Yi JUNG
Year: 2012 -
Looking
홍성대(Sungdae HONG)
Digital Aquarium
Author(step): Sungdae HONG (Andrew HONG)
Year/ Time & Format: 2012 / Interactive video Installation / Single Projection : 3~5×2.5× 2.5m(h)
Kinect sensor, Projection, Mac mini
목적과는 다르게 오해와 혼돈관계를 생성하기에 현시대의 원활한 이해관계를 찾기 위하여 가상과
담았다. 나의 작업은 관객과 작품 사이에서 이 해와
관객의 행위에 의하여 점점 혼돈되는 물고기떼들의 움직이
는 영상은 메커니즘인 작업의 주제인 주체(나)와 환경 속에서 소통과 불통을 암시하며, 관객의 적
성에 따라 경계 면에서
모든 제스처(행동)에 반응하지 않고, 몸의 움직임에만 반응하는 프로세스를 갖는 실시간 인터랙티브 영상작업이다. 3D Depth Camera 입력 받은 영상정보는 영상처리를 통 하여 몸 위치인 X, Y, Z 좌표값을 Fish군중 행위에 적용하여 실시간으로 물고기떼들을 제어할 수
있는 구현의 논리를 갖는다.
find myself through the relationships with the things around me. The existence of subject (me) is only recognized when it comes together with surroundings. These things may refer humans, machines, nature or objects.
My work starts from the point where the audience and work meet trying to understand and compromise. The video projecting a shoal of fish moving in relation to audience’s behavior implies key mechanism of this work which is communication and miscommunication between the subject (me) and surroundings.
This is an interactive video work responding to audience’s body movement but not specified to every gesture (behavior) that people make. The 3D depth camera detects the body movement and the information value is converted into X, Y, Z coordinates which is applied in real time resulting the movement of a shoal of fish on the screen.
홍성대(Sungdae HONG)
Non-Photo Realistic portrait
Author(step): Sungdae HONG (Andrew HONG)
Year/ Time & Format:
유은경(Eunkyoung YOO) + 신예담 (Yae Dam SHIN)
Faced Project
Author: Eunkyoung YOO + Yae Dam SHIN
1 Projection + Bracket(브라켓), Building model
Software: vvvv, Snow Leopard, IBM pc
Buildings are not easy to chanage its facades cause of its physical characteristic. However 3D projection mapping could create augmented reality on building’s elevation without construction work, and even make big effect cause on its contrast from architectural physical constancy and low variability. The representative limit of projection mapping on building is “time”. It could be held late night , in dark environment, so not easy to join for public especially for childern. “facade project” is planned to show projection mapping to public and children. Target building, <Urban Hive> is selected by its well-kwon feature, and is made into 1/50 model. This work could visit school, kindergarten, public place.
이원철(Won Cheol LEE) + 박진형(Jin Hyung PARK)
Curiosity : wait time
Author: Won Cheol LEE, Jin Hyung PARK
2012 / 05min. 00sec. / Full HD NTSC 1080p
Software: VVVV, Windows 7, MacMINI or IBM pc
Hardware: 1 Projection + Bracket (Bracket), 1 Kinect (USB), 1 Screen, MacMini Computer새롭고 흥미로운 것을 좋아하거나 모르는 것을 알고 싶어 하는 마음은 누구나 가지고 있는 호기심이다. 화면 속에 무언가를 기다리고 있는 듯한 여인의 작품을 보고자 하는 관객을 보는 동시에 화면 속 어둠 속으로 숨어버린다. 남들에게 보여지는 단순한 행동과 감정을 숨기고 싶은 모습의 불편한 호기심을 부담스러운 사실을 한 여인으로 표현하고자 한다. 키넥트와 VVVV 프로그램을 이용하여, 사용자가 플레이 되고 있는 작품에 설치되어 있는 키넥트 앞에서면 화면 속으로 걸어가는 영상이 플레이가 되면서 화면의 어둠 속으로 숨어버리는 영상이 순차적으로 플레이가 된다. 그리고 사용자가 설치된 키넥트 앞을 벗어나면 어둠
Using Kinect and VVVV program, would hide in the darkness of the screen as walking into screen writing is installed in front of the piece being played in the user in front of Kinect video play video play sequentially. And is installed outside the front of the Kinect, the woman walking out in the dark, waiting and video images are played sequentially. / Anyone have the heart to want to know what you like or do not know what new and exciting curiosity. Something in the screen, waiting for a woman turns the screen into darkness at the same time hiding the viewing audience that you want to work. Shown to others with the simple act of uncomfortable curiosity taxing of the look that you want to hide the fact that a woman who wants to express emotions.
이유나 (LEE You Na) + 신예담 (Yae Dam SHIN)
Technology Statement
Author: LEE You Na, SHIN Yae Dam 2012
Software: Processing, Macintosh System(MacMINI) or IBM pc
Hardware: 1 Projection, 1 MacMini Computer, 1 Screen paper mask
Space: 2m * 2m * 2m, 200v AC Power(5 in)
2012년 과학창의재단 하반기 당선 사업과제로 진행되는 작품으로, 프로세싱을 이용하여 관객의
움직임에 따라 인형에 프로젝션 맵핑되는 인물의 얼굴이 변하도록 기술을 디자인한 작업이다.
입체적인 인형을 스크린으로 이용하여, 영상을 프로젝션 맵핑하는 표현방법을 이용한다. 이를 통해 기존 아날로그 인형극/연극에서는 한계가 있었던 표현부분을 가능하게 할 디지털 인형극이 이 작품을 통해서 시도될 것이다. 기존 분장과 의상으로만 표현했던 인물에 대한 극적이고 환상적인 연출이 디지털 프로젝션 맵핑 기술을 통해 표현되어 작품에 대한 관객의 상상력을 증가시킬 것이다.
Using processing program and projection mapping technique, doll face will be changed according to movement of the audience.
Using three-dimensional a doll to the screen, the work uses video projection mapping technique as expression methods. This expression overcomes the analog play-acting’s limit and develops new digital play-acting expression methods. Through digital projection mapping face technology, dramatic display can increase audience’s imagination.
The Secret Journey of the Egg Planet Acrylic & Mixed Media, 2012 -
This is one of my art series illustrating “Where are all these egg planets coming from?”
정은민(JUNG Eun-min)
아이의 뜰 (girl’s garden)
Illustration, Acrylic, 2012
The
While she was sleeping, the grass grew more and more.
and more.
박윤오(Youn o PARK)
One day, a bird places on one man who lives alone.
김근정(KIM Geun-Jeong)
One Table 2D animation, 7min., 2012
Only one table, Only one person can eat in a one-table restaurant. Pleasantly modern society to focus outward things only want to pinch.
박근태 (PARK Geun Tae) + 전종기 (JEON Jong Ki) + 유경수 (YU Kyung Soo) Burp 3D animation, 6min 21sec, 2012
Brusque farmer is driving the truck with his big fat pig in the back. Passing the dark and foggy road he suddenly be attacked by a huge UFO. The farmer and the pig have no sense why they are being attacked and running. The UFO is now attacking more heavier. What is the truth of this chase...How the farmer and the pig are going to get out of this danger?
The characters and background design are based on original South Korea country image. Even the road, traffic signs, mountains and accessories in the truck are reformed, and changed form the image of original South Korea country view. Using one of the South Korea popular music genre ‘Teuroteu’ while farmer drives in the truck, this makes more prefect image. You will have no sense why the UFO chase the farmer and the pig before the ending scene. Purpose of this work is provide laugh to the audience from unexpected situations and slapsticks.
