Tia Miller Portfolio 2023

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P O R T F O L I O t i a m i l l e r a r c h i t e c t u r e + i n t e r i o r s

S K I L L S

RHODE ISLAND SCHOOL OF DESIGN

Providence, Rhode Island

Master of Architecture, 2023

Certificate of Collegiate Teaching in Art + Design, 2023

UNIVERSITY OF CINCINNATI

Cincinnati, Ohio

College of Design, Architecture, Art + Planning (DAAP)

B.S. Interior Design, 2018, cum laude

WILLIAM RAWN ASSOCIATE ARCHITECTS

Boston, MA // June-Sept 2022

Architecture Internship

Worked with facade and exteriors team to contribute documentation for 8-story college campus arts and innovation complex in Virginia. Engaged in consultant meetings and developed clear drawings in Revit for design development set and project pricing package.

SMITHGROUP

Boston, MA // June-Sept 2021

Architecture + Interiors Internship

Collaborated with architecture + interiors teams on brand standards and build out of Southcoast Hospital Fall River Emergency Department. Created visualization materials and drawings and helped lead visioning sessions with clients for brand standards package.

GENSLER

Houston, TX // August 2017-July 2020

Designer + Professional Intern (2017)

Key asset in producing interiors visualization materials, detailed construction documentation, and furniture specifications for several hospitality + corporate projects ranging from new builds to renovations. Also served as hospitality interiors sustainability coordinator and nominated to oversee hiring and mentorship through the Gensler Intern Selection committee.

UNIVERSITY OF CINCINNATI CO-OP PROGRAM SEMESTERS

Through UC’s co-op program, I alternated between semesters in the classroom and semester long co-op experiences that took me nation-wide to the following firms. On these internships I contributed to a variety of project phases and scales through documentation, presentation materials, and FF+E selection as a valued team member.

MAHLUM Seattle, WA // January-May 2017

K-12, Healthcare Interiors

TVSDESIGN

Chicago, IL // May-August 2016

Retail, Healthcare Interiors

ECKENHOFF SAUNDERS ARCHITECTS

CHICAGO, IL // Jan-May, August-December 2015

Healthcare, Corporate, Religious Interiors

DIGITAL// Revit, Rhino, Adobe Creative Suite, Vray, Enscape, Lumion, SpecSource, Spexx, SketchUp, Laser Cutting, CNC router, 3d Printing

ANALOG// Model Making, Sketching, FF+E Selection, Jewelry + Metals Fabrication, Glass Casting, Baking

RISD

GRADUATE 2023 WINTERSESSION FACULTY - COZY SPACE

Created syllabus and taught 5 week, 3 credit hour studio course independently

RISD GRADUATE TEACHING ASSISTANT

Graduate Core 1 Studio, World Architecture, Teaching and Learning Dept Assistant.

GENSLER INTERN SELECTION COMMITTEE

January 2019- March 2020

Selected to review and interview several candidates to Gensler internship program. Served as mentor to interns during their time at the office.

E D U C A T I O N
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T I A M I L L E R a r c h i t e c t u r e + i n t e r i o r s
C O N T A C T TMILLER92512@GMAIL.COM

C O N T E N T S

G R O U N D F L O O R

F A R R A G U T H O U S I N G 2.0

S T U D Y O F A G E I O D

C O L O R M I R A G E

P H O T O S Y N T H E S I S

T H E C R O W N

H Y A T T R E G E N C Y K A T Y

P E R F O R M I N G A R T S C E N T E R

G R O U N D F L O O R

This project focused on studying new models of value both within the profession of architecture and how we design with solidarity and equity within communities. The site for the semester was Gilman Square in Somerville, Massachusetts, a station for the new Green Line MBTA extension. While the station came with great excitement in better connecting Somerville to downtown Boston, there was still concern about transit oriented gentrification.

For the first half of the project, interviews were held with state and city officials, grass roots organizations, and community members of Somerville asking for their opinions, fears, and aspirations for the site. There was also opportunity for participation in Somerville’s community meetings as active listeners and note-takers.

All of the information from interviews as well as collective research on Somerville and Gilman Square’s histories, site qualities, stakeholder, etc were combined into a book which became a tool-kit.

With the tool-kit, I developed an aspirational concept to guide what the future Gilman Square station would look like, both through statement and visualized collage. I then proposed a program and building which responded both to the aspiration and to the information we got from stakeholders about what the site could look like. The ideas were shared with city and state leaders as well as the Gliman Square planning board for consideration and integration into future site plans.

