Volume 127, Issue 3

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Volume 127, Issue 3

Stumbling home since 1895

September 27, 2018

The Xaverian Weekly The Xaverian Weekly

News: Joseph Khoury Interview...

Opinions: Contruction Woes...

A&C: Art Gallery Review...

S&H: StFX Hall of Famer ...

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News The Xaverian Weekly

XAVERIAN SeptemberWEEKLY 27, 2018 Volume August127, 30, 2018 Issue 3 Vol. Our 127;Team: Issue 1 OUR TEAM Editors-in-Chief: Editors-in-Chief: Bowen BowenAssman Assman and and Yanik Yanik Gallie Gallie

Thursday, September 27, 2018 Editor: Evan Davison-Kotler

Open contributor meetings are held Sundays at 6:00pm in the

xw.news@stfx.ca

newsroom. Newsroom located in Bloomfield Centre 111D.

Acadia Pregnancy Support - Revoked Group expelled from Acadia Students’ Union Addy Strickland Staff Writer

Managing News Editor: Editor: Phillip Elzein

Evan Davison-Kotler

Recent news has brought Acadia University into the Opinions Editor: Caleb MacIsaac spotlight. On September 1, the News Editor: Acadia Students’ Union (ASU) Evan Features Davison-Kotler Editor: Lewis MacLeod revoked the society status of Acadia Pregnancy Support Opinions Arts & Community Editor: Editor: Salome (APS) after allegations that the Barker group was handing out anFeatures Editor: ti-choice propaganda to clients Distractions Editor: Kenneth considering abortion. Arts Doiron & Community Editor: Salome In speaking with the CBC, Barker fourth year student Kendall Sports & Health Editor: Kathleen Jones shared her experience Distractions Haggarty Editor: seeking support from the group. In 2015, worried she was Sports Photographers: & Health Editor: Kathleen Nora pregnant, Jones found the AcaHannah Peters dia Pregnancy Support office Senior Phoebe Reporters: Cseresnyes in the ASU. Dayna Smockum She was only looking for a Staff Writers: pregnancy test, but when she Staff Melissa Writers: Aycock revealed that she would likely Addy AddyStrickland Strickland consider abortion an option if it Melissa Bailey Aycock DeEll came back positive, she was Ashley AshleyFullerton Fullerton handed a pamphlet outlining Kaitlin Douglass Dryden Hook abortion risks instead. APS, led by students but Photographers: General inquiries: xw.eic@stfx.ca funded by the Valley Care Nikan Advertising: Ghafari xw.advertising@stfx.ca Pregnancy Centre, advertised ________________________________ itself as providing “love, accepWeb Developer: tance and non-judgmental supABOUT US to print submitted port” to students. Christian in Distributions The Xaverian Weekly Manager:material and to their constitution, the group is the official student edit submissions claimed to serve all people, and General newspaper inquiries: of Saint xw.eix@stfx.ca for length and/or invite all people to participate. Advertising: Francis Xavierxw.advertising@stfx.ca Unistyle. The Xaverian Their services included free versity. The Xaverian Weekly will not pregnancy tests and support The Weekly Xaverian is published Weekly is the print official material student that is for students “carrying their newspaper on Thursdays of Saint by The Francis racist, Xavier misogynistic, Univerpregnancy to term” while consity. Xaverian The Xaverian Weekly Weeklysexist, is published homophobic, on tinuing education. Despite alleThursdays Publications byBoard, the Xaverianand/or Weekly libellous. Publicagations, Bill Davenport, directions and isBoard. editorially and is editorially OPINIONS autonomous. tor of the Valley Care autonomous. Opinions expressed Pregnancy Centre, is adamant The The Xaverian Xaverian Weekly is a in proud The member Xaverianof that “Acadia Pregnancy Supthe is a Candian proud member University Press. Weekly Nort areAmerica’s those port has nothing to do with largest of the Candian cooperative Uni-of student of the newspapers. author and abortion.” FREE versityMedia Press,isNorth Xaverian Weekly’s do not necessarily national Davenport also says that the adveritising America’s largest agency. reflect those of The group’s expulsion from the cooperative of Xaverian Weekly ASU is “just really sad.” The The student Xaverian newspapers. Weekly’s production or The Xaverian nd distri- group was supposedly workMultimedia Coordinator:

bution FREE Media take place is The in Mi’kma’k, Weekly thePublications ancestral and Xaverian unceded Weekly’s terriorty of the Board. Mi’kmaq people. national adveritising COPYRIGHT agency. All materials appearSUBMISSIONS The Xaverian ing in The Xaverian The Weekly’s Xaverian production Weekly welcomes Weeklysubmissions are copyright of and articles, distribution letters,take photos,to and their graphics. creator(s) Submissions place in Mi’kma’ki, must be received and may by Saturday not be used at 3pm the ancestral the weekand prior to publication. without permission. Submissions unceded should terriorty be send of to xw.eic@stfx.ca CONTACT US or to the the relevant Mi’kmaqsection people.editor.Twitter: @xaverianSUBMISSIONS weekly Our The Xaverian editors reserve the right Instagram: to refuse@xaverito Weekly print submitted welcomes material anweekly and to edit submissions submissions for of length and/or Faceboook: style. The @xaveriXaverian articles, letters, Weeklyphowill not anweekly print material that is tos, racist andmisogynistic, graphics. sexist, Spotify: homophobic, thexaverianor Submissions libellous. must be weekly received by Saturday www.xaverian.ca OPINIONS at 3pm the week FIND US Opinions prior to publication. expressed in Xaverian Room 111D, WeeklyBloomare those Submissions of the author shouldand dofield not Centre necessarily reflect be sentthose to xw.eic@ of the Xaverian 902-867-3732 Weekly or the Xaverian stfx.ca or Weekly to the relePublications PO Box Board. 924 vant section editor. StFX University COPYRIGHT Our editors reserve Antgonish NS, B2G All the materials right to refuse appearing in2W5 Xaverian Weekly are copyright to their creator(s) and may not be used without permission.

The Xaverian Weekly

ing to create a proposal for childcare on campus - something Acadia is, unfortunately, lacking. Davenport also suggested that the group’s raison d’être was spurred from a lack of available resources for students, though in speaking to some of the school’s current students, it is evident that Acadia does have many other resources that strive to support students through pregnancy. According to staff and students, the Women’s Centre, as well as the Dennis Clinic and Counselling Centre, both offer services to support students dealing with pregnancy while at school. Acadia student Sophie Chambers states that though she never accessed the group’s services, she’s “really ashamed” of the allegations that have been tied to it, and how they reflect on the school. “Acadia is such a welcoming and accepting school,” she said, and Acadia Pregnancy Support “did not carry that standard into their group.” Chambers and Jones are only two of many students who opposed the group’s position on campus. According to an article published by the CBC, the ASU’s former executive had received a number of complaints, prompting them to reach out to this year’s acting president, George Philp. Philp has refused to speak to The Xaverian about the matter, though he has previously stated that the ASU is “investigating the matter,” and other sources have confirmed that the group has been stripped of its designation as an internal organization. Students weren’t alone in their concerns. According to

Dr. Zelda Abramson, Associate Professor of Sociology at Acadia University, ever since the group first appeared on campus “there was deep concern among many faculty members that counselling for pregnancy should not be from an anti-choice ideology.” Though the group offered reassurance that all options would be available to students seeking their services, Abramson says that this was not the case. Looking at stories like Jones’, this becomes all the more evident. On top of the group’s supposed false advertising, the medical information that it provides is, according to a number of experts, questionable at best. Dr. Sarah Rudrum, Assistant Professor of Sociology, points out that the group’s materials “include medically inaccurate information about abortion that focuses on risks and fails to identify how to access abortion services.” She also brings up a valuable point about client safety, sharing that “providing quasi-medical services such as testing and counselling can lend a sense of legitimacy, but pregnancy centers are not clinics and are not subject to the same checks and balances that govern medical service provision.” Dr. Robyn MacQuarrie, a gynecologist in Bridgewater, Nova Scotia, agrees. Pamphlets given out to students like Jones included information citing abortion as a factor increasing a woman’s risk of breast cancer, which MacQuarrie says is not medically accurate. MacQuarrie shared with CBC that Valley Care, where Acadia Pregnancy Support

sources their information, shares more information and studies referenced by anti-abortion organizations than from trustworthy medical organizations such as the National Institutes of Health. Despite having been expelled from the ASU, the Acadia Pregnancy Support Group remains active online and on campus. Davenport shared that his team had recently surveyed students to gauge interest in participation and claims that 50% of students surveyed were interested in joining the group; the other 50% of respondents cited lack of free time as reason for not getting involved. The group currently has no returning members from previous years. StFX Health and Counselling would like to assure students that should they need support, they can find nonjudgmental, confidential services here on campus. Margaret McKinnon, director of Health and Counselling, shared the following statement with The Xaverian Weekly: “At the StFX Health and Counselling Centre, students’ health and wellbeing are our greatest priority, including when students come to us because of unplanned pregnancy. Our services are inclusive and nonjudgmental, and we ensure that students receive accurate information about all their options, so they can make informed decisions about their health care. We provide the highest standards of care at the Health and Counselling Centre, and we support and protect students’ rights to respect and dignity, regardless of their health care choices.”


