THE USD VISTA
Bishops sue the federal government Catholic bishops file lawsuit against government for funding freeze
EMMA PIRHALA NEWS EDITOR
The U.S. Conference of Catholic Bishops (USCCB) filed a lawsuit against the Department of State and the Department of Health and Human Services (HHS) following the freezing of funds for their refugee resettlement program. The program, which receives nearly $65 million from the Bureau of Population, Refugees and Migration (PRM), supports government-vetted refugees entering the country legally.
The USCCB provides temporary financial assistance, employment referrals and other forms of assistance to incoming refugees. However, following a recent federal funding freeze, the fate of the services are in danger.
The bishops filed the suit on Feb. 18 against the State Department and HHS, who both played a role in the distribution of funds. The lawsuit came nearly a month after the organization received a letter from the Department of State announcing the Refugee Funding Suspension — an order freezing
Recognizing Black History Month
Forty-nine years ago, February was declared “Black History Month” by President Gerald Ford. Since then, every February has served as a time of reflection, education and celebration of the history and contributions of the Black community in the United States and beyond. At the University of San Diego, community members started celebrations early into the month with events, talks and even athletic get-togethers. The importance of the month shined through USD students as they highlighted their favorite Black artists in all types of media.
“I really enjoy music, so the first people that come to mind are Alicia Keys and Rihanna,” USD junior Emily Arceo said. “I like their new music, but their old stuff, the original and classics, are for sure my favorite. Besides their music, I admire them for being strong and independent women, as I believe they are an
grants for programs supporting refugees moving to the country.
The Catholic Church in the U.S. has been involved in refugee resettlement for over a hundred years. In 1980, the USCCB partnered with the federal government to enhance and increase their operations. Dr. Mary Doak, a professor in USD’s Theology and Religious Studies Department, explained the partnership between the bishops’ programs and the government.
“It makes for a very nice partnership if the government has a government interest, [and] they’ve approved that these are all legal immigrants,” Doak explained. “They have a government interest in building up society and helping people get settled and become productive tax-paying citizens. That’s a government interest, and there’s a Catholic, and other Christian and other religious, interest in caring for our poor and vulnerable neighbors and helping them get on their feet and become flourishing members of the community in our circle of love. So, it works really well from both perspectives See Bishops, Page 3
Black History Month gives students an opportunity to learn more about the Black community.
The U.S. bishops gathered in November for the Plenary Assembly held in Baltimore.
Photo courtesy of @usccb/Instagram
The end of diversity, equity and inclusion Trump terminates federal DEI programs using executive orders
MAE O’MALLEY ASST. NEWS EDITOR
One of Trump’s first executive orders that has sparked conversation nationwide is the end of diversity, equity and inclusion (DEI) programs, which not only affects federal workplaces and agencies, but also universities. These programs, which originated with the Civil Rights Movement in the 1960s, were created to ensure that workplaces are protected environments and that they offer fair opportunities for everyone regardless of their characteristics including race, gender, sexual orientation, disabilities and socioeconomic status.
The Department of Education Acting Assistant Secretary of Civil Rights, Craig Trainor, declared on Valentine’s Day that universities will have fourteen days to comply with the new policies set forth by Trump. Universities and students are preparing to face the changes in their environment that will be created by the termination of DEI policies.
The executive order states that its purpose is to eliminate the waste of taxpayer money and discrimination against those overlooked in DEI programs. The order also claims to focus on workplace rewards and praise being based purely on individual skill and performance, rather than any other factors.
“Federal employment practices, including Federal employee performance reviews, shall reward individual initiative, skills, performance and hard work and shall not under any circumstances consider DEI or disability, equity, inclusion, and accessibility (DEIA) factors, goals, policies, mandates or requirements,” the order states.
Some students think that DEI programs are necessary for equitable environments while others think there will be no effects from the termination of DEI.
Trisha Dandamaraju, a USD sophomore, explained that she does not see how the removal of DEI will impact her.
“I have seen that companies like Target are getting a lot of criticism for pulling back on their DEI initiatives, but I just don’t understand how this really affects anything,” Dandamaraju said. “I had never even heard of DEI
before this executive order so is it really that big of a deal?”
Like Dandamaraju, some students have not heard of DEI before and do not understand the meaning of the programs. DEI impacts college campuses as it aims to foster inclusive environments for students and faculty alike. Students are offered broad perspectives from people of diverse backgrounds at universities, and DEI ensures that these perspectives are heard from and not suppressed.
Additionally, DEI aims to prevent discrimination and enhance minority voices. USD’s mission, vision and values statement states the University’s own commitment to human dignity for all people and a dedication to compassionate service. Once she understood the impact DEI has on universities, Dandamaraju’s opinion changed.
“This definitely sounds like a big deal,” Dandamaraju stated. “Now I am wondering, how was it even possible that programs like this could be eliminated? I guess I was thinking if DEI could end then it couldn’t be that important, but this is crazy that something like this could be taken away.”
DEI mandates and programs will be terminated on the federal level with the help of the Office of Personnel Management (OPM), and the Attorney General. Workplace policies will be reviewed to ensure that they are not violating the policies of this executive order. Additionally, positions such as “Chief Diversity Officer” will be eliminated from government agencies.
Other students understand DEI to be a necessary implementation in any environment that consists of people working together. Kylie Huynh, a USD sophomore, believes that DEI is beneficial to her own learning.
“I feel like DEI is really important in regards to something like students having access to accommodations,” Huynh commented. “It’s not that someone without accommodations isn’t being supported, but now their classmates have the same opportunities to do well. I feel like you need that in any workplace or classroom.”
The USD Commons provides resources for different groups of students at USD. The organizations released a joint
statement on their Instagram in regards to their commitment to continue the practice of inclusivity for all students.
“The Black Student Resource Commons, LGBTQ+ & Allies Commons and Women’s Commons remain committed to serving diverse and marginalized students at USD despite executive orders and increased criticism of Diversity Equity & Inclusion (DEI) work,” the post stated. “Our work is aligned with the Catholic values of USD, which include honoring the dignity of every human and ethical, compassionate service to our community.”
Some students involved on campus acknowledge the importance of resource centers and clubs for minority students. Jordan Libunao, senior at USD and president of the Black Student Union (BSU), weighed in on the need for these assets and how to support peers who could be affected by new DEI standards.
