THURSDAY 1ST MARCH 2018

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Ahead of SSCE, Dapchi Final Year Students to Relocate to Nguru NSA inaugurates probe panel on girls’ abduction, FG directs IG, NSCDC boss to relocate to N’East UN expresses outrage over kidnapping Paul Obi and Ogheneuvede Ohwovoriole in Abuja with agency report Final year students of the Government Girls’ Science and

Technical College (GGSTC), Dapchi, Yobe State, will be temporarily relocated to Government Girls’ Secondary School (GGSC), Nguru, in the same state, to enable them

prepare for the forthcoming Senior Secondary School Certificate Examination (SSCE), the Yobe State Commissioner for Education, Mr. Mohammed Lamin, has revealed.

Disclosing this yesterday in Damaturu, the state capital, he said the state government was making arrangements to transfer the SS3 students to GGSC, Nguru, to prepare

for their exams coming up between March and April. “We are right now making arrangements for the SS3 students to take them to GGSS Nguru, to prepare them for

their examination which is coming up in March-April. “The practical aspect of their exam will start around Continued on page 6

IMF: With Economic Policies, Nigeria Will ‘Muddle Through’ in Medium Term‌ Page 48 Thursday 1 March, 2018 Vol 23. No 8351. Price: N250

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Ex-CBN Deputy Governor, Moghalu Declares Presidential Bid‌ Page 50

We Were Not Expecting Full Support, Says Oyegun on Opposition to Tenure Elongation PDP: Your party’s confusion exposes failure of Buhari’s presidency Senator Iroegbu in Abuja As the air of uncertainty continues to pervade the declaration of tenure extension

for the elected and appointed officials of the All Progressives Congress (APC) at all levels, the National Chairman of the ruling party, Chief John Odigie-

Oyegun has said the party was not expecting everyone to tag along with the National Executive Committee (NEC), saying people were entitled

to support any cause they believed in. During the meeting of the NEC of the APC on Tuesday, its members had, without an

amendment of the party’s constitution, voted in favour of the tenure elongation by 12 months for all the executives of the party at all levels.

Citing Article 13 of the APC constitution, which empowers the NEC to carry out the Continued on page 6

Enwonwu’s Tutu Sets New Record, Sells for £1.205m

Okechukwu Uwaezuoke

Tutu, the long-lost portrait by Ben Enwonwu of the Ife royal princess Adetutu Ademiluyi – described by Booker Prize winning Nigerian novelist, Ben Okri as Africa’s “Mona Lisaâ€? – set a new record for the artist’s work at an auction, selling for ÂŁ1,205,000 (N520.2 million, 1.4 million euros, $1.7 million) at Bonhams Africa Now sale in London yesterday. Before the auction, Bonhams had set an estimate of ÂŁ200,000-300,000 for the painting. The auction, which was broadcast live to a Bonhams auction event at The Wheatbaker Hotel in Lagos, in a pioneering move which allowed bidders participate in the auction in real time, kicked off at about 5 pm in London and started broadcasting live to the Lagos participants at

6 pm. Expectedly, the identity of the winning bidder was not disclosed. The record-breaking painting, which was one of the three original versions of Tutu painted by Enwonwu, was produced in 1974. According to Neil Coventry, the Bonhams Lagos coordinator: “It is a well deserved prize for a well renowned artist.� Enwonwu, who was influenced by the Negritude after his encounter with its key actors at the first Congress of Black Writers and Artists in Paris, held in 1958, was known for his brazen romanticisation of the African womanhood. The painting depicts a coffee-complexioned damsel with her back half-turned to the viewer. She strikes a regal pose in her traditional Yoruba attire. Aficionados believe

that Enwonwu’s interest in her must have been elicited by her straight narrow nose and thin lips – features which are not normally associated with the Negroid race. The maiden, who could easily have passed for a Fulani girl, was none other than Adetutu Ademiluyi, a member of the Ile-Ife royal family. She was, as the late Nigeria’s iconic artist would later discover, the granddaughter of the then O’oni of Ife. This encounter, which took place sometime in 1973 when Enwonwu was on a visit to the Yoruba monarch’s palace, paved the way to the production of the paintings. His bid to get Adetutu to sit for a portrait was at first not enthusiastically considered by her parents. But the latter’s reluctance soon caved in to Continued on page 47

Tutu... Enwonwu's masterpiece was missing for 40 years

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