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Beading

Beading

Beading

Beading VISUAL™ Quick Tips

Copyright © 2009 by Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved.

Published by Wiley Publishing, Inc., Hoboken, New Jersey

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Credits

Acquisitions Editor

Pam Mourouzis

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About the Author

Chris Franchetti Michaels is a writer and jewelry artisan specializing in beaded designs, wirework, and metal fabrication. She has written extensively about jewelry and jewelry making on the Internet since 2003, and she is the author of Teach Yourself Visually: Jewelry Making & Beading and Wire Jewelry Visual Quick Tips. Chris has also appeared on several episodes of the DIY Network television show Jewelry Making, and her designs have been featured in popular jewelry project books. Visit her website BeadJewelry.net for more help and inspiration.

Acknowledgments

Thank you to Pam Mourouzis, Donna Wright, Marylouise Wiack, Matt Bowen, and all the other team members whose many hours of work helped to make this book a practical and useful resource. As always, thanks also to Dennis for his continued support and encouragement.

Beading with Macramé Knots and Braids

chapter 1 Beads and Beading Supplies

Beads are the key components of any beaded design, and they are available in a wide array of materials, colors, shapes, and sizes. This chapter provides a review of bead types and characteristics, as well as the essential tools, equipment, and supplies you’ll need to perform common beading tasks and to complete your designs.

Beads, Pendants, and Charms

You can purchase beads, pendants, and charms at craft stores, bead shops, travelling beads shows, and on the Internet. They are usually categorized by material, size, and shape.

GLASS BEADS

Glass beads are available in just about any color and style you can imagine. Their quality is often linked to where and how they are made. For example, many glass beads currently made in China and India are less consistent in size and color than glass beads from Europe.

Some of the most popular European glass beads are made in the Czech Republic and are commonly referred to as Czech glass beads. Some Czech glass beads are pressed, or manufactured in molds. You can find them in a lot of fun shapes like flowers, animals, and even fruit. Other Czech glass beads are fire polished. Fire polishing is a special process that gives glass extra shine and sparkle. But fire-polished glass beads are not quite as eye-catching as crystal beads. Crystal is glass that contains a small amount of lead. The highest-quality crystal beads are made in Austria and the Czech Republic, but less expensive variations are also manufactured in China. Seed beads and cylinder beads are tiny glass beads commonly used to create woven beaded fabric. You can also use them to make thin, beaded strands. The highestquality seed and cylinder beads are manufactured in Japan and the Czech Republic. Although most glass beads are made by machine, some are individually handmade. Lampwork beads are an especially popular style of handmade glass beads. They are crafted by manually applying molten glass to metal rods. Other beads are created by a combination of mechanical and handmade methods. For example, some manufactured glass beads are hand faceted, or cut to have multiple flat surfaces, to mimic the look of gemstone beads.

CONTINUED ON NEXT PAGE

Crystal
India glass
Fire polished Czech glass
Pressed Czech glass
Lampwork

Beads, Pendants, and Charms (continued)

GEMSTONE BEADS

Most gemstone beads are made from semiprecious natural stone. Semiprecious stone is more abundant, and less costly, than the precious gemstones used in fine jewelry settings. Agate, jade, quartz, jasper, and turquoise are examples of common semiprecious stones. You can also find semiprecious varieties of more expensive stones like ruby, amethyst, emerald, and citrine.

Gemstone beads are usually shaped by hand. Like glass beads, their quality and cost often depend on where they were made. Some of the most affordable gemstone beads are made in India. They are colorful and beautiful, but their shapes and sizes are less consistent than more expensive gemstone beads from China. Many gemstone beads are treated, which means that they may be dyed, oiled, heated, irradiated, or injected with waxes. Treatments improve the look of lowerquality stones, but treated stones remain less valuable than higher-quality, untreated stones. Treated gemstone is not the same as synthetic gemstone. Synthetic gemstone beads are not really made from stone; they are another material made to look like stone. Many synthetic stones—especially synthetic quartzes—are made from glass. They can be very beautiful, but they are considered inferior to natural stone.