스토리: 세블슬로스 STORY : 7SLOTH
프로듀서 : 박근태, 성웅 PRODUCER : PARK GEUN TAE, SUNG WOONG
슈퍼바이징 프로듀서 : 장욱상 SUPERVING PRODUCER : CHANG WOOK SANG
아티스트 : 박윤형, 정진원 ARTISTS : PARK YUN HYUNG, JUNG JIN WON
애니메이션 : 전종기, 류진호, 성웅 ANIMATION : JEON JONG KI, RYU JIN HO, SUNG WOONG
사운드 디자인 : 도마 스튜디오 SOUND DESIGN :DOMA STUDIO
성우 : 홍범기 CAST : HONG BEOM GI
효과 : 성웅 EFFECT : SUNG WOONG
정지완(Jihwan JUNG)
Monster and Dumpling
3D animation, 4min 56sec, 2012 -
Once up on a time, there was a ugly and violent monster. Because he was ugly, everybody disliked him. One day, the monster came to the small town to get some food and found a small girl. The monster tried to eat her, but something happened to him and changed him.
원더풀 데이즈 (Wonderful days)
Drama, 13min. 30sec., HD / 16:9
감독: 서형원 / 촬영: 조호수 / 음향: 박지형 / 제작: 홍효성 / 조명: 방용진 / 배우: 남태부, 임호경 Director: SEO Hyeong Won / D.o.P: JO Ho Su / Sound Director: PARK Ji Hyeong / Producer: HONG Hyo Sung / Lighting director: BANG Yong Jin / Actor: NAM Tae Bu, IM Ho Gyeong
회색도시 (The gray city)
Drama, 18min. 55sec., HD / 16:9 감독: 김선중 / 촬영: 손상현 / 음향: 윤석현 / 제작: 양정윤 / 조명: 김한상 / 배우: 임수형, 김륜희 Director: Kim sun jung / D. o. P : Son sang hyun / Sound Director: Yoon suk hyun / Producer: Yang jung yoon / Lighting director: Kim han sang / Actor: Im su hyung, Kim ryun hee
불법 대부 업체 채권추심팀에서 근무하며 빚쟁이들에게 돈을 받으러 다니는 정남은 어느 날 팀장에게서 솔깃한 제안을 받는다.
Illegal lenders, debt collection, and working in teams to collect money for the creditors. Team leader from one day attending Koshi is tempting proposition.
보통날 (Ordinary day)
Drama, 13min. 40sec., HD / 16:9
/
Director: POONG Moon Jung / D. o. P: JO Ho Su / Sound Director: AN Da Bin / Producer: LEE Ru Da / Lighting Director: JO Ho Su, SEO Hyeong Won / Actor: KANG Mal Gum, BNAG In Hye, CHOI Go En
Everyday weary mom’s birthday. Mom now much younger than himself (Yeongnam) find comesRemembering the old memories Mom and Yeungnam spends the afternoon.Yeungnam stone Achan and will not differ from the other day and return to a ‘normal day’ mom’s birthday.
죽어도 좋은 날 (Die a good day)
Drama, 18min. 54sec., HD / 16:9
감독: 변현아 / 촬영: 이덕인 / 음향: 윤석현 / 제작: 유아름 / 조명: 주기훈 / 배우: 김지호, 서승현, 추예진
Director: BYUN Hyun–a / D. o. P: LEE Duk In / Sound Director: YOON Suk Hyun / Producer: YOO A–reum / Lighting Director: JOO Gi Hoon / Actor: KIM Ji Ho, SEO Seung Hyeon, CHU Ye Jin열 한 살 소녀 유정이에게 또래보다 빨리 초경이 찾아온다. 자신이 죽어 가고
Eleven-year-old girl - yooJeong. Menarche comes quickly than their peers. I think she’s dying - yooJeong. Friend says Lee, Seung - Jun to worry. No does not help young adults struggling kids alone. Want to change something that happened in your own understanding of natural phenomenon, and the first to feel the emotions of love that holds through the eyes of elementary school students.
모범생 (A model student)
Thriller, 14min. 10sec., HD / 2.35:1
감독: 손태훈 / 촬영: 박경원 / 음향: 윤석현 / 제작: 김주현 / 조명: 이준서 / 배우: 장진영, 황혜영, 조용진 Director: SON tea hoon / D.o. P: PARK Kyung Won / Sound Director: YOON Suk Hyun / Producer: KIM Ju Hyun / Lighting Director: LEE Jun Seo / Actor: JANG Jin Young, HWANG Hye Young, JO Young Jin
꽃샘추위 (Before spring comes) Drama, 15min. 42sec., HD / 2.35:1
감독: 김보경 / 촬영: 이태용 / 음향:
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김민지, 김지나 Director: KIM bo kyung / D. o. P: LEE Tea Young / Sound Director: LEE Hye Lim / Producer: KIM Hyun Ju / Lighting Director: LEE Ki Hun / Actor: KIM Min Ji, KIM Ji Na -
Yeong Min, a junior in high school who usually gets honor grades, got unexpected GPA score for the spring semester. His mother believes that he can be in 1% in whole states. Yeong Min can’t even show his grade report to his mom. so his mother asks him when the results will be sent. Finally, Yeong Min eventually decided to avoid her scolding.
Minji and Sulgi between close friends. Conflict begins as a minor misunderstanding. Their own way of reconciliation?
염소의 눈물 (A goat’s tears)
Mystery / Thriller, 15min. 50sec., HD / 2.35:1
감독: 오규민 / 촬영: 박경원 / 음향: 신민희 / 제작: 이상아, 이정남 / 조명: 우경진 / 배우: 강영구, 허성태
Director: O Gyu Min / D. o. P: PARK Kyung Won / Sound Director: SIN Min Hee / Producer: LEE Sang-a, LEE Jung Nam / Lighting Director: WOO Gyeong Jin / Actor: KANG Young Jin, HEO Seong Tae
의문의 남성이 나타나 강선생을 방해한다. Writer Mr.Kang is writing the detective story, ‘A Goat’s tears’ with an actual murder case motif. Whenever he approaches the murder case, a mysterious man appears and disturbs him.
풋사랑 멜로디 (Melody love) Melodrama, 15min. 20sec., HD / 16:9 감독: 전혜민 / 촬영: 배경호 / 음향: 이혜림, 신민희 / 제작: 김주현 / 조명: 손태훈, 배재광 / 배우: 최고은, 윤동주, 송진우 Director: JUN hye min / D. o. P: BAE Gyung Ho / Sound Director: LEE Hye Lim, SIN Min Hee / Producer: KIM Ju Hyun / Lighting Director: SON Tea Hoon, BAE Jea Kang / Actor: CHOI Go En, YOON Dong Ju, SONG Jin Woo스무살 수지는 노래 동아리 ‘동감’에 가입하고 동아리 부장 동주에게 반 한다. 하지만 동주는 수지에게 친구 진우를 소개 시켜주고 수지는 난처해 한다.
Suji was twenty songs club to join the ‘I agree’ to the club manager DONGJU half. DONGJU to introduce a friend Jinwoo. Suji should be embarrassed.
Date 11/26~11/29
유희정(Sunny RYU Heejung)
BEHIND VFX
Author(step): Sunny RYU Heejung
Year/ Time & Format: 2012 / 03min. 29sec. / Full HD NTSC 1080p
Animals, 3D Environment, Matte paint, FX, Effects, compositing
We can watch production process of High level VFX which take most important part of Korean FIlms & TV series, comparison image of before & after and also production process of Chinese film’s VFX which grow so rapidly recently. And we can also watch various techniques such as 3D Animals, 3D Environment, Matte painting, FX, Effects, Compositing.
문정수(Jeongsu MOON)
Time Travel
Author(step): Jeongsu MOON
Year/ Time & Format: 2011 / 03min. 35sec. / HDV 1280*720 -
Ordinary objects such as alarm clock, hourglass, ticking of a clock, house and monitor are placed in the dreamlike space continuously and unfamiliarly. It is expressed obsession with their lives through me suffering from the time pressure. Surreal images containing numerous digital frames are over his shoulder and the clock cog wheels are engaging continuously.
