THISDAY STYLE MAGAZINE 21ST SEPTEMBER 2025

...NOT IN THISDAY STYLE? THEN YOU’RE NOT IN STYLE

Sunday, September 21, 2025 Vol. 22, No. 11086 TR

UT H

& RE A S O

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SUNDAY, SEPTEMBER 21 2025

ABISOYE

COKERODUSOTE

REDEFINING IDENTITY, DRIVING INCLUSION

spend seamlessly, at home or abroad Your Access Bank Black Card automatically bills local transactions in Naira and international purchases in US Dollars - ensuring smooth, uninterrupted payments wherever you go.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

CONTENT

COVER NOTE

EDITOR’S LETTER

EXECUTIVE EDITOR

For the love of Art

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A

bisoye Coker-Odusote has built her career at the intersection of technology, governance and service. With experience that cuts across IT, telecommunications, finance and public administration, she has gained the tools and perspective needed to lead one of the most demanding institutions in the country, the National Identity Management Commission (NIMC). Since assuming office as, director general/CEO, NIMC, she has focused on clearing long-standing backlogs, expanding the National Identity Database and introducing digital tools that make enrolment easier for millions of Nigerians.

Lifestyle & Fashion

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4 6 Shimmer Shine And 8 Sparkle With Metallics Ejiroghene Olaleye is Redefining Activewear in Nigeria 10 The Breakup Guide: Delete Block 11 and Finding Closure The New Wave: Nigerian 18 Artists In Their 20s Underrated Nigerian Destinations Beyond Lagos And Abuja 20 The Wig Investment Guide To Making Your Luxury Hair Last 21 How To Choose A Statement Piece That Anchors Your Space 22 Abayomi Awoniyi Marks 65th With Surprise Celebration Master The Art Of Subtle Glamour

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@thisdaystyle |

EXECUTIVE EDITOR KONYE NWABOGOR 08111847087

DEPUTY EXECUTIVE EDITOR OLUFUNKE BABS-KUFEJI 08111847086

CONTRIBUTORS AYO LAWAL ALIYAH OLOWOLAYEMO DIRECTOR, PRINT PRODUCTION CHUKS ONWUDINJO 08077092196

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here is a growing awareness that Nigerian art is no longer peripheral—it is central to how we define ourselves as a people. What was once confined to the walls of galleries or the guarded collections of a few has broken into mainstream culture. Today, Nigerian art is not only appreciated for its beauty but also recognised as a marker of discernment, identity, and cultural power. It has become, in many ways, the new social currency.

This is the subject of one of our features, “Collecting Nigerian Art Is the New Social Currency.” The piece examines how ownership of Nigerian art has evolved from being an act of private pleasure into one of public significance. Collecting now signals more than personal taste—it communicates alignment with history, creativity, and legacy.

Nigerian art has become a language of influence.

But of course, what excites me most are the creators themselves. In this issue, we also turn our attention to Nigerian artists in their 20s, a generation whose energy and imagination are impossible to ignore. Their work is fresh, bold, and unafraid to ask difficult questions.

They are experimenting with form, reimagining tradition, and asserting their place on the global stage with remarkable confidence.

Watching them is to be reminded that the future of Nigerian art is already here, unfolding in real time.

How art aware are you? Have you noticed these shifts, or pause long enough to see the value in the creativity around us? Some of you may already be collecting, others may simply be appreciating from afar, but either way, I think it’s worth tapping into this cultural moment as fully as possible. Beyond art itself, how are you doing? The year is moving quickly, and I hope that in between the rush, you are finding time for what you love, what steadies you, and what makes you feel most alive. Stay safe, hold close the people who matter, and never forget to make space for beauty—it has a way of reminding us who we are.

Love,

@thisdaystyleon | www.thisdaystyle.ng

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or decades, Nigeria’s social ladder was measured by obvious things — the car that announced your arrival, the bottle uncorked in Victoria Island’s nightclubs, the fabric draped on you at Saturday weddings, the address you returned to, and the circles your name could unlock. These markers of success were loud, visible, and fleeting. But something subtler and arguably more powerful is happening now.

A growing number of Nigerians are turning to Art as their ultimate status symbol.

Collecting has become more than a pastime; it’s a declaration of taste, culture, and belonging.

This shift is not only visible in the homes of the wealthy. Across the country, Art is moving from being “that thing rich people hang in their mansions” to a language through which Nigerians of different generations and backgrounds express identity.

Walk into many modern Nigerian homes today, and you’re more likely to be greeted by a striking mixed-media canvas or a bold photograph than the generic décor once picked up at a mall.

Even on Instagram, collectors casually post their new finds with as much pride as they once displayed designer shoes. The conversation is shifting, and Nigerians are listening.

Part of this comes from visibility. Art X Lagos, founded

by Tokini Peterside-Schwebig in 2016, has done more to democratise art appreciation than any other event in West Africa. The fair brings international and local galleries together, giving young Nigerians a chance to see, learn, and buy. Galleries like Rele, Nike Art Gallery, and SMO Contemporary have built on this momentum, creating spaces where firsttime buyers feel welcome and at home.

The appetite is growing.

Auction houses like Arthouse Contemporary have seen unprecedented sales, with works by Bruce Onobrakpeya, Peju Alatise, and Victor Ehikhamenor drawing competitive bidding. While international headlines often focus on Njideka Aku-

COLLECTING NIGERIAN ART IS THE NEW SOCIAL CURRENCY nyili Crosby’s works selling for millions at Sotheby’s or Christie’s, the more telling story is happening locally.

Pieces are being snapped up at price points accessible to young professionals.

For many Nigerians, collecting is also a form of pride.

For too long, our Art was celebrated more abroad than at home. We cheered when Enwonwu’s “Tutu” was rediscovered and sold in London, yet at home, it was rare to see ordinary Nigerians buying smaller works by contemporary artists.

That disconnect is fading. To own Nigerian Art now is to own a piece of culture—to say proudly that our stories, our perspectives, and our creativity matter.

And there is the social angle.

Art has become an invitation into new spaces and conversations. An exhibition opening in Victoria Island is as much a networking hub as it is a cultural event. To be invited to a private viewing or to casually mention an artist’s name at dinner has become its own kind of currency. Unlike the ostentation of luxury goods, Art is a subtler flex. It signals intellect, taste, and discernment.

Of course, investment cannot be ignored. With the global rise of contemporary African Art, many Nigerians now view collecting as a smart financial decision.

The Art appreciates in value, but unlike stocks, it also decorates your home, starts conversations, and can be passed down as legacy.

