Just doing his job regardless...
Do YOU have what it takes to become a police officer? Call 0121 265 7007 or visit: www.west-midlands.police.uk/thevine 28540
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october 2008
Welcome Black History Month is upon us again, and for this issue of the VINE we have taken a deeper look at Black British History. Along with the more recognised names in black history there have been men and women that have made a difference with the few
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resources they had. As usual in the magazine we have a combination of familiar faces and those who may not be so well known. We also have a few features that take the views of everyday people and how the subject of black history affects them. Having met a lot of people in creating this issue, we found that the thing that stands out it that black history is not just for the month of October, and black history is relevant
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Fitting Suits & Fitting In
George Saunders talks to us about the obstacles and barriers he faced when trying to ply his trade as a tailor, and how he overcame those barriers
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From Coast to Coast
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hope you enjoy this special
Frankie
Dr. Andy Green shares with us his findings on Birmingham’s connections with black history
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to all people of all races. We issue of the VINE.
Black Histories in the Archive
Ochoy Hyman is a Stores Manager in the Royal Navy, but how did he make it there considering he was born in Kingston, Jamaica?
Q & A with Dr. Robert Beckford
The soon-to-be Cambridge Professor answers some question on the relevance of Black History Month
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Editor
Back in the Day
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Vox Pops
We took the time to talk to a few members of the public to find out how they looked at the subject of black history
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Coming to a Cinema Near You
On the eve of the launch of Birmingham’s second Black International Film Festival, organiser Dean Alexander gives the low-down on what’s to come
43-44 Holding All the Aces
ACE Dance take time out of their rehearsals to talk to us about their forthcoming tour
48-49 What does it mean to
be black?
We speak to a selection of young people to find out what being black meant to them, and who inspires them
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Just for fun, and part of our Celebrating Black British History issue, we thought that a quiz would lighten the mood
30-31 Harewood does Sherwood
Birmingham born David Harewood takes a break from filming to talks about his new role in Robin Hood coming soon to the BBC
R I will give You thanks in the great assembly; I will praise You among many people Psalm 35:18
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Reviews Competitions Caribbean Focus Front Room Jobs, Training & Careers
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letters bringing the community back together
The Vine helped Be Birmingham effectively communicate its latest citywide campaign to the black and ethnic minority. The publication provided a unique and creative opportunity to add its voice to the campaign which undoubtedly helped contribute to the success of the project. Be Birmingham recognises the commitment of the people behind the magazine and looks forward to working together with them on future projects.
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Be Birmingham It has been a pleasure to work with you especially on such a life changing project. The 2026 vision for Birmingham will not only impact on us, but also on the lives of our children. It is exciting for the Vine to be involved as we can relay the vision to the wider community, so everyone can participate and make a positive change to the future of Birmingham.
The Vine magazine is very professional and of high standard and quality. It is very diverse and it contains alot of useful information. This is what made me advertise in the magazine and I have had a good response. I will always recommend it. Keep up the good work. Pauline, Stourbridge
No part of theVINE magazine may be reproduced without prior written permission of the publisher. theVINE can not be held responsible for views or claims expressed by contributors and advertisers which are not necessarily those of the publisher. theVINE reserve the right to edit any letters for the purpose of length of contribution. theVINE is registered as a magazine at the British Library. ŠCornerstone Media Services Limited. All rights reserved.
It is good to hear your comments Pauline and thanks for giving us the feedback. The VINE is conscious of portraying every advert and article in the most professional way possible. Your success is our success and thank you for your THE SMASH HIT WEST END MUSICAL IS support. COMING TO BIRMINGHAM Thank you for my winning tickets to go and see Our House at the Featuring the hits of Birmingham 29 May to 21 June MADNESS Rep. My Book your tickets today! 0121 236 4455 friend and I went and had a thoroughly good time. The cast were all fantastic and we thought that they all sang and danced extremely well. This was my first Cast includes X-Factor winner Steve Brookstein
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Once you have finished with this magazine please pass it on or recycle it
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theVINE October 2008
visit to the Rep but I will definitely be going again. Can you please pass on my congratulations to the Rep. Thank you again. Cheryl James Entering the competitions within the VINE, is always a good way of trying new products or entertainment. Birmingham has so much to offer, so we encourage you to enjoy and support those that advertise in the VINE. I’m thrilled Cheryl that we have got yet another customer for the rep and keep entering our competitions for more free nights out. The VINE just gets better with each edition. I had some copies from you that I gave my mom to put in her shop, they went like hot cakes ... people asked how they could get hold of a copy, so if you have any copies of this month or last month, please pass on and I will give them to my mom. Carol Carol thank you for your comments and you will experience even more demand with this issue as it celebrates Black History month and is our special edition of the year. Take my advice and hide your copy. Enjoy!
Birmingham Stories:
Black Histories in the Archive Black resistance in Britain began long before the twentieth century, involving many authors, activists, workers and preachers in campaigns against the transatlantic slave trade and other anticolonial struggles. But where can we go to discover the evidence for Birmingham’s important early connections with Black history? The current ‘Birmingham Stories’ project, based at Central Library, has been delving into the city’s vast range of archive and heritage collections to find out more clues. The following brief account of Frederick Douglass and Peter Stanford shows how local archive collections can often provide unexpected insights into the lives of men and women who fought to change attitudes in Birmingham. Frederick Douglass In Birmingham “The whole history of the progress of human liberty shows…if there is no struggle there is no progress”. This comment was made by Frederick Douglass, one of the greatest Black activists of the nineteenth century. After escaping slavery in 1838, Douglass went on to describe his incredible journey to freedom in ‘The Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself’ (1845), a book which sold a staggering 30,000 copies between 1845 and 1860. This autobiography effectively launched Douglass as an international figurehead for Black antislavery agitation; and he used his great skills as an orator and author to struggle for Black international rights until his death in 1895. Significantly, a number of archival records now show that Douglass once came to Birmingham to deliver a speech entitled ‘slavery attacks humanity’ during his groundbreaking antislavery tour of England in 1846. A recently discovered archive entry identifies that the local Birmingham Antislavery Society held a “special meeting” for Frederick Douglass
to speak to its members on June 29th, 1846 [BASS Minute Book IIR62]. Meanwhile, a local newspaper advertisement also tells the wider public about his visit, announcing in a front page advertisement a public address by the “Eloquent American Slave”. Douglass’s speech marked an important moment of Black resistance in a town which had been responsible for supplying vast quantities of guns that were used as part of the ‘African trade’. Rev Peter Thomas Stanford: Birmingham First Black Minister
“During the past twelve months, I have been anxiously endeavouring to better fit myself for the work of assisting my brethren in Africa”. Following in the footsteps of Douglass, these words are found in ‘From Bondage to Liberty’, a text written and published in Birmingham in 1889 by the city’s first Black Baptist minister, Rev. Peter Thomas Stanford. Also born into slavery in the American South, Stanford was freed at the end of the American Civil War in 1865. After many travels through America and Canada, Stanford crossed the Atlantic and came to settle in Birmingham, where he lived from 1887 until 1895. On May 9th, 1889, Stanford accepted the invitation from Hope Street Baptist Church to become their minister. During his time in Birmingham, Stanford continued to promote an awareness of the global injustices faced by Black people. A local publication called ‘Birmingham Faces and Places: An Illustrated Local Magazine’ (1894) included Stanford in an entry entitled ‘Birmingham’s Coloured Preacher’. As
this title hints, Stanford often confronted racist attitudes of the upper class social elite. However, he appears to have found the genuine respect and favour of Highgate’s white working class. After seven years of living and working in Birmingham, Stanford returned to America in order to publish one further book, ‘The Tragedy of the Negro in America’. In this work of great political commitment to Black freedom, Stanford commented that “leaving my Birmingham Church was the greatest trial of my life... because the kindness and love of many friends must be left behind.” Researching Black Histories in Birmingham These brief sketches of Frederick Douglass and Peter Stanford show how archives can sometimes reveal to us a dramatic new glimpse of histories that have been overlooked or suppressed by mainstream accounts. By liberating hidden fragments of evidence on Black history, we can open up a new path for activists, artists and communities to tell a different story about the city’s past, present and future. If you would like to get involved, or for more information on the ‘Birmingham Stories’ project, please ring 0121 464 1608 and ask for Dr Andy Green or Dr Kevin Searle. Or, please visit our website, which contains free downloadable learning guides on local archive collections and further sources of information on Birmingham’s diverse history. www.connectinghistories.org.uk/ birminghamstories.asp theVINE October 2008
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and Fitting In When he arrived in England in 1958, already a professional tailor, little did Kittitian George Saunders realise the obstacles and barriers he would face to carry on his trade. Now 77, he has become something of a local celebrity. We found out more about his experiences of fitting clothes and fitting in, in Britain.
G
eorge Saunders directs me to a kitchen cupboard and I open it to find, what now can be considered historical artefacts. In a plastic pocket, nestled among pictures of George when he was younger, there is a carefully folded letter, dated from 1955. It is addressed to George when he still lived in St.Kitts and sent from a friend who had moved to Birmingham from the island. The letter details how to travel from London to Birmingham, a significant journey for someone unused to a England he explains- though undoubtedly less significant than leaving your home in the Caribbean and making the lengthy journey to rainy England. George was in a comfortable position on St.Kitts as a fully-trained tailor and didn’t have to leave, but he was inspired by the new experiences of his friend, whose letter lay unfolded before me. “He told me he wasn’t doing too badly, so I thought, ‘well, I should come along for the experience’ ”. His father was a tailor and as the eldest child, George, was expected to carry on the trade from an early age: “When the boys were playing football a n d cricket
and things like that, I couldn’t. I had to be in the workroom.” George’s father believed that teaching his son the trade would enable him to be financially secure for life. Admittedly his logic proved correct, as George, now 77, still has a workroom upstairs in his home and tailors the occasional item, though this is getting harder due to his diabetes affecting his eyesight. However when George first moved to England in 1955, he faced significant barriers of prejudice and discrimination and it took a real fight to be able to carry on doing what he did best. George arrived in England, intending to stay for a few years and then to return with more money and a solid foundation. However, when he came over, he realised it would take longer than expected to achieve his goals and so he sent for his wife and son to come over in 1959. When he first arrived, he hoped to get work as a tailor immediately but was met with rejection at every turn. He had a young family to support and needed to get money, so took the first job he could get: as a cooper’s labourer in Smethwick. He worked at this job for over six months, and admits he found the hard manual labour and conditions he was working in “very devastating”, after his life in St. Kitts as a distinguished, well-dressed professional. “One day I looked at myself, dressed up in this blue overall and I thought, ‘look what I’ve brought myself to’”. Happily the story does not end there. In fact part of George’s charm lies in his persistence and refusal to be beaten by the blocks placed in front
of him. George continued to apply for tailoring jobs, but each time he was asked if he had any “English experience”, he was forced to admit that he had none. To defeat that first barrier, he applied for a tailoring correspondence course from the London Academy, so no employers could question his credentials. Whilst taking the course, George provided for his family by working long hours in a custard creams factory in Birmingham, making the filling. However armed with the new confidence from the course, George applied to an advert in a newspaper for a tailor. He detailed his enthusiasm and qualifications in his letter and he was subsequently invited to an interview. The prospective employer wrote back warmly, telling George that he was ‘just the man he was looking for’. George took a day off from the factory for the interview, enthusiastic about resuming his trade. But when he arrived to be interviewed, his hopes were suddenly dashed. “He looked at me, and he pulled the letter out of my hands, and he said to me: ‘The job is gone.’” When George enquired why he was being refused an interview, the man shouted at him “to get out”. He managed to walk away calmly, but internally he was humiliated. “I’d never really experienced colour prejudice. So I wanted to know, why did he have to say that to me? I was dumbfounded.” But it was an experience George had to get used to. His next tailoring job, doing alterations for a company in the evenings, after he had finished his day job at the factory, proved too
strenuous. He then found a job working full time as an alteration hand, but encountered prejudice once again. “There was a workroom downstairs which had around eight or nine people and they were all white people in that room. My room was in the attic on the top floor, all on my own…I wasn’t happy with the situation, but what could you do?” Finally he acquired a job at a respected tailors in Kings Heath, not as a alteration hand but as a proper tailor. He could finally prove his mettle, and did so with aplomb- managing to fit a customer, who complained he had never received a satisfactory suit from there in fifteen years. Yet despite his hard work, he was never acknowledged by his boss, who took all the credit. This prompted him to start his own business. This was certainly no easy feat in the early 1970s, as it was difficult to get funds together. George had to scrimp and save, and continue to work at his former job as a tailor, while setting up his own company. He explains that banks were suspicious of West Indians and refused to give loans, thinking they would simply run off with the cash. Despite this George managed to set up his first shop at Balsall Heath road, where he stayed for just under ten years and then moved to Hurst Street, where his old shop is now preserved as a heritage point by the National Trust.
