Issuu

C I FRANKLIN

Bold, Brilliant, Becoming

EDITOR’S NOTE

BPhoto: Kola Oshalusi @insignamedia Makeup: Zaron

ucci Franklin is an actor, TV host, and presenter whose talent continues to shine.

After studying Theatre Arts at the University of Abuja, he didn’t immediately get an acting gig, so he took presenting jobs until he found his footing in Nollywood. Unlike most people, Franklin did not have a turning point when he knew Nollywood was truly for him. He believes in reincarnation and sees this journey as one he has experienced before, so he always knew Nollywood was for him. Franklin always carries a positive outlook on life in the sense that what people see as battles, obstacles and scars, he views as moments and experiences to be grateful for. He admits that moving to Lagos from Port Harcourt and taking any job that came his way until he got his break with AY was a bit of a challenge.

There’s a thing or two to learn from Bucci Franklin’s attitude to life. Read his story on pages 8 through 10 of this issue.

Denim shorts are always in style, but even your favourite pair can start to feel too familiar. Switch things up. Our fashion pages show six options you can choose from instead of denim shorts. Scroll to pages 4 and 5.

Have you ever been in a situation where you are comforting a friend of the opposite sex over a heartbreak, and then it turns sexual? Our Downtown Confidential story this week plays out like that. Read the story on page 15.

Our movie reviewer finally reviewed Mission: Impossible—Final Reckoning this week. Although he didn’t score it high, I’m still looking forward to seeing it. His review is on page 16.

Until next week, enjoy your read.

@onahluciaa + 2348033239132

AUSTYN OGANNAH

PUBLISHER/EDITOR-IN-CHIEF

Executive Editor: Onah Nwachukwu @onahluciaa

Writer: Johnson Chukwueke

Design & Layout: Olaniyan John ‘Blake’

Digital Media: Oladimeji Balogun

Consulting Art Director: Sunny Hughes ‘SunZA’

www.thewilldowntown.com thewilldowntown thewilldowntown

6 Alternatives to Denim Shorts

FASHION

#UNSHAKABLE TRUTHS

S is For Survival: Love in The Time of Scripts 07

Bucci Franklin Bold, Brilliant, Becoming

11 TRAVEL

5 Countries Where Nigerians Can Travel Visa-Free in 2025

CONTENT

Posture Check Why Your Back’s Crying And How to Fix It Eczema vs Psoriasis How to Tell The Difference

The Cancer Code DOWNTOWN ZODIAC

Boluwatife Adesina @bolugramm - Contributing Writer

Boluwatife Adesina is a media writer and the helmer of the Downtown Review page. He’s probably in a cinema near you.

Dorcas Akintoye @mila_dfa_ - Contributing Writer

Dorcas Akintoye is a dedicated writer with more than 2 years prolific experience in writing articles ranging from food, entertainment, fashion and beauty. She has a National Diploma in Mass Communication from Kwara State Polytechnic, Ilorin. She loves writing, listening to music and playing scrabble. She is a highly-skilled, enthusiastic, selfmotivated professional writer.

Sally Chiwuzie @unshakable.is.a.state.of.mind - Contributing Writer

Sally Chiwuzie is a non-practising barrister who owns the brand #Unshakable. She is the author of Silent Symphonies, a fictional love story, and the creator of the podcast Chronicles of #Unshakable Truths.

BY DORCAS AKINTOYE

Denim shorts are dependable, fun, and always in style. But even your most trusted piece can start to feel too familiar. If you enjoy switching things up or simply want a new look this season, many additional options can elevate your outfit without sacrificing comfort or elegance. In this article, we will show you six alternatives to denim shorts to add to your wardrobe.

BOHO

MAXI SKIRT DENIM SHORTS 6 ALTERNATIVES TO FASHION

If comfort and style had a baby, it would be a boho maxi skirt. These long, flowing skirts are typically made from breathable, soft materials. Their loose fit and distinctive prints, such as tribal, tie-dye, or floral designs, set them apart. Bohemian maxi skirts are ideal for feeling feminine without sacrificing comfort. You can wear them with a crop or fitted top, accessorise them with bangles or layered necklaces, and complete the ensemble with slippers or sandals. For laid-back days, beach parties, or even brunch dates, they’re perfect for looking put together without going overboard.

SHORTS

Tailored Bermuda shorts are your best bet. These are longer than your usual shorts, stopping just above the knee, and have a structured, smart cut that gives you a clean and classy look. They work well for events where denim might feel too casual, like casual Fridays at work, lunch meetings, or when you want to dress a bit more grown-up. Style them with a button-down shirt, a tucked-in blouse, or a tank top and blazer combo. Add loafers or flats and you’re ready to slay the day without showing too much skin.

CARGO MIDI SKIRT

Cargo midi skirts combine the comfort of shorts with the edge of utility fashion. These skirts usually have big pockets, a relaxed fit, and fall below the knees, making them practical and stylish. They are ideal for laid-back days when you want to feel comfortable but still need something different. Wear them with clunky sandals, sneakers, crop tops, or a simple T-shirt.

LINEN MICRO SHORTS

Want to stay cool but keep it cute?

Linen micro shorts are your new best friend. They’re short, airy, and super breathable, perfect for Nigeria’s dry season or any hot day. Because they’re made from linen, they don’t cling to your skin when you sweat and always feel light. These shorts work well with almost any top, whether fitted tanks, oversized shirts, or offshoulder blouses.

CAPRIS

Mid-calf-length pants, known as capris, have made a comeback in recent fashion trends. They are breathable and comfortable, but they provide greater coverage than shorts. Capris are ideal when you want to keep things basic and practical. They can be styled casually with a tank top and sneakers or dressed up with a blouse and strappy sandals. Capris allow you to move freely without exposing too much leg, whether you’re travelling, running errands, or just hanging out.

MINI SKIRTS

Mini skirts never go out of fashion. They’re short, fun, and give off that confident, playful vibe. There’s always a way to make it your own, whether it’s a basic cotton mini or something more structured like a pleated or leather mini. A miniskirt can be worn with a button-down shirt, crop top, or tucked-in tee, depending on how you’re feeling. You can wear heels for a night out or sneakers for a more laid-back vibe. Mini skirts always look great if you’re feeling daring and want to flaunt your legs while keeping things trendy.