What makes this cultural moment remarkable is how natural it feels. Nigerians have always been collectors in spirit. From elaborate beadwork in traditional regalia to the deep culture of music vinyls, we have valued tangible expressions of creativity. The difference now is that fine Art has entered the mainstream of social life. It has become a way of signalling who you

JACQUELINE SUOWARI PIECE

TOLU ALIKI

DESIGN BY C WILLIAMS

are and what you care about without saying a word.

Art is no longer just decoration. It is social currency, cultural pride, and intellectual investment rolled into one.

It speaks volumes about

OLUWOLE OMOFEMI

where the nation is headed, confident in its identity, eager to own its stories, and ready to give creativity the respect it deserves.

So when you find yourself pausing in front of a strik-

ing canvas, remember it isn’t simply a painting. It’s a statement, a flex, and sometimes, the loudest thing in the room without making a sound.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

ABAYOMI AWONIYI MARKS 65TH WITH SURPRISE CELEBRATION

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AKIN OLAMILOKUN AND LAI FATONA

t was an evening of warmth and joy recently as former Deputy Governor of Kogi State, Abayomi Awoniyi, was celebrated on his 65th birthday with a surprise party organised by his wife, Tokunbo Awoniyi. The gathering was supported by the couple’s children, Muyiwa, founder of BSB Management Agency and manager to Nigerian music stars Tems and Omah Lay, along with daughters Simisola and Yewande.

The celebration took place at the Centre Point Events Centre, where family, close friends, political associates, and corporate leaders gathered to honour Awoniyi. The night was filled with laughter, heartfelt toasts, and fond recollections of his life and achievements. Guests reflected not only on his public service but also on his values of humility, integrity, and family.

The surprise event highlighted the affection of his loved ones and provided a memorable milestone for Awoniyi, marking his journey into a new chapter surrounded by warmth, respect, and admiration.

Photos by By Abiodun Ajala

CHIEF AND MRS OLU OKEOWO

L-R_ SIMISOLA, MUYIWA AND YEWANDE AWONIYI

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HELEN AND MAGNUS OYIBE

JAGDISH JETHVANI

KENNY BLACK

FUNSO LAWAL

ZAINAB AND KAYODE RAMOS

KABIRU SHUAIBU

BIODUN FARI-AROLE

AKIN ADEWUYI

BASHORUN J. OMOKORE

KUNLE DAVID

COLLINS CHIKELUBA

FIDELIS ANOSIKE

DEMOLA ADEYEMI BERO

OSAGIE OKUNBO

HUSSEIN WADA

OLUSHOLA AKANMODE

MR. TAYO AYENI

BAYO ABDUL

OLA OYELOLA

TANI OBARO

TAI FAKUADE

DANJUMA SALEH

RONKE AYUBA

AMINA

TOKUNBO ADEOLA

MRS BIMBOLA FASHOLA(MIDDLE) FLANKED BY MR AND MRS AKINYERA

CELEBRANT H E. YOMI AWONIYI AND HIS WIFE, TOKUNBO

IB AKINNOLA

L-R_ IJEOMA OSAIGBOVO, MOBOLANLE AKINTOYE AND JOY IBEZIAKO

MR AND MRS AINA

GREG MBADIWE AND MR KAYODE ODUKOYA

ENIOLA AND AYOBAMI BELLO

OLU OKEOWO, OTUNBA LAI ORIOWO AND JOHN MOMOH

SOTTY WABOTE

MR AND MRS YOMI SONUGA

ABUBAKAR OHERE, CAPT IDRIS WADA AND ALHAJI HADI AMETO

LAI ORIOWO AND CHIKE OGEAH

DAN AND TITI ADEBIYI

RICHARD AND YEMISI AKANMODE

SAMMI AND INYANG ORUNGBE

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

Understated Accessories

MASTER THE ART OF SUBTLE GLAMOUR Not everyone wants to walk into a room dripping in sequins or wearing the loudest print.

Sometimes the goal is to look polished, elegant, and quietly striking—the kind of style that turns heads without screaming for attention. Subtle glamour is all about balance. It is about knowing how to shine without overdoing it, how to impress without overshadowing the moment. Here is how to make it work.

By Funke Babs-Kufeji

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nstead of piling on jewellery, choose one or two standout pieces. Diamond studs, a sleek gold bracelet, sunglasses or a structured handbag add polish without overwhelming your outfit.

Subtle glamour is about looking put together, not weighed down.

Play With Neutral and Jewel Tones

The Power of Good Shoes

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lack will always be a classic, but there is something quietly glamorous about colours like emerald green, deep burgundy, navy, and champagne. These shades add richness without being too loud. Pairing neutrals with one bold accent colour is an easy way to look elegant.

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hoes can elevate even the simplest outfit.

Classic pumps, strappy sandals, or well-crafted flats add elegance. The key is clean lines and good quality.

A worn-out pair of heels will undo even the best outfit.

Keep Makeup Soft but Defined

Stick to Simple Silhouettes

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ubtle glamour works best with makeup that highlights rather than hides. Think glowing skin, softly lined eyes, and a bold lip if you want a single statement feature.

Too much at once can tip the look into excess.

Let Fabrics Do the Talking

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ubtle glamour often comes from clean lines.

Think tailored trousers, wrap dresses, or a wellcut blazer. The trick is in the fit, nothing oversized or too tight, but tailored enough to flatter your shape while keeping the overall look neat.

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ou do not need glitter to look glamorous.

Fabrics like silk, satin, lace, velvet, and chiffon naturally carry a sense of luxury.

A simple satin blouse, a velvet blazer, or a silk slip dress instantly looks more refined without needing heavy embellishment.

FOLAKE HUNTOON

TEMI OTEDOLA

Confidence Is the Final Touch

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HIDA BACCI POWEDE AWUJO

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o matter how minimal or glamorous your outfit, the most noticeable element is how you carry yourself. Good posture, an easy smile, and self-assurance are what make people look twice.

TOMIKE ADEOYE

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

SHIMMER SHINE AND SPARKLE WITH METALLICS

Shimmer, shine, and sparkle are no longer reserved for New Year’s Eve, stage performances, or the red carpet.

Metallics have slipped into everyday style, turning up on international runways and in Lagos street fashion with fresh energy. From silver maxi skirts spotted at

fashion week to sequined aso ebi gowns dominating weekend owambes, the return of metallics is undeniable. But while the trend is bold, wearing it well is less about blinding shine and more about balance.