News

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U.S. Justice Department Investigates Tesla A reminder to be careful when posting on social media Evan Davison-Kotler News Editor

The U.S. Justice Department has opened an investigation into the car manufacturer Tesla, after billionaire chairman and CEO Elon Musk shared plans of taking the company private over Twitter. In a tweet posted at 12:48pm ET on August 7, Musk said: “Am thinking of taking Tesla private at $420. Funding secured.” At a price tag of $420 per share, a private buyout would result in a 16% premium on shares prices at the time of the original tweet. After questions regarding current shareholder ownership began to flood throughout the Twitterverse, Musk fired-off a second tweet: “All current investors remain with Tesla even if we’re private. Would create special purpose fund enabling anyone to stay with Tesla. Already do this with Fidelity’s SpaceX investment.” During the following two hours, Tesla stock proceeded to climb higher and higher on the tailwinds of the tweet, be-

fore NASDAQ officials halted trading at 2:08pm ET. Trading halts generally occur when a publicly traded company is going to release important news about itself, and generally lasts for a period of an hour. The halt provides market participants with the opportunity to assess the significance and impact of the news. According to the Security and Exchange Commission’s (SEC) website, a second type of halt occurs when there is uncertainty whether a security continues to meet the market’s listing standards. Given that the halt on Tesla trading occurred two hours after the unexpected news was announced, it did not fall under either of these situational guidelines. As reported by MarketWatch, many investors who were actively trading at the time of the news felt disadvantaged by the lack of clarity and information surrounding the announcement. Once trading resumed at 3:45pm ET, Tesla shares jumped 10% before closing at $379.57, 9.5% higher than their opening price. The unexpected tweet and subsequent market fluctuation

resulted in more than a few ruffled feathers. The SEC moved swiftly and served Tesla with a subpoena within days of the tweet; a subpoena from the SEC generally requires approval from top officials, indicating that the tweets by Musk were being taken seriously. At the time of this writing, the SEC has indeed opened a civil investigation into the company and their plans for privatization. Throughout the following days, it became more apparent that Musk’s “funding secured” was far from the truth. In a blog post published by the billionaire entrepreneur, Musk explained that a Saudi sovereign wealth fund had expressed interest in a bid to take Tesla private. According to Musk he’d had several meetings with the Saudis, each one more reassuring then the last. On August 24, however, he announced that he would be heeding shareholders concerns regarding the private buyout and abandon the endeavour. In addition to the SEC, shareholders also took action against Musk - by August 10, a class-action lawsuit spear-

headed by short-seller Kalman Isaacs had been filed against Musk and Tesla on behalf of all investors who bought shares after the tweet. Isaacs alleges that the tweets were intentionally fraudulent, in an attempt to punish those who had shorted the company by sending stock prices soaring. It’s worth noting that Isaacs was indeed short at least 3,000 shares of Tesla and sold them in a panic once the stock price hit $376. A SEC investigation and class-action lawsuit would be enough to send any company into an all-hands-on-deck damage control frenzy; however, we appear to have only touched the tip of the iceberg. Early last week, Tesla confirmed the U.S. Department of Justice had contacted the company following Musk’s tweets: “Last month, following Elon’s announcement that he was considering taking the company private, Tesla received a voluntary request for documents from the DOJ and has been cooperative in responding to it,”. While the Department of Justice investigation is still in its early stages, a criminal in-

vestigation does not bode well for any company. As reported by Bloomberg, former Department of Justice prosecutor Paul Pelletier was quoted saying: “Criminal investigations are never good if you’re a public company because they open up a Pandora’s box and prosecutors will follow threads wherever they lead,” Tesla has reassured the public that they are cooperating with the DOJ have not received any subpoenas, although general DOJ inquiries and queries have been fielded by the management. While there is no guarantee that the DOJ’s investigation of Tesla will lead to charges being pressed, experts have warned that the investigation could last for months. Time will tell whether the recent revelations have a lasting impact on Tesla’s success and growth. For a company which has recently haemorrhaged cash over botched Model 3 production automation, anything which detracts attention from their ability to produce vehicles should warrant caution and swift restorative action.

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Thursday, September 27, 2018

The Xaverian Weekly

Joseph Khoury Interview Professor at StFX now editor of Tudor and Stuart Book Series Yanik Gallie Co-Editor-in-Chief

Joseph Khoury was interviewed by Yanik Gallie on September 19, 2018. Khoury is editor of the Tudor and Stuart Book Series at The Centre for Reformation and Renaissance Studies (CRRS). The CRRS is a part of Victoria University at the University of Toronto and is governed, under the leadership of its Director, by faculty committees linked to each other in the Centre’s activities: library collections, academic programs, early modern programs, and scholarly publications. Joseph Khoury is Associate Professor of English at St Francis Xavier University. He studied Political Philosophy and Comparative Literature and specializes in Machiavelli, Marlowe, and Shakespeare. Joseph also teaches, and has published on, the Arabic Novel. His critical edition of Barnabe Riche’s The Adventures of Brusanus, Prince of Hungaria (1592), a political romance used as a source by Shakespeare in several of his plays, has garnered highly favourable reviews. He is currently working on a monograph on Machiavelli and his influence on Shakespeare. Joseph has published articles on Machiavelli, Marlowe, Shakespeare, Aimé Césaire, and William Thomas (tutor to Edward VI). Joseph is involved in theatre and in 2015 served as Juror for the Governor-General’s Literary Prize (English Non-Fiction). Joseph received the Outstanding Teaching Award in 2016. *** YG: Why is the preservation of history and culture important today? JK: I think it’s always important to preserve history and culture. We often discover that some of the stuff that was preserved has been suppressed and that’s not good. If you want to learn the truth about some-

thing, you have to make sure it’s available. Some of these books may not have been suppressed, but certainly they had their use at the time; Sometimes they are just forgotten. There may not have been many of them printed. Some were only printed in manuscript for example, that would have circulated widely. We know that a lot of books, poems, literature of different kinds like political tracts or biographies, were only circulated in manuscript. Some of them have never been printed, ever. If one could show that a manuscript was important, how it was important and how influential it was, therefore, now it’s time to print it so that today’s scholars have access. To be a part of that process is exciting. Just to give you an example of an important book that circulated only in manuscript is George Cavendish’s The Life and Death of Cardinal Wolsey. That manuscript was circulated widely, but I think it’s first printing was over a hundred years later and that’s important because it gave us a lot of insight about the relationship between Cardinal Wolsey and Henry. Obviously, it circulated enough back in the day that Shakespeare used it in his co-author play Henry VIII. Making sure that some of those documents are available to us today is significant. Students certainly can stand to benefit from it because they are on the verge of making discoveries, if their professors bring these into the classroom and that’s always exciting. YG: Have you worked directly with those manuscripts? JK: I have worked with some manuscripts. Obviously, I wouldn’t be the only one. I would rely on the scholars to make the case that a particular book should be published. I already have several inquiries. One from England, another from the US, and a third from Canada. Each of them has to make their case. Some books I

have heard of before, others I haven’t. One in particular, and I can’t specify right now because it’s still in progress, is an interesting work written by a woman. It’s a sixteenth century text that has never been made available before. It gives us historical perspective on some important events. That would be really, really exciting, if we can make the project happen. Especially for the scholarship today that makes sure all the voices are brought to the floor. YG: When a manuscript goes to print, I imagine there are discrepancies in the text between the original and reproduction. How do you honor the original text? JK: We want to make sure the books are readable which means that we modernize the spelling and grammar very conservatively. We don’t want to change the tone or the ideas that are presented. Modernize the spelling to be consistent because they did not have consistent spelling, grammar or punctuation in those days. If you play with the text too much, you destroy the meaning and the tone. Tone is very important. Meaning also happens through tone and we don’t want to destroy that, but we want the text to be readable. That’s always difficult to weigh. Sometimes, I’m not sure about this word or this sentence. You take your best shot, but then you note it by saying this is the original. You try to keep those at a minimum, but sometimes you have no choice. We have lost words whose meaning is not the same anymore. A lot of words have a changed meaning now, some of them mean the opposite as they used to. A lot of those words would be glossed. We have to do that, because you don’t want to misunderstand the text because the meaning has changed. We don’t want to get in the way of the reading, but at the same time we make sure that a modern reader under-

stands. Natural language changes daily and we must accept that, but at the same time be aware of it. YG: Can you describe your comparatist philosophy? JK: I firmly believe that we know ourselves only through comparison. That’s Hegelian, of course. I think it’s correct. In other words, if we don’t try to understand ourselves by comparing to other people, then we would never truly understand ourselves or the other people. The same goes with literature. In literature, the idea of a national literature is a modern concept. It was actually born in the 19 century. Before that, we would study all literature including Greek, Roman, French and German. It’s only in the 19 century and made worst in the 20 century in North America largely with unilingualism which I think is a sad case. Most of the world is at least bilingual, trilingual, quadrilingual. I think reading and understanding literatures of other cultures helps us to understand ourselves and the other. In a way, we’re going back to the Renaissance when this was the norm. All the educated people in the Renaissance read Italian, Latin, I mean queen Elizabeth was fluent in all the languages of the realm and in addition, she knew Greek, Spanish, Italian and Portuguese. Basically, she knew 10 languages. Trying to work with different languages of various cultures is really important. It builds healthier relationships and more understanding. Comparative literature allows us to understand ourselves by comparing cultures. Other cultures have something to teach us. I think it’s the nature of humanity. It’s only in the 19 century that universities started to focus on national literature. I’ve never accepted that. I’m proud to be a comparatist and that’s how I teach as well. My work has always focused on comparative literature and philosophy. I look at how ideas travel to oth-