He tells stories from his shop at Hurst Street, which eventually employed a staff of ten and gained a considerable reputation. The shop proved a hit with customers ranging from the fiercely individual Mods, who would arrive on their scooters, to the bulk orders for the armed forces, both at home and abroad. His strangest order however was for the royal horse guards’ trousers. These trousers, made of buck leather, were seamless on one side and had hidden seams on the other. They had to be made on a specially customised machine and sewn with extra-strong thread, using a unique three cornered needle. That all sounds horribly complicated; George laughs before agreeing, “oh yes”. His children became involved with the shop over the years and now his son and one of his daughters work as tailors for the police, whilst his granddaughter is studying fashion at college in Birmingham. When the National Trust bought the
backto backs houses on Hurst street and asked George if they could preserve his belongings, he was surprised and had already filled skips with his old possessions, though there is still much to see. He admits the media interest in his life and this sudden fame late in life has surprised him, “I didn’t plan for that”. However, it is easy to see why George has proved such a hit for both the media and those interested in heritage in Birmingham. George’s story is not just the story of one man settling up a tailor’s shop in Birmingham. It is symbolic of the aspirations of the early West Indian migrants to Britain and the entrepreneurial spirit they arrived with. There are many great people to celebrate this month: leaders like Martin Luther King, activists like Franz Fanon and Marcus Garvey and sports people like Walter Tull. Sometimes however, we need to look closely at the community and acknowledge the history and contribution of men liked George Saunders: who triumphed over discrimination and set-backs with hard work, professionalism and conviction. Dominique Brady theVINE theVINE October October 2008 2008
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h ea Y t? s te g in iv dr r u o y Passed h ea Y t? n de n pe de in g in el - Fe Freedom on the roads at last...... Wait a moment! Did you know: • You are on probation for the first 2 years after passing your test • If you get 6 penalty points you lose your licence and will have to re-take your driving test; • 1 in 3 accidents involve young men; • Women aged 17-19 are more likely to be killed as a passenger than a driver. • The fact is 3 young drivers and their passengers die on our roads every day Driving is not what it used to be, roads are more congested and everyone seems to be in such a hurry. For more information contact the Road Safety Team on 0121 303 7683
Don’t become a statistic - become a safe driver poppa advert new:Layout 1
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Taste of the ..
..caught in a can
ON SALE NOW FILLINGS Caribbean Red Bean Soup available in a can for the first time. suitable for vegetarians
020 8671 4555 Fillings of London 168 Streatham Hill www.poppashawfillings.co.uk
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theVINE October 2008
from coast
to coast
Ochoy Hyman, 24, was born in Jamaica but moved to England when was 16. He is now a stores manager in the British navy and travels the world, even helping provide disaster relief in his homeland. He explains what prompted him to join the navy and what he wants to achieve next
I
t is easy to imagine how Ochoy could smoothly fit into life in the navy. Before he joined at 18 he had already lived in three different countries and had learned to adapt well to new situations and people. Born in Jamaica, he grew up there, before moving to Antigua with his mother and then following her to England a few years later. He moved to England when he was 16, leaving behind his sister, father and siblings from his father’s side of the family. Then on his third relocation, Ochoy found the transition to England easy- even fitting in to a new school. “Fitting into school was alright, because obviously I’ve done it before. And my attitude was a bit different to the other students at the time. I just got on with it really...The quicker you settle in, the better it gets for you.” Ochoy explains the biggest culture shocks upon arrival to England were having free education, and then, of course, the weather. “We are normally outdoors back home and we do lots of different activities all year round. When you come here, you are in the house all the time. It’s always raining and I’d say it was a bit more boring than back home.” He initially heard about the navy, when on a school trip in year 11, he was taken to the HMS Raleigh Training establishment in Plymouth. At the time he and his friends were sceptical and laughed off the suggestion about joining. However a few years later, when Ochoy was finishing his A-levels and had secured a place at university, he suddenly had doubts about that decision. “I was thinking about student debts and stuff like that and I didn’t want
to go down that route to be honest.” Instead the navy appealed. “I could be working full time, travelling the world and making some money and it’d be good for me, some good experiences. Why not?” After eight weeks of training on basic navy skills and discipline: taking care of kit, marching and also basic skills like ironing (“which a lot of kids don’t know how to do”), the recruits had to pick a specialisation or profession within the navy. Ochoy chose logistics and received ten weeks of specialised training. Logistics involves managing the ship’s stores and supplies and making sure equipment is replaced. At present he is on the basic rank level, but hopes eventually to climb three notches higher on the ranks to Chief Pay Officer, a managerial level in logistics. “It can be done”, he adds, explaining that the navy encourages promotion every four and a half years and lots of training and courses throughout. Throughout his five years in the navy, now Ochoy has been attached to one ship, the HMS Cumberland. The ship was based in the Caribbean for six months, where the crew helped to provide disaster relief, particularly hurricanes and also preventing drug trafficking. He has also been on exercises throughout the Mediterranean and visited numerous places from the Bahamas to the Scandinavian countries. His favourite post however, has been visiting his home in Jamaica. He still misses home and tries to visit Jamaica twice a year, even though his mother and his sister live in England. “If I don’t go for a year, I just lose it. To keep a
peace of mind, I like to go home and see my grandma and the rest of the family.” Despite the occasional bursts of homesickness, which he warns all naval officers are prone to, life on board the ship sounds stimulating and interesting. In the navy as a whole, there are many other Caribbean personnel, due to the Commonwealth link. Overall there are a diverse range of people involved in the Navy, though Ochoy admits the Asian community is under-represented at present. Caribbean servicemen and women were integral the British campaign in the Second World War and it is good to see that link continuing alive and well, through forces from the Commonwealth serving in the navy today.
theVINE October 2008
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Could YOU change the life of a Coventry child? John and Nancy have recently become foster carers for Coventry Fostering Service. Nancy says she has a passion for helping and supporting people. Growing up in Kenya she watched her mother care for four children from the local orphanage as well as raising Nancy and her brothers and sisters. As a support worker in Coventry, Nancy helps many different people in the community. And now she is using those skills and caring qualities in her new role as foster carer. “It is something that has come from our hearts,” explains Nancy. “I saw children who were living the life they shouldn’t be living. It’s not their fault, but I wanted to give them care, hope and love.” John adds, “As a Christian you look for a way to change the lives of other people.” After completing the approval process (“you learn how to deal with lots of situations,” says Nancy), the couple had their first experience of fostering, caring for an 11year old girl. Nancy comments “it was life-changing and gave me the will to do it again.” She also feels “proud that I can make a difference and can help children through their ups and downs.” Nancy and John also believe that fostering will have a positive effect on their daughters, aged 13 and 6. “They get to share and mingle with other children,” says Nancy. “Before our first foster child arrived, the girls planned the games they were going to play with her.” fostering advert:Layout 1
7/8/08
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The couple recognise the need for more families like them. “It’s good when foster families can support their own race,” explains Nancy. She and John hope to encourage others to consider fostering. “Once you think about it, you have the potential to foster,” she concludes. A significant number of Coventry children in foster care are of mixed parentage or from Black or Asian families. At the moment there aren’t enough foster carers or adopters from similar backgrounds to support these children and help them develop a positive self image. We particularly need foster carers and adoptive parents for brothers and sisters who want to stay together, children with learning difficulties or health problems, and older children. If you are interested in fostering you will need to live in Coventry or the immediate surrounding area. And you will need a spare bedroom for the child you look after. We can consider you as an adopter if you live outside Coventry but within an hour’s drive of the city. For an informal discussion, please contact Coventry Fostering & Adoption Service today. Ring 024 7678 5577 or visit www.coventry.gov.uk/ adoptionandfostering
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Take the first step Coventry children need more Black and Asian foster carers and adopters. To find out more call Coventry Adoption and Fostering Service on
www.coventry.gov.uk/adoptionandfostering
07/03/889b
024 7678 5577
self improvement
with Ruth Taylor
Self-limiting belief
the inner enemy of success
I
n my role as a life coach, I am frequently asked by individuals, how they can break the self-defeating negative thoughts which prevent them from going after their goals. This article seeks to look at the effect that self-limiting beliefs can have in preventing worthwhile goals from being achieved. Self–limiting beliefs are thoughts you hold in your mind which limit your potential – they are beliefs that aren’t necessarily true. If you set out with the thought “I doubt if this will work” each time you go after a goal, then according to your belief, that is actually what you will get. If you doubt your ability to complete a certain goal, you are unlikely to give it 100%. You are placing limitations on yourself and what you are capable of doing. Is there a goal that you really want to achieve that you keep putting off? Then simply take the first step. Be consistent in going in the direction of your goal by taking one step at a time towards its accomplishment. “Take the first step. You don’t have to see the whole staircase, just take the first step” - Martin Luther King Jr. Don’t paralyse your efforts by limiting yourself. You must consciously throw out any thoughts or suggestions which limit you in any way. There is nothing you cannot do. You simply need to find the way and follow it through to completion. Others may have put limits on you, but you no longer have to accept them. From this day forward make a conscious and deliberate decision that you will not allow negative
thoughts to control what you are capable of. You, yes you, came into this life as a gifted individual. Use your talents to make room for yourself. You must identify your abilities and stay focused on how you can use them to benefit yourself and at the same time add value to other peoples’ lives. We are all here to serve one another in a positive way. Do not rely on what others believe about you. You must have enough confidence in your own abilities. If you want to rise to any challenge you must believe in yourself. In the words of Marcus Garvey; “If you have no confidence in self, you are twice defeated in the race of life. With confidence you have won before you have started.” Without confidence in what you can do and in who you are, what chances do you have of achieving worthwhile goals? The two greatest enemies which stop us from going after our goals are doubt and fear. They act like brakes and stop you from reaching your full potential.
of success. Regrettably, there are no tablets you can take to get rid of them. The main transformation is you. Make a conscious and deliberate decision to become the master of your own thoughts. You can develop your mind to be stronger so that you can confront and challenge your selfdefeating limiting thoughts. Remember, your thoughts and beliefs determine your actions or inactions. Thoughts affect feelings and feelings affect action. Behaviour or action produces results, or the lack of them. It all begins with your thoughts.
Doubt can prevent you from taking healthy chances. It works like an elastic band and pulls you back each time you are about to take a step forward. Doubt can stop you from believing in yourself. Fear is like an overpowering creature which takes you over emotionally and mentally. Fear prevents you from taking action towards your goals. Where there is fear, there is no room for courage and certainly no room for enthusiasm, energy and drive. Fear and doubt are the twin enemies
Ruth Taylor is a Personal Life Coach, Motivational Speaker and Trainer. You can contact her on: 0794 7104061. Giving thanks always unto the Most High.
Ever thought about Fostering and Adoption?
Could you be the future of fostering in Walsall?
For more information about Fostering or Adoption call Freephone 0800 923 3706 Email: familyplacementsservice@walsall.gov.uk
held s in ements
Journey of a black woman Presented in partnership with JJ Strong Minds, this workshop dispels the myths and stereotypes commonly associated with women of colour. Through interactive discussions and group work, we aim to portray the many positive experiences both past and present.
MIDLAND HEART 1/2 LATE INSERTION
trength, being owledge e.
� Moments in history: The Journey � The Roles, The Perceptions and The Realities � Going from zero to heroine
e you to anising hout
spirit not to
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Come on the journey with us. A FREE lunch will be provided
VENT E S I TH EE IS FR
theVINE October 2008
Where: 20 Bath Row, Birmingham B15 1LZ When: Friday 3rd October 2008 Time: 9.30am – 1pm
Please call 0121 666 5295 to reserve your place
HE
Get this advi diab alte
You ca have y
The Bl event
Free r
Where
When Time:
D
teaching children how to accept
“M
iss Jones, how come Cleveland is a different colour than me?” “Mr. Timothy, how come Manuel doesn’t talk like me?” We’ve all been there…we have all been with our kids when they have asked a potentially uncomfortable question in front of someone.
is to teach them about different cultures before it is even an issue. It is essential to help children recognize differences, but not to fear them. The following are some easy and practical suggestions that you can do today to help the children you work with:
Have you noticed the demographics of your neighbourhood starting to change? One of the most exciting aspects of community growth is the diversification of the population. However, this can also be one of the most frustrating things for teachers of young children. Even in today’s cosmopolitan world, children are still used to being around children who look like them and talk like them. We, as adults, know that this is not a true picture of society. How do we, as teachers of young children, help teach about the value of diversity and help avoid the uncomfortable situations mentioned above?