WOULDN’T IT BE INCREDIBLE IF SEEKING OUT COMMUNITY RESOURCES

a
d v a n c e d s t u d i o | s p r i n g 2 0 2 2
FREE OF OBSTACLES AND CONFUSION AT GILMAN SQUARE?
WAS
Ground Floor Research Publication+ Tool Kit
Perspective View of Childcare+ Resource Center Interior Ramp Street scape

Ground Floor Plan

Second Floor Plan

F A R R A G U T H O U S I N G 2.0

o r e t h r e e | s p i n g 2 0 2 2

After completing copious research about existing social housing communities in New York City and relevant policy , we selected one of the communities to create an RFP for and trade with another group. The RFP we received from another team for Farragut Housing asked for the following influences on the site: A new daycare center to replace the currently closed facility , a new community center, public luxuries that help better connect Farragut to the neighboring Navy Yard and DUMBO neighborhoods , renovations to existing apartments that doesn’t result in displacement of current tenants, sound mitigation from the freeway, and more usable green spaces throughout the project site. Working as a team, we proposed the development of two new towers with community center and daycare centers on the ground floor. Functionally, the new towers aided in housing folks as existing towers were renovated. Aesthetically, the new towers sought to improve upon the existing footprint

of the towers while retaining material qualities like the brick and formal qualities like the radiating spatial footprint.

We proposed the addition of hill topography throughout the site which serve as the basis of developing formal and informal programming to the site such as playgrounds, sledding hills, meandering walk-paths, and a physical sound buffer from the nearby interstate. The landscaping also served as a method of better connecting the DUMBO and Navy Yard neighborhoods that were quite segregated from Farragut. These design strategies were our response to the RFP and ultimately presented to NYCHA (New York City Housing Authority) for review and comment.

Team Member: Nora Bayer

c
Site Plan of Farragut Housing between DUMBO+ Navy Yard Playground Sledding Hill Community Center Faraggut Public Luexary Proposals Meandering Walking Paths Recreation Space Daycare Center New Housing Tower Proposed Plans
First Floor Plan - Daycare + Community Center
New Farragut Housing Towers, Community Center, and Daycare Section
Second Floor Plan - Daycare + Community Center
New Farragut Housing Towers, Community Center, and Daycare Elevation

S T U D Y O F A G E O I D

d r a w i n g | f a l l 2 0 2 0

A semester long drawing course presented the challenge of taking a rock, making it fully digital, and performing a series of scripted experiments on the form. First the rock was simplified down to planar surfaces and documented unfolded with the angles and radii for necessary for reassembly The

unfolded drawing was then made planar and reassembled nto a hollow geoid-like form representative of the original rock. The volume was subjected to a series of moving plan and elevation studies with and without scripted digital imagery projected onto the surfaces.

1.33 2.42 0.80 1.46 0.46 2.41 0.66 0.58 2.07 2.79 2.20 2.20 1.10 2.20 0.53 1.48 0.69 1.28 22 21 21 20 20 19 19 18 10 17 16 15 15 14 14 11 10 09 08 08 06 07 07 01 02 04 05 13 01 22 23 24 27 24 25 25 25 26 02 03 02 27 28 29 30 30 31 31 01 05 04 06 16 16 18 32 06 26 11 18 98.60° 94.41° 83.45° 153.30° 76.10° 79.10° 72.80° 146.60° 152.63° 93.20° 103.28° 153.30° 144.80° 80.20° 146.00° 110.45° 97.34° 101.30° 89.40° 72.40° 116.80° 119.50° 44.90° 151.98° 68.30° 152.12° 71.11° 64.18° 113.20° 88.90° 103.40° 99.20° 73.20° 122.02° 97.60° B C A O E P T I D N Q F J M K S L G R H R0.74 R1.33 R2.19 R2.20 R1.06 R1.76 R1.72 R1.73 R2.32 R2.41 R1.33 R0.97 R2.79 R1.49 R1.71 R1.76 R1.51 R0.54 R1.46 R1.06 R1.10 R0.65 R1.10 R1.14 R1.24 R1.09 R1.46 R2.43 R2.07 R0.60 R0.80 R1.20 R1.48 R1.52 R1.42 R2.34 R0.58 R1.71 R1.06 R0.46 R1.87
01. 02. 03. 04. 05. 06. 07. 08. 09.

