FALZ THE BAHD GUY:
THE ARTFUL PROVOCATEUR
f there’s one thing Folarin “Falz” Falana will never be accused of, it’s blending in. A trained lawyer who ditched the courtroom for the stage, the screen, and the streets. Falz has carved out a niche that’s equal parts fearless entertainer, social commentator, and creative disruptor. Whether he’s rapping in pidgin about police brutality, delivering satirical comedy on national dysfunction, or wearing lace like it’s leather, Falz is always making a statement and the country is always watching.
There’s a particular kind of discomfort that creeps in long before we have the words for it. It shows up in the way you hesitate before getting dressed. In the way, onceloved outfits begin to feel performative. In the quiet knowing that something—internally or externally— has shifted, even if life looks the same on paper. We explore that feeling in “The Fashion Reset: When You Change Your Wardrobe to Change Your Life.” Not as a dramatic overhaul, but as a slow, deliberate edit of identity. Because style—when it’s done right—isn’t just a mirror. It’s a measure of alignment. And sometimes, changing your wardrobe is less about aesthetics and more about agency. A way of reclaiming the narrative when everything else feels uncertain.
This issue is anchored in that same spirit of recalibration—of paying attention to the small, often overlooked decisions that shape our days and, over time, our sense of self.
In “10 Tiny Habits That’ll Improve Your Mental Health in One Month,” we consider the less romantic aspects of wellness: discipline, boundaries, consistency. Not the glossy kind that comes in a serum bottle, but the kind that invites you to log off, say no, go outside, and check in with yourself—not your followers. Mental health isn’t always a crisis. Sometimes, it’s maintenance. And because clarity in one area often demands clarity in others, we also unpack the increasingly murky terrain of modern relationships. “Is Your Relationship Private… or Just a Secret?” cuts through the soft-launch smoke and mirrors to ask the real question: Are you being protected, or are you being erased? With 15 signs you may be the hidden partner, it’s a necessary guide for anyone navigating connection in an age of curated love lives.
What unites these stories is their quiet insistence on intentionality. On choosing rather than drifting. On interrogating the things we’ve normalised, whether in our closets, our calendars, or our connections.
So if you find yourself in the middle of a subtle undoing, consider this issue your companion. Your permission slip. Your sign that you’re allowed to begin again—deliberately, privately, beautifully. And if all else fails: clear your wardrobe, block the bare minimum, drink some water. You’d be amazed how far that’ll take you.
THE WIG IS THE OUTFIT
In today’s Nigeria, hair isn’t an afterthought. It’s the agenda. The vibe check. The lead character in every look. Whether it’s a bonestraight middle part grazing a waist-cinched dress or a copper-toned bob hair, one thing is clear: the wig is the outfit.
By Aliyah Olowolayemo
Gone are the days when wigs were worn as discreet protective styles or emergency fixes for “bad hair days.” Today, they are bold, deliberate, and fashion-forward. They don’t just complete the look—they are the look. A woman might step out in the most casual ensemble, but if her 30-inch “buss-down” is laid, parted, and flowing like water, trust and believe she’s already serving a full lewk.
This shift didn’t just happen overnight. It was ushered in through a mix of social media glam, evolving beauty standards, and pure Nigerian creativity.
Platforms like Instagram, TikTok, and YouTube have helped transform wig styling from something women did behind closed doors to full-blown performance art. Influencers like Ronke Raji, Toni Olaoye, and Mariam Musa routinely drop transformation reels showing just how powerful a good install can be.
But even off-camera, the culture is loud. On the Lagos party circuit, bone-straight inches dominate the room. Wigs are worn to meetings, dates, dinner parties, and danshiki day at work. A coloured fringe might match a blazer. A custom ombré could tie together a traditional outfit. At this point, to talk about Nigerian fashion without talking about hair is to miss half the story.
And let’s not ignore the economy of it all. Wigs have powered an entire industry within Nigeria’s already booming beauty sector.
Young women across the country have launched wig brands,
colouring businesses, and install studios. Wig revamp services now offer same-day transformations, while “wig laundries” clean, restyle, and bring tired units back to life. Artisans dye bundles by hand in trending hues like ash blonde, copper, and espresso brown. TikTokers give stepby-step tutorials on bleaching knots, plucking hairlines, and achieving that elusive “melt.” In fact, “melting lace” is now as commonly heard as “blending foundation.”
And the prices? They reflect the prestige. A well-made 12-inch closure wig can start at ₦720,000, while luxury 30-inch frontals from top vendors like Hair By Ugo, Wanneka Hair, or G Hair can cost anywhere between ₦1,000,000 to ₦1,700,000. Yes, wigs are an investment—one many women consider absolutely worth it. More than just aesthetics, wigs represent a kind of freedom. They offer Nigerian women the ability to switch personas at will. Want to feel serious and focused? Pull on a short bob. Feeling playful? Go for coloured curls. Ready to turn heads? Bone-straight, jetblack, and long enough to sit on. They allow women to be fluid, expressive, and entirely in control of their own image—no scissors or relaxer commitment required. A well-installed wig is a personal luxury, a crown of comfort. It’s therapy with parting space. The next time you see a woman with a fresh blonde frontal or a perfectly curled 5x5 closure, just know she didn’t just fix her hair. She set her tone for the day. She curated her energy. Because in this new age of Nigerian fashion, she’s not wearing a wig. She’s wearing the outfit.
Shifts, Loud Impact
EXECUTIVE EDITOR
CHIOMA IKOKWU IS THE
DABOTA LAWSON
BEKE JADE (N3.01M)
BEEROOTS WIG
MUTIU SUNMONU AT 70
It was an evening of understated grandeur and heartfelt tributes as Mutiu Sunmonu, respected oil and gas magnate and Chairman of Coronation Group, celebrated his 70th birthday in a spectacular gathering at Lagos Oriental Hotel.
