Issue 275 (Feb. 2025)

Page 1


The University News

Incoming

President Edward Feser inherits a complex situation, with budget concerns and enrollment uncertainty

Saint Louis University’s Board of Trustees elected

Dr. Edward J. Feser as the 34th university president, an experienced higher education administrator who will take office on July 1, 2025.

Feser comes to SLU as the second non-Jesuit president in the university’s 207-year history, after his forerunner Dr. Fred Pestello’s decade-long tenure. His campus visit in January sparked conversations and comparisons with his predecessors across campus.

“What I’m hoping for is that we will see an increased presence, and then a return to that very visible and accessible university president. That’s what marked the earlier years of President Pestello’s tenure,” Ruben Rosario-Rodriguez said, SLU Faculty Council and Assembly Leadership representative for the College of Arts and Sciences.

A Roman-catholic, Jesuit educated and experienced administrator, Feser comes to St. Louis after an impressive eight years as provost at Oregon State University (OSU). Feser was also an accomplished academic before transitioning to administration, serving as the department leader of urban and regional planning and Dean of Fine and Applied Arts at the University of Illinois Urbana-Champaign.

Feser comes to SLU after an extensive search process

As provost of OSU, Feser helped combat some of the public university’s enrollment challenges, an issue SLU and many other universities face.

His leadership saw growing enrollment, increased student diversity, progressive budget policy reform and the oversight of a $213 million Collaborative Innovation Complex that will support the technology industry in Oregon.

Feser inherits a complex situation at SLU, with budget concerns, enrollment uncertainty and ongoing graduate student union negotiations.

After a large decrease in international student enrollment, SLU has been facing a $20 million budget deficit since the start of the 2024-25 academic year, which has forced all divisions to cut spending by 4%. A university-wide hiring freeze was implemented and scheduled faculty raises were delayed. After 130 open positions were eliminated and 23 staff were laid off last October, anxiety has been spreading among some professors and other faculty.

“He’s going to be a university president who, rather than letting his vision guide our spending priorities – we’ve already set the spending priorities – which are mostly cuts,” Rosario-Rodriguez said. “This could be a great opportunity for some real visionary leadership.

years. At the moment, people are kind of in shock (about the budget).”

Eileen Schaub, a teaching assistant for introductory biology and ecology labs and member of the graduate student workers union, expressed a similar view. She said that the achievements of the past administration under

Pestello should be a reference for the expectations under Feser. Graduate student workers voted overwhelmingly in favor of unionizing in Nov. 2024, establishing the

ReadmoreonA2,Feser

Kaia Monaco, OpinionEditor

Restoring the country to its “previous greatness,” purging the nation of those who undermine its “traditional values” and encouraging discrimination and hate speech — all tenets of both fascism and President Donald Trump’s current agenda.

The overlaps are concerning, but a movement so antithetical to democracy could not possibly happen here in the United States, could it? It already is.

I once believed that fascist takeovers were inherently violent and blatantly obvious. While, typically, these takeovers do involve violence, they are not always obvious. They arise subtly, through existing political systems, and are only noticed once it is too late.

This happens because fascist dictators are experts in appealing to the common man. They emerge at a time when the people are deeply dissatisfied with their weak, unstable and broken country. Two of the most wellknown fascist dictators of all time — Benito Mussolini and Adolf Hitler — capitalized on this dissatisfaction, making it the center of their campaigns.

Mussolini recognized the economic disparity overtaking Italy as a result of World War I and promised to fix it. Hitler saw how angry the German people were with the government for their handling of the war and assured them he could be the leader they needed.

Romanticizing the past and promising to make the country great again is a common tactic used by fascists. They claim they are the only person who can save the rapidly declining nation. This decline is attributed to new ideas and certain groups, making the already privileged believe they are now the victim.

In the 1930s, Hitler reduced the new forces overtaking Europe — capitalism and communism — to nothing but “Jewish conspiracies” and scapegoated the Jewish people as the root of all the problems Germany was facing. The Christians then believed they were victims of the Jews.

As an American, this strategy of campaigning on people’s dissatisfaction, claiming you are the only one who can fix it, and otherizing certain minority groups feels all too familiar. This is exactly how Trump gained his following. I hesitate to outright call him a fascist, as that is a dangerous word to throw around, but he has shown fascist tendencies. Trump is reaching the height of his popularity at a time when the U.S.’ economy has been down and bigotry is up.

Hatred toward nearly every minority group has been running rampant. Trump and his administration have labeled the LGBTQ+ community as “dangerous to children,” Muslims have been branded as “terrorists” and Latino immigrants “criminals.” This has effectively duped the white, straight Christians into believing they are victims.

Should I stay or should I go?

CommuterssaytheyareatriskwhenSLUremains openduringwinterweatheradvisories.

pose are health hazards such as frostbite and hypothermia; driving hazards such as reduced reaction time and car battery/engine failure; and public transportation delays, cancellations and more.

Caitlyn Borst, a junior commuter student said she struggled with the decision to stay home or commute when she woke up to

ForICEit’sLatinehuntingseason

Bad Bunny released his sixth solo studio album, titled “Debí Tirar Más Fotos,” on Jan. 5, which translates to “I should have taken more pictures.” On Jan. 20, President Donald Trump took office and launched a federal effort aiming to track, arrest and ultimately deport immigrants without legal status.

These two occurrences create a visual dichotomy in the United States and all of Latin America. The Boricua artist displays pride in his culture and his Latinidad and asserts to everyone that he remembers people who were assassinated in Puerto Rico for displaying the Puerto Rican flag, but despite that, or even because of that, he carries his flag wherever he goes. On the other side of this prideful stance, the president of the country with the largest army in the world, the largest economy and the most influential culture worldwide, worsens the treatment of Latine immigrants in the U.S.

Currently, according to a College Factual report, Saint Louis University’s Latine population is under 800 students, representing around 6.1% of the total student population. By Feb. 5, Trump’s administration had deported over 4,700 people, which means that at this rate, statistically, it is certain that at least one SLU student will be deported by the end of the year. It would not be the first time SLU students are affected by immigration laws not being applied constitutionally, as written by The University News (Graduate Students bound for SLU Denied Entry, Barred for Five Years).

It would be one thing to have this discussion if Trump’s administration were exclusively targeting people with convictions, but there have been multiple reports that this is not the case. Illegal immigrants without any convictions, undocumented immigrants who were going to work and were surprised by a task force from U.S. Immigration and Customs Enforcement (ICE) to arrest them, and immigrants and refugees with lawful permission to stay in the country, all have had reports of arrests and deportations.

There are also alarming reports of Trump’s administration requesting daily arrest quotas of 1,500 arrests for ICE agents. This has led to the arrest of documented immigrants who were completing their duty and reporting their lawful documentation and permissions to ICE stations, despite their papers being in order. Families are being separated, kids are being left without parents, studies are being interrupted, as well as dreams of a better future.

Bad Bunny’s lyrics in “Debí Tirar Más Fotos” did not shy away from criticizing the controversial ways in which the U.S. has conducted its affairs in their annexed territory. Although starting the album by praising the city of New York with the song “NUEVAYoL,” later in the record he starts creeping towards his main point. At first, with “TURiSTA” he draws a parallel between a toxic relationship in which someone does not care

Americans have been deeply divided and dissatisfied, so Trump painted himself as the only person who could save them by ending inflation, enacting mass Opinion Opinion Opinion Opinion Opinion Opinion Opinion Opinion Opinion Land of the free or land of the fascist?

St. Louis is, if absolutely nothing else, a sports town.

St. Louis Blues and St. Louis City merchandise fill the city even when either sport is in the offseason. Busch Stadium is one of the first things seen when driving across the Mississippi River into the city. No thrift store is complete without a surplus of St. Louis Rams jerseys donated with resentment that practically radiates off the rack. So, then, where is the love for the sport that has been around since the country’s founding? That is, of course, good old American boxing.

A reignited love for boxing is exactly what USA Boxing and matchmaker/promoter Earl McWilliams hopes to bring back to St. Louis with Uptown Saturday Night Fights (USNF). The most recent event, the 8th in the series, occurred on Jan. 25.

“Amateur boxing used to be glamourized,” McWilliams said. “The Golden Gloves used to be held at the Checkerdome, which held 20,000 fans; I want to help try to bring it back to that peak level.”

While good seats at St. Louis’ professional sports events can cost a pretty penny, USNF provides a cheaper and much more intimate experience, albeit at the cost of an amateur talent pool. Every ticket, starting at $20 a pop, has a good seat with a direct view of the action.

One can expect to watch over a dozen fights, (around 16-18), ranging wildly in gender, weight and age. In their last event, fights ranged from the 60 lb mark (a children’s bout to open up the evening) all the way up to a 203+ heavyweight main event.

What these fighters lack in professional talent, they make up for raw passion and energy. Many open their matches full-steam-ahead. While one could imagine their tank would subsequently run out of gas, they often treat each round with this degree of intensity, exerting every ounce of power they have.

Attendees will also save a significant amount on concessions, as USNF does not follow the big-venue obsession with ridiculous markups. Their menu features $3 hot dogs, $5 nachos and a $12 chicken dinner with wings and fries.

For the cost of what one could easily pay for parking and a water bottle at a Cardinals game, USNF provides a few solid hours of entertainment bursting with energy and passion from the crowd. Uppercuts are met with loud cheers from one corner and viscous “constructive criticism” from the corner on the receiving end of the abrasive hit.

Every fight looks entirely different, with the heavyweights delivering powerful strikes while their lighter weight contemporaries dance around the ring placing more methodical hits. With a pool of talent as large as this, the viewer is also almost guaranteed a range of fights from a razor thin talent disparity to an outright stomping, no matter which kind they prefer.

USNF’s next event is scheduled for April 19 and promises to be an enjoyable evening for those looking for a change of pace from St. Louis’ usual sports scene.

“It’s gonna be the best show I’ve ever done,” McWilliams said.

Evelyn Maruszak, Staff Writer
(Photo courtesy of Saint Louis University)
Edward J. Feser will lead Saint Louis University as its 34th president starting July 1, 2025. Feser comes to SLU from Oregon State University, where he was provost for eight

the difficult decision to come to class or stay home for their safety. Some students like Borst also had to weigh their options of taking a loss in attendance points or risking their safety to get to class.

“As someone who holds a high academic standard, this question can be very challenging to answer and leaves me with a headache,” said Borst. “I believe some of my professors may think that I’m using the weather as an excuse to get out of class, but that simply isn’t true and frustrates me.”

On Tuesday, students also took to YikYak, the anonymous discussion threads app, to post their grievances about the university not closing.

One user parodied SLU’s motto by saying “‘Caring for the whole person’ while my whole person is pushing cars out of the snow right now.”

Some users posted similar messages throwing SLU’s “serving the greater good” back at the university. Others complained about the university’s and specific professors’ attendance policies.

“When this happens, I feel a lot of pressure in needing to attend,” said Borst.

Missouri Department of Transportation officials urged St. Louis drivers to get home early and stay off of the roads.

Another user wrote, “This is f**king unbelievable. I commute roughly 40 minutes. The highways are terrible, side roads even worse. I made it… but I still had several close calls. Just unacceptable.”

Junior Brady Loehr had a similar experience from his Tuesday morning commute.

“As soon as I get into the city, the quality of the roads decreases tremendously as they are slippery and unsafe,” said Loehr.

Chuck Graves, an earth and atmospheric science professor, said last October that the biggest flaw in SLU’s weather preparations is pre-event planning. He said there is not enough communication between the department of public safety and students before severe weather strikes.