The New Metallic Mood

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he 2025 version of metallics is versatile, leaning towards polished rather than flashy. Designers are moving beyond disco-ball dresses into subtler takes: brushed gold trousers, liquid silver tops, and shimmering accessories that blend seamlessly into day and night wardrobes. In Lagos, metallic gele styles and glossy fringe gowns are everywhere at weddings, while global celebrities are turning up in headto-toe silver gowns on red carpets. The message is clear: metallics are no longer an occasional indulgence but a staple in modern wardrobes. MODEL FOR LDA

Start Small

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ot everyone is ready to walk out in a full sequined jumpsuit, and that’s fine. The easiest way to embrace metallics is through accessories.

A gold clutch paired with a simple black or white dress instantly elevates your look.

Silver heels peeking out from beneath wide-leg trousers add just enough edge without drawing all the attention. Even a metallic belt over an all-white outfit brings a stylish twist. These small touches are proof that shine doesn’t always have to shout. JW ANDERSON BAG

The Power of Finishes

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MONICA ETUK

One Statement Piece

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or those willing to go bigger, the golden rule is to let one metallic piece take the spotlight. Balance is everything. Pair a silver pleated skirt with a crisp cotton shirt for daytime chic, or throw on a gold blazer over tailored black trousers for a dinner look.

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How Not to Overdo It TIWA SAVAGE

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he biggest mistake with metallics is over-styling.

Head-to-toe shine can quickly cross into costume territory unless carefully done.

Keep jewellery minimal if your outfit is already loud, and stick to neutral makeup when your clothes sparkle. If you want to try layering metallics, make sure the shades complement each other like silver with gunmetal, or bronze with muted gold— rather than clash.

Nigerian Style Influence DABOTA LAWSON

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igeria has always embraced glamour, so it’s no surprise metallics feel right at home here. From gold metallic gele styles to silver -dusted agbadas at traditional ceremonies, shine has always been part of the culture. What’s changing is the styling. Younger Nigerians are blending metallics with streetwear—think sneakers with sequined trousers or metallic bomber jackets over jeans. It’s this blend of boldness and playfulness that makes the trend so exciting locally.

Day vs Night Styling

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etallics work differently depending on the setting. For daytime, tone down the shine by pairing with neutrals. A metallic midi skirt with a plain t-shirt and sneakers feels modern but approachable.

At night, however, metallics can take centre stage. Sequined gowns, glossy suits, and beaded metallic aso ebi fabrics come alive under evening lights. Lagos nightlife, in particular, thrives on bold dressing, making it the perfect playground for shineheavy looks.

etallics aren’t one-size-fits-all.

The finish you choose determines the vibe.

Matte metallics or brushed textures feel subtle, perfect for daytime or office wear.

Think bronze trousers or a dull gold blouse. High-shine sequins and lamé fabrics are best kept for evening outings, weddings, and parties, where glamour is welcome. Metallic leather bags and shoes strike a balance, bringing luxury without excess.

By choosing the right finish, you can shift your look from understated polish to fullon drama. BOTTEGA BAG

Beauty and Accessories Count

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he metallic trend isn’t limited to clothes. Jewellery, shoes, and beauty looks carry the shine just as effectively. Swap regular hoops for chunky metallic earrings, or go for a glossy belt to cinch a monochrome dress. Beauty also plays a role: a sweep of gold or silver eyeshadow, chrome nails, or even a metallic lip gloss can give your look a subtle futuristic edge.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

premium craftsmanship, while still being relatable to our culture.

Ejiroghene Olaleye is not just building a fashion label, she is reshaping the way Nigerians think about activewear. A corporate leader recognised for her excellence, she has proven herself both in her professional career and in the gym, where discipline and consistency guide her. With a Bachelor’s degree in English and Literary Studies, two MBAs, and a Master’s in Artificial Intelligence, Ejiroghene combines knowledge with focus.

Her passion for fitness, training six days a week, reflects the lifestyle she promotes through her brand. That passion gave rise to The 9jasisi Brand, a Nigerian label filling the gap for activewear that brings together performance and style. The women’s line, 9JASISI, celebrates bold femininity with its signature SISI logo, while Alpha by 9jasisi offers functional pieces for both men and women. From gym bags to sneakers, the collections highlight strength, identity and everyday elegance.

In this interview, Ejiroghene shares the values that shaped her journey, the discipline that drives her work and business, and why 9jasisi is more than clothing. It is a lifestyle movement that is redefining fitness, fashion and confidence in Nigeria and beyond.

Fitness seems to be at the heart of who you are.

How has your personal fitness journey shaped the vision and ethos behind 9jasisi?

Fitness is not just an activity for me, it’s a lifestyle and a discipline. Training consistently taught me that strength is built one rep at a time, and that same philosophy guides 9jasisi. The brand is about consistency, confidence, and showing up for yourself. I wanted to create activewear that makes people feel powerful, stylish, and ready to own any space - whether that’s in the gym or in everyday life.

Balancing a demanding corporate role with entrepreneurship is no small feat. How do you manage the discipline and structure required for both worlds?

It comes down to planning, structure, and boundaries.

My corporate role requires precision and accountability, and those qualities have helped me run 9jasisi with the same level of professionalism. I segment my day, protect my focus, and delegate where necessary. Fitness also trains my mind to handle pressure. Once you’ve pushed through a hard workout, you know you can push through anything else.

You train six days a week, which shows incredible discipline. What life values has fitness taught you that spill over into your work and brand?

Fitness has taught me resilience, patience, and the value of small wins. You don’t see results overnight; you build them over time. That mindset translates into business: consistency over perfection, showing up even when motivation dips, and celebrating progress. It’s also instilled in me a belief in balance—discipline and rest are both essential for growth.

What gap did you see in Nigeria’s fashion or activewear market that convinced you to start The 9jasisi Brand?

I noticed that while Nigerians love style, most activewear options here either lacked quality or didn’t capture a sense of luxury. People wanted clothing that could transition from the gym to the street without compromising on look or comfort. That’s the gap 9jasisi fills—activewear that embodies strength, fashion, and

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Ejiroghene

OLALEYE IS REDEFINING ACTIVEWEAR IN NIGERIA

The SISI logo and the Alpha line both reflect different dimensions of identity and confidence. How important was it for you to create a brand that speaks to both women and men?

Very important. Confidence isn’t gendered, and I wanted 9jasisi to be inclusive from the start. SISI represents the bold, stylish, and powerful feminine energy, while Alpha embodies strength, resilience, and presence for men. Together, they show that everyone deserves activewear that empowers them to feel seen, strong, and stylish.