From his groundbreaking tenure at Shell to his ongoing influence across corporate Nigeria, Mr. Sunmonu’s legacy in the energy sector is as deep as it is distinguished. The celebration reflected that legacy— elegant, meaningful, and thoughtfully curated.
Guests were welcomed into a tastefully adorned ballroom, where a custom word puzzle installation highlighted the values that have defined his journey: leadership, excellence, humility. A digital gallery of treasured photos offered glimpses into the milestones—both personal and professional—that have shaped his remarkable life.
Dressed in regal traditional attire, Mr. Sunmonu moved through the room with grace, flanked by his equally elegant wife. The couple radiated warmth and gratitude as they received guests—an intimate mix of family, friends, and leaders from across the energy and business landscapes.
It was more than a birthday party. It was a tribute to a man whose vision helped fuel Nigeria’s energy future, and whose next chapter promises just as much impact as the last.
FASHION THROUGH THE AGES: DRESSING
FOR EVERY ERA OF YOUR FASHION
LIFE
Fashion is a journey—sometimes chaotic, often experimental, but always revealing. Like a living scrapbook, your wardrobe tells a story of who you were, who you’re becoming, and occasionally, who you thought you wanted to be (RIP to the fedora phase). Our personal style shifts with age, not just because trends evolve but because we do. The ripped jeans of your twenties might make way for tailored trousers in your thirties. The four-inch brunch heels now live somewhere deep in the back of your wardrobe, right next to your clubbing days. Suddenly, comfort isn’t just a luxury—it’s the aesthetic. So, how exactly does personal style evolve as we move through life? Let’s take a fashionable stroll through the decades of dressing.
By Funke Babs Kufeji
IN YOUR 20s: THE ERA OF CHAOS AND CURIOSITY
This is your trial-and-error era. Your wardrobe is a Pinterest mood board gone rogue—one minute you’re boho-chic, the next you’re cyber goth. And yes, both versions exist on your Instagram grid. Your twenties are about figuring it out, one questionable outfit at a time. Fast fashion is your dealer, confidence is your currency, and you fully believe that a belt bag worn crossbody can solve anything. You dress like you’re the main character—because you are. Shein hauls are styled with designer dupes and thrifted gems you swear are “vintage.” Functionality? None. Fashion ambition? Through the roof. And if anyone questions your choices, well, you’ll just reinvent yourself again tomorrow. This is where style is born, broken, and rebuilt.
IN YOUR 40s–50s: THE ERA OF IDGAF ELEGANCE
WIN YOUR 30s: THE ERA OF SOFT POWER DRESSING
You’ve done the work. You’ve learned what doesn’t work. Now, you’re in your elevated essentials phase. Suddenly, clothes aren’t just for flexing— they’re for functioning. Your wardrobe says, “I have a morning routine,” even if you still check your emails from bed. You start saying things like, “It’s all about fit,” and you know the difference between cream and ecru.
Impulse buying gives way to intentional shopping. You can justify spending ₦ 150,000 on a blazer because it “pulls the whole wardrobe together.” Tailoring becomes your best friend. You flirt with minimalist silhouettes and flirty pops of colour—but only if they fit your palette. Sneakers become statement pieces, and you start layering your jewellery instead of your stress. Your 30s are about soft power. You don’t need to scream style anymore. You’ve found your silhouette—and your voice.
elcome to your seasoned slay era. You’ve earned it. This is fashion without the pressure. You’re no longer dressing to impress anyone—you dress to honour yourself. Your wardrobe exudes quiet luxury, and your heels have gotten shorter, but your style? Even sharper. You’re into brands with meaning and clothes with stories. No more impulse Zara buys. You live for Nigerian designers who get it—the ones who make you feel expensive without having to shout it. You’ve mastered the balance between leisure and luxe. Tailored kaftans, crisp white shirts, monochrome sets, and that one cashmere shawl you refuse to travel without. Comfort becomes your love language. Confidence becomes your accessory. Elegance, now, is instinctive. And when Gen Z revives Y2K trends you wore the first time, you smile—because they could never wear it quite like you did.
IN YOUR 60s AND 70s: THE ERA OF LEGACY AND UNAPOLOGETIC CHIC
You’re now the muse and the blueprint. At this point, style isn’t just what you wear—it’s who you are. Every outfit is laced with lived experience and wisdom. You dress for pleasure, for nostalgia, for joy. That signature silk scarf? A story. Those gold bangles? A memory. You don’t follow trends—you influence them from your garden patio while sipping hibiscus tea in tailored Adire. Fashion in your 60s and beyond is rich with intention. You revisit the classics, but with a twist. You know what flatters you. You know what doesn’t. You invest in artful pieces, support homegrown brands, and mentor your nieces with style advice they’ll pass down. Your wardrobe is a curated exhibit of everything you’ve loved and lived. You don’t just walk into a room. You glide in.
HENRIETTA ITEPU
OLIVIA ARUKWE
NANCY ISIME AND POWEDE AWUJO
ENO UDOH LANRE DA SILVA AJAYI RITA DOMINIC AND MIMI YINA
RUTH OSIME MO ABUDU
DUDUN PETERSIDE
There comes a time in every woman’s life— maybe after a breakup, a big move, a job switch, a spiritual awakening, or just sheer boredom— when she looks at her wardrobe and thinks, “None of this is me anymore.” That moment, my dear, is the beginning of a fashion reset.
THE FASHION RESET: WHEN YOU CHANGE YOUR WARDROBE TO CHANGE YOUR LIFE
Think of it like a rebirth but with clothes. You wake up one morning, and the once-favourite dresses feel too clingy, the jeans don’t spark joy, and those heels you used to strut in now feel like medieval torture devices. Your closet feels like a time capsule of a version of you that no longer exists. So, what do you do? You hit reset.