“SLU is reactive rather than proactive,” Graves said. “The most important piece is an established line of communication. But since we are getting a lot more impactful weather events, the need to communicate that to faculty, staff and students becomes essential.”

A user asked on YikYak “Why is the office of the Dean of Students closed, but we still have class?”

To confirm this, The University News called the office, and no one picked up.

Loehr shared some of his thoughts about how SLU can do better in times of inclement weather.

“I would like to see a bit more consideration when it comes to the thousands of students that commute every day,” Loehr said. “Especially since I know there are people who have it a lot worse than me.”

Borst shared a similar sentiment saying “SLU could help commuters by implementing a plan where if conditions are favorable for hazardous weather, they can have a campus-wide virtual learning day.”

This would keep anyone who travels to campus safe from dangerous roads and allow for learning to continue, Borst said.

Additional snowfall hit the St. Louis region late Tuesday night and early morning Wednesday with no communication from the university about class cancellations for Wednesday.

Continued from A1 Feser

Continued from A1

Graduate Workers of Saint Louis University UnionUAW. The United Auto Workers-backed effort represents over 500 graduate workers on SLU’s campus.

“They did increase our stipends with a three-year plan, and that’s great. But we are still well below the living wage for St. Louis. What’s very important for us is to make sure that we are able to meet the changing cost of living, so we are only stressed about research,” Schaub said.

Regardless of the many challenges the institution faces, Schaub said the board’s announcement of Feser sparked a sense of hope for her and others in the graduate student workers union.

“We are very much looking forward to working with the new administration. We’re hopeful that we can have a process that is fair to all parties and have an outcome that is fair,” Schaub said.

Student reactions have been mixed, with many not having an opinion or enough information to make one. In a University News Instagram poll conducted in January with over 150 responses, 40% of respondents had ‘no opinion’ on the incoming president and 35% had ‘mixed feelings.’ Just 12% said they felt negatively.

Arulanandam said from her view, Feser’s campus visit on Jan 13- 14. was met with enthusiasm from the student body.

Feser and his wife Kathy met with students and faculty from both North and South campuses, and hosted events at the medical and law schools.

“I think people are just really excited,” Arulanandam said. “Everyone I’ve interacted with that got to meet him and his wife have had positive things to say.”

Arulanandam and several other members of SGA’s executive board also had lunch with Feser in Grand Dining Hall during his visit. She said they discussed issues important to SLU students including diversity, disability services, academic resources and campus activism. Arulanandam said that she was impressed by his attention and questions. Legacy of SLU’s past presidents

Feser’s announcement also sparked comparisons with the president’s that he will succeed. His tenure comes after those of two distinct and very different university presidents, Father Lawerance Biondi and Pestello.

Biondi’s tenure saw great advances in funding and spending but was also marked by controversy. Biondi’s unpopular support of Vice President of Academic Affairs Manoj Patankar, his aggressive leadership style and his questionable faculty-evaluation policies sparked multiple votes of no-confidence in the faculty senate, and ultimately led to his resignation and retirement in 2013.

Pestello succeeded Biondi in 2014 and brought a much different vision to SLU. Pestello oversaw large advancements in research, including achieving the coveted R1 status in January 2025, assisting in a $550 million partnership with SSM Health and helping establish the Taylor Geospatial Institute. Under Pestello’s leadership, SLU saw historic levels of fundraising and alumni donations.

His peaceful handling of the six-day-long student protest in 2014 and the resulting Clock Tower Accords

SLU public health majors and faculty are worried about U.S. health under Trump administration

Students and professors at Saint Louis University’s Doisy College of Public Health and Social Justice say they fear that U.S. Secretary of Health and Humanitarian Services Robert F Kennedy Jr. will negatively change the public health landscape in the coming years.

RFK Jr. is infamous for his unconventional stances on various health policies, including on vaccines and the existence of the Food and Drug Administration. His beliefs are controversial, with some health professionals labeling them as conspiracy theories because they push dangerous rhetoric and challenge well-researched health regulations. RFK Jr. has also been known for his peculiar persona, with everything from his gravelly voice to the worm that used to live in his brain.

After RFK Jr. was confirmed by the Senate on Feb. 13, Brian Mander, a sophomore studying public health, said he was in disbelief. It seems like an almost satirical nomination, he said.

“It doesn’t feel real looking at the announcement… All the jokes made me think it could never happen,” Mander said.

Initially an independent presidential candidate, RFK Jr. dropped out of the 2024 presidential race in August following a slew of controversies, including his opposition to vaccines. He then endorsed President Donald Trump.

RFK Jr. started an anti-vaccine group, Children’s Health Defense, which gained major traction during the COVID-19 pandemic. He expressed hesitancy about routine vaccinations, specifically ones that target diseases like influenza and Hepatitis B. This stance caused him to lose traction among some independents until he backtracked and stated that he wouldn’t ban vaccines, but would make them optional.

Abolishing the FDA is also on RFK Jr. to-do list. The regulatory agency, RFK Jr. claims, has been under the

Aditya Gunturu, Senior Writer control of Big Pharma and other large corporations, a situation he said he wants to rectify.

In addition, he is in charge of agencies that run important programs like Medicare, Medicaid and healthcare research. With his plans to reduce these groups’ power and reach, funding and job security will be at risk.

That worries public health professionals across the country like Keon Gilbert, a professor who teaches health equity in the Doisy College. Gilbert said he is concerned about RFK Jr. leading the top U.S. public health office, saying he might not be the right man for the job.

“I think that he’s just sort of another example of one of those folks who could be the wrong messenger for public health in a lot of different ways,” Gilbert said.

Gilbert said that RFK Jr. will have a lot of power in his new role and the potential to make widely influential decisions.

“That’s always a dangerous position because of the microphones of people like the president, the surgeon general… They’re a lot bigger than your local health department,” Gilbert said.

In a state like Missouri, which ranked 38th out of 50 in the Commonwealth Fund’s healthcare standards, these changes could be even more harmful.

Spring Schmidt, executive director of the Missouri Public Health Institute (MOPHI), said some of Missouri’s public health systems are already struggling, which is shown by the increasing disparities in health outcomes between white and Black Missourians.

RFK Jr.’s sweeping changes could prove to have lasting consequences on the public health landscape in Missouri, Schmidt said. Federal public health agencies with offices in St. Louis like the CDC and the National Prevention Information Network could also see layoffs and budget cuts.

“Many in our state rely on these organizations, including ours, for help and education… We could be losing a lot of that in the next few years,” Schmidt said. Health Management graduate student Chandra Reddy said he also feels apprehensive of the new administration.

“My friends and I were shocked to see him in the senate hearings,” Reddy said. “His confirmation is unreal.”

While Reddy already has a job lined up, he feels empathy for his fellow public health classmates who are unsure of the future landscape of this field. A common consensus within the Doisy College is a feeling of uncertainty, which is amplified by other decisions from the new presidential administration.

“A lot of my friends don’t graduate until 2026… Who knows how many changes [RFK Jr.] could make before that?” Reddy said.

Some students are also worried about securing jobs in the field after graduation.

“Graduating now is just plagued by a fearful future,” said senior public health student Jessica Bouman. “[RFK Jr.] doesn’t seem at all qualified for the job.”

For students feeling nervous about the future, Schmidt said she encourages them to focus on the present.

“It’s gonna take a while for these seismic shifts to show up… I’m focusing on what I have control over,” Schmidt said.

Schmidt also said that despite the uncertainty, she believes there will be a future for graduating public health students.

“You need to look at what will always be needed,” Schmidt said. “There will always be a need for infectious disease specialists, community health managers… what’s important is seeing where people are needed.”

Three SLU Indian dance teams compete in national circuits with unprecedented success

For the first time, three Indian dance style teams at Saint Louis University are competing on multiple national circuits at the same time.

Though the teams, Omkara, Raas and Shakti, have been on campus for more than 10 years, circumstances like lack of members or funding have consistently kept them from performing nationally. Until now.

The groups are also connected on campus, with teams normally performing at the same events at SLU and supporting each other at their competitions and showcases.

“Whenever one of the teams has a showcase or performance on campus, we’ll all go as a team… To show our support,” Shakti captain Suman Behera said.

“Whenever one of us wins, it feels like a win for all of us.”

Shakti has consistently been successful in their circuits, regularly making podium appearances, but the same amount of success hasn’t been achieved by the other two teams until this year.

SLU Raas is the university’s premier competitive raas team, dancing in the traditional Northern Indian styles of garba and raas. Following a rebuilding season without competing last year, the team recently had their second competition of the semester, competing in the U.S.’s largest collegiate raas circuit, Raas All Stars.

“We kind of focused more on rebuilding the team, and I think it made us stronger… We have a good mix of more experienced dancers and new members now,” junior Vrushi Patel said, one of the team’s captains.

Their set this year follows the story of Spiderman as he battles against his archnemesis, the Green Goblin and saves passersby from runaway cars. The entire performance runs around seven minutes with multiple segments including one for women and another for men. The performance also incorporates different dance styles, like garba, which uses long sticks of wood called dandiyas.

Sophomore Aasvi Patel said the set this year is a powerful combination of modern and traditional dance elements. Having joined the team last year, this is the first time she has performed this type of elaborate dance competitively.

“I feel like it’s really interesting because it’s not completely Gujarati and we add elements of our theme… It’s how we combine our identities together,” Aasvi Patel said.

The team was excited to be back competing after a year away, with captain Diya Patel saying SLU Raas feels stronger than ever after their recent competition at UNC Chapel Hill.

“It honestly felt amazing, just dancing on stage… You just have like an energy and adrenaline where everything just feels great,” Diya Patel said.

SLU hosted its annual raas competition called Gateway to Raas on Feb. 15. The competition saw university teams from around the country coming to St. Louis to compete against each other. The teams were graded on execution, artistic elements and choreography, with Virginia Tech’s Dhamaal taking first place at the end of the night.

Each Indian dance team is part of competitive circuits where they apply to different competitions and score points based on their performances. The teams that end their season with the most points will compete in group finals with the hopes of leaving with gold. Each team follows this process but focuses on a very different dance and format.

Omkara is another Indian dance team at SLU that focuses on dance in Indian classical styles, mixing old techniques from all around the Indian subcontinent, like Tamil Nadu’s Bharatanatyam and Uttar Pradesh’s Kathak. Their current competition piece follows the story of Victor Frankenstein, mixing different dance styles and traditional Indian songs to portray a beautiful interpretation of the classic novel.

was praised by students and the board alike, despite pressure from parents and alumni at the time. Pestello achieved a rare balance of popularity among students, faculty and the board, and his announcement to leave SLU in 2024 was met with bittersweetness.

Campus concerns about Feser

The board’s announcement of Feser as the next president has, also, sparked some concerns and criticisms.

“Will the success he had at a large, land-grant

“We’re following the main characters of the scientist and the monster throughout, and the big question we’ve based the piece around is ‘who is the real monster?’” cocaptain Arya Ramdas said.

This new performance is much different from their set piece last year, which followed the story of an Indian princess who became a freedom fighter.

The team spent the last seven years as an exhibition team, meaning they didn’t perform on a competitive circuit. But following a transition, the team is now in its second year competing in the Origins Championship with the season fittingly being called “Omkara 9.0.”

“We used a lot of inspiration from teams we’ve seen compete in the past and that shaped how we wanted to build our group this year,” co-captain Saachi Kumar said.

The switch has been successful, with the team placing second at their first competition of the season, Navarasa at North Carolina State University.

“It’s our first award ever…and just the opportunity to perform alongside these other teams marks the achievement so we’re really grateful to have come this far,” senior co-captain Jessica Michael said.