“I think that without the BSRC and without the BSU, honestly, I think I would have transferred just because it’s a very isolating environment to be at a [primarily white institute (PWI)] and being a minority,” Libunao commented. “I just think that everybody should do their best and try their best to educate themselves on the black and brown experience, especially at PWIs… Also just, like, tap in, with black and brown students and ask them genuinely how they’re doing… It’s a lot to hear that, like, your organization and something that you belong to could potentially be taken away due to our president.”
USD’s own DEI statement states that one of the primary missions of the University is to foster inclusivity and learn from diversity.
“USD remains firmly committed to its mission, vision and core values,” the University commented. “As a Catholic university, human dignity and inclusive excellence are core to our identity and remain broadly represented on campus through programs, resources and experiences that ensure all members of our University community are able to thrive in every dimension of their lives.”
DEI continues to be a source of potential fear for some as the Department of Education’s (DOE) deadline approaches on Feb. 28.
Anjali Dalal-Whelan - Feature Editor
Ellie Skjersaa - Arts & Culture Editor
Riley Rains - Sports Editor
AndreaArvizuSalazar - Distribution Manager
Arden Anderson - Social Media Manager
- News Editor
Zoe Rogers - Opinion Editor
Shannen Swars - Photo Editor
Anna Hallock - Director of Finance
Quinn Hallinan - Advertising Manager
Gina Lew - Student Media Advisor
Marie Minnick - Operations Advisor
The Women’s Commons displayed a mural in their office. Jackie Marquez/The USD Vista
The Commons released a collective statement regarding DEI. Photo courtesy of @usdlgbtqcommons/Instagram
Students often assemble at the Black Student Resource Commons. Shannen Swars/The USD Vista
NEWS
Catholic Conference takes legal action
Bishops file lawsuit in response to frozen funds for refugee program
in general for them to have set this up, that they granted the money and the Catholic Church also raises more money.”
Rooted in the teachings of human dignity, Doak explained that the refugee assistance programs are intertwined with Catholic values.
“From [the Catholic] perspective, [assisting those in need] is also something that we need to be doing,” Doak stated. “We need to be caring for people in our midst and the vulnerable, especially. And we need money from all sorts of sources, including from the government, which can just raise a lot more money than [USCCB] can.”
USD Vice President for Mission Integration, Dr. Michael Lovette-Colyer, affirmed that the Catholic Church is uniquely committed to helping those who are most in need.
“A core value of the Catholic Church, and of USD as a Catholic institution, is compassionate service, especially toward the most vulnerable among us,” Lovette-Colyer stated. “As an anchor institution, University of San Diego has a long history of supporting immigrants and refugees, and we continue to support our university’s mission and values by giving back to our community, leading with love and upholding the dignity of all.”
The complaint explained that the State Department’s justification for the freeze was Trump’s executive order, which called for the revaluation of all foreign aid funding.
Since the freeze was enacted, the USCCB has taken on millions of dollars in backpay to employees and refugees.
“As a direct result of the suspension, USCCB has millions of dollars in pending, unpaid reimbursements for services already rendered to refugees and is accruing millions more each week — with no indication that any future reimbursements will be paid or that the program will ever resume,” the lawsuit stated. “USCCB has already been forced to initiate layoffs for fifty employees. It faces irreparable damage
to its longstanding refugee resettlement programs and its reputation and relationship with its subrecipients and the refugee populations it serves.”
The complaint stated that the State Department’s halt to USCCB’s funding is an overstep of power. Traditionally, Congress is responsible for allocating funds and creating budgets. However, Trump’s recent executive orders have overridden traditional regulations.
The Catholic Church and the Trump administration have had a tense relationship, dating back to Trump’s first term in
office, when Pope Francis openly condemned the construction of the border walls. Since then, tensions have heightened. The pope recently issued a letter detailing the severity of the immigration crisis in the U.S..
“I have followed closely the major crisis that is taking place in the United States with the initiation of a program of mass deportations,” Francis wrote. “The act of deporting people who in many cases have left their own land for reasons of extreme poverty, insecurity, exploitation, persecution or serious deterioration of the environment,
damages the dignity of many men and women, and of entire families, and places them in a state of particular vulnerability and defenselessness.”
Following the filing of the case, U.S. District Judge Trevor McFadden denied the bishops’ request for a temporary restraining order against the White House. However, the case of the temporary injunction is still up in the air. McFadden requested further briefings from both parties. The case will continue and in the meantime the USCCB will have to re-evaluate the status of their refugee aid.
From Bishops, Page 1
Bishops assembled at the National Eucharistic Congress, an event sponsored by the USCCB.
Photo courtesy of
ARTS & CULTURE
Bad Bunny drops ‘DeBÍ TiRAR MáS FOToS’
Students and professors discuss new album and Puerto Rico residency
Benito Martinez Ocasio, better known as “Bad Bunny,” recently dropped his latest album “DeBÍ TiRAR MáS FOToS.” The album showcases 17 songs which include features with artists such as RaiNao, Los Pleneros de la Cresta and Chuwi — all Puerto Rican musicians. This album stands out from all of his other ones as it pays homage to his roots and incorporates a mix of reggaeton, trap and traditional Puerto Rican sounds that highlight the island’s rich musical heritage.
In addition to the album release, Bad Bunny announced an exclusive residency in Puerto Rico with more than half of the dates being available only to local residents. This decision has sparked conversations in the media, reinforcing his commitment to his homeland and prioritizing the people who have supported him from the very beginning. While many artists chase global audiences, Bad Bunny continues to center his culture, making it clear that his success is not just for him but also for the island that raised him.
Dr. Wilnelia Recart González is an assistant professor in USD’s biology department, and she is a Puerto Rican plant ecologist. Recart González is passionate about inclusion and retaining minorities in science and academia. To this end, she has created workshops and panels for different scientific societies to foster change that increases the representation of underrepresented people in science.
“[Bad Bunny has] always been an artist I’ve been curious about,” Recart González said. “In Puerto Rico, his history shines a lot as he used to be a
bagger at a local supermarket store and now he’s a global sensation. I am definitely ‘team Bad Bunny.’ I actually made sure I was free for when this new album was released just so that I could really listen to it and dedicate that time to it. I love this new album and have several songs on repeat.”