This isn’t just about style—it’s about identity. Clothes aren’t just fabric; they’re signals. To the world and to yourself. And when you change what you wear, you often change how you feel. There’s power in that.
The Post-Breakup Glow-Up
Let’s start with the most common trigger for a fashion reset: heartbreak. If you’ve ever cried into a bowl of amala while tossing your ex’s hoodie into the dustbin, you’re not alone. Nigerian women are famous for the “I turned pain into slay” aesthetic. It starts with a chop-life haircut, a little (or a lot of) retail therapy, and a fierce determination to show up and show out.
Suddenly, the makeup is bolder, the blouses have more drama, and the Instagram captions are giving “soft life, no stress.”
It’s not just about looking good for anyone else—it’s about reclaiming confidence through appearance. When you step out in that perfectly tailored pantsuit from a Nigerian designer like Atafo or Emmy Kasbit, you’re not just dressing up, you’re dressing forward.
The Grown Woman Wardrobe Shift
Sometimes, the shift is more subtle. Maybe you’re in your late 20s or early 30s, and you just feel… different. You’re not drawn to those bodycon dresses from your NYSC days anymore. Your fashion goals shift from “hot girl” to “CEO baddie.” Suddenly, structured blazers, classic button-downs, and timeless handbags start calling your name.
You start asking better questions. “Can I wear this to a meeting and a dinner date?”
“Does this blouse survive Lagos traffic?”“Will this linen set make
me look like own property in Ikoyi even if I’m still paying rent in Yaba?”
That’s when you know your fashion reset isn’t just about aesthetics—it’s a mindset upgrade.
Minimalism, But Make It Nigerian
While our culture loves a bit of razzle dazzle (and we will always have a soft spot for sequins and asoebi), there’s a growing tribe of Nigerians embracing a less-is-more approach. This fashion reset leans toward clean silhouettes, breathable fabrics, and outfits that whisper rather than scream.
Think brands who understand that sometimes, simplicity is the loudest statement. These looks say: “I don’t need to prove anything. My presence is the flex.”
Fashion as Therapy
Between fuel queues, traffic, and the economy doing gymnastics, sometimes, changing your wardrobe is a coping mechanism. You might not be able to control what’s happening out there, but you can control how you show up.
There’s a reason people describe certain outfits as “armour.”
That monochrome suit? That crisp white shirt? They’re more than just clothes—they’re affirmations. They say, “I’ve got this,” even when you don’t feel like it. And sometimes, that’s enough to shift your energy.
The Joy of Curating
You
A fashion reset doesn’t mean buying a whole new wardrobe overnight. It can be as simple as donating the pieces that no longer feel like you, reorganising your closet by vibe instead of occasion, or intentionally choosing pieces that reflect the life you’re building.
It’s asking, “Who am I becoming?” and letting your clothes catch up.
And the beauty of fashion in Nigeria is that there’s no one way to do it.
Whether you’re rocking tradwear and kaftans or leaning into that clean, minimalist Abuja aesthetic, the most important thing is that your style feels like home.
EZINNE CHINKATA
KAY LARA RAWA
ARE MEN FINALLY CATCHING UP IN THE FASHION GAME?
For a long time, fashion seemed like a woman’s playground. The runways sparkled with gowns, the red carpets were dissected dress by dress, and the pages of style magazines overflowed with “her” looks. Meanwhile, men—well, they hovered quietly in the background, clinging to their navy suits and plain brogues like it was a uniform issued at birth.
But that version of the style story is changing fast. These days, men aren’t just showing up—they’re showing out.
Scroll through Instagram or step out in Lagos on a Friday night, and you’ll see it. There’s a new tribe of men who dress to be seen. They’re not waiting for permission or hiding behind “safe” style choices. Whether it’s the groomsman who swapped a three-piece suit for a velvet agbada in burnt orange, or the fashion influencer confidently layering pearls with his jalamia, one thing is clear: the boys are finally playing the fashion game—and they’re playing to win.
The most refreshing part? It’s not just celebrities with stylists on speed dial.
The average gentleman has been consistently redefining what it means to dress well in Nigeria. They now care about silhouette, texture, and colour theory, just like any fashion girl. And honestly? We love to see it.
Dressing well has become more than an event—it’s become an everyday flex. There’s a deliberate sense of drama in the air: men wearing leather in the Lagos heat (because fashion often takes precedence over function), shirts unbuttoned just enough to hint at rebellion, and unexpected accessories that say, “I didn’t come here to blend in.”
Style, for many men now, is not about following rules—it’s about breaking them with flair. And there’s a growing hunger for individuality. No one wants to look like a clone anymore. The traditional black suit has been replaced by boldly coloured co-ords, fringe-trimmed jackets, silk sets, vintage eyewear, and jewellery—yes, jewellery! Men are stacking rings, wearing brooches, and experimenting with chains in ways that would’ve been considered too much just a few years ago.
Even weddings—those age-old temples of stiff fashion formality—have become catwalks of male expression. Grooms are swapping black tuxes for white embroidered kaftans, oversized agbadas in offbeat pastels, and sharply tailored jackets with floral lapels. It’s no longer just about looking respectable—it’s about being unforgettable.
Of course, not everyone is on board.
There are still those who think fashion is frivolous, or worse, that there’s something unmanly about taking pride in your appearance. But that mindset is becoming outdated. Today’s stylish man knows that clothing is power—it’s identity, it’s storytelling, it’s a way to say
“I know who am” without ever opening your mouth.
What’s driving all this? A mix of confidence, access, and a shift in cultural mood. Social media has blown the gates wide open, letting men see how others are dressing around the world and daring them to try something new.
