GeoffreySax'smodern-dayappropriationoftheShakespeare's2001Othelloisachariotwhichtranscendstimeand updatesthethemeofappearanceandrealityandthepoweroflanguagetogivemeaningtothesethemesinmodern timesIago'sdeceptivenatureandhis"twofaced"personalityarethebuildingblockswhichshowsusthe differencebetweenhowtheworldlooksandwhathappensbehindthescenes.BothGeoffreySaxandAndrew DavieshavecreatedafilmwiththeabilitytotakeShakespeare's...
AnalysisOfSax'sFilm'Othello'
theTextGeoffreySax'sadvancedretellingofWilliamShakespeare'sOthellocancontrolShakespeare'sunique ideasinspiteofthetimeperiodandconnectioninwhichbothwritingshappen,whileinvestigatingtheallinclusive topicsofprejudice,misogynyandforceShakespeare'splayreflectsconventionalElizabethanconnectionsand qualitiesinitsinvestigationofsuchideasamidstacatastropheimpelledonbymisleadinganddesirously (Aebischer12)Ontheotherhand,GeoffreySax's2001



OthelloReflectstheContextandValuesofitsTimeEssay
Textsandtheirappropriationsreflectthecontextandvaluesoftheirtimes.WithinShakespeare'sOthelloand GeoffreySax'sappropriationofOthello,theevolutionoftheattitudesheldbyElizabethanaudiencesandthose heldbycontemporaryaudiencescanbeseenthroughthecontextofthefemalecoupledwiththecontextofracism Theroleofthefemalehasdevelopedfrombeingsubmissiveand"obedient"intheElizabethaneratobeing independentandliberatedwithinthecontemporarysetting