Currently fourth in the Origins ranking, the team will likely make this a successful season.

Shakti is the third Indian dance team at SLU, dancing on the U.S.’s most popular Bollywood-fusion circuit, Desi Dance Network (DDN) Legends. The teams in this competition combine classic and modern Indian dance styles with a mix of American and Indian music to deliver a passionate story through movement. Shakti’s set this year follows a “Night at the Museum” style performance with different historical figures coming to life.

Following a string of high-ranking wins and podiums in previous years, the team is hoping to continue their streak, and so far the results have been speaking for themselves. At a recent competition in a different circuit, the National Desi Dance League, Shakti placed 3rd at Tar Heel Taal at UNC.

“There was such an adrenaline high from all of us and we were all so hyped, like we couldn’t keep our excitement down,” Behera said.

Behera said the team had gone through a rough patch, running into logistical delays and issues leading

university transfer to a private, religious university?” Rosario-Rodriguez said.

While Feser has a proven track record at OSU and the UIUC, his presidency at SLU will be his first experience at a private research institution.

The board’s announcement in December also resurfaced a 2023 lawsuit against OSU alleging claims of discrimination and retaliation, in which Feser was named as a defendant. The lawsuit resulted in a jury verdict against Feser and OSU, awarding Pharmacy

up to their competition, so the podium was rather unexpected.

“We were more proud than anything when we heard our name because we as captains had to pull everything together so fast, but all the dancers quickly rose to the challenge,” Behera said. All the dancers on these teams are dedicated to their crafts, attending practices almost daily, and for hours at a time.

“Usually we’ll have four practices a week… Where we just focus on complex performances, cleaning our set and taking critiques from previous [competitions],” Diya Patel said.

A common sentiment among all the dance teams is the feeling of family. These groups spend hours together every day, training, learning and competing. This collective time forges strong bonds between the dancers. And while on campus, dancers go to classes with one another, they eat with one another and these bonds tie them together.

“I know I met some of my best friends from this,” Januly Fernando said, a new dancer with The Raas team. Fernando said it is these connections that make the team special. “Especially coming in as a freshman… It’s just been really nice to have those people you know you can always go to.”

Each team started its competition cycle last semester by recruiting new members and teaching them choreography. A strategy each group used to find dancers was hosting intro workshops.

“The sessions really helped me get my foot in the door… I really liked all the girls too, so I wanted to join the team,” sophomore Preeyom Govind said.

The next few weeks for the teams will be filled with thousands of miles of traveling, days and days of practicing and many moments on stage showcasing their craft for hundreds in person and thousands more online.

The dancers say they welcome spectators at various showcase events taking place this semester. The dates can be found on Instagram at @slushakti, @sluraas and @omkaraslu.

“We appreciate any support we get on campus, and we usually perform at a lot of events here,” Aasvi Patel said.

Dean Grace Kuo $600,000 in damages. Schaub, the graduate teaching assistant, said that while the lawsuit is concerning, she believes it speaks more to the state of higher education rather than anything about Feser himself.

“I think it is more of a symptom of problems with academia than with him specifically. It seemed like he had tried to do the right thing, and then the donors and alumni outside of the university retaliated quite strongly,” Schaub said.

(The University News Aditya Gunturu) Omkara dancers run through the competition set piece in the Simon Recreation Center during a practice session on Feb 6., 2025.
Retired groundskeeper Tommy Wessel wants you to appreciate SLU’s landscape — and those who care for it

During his final week working on campus, Tommy Wessel digs a few inches into the frozen soil, pressing his shovel and piercing through the rocky, clay layer.

“Found a rock here. What do you think? I say ancient Cahokian,” Wessel jokes with his ‘work husband.’

“Ancient artifact discovered… We’re shutting the place down,” replies groundskeeper Clint Tucker, who worked closely with Wessel for over a decade.

They laugh as they place a young crabapple tree inside the ground near Morrissey Hall. It’s one of several hundred that Wessel has planted on Saint Louis University’s campus during his 18 years as a groundskeeper.

“I do love trees, and I do love planting them,” Wessel said. “It brings me peace.”

But some of the trees and the grass fields that line SLU’s 273-acre campus in Midtown are invasive species that are “too manicured,” he said. While beautiful to the human eye, Wessel said the landscape is boring, even harmful, to the birds and insects that live in it.

“There is a lot of harm that’s done to the Earth [so] that we can sit here and enjoy the green grass, the very formal look,” he said. “It’s important for people to realize that we’re not the only beings on this planet.”

That is part of why when he turned 40, Wessel decided to leave SLU and pursue his passion: restoring native habitats in Missouri. His last day on campus was Jan. 31.

“I’ve always been very aware of the passing of time, and I feel the need to do something that benefits the Earth,” he said.

“Glue” that kept the grounds crew together Wessel’s long reddish beard meant he was easily recognizable on campus, and his boisterous personality made him likable among the grounds crew. While on the job with his co-workers, he was loud, energetic and always ready to crack a joke.

He and Tucker even developed a goofy game they played together in between tasks. On a sunny January day, they moved toward a busy walking path to demonstrate. They talked loudly, Wessel changing his regular deep voice to a high-pitched tone. The contrast of a “big guy with a beard” talking silly like a kid usually elicits a few laughs from passersby, Wessel said.

“He’s fun to work with,” Tucker said. “You got to have somebody at work to make it a little more pleasant, you know, can’t always be serious.”

But Wessel also values quiet, contemplative moments, too. During his lunch break, he would find a corner outside and sit alone with a book, usually poetry or New England Legends and Folklore.

“Sometimes I’ll read a chapter, and I was like, well, that’s a good chapter. And so I’ll go back and read the same chapter two or sometimes three times, or a passage. I’ll read it half a dozen times,” said Wessel, who got his avid love of reading from his parents.

When it came to his work responsibilities, Wessel often had a “let me do that attitude,” said Don Weindel, who supervises the grounds team.

“He is always more than happy to help out the fellow co-workers when needed, always,” Weindel said. “We’re gonna be sorry that he’s gone because he was definitely kind of the glue that kept things together.”

Wessel is also trustworthy, said Dave Eaton, a groundskeeper at SLU for nearly 16 years. When the service employees’ union and SLU were negotiating contracts last year, Eaton said he would count on Wessel to relay messages or find out what people were thinking. Eaton also leaned on Wessel for personal support.

“If you have issues at home or if you have questions about something not related to work, he’s always there

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to answer those questions or kind of give you ideas or suggestions,” Eaton said.

For Tony Sabat, a SLU distribution services employee, working with Wessel meant good company — and gifts.

“When I worked with Tommy one year, I got so many Christmas gifts because he was my partner, and not too many employees get Christmas gifts,” Sabat said.

“He’s gonna be missed so much. Especially [by] me.”

Little appreciation and a ‘shrinking’ department

In just the last two years, around six people left the SLU Grounds Services department, leaving the team understaffed.

An outdated paragraph on the SLU Grounds Services website says 23 people care for campus grounds, which workers say is the ideal number for getting the job done. With Wessel marking the latest exit, however, just eight people are now responsible for mowing, irrigating, planting, mulching and plowing north campus.

“Our department, it’s really shrinking,” Tucker said.

With a $20 million budget deficit that is largely due to lower student enrollment, Tucker said SLU should reinvest in the grounds team.

“When people come to tour, campus is one of the reasons they chose SLU because it looked nice, the flowers and everything was, you know, looking sharp. How are we going to do that [with less workers]? That’s not going to help recruit more people,” Tucker said.

Weindel agrees that creating a campus aesthetic and a “curb appeal” is important, especially for incoming students.

“I want people to walk on the campus and enjoy, you know, think they’re in an oasis,” Weindel said.

However, a university-wide hiring freeze implemented last semester because of the deficit

means there is not enough money to hire additional staff, Weindel said. Last fall, the department moved the remaining few groundskeepers from south campus to north campus, and brought on contractors to work as needed on the former.

Outsourcing jobs is a worrying sign, some of the remaining groundskeepers say.

Part of the reason so many grounds workers have left in recent years is low pay. Last April, grounds workers, janitorial and maintenance employees protested a wage package offered by the university.

After rejecting the proposal four times, a contract was passed in May that gave all service workers a $3.15-an-hour raise over four years. Previously, pay for groundskeepers started at $18.55 an hour. The contract also included better job protection language such as a 60-day notice if the university plans to subcontract work.

It is not just low pay that pushed Wessel and several others to leave their jobs. Another major factor was a lack of appreciation.

“It’s nice to be told , ‘Hey, we really appreciate what you guys are doing,’ and that just evaporated over time,” Wessel said.

Just three weeks into his new job, Wessel said he has felt more valued and heard more words of appreciation than in his 18 years at SLU.

“This ship’s sinking,” Wessel said, referring to the grounds department. “I’m like one of the rats. When the ship goes down, they say the rats are some of the first to jump because they’re down in the belly of the ship when the water comes.”

A little plot filled with life

During his time on campus, Wessel introduced more sustainable practices, encouraging his team to use less fertilizer and plant native plants that require less

maintenance. His co-workers appreciated his ideas, but Wessel said there were limits to what he could do. There was one place, however, where Wessel made an impact he’s especially proud of.

Nestled behind Hotel Ignacio near a universityowned parking lot on Locust Street was a gravel plot that for years was sprayed with herbicide to kill the persistent weeds.

But a few years ago, Wessel did something different. He planted penstemon and buttonbush, colorful native plants that don’t need irrigation and can sustain themselves.

Now, the little plot is filled with life, including bees, birds and butterflies.

“That makes me quite happy,” Wessel said.

If it were up to Wessel, more of SLU’s campus would be an oasis for native plants and creatures.

“If this were all native stuff,” he said, pointing to the grass field between Morrissey Hall and Chaifetz Business School, “You’d see so many more birds, you’d see so many more insects.”

Still, he hopes students, staff and visitors who walk across campus appreciate the existing nature on campus.

“Too many people come out and sit, but then they don’t really look around them and don’t really pay attention. If you’re gonna go out to nature, sit down in one spot, use all five senses, and be quiet and just think. And then, you know, everything gets better.”

And while sitting to read a book or rest on a hammock, Wessel also wants the SLU community to also appreciate the workers who shape the campus’ look and feel.

“Understand just the amount of hard work that goes into everything that we have done over the years. Understand and give thanks even if you don’t know who we are,” Wessel said.

From stage to classroom: How Rob Boyle’s music course is redefining innovation education at SLU

On a fall evening in 2022, the seventh floor of Grand Hall was loud with music. However, it was not a stereotypical dorm party nor a drunk karaoke scene. Instead, a group of business students were neatly huddled around a middle-aged man strumming an acoustic guitar.

He candidly sang folk and bluegrass covers of mainstream ballads. Between each song, he would humbly interject with a fascinating musical anecdote or impactful business lesson he had learned throughout his playing career.

The man was Rob Boyle, a singer-songwriter turned professor.

A distinguished associate professor of management at Saint Louis University, Boyle brings a unique blend of musical and academic expertise into the classroom. With five studio albums and over two decades of

teaching experience, Boyle’s career has spanned major shifts in both the music industry and higher education.

A native of Maine, Boyle’s musical journey began in his youth, playing guitar and performing in bands throughout high school and college. He signed his first record deal at age 25. This early experience, according to Boyle, “breathed momentum into my [his] music journey,” and resulted in three albums written while living out of Wisconsin and Toronto, Ontario. Over the years, Boyle has continued to record and perform, regularly playing weekend gigs and writing songs.

