VOLUME 106, ISSUE NO. 8 | STUDENT-RUN SINCE 1916 | RICETHRESHER.ORG | WEDNESDAY, OCTOBER 13, 2021
Black Art at Rice: Magdah Omer discusses identity and new exhibit EMELIA GAUCH
Masks no longer required for indoor gatherings less than 10 people
FOR THE THRESHER Magdah Omer, a Baker College senior, discusses their upcoming exhibition, “be water my friend,” at Sleepy Cyborg, opening Oct. 15. Omer’s art featured in the exhibit explores the fluidity of self and identity and utilizes acrylic paint on various unconventional canvases, including clothes, furniture and even people. The exhibit draws inspiration from Agnes Pelton, Özlem Thompson and Hilma af Klint. Omer said they hope that, through viewing and experiencing their artwork, people will gain better understandings of their own selves. The opening reception is on Oct. 15 from 7 - 9 p.m. with the exhibit open through Oct. 24. Rice Thresher: What is your major? Do you study visual arts? Magdah Omer: My major is bioengineering [and] focusing on global health technologies and medical humanities. I got asked if I wanted to do this exhibit this summer. It was all a coincidence. I used to take art classes in high school, I was always very into painting. When I came into Rice, I took an art class, but didn’t really pursue the major.
The show takes inspiration from nature. The color [and] the form [are] like water. It’s sensual. The art is some representation of where I was this summer and what I learned about myself in terms of my identity and how fluid that is. Magdah Omer BAKER COLLEGE SENIOR
Being asked to do this exhibit was exciting. At first, I was hesitant. I was like, “I am not an artist. I don’t make art with a certain theme in mind or for a certain reason. I kind of just make it.” But, this summer, I got back into art. It’s really exciting to find something that feels natural, something that is representing me to the best of my abilities to the point that other people know more about me by looking at my art. RT: How would you describe your current style of art? MO: Abstract; I don’t know how to describe it, otherwise. I was painting this summer around a lot of creative and loving people. I also was learning about myself, so words like naturalistic come to mind. The show takes inspiration from nature. The color [and] the form [are] like water. It’s sensual. The art is some representation of where I was this summer and what I learned about myself in terms of my identity and how fluid that is. RT: Do you have a favorite subject within your art or a theme that you are most interested in exploring? MO: I like to explore identity within myself. For me, what art has been about is the process and the process of making the art is about feeling what the art wants to be. So, saying, “This art wants to be fluid,” or “This art wants to be intuitive,” and it helps me become that way, too.
SEE BLACK ART AT RICE PAGE 9
CHLOE XU / THRESHER
TALHA ARIF
NEWS EDITOR
Masks will now be required indoors only for gatherings of more than 10 people, according to an email sent by Crisis Management Advisory Committee Chair Kevin Kirby on Oct. 11. This policy does not apply to classrooms, where students must remain masked. Students do not need to wear masks inside as long as there are not more than ten people gathered together, according to Kirby. “[For example], if you are in your college commons and you look across the commons and there are 100 people but only ten of you are gathered together, then that means you don’t have to wear your mask,” Kirby said. Kirby said Rice plans on decreasing COVID-19 testing frequency over the course of the semester assuming conditions stay how they are, but they will not eliminate testing. “We just need to understand what level of surveillance testing we should be doing to make sure we are staying safe,” Kirby said. According to Kirby, the testing policy was not changed yet in order to monitor the effect of the indoor mask policy change. “The other thing we wanted to make sure of was since its fall break, and people are traveling, they may come back and [have] been exposed
to something as part of their travel,” Kirby said. This policy change follows a positivity rate of less than 0.02 percent at Rice in the past week. The week before, Rice had a 0.16 percent positivity rate, according to the university’s COVID-19 dashboard. There has been no evidence of classroom transmission to date, but it is something Rice is monitoring for, according to Kirby. Kirby said the classroom mask policy may eventually be rolled back, but he said he does not think it would occur this semester. “[Classroom transmission] is something we [actively] look for because it’s a question that comes up a lot,” Kirby said. “How long will we have to continue wearing masks in class, I don’t know. But we don’t have many policies left, and that’s one of them.” The vaccination rate for the Rice community is well over 90 percent, according to Kirby’s email. Rice is partnering with the Houston Health Department to offer Pfizer vaccines on Oct. 13, 14 and 15 in the East Gym of Tudor Fieldhouse. Rice community members and their families can receive a booster shot if they are eligible or their first or second dose if they have not gotten it already. There are around 400 vaccines that will be available each day.
Review: ‘Squid Game,’ is it worth the hype? ELI MENDOZA
FOR THE THRESHER Even if you aren’t one to keep up with the latest entertainment trends, you’ve probably heard of “Squid Game.” This new Korean Netflix show became the most watched show in 90 countries within ten days of its release, making it a larger global phenomenon than anyone likely expected. For those looking for a quick overview: The show focuses on Gi-hun, a man deep in debt from betting on horse races and unable to support himself or his family. A man at the train station has Gi-hun play a strange game for 100,000 Won (roughly $83). After taking a bit of a beating, Gi-hun gets his money as well as a card with a phone number on it. The next thing we know, he’s in the game with 455 other players in green uniforms. These players are all told to play games inspired by Korean children’s games for a chance to have their debts relieved. There is a chance to leave after the first game when several of the players are shot and killed, but many return soon enough, setting off the rest of the series. The first half of the show is significantly better in action and quality of content than the second half, while the latter portion offers more explicit political and social commentary. The first half pulls audiences in while the second brings them out of the metaphor and into reality, providing discomfort with how connected different systems of oppression truly are, from economics to government to policing and the law. The show portrays a stark contrast between the lives of the players and the lives of rich men betting money on humans as they would horses, like Gi-hun did. While the rich have money to gamble without thought, those who gamble for money end up staying poor. Or, in the case of the show, end up dying or are traumatized by it. These themes seem vital to understanding the point of the show.
“Squid Game” serves as a metaphor to share a cynical but important view of the world’s current state.” As far as Netflix series go, it’s highquality, although Korean speakers have told me that the show is poorly translated into English. The characters, cinematography, acting and plot are all top-notch, with plot holes mainly implied to be the result of the irrationality of human nature. I noticed very explicit examples of human psychological principles in action throughout all the episodes, which seems to be what has made people fall in love with the show despite (or, sometimes because of) its gory, on-screen deaths and otherwise unsettling aesthetic. “Squid Game” serves as a metaphor to share a cynical but important view of the world’s current state. It’s extremely effective, as its popularity can attest to, showing that we, the viewers, are in fact analogous to the rich watching these people for entertainment, as opposed to being part of the game like we expect when we first watch the show. As we watch these players make decisions that can truly be described as psychological torture, we see what makes and breaks a human. I recommend “Squid Game” to any fan of shows that analyze humans at their limits — and that don’t mind uncensored gore.