Focus on the similarities of the children. They all go to school; they all eat throughout the day; they all have interests and abilities. Encourage the children to share aspects of their life that make them different. If you have a child from another culture, ask them to bring something in that they want to share with the others. Some examples would include bringing food, a game, a particular style of clothing or music from their culture. This is also a great way to get parents involved in the class. Try this simple activity: Give every child an orange. Have them draw a face on their orange, give it a name
The best way to help children both understand and accept diversity
and spend some time with it. Have each child tell something about their orange that makes it special. Now have the children peel their oranges and put them in a bowl in the middle of the table; shake the bowl around. Ask them to get their orange out of the bowl. Of course, they will realize that they cannot identify their orange because they all look the same. The point to be made is that all of the oranges are the same on the inside, much like people. The most important part of teaching children about diversity is to come back to what really matters: that God made each and every one of us exactly as God wanted us. God loves each of us and desires for us to do the same. Have fun learning about differences and celebrating the many things that make us who we are and a diverse and rich community. theVINE October 2008
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What do I gain by donating MY organs? “After all, they say I’m more likely to need a transplant than to give one. And yes, I do accept that someone else will benefit from my death . What will I gain from my decision if I opt to donate?” When our son John was dying I would have trampled over everyone and everything to keep him with us. Was this wrong or was it just human nature? But John did die and John did become a multiple organ donor by his own wishes. And Catherine and I were left with the question – why?! A question we still inwardly ask today. Is this also wrong; or is it simply what we humans do? You start to question your own immortality. What would happen if you were to leave behind those you love? Would you not want to leave them knowing how much you loved them and what your final wishes would be? Our John made his decision and let us know all of his feelings. We lost him; but not the memories he left us with, we often question why we had to lose him, but never his love for us. BODY is not here to persuade you to donate your organs, only to provide you with information so that you may make your own decision and let those you love know what that decision is. What do you gain by donating your organs? You have given a priceless gift. BODY Chairman
A GIFT THAT COSTS YOU NOTHING BUT IS PRICELESS Have you ever thought that maybe you could help others by just taking a few moments to think about a way, and a few more to make that way possible? Organ Donation is the Gift of Life, given simply and quietly to help others improve their lives and even save their life at times. On average about one person a day dies awaiting a transplant, many of these are from the ethnic communities in Britain. There is high demand for these communities to donate organs largely due to diabetes being more commonplace, allied to high blood pressure and associated complications. Yet few donate! Many feel that there are religious or cultural restrictions. Often there is not! What should you do? Talk, talk to your family, they may have their views and they are as important to you as your own opinions. Talk to your friends, talk openly about life and death and beliefs. Talk to your leaders, mentors or simply those you look up to. In short, talk to those you love and respect. Giving the ‘Gift of Life’ should be thought about and talked about, but most of all it should be your choice, and yours alone. If you are one of those who are being asked and do not know what to advise BODY has produced a guide to inform. It costs £5.00 (plus £1.00 p+p) from PO Box 433, Manchester M28 8AF
BODY, PO Box 433, Manchester M28 8AF Tel: 01223 893636 Email: body@argonet.co.uk www.argonet.co.uk/body Registered Charity No. 294925
For details of the Organ Donor Register see UK Transplant
www.uktransplant.org.uk 16
theVINE October 2008
health survivors
with Grace Shelbourne
Strokes
Every year in England over 110,000 people suffer from strokes and they are the third most significant cause of death
S
trokes occur when the blood supply to the brain is stopped and this prevents both oxygen and nutrients reaching the brain, causing brain cells to die. This can lead to brain damage or worse - death. It is necessary to be able to take preventative action for yourself and also to be able to spot the symptoms for strokes in others around you, so you can take action as soon as possible. People of African-Caribbean heritage have an increased risk of stroke and are disproportionately affected. This is due to a genetic pre-disposition in the AfricanCaribbean community towards heart disease and diabetes; two conditions which often lead to strokes. This may all sound very grim. The good news is that the risk of stroke can be minimised, with a combination of a healthy diet and regular exercise. Also if a relative or someone you love does suffer from a stroke, there are rehabilitations and treatments available, despite the fact that it can be a long road to recovery. Who is at risk? People of AfricanCaribbean origin are particularly at risk. People over 65 also have a higher risk, though strokes can affect anyone of any age. If you have diabetes or high
blood pressure or know someone who does, it is worth knowing the symptoms, as both these conditions increase the risk of stroke. Also depending on lifestyle- if you smoke, drink to excess or are obese, then you raise your risk of a stroke. What are the symptoms then? Our body gives us some warning signs. If you experience a “ministroke” or transient ischaemic attack (TIA), there is a 20% chance that you will experience a full stroke in the next month. A TIA produces all the same symptoms of a stroke, but the symptoms only persist for a few hours or even minutes, before disappearing completely. If you experience a TIA go and see your GP or local hospital immediately and see a specialist, especially if you are over 65 or have diabetes or high blood pressure. If you or a relative develop a stroke, it can occur quickly and it can be difficult to alert others. Symptoms vary from person to person and depending on which part of the brain is affected. However if you suspect anyone is having a stroke, you should call 999 immediately, as damage occurs to the brain at a very fast rate. Typically 1.9 million brain cells are lost for each minute a stroke goes untreated. Here are some symptoms that can indicate a stroke: • numbness or weakness down one side of your body • facial numbness or weakness, particularly on one side, which can make you drool saliva • difficulty in
speaking, slurred speech and difficulty in understanding others • dizziness and problems with balance or co-ordination • severe headaches • loss of consciousness How can I prevent a stroke? Firstly we owe it to others to be vigilant and secondly, we owe it to ourselves to take care of our bodies. The main ways to prevent strokes are by making sensible lifestyle choices. Exercise: By maintaining a healthy weight, this lowers the risk of developing high blood pressure, which as discussed is a major cause of strokes. Already expounded in this page on numerous occasions, regular exercise, at least thirty minutes a day (and to the point of being slightly out of breath) is advisable. Diet: A poor diet, filled with high and saturated fats can lead to obesity and high blood pressure, and thus to a stroke. Foods that are high in saturated fats include things like chocolate, cakes, butter, cheese etc. A diet high in salt is also dangerous and you should aim for no more than 6g (one teaspoonful) a day. Aim for a diet that is high in unsaturated fat and filled with plenty of fruit and vegetables. We can’t avoid all fundamentally unhealthy food items. But try to consume them in moderation, particularly if you’re already in a high risk category for strokes. Smoking/Drinking: Both these vices seriously raise the risk of a stroke. In terms of alcohol, the government recommends at maximum 2-3 units a day for women and 3-4 for men. A unit is classified as a half pint of normal strength lager/beer or a small glass of wine. If you have a dependency on either of these substances, then contact your GP for support groups or advice on reducing your intake. theVINE October 2008
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Lipstick by black’Up For autumn 2008, black’Up is launching a new lipstick collection Softness and Sensuousness. A concentrate of active ingredients for deliciously tantalising lips. On application, the creamy texture glides generously over your lips, providing impeccable cover and procuring an intense feeling of comfort and lightness. Your lips are perfect, incredibly soft, delectable and generously full.
24 warm and luxurious shades
The new lipstick range from black’Up offers a magnificent selection of spicy, fruity and floral tones. You will be unable to resist the marron glacé, warm caramel, frappe coffee, cinnamon and nutmeg brown shades. Colours of frosted orange, fruity pink, spicy red, saffron, pomegranate and seventies violet offer a tempting invitation to indulgence.
Engaged couples everywhere are saying ‘I do’ to the National Wedding Show regardless of what stage of planning they are at, whatever their budget or taste – from over the moon, when they announced their engagement, to their honeymoon; the show has everything they need to help them create their perfect day.
Go to page 37 to see how you could win a pair of tickets for the event.
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ENTER OUR COMPETITION ON PAGE 37 TO WIN A SAMPLE OF BLACK UP LIPSTICKS
10812 THT BME Black and Gay Ad
11/4/08
10:25
Page 1
My brother.
It’s time to accept.
For information on local support or training call Terrence Higgins Trust on 01902 711818. Funded by Wolverhampton Network Consortium www.tht.org.uk www.lgbtwolverhampton.org.uk
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Charity no. 288527
I love someone who’s gay.
The Drum Vine Ad Sep 08 88x275mm:The Vine Sep 2008
amilies
8/9/08
The Brothers
Cool Rules & Fams
Thu 2 Oct
Seun Kuti & Egypt 80
Skin
Streets Paved with Gold Celebrating the 60th anniversary of the arrival of The Empire Windrush this one-man play weaves together thrilling and informative stories of new beginnings full of threats and promises.
Fri 3 Oct
Comedy Winter Series A new season of international comedy begins with UK comedy favourite Felix Dexter headlining, plus Los Angeles clever clogs Gayla Johnson and the Birmingham debut of precocious comedy sensation Ola Gbaja-Biamila. Hosted by John Simmit.
Sat 4 Oct
Seun Kuti & Egypt 80 When it comes to afrobeat, expectations are high when your last name is Kuti. Representing the most original incarnation of Afrobeat today, the talented Seun Kuti will pay tribute to his father’s legacy and perform his own compositions alongside Egypt 80’s original line-up.
Foster Carers wanted
Fri 10, The Brothers The Brothers tells the humorous story of three very close friends who Sat 11 & Sun 12 Oct have to test just how tight their friendship is when betrayal and deceit turns up at the door. Written and directed by the multi-talented Angie Le Mar.
Wed 15 Oct The Maharajah & the Kohinoor
Future Families is an independent fostering agency, based in Birmingham. We are a team of dedicated workers who are wholeheartedly committed to recruiting a broad range of families, who are able to meet the needs of children and young people of all cultures and ethnicity in the care system. Future Families aim is to provide children and young people with a safe, caring and nurturing family environment. Placements are monitored and reviewed frequently to ensure foster carers are well supported in carrying out their roles and responsibilities, in line with the agency’s policies adopted from fostering regulations. Our support to foster carers begins from the preparation and assessment stage and continues through pre and post approval training and is included in the supervision process. Fostering can be a rewarding and fulfilling experience.
Charting one of the most illustrious episodes in British history The Maharajah and the Kohinoor is a touching tale of love and loyalty. The play follows the story of Duleep Singh, Maharajah of Lahore and King of the Sikh Empire, who was deposed at the age of eleven and sent to England.
Sat 18 Oct Cool Rules & Fams Depicted through dance and theatre Cool Rules, directed by Jonzi D, follows the hopes and aspirations of a young man growing up in modern Britain bringing you back to gritty urban reality with a bump. Fams portrays the comical journey of two men trying to work out where they have been going in life, exploring their identity. Co-written and presented by Benji Reid.
Sat 25 Oct Sly & Robbie Tonight’s performance at The Drum promises a full-on party vibe, with pulsating bass lines, original riddims and earth shattering beats as Sly and Robbie take to the stage alongside their band and special guests.
Sun 26 Oct Andy Hamilton & The Blue Notes Join us for a very special session to celebrate the 60th anniversary of Empire Windrush. Treat yourself and the family to some lazy afternoon jazz whilst you soak up the relaxing vibe and tuck into a delicious Caribbean Sunday lunch.
Wed 29 & Babul & the Blue Bear Thu 30 Oct Babul and the Blue Bear is a fresh piece of theatre bringing together hip hop, mask, puppetry and street art in a bold, dynamic and original way. The play explores the themes of cultural identity, divided loyalties, racial tension and belonging in a multi-cultural Britain.
Thu 6 Nov
A synergy of media, dance and emotionally infused movement Skin is rich in contrast; emotional and strong, reflective and bold. Drawing on African, Caribbean, European and Japanese dance styles, this powerful double bill captivates physical expression to help us discover what makes us function as a human being.
Would you like the opportunity to make a difference to a child’s life? If so, then we would like to hear from you. For further details, or to speak to someone about accessing our services, please contact us on:
Tel: 0121 265 2650 Fax: 0121 265 2695 www.futurehsc.com
Skin
Streets Paved with Gold
Felix Dexter
Sly & Robbie
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with What do you think of black history month? It is a necessity because of the failure to integrate diverse histories into state education, the media and the public sphere. African and diaspora history is still marginal history – check out any university history department for proof! We have to have it because it’s not being explored elsewhere. Consequently, I am disappointed when it is done badly: mediocre events or attempts to dilute it into a sort of ‘cryptic multicultural love fest’. Do you think people in the community are aware enough about their cultural heritage? I think we are raised with a limited and imbalanced view of our heritage. For instance we only turn-up as ‘slaves’ in the National Curriculum. So generally there is limited knowledge because of the centring of a particular British history in schools and universities. All of which means we have to work at getting knowledge of our histories, cultures and how they may help or hinder our advancement today. Should more black history be taught in schools? Yes, if it’s balanced and critical. But my football team, Coventry City, are more likely to beat Chelsea 20 – 0 than black history being taught this way. So I prefer to explore the potential in community groups, churches and amongst committed teachers at all levels. Why is history and heritage important? It is important because a broad and complex understanding of heritage can help us to think more
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Dr Robert Beckford clearly and articulately about how we live with courage, love and hope in the present. We can learn from the past but also be critical of it. What cultural changes do you think have taken place in the Black community in the last thirty years? We have always cut and mixed cultural forms from the US and Caribbean from the 1940’s onwards and shaped them in response to UK flavour. I think the USA is a more dominant influence now. Also, my sense is that in post-soul music culture it’s harder to find songs, plays, art and faith that truly aspires to be revolutionary, life changing and courageous, and promote altruism, justice, peace and honour. What changes would you like to see in the future? Too numerous to mention here but I am happy about what is happening at Channel 4. Channel 4 have just re-constituted their black programming unit under the leadership of Aaqil Ahmed. They recognise that its impossible to do diversity based on good will, you need ‘tuff love’. Which black leaders have inspired you or changed you? My mother and father, Naomi Beckford and Leonard Seymour Beckford.
You were Britain’s first tutor in black theology. Is there sufficient interest in black theology and has there been any progression? Yes. Dr Anthony Reddie is doing a great job at Queens [Queen Mary, University of London], there are a dozen black Christians working on PhDs there. For far too long we have allowed too many preachers and pastors to get away with impoverishing congregations with remedial levels of theological knowledge. We only have around five per cent with good quality, critical thinking, spiritually dynamic, and theological education. I am pleased the third generation is waking up to the fact that you are most dangerous in the Kingdom of God when you have learning (education) and burning (passion and commitment to God). What are you doing now? I will be teaching a course at Cambridge University next year, but I am generally taking a break from lecturing till 2009. I am currently working on several films and have a series on American Television yet to make. I’m halfway through a new book on ‘the continued influence of witchcraft practice of white supremacy that continues to influence African Caribbean Christianity in Britain,’ that is due at the end of next year. I’m also working on a TV Drama idea with Kwame Kwe Amah and Dr Yvette Hutchinson.
Birmingham Royal Ballet at Holte Ex Birmingham Royal Ballet dancer turned teacher Jenny Murphy talks about the Birmingham Royal Ballet’s Dance Track programme extending to North Birmingham The first weekly class of Dance Track North, Birmingham Royal Ballet’s talent identification programme, was held at Holte Visual and Performing Arts College on Saturday 6 September 2008. Dance Track, a Birmingham Royal Ballet Learning initiative, is a programme that has been running since 1997 within South Birmingham Primary Schools. However, over the years Dance Track has undergone several reviews and developments and has recently expanded to North Birmingham; in the Lozells, Aston, Newtown and Nechells areas. Finally the much awaited induction day of the Dance Track Programme arrived for the children of North Birmingham. They arrived at Holte College looking slightly apprehensive, yet excited and proud, about being selected for the programme. This was the first opportunity for parents and children to meet me (the dance teacher), the pianist and the chaperone; and also
the first time the children meet their class peers. The children were given their uniform making them feel and look like dancers and they were given an information pack about what the year entailed. I lead the children through a short demonstration to show the parents what to expect in a typical Dance Track class. This shows the children and parents what benefits dance will have for them such as fitness, posture, musicality, teamwork and most importantly enjoyment. Over the first few months the children will attend a weekly class working towards a demonstration at Christmas, showing their parents what they have achieved. By Easter the children will have the opportunity to come and take part in workshops at Birmingham Royal Ballet where they will be taught a small section of repertoire by the professional dancers. The children will also have the opportunity to watch the
company dancers in a daily ballet class. At the end of the year the children give a short performance, including lights and costumes, to a small audience at their Graduation Celebration. As the class teacher of the North Birmingham Dance Track, I am very excited at the prospect of teaching these young, talented and enthusiastic children as they show great potential after only a couple of sessions – just think what could achieve by the end of the year and in the years to come; so watch this space! Jenny Murphy - Co-ordinator for Learning
You decide how offenders pay back their community environmental work such as grass cutting, wood chipping and general green area maintenance.