er cultures or when they come to our home culture, how are they adopted? I’ve always found that interesting because it tells us a lot about ourselves and how we see others. This work as editor does the same thing. A lot of writers in the Tudor and Stuart ages, they borrowed a lot of ideas. Some of them translated other works into English, but they made so many changes that they produce, not only a new work, but also a new way of looking at the original work. Why did they choose to alter? Why not? It tells us about how we look at ourselves and others. Sometimes they had a lovehate relationship with language. They adored Italy, but they also hated Italy. They adored Italy’s literature and philosophy, and then hated its religion, in England especially after the break from Rome. They also fancied its fashion, yet they mock it at the same time. They’re doing it better, but we don’t want to admit that they’re doing it better than us. Again, they give us new perspectives to think about. We forget that almost a third of Shakespeare’s plays are set in Italy. The setting says something. That’s one of many examples. It’s interesting that the earliest sonnets were actually translations of Petrarch’s sonnets. Yeah, they’re new poems, they’re not just translations. The interpretations were so beautiful that they are their own poems in their own right. The comparative element is exciting, but that was the natural thing for the Renaissance. Today, we think we are doing something new that they have already been doing. For me, it’s my natural home. I’ve always been a comparatist and I find it interesting.

Photo: Blaise MacMullin


Opinions

Opinions

5 Editor: Caleb MacIsaac xw.opinions@stfx.ca

Construction Woes The impact of revitalizing campus Melissa Aycock Staff Writer

Chances are, you’ve encountered one of the many construction projects on campus already. While it may not seem incredibly disruptive, the number of ongoing projects over the next few years are sure to have an impact on such a small campus. Among the projects that the university is currently pursuing is the construction of the Mulroney Institute of Government, and the renovation of the Oland Centre and Nicholson Tower. The ambitious Xaverian Commons project also includes building the StFX Ceremonial Flag Plaza and the Centre for Health Innovation over the next couple of years. Despite the advantages to updating campus infrastructure, is it

worth going through the chaos of construction? One of the immediate impacts of all the ongoing construction projects is the amount of noise they produce. Unfortunately, the heavy machinery involved and the general process of creating a building means construction is rarely a quiet process. That noise can prove to be distracting for classes and offices surrounding the construction areas. Not to mention, the loud intermittent clangs from the construction areas don’t always inspire confidence in the final product or the safety of those areas. Navigating around campus has become a constant guessing game while the construction is underway. Moving between classes now means figuring out how to efficiently get through closed roads and manoeuvre between upper and

lower campus, among other things. The construction at StFX makes campus less accessible, an issue the university already struggles with. Those who drive face difficulties during construction as well, including limited parking space. Already scarce parking spots are being enforced with parking passes for the second year in a row, adding another factor to keep track of for those commuting to campus. Furthermore, it’s more difficult to drive through campus with the ongoing construction projects, especially those blocking portions of the road in the middle of campus. Construction is causing havoc in terms of class and office locations. Classrooms have been created in almost every building on campus, which are not always the most accommodating to technology or learn-

ing in general. Some faculty and staff offices have been moved twice over the last year, with another move to come when Nicholson Tower reopens, disrupting their capacity to get work done on campus. The construction doesn’t come without financial costs. This is the first year that a $125 fee has been added on student accounts to fund the new Fitness Centre. The fee was subject to a referendum last year, and the expansion is a welcome project for the Oland Centre; on the other hand, this new fee will be paid over the next 10 years, which means current and future students will feel the impact on their bank accounts over their time studying at StFX. Many senior and junior students won’t get to see the final product of the construction projects, even though they’ve

funded part of them through tuition fees. It may be only eight more months until the Mulroney Institute opens for most people on campus, but not all. While there’s always the chance to see the changes by coming back for homecoming, it might make dealing with the effects of construction a bit more justifiable if upper year students got a glimpse of the final product before graduating. Construction on campus causes many headaches, especially as students begin to settle into the routines of the academic year. Hopefully the inconveniences will be worth the investment the university is making into updating and beautifying campus; but until the projects are finished, it might be worthwhile to invest in a hard hat to get in the spirit of the challenges facing construction on campus.

The Internet Blamed Ariana Grande for Mac’s Death Calling out the trend of blaming women for the addictions of men like Mac Miller Ashley Fullerton Staff Writer

On September 7, Mac Miller died from an overdose. Although I was not a fan of the rapper myself, I absolutely knew of his existence and his place in pop culture. Listening to his albums after his death, one thing is abundantly clear; his appeal comes from the nostalgic feelings a lot of his songs bring. His 2018 album Swimming is a perfect example of this. Swimming will surely become one of my go-to ‘rainy day’ albums. In particular, I really enjoyed the tracks “2009” and “Ladders”. “2009” is a song that pulls you in with its classical introduction, and I really enjoy the lyrics regarding his rise to fame, especially when he says, “Sometimes I wish I took a simpler route, Instead of havin’ demons that’s as big as my house.” As for “Ladders”, the juxtaposition between the happy atmosphere of the instrumental and the lyrical theme of hard work that might come crumbling down is something I really find interesting. His overdose made headlines immediately, but the odd thing about the coverage of his death was how another name was constantly being paired with his – Ariana Grande. Truth be told, my first encounter with Miller was his featuring on Grande’s breakout hit “The Way” (2013). For peo-

ple who aren’t entirely familiar with the rap scene, that might be your only exposure to Miller, aside from him being Grande’s long-time friend, and boyfriend from 2016 until May of this year. If you were oblivious to the professional and personal relationship between these two celebrities, it’s likely that Miller’s unfortunate passing brought those facts to your knowledge... but for all the wrong reasons. When news of his death hit, I happened to be scrolling through Twitter. After my initial shock of the headlines passed, I was faced with hundreds of comments on both of Grande’s Twitter and Instagram pinning the blame for his overdose on the singer. Twitter user @CompetitiveToo commented, “You did this to him, I can’t believe this...you should feel absolutely sickened! Treat him like dog shit, threw him to the curb like he was nothing.” Another user, @SuperGleesh, said “I mean IDC what anybody says I’m 100% blaming this on you.” Many replies were much more vulgar and insensitive, all making sure Grandewas aware of them by tagging her Twitter username in their messages. On her Instagram, the vitriol was so severe that Grande’s Instagram comments section was disabled. Beyond the internet hate-machine, which was likely half genuine hate and half ironic hate, isn’t it crazy to pin the blame for a man’s overdose on his ex-girlfriend? I think this

opens a serious conversation; when men make poor decisions, oftentimes the women in their lives are called out. Besides Miller and Grande, there is controversy that surrounded Italian actress Asia Argento and her late boyfriend, Anthony Bourdain. In July of this year, the 61-year-old chef committed suicide, and many people online held Argento responsible. I think this is a horrible trend and contributes to blaming women for things they can’t control. The death of Miller caused widespread hatred towards Grande – just another thing on the list of things people have blamed her for this year. During Aretha Franklin’s funeral, the singer was clearly groped by a pastor, but many complained more about her attire at the funeral than the actual sexual assault. The music video for her hit song “God is a Woman” also received backlash online for its feminist themes, such as literally breaking a glass ceiling in the video (‘break the glass ceiling’ is a term feminists often use for describing the invisible barriers women face in the workplace). Miller and Grande were long-time friends and eventual lovers until this year; however, Miller’s struggle with addiction began long before meeting the pop star. Miller admitted to music news website The FADER in a 2016 documentary that he, “...hated being sober. I wanted a drug to do.” While the rapper

acknowledged his issues and had sobriety goals, it was hard for him to get out of the mindset that he needed drugs to function. Miller didn’t completely succumb to addiction in his entire life, taking steps every now and then to get clean. On September 14, Grande ended her social media silence and made an Instagram post about her ex. “I’m so sorry I couldn’t fix or take your pain away” says the caption. It’s unsurprising that Grande was named as the catalyst for the rapper’s OD. After all, we live in a society that blames women for the actions of the men in their lives. A glaring example of this is the culture of victim blaming, where victims of sexual assault are sometimes blamed due to their clothing, attitude, etc. Miller’s addiction did not begin when Grande broke up with him. She helped him with some of his pain when they were together, but ultimately had to move on for reasons the general public has no business knowing. When you love someone, oftentimes the reality is that you can’t truly evolve with that person in your life. Maybe you both have different career goals, or maybe, like with Miller, you have an addiction problem that is hindering your relationship. Miller was battling addiction for most of his life. What was Grande supposed to do that she hadn’t done already? Even if she had stayed with him

and he passed on anyways, would she have been blamed for not helping him enough? Either way, the internet would have made her out to be the bad girl in all of this. What exactly was mentioning her on twitter and flooding her Instagram with accusations supposed to do? Fix things? I can’t even imagine the kind of pain Grande was going through at the time, and as a celebrity with an active social media presence, I’m certain she caught wind of a portion of those comments. Even weeks after his death, some media outlets reporting on his cause of death feel the need to include Grande in their headlines; an example being The Sun’s article entitled, “‘LIQUID HEROIN’ Lethal cough syrup drug blamed for Ariana Grande’s ex-boyfriend rapper Mac Miller’s death is sweeping the UK.” Abusing her relationship with him to gain internet traffic just proves that the world will never let this one go. Miller’s death will forever be linked to Grande. “You don’t go down in history because you overdosed...” was another introspective moment by Miller to The FADER. Though overdosing ended up being the 26year old’s fate, I hope he’ll go down in history not for his death, but for his music and career. In addition, I really hope the online reaction to his death sparks a larger conversation about the insensitive hate-mongering aimed at women.