There’s absolutely nothing wrong with denim shorts, but they don’t have to be the only thing you reach for when the sun’s out. Fashion is all about variety and personal expression. From boho skirts to linen shorts and capris, these alternatives can refresh your style and make you feel good while staying comfortable.

S IS FOR SURVIVAL LOVE IN THE TIME OF SCRIPTS

Let me tell you something raw: survival isn’t always dramatic. It’s not always the frantic escape from fire or the gripping cinematic moment of choosing life against all odds. Sometimes, survival is quiet. Soft. Hidden in plain sight. Sometimes, it’s doing laundry. Or whispering a prayer while lacing your trainers. Sometimes, it’s replying to a text when you’d rather curl up and disappear.

When I think of everything I have endured in recent weeks, months, maybe even years, I realise that survival has been a consistent theme. Woven into my workouts. Embedded in the laughter I force through the lump in my throat. Echoed in the tears I shed mid-run when the rhythm of my feet was the only thing grounding me. It has been in the way I show up for others, even when I feel undone myself. In the way I pour words into stories, hoping they heal something — in me or someone else. Survival looks different for all of us. What does it look like for you?

For some, it’s a strict morning routine. For others, it’s therapy, boxing, running, journaling, retreating into prayer or blasting music loud enough to drown out the noise inside. Some of us survive by keeping busy. Some by staying still. Some through food, some through fasting. Some by reaching out. Others by turning inward.

I have survived by moving my body when my mind felt too heavy. By writing things down that I couldn’t say out loud. By laughing with the girlies about things that aren’t funny. By running, lifting, praying, collapsing, and rising. Again and again. I have survived by sharing parts of my story — the ones I can say — and honouring the parts I am not ready to share. Not yet.

And in between all that, I have talked. With the girls. With God.

With myself. About love — or what often passes for it these days. Because let’s be honest: middle-aged dating is an extreme sport. There’s a script now. A template for every scenario, even if it doesn’t match your personality or values. You are expected to play it cool. To time your responses. To stay guarded.

Emotional openness? That’s met with emotional detachment. Vulnerability? Viewed as a liability. And the selfishness? It’s Olympic-level. People want to have their cake, eat it, bake another, and own the whole damn bakery.

But the script doesn’t stop with love. It’s everywhere now. At work, we are expected to perform like algorithms — polished, programmed, and predictable. AI is replacing not just jobs but human nuance. The way we speak, present, negotiate — it’s all been templated. You don’t just apply anymore. You audition. You don’t just speak — you optimise. You don’t just show up — you must perform in a way that ticks the right boxes, says the right things, follows the right script… and then wish on a star that you are lucky.

Even on social media, there’s a blueprint for what wins — how to dress, what to share, what filters to use, what quotes to post. Curated authenticity is the trend, and truth is inconvenient. The pressure to be a certain kind of beautiful, bold, busy — is relentless. We have become avatars of ourselves, adhering to societal templates that were never designed for individuality, let alone for survival. But survival, true survival, has never fit into a script. It is messy and human. It is crying in the shower. It is hitting send on the job application with trembling hands. It is running through grief. It is posting a picture with

no makeup. It is saying “I’m not okay” when the world expects you to smile. It’s not just existing. It’s resisting.

Resilience and survival are intertwined. One is the breath you take; the other is the will to keep breathing. Survival is the present tense. Resilience is the future it builds.

So yes, I survive. With playlists and protein shakes. With running shoes and whispered psalms. With a weary smile and a heart that still hopes. Survival doesn’t always look like progress. Sometimes it looks like simply not giving up.

And if you’re reading this, breathing, carrying on, you are already resilient; you are already #Unshakable. Scripts may be everywhere. But you, dear heart, are not a machine. You’re not built to follow. You’re here to feel, to fall, to rise, to question, to break the mould.

Until then, keep surviving in your own unfiltered way.

And if you can… write your own script. ‘See’ you next week.

BUCCI FRANKLIN

Bold, Brilliant, Becoming

Nollywood has come a long way from what it used to be. The stories are deeper, the acting is stronger, and the production quality keeps improving. With streaming platforms opening new doors and creatives constantly pushing the limits, the Nigerian movie industry is now one of the most exciting in the world. This growth didn’t just happen overnight; it’s the result of years of hard work, consistency, and the passion of individuals who believe in telling authentic African stories. These passionate creatives have kept the fire burning and are helping to shape a better future for Nollywood. One such creative is Bucci Franklin, an actor, TV host, presenter, and storyteller whose talent continues to shine across screens big and

small. After studying Theatre Arts at the University of Abuja, Bucci began his career as a presenter before finding his place in Nollywood. From early projects like Knockout Blessing to his breakout role as Nze in Rattlesnake: The Ahanna Story and his powerful performance in Netflix’s Far From Home, Bucci has proven himself time and again. Beyond acting, he’s expanding his craft; he’s set to direct and star in his first feature film next year, and he has some mind-blowing projects in the works. He’s also writing a book titled Sound of Acting, which is not just for beginners but for actors at all levels. It’s a guide based on

real experiences, lessons, and practical truths from his journey. For Bucci, it’s not just about fame, it’s about impact, and he’s already laying the foundation for the legacy he wants to leave behind.

In this interview with THEWILL DOWNTOWN’s Dorcas Akintoye, Bucci Franklin discusses his journey so far, how he grew from hosting shows to starring in major films, the future of Nollywood, what keeps him grounded, and the powerful message he hopes to share through his work both on screen and in writing.

Your journey started in media as a presenter

before you transitioned into acting. What was that turning point when you knew Nollywood was where you truly belonged?

To be honest, I had always known that this was it for me. I do believe in reincarnation. And I see this as a journey that I have experienced before. But we needed to do other things to gather and garner experience because that’s what being an extraordinary performer is about. Allowing yourself to experience life, creating moments that you are in control of and sometimes not in control of, which is life, basically.

What would you say were some of the silent battles you faced behind the scenes before you got your first big acting break?