Bad Bunny’s influence extends beyond his music as his concerts and events create a frenzy among fans with tickets selling out quickly. His residency in Puerto Rico was no different, bringing a large demand and leading to long lines outside the venue as people had hoped for a chance to attend.
“I tried to get tickets for the residency, but I wasn’t able to as they sold out pretty quickly,” Recart González said.
“I could not access the Puerto Rico residents only tickets as I currently reside in San Diego, so I tried to get the normal tickets but couldn’t. From what I’ve heard, the lines outside the venue to get tickets got a little crazy and long. Images of people waiting went viral, and I believe it was ridiculous but fun to see everyone putting their lives on hold to try and get tickets.”
The demand for tickets speaks to just how much Bad Bunny means to his fans, especially those from Puerto Rico. His music isn’t just about catchy beats, it’s a reflection of his pride and dedication to his roots. Lola Schettini Ramirez is a senior at USD, majoring in behavioral neuroscience with minors in biology and marketing. She is from San Juan, Puerto Rico, and Bad Bunny is one of her favorite artists.
“I have liked Bad Bunny since I was in middle school and I love his authenticity to Puerto Ricans,” Schettini said.
“He’s always for our people, and I feel this album really showed
everyone how much he loves Puerto Rico. This resonates with me a lot because loving my culture is a big part of myself so I definitely like that he does that.”
Some of the conversation brought up online was that this album was different than his other ones. Some believed this to be positive while others thought of it as a negative aspect. But beyond the beats and features, “DeBÍ TiRAR MáS FOToS” carries a weight that can’t be fully appreciated without understanding its cultural and political undertones.
“I wasn’t able to listen to the album straight after it was released as I was studying abroad, but I had non-Puerto Rican friends texting me that it wasn’t as good as his other albums,” Schettini said. “Once I was able to listen to the album, I cried because it was just very heartfelt to Puerto Ricans. I believe it was a very political album, and so if you’re not from Puerto Rico the album is obviously still enjoyable but you might not get the actual meaning behind its lyrics.”
As his fans feel proud to watch Bad Bunny rise to international fame, it is also something that they struggle with. A lot of people want to see their favorite artist and even though Bad Bunny has had different tours around the world with many dates in different cities, sometimes this doesn’t leave enough room for his people to enjoy his music live.
“I think the residency is amazing, especially because for past concerts me and my friends couldn’t get tickets because most of them would be sold to the U.S.,” Schettini said. “I’m not saying this shouldn’t happen as we can all enjoy his music and concerts, but this didn’t really give a chance to local fans to enjoy his music in their own home. This residency is really giving back to the community and his people. I believe this makes sense because if it weren’t for us and the support we gave him he wouldn’t be where he’s right now, and in a way this is his strategy to give back.”
Beyond celebrating Puerto Rican identity, the album also sheds light on pressing social and political issues, particularly the ongoing struggles with gentrification on the island. Through his lyrics, Bad Bunny tells the world about the challenges Puerto Ricans face, using his platform to bring attention to the injustices happening at home.
“This album really brings us to appreciate our culture, and it also brings up the gentrification struggle that has been happening in [Puerto Rico], especially from people from the states coming and buying houses and not paying taxes or supporting local businesses,” Schettini said.
“Nevertheless, I just think this album shows the whole world what the problem has really been, and especially with the song ‘Lo que le pasó a Hawaii,’ which talks
about the gentrification Hawaii went through and how now this is happening to our home.”
Bad Bunny’s ability to blend music with activism has made him an influential artist, but he’s not the only one using his platform to shed light on important issues. While his voice carries global reach, there are many other Latin American artists working toward similar goals through their music.
“I believe he tries to be very purposeful with his music and the things he does, and I do think he ultimately tries to be unapologetically Puerto Rican, which is something that we need more [of] these days when Latino American people are struggling and being treated unfairly,” Recart González said. “It’s nice to have voices like him, but I will say that there’s also other artists working on topics like these — for example, Naty Peluso, whom I believe people don’t give enough credit to when she is doing similar things as Bad Bunny. Ultimately, it’s great to have him speak up for his people, but there are other urban artists that do the same.”
Bad Bunny’s “DeBÍ TiRAR MáS FOToS” isn’t just another album, but it is a reflection of his identity, his people and the struggles that Puerto Ricans face today. Through his music and his actions, Bad Bunny continues to prioritize the voices and experiences of his community, while also showing the world what it means to be Puerto Rican.
ALEXANDRA ALCALA ASST. A&C EDITOR
The poster art for the ‘No Me Quiero Ir de Aqui’ residency celebrates Puerto Rican culture.
Photo courtesy of @nycreggaeton/Instagram
Bad Bunny
Black History Month inspires appreciation for creators of color Students support Black talent
From Black History, Page 1 inspiration to women all around the world. I admire that they’re really into their own businesses and grow more everyday.”
The music industry has been positively impacted by Black artists for a very long time, with a wide range of musicians. From Marvin Gaye and Aretha Franklin to Tupac and Kendrick Lamar, Black artists continue to shape the industry while breaking barriers and uplifting their communities. Besides Black artists having a large presence in the music industry, they have also evolved and shaped different genres into what they are known for today, such as jazz, blues, rock, hip-hop and R&B.
“My favorite Black artist in the media is Michael Jackson,” USD sophomore Alida Martinez said. “I think he shaped music in a way never done before, and he’s just an iconic figure in my life. He has inspired so many people through his art, especially his dancing.”
Other than revolutionizing lyrics and melodies, dance has also been largely influenced by Black artists. Black performers have continuously changed dance and set trends that have shaped the entertainment industry.
Hip-hop, breakdancing, tap, jazz and even swing dance all have deep roots in Black culture with artists and dancers using movement as a form of storytelling, selfexpression and even activism.
“I have a strong connection with [Michael Jackson’s] song ‘Thriller,’ as when I was little my parents were really big fans and would play all of his songs for me and my sister, but ‘Thriller’ always stuck out,” Martinez said. “I can vividly remember watching the music video for this song as it used to scare me, but when I watch it now I can see how iconic it really is. Another reason I think of this song is because I loved it so much [that] I once chose it to dance at a talent show, and now it just
brings good memories back.”