This combination of real-world experience and teaching command, culminated in the Fall 2024 semester, when Boyle introduced a new course, Rhythms of Innovation: Charting the Course of the Music Industry (MGT 3930). A recent addition to the university’s Collaborative Inquiry Core requirement,

the course explores groundbreaking changes in the music industry while equipping students with tools and discourse to analyze contemporary innovation across various fields.

“Music has given me the gift of a nice side hustle, a lot of great friends and the catharsis of a side identity where I can shed my professional day job and become a musician at night,” Boyle said. “Music is such a universal language... I feel fortunate that it’s my avocation, which resonates with people and allows me to draw it into the classroom.”

Along with his musical pursuits, Boyle has built a longstanding academic career. With two master’s degrees in Administration and Organizational Management, along with a Ph.D. in higher education, he has found a passion for teaching while consistently incorporating his expertise. Before joining SLU, where he has been teaching for 20 years, Boyle held administrative positions at several institutions, including the University of Wisconsin-Steven’s Point and the University of Missouri.

Boyle’s research largely provided the foundation for the new course. In 2022, he was asked by publishing company EBSCO to write a chapter on innovation for a book covering various business concepts. Drawing on his music industry experiences, Boyle crafted a case study exploring the shift from analog to digital production and the rise of streaming platforms.

Rhythms of Innovation, first offered following Boyle’s selection for an external faculty fellowship program, primarily examines the evolution of music creation and distribution. Beginning with a historical foundation, students ultimately analyze contemporary innovations such as Artificial Intelligence (AI) and the metaverse before applying them to their own respective fields of study. The course is housed within the Richard A. Chaifetz School of Business.

“It’s been partially my experience, my age and the idea that I had this [topic] researched on,” Boyle said. “When the fellowship program came in saying, ‘We have a little bit of funding if you’d be willing to develop a course,’ and I’m very grateful that it happened.”

In a class of about 20 students, Boyle’s administrative background helped foster a tight-knit, collaborative community among students from diverse majors and colleges. Each week, students engaged in discussions, analyzed guest speaker insights and shared ideas in pairs or small groups. Some memorable guest speakers include musician and educator Scotty Huff, singer Steve Ewing and songwriter and producer Nicole Witt.

“If you are patient with the diversity that you have in your arsenal, it ultimately pays off in my experience,” Boyle said.. “It’s [diversity] got to be facilitated well, but

it ultimately pays off.”

Students praised the course for its creativity and inclusivity. Senior Lily Kinnison, a marketing major minoring in music, said Boyle’s teaching style encouraged open dialogue. A musician and performer herself, Kinnison said she was initially drawn to the class because of the intersection of music and business. She also said the course would inform her future work.

“I think a lot of classes can be very lecture-heavy, but this one was so interactive,” Kinnison said. “From day one, Rob was clear about creating a comfortable environment where no ideas were bad ideas. That made it easier to contribute my ‘half-baked ideas’ without fear of judgment.”

Arthur Simões, a senior majoring in international business and minoring in marketing, appreciated how Boyle’s structure encouraged meaningful connections among classmates.

“I appreciated the way Rob put everyone together every single day to speak with someone different,” Simões said. “It was really cool how we could share our experiences with other students. I definitely think that his class is one every SLU student needs to take at least once.”

The course’s emphasis on creativity and innovation resonated with Brandon Truong, a senior studying international business along with leadership and HR management.

“Rhythms of Innovation with Professor Boyle was one of the most inspiring classes I’ve ever taken,” Truong said. “The collaborative environment made us feel like we were truly contributing to the future of the music industry — not by shying away from unfamiliar technology, but by embracing it and using it to our advantage.”

For Boyle, the course is about more than just the music industry. It’s a lesson in how innovation can shape yet disrupt any field. Each class offered insights into contemporary challenges, particularly with the integration of AI in daily life, from generative search engines to AI-driven customer service systems.

“One of the greatest ways to honor one’s past is to teach. You walk into a classroom and say, ‘This is how it worked for me,’ and share your story. All the things that shaped me as a musician since I got signed to that record deal in 1995 — I can bring so much of that into Management 3930 and offer it back. It feels incredible to share my experiences and say, ‘Here’s what I’ve learned,’” Boyle said. “It’s truly fulfilling in that sense.”

Editor’s note: This article’s author was a student in Rob Boyle’s Rhythms of Innovation in 2024.

(The University News / Ulaa Kuziez) Tommy Wessel poses for a portrait next to a tree on Saint Louis University’s north campus on Jan. 29, 2025. Wessel left the university after

NCAA’s transgender athlete policy sparks national debate

In response to President Donald Trump’s recent executive order titled “Keeping Men Out of Women’s Sports,” the NCAA has announced a significant change to its transgender student athlete participation policy. Effective immediately, competition in women’s sports is restricted to student athletes assigned female at birth. This policy shift aligns the NCAA’s regulations with the federal directive, aiming to establish a uniform standard across collegiate athletics.

NCAA President Charlie Baker emphasized the importance of consistent eligibility criteria, stating that a clear national standard is preferable to a “patchwork of conflicting state laws and court decisions.” The updated policy also permits student athletes assigned male at birth to practice with women’s teams and access associated benefits, such as medical care, while practicing. However, trans women athletes are prohibited from participating in official women’s competitions.

This development follows the Department of Education’s directive urging the NCAA and the National Federation of State High School Associations to revoke records, titles and awards previously earned by transgender women in female categories. The department asserts that these accolades were “misappropriated by biological males,” and their action seeks to restore recognition to cisgender female athletes.

The executive order and subsequent policy changes have ignited legal challenges. Notably, two transgender teens, Parker Tirrell and Iris Turmelle, have filed a lawsuit against the Trump administration, contesting the constitutionality of the executive order. Represented by GLAD Law and the ACLU of New Hampshire, the plaintiffs argue that the order discriminates against transgender individuals and infringes upon their rights.

The NCAA’s policy shift is part of a broader pattern of actions by the Trump administration that have targeted transgender individuals. Since returning to office, Trump has repeatedly framed transgender rights as a threat to traditional values, particularly focusing on athletics as a battleground for what he calls

“fairness in competition.”

However, many advocacy groups argue that this focus is disproportionate given the small number of transgender athletes competing at the collegiate level. The Williams Institute estimates that transgender individuals make up only about 0.6% of the U.S. adult population, and an even smaller percentage compete in organized sports.

Critics argue that this executive order is less about preserving competitive fairness and more about fueling a culture war against an already marginalized group.

The American Civil Liberties Union, Human Rights Campaign and other civil rights organizations have condemned the policy, stating that it fosters unnecessary hostility toward transgender athletes and ignores existing research that suggests transgender women do not inherently have an unfair advantage, particularly

after undergoing hormone therapy.

Despite these criticisms, the policy has gained support from conservative lawmakers and organizations that claim it protects the integrity of women’s sports.

Supporters argue that allowing transgender women to compete against cisgender women undermines the spirit of fair competition.

As the debate continues, the NCAA has committed to assisting member schools in fostering respectful and inclusive athletic environments, in line with its constitutional commitment to support the mental and physical health of all student athletes. However, with pending lawsuits and growing national outcry, it remains to be seen how this policy will evolve and what long-term effects it will have on collegiate athletics and transgender inclusion in sports.

SLU alumni bring infrared fitness to Midtown Ismael Domin, SportsEditor

Marlowe and Malena

purchased their first HOTWORX

in January 2023. In December 2024, the couple purchased a second franchise a

away from their alma mater. The Valdeabellas are committed to giving back to

SLU community and believe HOTWORX is an effective way to do it. HOTWORX combines yoga with infrared sauna heat for a unique and effective workout. Founded in 2017, the company differs from traditional hot yoga by using dry heat via infrared heating as opposed to the traditional humidity commonly found in hot yoga saunas. The Valdeabellas explained that the added heat encourages sweat, helps remove toxins and aids in calorie burning.

The Valdeabellas have set up shop only a block away from SLU, across the street from the student-favorite, Alamo Drafthouse, and have been using their business’ proximity to campus to stay involved in the community.

Before graduating in 1995, Marlowe was a member of SLU’s Pi Kappa Alpha (Pike) fraternity as well as the Filipino Student Association (FSA). He now acts as Pike’s Chapter Advisor and hosted their 24-hour Pike

on a Bike Cycle-a-thon for their philanthropy week. He has also donated a gift basket and a free month-long HOTWORX membership, which would normally cost about $80, to the FSA’s upcoming showcase raffle.

Marlowe spoke on how he felt about using his business to give back to the organizations he was a part of as a student.

“It was fantastic. I call it the serendipitous collision,” Marlowe said. “Supporting a chapter I had grown up in and had a good affiliation with at a university both my wife and I graduated from. It really was putting all these things together that really was the right place and the right time and the right moment.”

Malena graduated from SLU in 2001 and shares Marlowe’s ideal of giving back to the SLU community. She was a member of SLU’s Kappa Delta sorority and is hosting a sisterhood event for the sorority in the HOTWORX studio this weekend.

HOTWORX St. Louis currently serves over 160 members of all ages, with membership expected to rise in the coming months.

game they love. And for the kids, they are given valuable instruction as well as an athletic mentor.

“We want to serve our student athletes and we also want to serve the kids, too,” Kouadio said. This upcoming spring, Saint Louis’ Top Tier Lessons plans to continue growing, especially in its soccer presence. Taking advantage of Saint Louis’ robust soccer community, on Feb. 23 Top Tier Lessons will host a Soccer Clinic on SLU’s Vandeventer Field. There are also soccer clinics scheduled in Brentwood during March and April. In addition to soccer, Top

Marlowe and Malena Valdeabella in their HOTWORX, St. Louis studio.
Valdeabella
studio
block
(Submitted by Marlowe Valdeabella)
(The University News / Ashlyn Jones)

the second time in two games – persisting throughout the entire song despite the arena announcer’s plea for respect. This blatant disrespect evidently did not sit well with the American bench – igniting three fights within the first nine seconds of play.

Two of the fights were started by Matthew and Brady Tkachuk – Chaminade College Preparatory alumni and sons of St. Louis Blues star Keith Tkachuk – amplifying the already deafening crowd. Ironically enough, Keith Tkachuk dropped the mitts in international play against Claude Lemieux 20 seconds into a World Cup of Hockey matchup against Canada in 1996.

“We’re one of the only sports that still has fighting in it. It’s a war out there,” said Canada forward Travis Konecny.

Despite serving as an alternate captain for the Philadelphia Flyers – one of the most passionate fan bases in all of professional hockey – Konecny commented on how the fights set the tone for a different type of night.

“It’s funny: You put the flag behind the meaning of something and guys’ switches just kind of flip,” Konecny said. The rest of the game proved to be just as exciting as its opening moments. Even after jumping to a 1-0 lead after a splendid transition goal by alternate Canadian captain Connor McDavid, the U.S. knotted the game when a Jake Guentzel shot found its way through goaltender Jordan Binnington’s legs. At the 13:33 mark in the second period, center Dylan Larkin scored on a blistering wrist-shot that provided a lead the Americans would never relinquish. Guentzel secured the win with his second goal of the night in an empty Canadian net with less than two minutes to play in regulation. A stifling

Yankee defense, a brilliant goaltending performance by Connor Hellebuyck, and an unwavering refusal to cater to Canada’s transition-heavy style all played key roles in the upset. With the win Saturday night, the U.S. secured its spot in the championship on Thursday, Feb. 20.

Following the loss, Canada’s head coach Jon Cooper said, “The game is in a better place because last night’s game existed,” reflecting on a night that ended Canada’s

26-game winning streak with superstar Sidney Crosby as captain.