CERAMIC BEADS

Ceramic beads are made from earthen clay. They can have a simple, natural look or be highly decorative. Colorful ceramic beads are usually painted, printed, or glazed. With painted ceramic beads, the paint is brushed on or the beads are dipped into paint. A coat of lacquer may be applied to seal the paint in place. Printed ceramic beads are either stamped with paint or have designs transferred onto them from other surfaces. Transferred designs are usually applied using heat, but otherwise they are similar to stamps. Printed and transferred designs are less time-consuming to create, and more regular in appearance, than hand-painted designs. Glazed ceramic beads are coated with colored or clear glass.

Impressed
Molded Glazed

Beads, Pendants, and Charms (continued)

METAL BEADS

Metal beads can be made of precious metal or base metal. The most common precious metals used in handmade jewelry are sterling silver and gold. Base metals include more common, less expensive metals like copper, brass, nickel, tin, or aluminum. Alloys are mixtures of two or more types of metal.

Surface finishing is a technique used to change the color of a metal’s surface. Dark metal finishes are often referred to as oxidized or antiqued. Plated metal is coated with a very thin layer of another metal.

Most solid metal beads are cast, or molded. Hollow metal beads are often made of two stamped sheets of metal joined together at the seam.

Sterling silver

PLASTIC BEADS

While some plastic beads are inexpensive and of low quality, others are pricey and highly collectible. Beads made from hard vintage plastics like Bakelite and celluloid are especially sought after. Artificial resin is a soft plastic used to make bright, colorful beads, or to replicate natural materials like amber and cinnabar. (In fact, modern beads called “cinnabar” are usually made from red or black resin, because natural cinnabar is highly toxic.) Some basic plastic, or acrylic, beads are coated to look like metal beads. Others look like carved bone, tortoise shell, or pearls. Polymer clay beads are also made of plastic.

CONTINUED ON NEXT PAGE

Bakelite plastic
Acrylic
Artificial resin
Polymer clay
Vintage lucite

Beads, Pendants, and Charms (continued)

ORGANIC BEADS

Organic beads are made of materials that come from living things. Pearl, which is formed by water creatures called mollusks, is an all-time favorite organic bead material. Other organic bead materials include wood, seeds, shell, amber, bone, and horn. Amber is a very lightweight material made from the natural resin of ancient trees. Bone and horn beads typically derive from the byproducts of large livestock like cows and sheep. Beads made from these materials are usually handcrafted, and many are hand carved.

Seed
Shell
Horn
Bone
Pearl
Horn
Wood

BEAD SHAPES

Beads are available in many shapes. Here are the most common shapes you will encounter when bead shopping.

STANDARD BEAD SIZES

With the exception of tiny seed beads, bead sizes are typically described in millimeters. The size of a round bead is its diameter, which is the same measurement as either its length (the distance between the two openings of the drill hole) or its width (the distance between the other two sides of the bead). The sizes of other shapes of beads are often described by both their length and width. Typically, length is the first measurement given, but sometimes width is provided first. (For this reason, it’s important to examine the bead in question to understand its width versus length.)

CONTINUED ON NEXT PAGE

RoundTubeCubeOvalDropBarrelBicone
CoinPotato
ChipChickletDonut
RiceMelonWafer or Disc
Heishi Keishi
Rondelle
Lentil Button

Pendants, and Charms

SEED AND CYLINDER BEAD SIZES

The sizes of seed beads and cylinder beads are denoted by numbers called aught sizes, which are often written to look like fractions.

The most versatile size for seed beads is 11/0, pronounced “eleven aught” or simply “number eleven.” Other seed-bead sizes range between about 6/0 (larger, also called pony beads) and 15/0 (very small). For simplicity, just keep in mind that the larger the number, the smaller the bead.

Cylinder beads are available in a much more limited range of sizes than seed beads. The most common cylinder-bead size is 11/0, but you can also find them in size 8/0.