By mixing rhythm and innovation, Black artists have transformed dance into more than just entertainment — it’s powerful art that carries history, emotion and cultural significance. This deep impact is why many see Black History Month as a time to recognize and reflect on these contributions.
USD Professor Eric Pierson is the co-director of the communication department as well as a professor of film studies. His areas of expertise include film and media studies, minority images in film and television, political economy and film production and distribution.
“I think now there is this space where you get Black talent being able to present itself, especially with the advancement of streaming services, which wasn’t there 15 or 20 years ago,” Pierson said. “Now folks can open up whichever streaming service they use and would most probably see Black excellence on their television.”
The evolution of streaming services has created a new space for Black artists to flourish. For instance, having a highlight section for films and series created by or starring Black talent. This amplifies diverse narratives and also ensures that the history and ongoing contributions of Black communities are both preserved and brought to the television for millions of viewers.
“I think it’s really exciting when streaming platforms do this section during February highlighting films or series made or starred by Black talent,” Pierson said. “It reminds people of the vastness of Black excellence in film and television. It also gives people the opportunity to sample these and helps the history from not getting lost but being dispersed to millions of people.”
The new era of television and film distribution has allowed what years before couldn’t, giving minorities
a space to speak freely and share their ideas. The fact that services like Netflix, HBO Max, Hulu and Disney+, now distribute original pieces gives more room for fresher innovations and new directors.
“I think the importance of Black History Month is that you never stop learning,” Pierson said. “I mean, me, I have been through several Februarys in my life, and every year I feel I learn something new. I learn about people and whose contributions got lost in our history, so I believe this is an amazing opportunity to even educate myself.”
Each year, Black History Month serves as a reminder that learning is an on-going process and that there is always something new to learn. Today’s creative space allows for more experimentation and collaboration.
“I do believe that now is the time for Black talent to get more opportunities,” Pierson said. “Now we have so many directors and streaming platforms who are doing their own thing without being attached to somewhere outside of it. Now there’s an opportunity to go to someone else if your idea gets rejected, and if they do it too, you have more people to talk to. The opportunities that are present now in the film industry are quite new but we must make the most out of them.”
This month highlights opportunities to celebrate Black creators while also allowing for other forms of respect to happen such as honoring ancestors, remembering past times, educating others and more. The opportunities are vast and allow for students, such as Arceo, to grow in many different ways.
“I believe Black History Month is a time for all of us to reflect and think back on the history of Black Americans in this country and their impact on our culture and society as we know it today,” Arceo said.
Beyond celebrating achievements, many also see this month as a necessary
acknowledgment of the struggles Black communities have endured and continue to face in their everyday lives. While some things have changed in our communities, racism and discrimination are still a struggle for people of color and underrepresented communities.
“I think it’s crucial to have a month dedicated to the Black community after all the segregation that has been part of their history, and that they still struggle with to this day,” Martinez said. “It’s the least we, as a society, can do, and in order to amend all of the wrongs that they have gone through.”
As Black History Month continues to be recognized across the country, it serves as more than just a time to celebrate. It’s a reminder of the resilience, contributions and ongoing struggles of Black communities. From shaping music, dance and culture to influencing social movements and history, the Black community has undoubtedly left a mark on society.
For students at USD, this month is an opportunity to not only appreciate Black talent, but also a reminder to educate themselves and support Black voices all yearround. Whichever way students choose to do so, honoring Black history should be a continuous effort to recognize and uplift a community whose impact is deeply rooted in history.
Black artists are a central part of global culture.
Photo courtesy of @art_simpson_/Instagram
Streaming services, such as Netflix and Hulu, often highlight films that showcase Black talent during Black History Month.
Photo courtesy of @netflix/Instagram
Best San Dieg
Bobboi Natural Gelato Price range: $6-$7
“I definitely love the SLP dessert, the froyo is really good. Off campus there is a gelato place called Bobboi. They have flavors you wouldn’t expect. My favorite flavor is passion fruit gelato.”
– Sophie De Carbonnieres (First-year)
2175 Kettner Blvd, San Diego, CA 92101
Donuts Price range:$2.25-$6.50
Bakery and Bistro Price range:$10-$20
“Rose Donuts down the street is good. There’s also a place in Coronado called Clayton’s Bakery and Bistro. Coronado in general just has a lot of little dessert shops.”
– Luis Leon (First-year)
Rose Donuts
5201 Linda Vista Rd, San Diego, CA 92110
Clayton’s Bakery and Bistro
849 Orange Ave, Coronado, CA 92118
Sometimes, a sweet t students need, but decidi option can be tricky. approved picks make find easy. Whether it's a qui campus or a full dessert e a place to satisfy a
“My favorite dessert spot on campus is the SLP when Off campus is definitely Baked Bear and
– Gabbie Hernandez
The Baked Bear
4516 Mission Blvd, San Diego, CA Menchies 3225 Sports Arena Blvd Ste 105, San Diego,
Rose
Clayton’s
Photo Price
The Baked Bear Price range:$3-$12.95
Shannen Swars/The USD Vista
Photo courtesy of
@bobboi_naturalgelato/Instagram
Photo courtesy of @bobboi_naturalgelato/Instagram
Photo courtesy of @claytonsbakerybistro/Instagram
Photo courtesy of @thebakedbear/Instagram
ego sweet treats
et treat is all that ciding on the perfect ky. These Torero finding the right spot a quick sugar fix on rt experience, there's fy any craving.
An’s Dry Cleaning Price range:$7-$13.15
“My favorite dessert place in San Diego is definitely An’s Dry Cleaning in North Park for their ice cream. They change out their flavors twice a month so it’s a new experience every time I go. They have great ice cream and a variety of options.”
– Charlotte Thomas (Sophomore)
3017 Adams Ave, San Diego, CA 92116
Menchies
Price range:$5-$10
SLP when they have the cake. Bear and Menchies.”
Gabbie Hernandez (First-Year)
Bear Diego, CA 92109
San Diego, CA 92110
Somisomi Price range:$5-$10
“I like Somisomi. They have different swirls. Just last week, I got a matcha and cookies and cream ice cream. On campus at Aromas, I like the sweet lattes, which kind of counts as dessert.”