As the NHL strives to remain relevant among the National Basketball Association (NBA), National Football League (NFL) and even Major League Baseball (MLB), innovative events like the 4 Nations Face-Off tournament can help grow the game’s excitement and appeal in the American sports landscape.

It’s hard to disagree with Cooper – as the television ratings back up the mastery that was laid out on the ice for all sixty minutes. At its peak, 5.4 million Americans watched the game, with a steady 4.4 million viewers throughout. Nielsen Fast National data showed a 473% increase from ESPN’s 2016 World Cup of Hockey matchup and a 369% rise compared to ABC’s NHL average this season. Moreover, it served as the mostwatched non Stanley Cup Final hockey telecast since 2019.

The 2025 4 Nations Face-Off, which is temporarily replacing NHL’s annual All Star Game, consists of four nations: the U.S., Canada, Finland and Sweden. Due to a greater trend in the NHL, NBA and NFL of players not giving full effort in these events, the NHL took a bit of a gamble – and was a massive success. Thus far, the exciting tournament has not only filled the void left by the absence of the World Cup of Hockey since 2016 but also marks the return of elite, best-on-best international competition that largely defined the sport in the mid20th century.

Despite facing potential elimination in the tournament, Canada pulled out a surprisingly close win against Finland on Monday, Feb. 17. Poetically, the Americans will face the Canadians Thursday night in Boston at the TD Garden at 7 p.m. CST on ESPN. In what will no doubt be an emotionally compelling and fiercely patriotic rematch, the outcome will not only bring immense pride to the winning country, but regardless serve as a massive win for the sport of hockey.

Is the Cardinal way dead?

The battle for the Vince Lombardi Trophy began on Sunday, Feb. 9, at Caesar’s Superdome in New Orleans, Louisiana. Here, the Philadelphia Eagles and the Kansas City Chiefs met to face off in Super Bowl LIX, each team with their own motivations for this win.

Although the Super Bowl is always a highly anticipated contest for both fans and players, this game seemed to hold more weight. The Eagles and the Chiefs met two years ago to play in Super Bowl LVII, where the Eagles fell just short of claiming the title with a final score of 38-35. In this year’s Super Bowl, it was obvious that the Eagles came out of the tunnel with the determination to redeem themselves and create a score gap that would ensure they went home with the trophy. On the other hand, the Chiefs came into the game seeking the title of “three-peat” Super Bowl Champions, as they have already claimed rings in the two most recent championship games. Kansas City head coach, Andy Reid, has previously stated that he did not talk to the team about this possibility throughout the season, nor did he use it as motivation for the success of his team. Yet, it seems almost inevitable that the team was not playing with these hopes in mind during the game.

The Eagles ultimately claimed the title of Super Bowl LIX Champions, with a final score of 40-22. While this may seem like a pretty big score differential for such a highly competitive championship game, it does not accurately reflect how far behind the Chiefs actually were throughout the entire game. At the end of the

first half, the Chiefs were down by a score of 24-0 after multiple turnovers and an underwhelming offensive showing.

Things did not change much in the second half, as the Eagles’ defense continued to dominate their opponent. By the end of the game, the Eagles sacked the Chiefs quarterback, Patrick Mahomes, six times, forced a fumble and recorded two interceptions. While the Eagles offense also had a stellar game, this win is ultimately credited to the team’s defense, as they were able to hold the Chiefs to minimal yardage and scoring opportunities, allowing for the Eagles to capitalize on their growing point differential throughout the game.

With just under three minutes left in the game, Kenny Pickett, the backup quarterback for the Eagles, entered and closed the game for his team. Although he did not make any groundbreaking plays, it is undeniably impressive for a team to be so comfortably ahead in such a big game that they are willing to play their second-string.

Jalen Hurts, the starting quarterback for the Eagles, claimed the Super Bowl “Most Valuable Player” title at the finale of the game after throwing for a total of 221 yards with two touchdowns and rushing 72 yards, but Pickett’s appearance was also noteworthy.

With their redemption secured and their city satisfied, the team appeared in the celebratory parade that traveled through Philadelphia on Feb. 14.

The St. Louis Cardinals used to be the gold standard of how an MLB organization should be run. The Cardinals, located in a small-mid market in St. Louis have been able to capture the second most World Series wins ever only behind the New York Yankees. They did it in a completely different way than the Yankees as well.

While the Yankees were known to be able to go out and buy the best players and team that money could buy, the Cardinals took a different approach. Throughout their history, they have instead used something known as the “Cardinal Way.” Although not a commonly used term until 2011, the way the Cardinals have operated has followed the “Cardinal Way” long before.

The “Cardinal Way” in its most basic form is to draft and develop players in their farm system and create homegrown talent that will eventually produce and help the Cardinals win at the Major League level. This process started back as early as the 1920s as former Cardinals manager, Branch Rickey, started the Cardinals minor league team. This decision led to the farm system that we see today in the MLB. The Cardinals farm system has delivered superstars for their organization from Bob Gibson and Stan Musial to Yadier Molina and Albert Pujols.

However, in recent years the Cardinals have not had the success they have grown accustomed to, and the “Cardinal Way” seems to be a thing of the past. This can be seen in the fact that they have had four top 30 prospects since 2019: Alex Reyes, Dylan Carlson, Nolan Gorman and Jordan Walker. Those four have only combined for one all-star appearance. Two of them, Alex Reyes and Dylan Carlson, are no longer with the organization, and Nolan Gorman and Jordan Walker have their own questions about whether they will blossom into the stars that they looked poised to become as prospects.

The Cardinals also seem to have an issue with evaluating talent from within their organization. This is most notable in their moves to trade Randy Arozarena, Zac Gallen and Sandy Alcantara. Those three players have combined to make four all-star games and win numerous awards, most notably with Sandy Alcantara winning the 2022 CY Young award.

This trend started after the 2011 season, when Jeff Lunhow left the Cardinals organization to become the

Astros GM. While with the Astros, he oversaw the development of Jose Altuve, George Springer, Alex Bregman, Carlos Correa and many others. Lunhow also took several other executives with him and this severely damaged the Cardinals long term. This can be seen as since 2012, the Cardinals have only drafted six all stars. They have also failed to win a World Series since Lunhow’s departure. This damaged the Cardinals greatly, and they never fully recovered. The Cardinals have dwindled into mediocrity over the last decade while the Astros with Luhnow’s players have skyrocketed to new heights winning two World Series in the same time frame (2017, 2022).

That is how the Cardinals organization has gotten to the current state it is in, but is the Cardinal way itself dead? The “Cardinal Way” is no longer a process in the Cardinals organization, but it is not dead in the MLB. Teams like the Astros have proven that the “Cardinal Way” can work, but the Cardinals are not utilizing it the correct way. The Rays also use the same philosophy of the “Cardinal Way” and they have seen sustained success for most of the 2010s and into the 2020s although still looking for a World Series. The “Cardinal Way” in theory can still work at the Major League level, and that the Cardinals management has just failed in development and talent evaluation.

There is some hope however for the Cardinals organization. They recently announced that they would be investing heavily in their minor league system and development process. This also comes along with news that starting next year, former Red Sox GM Chaim Bloom, will take over as GM for the Cardinals. During his time with the Red Sox, he rebuilt their farm system into one of the best in baseball and appears to have positioned the Red Sox for success in the future. He will aim to do that same process in St. Louis and try to revive the “Cardinal Way” to bring back their former glory. Only time will tell if they will be able to return to the glory days of the “Cardinal Way” or if there has been too much damage done to the Cardinals organization. It remains clear, however, that the “Cardinal Way” lives strong in other organizations despite being dormant in the current Cardinals organization.

(The University News / Nejla Hodzic)

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The year 2025 is upon us, and with it comes an entirely new slate of movies. Use this helpful guide to find out what is coming when and what to get excited about. With everything from science fiction dinosaur sequels to indie thrillers, this year has a movie for everyone.

“Companion” - January 31

The earliest movie on this list, “Companion” is a psychological thriller that has been shrouded in ambiguity and mystery. The film is the directorial debut of industry writer Drew Hancock.

Along for the ride is a star-studded cast of the latest Hollywood talent, like Jack Quaid, star of the hit Prime Video original show “The Boys” and Sophie Thatcher who is coming off a recent leading role in the critically acclaimed horror film “Heretic.” They are joined by an ensemble cast of Lukas Gage, Rupert Friend and Megan Suri for this indie horror flick that is best consumed with the least prior knowledge possible.

“Paddington in Peru” - February 14

What better way to spend a day focused on love than watching a CGI-animated bear travel to a South American nation?

“Paddington in Peru” is the latest film in the Paddington series, coming more than a decade after the first film. With such a large break in production, it was clear the series wished to go somewhere new.

This film follows Paddington Bear, voiced by Ben Whishaw, and the Brown family as they explore the tropical landscape of Peru after he discovers his grandmother has mysteriously disappeared from the home for retired bears. This movie has Paddington interact with all kinds of local animals and people on his way back to his grandmother. “Paddington in Peru” will almost surely prove to be another heartwarming and (especially) fuzzy family flick. “Mickey 17” - March 7

From Oscar-winning director Bong Joon Ho, “Mickey 17” is an upcoming science fiction movie that follows the adventures and struggles of Mickey Barnes, played by Robert Pattinson. Barnes signs up to explore space as an “expendable” worker who is scanned and

U Arts & Life

New year, new movies: 2025 films to look out for

remade every time they die. Now having died more than 15 times and almost numb to the process, Barnes finds himself in very hot water when another copy of him shows up, vying to be the only “Mickey” standing.

For this film, the “Parasite” director is adapting the award-winning sci-fi comedy book “Mickey7” from Edward Ashton, who joined Ho to write the screenplay. Pattinson is joined by Mark Ruffalo, Naomi Ackie, Steven Yeun and Toni Collette for this exciting, genre-bending film hitting theaters very soon. “Opus” - March 14

One of the more unique films on this list, “Opus” is an upcoming horror movie that focuses on an old legendary musician who disappeared 30 years ago but suddenly re-emerges. He calls a young writer to his private island to chart his return, but she is met with his strange cult of followers and must do her best to survive their terrifying antics.

This film is the directorial debut from Mark Anthony Green, director of the award-winning short film Trapeze USA, and his first full film release. Ayo Edibiri and John Malkovich lead the film, both in their horror movie debuts. They are joined by Amber Midthunder, Juliette Lewis and Young Mazino, indicating it should be a film that is both hilarious and terrifying. “Elio” - June 13

Following the box office failure of “Lightyear” in 2022 and years of Disney+ releases, “Elio” will be the first Pixar film to receive a theatrical release in four years, a film that the company is dearly praying will bring them back to the highs of the early 2000s.

The film, from Oscar-winning director Domee Shi, follows the story of Elio, a young space fanatic obsessed with aliens who suddenly finds himself interacting with an entire federation of them. Now forced to act as Earth’s representative, Elio must find his way home and prevent a galactic crisis of epic proportions. Starring Zoe Saldana, Jameela Jamil and Yonas Kibreab in his feature film debut, a lot is riding on “Elio” to bring Pixar back into the limelight of the past.

‘Nosferatu’:

A love triangle disguised as a spectacular gothic horror

“Nosferatu,” the latest horror film from esteemed indie director Robert Eggers, is yet another home run for the young creator. A remake of the original 1922 film considered by many to be the original horror movie, “Nosferatu” manages to take everything great about the original and make it even better.