6

Thursday, September 27, 2018

The Xaverian Weekly

StFX’s “New” Torrenting Policy A reminder that StFX Wi-Fi is a public network Douglass Hook Staff Writer

Over the summer the IT services at StFX sent out notices that all torrent traffic on their network would be blocked going forward, unless an application was filled out requesting access for work or academic related uses. While the notice was sent out in the summer IT Services informed the Xaverian that torrent traffic has always been blocked by default on their network, and the notice should be more regarded as a reminder to staff, students, and faculty. For those not in the know, torrenting is a method of sharing files between two or more users over the internet that has increased in

popularity over the death of previous peer-to-peer networks like, Napster, Morpheus, and Kazaa in the early 2000s. Torrents rely on a torrent file that connects the user to any number of other users who also have part, or all, of the file they want to download. The file itself that a user wishes to download is not hosted by any website, but split up across any number of people. Torrents have existed in a grey area, legally, due to the method of sharing. However, attempts by copyright holders to exert their legal rights have been made with varying amounts of success. In some countries, ISPs (in Canada this would be EastLink, Bell, Vidéotron, Rogers, or Sasktel), have monitored the traffic of their

customers and can cooperate with copyright holders to identify piracy and enforce corporate interpretations of copyright laws. In other cases, a copyright holder may upload a torrent file to a torrent search website and then as users download the file, the holder may be able identify piracy via the public IP address of pirates. While this has led to some success in prosecuting theft, it has also led to innocent people being prosecuted as it is not always the most accurate form of detection and can easily be avoided by using a VPN (virtual private network). Users who use torrent software are also at risk of downloading malware, viruses or other security breaches. The file being downloaded can always be dis-

Photo: IT Services

guised as the desired file but may be malware instead. Not all sites that offer torrent files for download are reputable and may contain malware instead of software, videos, or music that the user intends to download. When using torrent sites, always be sure to do proper research to avoid using websites of ill repute. Additionally, the software which users may download to use torrent files may also, in extremely rare cases, be itself malware of ransomware (in which a malicious person takes over the user’s computer and threatens to delete or share files from their computer unless a ransom is paid), which happened in 2016 to popular Mac OS torrent program, Transmission. There is also the very rare chance a malicious user will use a torrent user’s IP address (which becomes visible to the file host when downloading a torrent) to make a form of attack against the user. Although, this is extremely rare (if unheard of), it is technically possible. To avoid this potential security breach, be sure to use a VPN. Invariably, when policies and laws are made about torrents the refrain of defense is that torrenting

itself is not illegal and there are legitimate uses for torrents, which is true. Many companies use torrent-style software to distribute their software cheaply, like Blizzard did in 2006 to distribute World of Warcraft. However, the more likely truth is that the majority of torrents are made to share copyrighted material. Copyright holders are, and have been, litigious to the extreme. Users charged with sharing even a single song have faced fines of tens of thousands of dollars, and while courts are slow to realize the absurdity of expecting huge sums of money for a single 99¢ infraction. Rights holders have even tried to charge “facilitators” of piracy, going after ISPs, institutions, and companies whose internet access was used to download copyrighted materials, which is perhaps the main reason that StFX has blocked all torrent access, as torrent bandwidth is, almost certainly, dwarfed many times over by the bandwidth usage of Netflix and YouTube. If you believe your need for torrents on campus has legitimate, academic, or business purpose, please contact IT@stfx.ca to request access.

One Year On and CETA is Gaining Strength A message from the Minister of International Trade Diversification Honourable Jim Carr Contributor

Global trade impacts the lives of middle-class Canadians every day. From the blueberries you put in your oatmeal in the morning to the mackerel you cook at night for dinner- Canadians are very much a part of important global relationships that impact the lives of millions of people around the world every day. As we mark the first anniversary of the signing of the Canada European Union Comprehensive Economic and Trade Agreement (CETA), I would like to reflect how this agreement is creating more well-paying jobs in Canada and lower living costs for middle class Canadians.

CETA is a trade agreement between Canada and the European Union (EU) that at its core lowers tariffs and opens access. That means for Canadians benefit from greater choice and more buyers for the goods we make every day and services we can provide from ICT to transportation engineering. CETA goes further still by addressing things such as labour standards, the removal of unnecessary regulatory requirements, automation of border procedures, and many other factors that shape how Canada trades with the EU. Taken together, CETA makes it easier for the first-time or would-be exporter to crack into the lucrative European market and grow. In just one year after signing CETA, we have seen 98 per cent

of all tariffs between Canada and the EU become duty free. That is real change for Canadian families who now don`t have to pay the extra taxes on imported goods. But it isn’t just real change for consumers; it is also real change for Canadian businesses. At the Port of Montreal alone, we have seen 20 per cent more traffic in goods headed across the Atlantic. This enormous step in growth for Canada and the EU has been the reason why new shipping lanes have been added to accommodate container traffic. When 9000 tariff lines drop to zero, workers and farmers, entrepreneurs and artisans can compete and succeed with any one based in Europe, a market of over 500 million consumers. Canada`s success depends on our government`s ability to

diversify trade. The EU is the world`s second largest economy and Canada`s second largest trading partner after the United States. As we look to our neighbour to the south and the intensifying trade situation we find ourselves in, it is evident that Canadian jobs and Canadian families depend on the success of CETA. Canada’s success also depends on doing trade differently. The Opposition favours the speed of the status quo approach but we all know that has left far too many on the sidelines, ill-equipped or unable to take advantage of new access to more markets. Our government will not settle for any deal, we want the right deal and will do the work necessary to get it. CETA ensures that in-

creased trade workers’ rights and environmental protections are enhanced and protected and that small and medium-sized businesses gain meaningful access to procurement and sales across the EU. We got CETA signed by thinking about what would make that budding entrepreneur, small business owner, farmer or manufacturer better equipped to compete and succeed. We will continue to keep Canadians and Canadian businesses in mind when we are working to expand trade diversification. It is our job to open more doors and make sure that Canadians have access to global markets. CETA paves the way for new customers, clients and the good middle-class jobs that come with it.

Photo: http://www.international.gc.ca/gac-amc/campaign-campagne/ceta-aecg/index.aspx?lang=eng


Opinions

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The Anti-Capitalist Passions of Jake and Elwood “It is easier to imagine the end of the world than the end of capitalism” Douglass Hook Staff Writer At first blush The Blues Brothers (1980), is a riotous, fun film about two brothers with a concern regarding their dress that could even give the Mods or the Greaser’s of the 50s a run for their money. Dressed in matching black suits, ties, hats, and glasses, they increasingly appear as two troublemakers with hearts of gold out to pay off the property taxes due to the city by an orphanage run by nuns. Despite their run-ins with the law they care for each other, and for their those around them. In essence, it’s a movie about the bonds of brotherhood and friendship. However, a closer viewing of The Blues Brothers reveals a much more important message, an anti-capitalist message. The Blues Brothers are not just a happy-go-lucky pair out on a hedonistic jaunt, with a devilmay-care attitude towards the law and those that get in their way. They are on an adventure; a direct assault on the burgeoning heart of modern capitalism, as it was beginning to take off in the late 70s and early 80s, a foreshadowing of the coming age of corporate raiders, the financializing of the modern economy, and the complete destruction of the communities that sustained and supported the downtrodden and oppressed in society. Let us take a brief journey through the events of The Blues Brothers that express the will of people in the face of destructive capitalism.