– Valentina Jimenez (Sophomore)
4620 Convoy St, San Diego, CA 92111
Photo courtesy of @mymenchies/Instagram
Photo courtesy of @ansgelato/Instagram
Photo courtesy of @yvera.t/Instagram
Photo courtesy of @yvera.t/Instagram
Photo courtesy of @ansgelato/Instagram Spread by: Alissa Abramovich/The
ARTS & FEATURE How to: Graduate from USD Breaking down USD’s graduation requirements
fulfilling their requirements.
Career readiness points
At this point of the semester, many students are juggling a busy schedule. While balancing classes, extracurriculars and social lives, it’s easy to forget that the main point of college is graduating.
Some Toreros are confused on what the actual requirements are to get their diploma. Although the core and major requirements are generally easy to follow, there’s a few other elements, such as career readiness points that tend to puzzle some students.
USD first-year Kirsten Buenrostro expressed her understanding of the graduation requirements.
“If you don’t do your research, it might be a little harder if your advisor doesn’t help you.”
In terms of career readiness points, Buenrostro was unaware of the requirements.
“I remember my professor talking about it, but I don’t really know what it is,” Buenrostro said. “This is the first I’ve heard of them.”
Here is a breakdown of the main requirements that USD has to graduate. Students should talk to their academic advisors to guarantee that they are
One of the most befuddling parts of USD’s graduation requirements is the Career Readiness Program (CRP). This requirement varies based on what school a student falls into.
The College of Arts and Science students have to meet their COMPASS point requirements, Knauss School of Business students need PASSPORT points and ShileyMarcos School of Engineering students collect CONNECT points. All of these programs essentially have the same purpose: to help students explore and get connected with career opportunities. Each program has specific requirements, which can be found on USD’s Career Development Center website.
For College of Arts and Sciences students, COMPASS has a requirement of 10 points, split between four core points and six flex points. The core points involve a COMPASS orientation, a networking event, a workshop called “articulating the value of your liberal arts education” and a senior graduation survey. The orientation meeting is recommended to be taken after declaring a major, and the “articulating the value of your liberal arts education” workshop is recommended for the first semester of students’ senior year. Both
meetings take place during Torero hours most weeks of the semester.
Flex points can come from a variety of things, such as career fairs and speaker events.
Business and Engineering students both have 12 required points for PASSPORT or CONNECT. This includes three core points which are PASSPORT or CONNECT orientation meetings, a networking event and a senior graduation survey. Students in both schools also need nine flex points, which can also come from a variety of sources.
Many events on campus advertise that students can receive COMPASS, PASSPORT or CONNECT points for attending. Toreros should make sure to register with their student ID numbers to receive credit. Students can also receive points for things that they may already be doing. At the bottom of the CRP webpage, there are forms that can be filled out to award points for internship experiences, or for attending professional conferences and talks that aren’t at USD. Filling out these forms does not guarantee points, but it can potentially be a great way to knock off flex points for students in any school.
Students can check how many points they have on the MySanDiego website in the “Career Readiness” page under the “Torero
Hub” tab. There are a few upcoming events this semester that students can attend to receive CRP points. This includes the Spring Career and Internship fair on March 4, which students receive two flex points and a networking point for attending. USD’s career center sends out a weekly email to students called “Career Weekly.” This email advertises events where students can earn points to meet requirements.
Complete all of your classes
Because USD is a liberal arts school, everyone must complete the core curriculum, a series of classes that covers a variety of departments and subjects. This class list can look daunting, but there are some ways to make it go by quicker. Doubling up on credits is a great way to satisfy the core requirements effectively. For example, classes in the theology, philosophy and history departments often have the Diversity, Inclusion and Social Justice flags, meaning students can check off two requirements in one class. Additionally, many students fulfill the credits through community college classes and Advanced Placement or International Baccalaureate tests that they may have taken in high school.
One of the more confusing parts of the core curriculum is the Advanced Integration flag, which is meant to be fulfilled at the end
of students’ college career. While First-Year Integration is fulfilled through students LLC or Living Learning Community courses, Advanced Integration is much more open-ended. It can be fulfilled through a range of courses, which often corresponds with student’s majors. Students can find classes that fulfill the advanced integration flag when searching for classes by searching the attribute CINT.
Every major at USD has very different graduation requirements. Information on major requirements can be found on the different departments’ websites as well as Degree Works. Some majors have a required final research project or a capstone project which students complete during their final two semesters.
Petitioning for graduation
One of the last requirements to graduate is submitting a formal petition to graduate. This can be completed once a student has 90 credits. The petition form can be found in the MySanDiego portal under the “Senior” tab. While the variety of requirements to graduate can feel overwhelming, spreading out the tasks over time makes them more manageable. By paying close attention to each requirement, Toreros can be sure to receive their hard-fought diplomas.
ANJALI DALAL-WHELAN FEATURE EDITOR
LILY ANDERSON MANAGING EDITOR
Trigger warning: This article discusses topics of disordered eating, anxiety and depression.
Feb. 20 through March 2 is National Eating Disorder Awareness Week. According to the National Eating Disorders Association (NEDA), 28.8 million Americans deal with an eating disorder at some point in their lifetime. The theme of this year’s awareness week is “The Time is Now,” aiming to emphasize the importance of sharing stories, finding resources and encouraging treatment. So, here is my story.
Throughout my time in high school, I struggled with anxiety and depression, and I developed an eating disorder as a way to cope. I reveled in the false sense of control that this gave me, and I did everything I could to deny there was a problem. On the outside, I tried to appear confident, happy and indestructible. On the inside, I was constantly and desperately trying to glue myself back together.
I wanted to be someone who loved themself, but I wasn’t. I was my own worst enemy. I transformed into a person I didn’t recognize, both in the mirror and in my mind. I stopped eating, talking to my friends and leaving my house because I was too cold to step outside in the dead of winter. Afraid to feel the emotions I knew were inside of me, I starved my brain of the nutrients it needed.
COVID-19 and the isolation that ensued only made things worse. The World Health
OPINION
Dear reader: The time for recovery is now
Organization found that, in general, anxiety and depression increased by 25% during the pandemic. I continued to spiral, and I hit my breaking point when I was left to sit, think and come to hate the things I was doing to myself even more. Eventually, my family, my treatment team and I decided that a change desperately needed to happen before I dug myself into a hole I couldn’t get out of.