You’re taking me back to memory lane. Like every other industry, there are hurdles in life. And the only time you get to your final destination is when our Heavenly Father says your time is up. So, I’d say that what you see, what you call battles, what other people see as obstacles and scars, I see them as moments and experiences to be grateful for. And yes, some of them were a bit emotional, but I thank God for the grace to keep going. I moved to Lagos because I had to move to be closer to the industry. So, I’d say that it was a bit of a challenge, but an exciting one. And living in Lagos, having to move from one apartment to another, just having to take anything that comes my way, until I got a break with AY. I did a sitcom in 2011-2012. We did a sitcom. It’s called AY’s Crib. That’s how I got into the Nigerian movie industry here in Lagos. We did the first season where we had the likes of D Banj, KCee, and Limpopo back then. As a matter of fact, it was I, AY, Ushbebe, Alex Ekubo, and Venita Akpofure. So, at the time, there was nothing like that. It was AY’s initiative. A bunch of his friends living with him in his house. It was a good way to start, really. And after that, I had to (because I was on dreadlocks then), so I had to take off my dreads so that I could do multiple characters. I did a film with a director in Enugu. I think that was my first feature in Lagos. It was I, Daniel K. Daniel, I think he’s moved to the States now, Belinda Effah. She’s changed her surname now. She’s also moved to the States. It was the three of us who did that film, and Ebele Okaro. So, yeah, that’s pretty much it. Honestly, I could go on and on, because it’s been an amazing journey. I’ve been doing this for over a decade, so I don’t think I can sum up my experience on my challenges and the beautiful scars that I have amassed while working.

You studied Theatre Arts at the University of Abuja. How much of what you learned academically still shows up in your work today?

I did a project in Port Harcourt about a month ago, and I had the privilege of working with Sam Dede. Sam Dede is a theatre arts lecturer at Uniport. We were talking, and I’ve always had this idea, this notion. It’s been like a buzzer to me. Why we’ve chosen to peg upcoming actors, upcoming theatre practitioners with the Western theatre culture. Why are we not celebrating the African theatre culture in our studies, in our curriculum? We got talking, because the first year they teach you Shakespeare, you’re doing Shakespearean stories, you’re basically just doing research on Western culture, as opposed to our indigenous writers that are celebrated globally. You know, the Lichi Amadis, the… Oh my God, I can’t remember some of them now. There is Elechi Amadi, there’s Wole Soyinka, there’s Ola Rotimi. You know, these are writers that I feel like, you know. I feel like what we’re being taught in school as theatre practitioners isn’t what should be in the curriculum. If I were given the opportunity, I would want to write a bill, and I’m sure I’m speaking the mind of Uncle

Sam, because we were having a conversation, and he was also just shedding light and complaining bitterly about it. So, I watched a video of Viola Davis talking about how she was taught how to act, that she was taught how to act like a white woman, not a black woman. You know, so is education good? Yes, it is. But we need to conscientise our people. Yes, Hollywood has done a lot for the world, but I think it’s time for us to emulate the Indians, Bollywood. The stories they tell are authentic. They talk about their history. They don’t go as far as emulating what Hollywood is doing, and even when they decide to do that, they do a fantastic job at that. All I’m saying is, if we are teaching Nigerian children who want to go into filmmaking in universities all around the country, let us celebrate. Let us be thorough. Let us remove that mentality of introducing them to the Western form of art because there’s a lot that we can tap from here, not just as Nigerians but as Africans. So, I always say thank you to Professor Ojo Bakare. He was one of my lecturers, and that’s one man that I can never forget, because I remember playing my first play in school. It was a play that he did, This Man Called Joe. I think Obasanjo was the president at the time, and it was supposed to be like a satire. It was a satire. I think my character was somewhat of a parody. So he came up with it. He wrote the play, and we were privileged to play it out on stage. So Professor Ojo Bakare was somebody who introduced me to understanding and honing my craft as an actor, and just becoming and falling deeply in love with what I know how to do best.

“Like

or four months. Yeah. That’s what I would say is our strength now.

In your opinion, what’s still missing or lacking in Nigeria’s movie industry that needs urgent attention?

every other industry, there are hurdles in life. And the only time you get to your final destination is when our Heavenly Father says your time is up. So, I’d say that what you see, what you call battles, what other people see as obstacles and scars, I see them as moments and experiences to be grateful for. ”

You’ve been part of Nollywood’s new wave of actors pushing the industry forward. What do you think is Nollywood’s greatest strength right now? Well, honestly, I can’t speak for Nollywood. It’s an industry of different sects and departments. Everybody’s doing what they can to push out great content, from YouTube to different streaming platforms, to cinema. I feel like collaboration has become an essential tool in filmmaking in the Nigerian movie industry. So there are lots of collaborations between production companies, between producers and actors, and between actors. I’ve got a few projects that I’m doing that are produced by actors. And they’re like, oh, but we can’t afford your fee. Do I need the money? Yes. But when I look at the script, and also whoever it is that I’m speaking to, I see the passion behind what you want to do. So, of course, I’m going to discuss with my management and tell them what I want. And it’s left for them to say, okay, this is viable or not. So, I feel like collaboration is our strength right now. Also, with the advent of Netflix and Amazon leaving the country, all of that has brought us together under the same umbrella. When the elephant is no longer in the room, we can all see ourselves. So it’s pushed us closer. And because of all the conversations I’ve been having, I’ll speak for myself. Like I said, I’m not going to be speaking for an industry that has over 3,000 to 4,000 people actively creating content and film. So, I speak for myself. There have been more collaborations in the past three