Activewear is now part of lifestyle, not just gym culture. How do you see 9jasisi contributing to how Nigerians view health, style, and identity?

We’re redefining activewear as more than just clothes—it’s a statement of self-care and confidence. Nigerians are embracing wellness more, and 9jasisi fits right into that shift by merging fitness and fashion. Whether you’re at the gym, running errands, or traveling, our pieces are designed to move with you and make you feel like your best self.

With your academic background in AI and business, do you envision incorporating technology or datadriven insights into fashion or customer engagement for 9jasisi?

Absolutely. AI offers incredible possibilities from predicting consumer trends to creating personalized shopping experiences.

I see us using data to understand our customers better, tailoring styles to demand, and even optimizing our supply chain for efficiency. Beyond that, the future of 9jasisi lies in exploring smart fabrics—textiles that go beyond fashion.

Imagine activewear that regulates body temperature, wicks sweat instantly, or even has compression features to aid recovery. Longer term, we could look into fabrics with embedded sensors that track performance or posture, turning clothing into a fitness partner. For me, technology should make fashion more personal, functional, and empowering, and that’s exactly the direction I see 9jasisi heading.

Looking ahead, where do you see The 9jasisi Brand in the next five years, both within Nigeria and on the global stage?

In five years, I see 9jasisi as the go-to premium activewear brand in Africa, proudly competing with global names. Within Nigeria, we’ll deepen our footprint with more physical stores and a stronger community around fitness and style.The goal isn’t just to sell clothes, but to shape a lifestyle: redefining how people, both at home and abroad, view fitness, fashion, and identity through the 9jasisi lens.

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reakups are never simple.

Even after the last conversation or quiet decision to part ways, what lingers are the little reminders.

Photos saved on your phone, messages you scroll past, or gifts tucked into a drawer can all pull you back into a chapter you thought was closed.

Ending a relationship often means deciding what to do with its digital traces. For some people, the answer is to delete everything. For others, blocking feels like the only way to truly move on. Then there are those who leave things as they are, allowing the past to exist without trying to erase it. Each choice carries meaning, and the right one depends on what you need to heal.

where you are now.

Choosing to Block: Protecting Your Peace

Blocking is sometimes misunderstood. People often see it as extreme or unkind, but for many it is an important step in protecting their peace of mind. If seeing updates from your ex leaves you unsettled, or if they continue to reach out when you need distance, blocking creates the separation required to focus on yourself.

It is not about punishing anyone. It is about giving yourself the room to heal without being drawn back into a situation that has ended. In cases where the relationship was unhealthy or manipulative, blocking may not only be helpful but necessary.

Choosing Amnesia: Living with the Past

acceptance. It means recognising that the relationship played a role in your journey but no longer defines your present. Amnesia works best when there is little bitterness left, or when the relationship included meaningful experiences worth remembering without pain.

Finding What Works for You

There is no single rule for what to do after a breakup. Each person’s path to healing is different.

If you are struggling to let go, deleting can give you the clean break you need, if you want strong boundaries, blocking may help you avoid setbacks and if you feel settled, leaving things as they are might allow you to move forward without fuss. The key is to choose what brings you calm, not what looks right to others. There is no shame in any of the options, as long as it helps you care for yourself.

THE BREAKUP GUIDE: DELETE Beyond the Digital BLOCK AND Choosing to FINDING Delete: Out of CLOSURE Sight, Out of Mind

Deleting old pictures, videos, and chats can feel like a fresh start. For many, it is a way to stop painful reminders from popping up when they least expect them.

Looking at old photos of happier times can bring back sadness and confusion. By removing them, you are clearing space for yourself and signaling that you want to move forward.

This does not mean erasing the relationship from your life. It simply means creating an environment where you are not pulled back into memories that slow down the process of letting go.

Think of it as tidying your space so that it reflects

Not everyone deletes or blocks. Some people leave everything where it is, and with time those reminders lose their power. For them, keeping old photos or messages is simply part of their personal history. They can look back without feeling the urge to relive it.

This approach requires

Although these choices matter, healing after a breakup is about more than what happens on your phone. Rebuilding yourself takes time and intention.

Surround yourself with friends who encourage you. Spend time doing things that remind you of who you are outside the relationship.

Writing, exercise, travel, or simply resting can all help you reconnect with yourself.

Breakups can feel like endings, but they are also opportunities to begin again with more clarity about what you want in the future. Pictures, messages, and blocks may play their part, but true closure comes from understanding what happened and choosing to grow from it.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

spend seamlessly, at home or abroad Your Access Bank Black Card automatically bills local transactions in Naira and international purchases in US Dollars - ensuring smooth, uninterrupted payments wherever you go.

Access Bank PLC. RC-125384 (Licensed by the Central Bank of Nigeria) 12

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Sunday, September 21, 2025 Vol. 22, No. 11086

ENGR. (DR.) ABISOYE

COKER-ODUSOTE

REDEFINING IDENTITY AND DRIVING INCLUSION Abisoye Coker-Odusote has built her career at the intersection of technology, governance and service. With experience that cuts across IT, telecommunications, finance and public administration, she has gained the tools and perspective needed to lead one of the most demanding institutions in the country, the National Identity Management Commission (NIMC). Since assuming office as, director general/CEO, NIMC, she has focused on clearing long-standing backlogs, expanding the National Identity Database and introducing digital tools that make enrolment easier for millions of Nigerians. These efforts have been matched with a strong push to improve staff morale, update infrastructure and strengthen systems that support everyday service delivery. Her leadership has been marked by a deliberate focus on problemsolving, practical reforms and ensuring that citizens see the benefits of identity management in real time. For Coker-Odusote, the work is not just about numbers or technology. It is about people. She believes that every Nigerian, including those in rural and underserved communities, should have access to a functional system that guarantees inclusion and dignity. In this exclusive conversation with Funke Babs-Kufeji, she speaks about the values that guide her leadership, the reforms underway at NIMC, and her vision for a future where identity opens doors to opportunity.

COVER

COVER

Sunday, September 21, 2025 Vol. 22, No. 11086

Photo & Makeup by Bimpe Onakoya (@bimpeonakoya)

When you stepped into your role at National Identity Management Commission (NIMC), what were the first shifts in mindset or structure you felt were absolutely necessary to reposition the Commission for impact—and why were they your starting point?