15/014/013/011/010/09/08/06/0

PENDANTS AND CHARMS

Pendants and charms are sold by most bead suppliers. Although most are made of metal, they can also be made of glass, gemstone, ceramic, plastic, or organic material.

Pendants are usually larger than charms and serve as focal pieces for necklaces. The little devices that hold pendants onto necklaces are called bails. Most metal pendants are sold with bails attached, but with others (especially those made from gemstone or organics) you need to add a bail.

Charms are typically used as accent pieces rather than focal points. You can use a single charm in a design, or a collection of many. Charms usually attach to jewelry with split rings or jump rings (see p. 30).

Stringing Materials

You can string beads on many different materials. Here’s a brief look at the most common stringing materials used for beading.

BEADING WIRE AND MEMORY WIRE

Unlike regular metal wire, beading wire (also called bead stringing wire) is soft and flexible. It’s made up of many tiny metal strands woven or wound together. Most beading wire is covered with a thin layer of nylon plastic. To learn more about the sizes of beading wire, see “Grades of Beading Wire” in Chapter 2.

Memory wire is hard, singlestrand steel wire designed to hold a circular shape. You can use it to make beaded coil bracelets, necklaces, and rings that don’t require clasps.

CORD AND RIBBON

Cord is non-metal material that often consists of smaller strands woven together. Silk, linen, nylon, cotton, and satin are popular types of multiplestrand cord. Leather, suede, and rubber are typical single-strand cords. Stretch cord can have single or multiple strands. Most cord is sized in millimeters or inches according to its diameter, but some manufacturers use their own sizing system using numbers or letters. Ribbon for beading is usually made of soft fabric, like organza or satin.

Ribbon
Cord
Beading wire
Memory wire

BEADING THREAD

Beading thread is a special synthetic thread designed for beading. It has a very small diameter and can fit through tiny bead holes. Like cord, it is often composed of multiple strands. Beading thread is usually stronger and smoother than thread used for sewing. For help selecting the proper thread size, see p. 202 in the Appendix.

Tools and Supplies

Although beads and stringing material are the basic necessities of any beading project, there are other tools and supplies that can make your beadwork easier and help you create more complicated designs. Here’s a look at some items that you may find useful.

BEADING MATS, BEADING DISHES, AND BEAD BOARDS

Because many beads are round, they can easily roll away from your work area. You can keep better track of your beads by working on a beading mat. A beading mat can be any flat surface that is textured to keep beads from rolling. It can be as simple as a terry cloth hand towel or as fancy as a specially engineered, rubberized mat from a bead shop. Textured foam drawer-liner material also makes a nice bead mat, and you can find it at most home improvement stores.

When you work with tiny seed beads, you may find it more helpful to keep them on a ceramic dish or in a shallow, smooth bowl. This makes it easier to pick up the beads using a beading needle.

A bead board is a tray with long grooves for holding and arranging beads. Most bead boards are made of plastic with a velvety coating that helps beads stay in place. Bead boards are available in a variety of shapes and sizes, and they usually have measurement marks to help you gauge the lengths of your designs.

Bead board
Bead mat
Bead dish

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VTHE LOST HEIR OF TICHBORNE

On the afternoon of the twentieth of April, 1854, the schooner Bella cast off her moorings at the Gamboa wharves in Rio, worked her way down the bay, and stood out to sea, bound for her home port, New York. She was partly in ballast, because of slack commerce, and carried a single passenger. About the name and fate of this solitary voyager grew up a strange mystery and a stranger history.

When the last glint of the Bella’s sails was seen from Rio’s island anchorages, that vessel passed forever out of worldly cognizance. She never reached any port save the ultimate, and of those that rode in her, nothing came back but rumor and doubt. Her end and theirs was veiled in a storm and hidden among unknown waters. The epitaph was written at Lloyd’s in the familiar syllables: “Foundered with all hands.”