장민용(Minyong JANG) + 신정범(Jungbum SHIN) + 윤영돈(Youngdon YUN)
13th Premiere of passion
Author(step): Minyong JANG / Jungbum SHIN / Youngdon YUN
Year/ Time & Format: 2012 / 01min. 46sec. / Full HD NTSC 1080p
From writing a script, scenario, to filming and editing, the comprehensive process of preproduction to post production is presented through actors miming. Within the camera frame, the actors representing each part give audio visual demonstration through graphic art and sound, increasing audiences’ interest.
Date
11/26~11/29
Venue
Indoor-KYS
Artists
Hyo Eun HONG
Ji-ryang CHA
Chulayarnnon Siriphol
Tulapop Saenjaroen
Ik Jung CHO
Basma Alsharif
Hui Jin KANG
Ah-ryeom HAN
Joo Sang JO
Chang Jae LIM
Jung Soo LEE
Eun Sook KWAK
Sun Jha KIM
Jung Woo LEE
Daum KIM
Joon Su HA
Eun Ju LEE
ZER0byte+
John Torres
Curator
Yeonho KIM
The 12th Seoul International NewMedia Festival OPENING PICTURE ‘Scnery Project’
홍효은 HONG Hyo Eun
꾸지 않은 꿈 A Dream Fogotten Documentary | 109’ | HD | color | 2012 | Korea | 네마프2012 최우수구애상(대상)
“Once a female factory worker, always a female factory worker. A saying that once you set foot in the factory there is no stepping back, wasn’t something I ever understood as a 20-year-old. Then one day it struck me: there really was nothing else can do… So we go back to the factory.” 차지량 CHA Ji-ryang
M.C=Massive Capitalism, T.E.A.M=Temporary Exporting Angry Midnight O.T=Office Terror, M.T=Midnight Terror
Chulayarnnon SIRIPHOL
기억의
A Brief History of Memory
“A Brief History of Memory” is dedicated to the people who died during the political crisis in Thailand. The effect of the crisis is presented by a voice of a mother who lost her son in April 2009 and overlaid with moving images of the Nang-Lerng community where she and her family lived.
샌자로앤 Tulapop SAENJAROEN 클라이 Klai
Experimental Documentary | 23’ | HD | color | 2011 | Thailand
“Klai” experiments with the format of an interview. The piece focuses on the relationship between a maid and her employer. The performers are asked to perform both roles, as themselves and as the other.
조익정 CHO Ik Jung
옥상곰 Rooftop Bear
Single Channel Video Art | 10’50” | DV | color | 2012 | Korea
came to know the simplicity of the act, ‘sleeping’, while spending a night in the shelter on Jiri mountain in South Korea. Coming back to Seoul, arranged a shelter under the water tank on the rooftop of a school building and spent my nights inside for three months. When it was too cold, I would get inside the giant stuffed teddy bear, my only companion there.
바스마 알샤리프 Basma ALSHARIF 우유와 꿀의 이야기The Story of Milk and Honey Experimental Film | 9’ 48” | DV | color | 2011 | Lebanon이름없는 사내가 레바논에서의 그의 사랑에 관한 이야기를 한다. 그의 목소리는 이미지와 문자, 그리고
덜 명확해지는 실패에 대 한 세부적인 설명을 하는 노래를 통해 우리를 이리저리 움직이게 한다.
The Story of Milk and Honey is a short experimental video belonging to a larger project, which includes photographs, drawings and text, detailing an un-named individual’s failure to write a love story. Through voiceover narration that weaves together images, letters, and songs, a story of defeat transpires into a journey that explores how we collect and perceive information, understand facts, history, images, and sound and where the individual is to be found in the midst of the material
강희진, 한아렴 KANG Hui Jin, HAN Ah-ryeom
할망바다 Grandma Ocean
Documentary Animation | 5’15” | HD | color | 2012 | Korea
The conversational interview with the old lady (Low-class of Hae-nyeo) in Jeju Island. An animated documentary portraying about a life of the Haenyo (Traditional female divers of Jeju Island).
조주상 JO Joo Sang
픽토그램 인사이드 Pictogram Inside Animation | 7’13” | DV | color | 2011 | Korea
A wondered what happened to daily life of pictogram inside.
Date 11/26
Date 11/27
Venue
PPS
Presenter
Coordinator
This is the video manual version of Okin Collective performance entitled “Operation-For Something Black and Hot”. This operation recalls the nuclear disaster in Fukushima during which the press was controlled and there was a media blackout leading to maximum damage for their citizens. The production of quasi-Chi Gymnastics, based on the motion studies of public drills, was a guide as to what to do during a disaster. The idea was to increase self-defense ability at a time when the government couldn’t protect their people. Okin researched many related official guides. But we were disappointed again by their carelessness and inadequacy - most of them just said repeatedly to calm down; endure; wait; prevention is the best measure; we have to fold a cloth to cover the mouth like a mask sixteen times to prevent hazardous substances from entering; and so on. After all, what Okin choreographed was nothing but a kind of practice on how to make eye contact, to hold your hands with complete strangers, and to depend on each other.
Date & Venue
11/27
Part1 16:00~18:00 @ KYS class room
Part2 19:00~19:300 @ KYS outdoor compound
Artists
CHOI Seungjoon+ LEE Kyungjin
Description
This workshop is about transferring real life into digital media, and re-transferring from the digital media into real space by performance.
Participants
About 30
Requirements
Laptop×10, Beam projector×1, stationary, pen
Schedule
D-EXP(Experience using digital media)
A. Introduction about “Lives as particles program”
B. Making various interaction states and images based on several principals.
P-EXP(Experience using performance)
A. Extending the experience which is` learn from D-EXP into real space.
B. Realization D-EXP interaction in dark real space using LED light installed hat.
◆ 계획
작가가 창작한 입자들의 움직임을 제어할 수 있는 소프트웨어의 인터페이스를 활용
하여, 사람들의 관계 맺기와 상호작용이 입자들 사이의 인력과 척력을 바탕으로 이
루어지는 상호작용으로 단순화 해서 생각해 볼 수 있음을 경험합니다.
워크숍은 3명 단위로 팀을 이루어서 진행이 됩니다. 각 팀에는 1대의 노트북이
◆ Plan
Using an artist created software interface that controls movements of particles, participants are to experience human relationships and interactions as simplified forces of attraction and repulsion between particles.
The participating students will be in groups of three. Each group will have a laptop and they will learn how to work with ‘Lives as Particles’ program. Then everyone in groups will create different interactions and images of their own.
Please note that the parameters which were to set up for interactions and images must be abstracted in the forms of word and text that one can recognize and must be categorize.
For example,
Do not go beyond given square border lines. Bounce back as hitting the wall. To make a timely and spatial distinction between you and the others, push other particles as it gets close enough to overlap. (Repulsive force) Keep certain proximity to be in one’s sight but not so close to overlap. (Attractive force) Change dimensions periodically as breathe in time.
And this abstraction practice will be expanded to a performance experience.
The outcome will be in the forms of photos, screen shots and videos documenting interactions of particles, parameters and written texts.
만들어지진 않았지만, 대신 개인 마다 연습을 할 수 있는 환경으로 구성이되어 워크숍을 시작할 수 있었습니다.
참가자들의 이름(실명 또는 별명)을 받아서, 준비한 프로그램에 등장하는 입자들이
참가자들의 이름을 가질 수 있도록 시도했습니다. 참가자들이 워크숍의 내용과 각자
를 대입하여 연결할 수 있다면 좀 더 몰입해서 참여할 수 있지 않을까 추측했기 때문 에 실험해 본 방식입니다.