This film follows the story of Count Orlok (Bill Skarsgard), a terrifying vampire who has been fated to wed Ellen Hutter (Lily-Rose Depp). Hutter is a young woman who suffers from manic hallucinations and horrible nightmares, desperately attempting to escape the monster she is betrothed to. Taking place in 1830s Europe, a large cast of characters like Hutter’s husband Thomas (Nicholas Hoult), Hutter’s best friend Anna Harding (Emma Corrin) and estranged witch doctor Albin Franz (Willem Dafoe), race against the clock to save Hutter from her terrible fate.

The film begins by following two sides: Hutter’s friends and family trying to find a solution to her unique plight and Orlok and his henchmen preparing his home and traveling to his betrothed’s hometown. The movie jumps between the two groups until the finale, when everything comes to a head and all are forced to reckon with their greatest fears.

“Nosferatu” is a true masterclass in pacing and editing, as each character is given the proper amount of importance to the plot and enough screen time to let their emotions and motivations be fleshed out. This provides the audience with an extremely enthralling story, keeping people glued to the story as the puzzle pieces of mystery slowly fall into place across the 132-minute runtime.

Every actor in this film truly embodied the setting and their characters, especially Depp, Hoult and Skarsgard. In the original film, Depp’s character was a simple damsel in distress, but the remake finally provides her with agency, allowing her to voice her own fears and play a key role in the conclusion. Depp shines in this role, delivering haunting monologues with a true face of fear, embodying her role of the

timid Hutter who turns animalistic as her terror grows.

Hoult plays the doting husband perfectly, spending the majority of the film with the sole purpose of returning to his love. Sharing most of his scenes with Orlok, Thomas acts as a conduit for the audience’s fear and curiosity, providing a powerful role as the man forced to speak with evil incarnate.

Both Depp and Hoult are truly amazing, but Skarsgard steals the show with his dedication to the character of Orlok. Spending six hours in makeup every single day, the Swedish actor is unrecognizable, with a different frame, face and even voice. Clearly pulling from his larger-than-life performance as Pennywise in the 2017 adaptation of “It,” Orlok draws all the attention anytime he is on screen.

Working with a budget of only 50 million dollars, there was a serious focus on practical effects and settings. “Nosferatu” was filmed entirely in eastern rural Europe, with the production team ensuring the settings and structures present were all era and culturally appropriate. The scenes in Orlok’s castle were filmed in a real Transylvanian castle, and all these details help to bring the viewer into the film, adding a dimension of reality to this otherworldly tale.

A largely unsung aspect of this movie, and the element that truly cinches it together, is the lighting.

Shadows play an extremely important part in Orlock’s character, whether it is the shadows of burning flames hiding the true horror of his face or him creeping around via the shadows of the moon, lighting is crucial to this film. It plays into how the vampire’s one weakness is the light of the sun, further adding to layers of this character and his sense of terror. It is clear from the many elements present, that every single person involved in this movie truly loved what they were doing. The cast carried a level of dedication not apparent in most modern films. Eggers’ passion for gothic tales and horror translate extremely well into this remake, putting it on par, perhaps even above, its predecessor.

“28 Years Later” - June 20

Following 2002’s “28 Days Later” and 2007’s “28 Weeks Later,” “28 Years Later” is the third film in the Danny Boyle-directed, Alex Garland-written zombie survival film series. This film even attached original cinematographer Anthony Dod Mantle to the project, filming entirely on Apple iPhones in Scotland. The film will follow an all-new cast of Aaron Taylor Johnson, Ralph Fiennes and Jodie Comer with the potential of seeing the original movie’s star Cillian Murphy returning. It will also follow an all-new story of the zombie plague that attacked the world, as the title stated, 28 years ago.

“Superman” - July 11

Following recent internal struggles and box office bombs, Warner Brothers media made the decision in 2022 to cancel and restart their entire cinematic universe of DC comics characters, this time headed up by the duo of award-winning director James Gunn and producer Peter Safran. Now, with a whole new slate of films and TV shows to come out in the next few years, “Superman” is to act as this new world’s introduction and beginning.

This film will forgo rehashing the origin of Superman, a classic comic book character, instead throwing audiences into the Kryptonian’s adventures after a few years on the job. David Corenswet plays the timid Clark Kent/Superman and is joined by a loaded stack of comic characters like Lois Lane (Rachel Brosnahan), Jimmy Olsen (Skyler Gisondo) and Guy Gardner (Nathan Fillion). “Superman” will also show the Man of Steel facing off against classic villains like Lex Luthor (Nicholas Hoult) and

Metamorpho (Anthony Carrigan) like never before.

“Freakier Friday” - August 8

“Freaky Friday” was a 2003 Disney Channel Original Movie (D-COM) that followed the misadventures of a mother and daughter, played by Jamie Lee Curtis and Lindsay Lohan, where they switch bodies and must act like one another, as hilarity ensues. A raving hit, it went on to be one of the only D-COMs to receive a theatrical release, becoming a box office hit. So in an age of reboots and remakes, it was only natural it would finally receive a sequel.

“Freakier Friday” will continue the stories and characters that were established in the first film, with Curtis and Lohan reprising their starring roles. Along with them come many members of the original supporting cast, like Chad Michael Murray and Mark Harmon, as well as brand new faces like Manny Jacinto and Maitreyi Ramakrishnan. With a brand new writer and director duo of Jordan Weiss and Nisha Gantara, “Freakier Friday” has the opportunity to grow an already well-made story. “Marty Supreme” - December 25

“Marty Supreme” will focus on the semifictionalized origins of Marty Reisman, a 1950s pingpong champion who had an extremely controversial professional career and went on to have a storied life of opening various businesses and schemes, including smuggling gold between Hong Kong and Bangkok.

‘The Monkey’ and the art of unseriousness

Everybody dies, and that’s life.

What isn’t “just life,” though, would be an AC unit falling from the roof into the pool or a face full of fish hooks. However, this is exactly the surreal, dark and surprisingly hilarious world of “The Monkey.”

Directed and written by Oz Perkins off the short story by Stephen King, trailers for “The Monkey” depicted a tense, violent and brutal slasher with little reprieve from previously unfathomable deaths. The film is still chock-full of these events, some deemed “rube-goldberg murders,” but what was not shown in promotional material was the consistent laughs garnered by the total hysteria of the world. It makes sense, as coming off the hype of Perkins’ previous film “Longlegs,” viewers expected (and perhaps desired) he’d continue that dark Lynchian world building. “The Monkey” is no “Longlegs” though, and will fall short of that mark to many.

However, to both those who did and did not like “Longlegs,” find enjoyment in the fact that this is a wildly different and very entertaining higher-paced film. “The Monkey” does not take itself seriously, nor should a movie about a cymbal-banging monkey toy who may literally be the devil incarnate.

In fact, the film is at its best when it takes itself the least seriously, seen in its hilarious scenes with Nicco Del Rio’s “rookie priest.” Trying desperately to weather the storm as a 20-something preacher, Del Rio’s performance is a surefire laugh with every appearance as he oversees

Directed by Josh Safdie, one half of the directorial duo that made “Uncut Gems,” the film will follow Marty, played by Timothée Chalamet, as he makes his way through the 50s ping pong circuit and beyond. a city facing what could be described as biblical plagues. Another fantastically

Many of the film’s best

are in its humor by way of cuts. While fans of wild and shocking deaths will not be disappointed with the brutal “accidents” visibly seen in the film, some have abrupt and shocking cuts to after-the-fact that feel cartoonish in a way only a good dark comedy is.

Timothée Chalamet shines as Bob Dylan in captivating “A Complete Unknown”

Directed by Academy Award nominee James Mangold, “A Complete Unknown” is a masterfully entertaining and compelling musical biopic that serves as a worthy entry in the genre. While occasionally playing it safe, the film’s eight Academy Award nominations in a bounce-back year for the industry highlight its narrative spark – fueled by Timothée Chalamet’s eclectic performance. Based on Elijah Wald’s 2015 book “Dylan Goes Electric,” the film is set in New York City in the early 1960s. It follows Bob Dylan’s rise to fame as a folk singer and his ultimately controversial decision to play electric at the 1965 Newport Folk Festival; this shift, seen by folk purists as a betrayal, marked a defining moment in his career. The film is bolstered by strong supporting roles from Elle Fanning, Edward Norton and Monica Barbaro, with Norton and Barbaro earning nominations

Cinematographer Nico Aguilar captures these comedic moments and also builds tensions in all the right ways. Combined with Edo Van Breemen’s composing, more than a few scenes will have the viewer gripping the sides of their chair, as the music builds, anticipating just how bloody things are about to get. “The Monkey” is not without its faults. Like most other movies, it falls victim to a lack of ability to accurately write dialogue for kids, with some of the dialogue coming off as formulaic and cringey. It also does not seem to have a whole lot to say, but that does not stop it from being a whole lot of fun. If one enters expecting the next “Longlegs” or “Hereditary,” they could leave disappointed; but, as far as dark, funny and shocking films go, “The Monkey” is a more-than-passible weekend viewing. for Best Supporting Actor and Actress, respectively. Premiering at the Dolby Theatre in early December and released domestically on Christmas Day, the film has earned $100 million at the box office with a ballpark budget of $60 million. In addition, it has earned 81% positive reception from critics on Rotten Tomatoes and 96% from fans. Moreover, it was named one of the top 10 films of 2024 by the American Film Institute and the National Board of Review. Some critics have noted that the film occasionally feels overly “Hollywoodized” – meaning it becomes typical or characteristic of Hollywood conventions –and lacks a certain grounding theme. Additionally, some fans have expressed a desire for a broader exploration of Dylan’s life beyond the brief 1960s window. However, it remains an

(iMDB) Robert Pattinson and his duplicate, also Robert Pattinson, in “Mickey 17.”
(British GQ)
Still of the titular antagonist in “The Monkey.”
Timothee Chalamet as the lead in “Marty Supreme.”
“Weird girl” books for the unconventional

reader

Fivebooksthatexplorethesurrealnatureofthefemaleexperience

TikTok’s repopularization of literature for Gen-Z audiences has sparked a renaissance in various subgenres, including “weird girl” books. Featuring strange, complicated female protagonists and unsettling aspects of the female experience, these titles have surged in popularity thanks to their absurdity, relatability and overall weirdness. Whether it’s a resonance with the title “weird girl” or sheer curiosity, here are five recommendations to envelop oneself in the grotesquely beautiful and surreal world of “weird girl” books. 1. “Bunny” by Mona Awad /336 pages

Samantha Mackey is a creative writing graduate student at the elite Warren University. A scholarship student whose only friend is an eclectic art school dropout, she is repelled by the rest of her fiction-writing cohort: a clique of unbearably preppy, rich and beautiful girls who refer to each other exclusively as “Bunny.” Her hatred turns to curiosity when one day, Samantha receives an invitation to their elusive “Smut Salon” where the bunnies workshop their creations together. As the story progresses, reality blurs and both Samantha and the readers struggle to separate truth from imagination.

2. “My Year of Rest and Relaxation” by Ottessa Moshfegh / 289 pages

The unnamed narrator is thin, blonde, beautiful, extremely wealthy and freshly graduated from Columbia University. Set in the year 2000 in the Upper Eastside of Manhattan, the narrator should be happy, but is not. Not because of the death of her parents, her easy job at an art gallery, her evil Wall Street boyfriend, or her sadomasochistic friendship with Reva — it’s something deeper and stronger. The narrator decides that the only way to get rid of this pervasive depression is to seek out sleep as salvation. With the help of an over-prescribing therapist and VHS tapes of iconic 90’s movies, the narrator begins her year of rest and relaxation.