If I’m being honest, funding. Access to funds. There are a lot of great stories, intelligent filmmakers, and budding filmmakers in the industry. And they have beautiful stories. However, the epileptic flow of funds is a major problem. And I feel like if that can be tackled, conversations like workshops can also come up for every department in the industry. Not just for actors but for producers, for example, costume and lighting. I feel like there needs to be a workshop for every department. We’re doing extraordinary things. Two Nigerian films made it to Cannes this year. I think more than one. I can’t remember the name, made it to Cannes this year. Some Nigerian films are going to be picked for Sundance. I don’t know. I’m not certain. But I know next year a lot of Nigerian films are going to big festivals. So, we’re pushing our content on a global scale. I just can’t wait for the film that I’m a part of, the film that I’m starring in, the film that I’m leading on to get nominated by our brothers and sisters in the diaspora. That has to be my vision. My vision is to get my Oscar. My vision is to get my BAFTA. Not just so that I can shelf, but to put Nigeria on the map, to create the consciousness in every actor in Nigeria that if I can do it, you can. If I’m being honest, there are a lot of great actors in Nigeria. There are fantastic directors in Nigeria. And I’m not saying this because I’m friends with anybody. I see talented people day in and day out, and it’s just mind-blowing. I can’t wait for the world to experience what we have to offer. There’s a series on Netflix called The Party, and it was brilliantly shot by Yemi Morafa. I did a project with Kemi Adetiba. It’s called To Kill A Monkey. It’s coming out sometime next month, I hope, and Kemi shot the sh*t out of that series. Excuse my French, but I don’t know what other word to use. She is a genius. In 2023, I did a project with Bolale Austin-Peters. It’s called Wire Wire I don’t know. I think there’s something about women in film. And if you ask me, I’d love to work with Nigerian female directors because they just have an eye for excellence. Working with Bolale AustinPeters was beautiful. I forgot at some point that I was working because it just came, it was natural. And that’s what acting is. If it’s not natural, then it’s being forced. And Bolanle allows the actor to breathe. So, I can’t wait for the world to experience Wire Wire. That’s her project that I starred in. I played Lee. I did a film with a NigerianBritish director and writer. It’s called Lady It’s got an amazing female lead cast. I don’t want to say too much about it because it’s a British film. It’s not out. It’s a festival piece. It’s going to put some Nigerian actors on the map. I was a part of that. That’s a big film. I can’t wait for the world

to experience Lady I think we did that one last year. So, there are a lot of beautiful projects coming out that I can’t wait for the world to experience.

There’s a growing presence of Nigerian content on global platforms like Netflix. How do you think this shift is changing the industry and actor expectations?

If you had asked me this question 10 years ago, I probably would have given you what I see as an ignorant answer. But with my experience in filmmaking now, I understand that quality over quantity, quantity over quality, is just somebody somewhere not having too much to do with their time and just spewing words. As long as you’ve got a camera up and you’ve got actors in front of you, and you’re passionate about what you’re doing in this line of work, I’d doff my hat. I look forward to working with you. Because if you’re discussing quality over quantity, I mean, look at Bollywood. They’re a great example when it comes to quality over quantity. They keep churning out movies regardless of what the world says. Filmmaking isn’t a walk in the park. So, quality over quantity, that’s not a thing, as long as you’ve got cameras up, you’ve got a lighting crew, you’ve got your story straight, and you’re entertaining people. Because you remember this Odugwu Paranran, right? So it’s a YouTube film. And I see how YouTube productions are being perceived; some people think, oh, it’s substandard. There’s always an error,

yada, yada, yada. But look at what that film did for the actors. Uzor Arukwe has been in the industry for a bit, and he’s been making the rounds. But look at what a YouTube film did for Uzor Arukwe. I was in Port Harcourt filming, and I saw Uzor Arukwe’s picture on the billboard (because I’m a Port Harcourt boy) alongside some Port Harcourt comedians. And under his picture, his nickname Odugwu was written, as opposed to Uzor Arukwe. You get what I mean? So it was because of the film. You know he also got an endorsement from a financial institution. It was because of that film. So, I’m not big on having conversations about quality or quantity. Are you passionate about what you’re doing? Are you telling stories? Are you entertaining your audience? That’s pretty much it. That’s why we’re in this business. We’re in this business to entertain, so that’s pretty much it for me. Wherever you find yourself as a filmmaker, if you’re in Asaba, if you’re in Kano Kannywood, if you’re in Port Harcourt filming, if you’re in Edo, and you’ve just got a 7D camera and one Kino Flo light a couple of actors and you’re just creating film, that’s all that matters. It’s not about quality and quantity. I mean, some people do big-budget films, and by the grace of God, I happen to be a part of that chain of production, but it is still the same thing, you know? It’s like using an expensive phone, and somebody has a monotonic phone beside you. When the time comes to make a call or receive calls, they’re also going to receive. Their phones are going to ring regardless of whatever make or phone it is that you’ve got; they can still make calls. I’m just trying to use that analogy to explain the question that you asked.

What legacy do you hope to leave behind as an actor?

I’ve started already. It has not been easy, but that’s the beauty of it all. Churning out characters that will stand the test of time. I’m working on writing a book for actors, not just beginners, but also actors in the business. It’s titled The Sound of Acting. Because acting has a sound, but you need to allow yourself to experience more than what it is that you know for you to find your sound. Because every character has a sound. So, my vision is to create a platform where actors will be seen, actors will be heard, and Nigerian actors will be put on the map. That’s why I’m in this business. I’m in this business to make my brothers and sisters look godlike because we’re performers. We’re not here for the round of applause or the standing ovation. We’re here forever.

Are you looking to explore other parts of the entertainment industry soon, like directing, producing, or even music?

I’m working on my own projects now, alongside doing independent projects for people. I’m going to be doing my own film, but I’m still working on the script. So, by next year, I should go into production. I’m going to be directing my feature next year, starring and directing it. I wouldn’t want to say the title. Let’s just wait till next year. Producing, I don’t have a choice. It’s a story that I’m working on with my partner. I’ve got a few producers, and it’s a pretty interesting story.