Of the Bella’s master, or the forty members of her crew, there is no surviving memory, and only a grimy hunt through the old shipping records could avail in the discovery of anything concerning them. But the lone passenger happened to be the son of a British baronet and heir to a great estate—Roger Charles Doughty Tichborne. The succession and the inheritance of the Tichborne wealth depended upon the proof of this young man’s death. There was, accordingly, some formal inquiry as to the Bella and her wreck. The required months were allowed to pass; the usual reports from all ports were scanned. On account of the insistence of the Tichborne family, some additional care was taken. But in July, 1855, the young aristocrat was formally declared lost at sea, his insurance paid, and the question of succession taken before the court in chancery, which determined such matters.

Here, no doubt, the question as to the fate of young Tichborne would have ended, had it not been for the peculiar insistence of his mother. Lady Tichborne would not, and probably could not, bring herself to believe that her beloved elder son had met his end in this dark and mysterious manner. In the absence of human witnesses to his death and objective proofs of the end, she clung obstinately to hope and continued to advertise for the “lost” young man for many years after the courts had solved the problem—or believed they had.

There had already been the cloud of pathos about the head of Roger Tichborne, whose detailed story is necessary to an understanding of subsequent events. Born in Paris on January 5, 1829—his mother being the natural daughter of Henry Seymour of Knoyle, Wiltshire, and a beautiful French woman—Roger was the descendant of very ancient Hampshire stock. His father, the tenth baronet, was Sir James Tichborne and his grandfather was the once-celebrated Sir Edward of that line.

Because of her antipathy to her husband’s country, Lady Tichborne decided that her son should be reared as a Frenchman, and the lad spent the first fourteen years of his life in France, with the result that he never afterward became quite a Briton. Indeed, his brief English schooling at Stonyhurst never went far enough to get the young man out of the habit of thinking in French and translating his Gallic idioms into English, a fault that appears in his letters to the very end, and one that caused him considerable suffering as a boy in England.

Roger Tichborne left Stonyhurst in 1849 and joined the Sixth Dragoon Guards at Dublin, as a subaltern. But in 1852 he sold out his commission and went home. His peculiarities of manner and appearance, his accent and strange idioms and a temperamental unfitness for soldiering had made him miserable in the army. The constant cruel, if thoughtless, jibes and mimicries of his fellows found him a sensitive mark.

But the unhappy termination of the young man’s military career was only a minor factor in an almost desperate state of mind that

possessed him at this time. He had fallen in love with his cousin, Kate Doughty, afterward Lady Radcliffe, and she had found herself unable to reciprocate. After many pleadings and storms the young heir of the Tichbornes set sail from Havre in March, 1853, and reached Valparaiso, Chile, about three months later, evidently determined to seek forgetfulness in stranger latitudes. In the course of the southern summer he crossed the Andes to Brazil and reached Rio in March or early April. Here he embarked on the Bellafor New York, as recited, his further plans remaining unknown. In letters to his mother he had, however, spoken vaguely of an intention to go to Australia, a hint upon which much of the following romance was erected.

When, in the following year, the insurance was paid, and the will proved, the Tichbornes accepted the death of the traveler as practically beyond question. But not so his mother. She began, after an interval, to advertise in many parts of the world for trace of her son. Such notices appeared in the leading British, American, Continental, and Australian journals without effect. Only one thing is to be learned from them, the appearance of the lost heir. He is described as being rather undersized, delicate, with sharp features, dark eyes, and straight black hair. These personal specifications will prove of importance later on.

In 1862 Roger Tichborne’s father died, and a younger son succeeded to the baronetcy and estates. This event stirred the dowager Lady Tichborne to fresh activities, and her advertisements began to appear again in newspapers and shipping journals over half the world. As a result of these injudicious clamorings for information, many a seaspawned adventurer was received by the grieving mother at Tichborne House, and many a common liar imposed on her for money and other favors. Repeated misadventures of this sort might have been considered sufficient experience to cause the dowager to desist from her folly, but nothing seemed to move her from her fixed idea, and the fantastic reports and rumors brought her by every wandering sharper had the effect of strengthening her in her fond belief.