C O L O R M I R A G E

c o r e o n e | f a l l 2 0 2 0

The goal of this project was to design a structure that created a narrative of spatially imposed boundaries and site implications. The entourage narrative centered around two groups, the “Residents” who lived and gathered within the space and “Tourists” who were to be discouraged from intruding upon the “Residents”.

Working with a series of self-imposed rule sets along a grid and the required square footages, the building was planned so that any Tourist approaching any of the openings would not catch a glimpse of the colorful interior dwelling spaces or centralized open gathering area.

Level One Level Two Level Three Unrolled Elevation View -Exterior “Tourist” View Perspective of Exterior “Tourist View” Perspective of Interior “Resident View”

P H O T O S Y N T H E S I S

The Kroger Company provided an opportunity to design concepts for their food + beverage spaces in their future flagship store renovation. The challenge was to design a “third place” within the store that was welcoming to community and visitors while still representing Kroger’s brand. After copious research with a partner on successful existing retail brand identities and strategies that employed biophilia into their standards, we landed on the concept of Photosynthesis to drive our project.

We conceptualized and branded 4 major touch points; Refuel, Recharge, Regroup, and Relax. Each space focused on integrating natural elements that emphasized well-being and socializing. Concepts were presented to Kroger, and ultimately the refuel touch point was selected and built in the new location. Many of the design elements from our concept have continued to be integrated into Kroger’s new stores throughout the country.

Competition Partner: Hunter Miller

i n t e r i o r s s t u d i o i v | f a l l 2 0 1 6
GROUND MEZZANINE ROOF
Refuel Touch Point Perspective Render Relax Touch Point Perspective Render Refuel Touch Point Perspective Render Regroup Touch Point Perspective Render
R O O F G A R D E N R O O F G A R D E N N I G H T O U T D O O R P A T I O
Outdoor Spaces
B A L C O N Y R O O F P A T I O

studied the prominent Crown Building in the historic and centrally located Over-the-Rhine neighborhood to house the mental wellness center.

The Japanese art of aggrandized repair

The philosophy of honoring healing

that wove upwards through the building as more privacy was required. The spiral stair becomes a Kintsugi-like physical manifestation, celebrating the journey of wellness with each level descended upwards.

K

I

The philosophy of honoring healing

Physical Model of Site Existing Conditions - The Crown Building

AWARENESS

T H E G O L D L I N I N G

... a grand, gold, staircase celebrating an individual’s journey through the steps of healing + understanding...

LEVEL ONE gaining awareness of

...a grand gold, staircase celebrating a individual’s journey through the steps of healing + understanding...

LEVEL ONE

gaining awareness of mental illness + holistic

EXPERIENCE
INDIVIDUAL THERAPY INDIVIDUAL THERAPY
products
Check-In Retail AWARENESS KINTSUGI
...a grand gold, staircase celebrating a individual’s journey through the steps of healing + understanding... N T S U G I
The Japanese art of aggrandized repair

LEVEL ONE

gaining awareness of mental illness + holistic products Consult

Check-In Retail

EXPERIENCE

LEVEL TWO

First-hand experience in a variety of treatment + prevention methods

Demonstration

Yoga/Mindfulness

HEALING

LEVEL THREE

Different types of psychotherapy to support further healing

Individual Therapy

Group Therapy

AWARENESS
CHECK-IN A W A R E N E S S L E V E L O N E E X P E R I E N C E L E V E L T W O H EA L I N G L E V E L T H R E E
HOLISTIC RETAIL DEMONSTRATION INDIVIDUAL THERAPY I N D I V I D U A L T H E R A P Y D E M O N S T R A T I O N R E TA I L
CONSULT YOGA/MEDITATION GROUP THERAPY G R O U P T H E R A P Y Y O G A / M I N D F U L N E S S C O N S U L T
CHECK-IN + RETAIL DEMONSTRATION SPACE INDIVIDUAL THERAPY CONSULT YOGA + GROUP A W A R E N E S S E X P E R I E N C E H EA L I N G
CONSULT
YOGA + MINDFULNESS SPACE GROUP
THERAPY

H Y A T T R E G E N C Y K A T Y

g e n s l e r, h o u s t o n | 2 0 1 9 - 2 0 2 0

Gensler was selected to design and develop the ground-up, full service hotel and conference center under the Hyatt Regency brand flag with the City of Katy, Texas. Working with concepts surrounding Katy’s rich history as a stop off the MKT railway and its place as an agriculture giant of rice, the concept for the hotel was created.