When I first took on this role, I knew that the internal structure and mindset at NIMC had to shift towards greater efficiency and service delivery. My immediate focus was a culture and system overhaul. To achieve this, we had to work towards clearing a two-year backlog of payments to Front-End Partners (FEPs), 2.5 million enrolment requests backlog, deploying more mobile enrollment devices, and expanding the capacity of the National Identity Database from a 100 million to 250 million. These efforts were essential in rebuilding staff morale, cutting enrollment delays, and signalling that service delivery would drive our work. I also prioritised enhancing existing infrastructure to meet growing demands; recognising that improving internal operations and focusing on staff welfare would be key to creating a national identity system that truly serves the people. A motivated team with the right tools would be instrumental in reaching our goals.

Your 5-point agenda tackles everything from data harmonisation to access and inclusion.

Which of these pillars do you consider the most transformative for the average Nigerian, and how are you prioritising its rollout?

The five pillars of our agenda are deeply interconnected, each playing a crucial role in transforming Nigeria’s identity management system. Increasing enrollments and expanding the National Identity Database (NIDB) through special centres and self-service options are foundational, as they enable wider access to services. At the same time, data harmonization and integration across all MDAs ensures that Nigerians are accurately represented in government systems, improving planning and service delivery. These efforts are complemented by the issuance and activation of GMPC cards, which not only serve as identification but also facilitate access to a broad range of services, from financial inclusion to healthcare.

The impact of these initiatives is further amplified by G2P payments, ensuring that citizens can access critical government services through seamless verification with financial institutions. Our commitment to increasing public and private sector participation in using the NIN as a foundational data tool strengthens the integration of the system across all sectors. Through awareness campaigns, mandatory NIN enforcement, and monitoring, we are creating a nationwide ecosystem where the NIN is indispensable for accessing services, fostering financial inclusion, and supporting national development. Each pillar is vital, working in tandem to create a more efficient, inclusive, and accessible identity management system for all Nigerians.

Legacy institutions often resist rapid change. How have you managed to strike a balance between driving innovation and navigating the bureaucratic realities of a public sector organisation like NIMC? I paired innovation with strong governance to ensure sustainable progress. For instance, we introduced twofactor authentication and offline biometric capture, all while simultaneously updating the 17-year-old NIMC Act and aligning with the new Data Protection Act. These legal reforms not only reassured stakeholders but also laid the foundation for lasting change. I’ve implemented innovation in a phased, structured manner, ensuring that our initiatives align with the federal government’s broader priorities - the 8-Points agenda of

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President Bola Ahmed Tinubu. By securing support for digital systems and reforming internal operations, I’ve successfully navigated bureaucracy while driving technological advancements.

The harmonisation of government data has been a long-standing challenge in Nigeria. Can you walk us through how this integration is improving national planning and citizen access to services?

The integration of government data in Nigeria, particularly through the harmonization of NIMC with over 20 agencies like NPC, Nigeria Immigration Services, UTME and FIRS, has significantly improved national planning and citizens access to services. This collaboration has created a unified national database, enabling seamless data sharing across sectors like finance, health, and education. Key initiatives, such as the use of NIN for financial inclusion and secure payments have expanded access to services, while an upgraded verification platform ensures trust, data security and efficient service delivery. These efforts enhance governance, transparency, and social protection programs, supporting the development of a digital economy and better public service access.

You’ve consistently linked digital identity with financial inclusion.

What practical steps is NIMC taking to ensure the NIN becomes a true access point not just a regulatory tool, for marginalised or unbanked communities?

We are focused on increasing enrollment, with a target of having 95% of Nigerians captured in the NIDB by the last quarter of year 2025 including underserved populations through improved mobile enrollment and self-service options. The integration of the NIN into key public services such as the rice palliative distribution, enabling marginalised groups to benefit from government assistance, has yielded positive result and it is replicated in several other sectors. Ongoing collaborations at the sub national level with state governments to incorporate the NIN into residents’ registration systems is enhancing access to healthcare, education, and social support. Furthermore, we are leveraging the NIN to enhance financial inclusion by facilitating access to loans, grants, and financial services for underserved communities, ensuring equitable participation in essential financial systems. Through these efforts, NIMC is not only improving service delivery but also ensuring that the NIN acts as a key enabler of financial inclusion and access to vital services for Nigeria’s marginalized and unbanked populations.

How would you describe your personal leadership philosophy, especially in a role where you’re not only leading people but also redefining systems? How has this evolved throughout your career?

My personal leadership philosophy centers on fostering collaboration, embracing innovation, and ensuring inclusivity while navigating systemic changes. Throughout my career, especially in my current role, I have focused on driving reforms that not only address immediate challenges but also lay the foundation for long-term success. This includes a commitment to streamlining processes, enhancing technological capabilities, and improving service delivery. Over time, I have learned to balance strong governance with the need for adaptability, recognizing that change must be both sustainable and impactful. My approach has evolved from managing day-to-day operations to leading transformative initiatives that reshape systems, empowering teams, and creating solutions that benefit a broader community One of your early priorities was addressing internal inefficiencies and extortion. What specific culture shifts have you implemented at NIMC to boost morale, accountability, and service delivery?

In my response to the first question, I have answered most of this but for emphasis, I will restate them. To boost morale and accountability, I focused on fostering a culture of transparency and professionalism. Key measures included the implementation of two-factor authentication, the introduction of a grievance redress system, and ensuring prompt payment to Front End Partners (FEPs) to streamline operations.

Additionally, I established clear performance management frameworks and a feedback loop to empower staff, while promoting inter-agency collaboration and a zero-tolerance stance on corruption. These initiatives have led to a more efficient, accountable, and service-oriented workforce.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Innovation in public service is notoriously difficult. How do you encourage creativity and fresh thinking within a government structure that may be slow to adapt?

Encouraging creativity and fresh thinking within a government structure requires fostering an environment that embraces innovation and continuous learning. At NIMC, we have made a concerted effort to support creativity through capacity building by implementing regular training sessions, workshops, and retreats for staff to enhance their skills and foster new ideas. Additionally, staff are encouraged to share ideas we hold quarterly meetings with professionals within the media space to gather valuable feedback from the communities they cover. This helps ensure that our strategies are aligned with the needs of the public. By integrating modern technologies, expanding partnerships with key agencies, and focusing on inclusivity, we are able to create an atmosphere that supports innovative thinking and adapts to the evolving demands of governance.

You’ve accomplished a great deal in your career. When you think about your long-term legacy in public service, what are the markers of success you hope to leave behind?

The reality is we as Nigerians must fix our beloved country ourselves.

No one can do it for us.

I’m passionate about our great country Nigeria and this passion is the desire that fuels me on a daily basis to excellence. At NIMC, our citizens are at the core of our operations and this has set the right foundation that will continue to impact lives for generations.