And the best part? Nigerian men aren’t just copying—they’re creating. They’re blending streetwear with tradition, infusing local tailoring with global edge, and reminding us that fashion doesn’t belong to one gender, one city, or one season.
FOLARIN “FALZ” FALANA THE BAHD GUY:
THE ARTFUL PROVOCATEUR
If there’s one thing Folarin “Falz” Falana will never be accused of, it’s blending in. A trained lawyer who ditched the courtroom for the stage, the screen, and the streets. Falz has carved out a niche that’s equal parts fearless entertainer, social commentator, and creative disruptor. Whether he’s rapping in pidgin about police brutality, delivering satirical comedy on national dysfunction, or wearing lace like it’s leather, Falz is always making a statement and the country is always watching.
Born into a household steeped in law and activism, Falz could have comfortably followed in his parents’ iconic legal footsteps. Instead, he chose to remix the script entirely, turning his sharp mind and sharper tongue to music and film. From Wazup Guy to The Feast, his discography traces not just the evolution of a musician, but of a man grappling with power, politics, and purpose. His 2018 viral anthem This is Nigeria didn’t just ruffle feathers, it yanked the entire henhouse into global headlines and sparked conversations far beyond the entertainment sphere. Today, he’s not only the CEO of B.A.H.D Guys Entertainment and House 21 Media, but also a voice that speaks truth to power, often with a smirk, a punchline, and occasionally, a suit jacket over Ankara shorts.
In this exclusive sit-down, Falz gets candid with Azuka Ogujiuba about his new album The Feast, the weight of influence, navigating fame, fatherhood rumours, and why money will never change him—even if the world does.
BY AZUKA OGUJIUBA
You were already a practising lawyer in 2012. What was the moment you realised the creative path was not just a passion but your actual calling? think I realised it was my calling even before that—maybe while was in university, around 2008 or 2009. Yeah, that was when it clicked. But I crossed over fully in 2012, though I was still practising law. Of course, hadn’t gotten my big break yet. I was living a double life. Lawyer by day, musician by night. was trying to balance both until things started picking up on the entertainment side around 2014. It wasn’t an easy decision, but it felt inevitable. The law was something I respected, but music—it just pulled at something deeper. It became less about what could do and more about what I had to do.
Coming from a family of well-known human rights activists, how has your upbringing shaped your voice as both an artist and a citizen?
Definitely in a big way. Growing up with that kind of influence was very direct. I’d say it played a huge role in shaping who I’ve become—not just as a person, but as an artist. Advocacy was part of our dinner table conversations. Watching my parents champion justice and fairness gave me a strong moral compass and taught me early on that silence in the face of oppression is complicity. That fire shows up in my music, in my decisions, and even in the projects I take on.
‘This is Nigeria’ wasn’t just a song it was a national wake-up call. When you were making it, did you anticipate the scale of its impact and controversy?
didn’t anticipate the full reaction. I knew it was controversial, but to me, I was just speaking the truth. Nothing but the truth. expected it to ruffle feathers, but didn’t realise how far it would go until it started happening. But as they say, if the shoe fits… And fit, it did. I think the fact that so many people felt personally attacked by a piece of art says a lot about the state of our conscience as a society.
With your visibility and cultural relevance, do you ever feel pressure to always speak up? How do you navigate the tension between artistry and
Focus on expression. People will always have expectations, but your talent, your uniqueness, that’s what matters. Express yourself. That’s what’s real and that is what makes you, YOU!
activism?
try not to feel pressure in any way, including this. know people expect me to react to certain situations based on what I’ve done before, but only speak up when genuinely feel the need to. That’s important to me, no pressure. It’s easy to get caught up in being everyone’s voice, but I’ve learned that advocacy must come from authenticity. Otherwise, you’re just adding noise.
Whether it’s a music album or a film project, storytelling seems to be at the core of your work. What draws you to certain stories, and how do you know when it’s time to tell them?
I’ve always been a lover of stories even from a young age. So, with my music and film work, I’m always deeply involved in the storytelling. know it’s time when I feel moved, when my artistic mind tells me so. On my latest album, The Feast, the track “Storytime” is about my life, a big chunk of it, at least. was pushed by a producer friend to go deeper, and that’s how that track came to be. For me, storytelling is how process the world. It’s how I give voice to the voiceless and hold a mirror to society.
From Wazup Guy to The Feast, your sound and message have evolved significantly. What parts of you have stayed the same, and what has changed the most?
At my core, I’m still the same person. Who was in 2014 is who am now. But I’ve grown. Growth is constant. I’ve matured, and I understand a lot more about life now. That growth is my biggest asset, and it shows in the music. The sound may evolve, the themes may shift, but the intent—to speak truth, to entertain, to provoke thought—that’s never changed.
What inspired you to build not just a career, but entire platforms like B.A.H.D Guys Entertainment and House 21 Media? What have you created or changed through them?
wanted to create a platform for continuity and evolution. Eventually, want to mentor others, develop talent, and build something lasting. With House 21, I’m not just acting, I’m making my own films. That’s the next level for me. These platforms are about ownership and legacy. It’s bigger than me now—it’s about building structures that outlive trends and continue to empower the next generation of creatives.
Quam’s Money was a bold project. What inspired it? It was our first cinema production under House 21. We were still learning, but it was a great experience with a strong message about fast money and living beyond your means. We wanted to tell a story that mirrors real-life pressures faced by young Nigerians and explore what happens when greed outpaces wisdom.
You’re a musician, actor, filmmaker, activist and you’re running two companies. How do you stay grounded and manage your energy? Discipline. That’s key. Also, time management, knowing what to prioritise and when. And of course, hard work. It’s a lot, but try to stay focused and just keep going. I also make time for introspection. protect my peace and try not to stretch myself too thin. Burnout is real, so balance is essential.