W
est Midlands residents are being given the chance to have their say over how offenders pay back the community, thanks to a new online service that has been launched by Probation West Midlands. Known as Community Payback, the initiative enables local people to nominate compulsory unpaid work projects to be completed by offenders serving community orders. Work that can be done ranges from graffiti removal and repairing and redecorating community centres to
The campaign, which provides free labour for work that may not otherwise be completed, is reaching out to all parts of the community, with faith groups, businesses, voluntary groups and local authorities being asked to nominate projects they would like to see developed through community orders. Once the work has been completed it will be branded with the ‘Community Payback’ logo to show where offenders have positively contributed to improving their own neighbourhoods. Residents can nominate projects by using the new online form at: www.westmidlands-probation.gov.uk or by calling 0121 248 2688.
Mike Maide, Chief Officer for Probation West Midlands, says: “Communities have already benefited from over 400,000 hours of unpaid work in the West Midlands last year - but this work often goes un-noticed. This is why local people are being encouraged to join forces and help make their community a better place to live by becoming actively involved in the selection of unpaid work projects. These projects involve work which would otherwise not be carried out and combine both hard work and learning new skills. “Community Payback is just one of the many ways that we engage with communities across the West Midlands, and our website’s new online form will now make it even easier for them to access a vital free service.” theVINE October 2008
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Congratulations
to Mr M Worsfold of Great Barr who was the winner of our signed Worcestershire CC cricket bat (pictured here with one of the VINE staff Joanne Gayle) 22
theVINE October 2008
Flu jabs are not to be sneezed at
The war on flu is set to begin this month with people aged over 65 and those in at risk groups being urged to join the fight by taking advantage of their free flu vaccination. In the UK flu still kills over 12,000 people each year, so it is vital that if you are eligible for a free flu jab, you get one. Your free flu jab is available from your doctor and if you are over 65 or in an at risk group they will usually contact you to let you know when they are holding vaccination clinics. If you are a carer then you may need to contact your doctor to find out when clinics are being held. Dr John Middleton, Director of Public Health for Sandwell Primary Care Trust, said: “Flu is an unpleasant and serious illness for everyone, but it is potentially fatal for some, especially for the elderly and those with other chronic medical conditions. The flu vaccination is the safest and most effective way to reduce that risk.”
business matters W
with Michael Barrows
Who do you think you are?
ho are you? Interesting question. Three little words that mean so much. But, although it’s a question that may dominate our thoughts as navel-gazing teenagers, it’s something that, as busy adults, we rarely feel that we have the time to ponder – especially those of us who are running our own businesses. But – in a business context – knowing who you are is essential. It’s a fundamental way of identifying how you manage your business and set business goals. By answering this question (honestly), you will be able to determine the type of business you need to be running - in fact, it will help you decide if you should be running a business at all. The serious long-term implications for you and your business, mean that, ideally, the process of deciding who you are and what type of business you want to run should be part of the initial planning process when you are first deciding to set up your new company.
Consultancy organisations and business support agencies such as Business Link use a range of classifications for different types of businesses, to determine the kinds of services to be delivered to them. If you are thinking of starting a business, or if you already run your own company, it’s essential to know the type of business you are running, or looking to establish. For example, some of the Business Link classifications are as follows: Lifestyle Business A lifestyle business is an owner managed business with very little aspiration to grow substantially. As the title suggests, a lifestyle business is usually set up by someone who simply wants to be their own boss, and remain in control of their lifestyle. Growth Business Again, it’s all in the name – this is an owner managed business with aspirations to grow rapidly. Steady State Business This is a team managed business which is unwilling or unable to grow rapidly. Companies in this category may be growing moderately, or showing static or even declining levels of sales and profit, even in reasonable economic conditions. High Growth Business A high growth business is a team managed business which is either growing, or planning to grow rapidly (e.g. at more than 20%pa). Businesses like these are often innovative organisations with the potential to become FTSE 250 or even FTSE 100 companies. So which one of the above sounds familiar (if you already have a business), or which one sounds most attractive? Many of us have imagined ourselves as a Chief Executive of a major company, or as a Richard Branson-type figure, but could you really handle the stress and the responsibility of
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building and running a high growth business? One piece of research has identified four basic entrepreneurial types with completely different business objectives: 1. Lifestyle entrepreneur This is someone whose main objectives include creativity and autonomy. These are often people who have given up good mainstream careers in order to adopt a different lifestyle. 2. Survival entrepreneur Someone whose objective is simply self employment. Often these people experience a lack of good employment opportunities and decide to work for themselves simply in order to survive. 3. Limited Growth entrepreneur An ambitious entrepreneur whose business growth aspirations are limited by an insistence on maintaining full control of the business. 4. High Potential entrepreneur Someone with high growth aspirations, constantly seeking opportunities for developing the business and achieving competitive advantage. So what type of entrepreneur are you? Do you want to be a selfemployed plumber or do you want to build up a branded nationwide chain of 24-hour plumbing services? Total honesty is important here – despite all our big dreams, the research also showed that over 60% fall within the Lifestyle Entrepreneur category. Accurately identifying who you are and the type of business you are best suited to, will save a lot of problems later on and make the process of building and running your business much more enjoyable. And remember, whatever your ultimate goals for your current or future business, there is help out there for you to move things forward. Start off by contacting Business Link, the business support agency, on 0845 113 1234, www.businesslinkwm.co.uk
Black History Month has been celebrated in the UK for 30 years and marks the achievements of black communities through arts and cultural activities. As a part of our contribution, The Drum has an exciting agenda of performances and kick start the season with a profound play, Streets Paved with Gold. The play pays homage to the 60th anniversary of the arrival of the Empire Windrush on British Shores. It follows the story of one mansâ&#x20AC;&#x2122; journey, whilst exploring themes of hope, identity and change. Legendary saxophonist Andy Hamilton will also grace our stage for a special celebration of Empire Windrush. And another special treat, afrobeat sensation Seun Kuti and Egypt 80 will play The Drum stage. With soulful voices, a solid brass section and incomparable African percussion, itâ&#x20AC;&#x2122;s bound to be a spectacular show. In addition to the above, we have two enthralling Asian shows; The Maharajah and Kohinoor, a touching tale of love and loyalty and Pothowari language piece, Mein Ve Kuker Kha Saan. The Drum 144 Potters Lane, Aston, Birmingham B6-4UU Box office: 0121 333 2444 www.the-drum.org.uk
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We can provide you with free impartial information and advice about:
• Holiday activities
• Childcare options including:-
• • • • • •
Childminders • Day Nurseries • Pre-School/playgroups Creches • Parent and Toddler groups Before and After School clubs • Children’s Centres Extended School Services • Free Nursery Education Grant Paying for childcare • Working Tax Credit Maternity and Paternity Rights • Flexible working Walsall Children’s Information Service Challenge Building, 1 Hatherton Street, Walsall WS1 1YB Telephone: 01922 653383 Email: Childcare@walsall.gov.uk
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As part of our British Black History issue we thought that we would reminisce on the common themes we share in our upbringing (if you had parents from the Caribbean). Take a break and have a laugh as you take our brief quiz on the things that made us who we are. Score 1 point for all ‘a’ answers, 2 for ‘b’, 3 for ‘c’ and 4 points for all ‘d’ answers.
1
What was generally your punishment for any type of misbehaviour? a) Curfew b) Sent to your room c) A good telling off d) Beating
2
What main meal was generally served on a Saturday in your house? (whatever the weather) a) Fish & chips b) Pork chops c) Liver & white rice d) Soup
3
In your youth what was Vaseline used for? a) Lips b) Face c) Hair d) All of the above
4
What clothing were you told to change into on arriving home from school? a) Football top & jeans b) Adidas tracksuit c) None. You kept your uniform on d) Judging clothes
5
What activity was Saturday morning reserved for? a) Lying in b) Playing sports c) Watching television d) Polishing furniture and vacuuming the house
Picture courtesy of Mrs Rosa Shepherd
6
What was your favourite fizzy drink as a child? a) Corona orange b) Lilt c) Alpine pop d) Andrews
7
What was the main use for condensed milk? a) Adding to dessert b) Adding to hot drinks c) As a sandwich filling d) All of the above
8
How many school uniforms did you have? a) 4 b) 3 c) 2 d) 1
9
If you had a dog (or daag), what did you feed him/her? a) Winalot b) Pal c) Pedigree Chum d) Leftovers
10 When would you get a new pair of trainers? a) When you asked b) When your friends got some c) When there was a sale on d) When your toes were scraping on the concrete, or the front would flap when you ran 11 How much did you get for pocket money? a) £5.00 b) £2.50 c) £1.00 d) Pocket money?!
12 On a hot day how was ice preserved on the dining table? a) Ice was already added to a jugged drink b) In an ice-cube tray c) In a bowl d) In a plastic tub that looked like a pineapple 13 What music playback device was in the front room? a) Hi-Fi b) Radio c) Cassette deck d) Gram 14 What was the source of heat in winter months? a) Central heating b) Electric heaters c) Gas heater d) Paraffin heater or bar heater 15 Where would bedding be stored? a) In the wardrobe b) Above the wardrobe c) In a cupboard d) In the ottoman 16 If you had a ‘posh’ dinner service set, how often was it used? a) Once a month b) On special occasions c) Weekly d) Never SCORES: 20 points or less - It is likely that your parents were not of Caribbean descent, and your upbringing was one of privilige. 36 points or less - A hint of Caribbean parentage, but you might have been spoilt. 50 points or less - Yes, the Caribbean way of life was a reality to you, but you live to tell the tale(s) 64 points! - You should get a trophy.
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Hillscourt also offers superb conference facilities ranging from 2 to 200 delegates. The centre has 57 en-suite bedrooms and can be booked for hotel accommodation on a bed and breakfast or halfboard basis. The bar has a bistro offering a variety of fayre at very competitive prices. Hillscourt Conference Centre, Rednal, Birmingham B45 8RS.
Tel: 0121 457 6100 Fax: 0121 457 6111
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Discover an innovative, bright, modern, fast growing world of health at Herbs of Eden. Specialists in Super foods and plant based supplements, as one of the newest sights in Birmingham we will provide you with a whole new shopping experience. At Herbs of Eden there are four areas of focus that we believe are important:
1) Boosting the body’s immune system - via knowledge of the eight laws of health 2) Colon elimination - through quality detox products 3) 40% of our focus is concentrated on raising the health consciousness in the ethnic community at large. 4) Providing quality health produces at affordable prices The company ethos is to raise appreciation and awareness of health in the local community. We presently have a special offer for the community to receive a free health consultation from our fully qualified alternative practitioner, please quote this advert to receive a 10% discount with any purchase.
‘Cause’ life is greener on the inside’. Come to the Herbs of Eden where a warm greeting awaits you: 258 High St, Erdington, Birmingham, B23 6SN. Tel: 0121 350 9696
www.herbsofeden.co.uk
Recently refurbished Small Heath Baptist Church has been called “The church on the corner that cares”, where a wide range of weekly activities happen for all ages groups.
Bantock House & Park - Bilston Craft Gallery - Wolverhampton Art Gallery
Many people think the Church is a special place of belonging and a Spirit-filled community.
come on over to our place Free events at Wolverhampton's galleries and museums
Family highlights Jamaican Independence Day activities at Wolverhampton Art Gallery Wed 6 August, 11am - 2pm Window to the World Garden Party at Bilston Craft Gallery Sun 24 August, 1pm – 5pm 1940s Open Day at Bantock House Sun 14 and Sun 21 September, 11am – 5pm The Big Draw at Wolverhampton Art Gallery Mon 27 Oct – Sat 1 Nov, 11am – 1pm To find out more go to www.wolverhamptonart.org.uk
If you want to find out more about the Church or want an opportunity to serve and grow in Christ phone Pastor Dave Ellis on 0121 7667803 for more details. Better still come on Sundays 11am -12:30pm Small Heath Baptist Church Coventry Road Birmingham B10 0QH www.shbchurch.co.uk
“The Church on the Corner that Cares”
Celebrate Black History Month with the National Trust
GOSPEL EXPRESS ACADEMY An accredited Centre offers: COURSES (Day/evening & week-end sessions) Starts September 2008 • Applied Christian Studies • Counseling Skills • Managing Diversity • Performance Skills – Gospel
OPEN DAY/INFORMATION Thursday 10th July at 12:00pm – 2:00pm Handsworth Fire Station, 41 Rookery Rd, Handsworth, B21 9QU To register for a place or to request a prospectus contact: Deborah Harrison (director) 58 Rookery Road, Handsworth, B21 9NB Tel: 0121 523 5297 or 07947 989 564 Email: gospelexpress@googlemail.com www.gospelexpress@googlemail.com
Birmingham Back to Backs
Wightwick Manor, Wolverhampton
George Saunders: A Tailor from St Kitts 18 October onwards A new film telling the story of George Saunders and his experience of working in the Back to Backs.
Caribbean Tea Party Saturday 11 October 1.30pm – 3.30pm Come and enjoy a bowl of ‘Saturday Soup’ and try out a range of herbal teas to boost your health. Celebrate the launch of the new booklet ‘Wightwick Manor & Gardens and Caribbean Herbal’.