3. “Carmilla” by J. Sheridan Le Fanu / 108 pages

“Carmilla” is for the new fans of Robert Eggers’

“Nosferatu” who were hoping for more sapphic romance. Preceding Bram Stoker’s “Dracula,” the original story that inspired “Nosferatu,” by 26 years, “Carmilla” follows Laura, a young, isolated girl whose only companion is her father. That is, until a horse-drawn carriage crashes, carrying the beautifully mystifying Carmilla. As the story progresses, the entrancing connection between the two young women grows stronger, while Laura grows ever weaker. The original vampire story, “Carmilla” is filled with gothic imagery and sexual tension.

4. “Big Swiss” by Jen Beagin / 336 pages Greta, peculiar and introverted, spends her days transcribing therapy sessions for a sex coach named Om. Greta soon becomes infatuated with Om’s newest client, a sexually repressed, Swedish married woman she affectionately refers to as Big Swiss. One day, Greta recognizes Big Swiss’s voice while in town and the two quickly form a strong whirlwind relationship. Greta’s desire for Big Swiss overpowers any ounce of guilt she feels for keeping the fact that she knows the Swede’s most intimate secrets to herself, meaning she’ll do anything to protect their connection.

5. “Nightbitch” by Rachel Yoder / 256 pages

The main character, referred to only as Mother, is a full-time stay-at-home mom of a two-year-old son, having set aside her art career to do so. Never home, her husband is always calling from faraway hotel rooms while he travels extensively for work. She fears she might lose her mind when her child can’t sleep one night, and she feels her canines grow sharper in her mouth, mysterious patches of fur grow on her neck, and a strange new appetite rise from deep within herself. At night, she finds herself transforming into a dog, but her husband is quick to dismiss her fears. As her symptoms begin to intensify, she seeks out information from her local library and finds herself involved with a group of other moms who are more than they seem.

among the best musical biopics of the last decade, alongside box office giants like ‘Bohemian Rhapsody’ (2018) and ‘Elvis’ (2022).

Chalamet, the 29-year-old lead actor who also serves as one of the film’s producers, steals the spotlight in more ways than one. Interestingly, the French-American actor had never played guitar or harmonica prior. However, after a five-year delay due to the COVID-19 pandemic, it “became a years-long side passion” for Chalamet.

“The name Bob Dylan – like Elvis Presley, like Freddie Mercury, like Elton John – is as iconic, but weirdly his face is imprinted less in some way than these other figures because he’s kept himself at a distance,” Chalamet said in an ABC News interview.

“This movie doesn’t demystify him, but it honors the cryptic figure that is Bob Dylan… [The delay] just gave me a lot of time to live in this space, to live in this role and to soak in the embers of the 1960s. I want to be a bridge to this period and this music because it was a transformative artistic time – it was a time that was as fraught as our time right now, politically, culturally, socially and I hope this movie is a humble bridge to that period for all people to discover.”

The movie’s narrative does a great job honoring Dylan’s revolutionary artistry while staying true to historical details. Even though it takes some creative liberties, they don’t take away from the bigger story. Through the film, a new generation can not only appreciate Dylan’s commercial and cultural success, but also acknowledge his bold social commentary which challenged the societal and political practices of his era. At 83 years old, Dylan remains the only musician and songwriter to win a Nobel Prize in Literature. In a Dec. 4 post on X, Dylan said, “There’s a movie about me opening soon called A Complete Unknown (what a title!). Timothée Chalamet is starring in the lead role. Timmy’s a brilliant actor so I’m sure he’s going to be completely believable as me.” Despite possessing a two-hour and 20-minute runtime, the film flies by. Its pacing is masterfully balanced and ensures

Breaking free from music’s

idealized romance

DeSpain, Arts and Life Editor

The love song industry has some pretty overbearing cliches. Not only do many songs follow the same formula, but that very formula has existed for decades. Images of love at first sight, happily ever after and love without conflict permeate nearly all mainstream love songs. How can listeners relate to this music if these images don’t always reflect what love is like?

Thankfully, not all hope is lost.

There are many examples of love songs that are more representative of human experience, like the ones organized in this article. It is important to note that a song being popular does not disqualify it from being an unconventional representation of love.

With the popularization of unconventional representations of love, more depth is provided to how love and relationships can look. These songs tackle love’s imperfections, ambiguities and complexities. They do not gloss over the hard work that relationships require, and they understand that love is not the single-handed solution to everyone’s problems.

The chosen songs are as follows:

“Real Love Baby” by Father John Misty

“Ivy” by Frank Ocean

“Roslyn” by Bon Iver, St. Vincent

“The Book of Love” by The Magnetic Fields

“Archie, Marry Me” by Alvvays

“I Wanna Be Yours” by Arctic Monkeys

“Love Love Love” by The Mountain Goats

“P.U.N.K. Girl” by Heavenly

“Someone New” by Hozier

“First Love/Late Spring” by Mitski

“Archie, Marry Me” by Alvvays sounds like any other sugary indie-pop love song, but a deeper look reveals a critique of societal expectations and traditional marriage. The narrator discusses how their partner has a “contempt for matrimony” but they have no other way to express how much they love them. The song does not resolve neatly with any grand gesture, mirroring real-life relationships.

“The Book of Love” by The Magnetic Fields is a tender ballad that humanizes love by juxtaposing cynicism and sincerity about how much love they feel.

“The book of love is long and boring… but I love it when you read to me.” It demonstrates that love is normal and imperfect but still valuable.

“First Love/Late Spring” by Mitski emphasizes the intensity of confusion of first experiences with love. Mitski analyzes the consuming nature of young love, understanding that such a love is not purely uplifting. She continuously wrestles with the complexities of self-worth and emotional independence when love encroaches upon obsession.

Redefining love through music offers a powerful way to empower listeners by challenging traditional and idealized portrayals of relationships. These unconventional love songs reflect the complexities, imperfections and ambiguities that define real human connections, allowing for a deeper, more authentic understanding of love. Through music, we can learn

(Graphic by Ashlyn Jones)
(Searchlight Pictures)
“Illustration of a stack of books representing popular “weird girl” literature.
Timothée Chalamet (right) and Elle Fanning (left) in a scene from “A Complete Unknown,” featured

Bad Bunny

enough to offer support to their partner. This mirrors the way tourists go to the island of Puerto Rico to have a good time, not paying enough attention to what Puerto Ricans might need.

One practical example is the frequent energy shortages that the island suffers. Most hotels have power generators so the tourists can enjoy their time on the island, while most Puerto Ricans have to endure it. His main point with the album becomes more clear with the song “LO QUE LE PASÓ A HAWAii.”

All content under the opinion section is not a direct reflection of The University News, but expresses the opinion of the writer, not necessarily the organization as a whole. prepare if these officers come to your house, ranging from simply avoiding answering altogether, to answering in a manner that would be useful in court, if you get arrested and have the chance to appeal the deportation process. They warn about common tricks used by ICE officers, such as administrative warrants being presented as judicial warrants, the difference being the former does not allow for home searches — so you don’t have to let them in at all — ICE agents impersonating police officers or speaking in Spanish, in a clear attempt of targeting Hispanic immigrants especially.

The lyrics tell the tale of the culture in Hawaii being erased after becoming a state of the U.S. and connects it with controversial policies like the Act 22 of 2012 that voids taxes from U.S. born people who move to Puerto Rico. This does not benefit Puerto Ricans.

The artist sings, “Here there’s no one who wanted to leave, and those who left dream of coming back / If someday I have to go, it will hurt me so much,” and “They want to take from me the river and also the beach, they want my neighborhood, and that granny, and your kids to leave.” Here he is referring to the resorts and real estate constructions that are privatizing parts of the island, especially the access to the beach and sea.

It is unfortunately common to see my Latine friends posting on social media reports of ICE units in neighborhoods and regions in St. Louis that I used to frequent. Those places felt somewhat like home because I would see people like me there, such as the Metro East area, O’Fallon, Gravois region and especially Cherokee St. Now, those previously safe communities are being infiltrated by ICE.

Of course, not every report on the subject is bleak. All over the country, sanctuary cities have been popping up or reassuring their position. Minneapolis mayor, Jacob Frey, said, “As for cooperation with ICE, the answer’s no.” In St. Louis, immigrant groups opened an ICE activity hotline to share information with the community. These activist acts are much more direct and solid in the fight against the persecution

The inhuman conditions in which Trump’s administration conducts the arrests and deportations, especially with Latines, who represent seven of the top ten countries for deportation in the U.S., are a great reason why Bad Bunny’s album is important.

enough to offer support to their partner. This mirrors the way tourists go to the island of Puerto Rico to have a good time, not paying enough attention to what Puerto Ricans might need.

His hardest criticism comes with the song “LA MuDANZA,” the closing song of the album. He calls out the historical side of the island by singing, “They killed people here for displaying the flag. That’s why I take it with me wherever I want to, damn.” He is referring to the Gag Law from 1948 which made it illegal to display a Puerto Rican flag. He even tells his people what to do if he dies: “Put over my casket the light blue flag,” which is a reference to the flag created by Puerto Rican immigrants in Manhattan in 1895.

The light blue flag was created to represent Puerto Rico as a self-governing nation, rather than a colony of the U.S. The last verse of the album is Bad Bunny confirming, “No one will take me from here, from here, I will not move / Tell ‘em that this is my house, where my grandpa was born. I am from P fuckin’ R.”

While Bad Bunny assures everyone he will not be removed, the immigrants who have been removed from the U.S. account for emotional and physical abuse on the flights back to their countries. So far, The New York Times, Reuters and local news outlets have reported that deportees from Brazil and Colombia have witnessed and/or suffered abuse from plane escort officers. The Brazilian government has demanded explanations on the treatment of its 88 January deportees after reports of all male deportees being handcuffed inside the aircraft, which presented technical issues with the engine and no AC for a large part of the flight.

On Jan. 29, Trump’s administration agreed to discuss with Brazilian officials the conditions on how to treat the deportees. Although, it remains uncertain whether this conversation has happened. According to Brazil’s president Luiz Inacio Lula da Silva, it is imperative that the deportees have “a minimum of dignity and that their fundamental rights are respected.”

On Feb. 5, the Brazilian president reiterated that the federal government is mobilized to ensure the fair treatment of Brazilian deportees. Despite that, it is still uncertain whether the conversation between the two countries’ officials ever took place.

I have since moved back to Brazil after graduating from SLU. I am safe from any threats of deportation here, but I frequently wake up to Instagram stories of my Latine friends posting about how to behave if ICE knocks on your door. These tips are to help immigrants

of Latines around the U.S., but that does not mean that Latine culture is less important. The inhuman conditions in which Trump’s administration conducts the arrests and deportations, especially with Latines, who represent seven of the top ten countries for deportation in the U.S., are a great reason why Bad Bunny’s album is important.

Although Bad Bunny’s lyrics do not tackle deportation directly, for Latine immigrants like me, who lived or still live in the U.S. it is very easy to relate to the sensations that he expresses through the text and the sound. For many immigrants, even if not Latines, the choice of going to the U.S. legally or not, or staying home is actually someone betting that they will achieve a better life. Especially in the Americas, where we are so close to the U.S., we import U.S. ‘s culture and we too buy into “The American Dream”, but the catch is that this dream was never dreamt for us south of Texas. So when Bad Bunny sings that no one wanted to leave, and those who did dream of coming back, he is addressing all Latine immigrants in the U.S., because we all want(ed) to come back with something to show for our time abroad. And it is already hard to do so because of the bureaucracy, but impossible to do so if you get deported. Data suggests that the album has sparked huge interest in the Latine community in the U.S. when showing that from the 10 cities in the country that searched the most on Google for the album, 9 are places in states with huge influx of Latine immigrants, California, Texas, Florida and New York.