준비한 내용대로 일단은 주욱 연결해서 라이브코딩으로 하나의 완결된 시연을 먼저 하고, 그 이후는 한 단계씩 따라할 수 있는 방식으로 예시를 보여주며, 참가자들이 따 라할 수 있는 방법으로 진행했습니다. 이 부분은 구글 크롬 브라우져(https://www. google.com/chrome)의 개발자 도구(https://developers.google.com/chromedeveloper-tools/)를 활용해서 작가가 창작한 작업의 코드를 참가자들이 직접 상호 작용하며 변형할 수 있는 과정으로 이루어졌습니다.
◆ Implementation
The classroom was not proper to set up for a group workshop but each one had their own laptop that they can practice individually.
Each particle was designated with the names (real name or nickname) of the participants. This was to motivate participants on an assumption that they can relate the contents of the workshop with self more easily if the particles are of their names.
As prepared, the complete demonstration was given in live coding. And then, step by step examples were given so that the participants can follow. Using Google Chrome browser (https://www.google.com/chrome) tool (https://developers.google.com/chrome-developer-tools/), the
◆ 원 소스코드의 핵심적인 부분 작동원리는 다음과 같습니다.
초록색 원의 안쪽으로 다른 입자가 들어오면 척력이 발생하고, 초록색 원과 파란색 원 사이에 들어오면 인력이 발생되도록 입자를 설계합니다. 사람과 사람 사이의 관
계도 비슷할 수 있죠. 너무 가까운 거리는 부담 스럽고, 너무 먼 거리는 어떤 관계도 맺기 힘듭니다. 그 사이의 적절한 거리가 어떤 의미, 이야기들을 만들어 냅니다.
그리고 그 궤적을 남겨보면 다양한 상호작용이 어떤 흐름으로 나타나는지를 볼 수 있습니다.
이와 같은 내용을 좀 더 이해하기 쉽게 참가자들의 이름/별명을 활용해서 워크숍을 진행했던 것인데, 아무래도 생경한 내용과 언어적 장벽, 문화의 차이가 있었는지 받 은 피드백을 보니, 전달하고 있는 가치가 의도했던 만큼 충분히 전달되지는 않았던 것 같습니다.
그래도 모든 피드백을 훑어보았을 때, 몇 가지 인사이트는 분명히 전달했구나 하는 생각은 들었습니다.
LIVES as PARTICLES
◆ 계획 앞의 ‘디지털 매체를 활용한 경험’을 확장하기 위해 어슴푸레한 저녁시간에 야외에서 진행합니다. 작은 광장이나 공터 같은 공간이 필요하고, 촬영을 위해서 근처에 높은 지대가 필요합니다. 건물 안에서 진행할 경우 백화점이나 쇼핑몰의 로비 같이 탁트 인 공간이 적합하고 조명을 어둡게 조작할 수 있으면 좋습니다. 이제는 실제 사람들이 입자가 되어 퍼포먼스를 진행합니다. 이를 원할 하게 진행하 기 위해 3번의 실험을 해봅니다.
실험 1
1. 서로 대화 하지 않고 2. 인력과 척력을 느끼며 3. 자유롭게 거닐다가 4. 주변에 정지 낌새가 느껴지면 5. 응집하기 6. 어느 정도 유지 하다가
7. 자연스럽게 흩어지기 8. 반복
실험 2
1. 각자의 허밍을 떠올리기 2. 실험 1의 상태에서 3. 허밍을 하며 자유롭게 다니기 4. 주변에 정지 낌새가 느껴지면
5. 응집하고 한 소리(화음) 내기 6. 어느 정도 유지 하다가 7. 최고점을 통과 한 후 8. 전체가 자연스럽게 잦아들기
participants were allowed to interact and change code that the artist have created.
◆ Critical part of original source code
Operating principles are as follows.
Design particles so as to generate repulsive force if another particle comes within a green circle, and generate attractive force if it comes in between a green and a blue circle. The human relations could be the same. It is hard to have any relationship if the distance with another is too far, and on the other hand, too close distance makes another uncomfortable. A proper distance creates a certain meaning and story.
And the traces of them reveal the flow of various interactions.
This practice was to make participants understand more easily putting their name/nickname.
But the feedbacks from the participants show the content was not delivered completely maybe because of the language barriers and cultural differences.
In general, however, a few insights were delivered certainly.
◆ Plan
Designed to expand the ‘experience thorough digital media’, the performance is to be done outside after the sun sets. It will be in a small square or empty lot near a high building where one can take pictures and videos from the top. If it were to take place inside a building, a lobby at the department store or shopping mall with dim light is desired as the space is clear and empty.
Now the participants perform as particles. Following three tests will be done before the actual performance.
Test 1
1. do not speak
2. feel repulsive and attractive forces
상대편의 의도에 경청하기 등을 경험하게 됩니다. 위 3가지 실험을 한 뒤에는 소모둠
으로 모인 다음에 서로의 소감을 나누는 시간을 갖습니다.
이 3번의 실험은 3번의 연습입니다. 이제 참가자들이 어느 정도 준비가 되었다고 간 주하고, 새로운 매체를 도입합니다. 바로 LED입니다. 어둠 속에서 LED를 활용하고, 카메라의 노출을 오래 잡으면 빛의 궤적을 남길 수 있습니다.
탁 트인 공간에서 참가자들이 이합진산하면서 하는 상호작용의 궤적은 그 들이 준비 한
장착하여 빛의 궤적으로 남아 앞의 ‘디지털 매체를 활용한 경험’ 에서 컴퓨터로
3. go around freely
4. as sensing others stopping
5. crump together
6. keep the position for a while
7. and disperse naturally
8. repeat
Test 2
1. recall own humming sound
2. in the test 1 state
3. go around freely as humming
4. as sensing others stopping
5. crump together and make a sound (chord)
6. keep the position for a while
7. as reaching the high note
8. gradually decrease the sound
Test 3
1. recall own humming
2. in the test 2 state
3. the ones who are to stop were selected
4. can tell in due time
5. gather toward the attractive force
6. crump together and make a sound (chord)
7. stop naturally
패턴들 각각에 대해 30명이 함께 참여 합니다. (우리 팀이 만들지 않은
반응해야 한다는 것이죠) 소리를 내는 것이 필요한 경우, 전자
장비는 전혀 쓰지 않고 자연물(돌멩이, 나무, 물 등)이나 목소리로 허밍이나 합창을 하도록 안내합니다. 이 모든 퍼포먼스들은 영상으로 촬영하여 결과로 남깁니다.
마지막으로 참여해보았던 소감(입자가 되어 본 경험, 상호작용에 대한 경험, 경험이
란 무엇인지, 감각에 대한 생각, 인생에 대한 생각 등)을 나누고 마칩니다. (필요한 경우 소감은 간략히 기록할 수 있습니다)
◆ 실행
계획 했던대로 몇 가지 규칙에 의해 사람들이 직접 입자가 되어 움직임을 만들어 보
는 실험을 해보았습니다.
그리고 이어서 궤적을 남기기 위해 필요한 LED 머리띠를 만들기 위한 워크숍을 진행 했죠.
섬에서 진행하는 워크숍인 만큼, 전자공학적인 매체와 자연물이 함께 어우러지기를
희망했고, 학교 주변에서 자연물을 채집해 오는 과정을 가지기도 했습니다.
그렇게 만들어진 LED 머리띠를 가지고, 아직 어두워지기 전이라 실내의 빈 공간에서
몇 가지 규칙대로 자기조직화 하는 움직임을 실험해 보는 리허설을 진행했습니다.
여기까지의 과정에서 무엇을 배웠는지 생각해 보고 피드백을 나누는 시간을 잠깐 가
진 후, 밖이 어두워지길 기다렸다가, 다시 모여서 실제 퍼포먼스를 준비하고 진행했
8. make a circle
In this process, participants will experience how to interact with each other without words and pay more attention to movements and their intentions.