Responsibilities on this project included developing content for the client vision sessions, design and construction documentation, and construction administration. I

contributed to this project as both a technical and conceptual designer, working both on the guest room tower, the 1st floor podium level public spaces and conference center. I also helped prepare custom FF+E specifications and drawings for the guest room and podium levels of the hotel. I further prepared documentation for the guest room built mock-ups up until the projects hiatus with the pandemic.

Exterior and public space perspective renders by visualization team. All other renders and documentation from my contributed project scope.

Perspective Rendering of Bar and Lobby Space
A11.04 02 ________________04 A12.38 3 8 1 /4 16' - 4" 2' - 9 5/8" 2 6 EMPLOYEE SIDE CUSTOMER SIDE BAR EQUIPMENT 8"7 1/4" 1' - 2 3/4" 10" 4 " TYP. 2" E Q E Q 1/2"X 4"X10" METAL PLATE W/ (2) ANCHORS METAL PLATE PLAN VIEW 05 50 00.F01 STEEL TUBING 05 70 00.G12 STEEL PLATE 0 8 " 4 (E Q P A N E L S 2 0 " 0 7 1 /4 2' 6" 0' 5" 3 6 0 3 0' 6" 09 29 00.C05 CEMENTITIOUS BACKER UNIT 12 36 40.A00 STONE COUNTERTOP 1 6 7 06 40 23.B11 PLYWOOD SUBTOP 28 21 24 25 20 18 14 16 22 23 25 11 27 17 15 19 29 26 3 09 22 16.A00 METAL STUD E Q E Q 4 " 4" EQEQ TYP. 2" 8" 8 (CORNER PLATE) 3 0 07 TYP. TYP. 2' 0"10 1/2" 15 27 12 28 1 2 3 /4 7 1 /4 8 EMPLOYEE SIDE CUSTOMER SIDE BAR EQUIPMENT 05 50 00.F01 STEEL TUBING 05 70 00.G12 STEEL PLATE 2' 9 1/2" 0' 8"0' - 7 1/4" 1' - 6 1/4" A D A C O U N T E R T O P H E IG H T 2 1 0 0 8 0 3 2 7 3 6 0 3 0' - 6" 1' - 5 3/8" 3 (E Q P A N E L S 1 6 08 " 1 6 09 29 00.C05 CEMENTITIOUS BACKER UNIT 21 24 25 20 19 26 18 14 16 22 23 16 25 27 17 15 24 09 22 16.A00 METAL STUD 12 36 40.A00 STONE COUNTERTOP 06 40 23.B11 PLYWOOD SUBTOP 29 28 HOLD 1' 5 1/4" 2 4 5" 1 FIBERBOARD FIBERBOARD SHEET GENERAL SCALE: 1/2" = 1'-0" 02 ENLARGED CONSTRUCTION PLAN -LOBBY BAR SCALE: 1 1/2" = 1'-0" 04 LOBBY BAR SECTION @ TYP. FRONT COUNTER SCALE: 1/2" = 1'-0" 10 ENLARGED BAR & ISLAND FRAME PLAN -LOBBY BAR SCALE: 1 1/2" = 1'-0" 08 LOBBY BAR SECTION @ ADA COUNTER 11BAR 12BAR 143X1X3/16METAL 153X3X1/4 163X1X3/16 176" 182X1X3/16 19SCHEDULED 20ELECTRICAL 21UTILITY 22PURSE 23USB 24SCHEDULED 25FRP 26STAINLESS 271/2"X4"X10" 28MARINE 29EASED 302X2X1/4 33CEMENTITIOUS 344" 353X1X3/16 36PROVIDE 383/4" 411"X1" 42WOOD 431/2"X1/2" 1 1/2" = 1'-0" 12 EAST/WEST NOTE: REFER TO STRUCTURE DRAWINGS TO CONFIRM ALL STEEL STRUCTURE SUPPORT FRAME WORK AT BAR & BAR ISLAND. ARCHITECTURAL DRAWINGS ARE REFERENCE ONLY. A.REFER B.COORDINATE C C.3 A11.03 03 C.3 07 F 07 C.3 C.3 1 9 1/2" 3 - 0 3 - 0" 3 0" 2 - 6 5" 6 3/4" 3 - 6 TYP 2 - 0 1 - 6 TYP. 3' 0" 1' 4" TYP. 2' 0"10 1/2" 2' 7" 2' 7" 3' 0" 3' 0"6" 6 1/8 TYP 3 - 0 1' 6 1/2"1' 0"2'0"2'0"2'0"2'0"2'0" TYP 2 - 0 1 - 11 1/4 11 12 28 18 16 17 