Thankfully, I’ve got some happy investors. So yeah, we’re looking forward to principal photography next year. Directing is something that I can’t wait to do. I really can’t wait. I was saying earlier, we’ve got crazy talented actors in Nigeria. I want to give them the opportunity to shine. When I say shine, I don’t mean click beats, I don’t mean trends. I’m not talking about hit likes or photos. I want to create an opportunity for performance in storytelling. I feel like Nigerian actors are blessed. We’re seeing sights and sounds. It’s on the surface level now. The Gabriel Afolayan, The Gideon Okeke, The Seun Ajayi, the Blossom Chukwuchekwu, and Uzor Arukwe. There are a lot of actors in this country who are blessed. And this is me just calling the male actors. Also, you know, the women are ridiculous. There’s Shine Rosman, there is Bimbo Ademoye, there is Nse Ikpe Etim, Kate Henshaw, oh my God. There’s Lady Joke Silva. There are so many. We are blessed beyond understanding. It’s scary. And I can’t wait to work with these people on my project. There is Chioma Chukwuka, my Lord. These are actors whom I’m willing to go the extra mile for. There are some that I can’t remember. I saw a film that Iyabo Ojo did some months back. It’s a Yoruba film. I watched it in Abeokuta. She was a warrior in the film. She was believable. There’s a woman who played her mom in the film. The woman is the best female actress in Nigeria. I’m telling you. The whole film was in Yoruba. My Yoruba isn’t, you know, but I connected with every sound that woman made in that film. I can’t remember her name because it was my first time seeing or watching her. She was phenomenal. Ola Rotimi is phenomenal. He is a brother of mine. I did a series with him. There is also William Chino Nyenem. That guy is a stage director, a stage actor. He’s also an actor. I’ve worked with him. You’ll understand in a couple of weeks or a couple of months. He is phenomenal. So, we’re blessed with a lot of talent. I can’t wait to work with him. I can’t wait to explore the talent that he’s got on my set. I can’t wait. I hope they say yes to me when I get called in soon.

You’ve had to evolve in front of a watching audience. How do you stay grounded while navigating fame, pressure, and public expectations?

I hold on to God, my mother’s prayers. My woman keeps me grounded. My sisters keep me grounded. My friends keep me grounded. I’m a family man. I believe in the power that family has. I can’t function like an island. I’m not in the business of solitude. If I decide to keep to myself for a long while with all the characters in my head, I will run mad. So, I have family. Most importantly, Yahweh, my Heavenly Father, He is the reason why I’m here. He is my mentor, my best friend, my father. He is everything to me. He is the reason why I’m alive and kicking, and I’m going to keep churning out great content moving forward. So, God has just been merciful.

If you could give your younger self one piece of advice before stepping into the spotlight, what would it be?

I would say, don’t do drugs. Don’t get carried away by pressure. Own your craft. Don’t stop learning. The second you tell yourself that you know it all, you are done for. The second you feel like you have arrived, you are finished. But most importantly, hold God close. When I say hold God close, I mean suffocate Jesus Christ. That’s the only way. Or else you’ll lose yourself.

What does success mean to you personally, and has that definition changed as your career has grown?

Ten years back, success would mean having to do multiple jobs. But right now, it’s the smile on a fan’s face when they say, I love your work. I enjoyed the film. I enjoyed watching you in this film, in that film. It was believable. That, for me, is success. That, for me, is a job well done. And, of course, most importantly, the look on my woman’s face. The laughter of my mother when she watches me on the screen. The smile. The bold smile my sister has on her face when she’s watching me. I’m a bit of a familyoriented human being. I love family. Success for me is making sure that everybody around me is genuinely happy

BY JOHNSON CHUKWUEKE

Let’s face it: few things beat the thrill of packing your bags and hopping on a plane, but nothing deflates that travel buzz faster than a complicated visa process. Fortunately, Nigerian passport holders can still enjoy unforgettable global adventures without getting tangled in paperwork. From tropical escapes to cultural hotspots, here are five visafree countries to consider in 2025 that let you skip the embassy line and jump straight into vacation mode.

5 COUNTRIES WHERE NIGERIANS CAN TRAVEL VISA-FREE IN 2025

Fiji

Welcome to Barbados, a Caribbean paradise where the water is turquoise, the beaches are endless, and the vibe is always breezy. Nigerians can visit Barbados for up to six months visafree. Explore colonial history in Bridgetown, go snorkelling with turtles, or just sip rum punch on the sand. It’s luxury, leisure, and culture wrapped into one stunning island.

This island nation in the Caribbean is an underrated adventure paradise. Nigerians can stay for up to six months without a visa. Dominica isn’t about glitzy resorts; it’s for nature lovers. Think rainforest hikes, boiling lakes, hot springs, and hidden waterfalls. It’s perfect for travellers who want to unplug, unwind, and reconnect with nature.

Looking for the ultimate island fantasy? Fiji invites Nigerians for up to four months without a visa. Think white-sand beaches, palm trees swaying in the breeze, and coral reefs that look too pretty to be real. Getting there is a long haul, but every second is worth it. Plus, the warm hospitality of the Fijian people makes this a destination you’ll never forget.

Senegal

Want something close to home but rich in experience? Senegal welcomes Nigerian travellers visa-free. From the buzzing markets of Dakar to the soulful history of Gorée Island, this West African gem offers food, music, and culture that resonate deeply with the Nigerian spirit. Don’t forget to catch a traditional sabar drum performance or feast on thieboudienne (Senegalese jollof, if we dare say!).

Often called “The Smiling Coast of Africa,” The Gambia is small but rich in charm. No visa is required for Nigerian citizens, and the country offers a beautiful blend of history, river cruises, wildlife parks, and beach resorts. Whether you’re interested in colonial relics, bustling local life, or simply some sun and serenity, Gambia has you covered.

In a world where travel can feel increasingly complicated, these five destinations remind us that freedom and adventure are still on the table, passport in hand, visa not required. So whether you’re a thrill-seeker, a chill-seeker, or just need a break from Nigeria’s hustle, 2025 is the perfect year to go passport-powered and visa-stress-free.

The Gambia

Barbados

Dominica

ECZEMA VS PSORIASIS

HOW TO TELL THE DIFFERENCE

CAUSE: WHAT TRIGGERS THE CONDITION?

Eczema is often linked with immune system issues, allergies, or irritants. Eczema flare-ups can be brought on by things like soaps, detergents, stress, cold weather, or even specific foods. It frequently begins in childhood and is prevalent in those who have a history of hay fever or asthma. However, psoriasis is an autoimmune disease. This indicates that your body’s immune system unintentionally targets healthy skin cells. Instead of shedding old skin cells naturally, psoriasis causes the body to produce new skin cells too quickly, leading to thick patches of skin. It can begin at any age and is more likely to be inherited from family genes.