For further details please call the Back to Backs on 0121 666 7671 or Wightwick Manor on 01902 760100 or visit www.nationaltrust.org.uk Registered Charity No: 205846
theVINE October 2008
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feature
One of Britain’s most successful black actors, David Harewood is instantly recognisable from television hits including The Vice and Criminal Justice and of course from the movie blockbuster, Blood Diamond. Dominique Brady chats to the Birmingham-born actor about his new role in the BBC series Robin Hood and leaving the world of myths and legends, about his own history and heritage
Harewood
does Sherwood
and that he was “amazed” by how much the city centre has changed since he was growing up here. His strongest memories of Birmingham are of playing games of football and cricket with big groups of lads. “There weren’t the gangs there are now”. “There was much more integration, now the ethnic population seems more polarised. Back in the day it was very cosmopolitan.”
W
hen I chat to David Harewood, he has just finished a three month stint filming Robin Hood in Hungary for the BBC and he is just about to return for another three months of filming. In the third series of the show, he will play Brother Tuck. After being involved in projects to raise the profiles of black actors in Britain, David is pleased to have been cast in what could be considered a conventionally ‘white’ role. “I’m probably one of the first black actors to play that character… It should be very encouraging to others, it shows they [the BBC] have the courage to cast outside the box 30
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and we should encourage that kind of decision making.” Talking to David, it is hard to guess that he originated from Birminghamthere is no trace of an accent, but he did. He grew up in Small Heath and attended St. Benedict’s Primary and then, what is now Washwood Heath Technology College but used to be a mixed comprehensive. David still has family here and occasionally visits, but admits he considers himself more of a Londoner now than a Brummie. Despite that, he tells me he has found the city’s recent rejuvenation “extraordinary”
His mother was a caterer and his father was a long-distance driver. Despite the fame and more secure financial position that acting has brought him, David insists that he hasn’t forgotten his background. “I certainly haven’t left my roots at all. I still consider myself working class”. He pauses before adding: “OK I probably pay a bit more tax”. After acting in numerous plays at school, David realised he wanted to be an actor and applied to Rada. When his three years at the elite performance school were up, David found it easy to get work: his first role was playing
Romeo in Romeo and Juliet. For the last twenty years he has worked constantly as an actor, a considerable feat. His CV stretches from theatre work, which includes numerous Shakespearian roles and work at the National Theatre (playing Lord Asriel in Phillip Pullman’s His Dark Materials and Hotspur in Henry IV), to hit television shows like Babyfather, The Vice, Gunrush and Criminal Justice. Then there was 2006’s Blood Diamond, in which David delivered a chilling performance as Captain Poison, a RUF rebel leader who aided in the mining of ‘blood diamonds’ to fund Sierra Leone’s civil war- a performance which netted David the award for best film actor at the Screen Nation Film and TV Awards 2007. His favourite acting roles have been the Shakespearian roles, either Hotspur or Othello. However as an experience, the three months filming Blood Diamond was the most significant to David. “It was my first visit to Africa and it was a really great experience. It was wonderful to read about Africa and understand the history of Africa and to try and understand the politics.” He found the role an interesting twist from his usual characters. “It was just really nice playing a baddy, playing a real bad guy. I think it’s quite amazing how when you’re playing a bad guy, you actually seem to really enjoy it - it’s quite scary really, when you can enjoy putting your mind into such evil people.” As a British black actor, David has never really suffered from a lack of roles or even from stereotyping. However in the last year he has highlighted several times in both press articles and campaigns, that other black actors are experiencing these problems. With a fleet of black actors heading stateside in the last few years to gain recognition, I ask David if he has been tempted to move in the past and if he intends to in future. “I generally haven’t gone because I’ve been busy. I’ve been very fortunate to continue working here. But if I get to a stage when I get frustrated by the lack of substantial parts, then I will go.” He would like to do more feature films,
but enjoys his varied repertoire in England and adds: “I’ve got no intention of just rushing off to America, just because I want to be a movie star.” He has criticised the lack of exposure for black actors and this year took part in Underexposed, an initiative by 4therecord (www.4therecord.org.uk). The project includes a photo exhibition which ran at the National Portrait Gallery and that will tour the country, highlighting black actors and their contributions, including pictures of Marsha Thompson, Eammon Walker and Jocelyn Jee Esien, and also a range of workshops and seminars about acting, writing, directing etc. David is closely involved with Underexposed, which is curated by a close friend, Fraser James, and David helped to generate publicity for the project. However he was disappointed and surprised when the press were only interested in talking to black actors who have had success in America, a comparison that bears weight with the singer Estelle. Despite that, David is most pleased with the response that he has witnessed in young people who have seen the exhibit. “The response he [Fraser James] got from the kids that have seen the pictures is great. They can see that there are role models and there are successful black actors doing great work. And when you put them all together, you realise how strong we are in numbers.” David has also highlighted in the press, how instead of giving black actors insignificant roles in television dramas, more dramas need to be commissioned that really explore the black experience in Britain. I ask him to clarify what he thinks needs to explored: “Relationships, politics…the big issues that face us as black people.” He continues to explain the topics that he thinks are yet to be fully explored, including slavery, the Windrush generation, the 1960’s radicalisation and Caribbean music and culture. To time with black history month, I ask if he was exposed to much black history when he was younger.
“To be honest with you, there weren’t really any black families on my street. The push was more for integration, as opposed to finding out your own heritage. It was more like, ‘we’re British and we should become part of the fabric of life here.’” He explains that the advent of the internet has made it much easier for everyone to discover their history and heritage, adding “I wish I could have learnt more and understood a little more about my black heritage.” However, David has been closer to most at exploring his roots and heritage. In 2007 he was taken by Inside Out [BBC programme] in Leeds to visit Barbados, as his ancestors were slaves to one of the landowners on the island, Lord Harewood, who also built Harewood House in Leeds, which is now a National Trust property. He was taken to the plantation where his ancestors probably worked and found the whole experience very emotional. “I was shown my family tree right from my great, great, great grandfather, which was very emotional… To see the links and ties to four or five centuries ago, was quite moving.” He tells me that he, like the rest of the nation, is worried by the gang violence and criminal culture that is affecting young people in the community. He believes the community has to step in and “we’re going to have to educate our youngsters and make them aim higher”. However he believes there is a beacon of hope and progress, in the form of Barack Obama. “To see Barack Obama up there on stage, in front of 75,000 people, a black man running for president, it’s incredibly inspiring.” He believes that Obama is the role model needed to push black young people to have more ambition and to aim higher within British society. With Obama’s campaign in full swing and going well, David also explains that “I’m in a good place right now”. Next year he hopes to film another series of Robin Hood, and after that? “Who knows? I’m excited about the future.” And whilst it may still be harder for British black actors to crack film and television, David Harewood proves that it is possible. And I look forward to seeing a black Brother Tuck this autumn. theVINE October 2008
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tastebudtastebud
Our fab food page- news, reviews and recipes. Tuck in!
Restaurant Review The Dutch Pot
448 Birchfield Road, Birmingham Telephone: 0845 345 0112 / 0121 356 4004
This month I decided to see if the Dutchpot really measures up, or should we just pass the dutchie? The Dutchpot in Perry Barr has been going strong for over three years now and comes highly recommended. The original Dutch Pot is situated on the Dudley Road in Winson Green and carries an identical menu. I decided to taste for myself, with a good selection from this popular takeaway. Instead of sitting down
and clinically assessing the flavours and tastes as in typical restaurant reviews, we had a team effort this month. Well one person alone couldn’t eat the mountain of food we ordered. So once we had collected the food and brought it back to the office piping hot, we all grabbed a plate, piled up the food and abandoned our desks…all in the pursuit of accurate food journalism, I hasten to add. We sampled only a small range of the menu; saltfish fritters (80p each), fried chicken (£2.50) and curried goat with rice and peas (£6.00 for a large portion). Being a massive curried goat fan, I am pleased to say that it did not disappoint- the generous portions of chunky meat was enveloped in a good curry sauce, packed full of flavour and with a real hot and spicy kick .And the fried chicken was exactly how it should be, moreish
and finger lickingly good. The saltfish fritters however proved the biggest hit with the Vine team and were quickly demolished. Overall the food was roundly assessed to be “very tasty”. The portions are generous, the food is well seasoned and has a good spicy edge to it and it looks good. In fact even thinking back to eating it is enough to make me salivate. A hit all round. I only look forward to making my way through the rest of their extensive menu. This is one dutchie I certainly won’t pass by with an empty stomach. DB
Ackee & Saltfish Potato Cakes Ackee is distinctive to the cuisine of Jamacia. It is part of the island’s national dish, and can be purchased at most supermarkets
Boil and flake saltfish,remove bones, leave to one side
Ingredients
Whisk egg and water to make egg wash
2 pkts of Saltfish, soaked overnight (1 kg) Irish potatoes 1 tablespoon of soft margarine 1 can of Ackee in salted water, drained 1/2 teaspoon of salt 1/2 teaspoon of black pepper 1 whole egg, slightly beaten 2 tablespoon of water 2 cups of plain flour 2 cups of breadcrumbs Oil for frying.
Shape the mixture into balls then flatten.
Serves 12
Recipe supplied by Valerie Goodman
Boil potatoes, drain,add margarine then mash, leave to one side Add Ackee to potatoes along with flaked saltfish, salt and black pepper, leave to one side
Coat in flour, dip in egg wash, then roll on breadcrumbs Heat vegetable oil in a large frying pan and fry the cakes on both sides until lightly brown Leave to stand on kitchen roll
Do you have a restaurant you would you like us to review, or do you have a recipe? Contact us by sending an email to: info@thevinepublication.com 32
theVINE October 2008
12 and a half hours part-time childcare and early learning for all three and four year olds.
Places are available for children from the start of the term following their third birthday until they start in reception class.
To find out more information and when your child is eligible please contact:
0121 303 0267
theVINE October 2008
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SHOW
Of All the people in All the World
Stan’s Cafe AE Harris Factory Statistics abound in the modern world and grace the front pages of the newspapers daily: the number of soldiers killed in Afghanistan, young people killed due to gang violence or the numbers of people getting divorced. In fact the sheer frequency in which we are given statistics has almost rendered them meaningless. It can only be the personal stories, or the acknowledgement that there was a person, or rather numerous individual people, behind those statistics, that can really move us and affect us. Stan’s café, a Birmingham based theatre company, have used grains of rice to represent different global and local statistics and facts: smokers in China, refugees in Pakistan, the number of people applying for X Factor, series 5. The theory used is that each grain of rice represents one person, and you are given a piece of rice when you enter the exhibit, which represents you. If it sounds a bizarre experience, then
Island Songs - Alex Wheatle
Allison & Busby Limited £7.99 Described by Alex Wheatle as an “epic”, this novel doesn’t disappoint. It charts the history of the two Rodney sisters, Hortense and Jenny. The novel starts with their childhoods spent in rural Claremont, Jamaica, follows their migration to Brixton and concludes with both women in their sixties planning to return home. They experience the typical route of many of the Caribbean migrants to England in the 1960s; leaving with high hopes and dreams of opportunity, which are met with prejudice, disappointment and sacrifice. Yet in telling this typical, if rarely appreciated 34
theVINE October2008
visiting this exhibit is. The numerous mountains of rice arranged on pieces of paper in the deserted factory initially looked like a dull few hours but soon became fascinating. The sheer mountains, compared to the tiny grain you hold in your hand, make you realise how tiny and insignificant you are in the world and also brings home powerfully some of the tragedies and problems that are affecting people in the world on a daily basis. When seeing in a rice mountain firstly the number of children in Birmingham and then in an equal pile next to it, the number of child soldiers working worldwide, it is truly disturbing. The rice is used to highlight some serious social issues: the high number of people getting HIV worldwide on a daily basis; the reality of the problems of refugee numbers in England, when countries like Pakistan support huge refugee populations; children in the developing world dying of diseases to which there are cures and the fact that more people apply to the X Factor than apply to train as teachers in the UK. There are serious worldwide issues explored: needless deaths, carbon prints, ageing Western populations and society’s obsession
with fame, to name but a few. Then on the other hand there is a comic lightness- the single grain of rice representing Condoleeza Rice and the piles of rice in the shape of the Aston Villa and Birmingham City stadiums, with 22 small grains denoting a match in play. With 6.7 billion grains of rice used in the exhibit, one for each person on the planet, this exhibit makes it hard to look at the world, or in fact rice, in the same way again. D.B The exhibit runs until 5th October at the AE Harris Factory, off St, Paul’s Square, Birmingham (signposted from the square).
story, Wheatle transforms it into something vivid, extraordinary and memorable. The story isn’t really about their experiences and later disappointments in London, it is focused mainly on their younger lives in Jamaica and how their experiences on the island shaped them.
by your supposed religiosity and the lightness of your skin tone. Then finally and most significantly, there is the plot. Favoured by different relatives as children, the women compete throughout their lives for the affection of those around them. When both Jenny and Hortense fall for the charismatic Cilbert, and Hortense succeeds in marrying him, Jenny’s attempts to destroy their marriage form the backbone of the plot. Her actions create real pace and tension. This novel ultimately deals with relationships. It depicts a great, tragic love story; various complex family relationships and also the relationship an individual has with their homeland. In traditional “epics” it is the love story that dominates; in this novel the relationship between the two sisters proves to be the real “epic” relationship. Some very good historical research and details have gone into the novel but Wheatle also demonstrates throughout what many authors can only attempt; an understanding of the human heart and its many weaknesses.
In this novel, there are three significant points of strength. Firstly the characterisation; Hortense’s fiery, feisty personality and sharp patois is a delight to read and forms a contrast to her more calculating and troubled sister Jenny. Secondly, there is Jamaica, almost a character in itself in the novel. We learn of the beauty and abundance of the island and the rural traditions of country life; with its simple two-roomed, zinc roofed dwellings, outdoor cooking and strong community spirit. Yet this isn’t a naïve, nostalgic look at the island; there is also critique of the treatment of Rastafarians in the 1950’s, a closer look at the poverty of Trenchtown in Kingston and a focus on how status in the island is defined
We have dedicated this month’s edition to October’s national black history month and the multitude of events taking place. But we wanted to find out your opinion. Do you think black history month is relevant? Do you read any black history? Where should it be taught and which historical figures inspire you? Here’s what you said…
Is black history month relevant?