In the works of Karl Marx, there is an often-misquoted line about religion, which, in full, reads, “Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people.” For Marx, despite what was implemented and understood after his death, religion was the panacea that allowed the countless masses, oppressed by the forces of Industrial Capital, to experience reprieve and relief. Flawed as it may be, it was one of very few remaining forces that gave the proletariat hope. It in this context that we may understand the impetus of the divine mission felt by Jake and Elwood Blues. Themselves raised in the Catholic orphanage, they understood that the orphanage, flawed and violent as they experienced it, was the only remaining barrier between food, shelter, education and extreme poverty in the form of homelessness. The religious institution is the pain-relief that so many poor and indigent children rely on in the film and in the increasing urbanization of America in the aftermath of industrialization. In this time period, American cities were hollowed out of wealth, infrastructure, investment, and communities due to varying degrees of racist and classist policies, that banks and corporate predators would be all-too happy to exploit in the coming years, as pressure on cities to maintain solvency would cause them to cut off important charitable networks of public money; much in the same

way that the International Monetary Fund would famously (and repeatedly), despite dire warning, demand that poorer, debt-stricken nations end progressive social safety networks in their nations before receiving aid. While certainly true that religious exceptionalism has done terrible deeds to the children and people of America and rightfully deserve to be taken to task for their awful deeds, from San Francisco to the nightmare orphanages Ireland and beyond. It should not go without notice, that many thousands of nuns, women, no less in an institution of rapacious men, and some priests, saw the horror of capitalist predation on society and were moved to protect some vulnerable people from it as best they could, in this vein we have Jake and Elwood on their divine mission to protect the children and orphanage from homelessness. Jake and Elwood, not content with aiding the mission of the poor and indigent in the form of religious pain-relief, also take on the state throughout the film. Diverging from Marx in his critique of capitalism, Mikhail Bakunin famously warned of the dangerous powers of the state and in this vein, The Blues Brothers do all they can to inhibit the actions of the state against their own divine mission. Throughout the film the Brothers are shown to have extreme disregard for the state, insofar as one must exist within the state (as one exists within capitalism) and they are duty bound to pay off the property

tax bill of the nuns. Elwood is on the run from the police as he has a number of parking tickets and moving violations made against him and his vehicle, 172 in fact. While these petty fines and notices may amount to little more than a few dollars, their existence is a form of vagrancy law, a tax or fine, on the poor. The police in the film, like in life, are often seen to have nothing better to do than to chase breakers of petty rules and drivers from neighborhood to neighborhood, enforcing the laws of the state regardless of their usefulness or the cost to the public. This is exemplified in a number of scenes where the police chase Jake and Elwood through a downtown scene, causing extensive damage, and later when the two show up to the city hall to pay the bill the whole square is filled with police and military forces, perhaps foreshadowing the nature of current militarization of police, over a number of parking and traffic tickets. It should also be noted that the two of them are not chased only by the police, but by a group of Nazis out for revenge for driving them off a bridge in an earlier scene and that the chase by the Nazis is little different than the chase being made by the police; mirroring each other in the same way that the farm animals could no longer distinguish pig oppressor from human oppressor. Lastly, the initial police chase takes place inside a mall. Driving wildly, through shop after shop, smashing display

after display, the Brothers do not just evade and race away from the police but seem to take calm pleasure in causing absolute wanton destruction in the mall. In a sense, it is the revenge of the outside against the cold, impersonal consumer capitalism. The bright lights, sea of colors, and extreme abundance of the American mall stands in stark contrast to the beginning of the film, where the Brothers experience the dim, ragged existence of the poverty-stricken orphanage. The film draws the connection between the “haves” of society and their enforcers (the political elite, the store owners, police, and the state), and the “have-nots,” the poor, impoverish fringes of society that exist eternally on the edge of destitution if not for the tireless work of charitable causes, the few remediation’s against rapacious capitalism. The Blues Brothers take full aim of the economic trends prevalent in the American economy and urban centers of America and relishes in their destruction. Even being the riotous, dream attack on American capitalism, the story, while ending in small victory, remains furiously tethered to reality. Our anti-capitalist heroes end up in jail after saving the fortunes of the orphanage and of the indigent children who rely on the charity of the nuns. The machine of modern capitalism continues despite their divine mission, and ever encroaches upon the life of the public. As true as ever, as the old saying goes, “It is easier to imagine the end of world than the end of capitalism.”

I was born in, which is male, I do not feel I have the voice to comment on something that does not apply to me directly. I reached out to several sources in hopes of having input, but given the personal nature of the issue, I have not received comment. As a result, I am pushed further to address the issue myself. What does the introduction of an X option have to do with anyone who doesn’t identify as transgender? Almost nothing; the only place where there could be concern is medical professionals dealing with individuals who identify as transgender. If their identification lists one thing rather than another, there may be surprises during emergency surgeries and negative effects in medications applied to a patient. The details for this are not clearly identified in the information

posted about the changes being made and must be clearly laid out to protect the health of those it impacts, and the safety of those who practice medicine. This is where the language of sex identification and gender plays such a large role. My take on the matter is that if it does not affect me, and it won’t have adverse effects on people’s lives, the medical profession, or have any impact but helping those who struggle with identity, then why not? There are larger issues facing society than how a person identifies, but we should value and respect the individual and their plight for acceptance. That does not slow down the comments feeding in from across the province. On 101.5 the Hawk’s Facebook page Catherine Ann Marie Lacasse comments “When you are born you have body parts that clear-

ly define your gender.” This statement lacks the understanding between sex and gender, remarking that the two are one and the same. Other comments are equally as uninformed and are, for the most part, derogatory. As someone who does lack the understanding of what it truly means to be transgender, I look to ask questions, to get informed and to be as accepting as possible. Fear and hate are most often propagated by the unknown. If you have any questions, concerns, comments or would like to make a posting, please contact us at The Xaverian Weekly. We would love to hear from you.

X Marks the Spot Introduction of X on Birth Certificates Caleb MacIsaac Opinions Editor

Let’s talk about sex. No, not that kind, but the actual genetics that make up who we are. Sex is different than gender, in that it is not how you identify, but what genitalia you are born with. These are important distinctions because sex can be a determining factor for what health issues you may face as you age. Some common examples are that osteoporosis is a higher risk for women, and men can develop prostate cancer. People often speak as if the two are interchangeable, but that is where the trouble begins. Nova Scotia government has proposed changes to birth certificate registration, to become effective in January. This will put Nova Scotia among the

ranks of Ontario, Newfoundland and Labrador, Alberta, Yukon and the Northwest Territories who have already established these changes. The changes will give people the option to enter X rather than male or female in sex identification and waive the fee for registration. The language is important to remark as it speaks of sex rather than gender. Parents will have the option to enter their children under any given surname and there will be a removal of the requirement for anyone 16 or older to get a statement from a health professional to change their sex indicator. Policy states that less time will be required as a permanent resident before they can apply for their certificates, reducing from one year to three months. As a cisgender man, which means that I identify as the sex

Photo: cbc.ca/news


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Thursday, September 27, 2018

Features

The Xaverian Weekly

Editor: Lewis MacLeod xw.features@stfx.ca

Throwback: Synthesis Day Sunday Youth Activism Conference 2018: Paintings represent weekend learnings of Youth Leaders Youth Leaders Contributors


Features

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Thursday, September 27, 2018

The Xaverian Weekly

Arts & Community

Editor: Salome Barker xw.culture@stfx.ca

Gilmora is Alive with the Sound of Music Getting to know the Music department at StFX Salome Barker Arts & Community Editor

If you’re ever walking up Notre Dame Avenue at any point in the day, chances are you can hear the distant sounds of a trumpet singing, a drum kit being put to good use, or the fluttering of piano keys. Inside the walls of Gilmora sits a unique department, it’s the music department! This whole other world on campus is full of life and energy. It’s very easy to get wrapped up in your own life and get distracted with your own studies. However, the music department here has so much to offer, and it’s worth sticking your nose into. Not to be biased, but this department has some of the coolest profs, students, and classes that this university has to offer. Speaking of profs, I sat down with a few of them to get to know them and the music world at StFX better. Zoe Leger is the newest member of the Music faculty this year. Leger is also a graduate from the jazz program here at StFX! *** SB: As a new faculty member,

what are you most excited for in this upcoming school year? ZL: That’s a tough question; it’s been fantastic to be back at my alma mater on the faculty side this year, so there’s much to look forward to. I think I am most excited to meet and hear the next generation of artists that will be graduating from this program. Being a Music student is an exciting, invigorating and exhausting experience; it pushes you to be the best musician you can possibly be. Getting to know more students in the program and hearing the gifts they have to share I know will be thrilling. SB: You’re a very successful artist yourself, a composer, arranger, vocalist, and pianistwhat do you hope to impress upon the students this year? ZL: Thank you! I feel fortunate to have been able to work in my field and do what I love every day since graduating from this program. I also know you have to work your butt off to make that happen, and no amount of talent can substitute for self-discipline and hard work. If I can instill one thing in my students, I hope it to be confidence to pursue what they desire for themselves and their careers, as well

as the work ethic and determination to get them there. Kenji Omae is another new member the faculty. Omae joined the department in 2017 for Saxophone Studio, Jazz Theory, Advancing Improvisation, Jazz Styles and Analysis. After being based in Seoul for fifteen years, he has brought his astonishing talents here to the StFX community. I was asking about what kind of energy there was buzzing around the department and Omae had this to say, “I’m new, but all I’ve seen is this positive, vibrant energy, and I just think that word of that will get out. It’s good for everybody”. Another member of the music faculty who is always fun to sit down and chat with is Kevin Brunkhorst. Brunkhorst is the chair of the Music department and has been since 2014. He teaches Guitar Studio, The Beatles and Guitar Ensemble. He has a lot of knowledge about music and the industry, having worked in it for quite some time before completing his master’s at the University of North Texas. I wanted to know how non-music majors could become more involved in the Music department here at X,