APPEARANCE: HOW DOES IT LOOK?

You can determine what you’re dealing with by the appearance of the rash. Red, swollen areas are the typical appearance of eczema. It may be scaly, dry, and if scratched, it may leak or crust over. The skin might look rough and feel raw or tender. On the other hand, psoriasis often causes thicker, raised patches with a silvery-white coating. Plaques are the term for these patches. Usually more defined than eczema, they might have a glossy or scaly appearance. During a flare-up, the skin may bleed and crack.

LOCATION: WHERE DOES IT SHOW UP?

Both eczema and psoriasis can appear almost anywhere on the body, but they tend to show up in different spots. Eczema commonly appears on the hands, inner elbows, back of the knees, and face. On babies, it’s often on the cheeks and scalp. Psoriasis usually shows up on the elbows, knees, scalp, and lower back, sometimes in symmetrical patterns (like both elbows or both knees). Psoriasis also appears on the nails, causing pitting or discolouration.

BY DORCAS AKINTOYE

We can all relate to how uncomfortable it can be if you have ever had flaky or itchy skin. The most difficult part is trying to figure out the actual cause of the skin concern. Psoriasis and eczema are two prevalent skin disorders that differ greatly despite their similar appearance. They can appear practically anywhere on the body, and both produce red spots, itching, and discomfort. To get comfort and receive the proper care, it is essential to understand how they differ from one another. Whether you’re dealing with it yourself or trying to help a loved one, in this article, we will show you how to easily tell eczema and psoriasis apart.

ITCHINESS: HOW DOES IT FEEL?

Eczema can be identified by severe itching, which can occasionally be so severe that it keeps people up at night. Scratching can exacerbate the condition, increasing irritation and maybe causing an infection. Even while psoriasis might itch, it’s usually more painful than itchy. Some describe it as a stinging or burning feeling. Scratching doesn’t relieve the pain, which can seem deep, almost like it’s beneath the skin.

DURATIONS AND FLARE UPS: HOW LONG DOES IT LAST?

Eczema comes and disappears. Seasons, stress, or exposure to a trigger may cause it to flare up again. Although some individuals with eczema live with it for the rest of their lives, many youngsters manage to outgrow it. However, psoriasis typically lasts a lifetime. Although flare-ups can occur and disappear, they usually persist and require long-term care. Although it may subside, it doesn’t entirely go away and, if left untreated, could worsen over time.

Eczema and psoriasis are different skin conditions that need different types of care. Knowing what you’re dealing with is the first step to treating. If you’re unsure whether your skin problem is eczema or psoriasis, don’t guess; see a dermatologist. They can take a closer look, run tests if needed, and help you figure out the best way to manage your skin and feel better.

POSTURE CHECK

WHY YOUR BACK’S CRYING AND HOW TO FIX IT

We can’t deny it; we are all guilty of slouching at our desks, craning over our phones, or bingewatching Netflix in the weirdest positions. It starts subtly, a little stiffness here, a mild ache there, until one day, your back feels like it’s aged 50 years overnight. The truth is that poor posture is one of the most overlooked threats to long-term health and

BY JOHNSON CHUKWUEKE

wellness. And it’s not just a matter of looks; how you sit, stand, and move directly impacts your spine, energy, mood, and even digestion. In cities like Lagos and Abuja, where many are living life on the fast lane, commuting, hustling, and glued to screens, maintaining good posture is both a challenge and a

The

Root of The Ache: What’s

Causing Poor Posture?

Poor posture often stems from long periods of sitting, especially with unsupported backs and tilted necks. Add in stress (which causes us to tense up), weak core muscles, and improper workstation setups, and you’ve got a recipe for chronic discomfort. It’s not just about sitting, though; standing with a tilted pelvis or walking hunched over your phone also wreaks havoc.

The Domino Effect on Your Health

When your posture is off, your entire body compensates. Your spine carries unnecessary pressure, your muscles overwork to balance you, and your joints suffer. This can lead to persistent back pain, neck strain, headaches, fatigue, poor circulation, and even reduced lung capacity. Bad posture doesn’t just stay in your back; it affects your whole vibe.

The Power of Strength And Stretch

The fix isn’t found in a magic chair or pricey brace (although ergonomic tools help). Real posture correction starts with building strength in your core, shoulders, and glutes, while also stretching out tight muscles like your hip flexors and chest. Exercises like planks, supermans, and cat-cow stretches are your new best friends. Yoga and Pilates are also great options for posture support, helping improve flexibility, body awareness, and alignment. Just 15–20 minutes daily can make a noticeable difference.

necessity. If your back could talk, it would probably beg for help. The good news? You can answer that cry, and it starts with awareness and small, consistent steps. Let’s examine your posture and learn how to realign your life (and spine) one habit at a time.

Desk Detox And Digital Discipline

If you work long hours at a desk, do your future self a favour: raise your laptop to eye level, use a chair with lumbar support, and take regular movement breaks. The 20-20-20 rule helps: every 20 minutes, look 20 feet away for 20 seconds and stretch your spine. And yes, this includes putting your phone down; your neck deserves better.

It’s time to straighten up. Posture might not seem like the sexiest fitness topic, but it’s one of the most essential. Taking care of your back is a long-term investment in your energy, appearance, and overall well-being. So, the next time your back sends out an SOS, don’t ignore it. Stretch, strengthen, and sit like the strong, confident person you are. After all, standing tall isn’t just physical; it’s a mindset.

THE CANCER CODE

If you’ve ever met someone who could intuitively sense your emotions, whip up the best comfort food on a rainy day, and still have a deeply private world you’ll never fully crack; chances are, you’ve met a Cancer. Born between June 21 and July 22, Cancers are ruled by the moon, and just like its phases, their moods can ebb and flow with powerful emotion. But don’t be fooled by their tender, sometimes introverted vibe; this water sign possesses an inner strength that can rival a stormy sea.