Lady Tichborne’s pertinacity, while it had failed to restore her son, had not been without its collateral effects. Among them was the wide dissemination of a romantic story and the enlistment of public sympathy. A large part of the newspaper-reading British populace soon came to look upon the lady as a high example of motherly devotion, to sympathize with her point of view, and gradually to conclude that she was right, and that Roger Tichborne was indeed alive, somewhere in the antipodes. This belief was not entirely confined to emotional strangers, as appears from the fact that Kate Doughty, the object of the young nobleman’s bootless love, refused various offers of marriage and steadfastly remained single, pending a termination of all doubt as to the fate of her hapless lover.

Thus, in one way and another, a great legend grew up. The Tichborne case came to be looked upon in some quarters as another of the great mysteries of disappearance. In various distant lands volunteer seekers took up the quest for Roger Tichborne, impelled sometimes by the fascinating powers of mystery, but more often by the hope of reward.

In 1865 a man named Cubitt started a missing friends’ bureau in Sydney, New South Wales, a fact which he advertised in the London newspapers. Lady Tichborne, still far from satisfied of her son’s death, saw the notice in The Times and communicated with Cubitt. As a result of this contact, Lady Tichborne was notified, in November, 1865, that a man had been discovered who answered the description of her missing “boy.” This fellow had been found keeping a small butcher shop in the town of Wagga Wagga, New South Wales, and was there known by the name of Thomas Castro, which he admitted to be assumed.

Lady Tichborne, excited and elated, communicated at once and did not fail to give the impression that the discovery and return of her eldest son would be a feat to earn a very high reward, since he was the heir to a large property, and since she was herself “most anxious to hear.” Australia was then, to be sure, much farther away than today. There were no cables and only occasional steamers. It often

took months for a letter to pass back and forth. Thus, after painful delays, Lady Tichborne received a second communication in which she was told that there could be little doubt about the identification, as the butcher of Wagga Wagga had owned to several persons that he was indeed not Thomas Castro, but a British “nobleman” in disguise, and to at least one person that he was none other than Roger Tichborne.

Not long afterward Lady Tichborne received her first letter from her missing “son”. He addressed her as “Dear Mama,” misspelled the Tichborne name by inserting a “t” after the “i,” spelled common words abominably, and handled the English language with a fine show of ignorance. Finally he referred to a birthmark and an incident at Brighton, of which Lady Tichborne had not the slightest recollection. At first she was considerably damped by these discrepancies and mistakes of the claimant, as the man in Wagga Wagga came shortly to be termed. But Lady Tichborne soon rallied from her doubts and asserted her absolute confidence in the genuineness of the far-away pretender to the baronetcy.

Her stand in the matter was not inexplicable, even when it is recalled that subsequent letters from Australia revealed the claimant to be ignorant of common family traditions and totally confused about himself, even going so far as to say that he had been a common soldier in the carabineers, when Roger Tichborne had been an officer, and referring to his schooling at Winchester, whereas the Roman Catholic Tichbornes had, of course, sent their son to Stonyhurst. Lady Tichborne apparently ascribed such lapses to the “terrible ordeal” her boy had suffered, and she was not the only one to recognize that Roger Tichborne had himself, because of his early French training and the meagerness of his subsequent education, misspelled just such words as appeared incorrectly in the letters, and he had misused his English in a very similar fashion. These details are interesting rather than important. Whatever their final significance, Lady Tichborne sent money to Australia to pay for the claimant’s passage home. He arrived in England, unannounced,

in the last month of 1866, and visited several localities, among them Wapping, a London district which played a vital part in what was to come. He also visited the vicinity of Tichborne Park and made numerous inquiries there. Only after these preliminaries did he cross to Paris, where he summoned Lady Tichborne to meet him. When she called at his hotel she found him in bed complaining of a bad cold. The room was dimly lighted, and she recounted afterward that he kept his face turned to the wall most of the time she spent with him.