“Well, a couple things- except for instrument lessons, anyone can take a music course. If you like music and just want to have music in your life for example, we’ve got a bunch of courses for that such as, The Beatles, History of Pop Music, The Art of Listening, World Music, Music for Radio, TV and films, and others. The musical community here is a pretty strong community on campus and in Gilmora. The music crowd is welcoming, and the faculty is too. Some people just want music in their life and they should have it.” While the professors of the department are the backbone to making sure everything gets done, it’s the students that make this program for what it is. Robyn Gale is a fourth year Bachelor of Music Honours student, majoring in voice. I caught up with Robyn to get a point of view from the student side of the music department. *** SB: How has the Music department helped you develop as an artist? RG: I have learned so much throughout this program, both musically and about myself. The classes really help to push my boundaries and help me to

become a better musician. The professors each have something really unique to offer as well as each and every student. Because it is a small program we get to know the faculty and our fellow students really well. Looking back to my first year, I am amazed at how much information has been packed into 4 years, and there is still so much left to learn. SB: What are you looking forward to in your final year of your music degree? RG: I’m very excited for my final grad recital. This is what every Music student is working towards throughout their years in the program. It is a time when we can showcase everything we’ve been working so hard on throughout our 4 years in the program. I’m also excited about my classes this year, as they are more challenging but will push me harder than they have yet. Editor’s note: Being a music student is not easy work. It requires hours of practice and self-discipline. I know for myself, I’ve taken a few music courses and I’ve been able to see just a glimpse of what goes on in Gilmora. The Music department at X has something to offer for everyone no matter their degree.

When Art Meets Science on a Cellular Level “Cells, Souls & Personalities” by Maria Doering at the StFX Art Gallery until October 7 Bailey DeEll Staff Writer

Remember the classic ‘draw a cell’ project in high school? Not the most appealing project for many, however Maria Doering takes this concept to a new level. To draw a cell and label its parts seems plain when it’s done in Biology class, although as a work of art Doering uses the complexity of the cell to not only wow the viewer, but to provoke deeper thought as well. On her website, Doering describes how her interests in both study and art were heavily influenced by her struggles with allergies since her youth. With her most recent exhibit, she poses such questions as “What would we find if we viewed our personalities, minds and souls through a microscope?” “What does confidence, ambition or courage look like on a cellular level?” “What is the cellular make up of a soul?” Through her concept of “Lacery,” her artwork attempts to visualize “the internal dialogue which takes place in all of us.”

Each work of art features a particular cell-like structure, blazoned with bright tones over dark backdrops, intertwined with vivid colours that accentuate the cell’s internal structures. Featuring many red tones, the artwork is easily recognizable as coming from within the body. These tones also lighten to oranges and yellows, with blues and greens also found around the exhibit. The unique cellular theme offers a diversity between each piece of art, as well as many similarities. Some pieces feature branching structures protruding from the centre, while others reassemble a hair-like outer layer with a solid core and so on. These designs can occasionally reassemble a geode as opposed to a cell, which highlights the complexity of Doering’s talents. Her works range in size as well with many pieces being the size of a palm, and others owning a large section of the walls which adorn such beautiful art. It seems that an increase in size brings about an increase in complexity as well. The larger works are better able to display the finely de-

tailed structures that make up the cell. Most of the pieces are made on a linocut material, however some of the more complex pieces are embroidered with fabric. To give texture to those cells with intertwining cord structures, Doering embroidered brightly coloured fabrics into the linocut canvas to give her cells an even more detailed appearance. Many of the cells are made up of clustered nuclei in their core, while some are entirely clustered throughout, and others are characterized by sprawling arms similar to those of an octopus. Amongst the sporadic nature of the cellular structures there are a handful of works that are made up of a more uniform spiraling geometry. Some of the most unique pieces feature earthly greens, vibrant yellow and orange tones, and one piece in particular titled Imaginative displays clusters of brightly embroidered cords throughout the cell. Doering’s artwork is not simply visual either, as mentioned above her work at-

tempts to answer key questions about the relationship of our bodies, souls and personality. Each piece of art is given a personality of its own with titles such as Respectful, Love, Indecisiveness, and Benevolent and so on. These titles give the art a voice. By putting their visual attributes to a human charac-

teristic Doering hopes to provoke thought on the visualization of such emotions and our relationship with each feeling. Surely if you examine your schedules on a cellular level you’ll find a spare few minutes to browse the exhibit yourselves to witness the true complexity of such a talented artist.

Photo: Phoebe Cseresnyes


Arts & Community

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The Reality of Being Gay at StFX Sexual harrassement is sexual violence Anonymous Contributor

This is an encounter from one night going out at StFX. Sadly, our society has developed ridiculous norms that make people using the men’s washroom feel they have to choose a specific urinal in order to avoid the assumption that they are gay. Yes, gay, try speaking it out loud. It is something you should get used to saying. I am gay and even I feel the need to follow these absurd heterosexual norms. Tonight, I went to The Pub hoping to have a great time with my friends. I wandered off to the bathroom and knew I should choose the urinal furthest away from the other guy who was in there at the same time. I hope you’re reading this whoever you were. I hope you know what you’ve

done. He turned to me and said, “I know you’re gay and want to suck my cock.” First of all, no I do not want to do this in the bathroom with someone I do not know. Secondly, I recognize you are straight, and I do not want to be with you. Please mind your own business and let me use the washroom. The fact that you need to mention this shows your insecurities are greater than mine. Wow! I am gay and was already targeted once this evening, it surely should not happen again. Unfortunately, this was not the case. I was walking home from the pub with two of my best friends. They were both female and one was visibly upset due to unfortunate circumstances she found herself involved with earlier in the night. I had my arm around her to provide comfort. We passed a group of immature students

who sarcastically muttered homophobic slurs. One of my friends decided to call them out for this act of cruelty. They began to laugh hysterically as if being homophobic was a joke. Let me tell you, it is not a joke! You are attacking someone for who they are. You are making fun of and belittling someone’s identity. I love StFX and feel I belong here. Many faculty, staff, and students do a lot of hard work to ensure students like myself are treated as equals; it does not go unnoticed. Before this night, I had never been a direct victim of homophobic gestures. I almost tricked myself into believing this was something that did not exist on our campus. What I experienced taught me that there is still a lot of work that needs to be done before people recognize that love is

love. If you have taken the time to read this article and are homophobic, please know that your actions hurt others and are never forgotten. If you have taken the time to read this article and are one of the people

who thought it was funny to insult me, I want you to know that your words hurt, they left me feeling sad and angry. I hope you will think twice before you consider saying something homophobic again in the future.

Photo: www2.mystfx.ca/visible-at-x/visible-x

Chaplaincy on Campus A note from Sister Jovita MacPherson Jovita MacPherson Contributor

Chaplaincy is a vital part of Student Services here at X in our focus to serve the whole person and community. As this new academic year begins, we want to let you know who the Chaplains are. We also want to share something fascinating about each one Full time and on fourth Bloomfield, we have Father Gary MacPherson. Some fascinating things about Gary: in his family he is the thirteenth child and the tenth boy! You can find Gary in room 402B and you are invited to attend the 5pm Student mass on Sunday. Working with Gary, full time, is Sister Jovita MacPherson. Some fascinating things about Jovita: she is Father Gary’s sister and she met Larry Bird! You can find her in room 403B.

On third Bloomfield we have three visiting Chaplains who have office hours each week. Rev. Sue Channen, is an Anglican priest from St. Paul’s on Church Street. Some fascinating things about Sue are: she loves being out of doors and you can expect to see her walking around Antigonish or through campus and until it gets too cold, one of our lovely beaches. You can find her in office 313B on Thursdays from 1 pm to 4 pm. You are also invited to attend Sunday Service at 11am. Rev. Peter Smith, is the minister from St. James United Church on Main Street. Some fascinating things about Peter are: his Mother and his wife

are both ministers and he once served breakfast to Scotty Bowman. You can find him in office 313B on Fridays from 9:30 am to 12:30 pm. You are also invited to attend Sunday Service at 10:30 Jerry Clubine is the pastor at Full Gospel Assembly which can be found at the edge of Antigonish, 2758 Highway 4. Some fascinating things about Jerry are: he is the first one in his family on both sides and as far back as they know, who went to university and graduated twice. Also, his mother is also an ordained minister. You can find him in office 313B on Wednesdays from 1 pm to 4 pm and you are invited to join their community on Sunday at 10:30 am. Come and meet the Chaplaincy Team or join us sometime for Coffee with the Chaplains. All of us are here for you!