After three tests, participants will gather in small groups sharing their thoughts on the tests.
These three tests are three practices. When the participants are ready, a new medium, LED, is introduced.
The traces of light can be acquired using LED lights in the dark and set up the camera for long exposure.
The trajectory of interactions that participants make as they reorganizing themselves repeatedly in an empty space is traced by the LED hat that they are wearing. This light trace is in connection with those images created from the computer in ‘Experience through digital media’.
30 participants will teamed into three groups and will discuss with which promises they will interact extemporaneously. Once three patterns are set, they will perform without any prior practices. If necessary, the test will be done under bright lights without LED and in the dark wearing LED on their heads.
Everyone performs each of three patterns. (It means following the rules of the other groups as well) If the sound is required, recommend them to use not electronic equipments but natural objects (pebbles, wood, water, etc) or
서로 대화하지 않고 다른 사람들의 움직임에 민감하게 경청하며, 몇 가지 간단한 규 칙만을 마음에 간직한 채 이루어지는 빛, 소리, 그리고 움직임이 어울리는 퍼포먼스
인쇄된 지면으로는 그 느낌이 충분히 전달되지 않을 것 같아 아쉽네요. 다함께 기념사진을 찍고 일련의 워크숍을 마무리지었습니다.
이번 워크숍의 기반이 되는 알고리즘은 1997년, 제가 아직 물리를 공부하는 학생이 었을 때 시작되었던 것입니다. 그리고 그 경험은 제가 이 미디어아트라는 분야로 넘 어온 뒤에는 중요하게 작용하곤 했죠.15년의 세월이 흘러 이렇게 아내와 함께 다른 나라, 다른 사람들과 만나서 다른 매체와 다른 형태로 표현해 보는 경험은 재미있기 도 하고, 사뭇 스스로를 되돌아보게 하기도 했습니다. 이런 작업이 의미하는 바는 뭘까? 나는 어떤 입자로 세상을 배회하며 살아가고 있는 가? 또 나에게 인력이 작용되어 충돌이 일어난 다른 입자들은 그 영향과 에너지로 또 어떤 곳으로 가게될지 궁금합니다.
이번 워크숍에 참여했던 모든 사람들이 다들 각자의 자리에서 재미있게 이리저리 관 계맺고 멋진 궤적을 남기며 살아가길 바라봅니다. 그리고 조금 위에서 그 모습을 보 면 마치 어린시절 놀이터(playground)에서 한바탕 놀았을 때 만들어지는 궤적과도
humming sound of their own voices. Video record every course of actions of the performance.
Conclude the workshop sharing thoughts (about being a particle, interaction experiences, what is experience, thoughts on sense and life, etc). (In case of need, thoughts could be recorded simply.)
◆ Implementation
As planned, the participants were asked to be a particle and make movements according to the few rules.
And each participant made their LED headbands for light traces.
We expected to mix electro engineering medium and natural objects as the workshop was done in the island, and actually there was a chance to collect some natural items around the school area.
Since it was not dark enough to go out, rehearsal was done inside the building with the LED headband, self-organizing according to few rules.
After brief moments of thinking about what we have learned so far and sharing feedbacks, the sun set and we gathered around the empty space and performed.
The performance was a harmony of light, sound, and movement without any conversation with each other carried only through carefully observing others moving and humming with a few simply rules in mind.
I guess it is hard to convey the atmosphere of that actual performance in this printed matter. The workshop was finished with group photos.
The fundamental algorithm that I used for this workshop began in 1997 when I was still a student studying physics. Ever since then, this experience had important influence on me practicing media art. After 15 years, got to go to foreign country with my wife to meet various people and work in different materials and forms which made me look back.
What is the purpose of this work? As what kind of particle do go around the world? And wonder where those particles interacted with me either repulsive or attractive forces will go.
I hope every participant to make great relations leaving their traces wherever they are. And if see this from above, it might look like traces made on the playground where played hard in my childhood.
Seung Joon CHOI, Kyung Jin LEE
Date & Venue
11/27 @ Likas Bay
Artist Hojun SONG
Description
Workshop attendees learn how HAB (high altitude balloon) photography works and build HAB system. Attendees are able to see live streaming video as balloon is reaching up to 40 km high. Attendees need to aim well at HAB system so they can receive the video signal from the sky.
Participants
Minimum 8
Requirements
one weather balloon (by artist) small parachute (by artist)
200 ~ 300 party balloons
one 50 Liter Helium Gas Tank
one go-pro camera (by artist)
one 2.4 GHz video TX/RX system some electronics (by artist)
50 m cotton string
1 1 대 3 비디오 분배기 1 비디오 캡쳐 장비 1 DC 12V -AC 220V 인버터
1 12V 10Ah NiMH 배터리
1 배터리 충전기 1 낙하산
2 고고도 실험용 라텍스 풍선
300 저고도 실험용 라텍스 풍선
400 미터 끈
1 대형 헬륨 탱크 (약 6,000~8,000리터 혹은 300 큐브 피트의 팽창 볼륨)
6 가위 1 노트북
Artist Hojun Song / songhojun@gmail.com / www.hhjjj.com
Date & Location
27th Nov 2012
Likas Bay, Kota Kinabalu, Malaysia
Attendees
KYS Students
KYS staffs
Computer Society people
Sun Tag Noh
Eul Noh and some local people
Overview
The High Altitude Balloon Photography workshop was originally planned to launch the balloon to around 30~40 km and to receive the live stream of the video in real time from the ground. But as Kota Kinabalu is highly congested by air traffics, we needed a permission from the local aviation department, which we’re unable to get while we’re staying. So we decided not to release the balloon but to maneuver the balloon from the ground with strings attached. And we all promised to launch the balloon to high altitude next year.
Equipment List
1 2.4GHz 24 dBi High Gain Antenna
4 2.4GHz Omni-Directional Antennae
2 2.4GHz Wireless Video Transmitter
1 2.4GHz Wireless Video Receiver
1 Broom for antenna mounting
1 Video Monitor
1 1 to 3 Video Distributor
1 Video Capture Device
1 DC 12V to AC 220V Invertor
1 12V 10Ah NiMH Battery
1 Battery Charger
1 Parachute
2 Latex Balloons for high altitude experiment
300 Party Balloons for low altitude experiment
400 Meter of Strings
1 Large Helium Tank (expanded volume of around 6,000~8,000 Liter or 300 cu. ft)
6 Scissors
1 Laptop
사전준비
- 지상에서 비디오 송수신 테스트
- 풍선을 띄우기 위한 허가 받기
- 헬륨가스 대여
- 배터리 충전
- 풍선 띄울 장소 물색 워크숍 당일
- 고고도 풍선(HAB) 사진 워크숍 소개 참가자들에게 HAB 시스템을 소개하고 작동 원리를 설명 하였다.
- 부력 이해하기 부력에 대한 이해도를 높이기 위하여 워크숍 참가자들에게 파티 풍선 하나의 부력과 동일한 무게를 매달아보도록 하였다. 그리고 4명이 짝을 지어 4개 의 풍선의 부력과 동일한 무게를 매달아 보고 같은 방식으로 8개 풍선의 부력에 해당하는 무게 추를 달아 보았다..
- 풍선 묶기 카메라 모듈의 무게에 맞춰 8개의 풍선 묶음을 좀 더 크게 200개로 만들었다.
KYS 학생 DD가 매듭 맺는 법을 배운 경험을 살려 풍선을 묶는 책임자가 되었 고, 최소 2명 이상이 풍선 묶음을 잡고 있어 하늘로 날아가지 않도록 감시하였 다.
- 풍선 목욕 시키기 갑자기 내린 장대비와 바람에 풍선이 땅 바닥으로 날려 흙으로 뒤덮여 더러워 졌지만, 참가자들이 바다에 들어가 독성 해파리의 위험에도 불구하고 물을 떠 서 풍선을 깨끗하게 띄었다.