I realized that the change needed to come from within. If I wanted things to be different, I was going to have to honestly want to get better. I packed my bags and left for a residential program to help me sort out my eating and my mental health.
I was scared out of my mind and only told a handful of friends the day before I left. Besides a few weekly Zoom calls with my family, I had no phone or contact with the outside world. I was there for six weeks with six other girls, and it changed my life. I found a community who understood me. I devoted all my time and energy to shifting my mindset and habits, which eventually started working. I learned grounding techniques, coping skills and the perspective that I was simply selling myself short. I realized I was my own roadblock. Sick of setting myself up for failure, I decided I’d had enough.
While the experience was far from easy, I left with a glimmer of hope. I knew that I had the power to change with the tools and resources I had been given. No longer was I concerned with gaining weight. Instead, I wanted to gain back happiness. I wanted to regain a smile, warmth, love and the ability to become the person I wanted to be.
Since then, I have still struggled. I occasionally battle with thoughts surrounding food and my body. Recovery doesn’t just stop one day. Like fighting an addiction, it is something you commit to for the rest of your life. I now know that when the voice telling me not to take care of myself gets too loud, I can shut it down. I know that I never want to return to where I was during high school; I want to grow and learn and continue to help myself and the people around me.
I do this by being vulnerable and knowing when I need an extra hand to help hold me up during particularly stressful times, by reminding myself that I am worth so much more than any number or measurement and by focusing on intuitive eating and listening to the signals that my body is giving me. There are many tools out there that professionals can help you identify, and something different will work for everyone.
A couple of years back, I wondered if there was a point in stories like these. I’ve always been told that openness and shared experiences are important, but transparency can be terrifying. I wasn’t sure if opening up would actually have a positive impact.
The first time I posted online about eating disorder awareness, I was met with over 100 messages from friends and acquaintances
thanking me for starting a conversation about the topic. One particular comment from a friend of mine validated everything I was hoping for.
“Lily, you are my inspiration, and you helped me find support,” she wrote. “You are so beyond strong, loved, and cared for! Proud of you.”
I realized in that moment that if I could help one person find hope, everything was worth it. I want you to know that you are never alone. If you are struggling with food, exercise, mental health, weight or intrusive thoughts surrounding your body, I have been there. 28.8 million Americans have been there. I hear you, and I see you.
There are resources here on campus that can offer support, such as the USD Counseling Center, located in Saints Tekakwitha and Serra Hall 300 or reachable at (619) 260-4655, and the health center, located in Maher Hall 140, which can be contacted at (619) 260-4595. Speaking to a trusted adult or close friends is another great way to begin the process of finding help.
If you know someone struggling with disordered eating, it can be challenging to understand how to best offer help. I recommend approaching the situation with grace. Avoid making any accusations or
diagnosing their behavior. While good-natured, interventions can often result in increased secrecy and defensiveness. Instead, check in regularly, show them you are always there to listen and be honest about your concerns. Encourage the involvement of a professional and emphasize that additional support is needed. Everyone’s journey will be different, and finding the right path can take a while. It may take multiple conversations until they feel comfortable being candid about what they’re going through, so be patient and show love. Disordered eating occurs in many different ways — it is not “one size fits all.” No matter your experience, your struggles are valid and you are worthy of support. You are not broken, and this is not permanent. You deserve to love yourself and feel loved no matter what you look like. You deserve to experience excitement and build community around food, not sit with fear. Choosing to change my mindset and actions has led to so much more joy than I ever thought possible. Asking for help is much easier said than done, but it is so worth it. I believe in you. Break the silence. Stop the cycle. The time is now. With love and gratitude, Lily Anderson.
OPINION
Finding power in femininity Female artists are demolishing gender norms
JULIE FROMM ASST. OPINION EDITOR
As a young woman about to enter the real world, I have been searching for a hero to hold onto — someone strong and confident who I could emulate and aspire to be like. I never thought that hero would be a five-foot-tall pop star, but when I started listening to Sabrina Carpenter’s music, I was instantly inspired by her lyrics that defied everything society has taught me to be as a woman. It was ingrained in me from a young age that I should be the damsel in distress, the one who needed saving. After any heartbreak, I would wallow in sadness for months and turn to songs that emulated this feeling, like “Forever & Always” by Taylor Swift or “The One That Got Away” by Katy Perry.
I’d be lying if I said I don’t find myself singing along to songs like these in my car to this day, but I’ve grown tired of feeling sorry for myself and for keeping myself in the scornedwoman-searching-for-a-savior box. I was craving someone who could shatter that illusion, and I found that in modern-day pop stars like Sabrina Carpenter, up-and-coming rapper Doechii and Chappell Roan. It is thrilling to listen to music that defies the stereotype that women are to be chased by their love interests and wait around for someone to come along and give them what they want. Artists like Carpenter, Roan
and Doechii just go out and get it. I started listening to Carpenter’s music this year and instantly fell in love with her attitude towards women, sex and relationships. Her most recent album, “Short n’ Sweet,” flows from one song about a man whose ego is almost laughable, to being so attracted to a guy that she wants to carry his child. As someone
who is sex-positive myself, hearing songs from artists who so willingly accept their sexual nature and aren’t afraid to show it is nothing less than extraordinary. Both Roan and Doechii embrace their sexuality and incorporate it into their music and choreography on stage, demonstrating to women that their sexual desires are nothing to be ashamed of. At a time when women want to be held to the same standards as men, having music that reflects my natural desires for intimacy and power is exactly what I need. What makes all of these women so incredible is their unapologetic attitude toward their womanhood. Female artists have often taken the route of love songs and ballads of heartbreak. It is the genre of music that has worked for them and has allowed them to work their way up in the industry. But artists like Carpenter, Roan and Doechii set a new standard for what a woman can and should be in the music world. They sing about enjoying sex and playing the field.