Photos: mystfx.ca


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Thursday, September 27, 2018

The Xaverian Weekly

Bretton Loney Interview Halifax-based Albertan publishes dystopian novel set in Nova Scotia Yanik Gallie Co-Editor-in-Chief

Bretton Loney was interviewed by Yanik Gallie on September 16, 2018. Loney published a first dystopian novel, The Last Hockey Player, this summer on July 28. Purchase The Last Hockey Player through Amazon.ca and Amazon.com, Kobo, ibooks, and Chapters/Indigo and through select bookstore in Nova Scotia. Bretton Loney is a novelist and short story writer whose work has appeared in anthologies and literary journals in British Columbia, Alberta, Saskatchewan, and Nova Scotia. In 2013 his short story, Tommy’s Mother, was shortlisted for the Writer’s Union of Canada’s Short Prose Competition for Developing Writers. In 2015, he released Rebel With A Cause: The Doc Nikaido Story, a biography of the late Alberta physician, Dr. Harry Nikaido. Bretton lives in Halifax, Nova Scotia with his wife, Karen Shewbridge. For more information, please see www. brettonloney.com *** YG: You are no stranger to hockey narratives having published Knut`s Game & Unsportsmanlike Conduct, The Zamboni Philosopher & Hockey Night in the Canadas which evolved into The Last Hockey Player. Where does the inspiration to write about hockey come from? BL: It’s kind of a funny thing. I come from a real hockey family. My little brother Troy played in the NHL for about ten years and won two Stanley cups. My father played hockey and coached. We have a lot of hockey heritage. I played hockey. I tried out for junior in the same league that the Humboldt Broncos play in the Saskatchewan league. I tried out for Weyburn. We’re from a three-boy family who’s all played hockey.

It’s always been a part of my life, I played until I was 50. I think it’s in some ways hard to write about Canada without having an aspect of hockey. I was curious to explore it in a few different ways in my writing. YG: What defines Canadians? BL: I tried to create as realistic a world as I could. There are certain things I think define Canadians from a cultural perspective. One of the things was the continuation of the hockey tradition in a slightly different way. I thought in the end a democratic approach to organizing themselves would lead them to survive. Maybe not easily, they struggle through troubled times, but they survive. I thought of a cooperative approach to survival. Really, that’s hearkening back to our earlier times. I’m from a part of the West that settled a hundred plus years ago by Europeans. When I grew up in that time, there were still pioneers among us. They only survived because they cooperated and worked together in communities. Whether you’re from British Columbia or New Brunswick, all of us and our forefathers had to cooperate with each other to survive. Whether you like the family next door or not, you cooperated with them because that’s the only way you could fish or get crops. I thought these values would survive because they’re intrinsic to the European pioneers to Canada and also to the aboriginal people of Canada because it’s a tough place to survive. I was really trying to project a microcosm of our time into the future time. What I was really trying to keep in mind with this dystopian story was, it’s us 18 years from now. I was trying to reflect us now, 18 years into the future. The setting wasn’t some separate place that evolved over multiple generations. It

was still a pretty new thing. I wanted it to be as reflective as possible of modern-day Nova Scotia. YG: Your character Neil-Young is one of many allusions to Canadian icons in The Last Hockey Player. What is the significance of a character’s name in your story? BL: I’m a huge Neil Young fan. In some of the things I did in the book, I was trying to capture what I thought would survive. Even though some of my main characters are book readers and written learners, I thought we would evolve back to an oral culture. In an oral culture, names and the names you give people to remind you of a time that’s already gone by and that’s never coming back, would be very important. In my mind, it would be a way for them to keep their culture alive. A name like Neil Young or other names like Avril, which I hope readers would realize that stands for Avril Lavigne, I thought it would be a logical reaction to try and keep alive a part of your culture that had been ripped apart. Also, with the names of villages, I wanted them to feel very Canadian. I wanted to use devices like allusions to make their part in the story clear. With the songs they sing, I really tried to show that these were important parts of our culture now and that people would desperately try to hold on what they have left. They can’t look it up on their iPhone, TV, or VCR, they have a few handfuls of books and whatever else is kicking around. Obviously, in a dystopian future like I’m showing, people aren’t gonna live a long time. The turnover of a generation is gonna happen quite fast and so you have to strategically work to keep your culture alive with the oral culture. YG: With each chapter being narrated by one of the characters in the story, how do you

keep every character’s voice unique? BL: That was hard. I almost had rules that I had written down for each character. Some characters don’t speak in contractions and speak in a very formal language. I wanted the younger narrator to have a more natural approach to language because he’s not from a written culture. I also made their viewpoints to be very different. The viewpoint of a literate woman who grew up in another era is gonna be very different than Hockey Player who went off to play hockey out of high school. His perspective would be different than Apprentice’s perspective who is growing up entirely in a new world. It was probably one of the biggest challenges in writing this novel. YG: This question is one I borrowed from your “Questions for your book club” section that I would like for you to answer: “What is the role of women in this post-Apocalyptic world and is it realistic?” BL: In a lot of the dystopian fiction that I read, it’s always the strong and powerful men who are leading. In my mind, in that kind of a future you would need people who could work collegially and collectively with people. They would need very good communication skills and would be able to solve problems. They would deal with internal conflicts. Looking at that, I thought it was very logical that women could be leaders in that world. Physical dominance would be a factor in this kind of an era, but I was confident that women could easily be in a position of leadership in that situation. I thought the role of women could logically be leaders in that society. YG: What advice would you give to our readers who are aspiring writers? BL: One thing I would say is you got to just write. One of the advantages of being a print jour-

nalist for twenty years, and an editor, is that I’m used to sticking my bum in a seat until I’ve got it done and moving on. Putting your bum in the seat and setting deadlines are pretty critical. I’ve never been one as a fiction writer or biography writer who said, “I’ll write when the muse comes to me.” I set some time aside to write. Whether it’s a good or crappy day of writing, it’s hours of writing. The second thing is I’m used to being edited and self-editing. There’s a fifteen-word sentence, I know I can say it in twelve, ten or thirty words. The third thing I would suggest is join some community of writers. Join your local Federation of writers or a writer’s circle. It’s invaluable to have people to bounce your ideas, writing and approaches off and to learn from them. I’m a member of the Writer’s Federation of Nova Scotia for 12 to 14 years and I should have joined sooner. I’m a member of a writer’s circle for a number of years. We meet on a monthly basis and review each other’s work. That has helped all of us grow. Those three things will go a long way. If you’re a writer, and someone says you’re not a writer, be a writer. It’s something you really want to do, and you have to like the process more than you like the idea of being a writer. A lot of people like the idea of being a writer, but they don’t like the work. You have to like the work and enjoy it. I enjoy the process as much as anything. Two hours of writing is a good day for me.

Photo: Paul Darrow


Distractions

Distractions Game of Squares

- Two players or more take turns adding one line from dot to dot. - A player who completes a square initials it & earns an extra line. - The player with the most initialled squares is the undisputed champion.

13 Editor: Kenneth Doiron xw.distractions@stfx.ca

Source the Alumni Quotes - Draw a line from the Alumnus/Alumna to their respective quote.

Colin MacDonald

“Believe in yourself, or no one else will.”

Amanda Lindhout

“He and his wife took a picture they had taken in Cuba of a line dancer and she has assless pants on or what ever you would call them (chuckling) and they inverted the picture and it made quite a stunning cover for the album it definitely jumps off the shelves when you are staring at the Cds line up at HMV or what ever.”

Eric Gillis

“For years ... I couldn’t believe I was free, often sure I was dreaming, and that I would wake up back in captivity with chains on my ankles in a dark room.”

Ghislaine Landry

“That is until a young Mr. Alex Cyr joined the St. FX X-Men cross-country team and started blogging about life on the run in his new home of Antigonish.”

Sudoku - Each of the horizontal rows and vertical columns should contain numbers 1-9. - Each of the 3-3 squares should contain numbers 1-9.

X-Rings in a Jar - Guess how many X-Rings are in the jar. - Submit your prediction, name, and student email on the ballot below for a chance to win $50. The monthly winner can pick up their prize courtesy of Cameron’s Jewellery at the store location 239 Main street, Antigonish.

X-Rings in a Jar Ballot

Prediction: Name: Student Email:

Submit your ballot to our newsroom in the basement of Bloomfield Centre, Room 111E.

Spot our Mascots in... Greenland - Find and circle Captain X and Super Xavia.