Yes, we must make use of any opportunity to raise issues and discussions. Marcus Belben Yes, at the moment- until black history is mainstream. Kemi Folarin No. Black history is everyone’s history- it does not stop and start. Simbi Folarin I think its an awful red herring that teaches people that black history is only relevant for one month a year, rather than an integral part of everyone’s history: locally, nationally and globally. Jenni Waugh
Lisa Arscott
Is enough black history taught in schools? What should be taught?
No. We need more African history, modern history and themes of genocide and culture to be taught. Lisa Arscott
Yaminah Thompson
I really don’t know, but I suspect not enough. And if taught, mainly in the context of religious education or of oppression, rather than empowerment. Jenni Waugh Not enough is of relating and finding our own identity and its relevance to our lives. Marcus Belben
Do you personally read or research black history?
Reading and researching aspects of black history is very important to me, as it is important to learn from lessons from the past if you are to define the future. It is necessary to make sure going forward, that we are the true authors of our history, this shared history, of our global community. Carey Burke Yes. Loads! Lisa Arscott Yes. It helps to make sense of my current environment, situation and life view. Simbi Folarin Yes. I research because I want to tell my own story and knowledge is power. A lot of history is history [with emphasis] and I want to fill in and learn about the void. Kemi Folarin I do attend lessons a lot to get information and read books about black history. Susan Farell
Who do you think is the most inspirational black historical figure or icon?
Kemi Folarin
Toussaint L’Overture because he empowered a nation, defeated the French and the British and gained independence for Haiti. James Chameron
Martin Luther King, Michael Jackson and Oprah Winfrey. Susan Farrell
Marcus Belben
Nelson Mandela and Barack Obama Lisa Arscott Henry Gunter Marcus Belben Maya Angelou. Also less known black people who have achieved great things in adverse situations. Yaminah Thompson Carey Burke
What issues are affecting the community most at present? Lack of identity. The positive impact black people have had on British society rather than the negative press for black on black crime, for example, guns, knives and jail sentences. Yaminah Thompson The issues amongst the young black community: crime, confidence, education, self esteem and identity. Lisa Arscott Apathy and lack of control or direction of our own futures. Marcus Belben
Jenni Waugh
Simbi Folarin
theVINE October 2008
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Fo Fo
un
da
Fircroft Collegeector – Professiona
tion
Fircroft College
l D ev elo ning – pm un Vo l u n ta r y a n d Co dat en P r o – f e r s sional D c to ion t e S ev e l ty Lear n iexperience u o Fircroft of Adult Education offers a unique where students live and learn in n iCollege m p n g – Vo l u m me a n d Coand naided y professional ta rby an attractive environment, supportive staff. We provide: nt nit m mu
Lear
yS
Fircroft College of Adult Education offers a unique experience where students live and learn in Over 150 three day residential courses, in everything from literacy and provide: numeracy skills to IT skills, an attractive environment, aided by professional and supportive staff. We
t to personal and professional development, many of which are FREE shortday courses to meetcourses, the needs community groups and and voluntary sectorskills organisations t Over 150 three residential in of everything from literacy numeracy to IT skills, t Tailored A FREE 30 week Access to HE programme, for people who want to go to University but don’t have to personal and professional development, many of which are FREE t
the qualifications to do short courses toso. meet the needs of community groups and voluntary sector organisations t Tailored A FREE 30 week Access to HE programme, for people who want to go to University but don’t have t the qualifications to do so.
Call us on 0121 472 0116 or visit www.fircroft.ac.uk Call usfor onmore 0121information 472 0116 and to apply online
College of Adult Education, 1018 Bristol Road, Selly Oak, Birmingham B29 6LH or visitFircroft www.fircroft.ac.uk for more information and to apply online Fircroft College of Adult Education, 1018 Bristol Road, Selly Oak, Birmingham B29 6LH
Fircroft College celebrates Black History Month Tues 14th October 7.30pm in Theatre
SKIN by ACE Dance & Music We humans look different, but underneath… aren’t we all the same? Great dance set to earthy and symbolic African beats.
Tickets £10(£9) or £6 schools/groups
Fri 21st November 7.30pm in Studio
7th Annual Solihull Poetry Slam
Poets of any experience get up and perform their original work in this knockout competition. Previous winners include Dreadlockalien.
Tickets £6.50 (£5.50) Age 16+ as uncensored
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theVINE October 2008
Fircroft College of Adult Education in Selly Oak, Birmingham will be holding a special evening on 16th October 2008. Sixty years after the Empire Windrush first docked at Tilbury, author and lecturer Dr Simon Taylor will be telling the story of that first generation of Caribbean migrants who came to live and work in the West Midlands in the 1940’s and 1950’s. Based upon his book, A Land of Dreams, and using film, photographs and the testimony of these pioneer migrants, Professor Taylor will provide a fascinating insight into the lives and struggles of the first generation of Caribbean people. The event begins at 7.15pm and is open to all – just call us on 0121 472 0116 to book a free place. You can also hear about a number of related courses that will be running at Fircroft College this year, including the Certificate in Managing Diversity and Equality, and the Black Thinkers and African Caribbean Women of Influence short courses. To find out more about courses at Fircroft College call 0121 472 0116 or visit www. fircroft.ac.uk
competitions
(for clues to questions go to page 18)
edding Show
nal W Win some great new lipstick & tickets to the Natio
The Vine in conjunction with black’Up are offering two of the new range of lipsticks to 15 readers. To be in with a chance of winning please tell us 2 of the shades of the new lipsticks Email your answers to joanne@thevinepublication.com or send your answers on a postcard to PO Box 4320, Walsall, WS1 9AF
Closing date 31st October 2008
Brides-to-be who are looking for their dream dress need look no further; the Boutique Area houses the UK’s largest collection of wedding dresses under one roof so visitors can check out more dresses in one day than anywhere else. Visitors can also shop for fabulous accessories to pull together their big day look, from shoes to die for to underwear he’ll die for!
To be in with a chance of winning a pair of tickets for Friday 10th or Sunday 12th October just tell us where houses the UK’s largest collection of wedding dresses under one roof. Email Joanne@thevinepublication.com or send your answers on a post card to The Vine, PO Box 4320, Walsall, WS1 9AF.
Closing date 7th October 2008 theVINE October 2008
37
THE ART OF FINANCE
ANYONE FOR A LOAN? In the current economic climate it’s hard to believe that there’s money available to support enterprise that is not being taken up. Yet that is the experience of ART (Aston Reinvestment Trust), which, with backing from the regional development agency Advantage West Midlands, has over £1m to lend to businesses in Birmingham and North Solihull. ART’s remit is to help borrowers create local jobs for local people and it lends to businesses that have been unable to get any or all of the finance they need from
a bank. It is an independent organisation and one of a number of alternative finance providers in the West Midlands who belong to the Fair Finance Consortium. These providers typically lend between £3,000 and £50,000, to businesses in most sectors, for any business need.
Steve Walker Chief Executive of ART
alternative lenders are unaffected by the credit crunch. We have money readily available to support enterprise and are keen to hear from anyone who can put it to good use.”
Steve Walker, Chief Executive of ART, is surprised they are not much busier. “There is evidence that even successful businesses are finding it more difficult to renew existing facilities with the banks at the moment,” he says, “let alone obtain additional support. The
To find out which member of the Fair Finance Consortium serves your local area and business needs, visit www.fair-finance.net.
Website: www.fair-finance.net Email: info@fair-finance.net
ThE CourTyArd ThEATrE
STrATford-uPon-AVon
14 fEBruAry - 14 mArCh 09 ThE BAxTEr ThEATrE CEnTrE in ASSoCiATion wiTh ThE royAl ShAKESPEArE ComPAny
ThE
TEMPEST williAm ShAKESPEArE
A co-production between the royal Shakespeare Company and South Africa’s Baxter Theatre Centre, drawing on African ritual, magic and music.
RSC TICKET HOTLINE Photographs of Antony Sher and John Kani by Jillian Edelstein and Val Adamson.
0844 800 1110 (NO BOOKING FEE, CALLS FROM BT LANDLINE COST 5P PER MINUTE)
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theVINE October 2008
BOOK ONLINE
www.rsc.org.uk
(NO BOOKING FEE)
feature
near you...
Birmingham’s second Black International Film Festival takes place from the 29th October to the 1st November. The Vine team are already looking forward to getting in some popcorn action and watching the cream of black British film. Until then, we caught up with the organiser, Dean Alexander, to find out what the festival is all about.
I
t has been an exhausting ten months for Dean Alexander. After the launch of the Black International Film festival last year, the pressure was on to make this year’s event even bigger and better. The main issues encountered was obtaining funding and sponsorship for the event. “When you have a new concept, convincing investors to buy into your idea is always challenging. Realistically it takes approximately £200k to put a festival together, so unless you know people on the inside or are associated with highrolling clients, it can become very difficult to get the ball rolling.” Dean explains that he has expanded the remit of the festival beyond just film, to include a wider range of connected industries. The black British film industry tends to be concentrated in London and Birmingham tends to be more focused on music, so Dean decided to play to Birmingham’s strengths. Therefore there will be a range of black regional, national and 40
theVINE October 2008
international cinema, as well as the chance to catch live acts including music, plays, comedy and spoken word poetry. Venues include The Radission SAS, TIC Millenium Point, Custard Factory, South Birmingham College , ICC Birmingham and The l Library Theatre, to mention just a few. However, the festival is not just about having a good time. Or rather it is, but it also aims to encourage and inform the region’s film makers and help them to network. Education is a big focus of this festival. There will be a range of conferences, seminars and workshops, which are hosted by various organisations but under the umbrella of the festival. Amongst these Birmingham Central library are hosting a creative media week; South Birmingham College are hosting an edutainment day and Birmingham City University (TIC) are holding a creative network evening with Pogus Caesar. The film festival itself is organising a family day, in which children between the ages of 5 to10 will have the opportunity to interact with film industry insiders, learn about film equipment and how films are produced, as well as watching movies and taking part in fun activities. Beyond the glamour and excitement of the festival, which already has some confirmed celebrity attendees, there is a more serious mission. I ask Dean if he thinks the black British film industry receives enough acknowledgement. “Certainly not enough, hence the reason why we’re doing the festival.
We’re trying to highlight the fact that it is existent and there are quite a number of people out there making movies. Outside of London, there are very few black British films being shown. I’m sure this will change over time, so my hopes are high”. I ask him how he thinks the black film industry can get more media attention and public support.“First and foremost black people need to be supportive of their own industry and that’s not just black British, it’s looking at all the Caribbean diasporas”. He warns against buying pirate DVDs. They may seem cheap but they are hitting young black film makers hard and discouraging them from entering the industry. Essentially his point is that there is an abundance of black film talent out there; we just need to support them, with both our bums on the seats and our wallets. I ask Dean what he wants to achieve long term with the film festival. “We’re hoping to establish the festival so it becomes part of the region’s social calendar and I would like it to be on the same level, or equally recognisable, as the Edinburgh Film Festival- but from a black, perspective.” I remark that that’s pretty ambitious. He responds with a quiet confidence: “It is a mission, rather than an ambition. Last year they said I couldn’t do it and I did it, so this year we’re here again. It’s very, very hard but you’ve just got to be focused and determined about what you want to achieve.” Both for the black film industry as a whole and for Birmingham, I hope Dean’s mission is a success.
For more information about the festival go to www.biffestival.co.uk.
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Connexions Black Country is actively committed to equalities in all we do. We are committed to safeguarding and promoting the welfare of children and young people and expect all staff and volunteers to share this commitment.
Penthouse Apartment
FOR SALE
Black History Month 2008 Greets Green African Caribbean Steering Group
Community event highlighting African Caribbean culture, through presentations, music, food, dance and clothing Wednesday 15th October @ West Bromwich Town Hall, 1pm-6pm. For more info please contact Rachael on 0773 715 0456
SureStart & ACHIS
Celebrating Black History Month with Family Fun Days. Monday 27th October @ George Salter School, 2pm-6pm Friday 31st October @ Oldbury Children’s centre, Moat Farm junior school, 2pm-6pm There will be lots of fun Activities for Children and the family. For more info please contact Grace on 0121 552 9248 Charles Pearson Court & ACHIS
Celebrating Older People and the 60th anniversary of The Windrush. We will be showing video interviews and celebrating our time in the UK. There will also be a guest appearance from Veda Sampson (BBC Step Up-to The Plate). Wednesday 29th October, venue to be confirmed. For more info please contact Lorraine on 0121 558 0904
• • • • • • • • •
Three Bedrooms Two Roof Terraces L Shaped Lounge/Diner Kitchen En-Suite to Master Bedroom Garage (in Separate Block) Storage Heating (as spec) UPVC Double Glazing (as spec) With Views Over The Golf Course
Michelle Grindley, Women’s Business Development Agency (WBDA), Broad Street Enterprise Centre, Coventry
www.birminghampenthouse.co.uk
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Hidden away in Digbeth in a converted warehouse, lies ACE dance and music. This innovative dance company fuse together contemporary and African movement and music into a spectacle for both the eyes and ears. Dominique Brady snuck in to watch a rehearsal before the latest tour and to meet the company’s creators, Gail and Ian Parmel.