- HAB 시스템 조립하기 3시간 만에 비가 그치고 나서 비에 젖은 풍선들이 좀 더 높이 올라 갈 수 있게 100개의 새로운 풍선을 추가하고, 모든 장비들을 해변가로 가지고 나와 카메 라 모듈과 끈을 묶어 마침내 풍선을 띄웠다. - HAB 시트템 컨트롤 하기 풍선에 묶인 4개의 끈 중 메인 한 줄은 전체 시스템을 지탱하고, 2개의 줄은 바 람에 흔들리지 않도록 균형을 맞추는 역할을 하였으며, 마지막 한 줄은 카메라 모듈이 계속 회전하는 것을 방지하기 위해 카메라에 직접 연결하여 촬영을 방 향 컨트롤 하는데 사용되었다.
리뷰
- KK 현지에서 사용하는 헬륨가스 탱크 단위가 우리가 보통 이야기 하는 것과는 달 라서 가스의 팽창 볼륨을 계산해서 대여하는데 어려움이 있었다. 하지만 대여한 탱 크 하나로 1200g 라텍스 풍선을 채우기에 충분했고, 내년에도 같은 크기와 압력의 헬륨 탱크를 대여하면 될 것 같다.
Preparation
- Video transmission and reception test on the ground
- Permission to release the balloon
- Renting a Helium tank on site
- Charging the batteries
- Check for the balloon launching site
Workshop Day
- Overview of High Altitude Balloon (HAB) Photography
The HAB system was presented to the attendees and the working principles were explained
- Understanding the Buoyancy
To understand the buoyancy of the balloon, attendees were first required to hang a weight that’s equal to the lifting buoyancy of a party balloon.
Later, attendees were grouped in 4 to find a heavier weight that’s equal to the buoyancy of 4 party balloons.
And same experiment for 8 balloons
- Tying the Balloon
To have a buoyancy for the camera module, 8 balloons were now tied to bigger version - 200 party balloons. KYS student - DD was in charge of tying balloons as he had some previous tying experiences.
Minimum of 2 attendees were required to hold the string of the tied balloons at all times to prevent the balloons from being released.
- Washing the Balloon
Due to the heavy rain and wind, tied balloons were keep hitting the ground and covered with dirts. And attendees brought water from the sea and clean the dirts despite many toxic jelly fishes in the sea.
- Assembling the HAB system
After 3 hours of waiting, heavy rain finally started to stop. 100 fresh party balloons were added to give more lift to the wet balloons. All the gears got brought out to the sea shore. The camera module and controlling strings were tied. And launched.
- Controlling the HAB system
One main string was used for hold the entire system. 2 strings were used to balance the system in windy situation. Lastly one string was directly attached to the camera module to control the panning of the camera. We figured, without the camera control sting, the camera module kept spinning.
Review
- Renting a Helium tank was a hard task in KK as they have their own unit and was not possible to calculate the expanded volume of the gas. But it turned out the tank we rented was enough to fill the big 1200g Latex Balloon. So we should rent a same size, same pressurized Helium tank for next year.
200 바, 대형 헬륨 탱크 - 사전에 서울 한강에서 비디오 송수신 지상 테스트 진행 - 서울과는 다르게 항공교통이 혼잡한 KK의 항공법은 매우 엄격하여 풍선을 띄우기 전에 허가를 받아야 함 - 배터리 충전하는 것 절대 잊지 말기 - KK의 예측 불가능한 날씨에 대비하여 우천시 계획 세우기 - 디지털 멀티미터와 여분의 전자 부품들 챙기기
아카이브
이미지: http://www.flickr.com/photos/hhjjj/sets/72157632138956839/ with/8234299276/
풍선에서 본 영상: http://www.youtube.com/watch?v=ceBpc4sax0I 다운로드: 2.73 GB http://bigmail.mail.daum.net/Mail-bin/bigfile_ down?uid=8-d_hJ_JfmGIQKcYv3t9kVx7qHaQXR8
200 Bar, Large Helium Tank
- Video transmission and reception test on the ground was initially done in Han River area, Seoul
- Permission to release the balloon in air traffic congestion area was definitely need while in Seoul the law is not as strict as in KK.
- Charging the battery in full is something we should not forget.
- Need a plan for rainy day as the weather in KK is unpredictable.
- Prepare a digital multimeter and some spare electronics parts
Archive
Images: http://www.flickr.com/photos/hhjjj/sets/72157632138956839/ with/8234299276/
Video from the Balloon: http://www.youtube.com/watch?v=ceBpc4sax0I
Download All: 2.73 GB http://bigmail.mail.daum.net/Mail-bin/bigfile_ down?uid=8-Ed_hJ_JfmGIQKcYv3t9kVx7qHaQXR8
Credits
크레딧
서울에서의 준비
박동희: 전반적인 의견교환
HL1EEK: 무선 시스템 자문 및 테스팅 김형주: 낙하산 제작
Team Black Sheep (스위스): 무선 비디오 수신 자문
사진 및 영상 김형주, 송호준, 노순택, 박동희, KYS 팀 개인 후원 신보슬, 박동희
Seoul Preparation
Donghee Park: general discussion
HL1EEK: wireless system advisor and testing
Hyoungju Kim: parachute building
Team Black Sheep (Switzerland): wireless video transmitter advisor
Photography and Filming
Hyoungju Kim, Hojun Song, Sun Tag Noh, Donghee Park, KYS crew
Private Equipment Sponsor
Nathalie Shin
Donghee Park
Date & Venue
11/27 19:00~20:00 @ TanjungAru Beach
Artist Ligyung
Description
This workshop developed from “Deepavali” _light festival in Hindi culture.
Participants using laser pointer & pieces of glass make floral leaves and finally make a flower by performance
Participants
About 20
Requirements
10~13 Laser pointer(by artist) mirror(by artist)
Schedule
11/27 19:00~20:00
A. Introduction of culture, festival in KK
B. Exchanging idea of what is culture
C. Introduction of workshop process, usage of materials
D. Concept of collaboration, idea sharing
E. Performing and shooting
다양한 종교를 가질 수 있으며 서로 의 믿음을 존중하는 문화가 폭넓게 자리잡고 있다. 이러한 이유로 말레이시아에서는 이슬람을 위한 모스크, 불교신도를 위한 절, 힌두교의 힌두사원, 그리고 교회와 성당
쉽게 찾아볼 수 있음은 물론 각 종교의 축제마다 타종교인들은 물론 관광객들
도 함께 초대하여 즐기는 ‘오픈 하우스(Open House)’라는 행사를 개최한다. 따라서 다양한 종교 관련 축제 시기에 말레이시아 특유의 성숙된 관용의 문화를 실제로 관 찰할 수 있다... / 말레이시아 관광청-말레이시아의 문화中
디파발리(Deepavali)는
1. Requirements
Laser pointer 10-13개 Mirror
2. Process
- Introduction to Malaysian culture : How they (Malaysians) understand their own culture and how the artist (Ligyung) percieves their culture.
- Concept of group work : How to use laser pointer and understanding the process
- Brainstorming
- perfomance and shooting
Date & Venue
11/28 13:00 ~ 15:00 @ KYS classroom
Artist Hyungmin MOON
Description
The artist brings his ruined canvas and participants turn it into an artwork.
Participants 5~10
Requirements
Scissors, glue, string, needle
Schedule
11/28 13:00 ~ 15:00
Introduction of art works by artist & workshop
Production and presentation
Date & Venue
11/26 14:00~15:00 @ PPS lounge in KYS
11/27 06:00~24:00 in KK
11/28 18:00~20:00 @ PPS classroom in KYS
Artist
Suntag NOH
Description
After the brief introduction about the one day shot by Suntag NOH, participants are scattering at different places in KK. They take photos all day from 6am till midnight. On 2nd day participants present their photos and make a book about Nov. 28, 2012 Kota Kinabalu. Photos will be shown on the website.