A legacy built with the people’s best interests at heart. I’m blessed to be given the opportunity to be able to serve in this present administration under the brilliant leadership of His Excellency, The President of the Federal Republic of Nigeria, The Commander-inChief of the Armed Forces GCFR. In an age of data anxiety, many citizens worry about privacy and surveillance. How does NIMC protect user data, and what’s your response to those who are still hesitant to register?

At NIMC, we prioritize data security and privacy. We have implemented advanced security measures, including two-factor authentication, on-device deduplication, and offline biometric capture to ensure that citizens’ data is protected. We have also introduced a NIN authentication app that puts control over data privacy directly in the hands of citizens, in compliance with National Data Protection Regulations. We understand the concerns around privacy, and we encourage citizens to trust that their data is handled with the highest standards of security.

What would you say is the biggest misconception Nigerians have about the national identity system and how are you working to demystify it?

One of the biggest misconceptions about the National Identity System is that it is a complicated or unnecessary process. To address this, we have actively worked on simplifying the registration and verification processes through the deployment of over 800 mobile devices, upgrading our systems, and expanding our enrollment centers. We also run continuous public awareness campaigns to emphasize the ease and necessity of registering for a National Identity Number (NIN), which is crucial for accessing vital services across Nigeria.

From your perspective, what does a digitally inclusive Nigeria look like particularly for rural communities, informal workers, and vulnerable populations? Are we on the right path?

A digitally inclusive Nigeria means that everyone, including rural communities, informal workers, and vulnerable populations, can access essential services and participate in the economy through digital platforms. NIMC is working to integrate NIN into various services such as financial inclusion initiatives and government palliatives. We’re on the right path with the expansion of our services to remote areas, offering self-service options for NIN updates, and ensuring that vulnerable groups are included through gender and disability inclusion policies.

You’ve often spoken about shifting identity from being a formality to something functional. What everyday services or benefits should Nigerians start expecting from owning and

using their NIN? Owning and using a National Identity Number (NIN) opens up access to a wide range of services, from securing loans and grants to registering for exams and gaining access to health services. NIMC’s integration with the Bank of Industry, the Ministry of Health, and other government bodies has made NIN essential for receiving social protection benefits, financial inclusion, and identity verification for a variety of personal and public services.

Given Nigeria’s large informal sector, what strategies are in place to ensure that NIN registration and use are truly grassroots, accessible, and locally relevant?

To make NIN registration accessible to everyone, especially in the informal sector, we have partnered with state governments and local agencies to integrate the NIN into residents’ registration systems.

Additionally, we’ve deployed mobile registration units to reach remote areas, enabling informal workers to register easily. The introduction of the Pre-Enrolment App and the self-service options for data updates ensures that the system is user-friendly and accessible.

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Sunday, September 21, 2025 Vol. 22, No. 11086

You lead one of the most high-pressure agencies in the country.

On difficult days, what keeps you grounded and motivated to continue pushing for progress?

The progress we’ve made and the impact NIMC’s work has on improving governance, security, and access to services for Nigerians keeps me grounded. The desire to ensure that every Nigerian is captured in the national identity system motivates me daily, especially knowing that our work contributes to national development and supports the realization of the Sustainable Development Goal (SDG) 16.9, which aims for everyone to have an identity by 2030.

Your career spans across IT, telecommunications, oil and gas, and finance.

How has that multidisciplinary background shaped your approach to strategic thinking and national service?

My diverse background in IT, telecommunications, oil and gas, and finance has equipped me with a holistic view of how various sectors contribute to national development. This multidisciplinary experience has helped me approach strategic thinking with a focus on innovation, efficiency, and collaboration across sectors. It has also informed my leadership style, ensuring that NIMC’s goals align with the broader vision of inclusive economic growth and national transformation.

You’re part of numerous federal committees, boards, and councils. How do you manage working across so many verticals while maintaining clarity of purpose and focus on identity as infrastructure?

Managing multiple responsibilities requires clear prioritization and effective delegation. I ensure that my team is aligned with NIMC’s core mission while also contributing to the success of national initiatives.

By focusing on the long-term vision of NIMC’s role in national identity management, I maintain clarity of purpose and ensure that our efforts remain consistent across all sectors.

Was there a moment early in your career—or even in your personal life—that shaped your passion for digital systems, public service, or national transformation?

Early in my career, working with technology in various industries, I realized the transformative power of digital systems in solving complex societal problems. This understanding shaped my passion for using digital identity management as a tool for national development. The ability to improve governance, security, and public service delivery through digital systems motivated me to pursue a career in public service focused on transformation.

What advice would you give to young Nigerian women looking to break into leadership, especially in male-dominated sectors like technology, governance, and public infrastructure?

My advice to young Nigerian women is to remain resilient, seek knowledge, and embrace opportunities for growth. Leadership in male-dominated sectors requires perseverance, a strong work ethic, integrity and the courage to challenge stereotypes. Women can excel by leveraging their unique perspectives, building networks, and continuously improving their skills. It’s essential to stay focused on your goals and be open to learning from both challenges and successes.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

AYANFE OLARINDE ,29

THE NEW WAVE: NIGERIAN ARTISTS IN THEIR 20S Nigeria’s art scene has always been bold, but a new generation is taking it somewhere different. In their 20s, these young artists are experimenting with form, questioning traditions, and finding ways to make their voices heard on both local and international stages. They are painters, photographers, and multidisciplinary creators, each with a style that reflects the complexities of modern Nigerian life. Their work is unapologetic, playful, sometimes political, and always original. This is the new wave — eight artists shaping the future of contemporary Nigerian art.

SLAWN, 24

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OLAOLU AKEREDOLU-ALE, SLAWN

SELF PORTRAIT BY SLAWN

orn Olaolu Akeredolu-Ale, Slawn is a London-based Nigerian artist whose work sits at the crossroads of street culture and fine art.

Drawing from his Yoruba heritage and global influences, he fuses graffiti energy with Abstract Expressionist forms, creating playful yet pointed works that tackle politics, race, and identity. His creative journey began in Lagos at Wafflesncream, Nigeria’s pioneering skate shop, where he was immersed in an alternative scene that shaped his outlook. From there, he co-founded the streetwear collective Motherlan, before shifting his focus to painting during the London lockdown of 2020.

Slawn’s rise has been swift. His 2021 debut exhibition at Truman Brewery introduced audiences to his bold, cartoon-like figures layered with social commentary. By 2022, he was making waves at Sotheby’s “Contemporary Curated” sale, and a year later, he designed both the statuette and set for the Brit Awards — the youngest artist, and the first Nigerian-born, to achieve that honour. With a practice that connects skateboarding, streetwear, and fine art, Slawn embodies a generation of Nigerian artists breaking boundaries and rewriting the rules of what contemporary art can be.