In this piece, we’re peeling back the layers of the crab to understand what makes Cancers so beautifully complex, deeply loyal, and surprisingly powerful in their quiet way.

Deeply Emotional, But Not Fragile

Cancer is often misunderstood as being overly sensitive. Yes, they feel things deeply, but this emotional depth gives them an almost psychic ability to read the room and care for those around them. It’s not weakness; it’s emotional intelligence on full display. Their intuition is a secret superpower, allowing them to show up for people even before they ask.

The Nurturer of The Zodiac

Home is sacred to a Cancer. Cancer sign is the ultimate nurturer, whether through baking, decorating or making everyone feel safe in their space. They’re the ones who remember your birthday, your pet’s birthday, and the way you like your coffee. Loyalty is their love language; they’ll go above and beyond for the people they hold dear.

Fierce When It Counts

Don’t let the softness fool you; Cancers are fiercely protective. Like their symbol, the crab, they may have a hard shell, but that’s because they guard their heart carefully. Push a Cancer too far, and you’ll meet a different side of them. Their fight isn’t loud but strategic, precise, and driven by a sense of justice and care for others.

Creative Souls With a Quiet Fire

From poets to painters, actors to chefs, many Cancers have a creative streak that lets them express what words often can’t. Their ability to turn emotion into art is one of their greatest gifts. They also thrive in careers that allow them to care, connect, or create, such as therapy, teaching, design, or even entrepreneurship.

BY JOHNSON CHUKWUEKE

ELEMENT: WATER

RULING PLANET: THE MOON

SYMBOL: THE CRAB

FLOWER: WHITE ROSE

BIRTHSTONES: MOONSTONE, EMERALD, RUBY, PEARL.

DATE: JUNE 22ND - JULY 22ND

Craving Connection, But Also Solitude Cancers are social until they’re not. They need space to recharge, often retreating into their shell to sort through emotions or reconnect with their inner world. Respecting their need for solitude is key to loving a Cancer, and if you do, you’ll get loyalty, depth, and love that lasts a lifetime.

Cancers may not be the loudest in the room, but their energy is unforgettable. They are the safe space in a chaotic world, the soft place to land, and the steady emotional anchor we all need sometimes. If you’re lucky enough to have one in your corner, treasure them—they’re the kind of magic you don’t find twice.

Ali Baba, June 24th

Ini Idima Okojie June 24th

CASSY’S CHRONICLES UNPLANNED

It was a hot Saturday night, the kind where the heat clings to your skin no matter how many times you shower. I had just packed my hair into a messy bun and settled into bed in nothing but a short tee and cotton panties when Deji called.

His voice was low, rough. “Can I come over?”

I sat up immediately. “What’s wrong?”

“She ended it,” he said. “Just like that”.

My heart sank.

“Come,” I said, already getting up to unlock the door.

He arrived twenty minutes later, no smiles, no energy, just Deji in a faded black shirt and joggers, eyes swollen and jaw tight. He looked like he hadn’t slept in days. I hugged him. He held on longer than usual.

He followed me inside and sat on the couch like someone carrying a weight too heavy. I brought him a cold drink, but he barely touched it.

“She just said she was tired,” he finally muttered. “Tired of trying. Tired of me.”

I sat beside him, close. “You’re not the problem, Deji.”

“I gave her everything,” he said, eyes glistening. “I don’t know how to bounce back from this.”

I placed my hand on his. It was a small thing, but he looked at it… then at me. Something shifted.

“I don’t like seeing you like this,” I whispered. He was still staring at me. Our faces were close, too close. I should’ve pulled away, but I didn’t. I leaned in and kissed him. It was soft at first, just a moment. But he didn’t stop me. He kissed me back like he needed it, like he was falling apart and holding onto me was the only thing keeping him sane.

Maybe it was the way he looked at me. Maybe I just wanted to make him feel better. Maybe it was something I had buried long ago without admitting it.

One kiss became two. Then three. Then he cupped my face, his thumbs brushing my cheek, his lips moving deeper against mine, needy and hot. His tongue teased mine, slow but hungry. My breath caught as his hand slipped down to my waist, pulling me onto his lap.

We didn’t say a word.

My thighs straddled him, the thin fabric of my tee riding up as his hands slid under, fingers trailing along my bare skin, lighting tiny fires with every touch. His lips moved from my mouth to my neck, slow, lingering kisses that made me tremble. I could feel him hard against me, his breath uneven, matching mine.

He peeled my shirt off gently, eyes on my body like he was taking his time to memorise every part. He kissed my collarbone, down to my breasts, sucking and teasing till my head fell back, a soft moan escaping me. My hands ran through his hair, pulling him closer, wanting more.

He lifted me and carried me to the bed without saying a word, laying me down like I was something precious. Then he took off his clothes, slowly, deliberately, and I took in the sight of him. All of him.

He came back to me, his hand sliding between my thighs, parting them. His fingers found my wetness, teasing gently, circling till I gasped. He watched me with dark, focused eyes, then lowered his head. His tongue replaced his fingers, licking and sucking with slow intensity until my legs trembled, and I moaned his name like a secret.

Then he entered me, slow at first, then deeper. His strokes were steady and firm as if he were holding back and letting go at the same time. I wrapped my legs around him, matching his rhythm, feeling every inch of him, every movement, every breath. The room felt charged. Our bodies moved like we had always known this moment would come.

We came undone together, moaning into each other’s mouths, bodies slick and tangled. When it was over, we lay there, skin to skin, breath slowing down.

He turned to me and said softly, “Did that just happen?”

I smiled, running my fingers along his chest. “Yeah. And I’m not sorry.”

BY BOLUWATIFE ADESINA

MOVIE REVIEW:

Mission: Impossible —The Final Reckoning

Mission:

Impossible—The Final Reckoning has a running time of just under three hours. Within those three hours, alas, I’d say that Tom Cruise has a running time of only a minute or two. As the world’s self-professed biggest fan of Cruise the cardio demon, this is dispiriting news: what a letdown compared to Mission: Impossible—Ghost Protocol (2011), in which he raced heroically through the blinding fury of a Dubai sandstorm. And who could forget the blissful London chase sequence from the best one, Mission: Impossible—Fallout (2018), in which Cruise spent a whole seven minutes tearing up a staircase, then sprinting from one rooftop to another?