33 15 27 12 28 34 16 30 30 15 27 9 2 1 2 3/4 7 1/4 8 2' 9 1/2" 8" 7 1/4" 1' 6 1/4" 3 1 - 8 3/4 EQ EQ 1 10 5 TYP 3/4 3"2' 3" 2' 3"3" TYP. 3/4" 5' 0" TYP 35 35 3"2' 3" 2' 3"3" TYP 3/4" 36 36 36 38 38 38 38 TYP 3/4 19 19 19 4 1/2" 3" BAR ISLAND HEIGHT 3 6 LIQUOR DISPLAY SHELVING HEIGHT 1 10 6 1" 1 - 3" TYP 1 SHELVING DEPTH 1'0" TYP. TYP. 1" TYP. 1" 6" 06 40 23.B01 MEDIUM DENSITY FIBERBOARD 06 10 00.C01 WOOD BLOCKING 12 36 40.A00 STONE COUNTERTOP 06 40 23.B11 PLYWOOD SUBTOP 05 50 00.F01 STEEL TUBING 05 70 00.G12 STEEL PLATE BAR EQUIPMENT 19 15 27 36 16 28 29 42 42 41 MT20 WD27 WD27 GL28 GL28 43 10 ENLARGED BAR & ISLAND FRAME PLAN -LOBBY BAR 14 LIQUOR DISPLAY SECTION _ SOUTH B NOTE: REFER TO STRUCTURE DRAWINGS TO CONFIRM ALL STEEL STRUCTURE SUPPORT FRAME WORK AT BAR & BAR ISLAND. ARCHITECTURAL DRAWINGS ARE REFERENCE ONLY.
TL34 WB20 PT34 TL34 40 " 21 0 " 04 " FULL TILE 03 A12.31 OPEN OPEN OPENOPENOPENOPEN 2 3/4" TYP. 6 EQ CUBBIES OPEN TO KITCHEN EQ 19'-3" OVERALL METAL SHELF LENGTH EQ EQ EQ EQ EQ 2' - 4 1/2" 15 1 /2 " T Y P 02 " 15 1 /2 " 15 " 06 A12.31 09 A12.31 42 " 20 " 1 0 " 32 " 01 0 " OPEN OPEN OPEN 16 " 2' - 4 1/8" 3' - 11" 3' - 11 3/4" 3' - 0 1/4" 2' - 3" 2' - 2" 2" TYP. 4" 3 (EQ) 3'-9" WIDE PLATE STORAGE CUBBIES 4" 12' - 5 1/4" 6' - 9 5/8" 3 (EQ) 2'-0" WIDE ACCESS CABINENTS 6' - 5 5/8" 4" OVERALL BASE CABINET LENGTH 19' - 2 7/8" 100 2" TYP. 19' - 3 5/8" OVERALL WALL WIDTH EQ EQ EQ EQ EQEQ EQ EQ EQ EQ SCALE: 3/8" = 1'-0" 2 -FITNESS CENTER B B
Perspective Rendering of Restaurant and Presentation Kitchen
06 40 23.C02 PLASTIC LAMINATE COUNTERTOP 06 40 23.C17 PLASTIC LAMINATE BASE. SCRIBE TO FLOOR 06 40 23.B11 PLYWOOD SUBTOP 06 40 23.A04 THERM DECOR OVERLAY ARCHITECTURAL WOODWORK 1 0 6 " 1 " 4 1 4 " 1 " 4 " 1 2 " 1 6 16 " 1 6 1 6 " 2 1 0 60 " 2 " 90 " 06 40 23.K00 DRAWER SLIDE 06 40 23.C04 PLASTIC LAMINATE DRAWER FRONT T Y P 1 12 36 40.A00 STONE COUNTERTOP 06 40 23.C03 PLASTIC LAMINATE DOOR PANEL 06 40 23.A04 THERM DECOR OVERLAY ARCHITECTURAL WOODWORK 06 40 23.A04 THERM DECOR OVERLAY ARCHITECTURAL WOODWORK 06 40 23.M05 CABINET SHELF REST 06 40 23.H02 HINGE, CONCEALED 06 40 23.B11 PLYWOOD SUBTOP ________________08 A12.30 1 0 1 9 1 2 " 1 6 16 " 1 6 1 6 " SIM 2 1 0 60 " 2 " 90 " 06 40 23.C17 PLASTIC LAMINATE BASE. SCRIBE TO FLOOR 73 71 12 S P E C & B R A C K E T R E T V 1/8" RE: TV SPEC TO VERIFY TV SIZE 1/8" ALIGN ALIGN 73 71 12 74 06 10 00.C01 WOOD BLOCKING 06 40 23.M07 Z CLIP 06 40 23.B01 MEDIUM DENSITY FIBERBOARD 73 71 06 40 23.B01 MEDIUM DENSITY FIBERBOARD 06 10 00.C01 WOOD BLOCKING 12 74 T Y P 1 /8 05 50 00.F01 STEEL TUBING 05 70 00.G12 STEEL PLATE 09 29 00.C05 CEMENTITIOUS BACKER UNIT 27 15 09 30 00.A00 CERAMIC TILE 39 12 36 40.A00 STONE COUNTERTOP 06 40 23.B11 PLYWOOD SUBTOP 28 29 34 09 30 00.A00 CERAMIC TILE GENERAL NOTES SCALE: 1 1/2" = 1'-0" 04 DISPLAY SHELVES AND DRAWERS @MARKET SCALE: 1 1/2" = 1'-0" 08 DISPLAY SHELVES AND CABINET @MARKET SCALE: 3" = 1'-0" 12 DETAIL @ TOP & BASE SCALE: 3" = 1'-0" 02 PANEL JOINTS & EDGE DETAIL @ EAST WALL SCALE: 3" = 1'-0" 01 PANEL JOINTS & EDGE DETAIL @ NORTH WALL SCALE: 3" = 1'-0" 06 PANEL EDGE DETAIL @ TV SCALE: 1 1/2" = 1'-0" 10 BACK BAR SECTION 12SCHEDULED PARTITION 44CONTINUOUS WOOD BLOCKING 57SCHEDULED CEILING. RE: 64PLATED METAL FRAME. DETERMINE GAUGE WITH TOTAL WEIGHT RE: ELEVATION AND FINISH FINISH. 65METAL ATTACHMENT CLIP FINISH MATCH TO METAL 66POWDER COATED 1/2" THICK OF METAL RINGS. RE: ELEVATION SIZES AND FINISH. 67CURVED EDGE WITH SOLID ELEVATION AND FINISH SCHEDULE 68REMOVABLE WOOD FRAME 69CONCEALED CENTER PIVOT. BLOCKING ABOVE CEILING 70STRATCHED DECORATIVE 71DIRECT ATTACHED SCHEDULED FINISH. RE: ELEVATION FOR 72TOP & BOTTOM EDGE TRIM. SJ-A, CHAMPAGNE(ACXB), PROFILITEC (MANUFACTURER) PRODUCT. 73VERTICAL TRIM BETWEEN LI15, CHAMPAGNE(ACXB), PROFILITEC (MANUFACTURER) PRODUCT. 74SPECIFIED TV AND MOUNTING BRACKET SPECS. A.REFER TO G07 & A11 DRAWING VERIFY FINISHES. B.COORDINATE AND PROVIDE MILLWORK AND ITEMS ATTACHED TO PARTITIONS OR CEILING.
Perspective Rendering of Typical Guestroom

P E R F O R M I N G A R T S C E N T E R

During my summer internship with WRA I predominately worked with the facades team on design and pricing set documentation for an institutional performing arts center in Virginia. The building was a 8-story new-build housing the institutions music, drama, costume, set design, and dance schools all under one roof. The design featured several dance studios, a concert hall, proscenium theater, makerspace,and learning atrium. Unique to the project was the exterior glazing and scrim application which both gave the building visual cohesion and provided light and privacy as required per program.

During my time on this project, I predominately worked with the facades team. My responsibilities included assisting with design development options of the facade for clients,

preparing facade based documentation for the pricing set, and helping oversee physical mock-ups of the scrim systems with the office model shop. I assisted with Revit modeling and preparation of the facade systems such as setting up curtain wall schedules, creating parameterized mullion details, and entering specification information into panel types for LEED and sustainability bench marks. I also assisted with code evaluation of the facades with local and state regulations.

All renderings and documentation in this set were materials I contributed in producing during the course of my internship with William Rawn.

w i l l i a m r a w n a s s c. | s u m m e r 2 0 2 2
First Floor Plan

P O R T F O L I O

t i a m i l l e r

i n t e r i o r s + a r c h i t e c t u r e

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