14

Thursday, September 27, 2018

Sports & Health

The Xaverian Weekly Editor: Kathleen Haggarty xw.sports@stfx.ca

Homecoming 2018 Noteworthy events for the StFX sports’ fanatics Kathleen Haggarty Sports & Health Editor

This following weekend is the annual Homecoming for StFX University. It is the biggest weekend in the entire year when all members of the StFX community, past and present, can come together and celebrate the school we all hold so dearly in our hearts. The weekend is jam packed with things to do, including many sporting events that will leave spectators nothing short of entertained. To kick off this exciting weekend is the StFX Sports Hall of Fame Induction Ceremony. This will take place on Thursday, September 27 at 7:30 pm in the Schwartz Auditorium. This is an incredibly significant event for StFX Athletics, because of the importance in honouring those who paved a path for our current athletes to succeed. Members of the Sports Hall of Fame are members of the

school community that built StFX into the athletic dynamo that it is today. As explained by the StFX Sports Hall of Fame itself, “Those chosen inductees have exemplified the spirit and ideals of Xaverian athletics in their professional and community lives.” This year, the inductees include Eugene Belliveau (Football, Class of 1980), Adele Belliveau (Basketball & Field Hockey, Class of 1984), Glenn MacDougall (Soccer, Class of 1987), Randy Nohr (Basketball, Class of 2001), Jane (Hanley) MacGillivray (Builder), and the entire 2006 X-Women Rugby Team. The 2006 X-Women Rugby Team was the first female team at StFX to win a national championship title. X-Women Rugby has since managed to bring home four more national titles. The following evening (September 28), all sports enthusiasts should make sure to check out the undefeated X-Women Rugby team as they take on the UPEI Panthers in

their final regular season game on home turf. The game begins at 6 pm at the Oland Stadium and is sure to be a thrilling display of skill, hard work and camaraderie. The X-Women Rugby team has been a powerhouse in every season game thus far and this weekend’s game should be no exception. After having faced off with Acadia last weekend, the team secured a spot in first place of the AUS. The Homecoming Ceremonial kick-off takes place at 1:45

pm on Saturday, September 29 at Oland Stadium, just moments before the annual homecoming football game begins. At 2 pm our X-Men will be facing the undefeated Saint Mary’s Huskies for the second time this season. The two teams played a close match in late August where the X-Men fell short by only seven points. This game is an event that no true StFX fan can miss. Our X-Men football team is coming off a big win from last

Photo: Rachel Drummond

weekend. Travelling to Sackville to play against Mount Allison in their homecoming, the X-Men clinched a win by scoring 25 points in the fourth quarter, earning a final score of 35-27. Subway’s player of the game was Jordan Socholotiuk, who managed to run for 177 yards on 33 carries. The fun doesn’t quite end after Saturday. Come to Oland Stadium on Sunday September 30 to catch the X-Women Soccer at 1 pm and X-Men Soccer at 2 pm. Both teams will be playing against Acadia. Acadia is currently in first place in Men’s and Women’s AUS standings, and two wins for our soccer teams would be a pivotal moment for the league’s standings. The X-Women soccer team won two games last weekend against both Mount Allison and UPEI. The X-Men soccer team also managed to win both their games last weekend, with a noteworthy 11-0 win at Mount Allison’s homecoming.


Sports & Health

15

Shinerama: Raising Money for Cystic Fibrosis The fight against CF is not over Kathleen Haggarty Sports & Health Editor

“In, out, in, out. Breathe. Most of us don’t think like that when we take a breath, but people with Cystic Fibrosis do with each and every breath.” Says fourth year Bailey DeEll in a Facebook post made with regards to Cystic Fibrosis and Shinerama. Cystic Fibrosis (CF) is the most common fatal genetic disease affecting Canadian children and young adults according to the Shinerama

website. Shinerama, if one doesn’t already know, is Canada’s largest post-secondary fundraiser in support of Cystic Fibrosis Canada. There is currently no cure to CF. It has many effects on the body, but primarily on the digestive system and lungs. The degree to which someone with CF will suffer depends on the person. Ultimately, however, CF will progress over time. Eventually ongoing infection, destruction of the lungs and loss of lung function leads to

Photo: cysticfibrosis.ca

death at an earlier age than someone without CF. CF includes a long list of complications with digestive problems being at the top. Someone suffering from CF will have less pancreatic enzymes and consequential vitamin deficiencies. This causes trouble digesting fats and proteins. Over 4 200 Canadians with Cystic Fibrosis attend specialized CF clinics, which are costly to uphold. Shinerama currently includes over 35 000 student volunteers from 45 Canadian Uni-

Photo: Facebook @ Lucas Middleton

versities. StFX is proudly part of this statistic. The funding earned by these hard working students and volunteers is crucial in fighting against Cystic Fibrosis. If you weren’t sure why O-Crew so eagerly dragged you out of bed the morning after the big concert in your frosh week, this is why. Shinerama began in 1964, and since then has spread across the country and touched the lives of countless Canadians. Since then, Shinerama has raised about $27 million dollars, which has been used to fund the necessary research, supplies, resources and treatments for prolonging and improving the lives of those suffering from CF. It is important to note that, as stated on the Shinerama website, “A child diagnosed in the 1960s was not expected to live long enough to attend kindergarten. The median age of survival of Canadians is among the highest in the world, at 53.3 years of age in 2016.” This is not coincidental, but has a direct correlation with the efforts put forward by Canadians to ameliorate the lives of those suffering from CF. On Saturday, September 8, StFX students took to the streets of Antigonish and its

surrounding areas to fundraise for none other than Shinerama. With a huge help from O-Crew, a group of primary first-year students have since raised over $11 000 this year. This doesn’t mean that the fundraising is over. “While Shinerama focuses its attention on one part of the year, people with CF have a tough time breathing no matter what month it is.” Lucas Middleton, fourth year O-Crew member and Shinerama Volunteer explains. He urges everyone to continue to support the cause no matter what the amount, as it will go a long way for those with CF. “Whatever you can afford to give, even skipping that morning coffee and donating $5, helps more than you know.” To donate to Shinerama, one can do so by visiting StFX’s online Shinerama page and making whatever contribution they wish. The fight is not over and progress can be made at any time. Every week in Canada, a child is diagnosed with CF. Of the Canadians who died in 2016 of CF, half were under the age of 39 years. As Shinerama itself puts it, any help will help “breathe life into the future of Canadians who are struggling to breathe everday.”

Hall of Famer at StFX- Tara Sutherland Long-tenured Athletic Therapist has the Hall of Fame calling after an illustrious career Bowen Assman Co-Editor-in-Chief

Tara Sutherland was the head of a private clinic in Edmonton for a brief spell in early 1996. She saw a temporary position at StFX looking for athletic therapists. 23 years later? She is still here. Her reasoning? “I love the community, and to work with students every day” With her love of university life, it is no wonder she was a student at three of them. She attended Queen’s University, graduating with a BA in physical education. She then earned her diploma in sports injury management at Sheridan College, a quaint school in the Toronto area. After she obtained her certification in athletic therapy, a spell at the University of Calgary for a masters in kinesiology occurred in 1995. For Sutherland, her imbued enthusiasm for the job galvanizes students and athletes. Speaking on the differences in technology and the job as a whole from her days in the 90’s till now, she commented: “There is not too much of a difference, as we only assess the injuries and give recom-

mendations, no diagnoses are involved. However, the technology now is a lot more advanced than before” Of course, with the recent discovery of CTE and it’s gargantuan impact in the football community, the differences in how the athletes are treated are very striking. “Back in 1996, the football team would practice sometimes two to three times a day. And they were doing so in worse equipment. There was less education into proper hitting techniques as well. Now, the practice times are much less, and the coaches do a great job of teaching safe hitting practices.” Sutherland, along with her longtime colleague and friend, Dr. David Cudmore opened the Antigonish Concussion Clinic approximately ten years ago. (She and Cudmore could never pinpoint the exact time it was opened). The Clinic’s main goal is to give help to more than just athletes. “My job at StFX is to assess athletes and so the Concussion Clinic is a way of giving back to the community, by affording them the opportunity to be treated and properly rehabilitated, whether it be a slip and

Photos: goxgo.ca & athletictherapy.org

fall, a car crash or anything in between.” Sutherland keeps herself busy by being the lead athletic therapist at hockey, football, basketball games, while also teaching three human kinetic classes. To add on, because she does not do enough already, she has been the assistant coach of X-Women Rugby since 1998. “It gives me a chance to be a coach, a different experience than always being the therapist during games. plus, I love the sport and I played it when I was

younger.” The holy grail of athletic therapy accomplishments was recently reached when she was inducted into the CATA (Canadian Athletic Therapists Hall of Fame). Her response to the news? “Shock, humbled, loss for words. I was thinking it was maybe a wrong number! I have seen so many of my friends and colleagues, people I have looked up to, get into CATA, and for me to become a part of it was an unbelievable honour”.

Her plaque from the hall is still on her desk, as she has been contemplating putting it up in her office. She can be forgiven for not instantly adorning it on her walls, as they are riddled with jerseys, certifications and more plaques pertaining to her excellence of athletic therapy. Who knows, maybe in 23 more years, her walls won’t be visible. And at this rate, working 23 more years is not out of the realm of possibility, with her unrelenting work ethic.


AUDITIONS! September 18 and 19, Bauer Theatre Sign up at the Bauer Theatre, second floor, just outside office 201 EVERYONE WELCOME! NO EXPERIENCE NECESSARY! METAMORPHOSES, by Mary Zimmerman Called by Time the "theatre event of the year," Metamorphoses brings Ovid's classic tales to stunning visual life. Set in and around a large pool of water onstage, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to explore the face of inevitable change. Nominated for three 2002 Tony Awards, including "Best Play,"

Performance dates: Nov 7-10, 17-18

IT’S A WONDERFUL LIFE: A RADIO PLAY This beloved all-ages holiday classic comes to captivating life as a 1940s radio broadcast, with live choral music. Presented in partnership with the Antigonish Choral Ensemble.

Performance dates: December 8-9

For more info: tickets@stfx.ca | 902-867-3333 |

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