Ohio's Finest

Page 1


Ohio’s Finest

Foreword

In the early 20th century, Ohio had many noteworthy artists as a function of the excellent museums and art schools tied with one another in Cleveland, Cincinnati and Columbus. Talented artists such as Alice Schille, Edna Hopkins, James Hopkins, Charles Burchfield, Lucius Kutchin, Emerson Burkhart, Robert Chadeayne, and Aminah Robinson benefited from these resources. These opportunities led to many artists receiving strong fundamental training in the visual arts in Ohio. Most of these artists traveled thereafter to New York, Paris, London, Munich, and other international centers of art to receive further education.

They familiarized themselves with the stylistic developments, aesthetic concepts as well as the cultural diversity in these environments. This aesthetic and cultural education led to their development and/or distillation of Impressionism, “Ash Can” Realism, Post-Impressionism, Modernism, and Regionalism from1900 through the1940s. They each engaged with elements of these styles with their own personal ingenuity and philosophy of aesthetics and life to create distinctive,resonate works of art.

Aminah Brenda Lynn Robinson’s art is uniquely expressive. It has a narrative quality that has affinities with some Regionalist artists such as Thomas Hart Benton. However it is more personal and culturally emotive than most Regionalists’ works. Her art post dates that of the Regionalists by decades but the narrative element partially ties it to that movement.

We hope that you will join us to enjoy the museum quality works of these talented artists who received national recognition and international recognition in numerous instances.

Ohio’s Finest

November 28, 2025 through January 16, 2026

On View In the Upstairs Gallery

Front Page:

ALICE SCHILLE

The Little Church (The Pyrenees), 1926

Watercolor

20 ¾ x 17 ¾ inches

EARLY MODERNISM

Robins and Crocuses, 1923

Wallpaper swatch

30 x 19 inches

CHARLES BURCHFIELD

LUCIUS KUTCHIN

L andscape , 1936

Oil on panel board

20 x 16 inches

LUCIUS KUTCHIN

Untitled Portrait (Woman with Green Scarf)

c. 1930

Monotype with pastel on paper 14 x 10 inches

LUCIUS KUTCHIN

Mexican Boy, c. 1931

Oil and mixed media on textured paper

12 x 10 inches

ALICE SCHILLE

White Adobe Houses (Sunlight, New Mexico) , c. 1926

Watercolor

10 x 12 inches

ALICE SCHILLE

ALICE SCHILLE

Row of Trees c. 1925

Watercolor

17 ½ x 20 ½ inches

Opposite Page: Morning in the Pyrenee s, c.1925

Watercolor

17 x 21 inches

7 ¼ x 9 inches

Saucy Dahlia , c.1915
Color woodcut
EDNA HOPKINS

Singing the Blues , 1933 Monotype on paper 12 x 5 inches

EDNA HOPKINS

Studios in the Wharf, c. 1915-16

Color woodcut

7 ⅞ x 9 inches

Color woodcut

9 x 8 inches

EDNA HOPKINS
Sunflowers (Purple Sunflowers), c. 1915-16

EDNA HOPKINS

7 ¾ x 9 inches

Yellow Dahlia (Yellow Splendor) , c. 1915
Color woodcut

REGIONALISM

Evening Shadows, 1957

Oil on canvas

23 x 30 inches

EMERSON BURKHART

Out of Gas , 1939 Oil on board 11½ x 16 inches

EMERSON BURKHART

train behind) , c. 1920

Oil on board 10 x 14 inches

ROBERT CHADEAYNE (Brick house with

IMPRESSIONISM

ALICE SCHILLE

Woman Sewing, c. 1902 Watercolor 14 ¾ x 17 inches

Beach Scene, Northern France, c. 1914

Watercolor, 18 x 21 inches

ALICE SCHILLE

Beach Scene, c. 1916-18

Watercolor

17 ½ x 20 ½ inches

ALICE SCHILLE

ILLUSTRATION

JAMES THURBER

Opposite Page: Health Ink on paper

8 ½ x 11 inches

Above: Ravel’s Bolero, c. 1930-35 Ink on paper

8 ½ x 11 inches

ROBINSON: Symphonic Poem , 2003, Textile,16 ½ x 16 ¾ inches

AMINAH

AMINAH ROBINSON

Call and Post Paper, get ‘Em While Their Hot Wash, charcoal, thread, mixed media on paper

10 ¾ x 8 inches

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.