I watch the limber bodies of the ACE dance company rehearse for the recent tour, Skin, in the large, light-filled, mirror-lined studio. The music switches between Asian and African inspired rhythms, reflecting the Japanese and South African choreographers who each helped create half of the current show. Despite the casual dress of the dancers and the relaxed, homely air that presides in the studio, as soon as the music starts it’s back to business. They twist, stretch and leap through the air, in distinctive ACE dance moves that convey strength, power and agility. Movements which
reflect both traditional African styles but also the cutting edge of the contemporary dance world. Gail and Ian, the co-creators of ACE are immediately warm and dare I say it, even sweet. The same easy atmosphere of the studio carries straight through into the interview. They are concerned whether I’ve eaten or not and if I’m comfortable, plying me with cream cheese and salmon sandwiches and grapes, which I eat, with my guilt only exacerbated by the lithe bodies in the room next door. But I suspect this is what makes ACE different from other
dance companies- not the presence of cream cheese, but the warmth and inclusiveness. They are probably the most family friendly people I have ever met. The company itself is an extension of their family and they tell me proudly where dancers from their youth company have gone onto (four have been to the Northern School of Contemporary Dance, where Gail herself graduated from) and past dancers return to help out and mentor younger dancers. The young company, ACE Youth, is close to both Ian’s and Gail’s hearts and they love having the opportunity theVINE October 2008
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to introduce young people to dance and widen their horizons. In fact a big part of the reason why they set up ACE dance 11 years ago was to be able to be part of a company that could educate and teach young people. “When I was a young person, somebody inspired me to take my career further and I felt that with all my experiences, I would also love to be able to give that back to young people,” explained Gail.
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Looking at them sitting side by side, the close bond between the husband and wife team is evident. I had planned to ask them about the tensions of working together- but seeing them together it seems a little irrelevant. Both have different roles. Ian, is the musical director and is an accomplished steel pan player and percussionist. His sunny personality seems to have originated from his relaxed homeland of Trinidad and Tobago, where he entered the Best Village Competition in panning as a child and remembers the “jam sessions” that would spontaneously erupt on the island, and fired his love of music. Meanwhile Gail, who is the artistic director and choreographer, still has the Leeds accent that betrays her northern roots. As a child she was fascinated by dance from the age of nine and in her teens was already choreographing dances for Caribbean events with a group of friends. After high school she was accepted at the prestigious Northern
A C E S
School of Contemporary Dance and realised she could make a career out of it. Gail also played the steel pan and the couple met at an event in London, which Ian had been invited to by the British Council. They met when Gail was 18 and Ian was 24 and they were married three years later. 17 years on, they still seem a perfect fit. After graduating from the Northern School of Dance, Gail was accepted into the Kokuma Dance Company an African dance company based in Birmingham, which unfortunately no longer exists. Gail worked with the company for over five years and whilst she enjoyed dancing with a company which reflected her roots, she started to miss elements of her contemporary and classical training, and felt the ethos – purely African dance and music-was too limited. Ian joined the musical department of Kokuma shortly afterwards, but the couple both felt that the company lacked an educational aim. They wanted to produce exciting dance, as well as training and educating young people: hence ACE dance was born in 1997. ACE, which stands for African Cultural Exchange, reflects not only African culture but draws influences from the other cultures and ethnicities in Birmingham. Created initially in a partnership with two other dancers from Kokuma, it was difficult at first to get funding and rehearsal space. They would give lessons at Birmingham’s Dancexchange in Caribbean dance to get noticed and were granted rehearsal space in return. They choreographed in their flat and produced their own advertising. The other two dancers left due to the initial financial hurdles and sacrifices required, but it only made Ian and Gail more determined and their marital bond helped as well, as Gail explained: “When the hard times came we
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could just bounce off each other.” But within a few years ACE had been noticed by the Arts Council and were receiving funding. They had won the prestigious young choreographer’s Greenhouse Effect award and were performing at prestigious venues like the Southbank in London and having nationwide tours with educational workshops. Eleven years on and Skin is their fifth large production and nationwide tour, which is coming to a close on its third tour at the end of this year. Margaret Hodge, the minister for culture, even came to see Skin earlier this year at the Southbank and came backstage to compliment the couple. So, what is next for ACE? They explain that they want to open their own dance academy, after the 2012 Olympics, and they are already working on the concept for their next big tour: a production which will reflect the internet culture and immediacy of the modern world. At the end of the interview, they want to know about me and my plans, and with the Dictaphone firmly away, we chat and laugh. As I leave the dancers are stretching out on the floor and cooling down their well-oiled limbs. Gail hugs me warmly and asks me to come back and see their production or just to visit. I already feel like a member of the family. But the real trick that ACE have up their sleeve is the exciting and innovative modern dance that they’re producing. And after watching rehearsals, I don’t even have to be invited to their current tour- I’ve already got a seat booked. Skin performs at the Solihull Arts Complex on Tuesday, 14th October. ACE dance also have a range of dance and musical classes throughout the week, contact them on 0121 3145830 or visit www.aceanddancemusic. com for more details.
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© 2008 – GeoEye – All rights reserved. Image courtesy of GeoEye and Satellite Imaging Corporation
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Ashley Walters Actor: Hustle, Bullet Boy, The Bill The Message: ‘Everyday Hero’ What it means: “You don’t have to be the fastest or strongest to be heroic. By donating blood, anyone can be a hero”
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feature
in Britain?
Dominique Brady spoke to a range of young black people to find out what being black meant to them, who inspired them and what it means to be black in Britain today.
A
s it is black history month this October, I decided to take a slightly alternative approach to the subject. This month there will be numerous inspiring and barrier breaking black historical figures to read about. But I wanted to know what it means to be black in Britain for young people today. Are they proud of their race? What does being black mean to them and how much do they know or care about their history and heritage? To find out I interviewed a range of young people, from different areas, backgrounds and of different ages. When I asked if they had researched or attempted to discover more about black history, the answer was overwhelmingly positive. Cassandra Williams, 22, who graduated in law from Birmingham University and now is aiming to be a barrister, explained that in the limited time she has, she does read and research black history: “I read it to remind myself of the fact that I am only where I am today because of the sacrifices of my ancestors.” Sean Welch, 22, a performance poet, expressed the same sentiment: “There’s a saying that goes; ‘a race without the knowledge of its history is like a tree without roots” and I plan for my life to blossom so I need to know where I’m coming from to know where I need 48
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to be’”. Kehinde Andrews, 26, is studying for his PhD in sociology at Birmingham University. Born to an activist father and a mother who worked for what used to be the Commission for Racial Equality, he was well educated about black history and heritage throughout his childhood and continues to raise awareness today, on a website he created for students (www. satitlouder.co.uk). The youngest member of my sample, Patreece Duffus, 14, who aspires to be either a lawyer or a writer, is interested in black history and reminded me that books are not the only sources for information, “there are other ways of researching my history for example, the internet, DVDs like Malcolm X and slavery museums”. The theme emerged that while young people are not dedicating their entire lives to researching their history, they do so and with increasingly modern and technological methods. Then we discussed what their heritage meant to them. As part of the third generation of people descended from Caribbean migrants, where did they feel their heritage lay? Did they feel a stronger affinity to the Caribbean or going further back in history, with Africa? Or did they feel a strong ‘British’ identity and chart their heritage back to the Windrush generation? I soon realised this question was a slightly false measure. All the young people were aware and proud of their Caribbean heritage, but they felt a stronger identity with simply being ‘black’ in Britain. Their experiences growing up in Britain have been the most key and therefore simply ‘black’ was the most common consensus of identity. Kehinde explains: “I say black because it is most simple…When I say black it means straight away that there’s a combination in there, that it’s a hybrid.” Jenella, 19,
agreed that all the elements: African, Caribbean and British were assimilated into her identity of being ‘black’, “I think it’s all three rolled into one”. Three of the young people I interviewed were mixed race and had a grandparent who was white. How did this affect their attitude to being black? Jenella answered fairly simply that she was aware of both her European and Caribbean heritage but it had never made her question her identity. “It’s never really been an issue. I’ve never really had to sit down and question whether I belong or if I’m going to fit in.” Kehinde who also has a white grandparent, explained that he acknowledges both his European and black heritage and that he feels that a false significance has been placed on how ‘black’ you are. He explained, that the gulf between being black and white has been made significant, but for him personally, it is a “false divide”. Sean Welch, the full-time poet, used a metaphor to define his mixed raced identity. “Growing up inside the box in themiddle or between the other races was very confusing. I could see that their boxes had a lot more stuff inside - history, culture etc, so I would wander around inside my neighbour’s boxes every now and then to see if I could find somewhere to fit in.“ Eventually he discovered his own identity and became comfortable with who he was and where he came from: “I decided to get back into my own box, find “myself”, climb out of the box called other and go explore past the walls that limited me.” I ask Sean if he has encountered racism from either the white or black community. “Both communities do it on different levels. I find whites tend to do it out of pure ignorance and blacks do it due to
conditioned hate... I do believe ignorance is the main source of prejudice and discrimination.” Not all people who are mixed race encounter problems and many people are not noticeably so, but certainly the young people interviewed seemed to be comfortable with their own identity and varied heritage- and just wanted other people not to judge or label them. Finally I attempted to find out who the young people found inspirational and which role models had inspired them. There was a mix between the current and more historical figures. Patreece picked Martin Luther King and Rosa Parks, as “they fought for what they believed in and how everyone, no matter of their race or colour, should be treated equally and personally”. She also picked Barack Obama. Cassandra Williams and Kehinde, both picked Marcus Garvey. Cassandra explained: “In a sense, his teachings have been my saviour. They are like a bible, which if I continue to use as my guide, will enable me to deal with any obstacle thrown in my way.” Jenella picked the American queen of talkshows, Oprah Winfrey: “it’s always been her that I’ve looked at as a strong, black woman who has made it and is a successful woman.” The answers and perspectives displayed by the young people interviewed, show, I believe, a positive and confident attitude towards race and identity among the young black community. There is a clear understanding that your history and heritage is important and makes up part of your identity, and that being ‘black’ is not something derogatory but something to be proud of and something to explore. However it is appalling that people should still endure prejudice or discrimination for being mixed race from either the black or white community, and in being proud of your own identity, there must also be respect and appreciation for others. After the sacrifices made by Windrush generation and hostility endured due to their race, it can be seen as a sign of progress, that the young people now interviewed can be proud of their history and identity. That alone is something to celebrate this October.
THE VIEW FROM THE OTHER END OF THE SPECTRUM... I talked to first generation Caribbean immigrants aged 70-80, who despite being naturalised citizens for around 50 years, would still identify themselves as Caribbean. My conclusion: first generation Caribbean immigrants identify themselves as Caribbean. I spoke to Leopold Stoddart, a retired labourer, and my grandfather; Leon Blades, a jack of many trades, and still an active writer; and Edna Francis, an active florist, and mother of photographer Vanley Burke (as well as five other sons, and three grandsons of whom she is very proud). When asked if he considers himself British, Leopold said very simply, proudly and stubbornly, refusing to further expound, “I am Jamaican”. Leon, despite acknowledging that his home country is a former British colony and pointing out that he did take British exams at school, ultimately still calls himself Trinidadian. Edna also spoke of a “link” between Britain and Jamaica, but thinks of herself as Jamaican nonetheless. Leon’s children are back home, but neither Leopold or Edna thought it odd or unnatural that their children and grandchildren regard themselves as British. Mrs Francis went as far as to say she thought her kids and grandkids would likely root for England in a sporting competition such as cricket, whereas she would definitely be backing the West Indies team. I can’t say the same for my family, as this summer we all supported team Jamaica in the Olympics. When describing themselves all three refer to themselves as black. Leon did acknowledge “African-Caribbean” as a relevant term and went on to speak about how the Black Power Movement of the 1960s affected Trinidad and Tobago in particular. All three spoke about how “black” used to be such a negative and restricting word, but are proud of how we seem to have embraced it over time. So while I didn’t really learn anything I didn’t already know about the identity or the British-ness of my grandparents generation, I did learn that in the early days drawing a pardoner and generally working together helped many first generation immigrants buy homes and start businesses, I learned that in those first bitter winters people believed rubbing onions on the feet or hands was a cure for chilblains and swelling, and I learned that Stokely Carmichael (a prominent activist in the American Black Power Movement) was actually born in Trinidad. I also gave one post-interview IT lesson to a mature yet very spirited lady, and l learned that I know a lot more about computers than I thought I did. Leeanne Stoddart
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Birmingham to London for a fiver? Well, yes. Book a Chiltern Railways Advance Ticket online at least 24 hours in advance and it’s from an incredible £5 a journey. You can print your ticket at home or get it sent to your mobile as a text. And if you’re going on the spur of the moment you can still do it for as little as £18 return (£11.90 with a railcard). Just turn up at Birmingham Moor Street or Birmingham Snow Hill and ask for a Super Off-Peak Ticket, then hop on one of our fast, frequent and comfortable services to London Marylebone. Some restrictions apply to Advance and Super Off-Peak tickets, see our website for details.