Yes, each of these artists talk about relationships and heartbreak in some songs, but
their music is not defined by their heartbreaks. Doechii’s songs touch on topics like addiction and mental health. Roan’s music describes her experiences as a gay woman and many of her songs are revered as queer anthems. Rather than just sitting with the ache of breakups, suffering and personal struggles, they use it as fuel to push the boundaries of what a female pop-star should produce. There is sadness, but there is also redemption. It is a troubling time to be a woman. There are laws being put in place that remove the power we have worked so hard to attain. The right to receive an abortion has been the topic of heated debates for years. According to the National Women’s Law Center, women in California still make less money than men; for every dollar a man makes, a woman makes 87 cents. Even walking alone at night as a woman can feel highly threatening. I have trained myself to be a people-pleaser and watch what I say in order to appear to be what I have come to know as a “proper” woman.
When I listen to Carpenter’s
music, though, I am inspired to relinquish the hold that I have on myself and simply let loose the way that she does. Roan’s wild outfits with rhinestones and feathers and neon colors make me want to step outside of my comfort zone and explore expression. At the 2025 Grammy awards, Doechii became the third woman in the history of the Grammy’s to win Best Rap Album of the Year. Watching Doechii accept this award was inspiring and reminded me that there is more than enough room for women to thrive in all areas, whether that is in the music world or corporate America.
When I listen to these artists and watch their performances, I feel empowered. I feel more capable of recognizing that my femininity is a strength instead of a weakness. There are actions being taken against women in today’s policy that I find frightening, but there are women in the spotlight who are using their unique capabilities as feminine heroines to break the barriers that have been set in stone for us for decades.
Clarification: Last week, an opinion published on Page 10 of The USD Vista included a photo of a swastika t-shirt which Kanye West sold on his website. The intention of including this photo was to denounce his antisemitic actions and bring attention to how such hateful art cannot be separated from artists. Since publication, it has been pointed out that this does not promote USD’s mission of creating a more inclusive, sustainable and hopeful world. We understand how such a photo can be triggering or unwelcoming, and that was not our intent. We apologize to those who were negatively impacted by the photo.
The views expressed in the editorial and op-ed sections are not necessarily those of The USD Vista staff, the University of San Diego, or its student body.
Chappell Roan breaks through feminine stereotypes in the music industry. Photo courtesy of @chappellroan/Instagram
Sabrina Carpenter performs with her backup dancers on her ‘Short n’ Sweet’ tour.
Photo courtesy of @sabrinacarpenter/Instagram
RILEY RAINS SPORTS EDITOR
Gold medals and good vibes USD swim and dive championship season
The USD swim and dive team made waves of success in the conclusion of their sevenmonth season. The women’s team competed in a total of 13 competitions, the last of which was this past weekend — the Mountain Pacific Sports Federation (MPSF) Swim and Dive Championships in St. George, Utah. This end-of-season meet was where USD competed against all the other schools in the MPSF conference. This year, those teams included California Baptist University, the University of Idaho, New Mexico State University, Northern Arizona University, the University of Northern Colorado, the University of Texas Rio Grande Valley, Utah Tech University, the University of the Incarnate Word, Pacific University and Pepperdine University. These teams all competed in St. George, Utah. But before their final splash, USD accomplished a very successful season.
Every NCAA swim and dive team, men’s or women’s, has a similarly structured season. Athletes arrive on campus early and condition themselves into shape for dual meets that begin in September. Dual meets are against one other team and help athletes prepare for bigger competitions, like the mid-season meet. These large competitions encourage most swimmers to taper — a rest period — and suit up, which is when athletes wear specific swimsuits that aid in hydrodynamics to improve results. Divers also have rituals, one being that they do not shave before meets in order to have more grip during complicated dives.
This year, USD swim and dive’s mid-season meet was
the Utah Tech Invitational in November, where USD placed tenth. After this large competition, the swimmers went right back to training. They swam in seven more meets before this past weekend’s MPSF Championship.
Gigi Zinis, USD senior and swim and dive captain, was proud of the team’s success this season and during the conference.
“This season was one of the most successful seasons I have ever seen our team have,” Zinis said. “We just returned from our conference championship meet, where we got second place overall and had several podium finishes.”
The second-place finish that the Toreros accomplished is an improvement from their ninth-place finish during the 2023-2024 season, making it no surprise that the women are proud. The athletes scored a total of 840.50 points across the four days of competition.
The swimmers were largely successful during the conference, but that doesn’t mean it wasn’t a difficult challenge. The sessions ran three to four hours long each, with two sessions a day for four days straight. This meant athletes were drying off just to hop right back in and race some physically taxing events. One of the studentathletes, Skylar Bruner, a USD sophomore and 200 backstroker, shared her personal experience racing her favorite event.
“I was seeded to win going into finals, and it’s my best event,” Bruner explained. “But I had the mile 20 minutes before it, meaning I would be dead tired. It was a challenge to believe in my training, and I was so relieved and proud of myself when I pulled through to take first [place]. A very, very painful experience.”
This 200-yard backstroke race was one of the most exciting events of the weekend, as USD
formed an all-Torero podium, with Skylar Bruner (2:00.84) leading the way in first place. Penelope Leonard (2:00.94), a USD junior, followed in second, and Milian Bever (2:02.70), a USD sophomore, placed third. Just before the race, Bruner won gold in the 1650-yard freestyle, or the mile, with a time of 17:09.49.
On Friday, three different athletes put up lifetime bests in the 100-yard butterfly: Ava Delaney (55.73), Milan Bever (56.71) and Skylar Horder (56.23). Two other Torero student-athletes reached the podium on Friday; Gwendolyn Smith posted a time of 4:31.44 in the 400 individual medley and Catherine Dueck raced to a time of 1:03.62 in the 100 yard breaststroke. These are just a few of the swimmers that performed successfully in St. George, Utah.
The divers also had a largely successful meet, with Jane Reihs, a USD senior, placing third on the three-meter with an overall score of 250.50 and second on the onemeter with a score of 250.80.
These championship meets create a lively environment on the pool deck, as all these athletes have been training all season for one competition. Bruner highlighted just how electric attending high-stakes meets can be.
“The energy [at the conference] was insane, and it was nerve-racking and exciting at the same time,” Bruner stated.
USD swim and dive, like many other sports, has created a very tight-knit group of women who relentlessly support and uplift one another. Anna Vermeulen, a USD sophomore, displayed just how encouraging teammates can be.