Cruise does go for another brisk London jog in The Final Reckoning, and although he’s had tougher workouts, he seems intent, as ever, on outrunning time itself, an idea literalized by the sight of Big Ben glowing in the distance, ticking away the seconds until doomsday. Cruise’s character, the Impossible Mission Force agent extraordinaire Ethan Hunt, has a bomb that needs defusing; a beloved teammate, Luther (Ving Rhames), who needs rescuing; and an artificially intelligent nemesis, the Entity, to banish to the pits of cyberhell. But for Cruise the actor, who turns sixty-three (63!!!!) in July, running has become more than a means to a narrative end. He does it for the same reasons he scales skyscrapers, plunges into watery depths, and dangles from renegade aircraft: to cast aside any hint of creeping senescence and to remind us what an honest-to-God movie star is willing to risk for our entertainment.

And that means something in a Hollywood that now caters to puny screens and punier visions, outsourcing the finer mechanics of action filmmaking to the visual-effects department. (Is it any wonder that A.I. is this movie’s supervillain?) Cruise means to turn back the clock in more than one sense. He may be older and puffier around the eyes than in 1996, when the first Mission: Impossible film was released. But he still dives headlong into each adventure as if it were his personal fountain of youth.

But has that fountain now run dry?

The Final Reckoning is Cruise’s eighth Mission: Impossible outing and—assuming the title isn’t wearing

a rubber mask, sadly his last. The script, which the director, Christopher McQuarrie, co-wrote with Erik Jendresen, too often sags under the weight of endtimes portents; even for a series that treats global destruction as an occupational hazard, the mood has never been quite this oppressively doomy. The Entity, which McQuarrie introduced in Mission: Impossible—Dead Reckoning Part One (2023), has now conquered all of cyberspace and thus become more pernicious, more deadly, and more tedious to summarise than ever. It has endangered world economies, unleashed plagues of misinformation, and even spawned a powerful cult that seeks to hasten humanity’s end. Paris (Pom Klementieff), herself a former servant of the Entity who has since joined Ethan’s team, murmurs, “It is written,” as if the techno-apocalypse had been foretold aeons ago.

About halfway through The Final Reckoning, as Ethan descends into the frigid depths of the Bering Sea, something overdue and wonderful happens: the movie falls silent. Until now, there has been an overabundance of micro-logistics, even for a Mission: Impossible movie: there are aircraft carriers to be commandeered, secret coördinates to be transmitted, and laws of physics to be circumvented. (Also, fine actors playing top government and military leaders to be acknowledged, including Nick Offerman, Janet McTeer, Hannah Waddingham, and, most impressively, as a submarine captain, Tramell Tillman (Mr. Milchick on Severance!).) So much information is laid out—and so much emphasis placed on risks, stakes, and disastrous potential outcomes—that you strongly suspect only a fraction of it will matter in the end, and you’re right. For perhaps the first time in McQuarrie’s assured handling of these movies the stunts lead the plot, not the other way around. For my money, Fallout (2018) remains the best of the lot.

But, finally, the expository blather dies away, and the mission is upon us: Ethan Hunt, meet shipwrecked submarine. His aim is to retrieve a chunk of hardware holding lines of digital code (it is written!) with the power to override and perhaps defeat the Entity for good. For a few spellbinding minutes, Cruise does everything he could possibly do underwater, short of singing “Eat your heart out, James Cameron” into his oxygen tube. He sloshes his way through waterlogged chambers, swims past unexploded Russian torpedoes, and briefly swim-dances in his underwear. All scored to the sound of

the ocean’s depths; It’s action cinema at its purest and most existential.

For all the dangerous missions that Hunt has embarked on solo, I can’t recall one that has conveyed such a primordial sense of abandonment. For a moment, Lalo Schifrin’s irresistible theme is a distant memory, and the fate of humanity really does seem to rest on the shoulders of the most unreachable man on the planet. Such loneliness is another I.M.F. occupational hazard, but a self-imposed one: again and again, both Reckoning movies emphasise that Ethan’s most heroic virtue—his refusal to sacrifice his teammates for the greater good—is simultaneously his gravest weakness. It explains why, beyond a valedictory sense of full-circle symmetry, McQuarrie piles on so many callbacks to the first Mission: Impossible film, in which Ethan’s teammates were murdered before his very eyes—a formative trauma that he seemed to forget for long stretches of the series, but which has been selectively retrieved, like sublimated source code, for this movie’s narrative purposes.

More than once, McQuarrie splices in an indelible image from the 1996 film: a knife falling into a top-secret vault, the blade embedding itself in a desk. That same knife shows up, eight films and nearly 30 years later. It’s one example of the sprawling attempt to encompass all eight films in this potential finale. Not that I craved concision from this film; McQuarrie and Cruise have earned their double-decker climax. But, amid the brooding sprawl, I wanted more of the brand of action we got from Ghost Protocol to Fallout and less of the unspeakably boring “villain” (he’s not even the main threat here) of these last two films; Gabriel (Esai Morales), who bears the name of an archangel but never achieves the stature of an archenemy.

Overall, if this is the end of the Mission: Impossible franchise, it has been an honour. Better and more consistent than the Daniel Craig Bond movies, in this writer’s opinion, and a sheer credit to Tom Cruise’s adrenaline addiction. For 25 years (and especially the last 5), he has led the charge to save the theatre experience by pushing the limits of stuntwork. What separates this franchise from any other is the visceral nature of knowing it really is Tom Cruise hanging off the Burj Khalifa or BASE jumping into Paris or hanging off that train a la the Uncharted games. I’m obviously extremely biased, but I’ll miss these movies. They were a lot of fun and genuinely put butts in theatre seats. They’ll probably try to revive the franchise in a few years with a new lead, but without Cruise (if he’s doing these movies in his 70s, we have to stop him for his own good at that point), they probably move from real stunts to green screen effects like everyone else, and that’s just not a mission I’m willing to accept.

Rating: 7/10