A

yanfe Olarinde is a self-taught visual artist whose signature scribble technique has made her one of the most distinctive young voices in Nigerian contemporary art. Through chaotic lines layered with bursts of colour, she explores themes of identity, self-image, mental health, collective history, and the inefficiencies of modern society. Her scribbles, often described as “jaga-jaga” lines, are not mistakes but symbols of freedom, a deliberate embrace of flaws as part of the human experience. Olarinde’s approach is deeply personal, shaped by her own journey of self-acceptance.

“Emoting through the ranging thickness of my scribbling, I find harmony in jaga-jaga (crooked lines),” she notes, framing imperfection as a path to truth and discovery. This raw honesty gives her work a resonance that connects powerfully with a generation increasingly rejecting rigid standards of beauty and success. Currently living and working in Lagos, Olarinde has already exhibited in major Nigerian galleries, collaborated with international brands, and works under the mentorship of The Nlele Institute. She also maintains a professional relationship with renowned gallerist Jean-David Malat. With her scribbles evolving into a visual language of their own, Olarinde continues to push the boundaries of what portraiture and self-expression can look like in today’s art world.

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CHIDINMA NNOLI

CHERRY ARIBISALA

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IN BLOOM CHERRY ARIBISALA

hidinma Nnoli is a Nigerian painter whose work explores the relationship between the body, memory, and the spaces we inhabit. Her portraits often carry the weight of history and spirituality, layered with the pressures of gender and society, yet they pulse with vulnerability and strength. Using rich colour and atmosphere, she creates scenes that are both deeply personal and universally resonant.

Since earning her degree in Fine and Applied Arts from the University of Benin, Nnoli has shown her work in Lagos, London, and New York, with solo exhibitions like To Wander Untamed and When Will My Feet Catch Fire? establishing her as one of the most exciting young voices in Nigerian contemporary art.

Her paintings have also featured in group shows at institutions including the Seattle Art Museum and Blum & Poe in Los Angeles, bringing her perspective to a global stage.

Her practice has been shaped by international residencies and continues to attract critical acclaim, with features in The New York Times, Hyperallergic, and Vogue. Living and working in Lagos, Nnoli is part of a new generation of artists redefining how Nigerian stories are told through paint, blending the intimacy of WANDERLUST BY CHIDINMA NNOLI self-reflection with broader cultural critique.

CHINAZA AGBOR, 27

C I AM BECAUSE YOU ARE, BY CHIDERA BOSAH

CHERRY ARIBISALA, 25

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AEROPLANI O’DABO II BY AYAFE OLARINDE

CHIDINMA NNOLI, 27

CHIDERAH BOSAH, 25 hiderah Bosah is a self-taught contemporary artist whose journey began in childhood, sketching figures from books and comics with pencil on paper. What started as a pastime steadily grew into a passion, and later into a career. Today, the Port Harcourt–based artist has carved out a distinctive voice in Nigeria’s art scene, blending technical skill with a deep sense of storytelling.

For Bosah, art is more than aesthetic pursuit — it is a way of recording and communicating lived realities. He draws from his own experiences and those of his community, reflecting both the challenges and the triumphs of everyday life. This sense of responsibility has shaped his evolution from creating commissioned portraits to producing works with strong purpose and narrative.

Working across figurative representation, simplified realism, and portraiture, Bosah is known for his calm, pale-toned palette that gives his paintings a meditative quality. His work highlights the resilience and humanity of Africans on the continent, offering viewers both beauty and honesty. His paintings have been exhibited across Africa, Europe, and the United States, affirming his place as a contemporary Nigerian artist with global resonance.

CHIDERAH BOSAH

AYANFE OLARINDE

herry Aribisala is a Nigerian artist whose practice spans painting, drawing, and printmaking. Now based in London, she channels her love of colour and visual storytelling into works that are bold, expressive, and immediately engaging. Her paintings draw inspiration from comic books, contemporary figuration, and graphic imagery, blending illustrative brush marks with vibrant palettes.

For Aribisala, colour is more than an aesthetic choice — it is the driving force of her practice, pushing her work beyond realism into realms of heightened emotion and energy. Still early in her career, Aribisala has already begun shaping a signature style that bridges playful influence with thoughtful execution. Her art speaks to a generation raised on visual culture while carving out its own space in contemporary painting, marking her as one of the fresh young voices to watch.

hinaza Agbor is a painter whose bold, figurative work explores the intersections of memory, culture, and identity. Working primarily with oils and mixed media, she often places Black bodies at the centre of her compositions, reclaiming narratives and celebrating presence. Her canvases combine vivid colour with delicate detail, offering viewers a world where tradition and modernity coexist.

Agbor studied Fine and Applied Arts at the University of Benin before moving into the professional art scene, where she has quickly become recognised for her distinctive visual language. Her work has been shown in Lagos and internationally, including exhibitions at Rele Gallery, Untitled Miami, and venues across Europe. Each show has reinforced her reputation as one of the most exciting emerging Nigerian voices in contemporary painting.

Through her practice, Agbor interrogates how history, migration, and heritage shape personal identity. At just her mid-twenties, she has already established herself as part of a new generation of artists carrying Nigerian art onto the global stage, blending technical skill with storytelling that resonates far beyond the canvas.

CHINAZA AGBOR

THE LADY CHINAZA-AGBOR

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

UNDERRATED NIGERIAN DESTINATIONS BEYOND LAGOS AND ABUJA

THE WIG INVESTMENT GUIDE TO MAKING YOUR LUXURY HAIR LAST

Yankari National Park, Bauchi

For those seeking wildlife, Yankari remains Nigeria’s most popular game reserve.

Elephants roam freely here, along with baboons, antelopes, and countless bird species. The Wikki Warm Spring inside the park is an added treat, perfect for a soothing swim after a day of exploring.

Erin Ijesha Waterfalls, Osun

Also known as Olumirin Waterfalls, Erin Ijesha is made up of seven layers of waterfalls, each more stunning than the last. It’s a favourite for adventurers ready to climb up to the higher levels, with refreshing water and natural beauty at every turn.

When people talk about travel in Nigeria, Lagos and Abuja usually take the spotlight. Lagos with its buzzing nightlife, beaches, and endless social scene, and Abuja with its calm, well-planned layout. But Nigeria has far more to offer. Away from the usual hot spots are destinations rich in nature, culture, and history that don’t always make it onto travel lists, yet leave lasting memories for those who visit.