You’ve been in the game for over a decade. What excites you most about where Nigerian music and cinema are headed—and what still needs to change?
What’s most exciting is the global attention. The world is paying attention to Nigerian creativity. But we still need more unity, more collaboration across all the arts. Music, fashion, film, visual arts—we all need to work together more. Imagine what we could do if we pooled our resources and truly saw ourselves as one ecosystem instead of silos.
You’ve become known not just for your sound, but your style. Playful, bold, and distinct. How would you describe your fashion aesthetic, and what role does style play in your self-expression?
Fashion for me is exactly that—playful, bold, distinct. I like being different. How many men wear lace? It’s about breaking boundaries. Fashion is a powerful form of expression, it says a lot about culture, personality, character. And yes, I might explore it more in the future. see it as an extension of my art—another way to communicate who I am without saying a word.
Do you have plans for your own fashion label? Possibly. wouldn’t rule it out. It’s an avenue I’m definitely keeping an eye on. If I’m going to do it, it has to be authentic and true to my vibe.
When you’re not creating or performing, who is Folarin? What brings you peace?
Solitude. enjoy being alone with my thoughts. I also love sports. Playing football, watching Arsenal, gaming, chilling with friends and family. That’s peace for me. Simplicity, laughter, and the comfort of people who know me beyond the spotlight.
Do you see yourself more as someone who reflects culture or someone who shapes it?
Both. But think I shape it more and I take that seriously. It’s about being conscious of your influence and guiding the next generation in the right direction. don’t just want to ride the wave—I want to influence where it’s going.
What’s next for you that we haven’t seen coming?
Any new creative ventures—or are you revisiting law?
Fashion is the new territory want to explore. Law will always be there, might revisit it someday. But for now, fashion is what’s next. And trust me, when I step into something, I do it with full intention.
16. Your album is called The Feast, which sounds almost biblical. What’s the meaning behind the title?
The title is about community—coming together, sharing, achieving. That’s why the artwork has that “Last Supper” vibe. It’s about unity. About creating a space where everyone brings something to the table.
During #EndSARS, you played a visible role. Did you ever feel threatened?
No threats. just felt motivated by a cause and followed through. Sometimes conviction drowns out fear.
What’s your take on the victims of #EndSARS, especially since justice hasn’t been served?
It’s heartbreaking. But it reflects the kind of government we have—unwilling to stand for justice. Even now, with the killings in Benue, the president only says he’s been “briefed.” It’s disheartening. We can’t be okay with this level of apathy anymore.
If given another opportunity, would you do it again?
Definitely. I’ll always speak up when feel the need to. Silence, in some cases, is a betrayal.
Does money influence your values? A lot of people are compromising for it these days.
Money has never been a motivation for me. It’s just a tool. It doesn’t define me or my decisions. Money doesn’t change people—it reveals them. If you’re solid, it amplifies your essence. If you’re not, it exposes your flaws.
When all is said and done, how do you want to be remembered?
want my legacy to be one of impact, influence, truth, and resilience. That’s what I’m striving for. Someone who stood for something, gave his all, and helped others do the same.
Let’s talk about Funke Akindele. People speculate about your relationship—friends, lovers, or just colleagues?
She’s a great friend and colleague. Super inspiring. One of the hardest-working creatives I know. We’ve built strong chemistry on and off screen, so I’m not surprised by the rumours. But honestly, our relationship is rooted in mutual respect and admiration.
But does she have the kind of qualities you’d want in a partner?
That’s an interesting question, but I’d rather not answer. She’s a great woman, but I’ve never looked at her in that light.
What would you say to young creatives torn between expectations and expression?
Focus on expression. People will always have expectations, but your talent, your uniqueness, that’s what matters. Express yourself. That’s what’s real and that’s what makes you, YOU. If you chase validation, you’ll always be lost. But if you chase purpose, you’ll find your voice.
COVER
SPACE BREATHE NEW LIFE INTO YOUR
WITH THESE TIMELESS TRENDS
By Funke Babs-Kufeji
This year has been and will be , all about living beautifully and with intention. Our homes have become more than just places to sleep and eat; they are now sanctuaries for self-expression, creativity and rest. As the boundaries between work, leisure and personal time continue to blur, the way we design our spaces is changing as well. Across Nigeria and beyond, there is a growing appreciation for interiors that feel warm, layered and meaningful, merging global aesthetics with the richness of African heritage. From sunlit flats in Ikoyi to artistic studios in Abuja and calming retreats in around Nigeria, décor styles are embracing softness, soul and storytelling. It is no longer about rigid design rules. Instead, it is about creating environments that reflect who you are and how you want to live. Whether you are planning a full home makeover or simply refreshing a quiet corner, these trends are inspiring a new way to think about what home truly means: intentional, grounded and effortlessly beautiful. Here are the décor trends capturing our attention and why they deserve a place in your space.
1. EARTH TONES WITH A TWIST
Neutral doesn’t have to mean boring. Warm hues like clay, sand, cocoa, and ochre are dominating palettes this year— but with bold, unexpected accents. Picture a taupe sofa with rust-orange throw pillows or cream walls brought to life with a mustard armchair. These tones not only add warmth to your space but also create a calm, grounded energy that feels luxurious without trying too hard.
2. AFRO-MINIMALISM
Minimalist spaces now have an African heartbeat. Afro-minimalism combines clean, uncluttered layouts with handcrafted details and natural textures—think raffia light shades, woven wall hangings, or mudcloth-print cushions. This trend champions intentional living while still celebrating cultural depth. Less really is more, especially when it reflects you.
3. STATEMENT LIGHTING
Lighting has officially become the jewellery of the room. Oversized paper lanterns, handblown glass pendants, or sculptural brass floor lamps are not only functional— they create mood and drama. Whether hanging above your dining table or tucked into a reading nook, bold lighting choices add personality and instantly elevate any space.