Chiltern Railways. On balance a better way to get to London.
www.chilternrailways.co.uk
caribbean focus
with Joy Roxborough
‘Bajan’ Crop Over
- Colonial Roots
B
Picture Credits: Barbados Tourism Authority
arbados is traditionally known as ‘Little England’ because it is so popular among British travellers and has influences that go back to colonial times, when the British ruled there. One would, perhaps, then expect Barbadians to display the mild mannered conservative behaviour traditionally attributed to the British. This may be so for the most part, except for about 12 weeks spanning May to August every year when it is all thrown aside. A fever grips the island and Barbadians the length and breadth of the country abandon themselves to colourful carnival revelries with bands and floats, stilt walkers and steelpan players, calypso tents dotted across the island where local entertainers, comedians and calypsonians perform, all night parties and a host of cultural and historic celebrations all doused in calypso and soca music with ‘nuff nuff wukking up.’ But it’s not all just an excuse for yet another carnival. It’s Barbados’ annual Crop Over Festival, which is their celebration of the end of the cane cutting season and includes events that celebrate the emancipation from slavery. Its roots go back to slavery and colonial times when workers on the plantations welcomed the end of the arduous cane cutting season with celebrations in the cane millyards. Those mill-yard celebrations involved the
Cane Crop. The former decorated donkey carts have been extended to include cars, trucks and bicycles and the costumed Shaggy Bear, Mother Sally and Donkey Man are now part of a star studded cast in a huge and colourful parade.
cane cutters decorating the donkey drawn cane carts and the last bundles of cane with branches, flowers and brightly coloured cloth as they delivered them to the mills. The last cart in the procession carried an effigy of Mr. Harding who represented the lean economic times that Barbadians then experienced between the cane seasons. After much food, drink, music from the tuk band, dancing, competitions like catching the greasy pig and costumed parading with Shaggy Bear (a man dressed in a costume made from plantain sheaves) and Mother Sally (a man dressed as a woman with huge buttocks and bosom) and the donkey man dressed as a donkey, they would burn Mr. Harding at the stake as a reminder that the hard times would not last forever. Barbados discontinued the Crop Over Festivals in the 1940s, purportedly on account of the economic hardships that World War II created. It was revived in 1974 to attract more tourists to the island and today has evolved into a celebration that makes up for those absent years! Today highlights include the Crop Over Opening Gala, which relives the mill-yard last canes delivery and now includes the crowning of the King and Queen of the Sugar
Calypso tents dotted across the island are also a popular feature of today’s Crop Over where local entertainers, comedians and calypsonians entertain visitors with songs created for the Festival. And any Barbadian will tell you about the Crop Over fetes or all night parties. There are also exhibitions, street markets and folk concerts celebrating the emancipation from slavery. All the festivities lead up to the grand finale weekend and the very last event: the spectacular Grand Kadooment (‘big ruckus’) Day, which is always the first Monday in August. The big events of the weekend are the calypso song competition (PicO-De-Crop Finals), Cohobblopot (a musical showcase of the best costumed bands of the Festival) and the Fore-Day Morning Jump-up (as the name suggests, a fete that has party goers up and dancing from about 2 a.m. till dawn). Monday rings in the official end of the Crop Over Festival with the Grand Kadooment—a colourful street party that doesn’t shy away from the costumed artistic regalia. Most probably the biggest jump-up of the season leading to a beach party and massive fireworks display at nightfall. Most Caribbean islands that have been colonised by Europe in the past have some form of carnival celebrations, but arguably perhaps none as elaborate as Barbados’ Crop Over which has become a major tourist attraction, leaving ‘Bajans’ and tourists alike feeling ‘sweet fuh days’. theVINE October 2008
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First Class Youth DIRECT
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Fostering takes energy, commitment and a really positive outlook. We need foster carers from all ethnic backgrounds who can provide a safe, stable and supportive home environment.
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FOSTERING - A REWARDING CAREER
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Anyone who is interested in finding out more about fostering should call the FCA freephone number 0800 085 2225 or visit the website www.iwanttofoster.com
FCA welcomes applications from single parents, married or couples from all ethnic backgrounds.
Thinking about returning to your home country? If you are an asylum seeker, call IOM free for an individual or a family return plan
Small Business Start Up Travel Arrangements Flight Ticket Relocation Grant Baggage Allowance Short-Term Accommodation Job Training Work Placements IOM is an independent, international organisation Education IOM is not part of the UK Government
0800 783 2332
IOM will help you to return home only if you wish to do so
www.iomlondon.org 21 Westminster Palace Gardens, Artillery Row, London SW1P 1RR IOM also has offices in Birmingham, Bristol, Glasgow, Leeds, Liverpool and Manchester
Actions co-financed by Community Funds
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Financial Focus We welcome you to a new series of articles about matters for you and your family. Over the coming weeks our associated companies will look at various topics, starting with making a Will.
Wills through the ages Over the centuries Wills have been the cause of family feuds and fraud. This is why today our laws are very rigid and complex in relation to Wills. Many years ago Wills were simply deathbed statements made in confidence to members of the clergy. This ‘verbal’ version of a Will even when witnessed was obviously still open to abuse or argument. Nowadays further safeguards are in place as witnesses can not be people who stand to inherit anything under the terms of the Will. Even now, with all the laws and safeguards Wills are still successfully contested in the Courts. The main reason being that recent events would have to be taken into account if the deceased was brought back to life The argument being that a Will should represent the true current wishes of the deceased and not what was written years ago, when the will was first made. Making a Will is the only way to ensure that your wishes are carried out after your death; otherwise your hard earned money etc. will be distributed according to the Law of Intestacy. This is not what anyone would really want. Sorting out a person’s affairs when they have died without a Will (Intestate) can be a very long and costly process and those left behind may suffer
financial distress because they cannot draw money from the deceased person’s estate. Another issue is who would look after your children (under 18) if anything happened to you? If you appoint guardians in your Will, it will safeguard your choice and avoid the Court of Protection making that decision on your behalf. If you are married, do not assume that ‘my other half will get everything’ when you die. This is not the case! Children, brothers and sisters may have a claim on your estate. If you are living as a couple, but are not married, upon your death all of your money etc. will automatically go to your nearest blood relative and your partner may receive nothing. Make a Will and you can give clear instructions as to who you would like to inherit your estate. You may be retired now and made a Will some years ago. Your Will might need updating to take account of any changes in your family circumstances since that Will was made. Are you are concerned that you might have to sell your house to pay for nursing home care fees? There is a way through a Trust in your Will that can protect against this happening. If you have re-married your previous will is now revoked and no longer valid so it would be a good time to think about making a new one.
If you have an overseas property you should have a Will for that country where the property is. Ensure that your UK Will and Foreign Will recognise each other otherwise one could invalidate the other and Intestacy would occur. Setting up a Disabled Trust can help if you have a disabled relative and would like to make sure that any money left to them will not affect benefits being received from elsewhere. If you think that your estate will be liable for Inheritance Tax setting up a Discretionary Trust may help in some situations to reduce or eradicate any tax due. Finally a few words about Lasting Powers of Attorney. You might be asking yourself, what would happen if I become mentally or physically unable to manage my own affairs? Your partner will not be able to get money from your account easily if the account is in your sole name. However, you can solve all of these problems if you appoint someone you know and trust to do things for you by creating a Lasting Power of Attorney.
Please feel free to contact Jenny Hall at the number below to discuss any points in the article or suggest future topics.
IC Wills and Estate Planning IC Wills and Estate Planning is a trading style of IC Mortgages Tel: 01902 656775 Fax: 01902 565093 E-mail: icwillsandep@aol.com 107 Coalway Road, Penn, Wolverhampton WV3 7LY IC Wills and Estate Planning is an Appointed Representative of Ultimate Wills & Trusts, Hednesford, Cannock WS12 0QU
Black History Month Walsall 2008 Friday 3 October - 7.30pm
The Crossing, St Pauls, Darwall St. Gazebo Theatre Company presents
Sweet Tooth
A play about women and slavery. Adults £2; children and concessions £1 Contact: Deb Slade - Creative Development Team 01922 653114
Thursday 9 October - 6pm - 9pm The New Art Gallery Walsall
Black on Black Performances by Harare - a Zimbabwean urban music band, Two Man Ting - African Jazz, folk and pop fusion and contemporary dance from ACE Dance and Music Youth. Free African Caribbean food and wine. Free. Contact: Ioannis Ioannou 01922 654404
Saturday 11 October - 7pm Walsall Town Hall
10 th Anniversary celebration Trelawney Overseas Relief Association UK (TORA) Cordially invite you to our and community awards Entertainment including singers, a comedian and DJs. Tickets £35 each, group tables of 10 available TORA 01922 620092
Friday 24 October - 6.30pm - 9.30pm Bethel Lighthouse Restaurant, Caldmore Road, Walsall WS1 3NQ
Walsall Black Sisters Collective Community Quiz, Cuisine & Entertainment Night Adults £3.50; Children £2.00 (15 yrs & under); Family (4) £10
Contact: Black Sisters 01922 616996
Sunday 19 October - depart: 9am
Community Coach Trip To Liverpool to visit the Slavery Museum and the World Museum organised by Black Sisters and sponsored by Walsall Housing Group. Adults £2; children and concessions £1 Contact: Black Sisters 01922 616996
Thursday 30 October - 4pm - 10pm ACCA, 36 W’ton Road WS2 8PR
Youth Service Event Workshops and performances by young people on the Windrush theme. Free. Contact: 01922 650432
Exhibitions - Throughout October The Crossing, St Pauls, Darwall St.
The UK Transatlantic Slave Trade. Extracts from Trade Links - Walsall and The Slave Trade exhibition.
18 November 2008 Walsall Museum
Black History Group display The group’s exhibition will be based around their forthcoming publication on ‘Black Firsts’ in Walsall.
Thursday 16 October - 5.45pm - 8pm Walsall Central Library, Lichfield Street
Join in the celebrations with author and poet, Victor Richards. A live jazz funk band, poetry, readings, book signings and much more!!! Free. Contact: Sonia Dixon 01922 653137
To find out more about Black History Month events in Walsall go to: www.whatsonwalsall.co.uk
a chat in the
front room
Doris Griffiths
Volunteer and Community Worker I believe you climbed mount Snowdon earlier this year? Yes I did. I had a mad moment, when a group of members of staff from Walking for Health decided that we would go away for a weekend in Snowdonia and just chill out and then climb the big track up to the top. But then when I was telling my friends I was going up there, they said: “Why not do it for a charity?” I thought, well, Cancer Research is close to my heart- my mum died from cancer and some of my friends did- so I decided I would do it for Compton Hospice. We went onto Snowdon on the 28th June and started the walk. When I started, it was fine and I thought, great. But then as I ascended up this track, I thought: “My goodness gracious, what have I done?” But then with my friends around and the encouragement of fellow walkers, I persevered. The last half an hour was really tedious and I thought I’d never make it, but I did. How long did it take to climb the mountain? It took four hours to go up and three hours to come down, so we were on the mountain for seven hours. But when I got up there, I thought: “What a wonderful world we are living in.” It was
this awesome feeling, that we were sort of close to the heavens. It was a feeling that I really can’t express and that I will take with me to the end of my life. And I believe you are 70years-old. That’s an amazing achievement. Yes I am. But you know I come from Jamaica, 50 years now I’ve been living here. As a child we lived in a very nice place in Jamaica, just four miles outside of Mandeville (the nearest town), and it’s a very hilly area. So I had good practise, walking up and down those mountains with my parents, my brothers and sisters. And because I’ve never driven, I’ve always walked. It was good practice and I really enjoy walking. Do you do any other charity or voluntary work? I do a lot of voluntary work since I’ve retired from nursing. I run a luncheon club for Age Concern in Wolverhampton, which I do on a Wednesday and I enjoy very much. I’m also a member of a local Methodist church, where I am a church steward, so I do that on a Sunday. For six years I was a school governor for the local school here, on Goldthorn Park where I live. So I suppose I’m very fortunate that I’m able at my age to do all these things, but it keeps me fit and keeps me going. God has been good to me.
Are you a member of Walking for Health as well? Yes I am. I’m a walk leader, which I trained for seven years ago. On Fridays I lead a walk from the Phoenix Centre with a friend of mine, Jean. These walks are growing in Wolverhampton, it’s really catching on. We do canal walks as well. Do you have any advice or guidance for the young people in the community? There’s something I would like to say to the young people. They need to put down their knives and their guns and look for something they could do to better themselves. There’s something else they can do with their time and their energy. They can channel it into sport or try to help somebody. There’s a way out of what they’re doing. They can start by going back to college. Finally, why do you do so much voluntary and community work? I suppose it’s to keep me sane [laughs]. I think as a child I was brought up to help other members of the community. I am from a very caring family and my parents did a lot of community work, so I think it’s embedded in me. And also I’ve been very lucky in this country, with my health, my good friends and good job, so I thought I’d put something back into the community. The Lord has been good to me. I’ve lived here for fifty years now and this is my little contribution to the community. Thank you Doris, you’re certainly an inspiration, to people of all ages. For more information about Walking for Health and the different walks in Wolverhampton you can take part in call 01902 444601 theVINE October 2008
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jobs training careers •
•
THINKING OF BECOMING A TEACHER? Birmingham Advisory & Support Service (BASS) is running 3 day ‘Teacher Taster courses’ which will provide people interested in a career in teaching with opportunities to: • • • • • •
Discuss the role of a teacher with experienced colleagues Spend time working alongside teachers in primary or secondary schools / classrooms Listen to the experience of new entrants to the profession Talk to senior teachers Consider the entry requirements for Initial Teacher Training (ITT) Consider the various training routes into teaching
The courses are part funded by the Training and Development Agency (TDA) to meet the needs of under-represented groups within Birmingham’s schools. 4, 5, 6 November 2008: Men into Primary Teaching. 11, 12, 13 November 2008: Men & Women from Ethnic Minority Communities Considering Primary Teaching. Information about Graduate Teacher Programmes can be found on the TDA website: www.teach.gov.uk NOTE: Primary Teacher Training with BASS The application deadline for the BASS GRTP is 30 January 2009. For further details and an application form, please contact the BASS GRTP administrator, Sheila Huckfield-Powell at the Martineau Education Centre, Balden Rd, Harborne Birmingham, B32 2EH, or phone 0121-303 8113, or email sheila.huckfield-powell@birmingham.gov.uk (not forgetting your full name and postal address)
graduates • return to work mums • young professionals • students • senior managers • qualified professionals
all read the VINE Call 01922 618900 and see how we can help recruit for your organisation
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theVINE October 2008
They go beautifully together With Walsall one of the most diverse areas in the country, the council is well placed to comment on the richly positive benefits of a workforce blended together from all walks of life. If you like the sound of working for an organisation that's as passionate about diversity as they come, then we'd really love to hear from you. You can see all of our current job opportunities by visiting www.walsall.gov.uk/jobshop. Alternatively, for your first free copy of our Job Shop Weekly vacancy bulletin, call 01992 655673 or TexBox (textphone) 0845 111 2910, or SMS Text: send 'Walsall Jobs' (followed by your name and address) to 60003. Please quote 'diversity in action'.