Year after year, wigs and premium hair bundles are becoming more than just beauty choices. For many women, they are luxury items and, in many cases, investment pieces. A high-quality wig can cost as much as a designer handbag, but with the right care, it can last for years and still look brand new. Some women even resell their wigs, proving that human hair carries real financial and style value. The truth is, price alone doesn’t guarantee longevity. Without proper maintenance, even the most expensive wig will shed, tangle, or lose its shine too quickly. On the other hand, consistent care can extend the life of your hair to three, four, or even five years. Maintaining your wigs isn’t just about vanity it’s about protecting your money and holding on to the confidence that comes with stepping out in flawless hair.

Ikogosi Warm Springs, Ekiti

Nature lovers will find Ikogosi fascinating for its rare phenomenon: warm and cold springs flowing side by side without mixing.

The lush greenery surrounding the area makes it a great spot for relaxation, picnics, and exploring local folklore tied to the springs.

By Funke Babs-Kufeji

HERE’S HOW TO KEEP YOUR INVESTMENT HAIR IN TOP CONDITION: Wash with Care

Use sulphate-free shampoos and conditioners. They’re gentle on the strands, help maintain shine, and prevent dryness. Wash in lukewarm water, working the product through carefully. Avoid rough scrubbing; instead, detangle slowly with your fingers or a wide-tooth comb to prevent shedding.

Kajuru Castle, Kaduna

Straight out of a European fairytale, Kajuru Castle is a medieval-style fortress sitting in the heart of Kaduna. Built by a German expat in the 1980s, it comes complete with turrets, a moat, and dungeons. The castle is perfect for private group getaways, offering both mystery and romance.

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Air Dry, Don’t Fry

Obudu Mountain Resort, Cross River

Perched high on the Obudu Plateau, this resort is one of Nigeria’s most breathtaking escapes. With cool weather, rolling hills, waterfalls, and a cable car that offers sweeping views of the landscape, Obudu feels like stepping into another world. It’s a haven for hikers, nature lovers, and anyone looking to swap city noise for fresh mountain air.

Heat can shorten the life of your wig.

After washing, pat gently with a towel to remove excess water, then place it on a wig stand to air dry. This helps preserve the shape and keeps the strands smooth.

Heat Styling in Moderation Human hair can handle hot tools, but frequent straightening or curling causes damage. Always apply a heat protectant and try alternatives like rollers or flexi rods for curls without stress.

Store Properly

Never dump your wig on a dresser.

Place it on a mannequin head to retain its style, or keep it in a satin-lined bag when travelling or storing long term.

Moisturise Lightly

Like natural hair, wigs need hydration.

Apply a light leave-in conditioner or nourishing oil such as argan or jojoba. A little goes a long way over moisturising leaves hair greasy and heavy.

Be Gentle with the Lace

The lace is delicate, so handle it with care. Avoid tugging or rough brushing near the hairline. When removing glue, use a proper adhesive remover instead of pulling, which can damage the frontal.

Book Professional Care

Every few months, take your wig for professional maintenance. A stylist can deep-clean, steam, or restyle it, refreshing the hair in ways at-home care cannot.

Rotate Your Collection If you own multiple wigs, switch them up. Rotating reduces wear and tear and gives you the bonus of variety for different occasions.

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Sunday, September 21, 2025 Vol. 22, No. 11086

Sunday, September 21, 2025 Vol. 22, No. 11086

Think About Colour

A bold sofa in emerald green, cobalt blue, or mustard can bring energy to the room, while neutrals like beige, grey, or cream provide flexibility for changing accessories. If you are someone who likes to update cushions, rugs, and throws often, a neutral sofa will give you more freedom.

If you prefer your sofa to carry the personality of the room, go for colour. Either way, be mindful of the natural light in your space; dark colours can make a small room feel more intimate, while light colours open it up. EMERALD GREEN, COBALT BLUE, OR MUSTARD SOFA

Size and Layout Matter

No matter how beautiful a sofa looks in the showroom, it needs to

fit your space. Measure carefully before you buy, considering not just the wall it will sit against but also how people will move around it. Sectionals are perfect for large families or open-plan living, while two smaller sofas facing each other work well in formal settings. In compact apartments, a loveseat paired with accent chairs might make more sense than an oversized three-seater. Always think about flow: your sofa should anchor the room without overwhelming it.

Comfort Above All

Style matters, but comfort is what will make you love your sofa years down the line. Sit, stretch, and even lie down on options before deciding. Check the depth of the seat — too

shallow and it will feel stiff, too deep and it may swallow you up. Cushions should strike the right balance between firm and inviting. A sofa is an investment, so do not compromise on how it feels.

Layer with Accessories Once you have chosen your sofa, dress it up. Cushions, throws, and side tables can change its look with the seasons or your mood.

A neutral sofa becomes instantly striking with patterned cushions, while a bold-coloured sofa can be softened with textured throws.

These finishing touches make your sofa not just a piece of furniture but part of the story of your home.

Think About Colour

1. Start with Style

Velvet Sofa

HOW TO CHOOSE A STATEMENT PIECE THAT ANCHORS YOUR SPACE When it comes to decorating a living room, most people start with paint colours, rugs, or artwork. Yet it is often the sofa that does the real heavy lifting. More than just seating, a sofa is the anchor of the room. It sets the tone for your style, dictates how the space flows, and creates the comfort that turns a house into a home. Choosing the right one is less about following trends and more about finding a piece that reflects your personality while standing up to daily life.

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Your sofa should feel like an extension of your taste. A clean-lined sectional instantly reads modern and minimal, while a tufted Chesterfield adds drama and tradition.

Mid-century silhouettes with wooden legs create a sense of understated elegance, while oversized, sink-in sofas bring a casual and relaxed vibe. Look around your space: if your décor is already bold, a neutral sofa might balance it out. If the rest of the room is simple, a statement sofa in velvet or a striking colour can become the focal point.

Oversized Sink-In Sofas

2. Consider Fabric and Texture

Linen Sofa

The fabric you choose is just as important as the shape.

Velvet gives a sense of luxury and depth, while linen feels breezy and laid-back.

Leather adds edge and ages beautifully, but it also requires a certain level of care. For families with children or pets, performance fabrics that resist stains and wear are worth the investment. Do not overlook texture: even a neutralcoloured sofa can stand out if the fabric has a rich weave or tactile finish.

Tufted Chesterfield

Sectional Sofas

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Sunday, September 21, 2025 Vol. 22, No. 11086

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