4. LOCALLY-MADE EVERYTHING
There’s a beautiful shift toward sourcing from home. Whether it’s carved wooden stools from lekki art market, pottery from Osun, or textiles hand-dyed in Abeokuta, Nigerian-made pieces are taking centre stage. These items tell stories, support local makers, and bring an authentic richness that mass-produced decor just can’t match.
5. MIXED MATERIALS
2025 is all about the unexpected. Mix velvet with jute, marble with cane, and metal with wood. The magic is in the contrast—soft paired with structured, smooth alongside textured. This layered look adds depth, comfort, and visual interest, making your space feel curated and effortlessly chic.
6. GREEN CORNERS
Plants are more than décor. They’re wellness tools. Snake plants, monstera, and peace lilies are all low-maintenance favourites that purify air and bring life to a room. A cluster of potted greens in a sunlit corner or a hanging plant by the kitchen window instantly transforms a space and boosts your mood.
7. GALLERY WALLS WITH MEANING
The new gallery wall trend is deeply personal. It’s less about perfect grids and more about showcasing what you love: bold prints by African artists, candid family photos, handwritten quotes, or travel keepsakes. It’s an evolving expression of your journey—and the easiest way to make any room feel uniquely yours.
EARTHY NEUTRALS
AFRO-MINIMALISM
EARTHY NEUTRALS
In a creative landscape increasingly shaped by global influence and local identity, Nigerian artist William Chechet stands at the intersection—boldly merging tradition with innovation. Known for his vibrant fusion of pop art, Afrofuturism, and cultural symbolism, Chechet has carved out a distinct visual language that speaks directly to the African spirit while resonating worldwide. His latest collaboration with Glenfiddich on the Celebrate the Bold campaign has transformed premium whisky bottles into collectable canvases, each one telling deeply personal stories through art. From his beginnings in engineering to becoming a cultural storyteller, Chechet’s journey is as layered as the designs he creates. In this exclusive interview, he opens up about his creative process, the emotional weight behind the Glenfiddich collaboration, and the broader role of art in shaping Nigeria’s cultural legacy.
Can you share more about your journey into art and design? How did your background shape your current path?
My journey into art and design wasn’t something mapped out from the start; it unfolded naturally, one step at a time. began at Ahmadu Bello University, studying building engineering. It felt like the practical and expected choice at the time. But even then, creativity was always calling. I found myself constantly sketching, creating flyers, and designing posters for student events and campus clubs. didn’t know it then, but that was the beginning of something much bigger.
Curiosity led me deeper into the world of animation and graphic design; I became fascinated with how visuals could tell stories, influence perception, and evoke emotion. By my third year, discovered the Industrial Design program at ABU Zaria, and something just clicked. It felt like home, so made the switch and never looked back.
A turning point came when one of my graphics for a Washington-based rapper caught the attention of MI Abaga. He reached out for a collaboration, which was a huge validation for me. That opportunity brought me to Lagos, a move that truly changed everything. Being in the creative energy of the city, surrounded by music, fashion, and visual art, helped me find my voice and build a foundation. then joined Chocolate City for a while, which exposed me to the intersection of branding, visuals, and culture in
gerian cultural symbols. How did you decide which visual elements would best represent each Glenfiddich bottle - 12, 15, and 18-year editions?
Designing the Glenfiddich sleeves bottles — the 12, 15, and 18-year-olds — was an incredibly immersive process. didn’t want the artwork just to be visually striking; wanted it to mean something. To achieve that, I spent time in conversation with Nancy Isime, Mr. Eazi, and Ifeanyi Nwune, the brand’s collaborators whose stories are as layered and refined as the whiskies themselves.
Our conversations went far beyond surface level. We talked about their childhood experiences, what drives their creativity, their struggles, and defining moments that have shaped their careers. Those intimate exchanges offered a deep well of inspiration. I listened not just for the words but for the emotions, the memories, and the energy behind them. From there, began weaving their stories into visual form - through motifs, symbols, and patterns that hold personal significance.
william CHECHET
A CONVERSATION ON ART, CULTURE, AND THE GLENFIDDICH COLLABORATION
Each bottle design became a visual biography reflecting Nancy’s multifaceted resilience, Mr. Eazi’s boundarypushing evolution in music and Ifeanyi Nwune’s drive in the fashion industry. Just as each whisky is aged to develop distinct characteristics, each sleeve tells a story of growth, identity, and bold self-expression.
You’ve mentioned that you want people to reflect on the figures and symbols in your work—both positively and critically. What conversations were you hoping to spark with this particular campaign and exhibition?
Yes, the idea of being bold and taking initiative is at the core of both the Glenfiddich brand and the Nigerian spirit. With this campaign and the exhibition, wanted to ignite conversations around identity, resilience, and what it truly means to be bold in a Nigerian context.
To have my work wrapped around something as iconic as a Glenfiddich bottle and to know it might sit on someone’s shelf, be given as a gift, or be part of a special occasion - that’s deeply meaningful. Personally, have all three sleeves in my studio, and look at them not just as packaging, but as visual stories that connect tradition, creativity, and identity. The idea that someone might treasure one of those bottles as both a drink and a piece of art - that’s exactly the kind of intersection I want to keep exploring.
Many artists struggle with the tension between art for art’s sake and commercial collaborations. How do you balance artistic integrity with brand alignment in projects like this?