“My favorite moment of this season was swimming with Skylar Bruner in the A final of [the] 500 [freestyle]
and her winning,” Vermeulen said. “I cried when I saw the results and cried even harder when she got on the podium.”
These athletes go through countless hours of training with one another, so it is no surprise that a team this dedicated builds even more meaningful relationships through the sport. Bruner commented on just how positive the USD swim and dive dynamic is.
“The team chemistry this year was unparalleled,” Bruner said. “USD swim and dive has the best team culture in the country, and I stand behind that. Truly one big family.”
Zinis agreed with
Bruner’s sentiment.
“We truly all wish the best for one another and would do anything for each other,” Zinis said. “It is support and love like that that gets you through the early mornings and hard days, and that is something I am so grateful for.”
As the season comes to a close, the USD swim and dive team leaves the water with a historic second-place finish. With multiple podium finishes and personal bests, the Toreros have set a new standard for excellence. Their momentum and team spirit remains strong as they prepare to dive into another season of success.
USD swim and dive make a splash at practice. Photo courtesy of
USD swimmers cheering on Gabrielle Zinis during the 200-yard freestyle relay. Photo
Morgan Divita diving off the one-meter during the MPSF Championship meet.
SPORTS
The road to rehabilitation
For injured athletes, returning to the field can be a long journey
LUKAS BLANKENSTEIN
Many people who watch or play a sport know that injuries are an inevitability. A study by the National Institute of Health found that 91% of college athletes will experience at least one injury over their college career, ranging from sprains to serious tears. In addition, a study was co-published by the Center for Disease Control (CDC) and National Collegiate Athletics Association (NCAA), stating that over the five-season period of the 2009-10 season and 2013-14 season, there were over 1 million injuries in the NCAA’s 25 sports.
Because of this, athletic trainers and sports medicine professionals are becoming increasingly more important for universities. Typically, sports medicine teams work with the players to ensure that athletes are in the best condition possible and help them prevent or recover from the various injuries they are likely to experience during the season. According to John Leih, an assistant athletic trainer at USD who primarily works with the women’s basketball team, men’s tennis team and both cross country and track teams, it is a demanding job.
“My busy season starts in October [one month before the
women’s basketball season] and ends in March [after the basketball season is over],” Leih said. “During the busy season, it’s typically a seven-days-a-week job, with the exception of Christmas. There’s always something going on for these girls every single day of the week.”
Eli Bisnett-Cobb, USD’s head athletic trainer and director of sports medicine, knows as well as anyone the trials that athletes go through when they are injured. According to Bisnett-Cobb, his own journey in sports medicine started after an injury he sustained as a former track athlete in high school.
“When I was a junior in high school, I ended up injuring my knee,” Bisnett-Cobb stated. “At the time, I didn’t know what the ACL or the other structures that I had damaged were. I ended up doing a deep dive and learning about the aspects of sports medicine and recovery, and [that] gave me some information on what sports medicine professionals do. That unfortunate injury changed my perspective and thinking about what I wanted to do.”
Bisnett-Cobb took the job in 2018 after the retirement of former Director of Sports Medicine Carolyn Greer, who held the position for 40 years. Bisnett-Cobb had previously worked for USD from 2008-2010, but has also worked with two NFL teams — the Minnesota Vikings from 2006-2008 and the Washington Commanders from 2010-2014.
He then worked at University of California San Diego from 20142018 as an assistant athletic director before permanently moving to USD. Leih, Bisnett-Cobb and many other members of the medical staff travel with their teams to all of their road games, and they attend team practices as well. Not only that, they also play a key role in
their rehabilitation, especially after surgery. According to Bisnett-Cobb, the trainers play a key role in every step of recovery from major injuries.
“Once an athlete gets injured, rehabilitation starts as soon as possible, often the very next day,” Bisnett-Cobb said. “We will follow a timeline depending on the type of injury, starting with various tests like strength and range of motion tests. If you get an injury that typically takes six weeks to recover, you need to separate the process into chunks and say, ‘After two weeks my goal is to be here with my recovery, then the next two weeks I want to be here.’ It’s also important to remind the athlete that no recovery goes smoothly. Every long term injury recovery has setbacks.”
Every athlete’s injury and recovery looks different and poses unique challenges. For many athletes, mental recovery is the hardest part of being injured long term. USD sophomore basketball player Keyon Kensie Jr. was sidelined with a seasonlong groin and foot injury that was sustained during practice.
“The hardest part is not being able to help my teammates on the court, and also just not playing basketball for a long time,” Kensie Jr. said.
For other athletes, however, the physical recovery is incredibly tolling, such as it was for USD fifthyear student Christopher Curtis. Curtis played football for Lincoln High School in San Diego, but tore
his ACL, MCL, PCL and meniscus in preseason of his senior year in 2019, one year before being recruited by USD. For most, this would end a season. For Curtis, he returned in five weeks, and played the entire season. USD recruited him in 2020, allowing him to be on the roster as a gray-shirt. During that year, Curtis spent lots of time going through rehabilitation.
“When I first came in, they broke my ego down,” Curtis said. “[They said] you gotta re-learn how to walk.”
Former USD trainer Daniel Melara played an instrumental role in Curtis’ recovery and in getting him back on his feet. When Melara left in 2021, former USD trainer Maddie Collins took over and got Curtis back in the game.
“It was a big transition from high school where we had one trainer for all sports to where we had a team specifically set for football,” Curtis said. “The student workers were the glue of the thing to be honest with you. In my opinion Eli should be given a million dollars. One of the best, for sure. Same thing for Maddie C., she should get a raise as well.”
Curtis is not alone in feeling that USD’s medical staff deserves a debt of gratitudes. For athletes and sports fans alike, the medical team plays a vital role in allowing athletes to perform at their best and stay healthy for the long term. The road to recovery is challenging, but thanks to the sports medicine department, it becomes much more manageable.
Keyon Kensie Jr. playing basketball post injury.
Photo courtesy of @keyonkensie/Instagram
Eli Bisnett-Cobb pictured after being named 2024 USD Sister Virginia Rodee Administrator of the year.
Photo courtesy of @usdtoreros/Instagram
ANTHONY SHARKEY ASST. SPORTS EDITOR