

Ohio’s Finest
Foreword
In the early 20th century, Ohio had many noteworthy artists as a function of the excellent museums and art schools tied with one another in Cleveland, Cincinnati and Columbus. Talented artists such as Alice Schille, Edna Hopkins, James Hopkins, Charles Burchfield, Lucius Kutchin, Emerson Burkhart, Robert Chadeayne, and Aminah Robinson benefited from these resources. These opportunities led to many artists receiving strong fundamental training in the visual arts in Ohio. Most of these artists traveled thereafter to New York, Paris, London, Munich, and other international centers of art to receive further education.
They familiarized themselves with the stylistic developments, aesthetic concepts as well as the cultural diversity in these environments. This aesthetic and cultural education led to their development and/or distillation of Impressionism, “Ash Can” Realism, Post-Impressionism, Modernism, and Regionalism from1900 through the1940s. They each engaged with elements of these styles with their own personal ingenuity and philosophy of aesthetics and life to create distinctive,resonate works of art.
Aminah Brenda Lynn Robinson’s art is uniquely expressive. It has a narrative quality that has affinities with some Regionalist artists such as Thomas Hart Benton. However it is more personal and culturally emotive than most Regionalists’ works. Her art post dates that of the Regionalists by decades but the narrative element partially ties it to that movement.
We hope that you will join us to enjoy the museum quality works of these talented artists who received national recognition and international recognition in numerous instances.
Timothy C. Keny
Ohio’s Finest
November 28, 2025 through January 16, 2026
On View In the Upstairs Gallery
Front Page:
ALICE SCHILLE
The Little Church (The Pyrenees), 1926
Watercolor
20 ¾ x 17 ¾ inches

EARLY MODERNISM
Robins and Crocuses, 1923
Wallpaper swatch
30 x 19 inches
CHARLES BURCHFIELD

LUCIUS KUTCHIN
L andscape , 1936
Oil on panel board
20 x 16 inches

LUCIUS KUTCHIN
Untitled Portrait (Woman with Green Scarf)
c. 1930
Monotype with pastel on paper 14 x 10 inches

LUCIUS KUTCHIN
Mexican Boy, c. 1931
Oil and mixed media on textured paper
12 x 10 inches

ALICE SCHILLE

White Adobe Houses (Sunlight, New Mexico) , c. 1926
Watercolor
10 x 12 inches
ALICE SCHILLE



ALICE SCHILLE
Row of Trees c. 1925
Watercolor
17 ½ x 20 ½ inches
Opposite Page: Morning in the Pyrenee s, c.1925
Watercolor
17 x 21 inches

7 ¼ x 9 inches
Saucy Dahlia , c.1915
Color woodcut
EDNA HOPKINS

Singing the Blues , 1933 Monotype on paper 12 x 5 inches


EDNA HOPKINS
Studios in the Wharf, c. 1915-16
Color woodcut
7 ⅞ x 9 inches

Color woodcut
9 x 8 inches
EDNA HOPKINS
Sunflowers (Purple Sunflowers), c. 1915-16

EDNA HOPKINS
7 ¾ x 9 inches
Yellow Dahlia (Yellow Splendor) , c. 1915
Color woodcut
REGIONALISM


Evening Shadows, 1957
Oil on canvas
23 x 30 inches
EMERSON BURKHART

Out of Gas , 1939 Oil on board 11½ x 16 inches
EMERSON BURKHART

train behind) , c. 1920
Oil on board 10 x 14 inches
ROBERT CHADEAYNE (Brick house with
IMPRESSIONISM


ALICE SCHILLE
Woman Sewing, c. 1902 Watercolor 14 ¾ x 17 inches

Beach Scene, Northern France, c. 1914
Watercolor, 18 x 21 inches
ALICE SCHILLE

Beach Scene, c. 1916-18
Watercolor
17 ½ x 20 ½ inches
ALICE SCHILLE
ILLUSTRATION


JAMES THURBER
Opposite Page: Health Ink on paper
8 ½ x 11 inches
Above: Ravel’s Bolero, c. 1930-35 Ink on paper
8 ½ x 11 inches

ROBINSON: Symphonic Poem , 2003, Textile,16 ½ x 16 ¾ inches
AMINAH

AMINAH ROBINSON
Call and Post Paper, get ‘Em While Their Hot Wash, charcoal, thread, mixed media on paper
10 ¾ x 8 inches