What were the lady’s feelings on first beholding this man is an interesting matter for speculation. She had sent away, thirteen years before, a slight, delicate, poetic aristocrat, whose chief characteristic was an excessive refinement that made him quite unfit for the common stresses of life. In his stead there came back a short, gross, enormously fat plebeian, with the lingual faults and vocal solecisms of the cockney. In the place of the young man who knew his French and did not know his English, here was a fellow who could speak not a word of the Gallic tongue and used his English abominably.

None of these things appeared to make any difference to Lady Tichborne. She received the claimant without reservation, said publicly that she had recovered her darling boy, and went so far as to announce her reasons for accepting him as her son.

The return of Roger Tichborne was, to be sure, an exciting topic of the newspapers of the time, with the result that the romantic story of his voyage, the shipwreck of the Bella, his rescue, his wanderings, his final discovery at Wagga Wagga, and his happy return to his mother’s arms became known to millions of people, many of whom accepted the legend for its charm and color alone, without reference to its probability. Indeed, the tale had all the elements that make for popularity and credibility. The opening incident of unrequited love, the journey in quest of forgetfulness, the crossing of the Andes, the ordeal of shipwreck, the adventures in the Australian bush, and the intervention of the hand of Providence to drag him back to his native

land, his title and his inheritance! Was there lacking any element of pathetic grace?

For those who saw in his ignorance of Tichborne family affairs and his sad illiteracy sober objections to the pretensions of the claimant, there was triple evidence of identification. Not only had Lady Tichborne recognized this wanderer as her son, but two old Tichborne servants had preceded her in their approval. It happened that one Bogle, an old negro servant, who had been intimate with Roger Tichborne as a boy, was living in New South Wales when the first claim was put forward by the man at Wagga Wagga. At the request of the dowager this man went to see the pretender and talked with him at length, first in the presence of those who were pressing the claim and later alone. The servant and the claimant reviewed a number of incidents in Roger Tichborne’s early life, and Bogle reported that he was satisfied. He became “Sir Roger’s” body servant and subsequently accompanied him to England. Later a former Tichborne gardener, Grillefoyle by name, who also had gone out to Australia, was sent to interview the Wagga Wagga butcher. The result was the same. He reported favorably to his former mistress, and it seems to have been mainly on the opinion of these two men that Lady Tichborne based her decision to disregard the difficulties inherent in the letters and to finance the return of the man to England. Their testimony, backed by the enduring hunger of her own heart, no doubt swayed her to credence when she finally stood face to face with the improbable apparition that pretended to be her son.

The claimant, though he had arrived in England in December, 1866, made various claims and went to court once or twice but did not make the definitive legal move to establish his position or to retrieve the baronetcy and estates until more than three years later. Suit was finally entered toward the end of 1870, and the trial came on before the court of common pleas in London on the eleventh of May, 1871. This was the beginning of one of the most intricate and remarkable law-trial dramas to be found in the records of modern nations.

The Tichborne pretender had used the years of delay for the purpose of gathering evidence and consolidating his case. He had sought out and won over to his side the trusted servants of the house, the family solicitor, students at Stonyhurst, officers of the carabineers and many others. The school, the officers’ mess, the Tichborne seat, and many other localities connected with the youth and young manhood of Roger Tichborne had all been visited. In addition, the obese claimant had further cultivated Lady Tichborne, who came to have more and more faith in him. Originally she had written:

“He confuses everything as if in a dream, but it will not prevent me from recognizing him, though his statements differ from mine.”

Before the suit was filed, and the case came to be tried, his memory improved remarkably; he corrected the many errors in his earlier statements, and his recollection quickly assimilated itself to that of Lady Tichborne. After he had been in England for a time even his handwriting grew to be unmistakably like that revealed in the letters written by Roger Tichborne before his disappearance.