To be honest, this is something continue to navigate with each new project. As a visual artist, your work is deeply personal; it’s an expression of your identity, experiences, and convictions. have come to see collaborations, when done right, as a bridge and not a compromise. The key is alignment. If a brand genuinely respects my creative process and shares a similar vision or value system, then the partnership can become an extension of the art rather than a departure from it. That was the case with Glenfiddich. They didn’t just want to put my name on a bottle; they wanted me to bring my full creative lens into the storytelling. That makes all the difference. I also think it’s essential to recognise that these types of partnerships provide artists with access to new audiences, platforms, and, yes, a sustainable income. Not every artist has the luxury of creating in isolation. These projects enable us to expand our work into areas we might not have reached through galleries alone.
Ultimately, it’s about intention. If the collaboration elevates the message, celebrates culture, and stays true to who I am as a creator, then see it as a valuable opportunity - not just for exposure, but for impact.
Among the three bottles you designed, which one resonates most with you and why?
While each of the Glenfiddich bottles tells a unique story and challenges me in different ways creatively, the 15-year bottle holds a particularly special place for me. found myself drawn to Nancy Isime’s story, her resilience, her roots, and the regal energy she embodies. During our conversations, she spoke about being inspired by Queen Idia, a historical figure who symbolises strength, wisdom, and cultural pride. That really struck a chord with me.
As someone who often incorporates traditional Nigerian motifs into my work, the chance to interpret her narrative using elements like the Idia mask, Adire patterns, and other indigenous symbols felt incredibly organic. The process pushed me to dig deeper into my visual language and challenged me to elevate the symbolism in a way that still felt accessible. That’s why that bottle, in particular, stands out to me.
From your “Royal Niger” series to this campaign, there’s a consistent thread of reimagining history through modern eyes. How do you think art can serve as a tool for cultural preservation and reinterpretation?
ways hadn’t previously imagined. It solidified my belief that design was about storytelling, about building a cultural legacy. Looking back, every shift played a role in who am today.
“Celebrate the Bold” beautifully merges Glenfiddich’s legacy with your distinct artistic voice. What was your initial reaction when you were approached for this collaboration, and how did you translate boldness into visual language?
It was a deeply fulfilling moment. As someone who has spent years immersed in the world of art and design, you often hope that one day, your work will transcend borders and speak to global audiences. Collaborating with Glenfiddich, the world’s most awarded single malt whisky, wasn’t just exciting; it felt like a validation of years of creative exploration. What stood out to me wasn’t just the scale of the project but the alignment. Glenfiddich’s ethos of boldness, excellence, and legacy mirrors so much of what I aim to express in my work. To be trusted with the responsibility of reinterpreting that heritage through my creative lens was incredibly humbling. It’s one thing to create in your studio, but to have a brand with such global stature invite your perspective into their story is a rare honour.
Your work is known for blending pop art and Afrofuturism with Ni-
The collaboration with Glenfiddich felt deeply aligned because boldness is something both the brand and our culture embody - but in different, equally powerful ways. Nigerians are naturally inventive. We innovate under pressure, we lead with passion, and we often build from limited resources. That entrepreneurial, fearless energy was something I wanted to honour. So, through this campaign, I hoped people would not only admire the visuals but also engage with the underlying stories. I wanted to capture the essence of what it means to take initiative, challenge norms, and pursue excellence despite adversity. These aren’t just traits of the Glenfiddich brand - they’re the heartbeat of our daily lives as Nigerians. If my work encourages someone to reflect on their own bold choices or to appreciate the quiet strength in their heritage, then I feel the message has landed.
The Glenfiddich sleeves are now collector’s items, blurring the lines between everyday objects and fine art. How do you feel about your art existing outside the gallery—on shelves, in homes, and as part of people’s celebrations?
It’s honestly one of the most fulfilling parts of this entire collaboration. As artists, we often imagine our work hanging in galleries or museums—places that feel exclusive, sometimes even out of reach for everyday people. But there’s something incredibly powerful about seeing your art take on a new life outside that traditional space. It’s no longer just something to be observed; it becomes something that’s lived with, touched, and celebrated.
Art, in my view, is one of the most powerful forms of historical storytelling; it doesn’t just reflect culture, it archives it. From ancient carvings to contemporary installations, visual art has always played a crucial role in preserving the spirit, struggles, and identity of people. Think about the Benin bronzes: even though they were looted, they still stand today as enduring testaments to the artistry, sophistication, and depth of Nigerian history. They speak for us in rooms we may not yet be in.
That’s the space want my work to occupy, to be a bridge between memory and imagination. That’s what I strive to do with my work - preserve, reinterpret, and share Nigerian stories in a modern context. believe that through art, we can reframe how the world sees Nigeria and, more importantly, how Nigerians see themselves. We have so much cultural wealth, and art gives us the tools to honour it, challenge it, and evolve it all at once.
What do you think is Glenfiddich’s cultural relevance to Nigerian art and the broader creative space?
What makes Glenfiddich particularly relevant in the Nigerian creative space is its consistent celebration of what it calls the “Bold spirit”,; a mindset centred on individuality, pushing boundaries, and creating without fear. That philosophy mirrors what it takes to be a successful artist or creative in Nigeria today.
For me, the brand’s relevance goes beyond whisky; it’s about the ethos it represents. By aligning itself with Nigerian creatives through campaigns like Celebrate the Bold, Glenfiddich is amplifying voices that already reflect that bold spirit. And in a time when Nigerian art is becoming more visible globally, partnerships like this help push our stories and expressions even further into the mainstream—on our own terms.
MELANIN-APPROVED: 5 GAME-CHANGING SKINCARE PICKS FOR MELANIN-RICH SKIN
For the longest time, the beauty aisle was more guesswork than glow-up for Black women. We’ve navigated countless products that either did the bare minimum or left us with more problems than we started with. Hyperpigmentation that won’t quit? Been there. Sunscreens that turn us into Casper’s cousin? Yup. But finally, the tide is turning. Today, there’s a new generation of skincare that gets us. These are products formulated with melanin-rich skin in mind—sciencebacked, results-driven, and free of all the ashy nonsense. Whether you’re just starting out or you’re a certified skincare buff looking to level up your top shelf, these five melanin-tested, glow-approved picks deserve a standing ovation—and a permanent spot in your routine.