Participants
About 20
Requirements
Digital Camera, KK guide book, printer, small space for the exhibition with the workshop result.
Schedule
11/26 14:00~15:00
A. introduction of ONE DAY SHOT & workshop process
B. Research about the history, Art and Cutlure of Kota Kinabalu
C. Visiting Sabah Museum
D. Presentation about their shooting plan
11/27 A whole day shooting
11/28 18:00~20:00 Presentation of works
우리가 ‘하루’라고 부르는 개념은 ‘시간’만을 내포하는 것 같지만, 사실 하루라는 개 념은 ‘공간’을 포함하고 있습니다. 우리의 하루는 일반적으로 지구 위에서의 하루를 말하는 것이죠. 지구에서 하루는 24시간이지만, 예컨대 화성에서 하루는 24시간 30 분입니다. 금성의 하루는 2800시간이죠.
이런 물리적인 하루 개념이 아니더라도, 하루는 역사적이고도 심리적인 차이를 가집
뉴욕의 하루가 파리의 하루와 같을 수 없듯, 서울의 하루가
(3-4시간)
D. 원데이 슛(하루종일)
E. 작업발표 및 리뷰 (반나절)
G. 온라인출판 또는 오프라인출판
The thing that we call ‘a day’ seems to suggest only ‘time’ but in fact, it also implies ‘space’. When we say ‘a day’ in general, it means a day on earth.
While a day is 24 hours on earth, it is 24 hours and thirty minutes on Mars and 2800 hours on Venus.
And there also are historical and psychological differences in understanding ‘a day’. As a day in New York can’t be the same as the one in Paris, it won’t be the same as KK.
Though we live a day, we do not know what’s happening while we live those days. It is impossible to get hold of a perfect sense of a day, but it will give a better understanding of time and space that we live in as we share the stories of our days together.
1. Requirements
Cameras (prefer digital camera so that easily share the images)
Tourist books about the area
Cultural books
A laptop
A projector
A person who can lecture on the history of KK
2. Process
Introduction to the idea of ‘One Day Shoot’ project (2-3 hours)
Understanding the history and cultural status of KK (2 hours)
Individual Presentation on where and how you will deliver the project (3-4 hours)
One Day Shoot ( A whole day)
Work presentation and review (A half day)
Online or offline publication
Date & Venue
11/27 13:00~15:00 @ KYS classroom
Artist Hwayong KIM
Description
This workshop is a series of line drawings. You cannot find anything special from the outcomes. Rather, they are trivial scribbles of little importance. But through this workshop you will get to notice things that you missed and that exist but can’t see, approaching from the other direction in fresh perspectives.
Participants
About 20
Requirements
Smart phones, A projector, A laptop, Drwaing papers, Color Markers
“별거 없는 그림”은 무의식 중에 하는 끄적거림, 단 순한
꽤나 괜찮은 그림으로 위치시 켜보는 워크숍이다.
이
비율을 잘 맞게 그리고 있는지, 종이 안에 재현되 는 크기가 적절한지 등 내가 잘 하고 있는지를 끊임없이 확인하게 되는 과정을 포함 한다. 생각대로 잘 그려지지 않으면 그리는 동안 고치고 또 고친다. 빨리 간결하게 스 케치를 하고 싶은 기대는 물 건너 가기도 하고 그리기를 포기하게 되는 순간이 바로 이때이기도 하다.
- 종이에 그린다. 하지만 종이를 보지 않는다. 무언가를 관찰하다 멈추고 그리고 다시 관찰하고 또 그리는 패턴을 잠시 내려 놓아 본다. 우리는 그리기 시작하면서부터 끝나는 순간까지 오직 눈앞의 또 상상 속의 대 상만 바라보는 미션을 수행한다.그 대상이 재현되는 이성적인 눈은 잠깐 감고 바라 보는 직관의 눈에 의존하여 그려본다. - 망가진 그림? 그 결과는 꽤나 낯설었다. 보지 않고 그린 그림은 비례도 구도도 깨져있기에 자기만 의 그림 스타일이 있던 친구들조차 어색한 자신의 그림을 만났다. 그리고 그리기가
Artist Hwa Yong KIM
For someone childhood memory of drawing is nothing but awful times whether it is picture diary homework in elementary school or only an hour art class. An art class was to learn how to draw something ‘likely’ or ‘exactly’. This workshop <Nothing Drawing> is intended to take the everyday drawings like simple scribbles made unconsciously and make it a quite an artwork.
This workshop is a series of line drawings. You cannot find anything special from the outcomes. Rather, they are trivial scribbles of little importance. But through this workshop you will get to notice things that you missed and that exist but can’t see, approaching from the other direction in fresh perspectives.
It is of two part drawing mission. For the first one, one need to put up with some limits drawing in different methodology and another one is drawing with unexpected tools. This workshop is designed to be more like a free drawing play than learning for the students who are familiar with general art classes.
1. Draw with eye
- What is a ‘good’ drawing? Does it mean imitating the subject exactly as it is?
In general, a practice of drawing contains a continuous confirmation of self checking whether the ration of the subject is right and the subject is represented relatively positioned to the paper. If it does not go as expected, change and correct. This is the moment to do either quick, simple sketch, or give up the drawing at all.
- Draw on paper but without looking at it.
Let go of the pattern of observe, stop, draw, and observe again. From start to finish, only look at the subject in front or imagined. Close rational eyes that repeat subject and draw only with eyes of intuition.
- Ruined drawing?
The outcome was quite strange. As the students drew not looking at the papers, the proportions and compositions were broken, hindering them from recognizing their own style. And some students who were unskilled in drawing felt finding their own style that they didn’t realize.
2. 발로 그리기 - 지도 VS 실제의 공간 2차원의 지도와 3차원인 실제 공간은 간극이 있다. 특히나 정보가 최소화 된 지도를 보고 있자면 더욱 그런데 이곳 코타키나발루의 지도는 복잡한 도시의 지도보다 단촐 했다. 심지어 로드뷰가 작동되지 않는 곳이었기에 스마트기기를 가지고 있음에도 외 지인이 지도를 통해 그곳 거리의 모습을 상상하기는 어려웠다.
워크숍 전 날 우리는 KK의 단순한 지도를 들고 학교부터 숙소까지 다양한 길로 걷기 시작했다. 지도와 실제간의 간극을 느끼며 지도를 들고 돌아다녀보는 것은 꽤나 스
릴 있는 경험이었다. 평면 속 그림으로서의 지도를 살펴본 후 실제의 그곳을 발과 몸 으로 경험하고 나면 지도는 다른 결의 그림으로 다시 보일 수도 있다.
- 지도를 지나는 선 지도 위의 길은 공평하다. 장애물이나 공사 중 혹은 땅의 고저는 이 평면의 그림에서
는 무화 되어있다. 특히 미리 걸어 본 KK는 새롭게 무언가 지어지려 공사를 시작한 대규모 공사구역도 많았고 수상가옥이 모여있는 곳은 쉽게 통과하기 어려웠다. 그리
고 횡단보도도 많지 않아 큰 도로를 내 의지대로건너기가 쉽지 않았다. 이런 길 상태
를 고려하지 않은 채 지도의 길 위에 나만의 선으로 그림으로 그려본다. 그 선대로 내 발이 그대로 움직일 수 있을지는 미지수다.
KK 지도의 학교부터 숙소까지 이르는 길 위에 우리가 그린 고양이처럼 생긴 선을 친 구들에게 보여주자 그들이 아는 길인 선들이 지난 곳을 설명하기 바쁘다. 본인이 학 교에서 집으로 가기 위해 평소에 자주 지나는 길의 이야기부터 저 곳은 지나갈 수 없 었을텐데까지.