There was, accordingly, a very palpable stuff of evidence in favor of the man from Australia. I have already said that the public accepted the stranger. It needs to be recorded that every new shred of similarity or circumstance that could be brought out only added to the conviction of the people. This was unquestionably Roger Tichborne and none other. Some elements asserted their opinion with a passion that was not far from violence, and the public generally regarded the hostile attitude of the Tichborne family as based on selfish motives. Naturally the other Tichbornes did not want to be dispossessed in favor of a man who had been confidently and perhaps jubilantly counted among the dead for more than fifteen years. The man in the street regarded the family position as natural, but reprehensible. How, it was asked, could there be any doubt when the boy’s mother was so certain? Was there anything surer than a mother’s instinct? To doubt seemed almost monstrous.

Accordingly, the butcher of Wagga Wagga became a public idol, and the Tichborne family an object of aversion.

Nor is this in the least exaggerated. When it became known that the claimant had no funds with which to prosecute his case, the suggestion of a public bond issue was made and promptly approved. Bonds, with no other backing than the promise to refund the advanced money when the claimant should come into possession of his property, were issued, and so extreme was the public confidence in the validity of the claim that they were bought up greedily. In addition, a number of wealthy individuals became so interested in the affair and so convinced of the rights of the stranger, that they made him large personal advances. One man, Mr. Guilford Onslow, M. P., is said to have lent as much as 75,000 pounds, while two ladies of the Onslow family advanced 30,000 pounds and Earl Rivers is believed to have wasted as much as 150,000 pounds on the impostor.

Finally the civil trial of the suit took place. The proceedings began on the eleventh of May, 1871, and were not concluded until March, 1872. Sir John Coleridge, who defended for the Tichborne family and later became lord chief justice, cross-questioned the claimant for twenty-two days, and his speech in summing up is said to have been the longest ever delivered before a court in England. The actual taking of evidence required more than one hundred court days, and at least a hundred witnesses identified the claimant as Roger Tichborne. To quote from Major Arthur Griffiths’ account:

“These witnesses included Lady Tichborne,[6] Roger’s mother, the family solicitor, one baronet, six magistrates, one general, three colonels, one major, thirty non-commissioned officers and men, four clergymen, seven Tichborne tenants, and sixteen servants of the family.”

[6] A mistake, for the dowager Lady Tichborne died on March 12, 1868. Her damage had been done before the trial. On the other hand, the defense produced only seventeen witnesses against the claimant, but it piled up a great deal of dark-looking

evidence, and, in the course of his long and terrible interrogation of the plaintiff, Coleridge was able to bring out so many contradictions, such appalling blanks of memory, and such an accumulation of ignorances and blunders that the jury gave evidence of its inclination. Thereupon Serjeant Ballantine, the claimant’s leading counsel, abandoned the case.

On the order of the judge the claimant was immediately seized, charged with three counts of perjury, and remanded for criminal trial. This case was not called until April, 1873, and it proved a more formidable legal contest than the unprecedented civil action. The proceedings lasted more than a year, and it took the judge eighteen days to charge the jury; this in spite of the usual despatch of British trials. How long such a case might have hung on in the notoriously slow American courts is a matter for painful speculation.

This long and dramatic trial, full of emotional scenes and stirring incidents, moving slowly along to the accompaniment of popular unrest and violent partisanship in the newspapers, ended as did the civil action. The claimant was convicted of having impersonated Roger Tichborne, of having sullied the name of Miss Kate Doughty, and of having denied his true identity as Arthur Orton, the son of a Wapping butcher. The infant nephew of the real Roger Tichborne was, by this verdict, confirmed in his rights, and the claimant was sentenced to fourteen years imprisonment. Thus ended one of the most magnificent impostures ever attempted. Lady Tichborne did not live to witness this collapse of the fraud, or the humiliation of the man she had so freely accepted as her own son. The poor lady was shown to be a monomaniac, whose judgment had been unseated by the shipwreck of her beloved eldest boy.

I have purposely reserved the story, as brought out in the two trials, for direct narration, since it embraces the major romance connected with this celebrated case and needs to be told with regard to chronology and climax.

Arthur Orton, the true name of the claimant, was born to a Wapping butcher, at 69 High Street, in June, 1834, and was thus nearly five

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