By Funke Babs-Kufeji
1. Urban Skin Rx Even Tone Cleansing Bar
The multitasker your bathroom shelf has been waiting for.
Think of this as your skincare starter pack in one compact bar. It cleanses, gently exfoliates, and brightens uneven tone with a powerful blend of kojic acid, azelaic acid, and niacinamide. If you’re battling dark spots, breakouts, or dullness, this bar is like hitting reset on your skin— with zero dryness or drama.
Best for: Hyperpigmentation, blemish-prone skin, uneven tone.
2. Topicals Faded Serum
Yes, it really is worth the hype. This internet-famous serum isn’t just a moment—it’s a movement. With tranexamic acid, niacinamide, and licorice root at its core, it fades stubborn scars and sun spots without trying to bleach your melanin. It’s tough on discolouration, gentle on your glow, and surprisingly calming on the skin.
Best for: Post-acne marks, sun damage, dullness that won’t budge.
3. Black Girl Sunscreen SPF 30
No grey cast, no excuses—just sun protection made for us. If you’re still skipping sunscreen, this is your sign. Created by and for women
of colour, this SPF glides on like a moisturizer and melts right in—no ghostly finish, no pilling, and no stress. It hydrates while it protects, making it the perfect base for makeup or bare-faced brilliance.
Best for: Daily wear, sun protection without the chalk.
4. The Ordinary Mandelic Acid 10% + HA
Exfoliation without the fear factor.
Mandelic acid is the gentle giant of the AHA family, and it’s perfect for melanin-rich skin that needs a glow-up without the risk of irritation. It evens out tone, smooths rough texture, and fades old acne marks—all while being beginner-friendly and budgetconscious.
Best for Sensitive skin, acid newbies, and anyone playing the long (glow) game.
5. Epara Hydrating Serum
Luxury, but make it Black-owned and deeply nourishing.
This one is for the skincare romantics. Founded by Nigerian beauty entrepreneur Ozohu Adoh, Epara was built with melanin-rich skin at its heart. The hydrating serum is rich, restorative, and laced with African botanicals like marula and frankincense. It’s like a luxe facial in a bottle—and your skin will drink it up.
Best for: Dry, dehydrated skin, dullness, anyone who loves a rich-girl glow.
A FASHION GIRL’S GUIDE TO FEELING (AND LOOKING) LIKE YOUR BEST SELF
Wellness in Nigeria is evolving. What once felt like a rare indulgence—an occasional spa day, a good night’s sleep, or a guilt-free meal—is now becoming a way of life. For today’s style-conscious woman, taking care of the mind, body, and spirit isn’t a luxury—it’s the baseline. And it’s showing up everywhere: in how we dress, what we eat, how we move, and how we pause. The soft life isn’t about doing less—it’s about doing better. With style. With ease. With intention.
By Aliyah Olowolayemo
Wear the Mood, Not Just the Trend
Style is more than a visual statement—it’s emotional armour. On high-energy days, structure helps you stay centred: a sharp blazer, clean shirt, trousers that mean business. On slower days, let comfort lead the way—linen two-pieces, oversized shirting, or luxe loungewear that works in and out of the house. Dressing for your day is a form of self-care. Your wardrobe shouldn’t fight your energy—it should follow it. Get dressed not just to be seen, but to feel good in your skin.
Glow is the New Gloss
Skincare has become the new power suit. It signals care, presence, and intention. Forget heavy contour and 10-step routines—the real flex now is radiant, healthy skin that speaks of
hydration, rest, and minimal stress. Double cleanse, moisturize, and don’t skip SPF (yes, even in Lagos). Throw in a face massage when you can.
When your skin glows, everything you wear looks better. And the glow that comes from within? That’s always in season.
Curate Your Plate
Like You Curate Your Closet
Clean eating doesn’t mean giving up Nigerian food—it means embracing it with balance. Think ofada over white rice, grilled plantains over puff-puff, and zobo mocktails without the sugar dump. A colourful, wellstocked fridge can be just as satisfying as a perfectly curated wardrobe. You don’t need imported health trends to eat well. Local ingredients already carry the flavour and the benefits. Nourish yourself like you’re going somewhere impor-
tant—because you are.
Move Like You
Mean It
Movement isn’t punishment—it’s a love language to your body. It doesn’t have to happen in a gym. It can be dancing to your favourite playlist, a long estate walk in cute sneakers, or stretching in your pyjamas after work. The key is to move in ways that feel good and fit into your life.
Rest is the Real
Luxury
Nothing says elegance like peace of mind. Hustle culture might be loud, but burnout isn’t cute. Sleep is a wellness ritual. So is logging off, staying home, and doing absolutely nothing without guilt. Stillness is not a luxury—it’s how you protect your glow, your clarity, your style.
You can’t dress the part if you’re drained. Think of rest as the most valuable piece in your self-care rotation.
Protect Your Peace
Beyond the body and wardrobe, wellness lives in the mind. Therapy, journaling, boundaries, or simply silencing your notifications—these are all part of the new soft life blueprint. Choose what calms you. Unfollow what drains you. Walk away from noise, even when it’s dressed up nicely. Mental peace is an investment—and it always pays off.
Style Is How You Live
Wellness isn’t a single product or routine. It’s how you show up for yourself every day. It’s in your choices, your pace, your wardrobe, your meals. For the stylish Nigerian woman, it’s about aligning intention with expression. Looking good and feeling good are no longer separate goals—they’re the same pursuit. And when you dress like you respect your energy, eat like you honour your body, and rest like you deserve peace, something changes.
IDIA AISIEN