- 발로 그리는 그림 지도 위 길에 미로나 퍼즐같이 그렸던 드로잉을 발로 직접 찾아 나선다. 동네가 도화 지가 되어 손이 지나갔던 길 위의 선을 발로 따라가고 지도 위에 그려진 선이 공간에 펼쳐지며 시간으로 분절되는 퍼포먼스를 상상했다. 우리는 지도 위 고양이 얼굴을 발자취로 다시 그린 GPS드로잉을 친구들에게 보여주 며 이것이 가능한 GPS 스마트 폰 앱에 대한 설명을 시작했다. 컴퓨터로 만드는 애니 매이션을 공부하는 친구들, 스마트기기의 사용법에 관심이 많은 학생들은 다행히 이 것을 어려운 기술로 받아들이지 않고 새로운 미디어에 대해 흥미롭게 반응하고 몰입 도를 보여주었다. 그리고 자신들에게 익숙한 지역을 기반으로 펼쳐진 드로잉을 보며 오히려 이곳의 다양한 이야기를 들려주었다.
- 선뒤에 숨은 새로운 것들!
우리는 지도에 그린 선을 따라 동네를 거닐면 지도에서는 미쳐 볼 수 없었던 숨은 것 들을 발견한다. 지리적으로 최단, 최적거리가 아니라 느낌 따라 그린 길을 걸으면서
지역적 사실정보가 아니라 사적인 시각에 사로잡힌 풍경들을 관찰하는 시간이다. 그
렇게 그냥 걷고 나서 처음 그렸던 그림대로 내가잘 따라 걸었는지 비교해본다. 동네
는 도화지고 우리가 들고 걸은 GPS는 물감이자 연필이다. 내 발자국을 그대로 기록
하는 ‘발로 그리는 그림’의 도구가 이것이다.
안타깝게도 이 날 섬에 종종 찾아 드는 엄청난 폭우가 갑자기 내렸다. 잠깐 비가 그친 틈을 타 학교에서 아주 멀지 않은 곳을 돌아보는 정도의 실습밖에 할 수 없었다. 하지
만 워크숍 이후 SNS를 통해 직접 시도해본 결과물을 보내오기도 했고 구글맵과 연 동한 자신의 발자취 그림을 공유해 주기도 한 긴 호흡의 피드백을 받은 워크숍이었 다.
짧은 시간의 아쉬움은 하루 몇 시간에 진행되는 워크숍이 아니라 좀 더 긴 시간 캠프
의 형태로 진행되는 놀이 같은 워크숍을 상상하게 했는데 KK의 작은 섬을 함께 돌면
서 GPS드로잉과 더불어 사진기록, 풍경 스케치, 소리 채집등을 병행하며 다양한 기 록이 지도 위에 올려지는 KK의 오감 로드뷰 같은 것을 만들어 보면 어떨까 생각했다.
기술지원 박동희
2. Draw with foot
- Map VS Actual place
There is a difference between two-dimensional map and three-dimensional actual place. Especially it is more so in least informed map, and the map of Kota Kinnabalu was much simpler than the one of the city. Besides, as outsider it was hard to imagine what the place would look like since the Roadview service is not available.
The day before the workshop, went out to walk different routes with simple map of KK. It was very thrilling experience of feeling the differences between the map and real. The map can be seen differently if you see it after physically experiencing with your own body and feet.
- A line crossing the map
The road on the map is fair. The construction sites, blockages, or level of land was not indicated on the map. As I walk earlier, I realized that there are lots of big construction sites building new structures and it was not easy to pass where many floating homes were concentrated. Also it was hard to cross wide roads since there were only a few crossroads. Without considering all these elements, I drew line on the map. There is no way of knowing whether can actually follow the line that we drew or not. As soon as I show the students somewhat cat like lines that drew on the road from the school to the hotel, they were excited to explain the places with which they are familiar and their usual routes.
- Draw with foot
We went out to walk the lines drew on the map like a maze or puzzle. imagined it to be a time segment performance stretched out to the real space that village becomes a paper and the feet follow the lines that we drew with hands. I explained GPS drawing smart phone application that enables to draw on the map. It seemed it was not a complicated technology for computer animation students or the ones who are interested in smart phones already. Moreover, as these drawings were about the areas that they know best, they were more immersed in talking about various stories.
- New things behind the lines!
As we walk along the lines on the map, we can find things that we missed before. This is to following neither the best nor the shortest lines but wherever it leads us so that we pay more attention to the visual landscape than the regional information. Just walk and then compares whether it is the same path on the map. The village is a paper and the GPS that we carried along was paint or pencil. This is a tool for ‘draw with foot’ documenting my footprint.
Unfortunately, there was a heavy rain shower on a workshop day and we had very short time to walk around when it stopped for a while. But I got a feedback after the workshop through SNS sharing what they have done for themselves and their footprint drawing connected to Google map.
Coming back from a short hours of workshop, I thought it would be more interesting to have a longer play like workshop of ‘Five senses Roadview of KK’. It will includes various programs as walking small islands in KK like GPS drawing, photo documentation, landscape sketch, sound collecting, etc.
Technical Support: Dong Hee PARK
Date & Venue
11/27 14:00~17:00 @ KYS classroom
Artist Jia CHANG
Description
In Korea there is a fortuneteller reading palm and face to tell your life cycle. In this workshop, students will draw their hands only lines that they see and think about the differences that each one of them has. In dot drawing, students will draw their portraits only with dots experimenting different expression technique.
Participants
About 10
Requirements
Drawing paper (A1 or bigger than A3), Pen, Pencil, Eraser, Hand mirror, Dot sticker
Schedule
11/27 14:00~15:00 Studying the line 15:00~16:00 Studying the dot 16:00~17:00 Outcome review
크게 확대시
키고 일일이 선을 그려나감으로 남과 다른 나만의 선들에 대해 생각해본다.
Take a look at your palm lines that you normally pay no attention to it at all. In Korea, people believe that there is one’s life in your palm. Draw every line you see on your palm except fingers. By drawing every single line blown up in a certain scale, you get to think of your own one-of-a-kind lines.
같은 사이즈의 단위체인 동그란 스티커로 거울에 보이는 자신의 얼굴을 붙여가며 표 현한다. 동일한 크기와 색상의 점을 어떠한 방식으로 찍어서 빈 공간에 대상을 표현 해갈 것인지에 대해 고민해본다. 기본적인 조형요소인 점으로 제한적인 한계를 벗어 나 다채로운 표현법을 개발해본다. 가능하면 빛의 콘트라스트를 이용해 단순히 선으 로 이목구비를 표현하는 것이 아니라 덩어리와 공간의 느낌을 표현할 수 있도록 한 다.
Take a look at your palm lines that you normally pay no attention to it at all. In Korea, people believe that there is one’s life in your palm. Draw every line you see on your palm except fingers. By drawing every single line blown up in a certain scale, you get to think of your own one-of-a-kind lines.
Title
Revive
Date
11/26~11/29
Artist
Venue KK
Description
This project is from <Plastic Stadium> by artist CHOI Jeonghwa. He makes a new installation with plastic garbage gathered by people in KK.
Organizer
Total Museum of Contemporary Art, Seoul
Host
KolejYayasan Sabah
In collaboration with Chungang University, Korea
Igong Korea
Sabah Computer Society
Seokyung University, Korea
Project Director
Sungdae HONG
Nathalie Boseul SHIN
Curator
Marina Ghanie
Sabina Yeowoon LEE
Executive Manager
PC CHIANG
Sylvester FUNG
Documentation
Hyoungju KIM
Diam Diam Ubi
Technical Support
Dong Hee PARK
Design the flat
Sponsor
Arts Council Korea
Chungang University, Korea
Ministry of Resource Development and Information Technology, Sabah
Sabah Art Gallery
Seokyeong University, Korea