So even though it might seem a little naive to think that an album has any importance in the face of the violent policy of deportation being employed in the U.S., truthfully, not many people have paid attention to Latine culture unless they were Latines themselves. And if that is what it takes to make people think about the neocolonial and inhuman policies the U.S. is employing, in LATAM and to Latines in the U.S., then a song about dancing salsa with your loved one should be celebrated.

Bad Bunny and his album deserve to be recognized for his production of amazing songs, being a recordbreaking artist and for garnering the first genuine attention Latine culture has received from the rest of the world. This is especially important for citizens born in the U.S. to acknowledge, as the resistance hymn it is already becoming. No matter the reason why someone starts listening to the Bad Bunny, the important part is that they listen and pay attention to what is happening all over the country to our community.

Diversity isn’t a threat

Onlyunqualifiedpeoplethinkthat.

When I was a freshman in college, I chose to pursue an engineering degree. One thing I surprisingly do not remember thinking about when making that decision, is how engineering is a male-dominated field.

At the time I was a physics major, attempting to add an aerospace engineering minor to my degree. One of the requirements to start that process was meeting with the head of the aerospace engineering department. I remember sitting there nervously in a conference room making eye contact for as long as I could muster. I had a lot more anxiety then, and I struggled very hard with doubting myself in academia.

He asked me why I wanted to do this, and I answered honestly. I told him I wanted to work on spacecraft, and my ultimate dream would be sending satellites into deep space, making discoveries in the void that surrounds our solar system. After I finished speaking, he paused and said that I should consider changing my major entirely.

I had never had someone answer so matter-of-factly about my dream. No demeaning silence or further questioning, just a simple path I had to follow to get one step closer. It felt like a vote of confidence. I honestly do not know what I would have done if that interaction never took place.

Thankfully, I have never been upset I switched to studying aerospace engineering, but entering a maledominated field has come to stare me in the face a few times. A few months after changing my major, I came out as nonbinary. For years before then, I had struggled with an uncomfortable feeling in my chest. In many ways, I could not relate to my female friends, and after realizing I was a lesbian, I chalked a lot of those issues up to that. But no matter how confidently I embraced my lesbian identity, it never felt like the last puzzle piece of who I was. Changing clothes, different hairstyles, putting myself out there, being more reserved, nothing changed. Being a girl just never felt right to me, I realized later.

Being nonbinary is not just about dressing androgynously. There are many different versions of what it means to each nonbinary person. Some people choose to pursue gender-affirming hormones and surgeries, some make smaller changes depending on how they feel on the day such as clothing or hair. Honestly, there are so many different expressions that it is hard to list them all. There is no one answer to what makes someone nonbinary. Simply put, we just exist outside the binary that cisgender people feel comfortable in.

I used to get misgendered a lot as a teenager, with random strangers assuming I was a boy. My short pixie cut felt like a statement when I was younger. It felt like I was being so obvious about my sexuality with my short haircut. A lot of people missed the gay signaling and went straight to calling me “sir” or using he/him pronouns while interacting with me. It always made me cringe, and then when I would open my mouth to an undeniably female-sounding voice, came the even worse punch of the automatic correction. “I’m so sorry, ma’am!” I just never felt comfortable either way. Neither option felt right.

When I realized they/them pronouns were an option, I didn’t think trying them out and feeling the

deportations and “making America great again” — similar to promises both Hitler and Mussolini made.

Fascist leaders are also known for the cult-like loyalty they inspire among their followers. Supported by this devotion, fascists deem themselves the ultimate authority: they must always be right, control everything and never lose.

Mussolini cultivated this devotion through his dramatic character. His mannerisms, bold claims, and facial expressions riled people up, encouraging them to take rash actions on his behalf, like marching on Rome, Italy’s capital, in 1922.

Trump, likewise, has a characteristic way of speaking that has become a major facet of his public identity, often inspiring parodies and impressions. He can be so animated in this way of speaking that he has also incited violent marches on the nation’s capital.

Hitler grew his followers’ faith by asserting himself as a man of power, never admitting defeat. When he lost the presidential election in 1932, he blamed it on voter fraud. When, in 1942, his troops were decimated in the Battle of Stalingrad, he refused to surrender. Even after his defeat in World War II, he continued to blame everything that went wrong on “the Jewishinternational global conspiracy,” never on his actions.

Both Mussolini’s and Hitler’s regimes relentlessly pushed their ideologies on their citizens, limiting research in schools, discrediting any institution that challenged them and firing anyone who criticized them. By putting their friends and followers in political positions, they were rarely challenged. Their word became gospel.

Trump, to this day, swears he won the presidential election in 2020. He claims the “woke liberal agenda” is ruining the U.S. He appointed his highly underqualified, but loyal, friends as cabinet members. He constantly challenges intellectuals and professionals, stating he

euphoria was going to make me so “different” to other people. That simply was never on my mind, the only thing that mattered to me then was feeling comfortable and confident in myself. Saying, “I am a nonbinary lesbian,” just felt right. I wasn’t trying to make myself special or annoying; I just wanted to feel like the person I saw in the mirror truly was me.

This revelation has brought me both so much happiness and pain over the years. I could talk for hours about the genuine support I have received, from new people I meet immediately correcting themselves to old friends hugging me in the kitchen exclaiming “they! them!” My mom immediately did her best to understand, buying me button-up shirts and nice dress pants for a wedding we attended together shortly after I came out. It does not take a lot of work to respect me, but to me, it means the world.

On the flip side, many people do not respect that aspect of me, while acting like my friends. I have experienced so many more microaggressions not only from hateful strangers, but from voices inside my own communities. Even if I don’t face the persecution that some trans people do because I am not medically transitioning, I still hold anxiety about what hiring managers, coworkers and bosses will do when they learn I am “different.”

In the workforce, I don’t look forward to either hiding my identity or constantly having to explain myself to confused colleagues. I wish that there weren’t such blatant and wrongfully placed attacks on DEI, which exists so that people like me actually get a spot in the running. There is an inherent and uneducated view that unqualified people are filling the very positions white men crave, when in reality, people of color, women and queer people are simply better suited for those positions. More qualified, more experienced, more driven and more educated. Yes, there are exceptions to both sides of that coin, but at the end of the day, who doesn’t get opportunities when the only ones at the table are white men?

DEI policies are in place to protect and provide equal opportunities for employment to those who get overlooked for trivial matters. They are ignored and disregarded not because their resumes don’t measure up, but because “different” is slowly becoming synonymous with “bad” in this country.

I want to be the diversity in engineering, no matter how daunting of a task that is shaping up to be. I know my qualifications and trust my education that I am fit for any aerospace engineering job I could get hired for. Even if I were called a ‘diversity’ hire, I wouldn’t be putting my lesbian and nonbinary energy into those rockets and satellites, I would be another engineer looking to make the world a better place. Allowing people like me to be considered will only strengthen the workforce, expanding the number of applicants and creating a more robust hiring pool. Because, shockingly, being a person of color, LGBTQ+, disabled or any other normal human occurrence that is being labeled as the unfathomable “DEI,” does not actually impact anyone’s performance in any way. If anything, these so-called DEI hires are some of the most hard-working, educated and capable people I have met.

knows best.

His administration aims to limit what is taught in schools. Classes on critical race theory, gender theory and other identity studies have disappeared across the country, as this knowledge challenges their ideology. Right-wing educational content, such as that made by PragerU, is starting to be pushed in public elementary schools in red states.

One could say that connecting Trump to men who committed some of the worst atrocities in human history is extreme, but the similarities are too glaring to ignore. His campaign, administration and actions toward minority groups echo theirs completely. This cannot be overlooked.

Despite the similarities, I do not mean to be insensitive in comparing these two dark times in history. This summary is, at times, oversimplified, as there are substantial differences between 1920s Europe and the modern U.S. Hitler’s regime took their hatred to a point of no return, which the U.S. has not reached, and hopefully never will. Mass deportations and the establishment of immigrant detainment camps are not good signs, though. Each tragedy is its own. However, there are warning signs before great tragedies happen, and we are at a time where, if we paid attention, we could stop another atrocity.

My intention with this piece was not to compare or spew hate, but to raise awareness, using history as a guide. Remaining aware is the greatest power we have as individual citizens. We must recognize the path we are going down and actively educate those around us, rather than turn a blind eye and cross our fingers hoping everything will work out.

We must understand that this election did not only determine the next four years, but the fate of the country. Those creating the laws have known what is at stake for years. It is time those of us living under the laws understand the stakes, as well.

(Jeremy Lindenfeld /
(The Crimson White / The University of Alabama)

Luigi Mangione was not as revolutionary as we thought he was – but was he a step in the

right direction?

It has been more than two months since Luigi Mangione allegedly shot the UnitedHealthcare CEO, Brian Thompson. We have seen the spectrum of media coverage and Mangione’s stance condemning the healthcare system, but I have not seen healthcare policies change. I have not seen the structure of the healthcare system, or any messed up function of our economic system, change.

Even before any of this happened, the Federal Trade Commission (FTC) report released in July 2024 details how Pharmacy Benefit Managers (PBMs) inflate drug costs. Despite the report and public cries for reform, the companies responsible for such behavior continue to operate as usual. UnitedHealthcare (UHC) stock took a hit after the shooting on Dec. 4, but is settling. How is it that, despite losing in the court of public opinion, these companies still stand and continue to exploit millions of Americans?

This is a stark reality check for the United States. It shows us the depth of distrust between the rich and poor of society, and exposes the rigid power structure of the American class system creating such distrust while attempting to hide it. I do not think there has been a period in time where this divide has ever been clearer. While a healthcare company earns thousands of dollars from overcharging cancer patients by 5000%, a man sits in prison, being celebrated by working class and younger individuals for allegedly murdering someone deemed as a figurehead of this injustice.

What I find most ironic is both sides are equally convinced they are right. The separation is determined by class. Not race, gender, sexuality or anything but the dollar amount in their bank account. Both sides are, even more so, divided against themselves, but nothing makes rich people come together more than when poor people come for their power.

Although this growing contradiction cannot be ignored, it can be avoided. You wake up to the same

Standing in an empty B-School breakout room, I check my reflection in my phone one last time, ready for take one. I have rehearsed the script I wrote for myself multiple times, but the familiar sense of anticipation knowing I will now say it settles in me. Most of all, though, I am eager to see my video come together. Microphone in hand, I press record, waiting a few seconds before cheerily saying my go-to intro: “Hi Billikens!”

My end-of-senior-year self did not see becoming a “SLUfluencer,” a term friends have used for my job creating social media content for SLU, as part of my college plan. However, seeing an Instagram story on @slu_official recruiting “Project Billikens” to make content about their college experience was an opportunity I found when I least expected it, but perhaps most needed it. Project Billiken is a team of student content creators supervised by the Division of Marketing and Communications at Saint Louis University. We make content about our college experience for SLU’s official social media platforms, covering a wide range of academic programs, collegiate years and content styles.

I am driven to keep making my content when my sisters in the Muslim Student Association tell me about their excitement seeing someone who looks like them on SLU’s social media pages.

The summer before my freshman year, I was not 100% sure about the organizations and roles I wanted to fulfill on campus yet, but I knew I could not pass this one up.

I am someone who always has my digital camera in hand, ready to snap a moment — with flash, of course. I have spent hours pouring my creativity into designing hundreds of projects on Canva. At the same time, I love a good conversation or any chance to make a meaningful connection. I love to tell stories, as my identity is a collection of many of them. In an increasingly connected world and the age of social media, I have found content creation to be a means of fulfilling all of these passions.

In high school, whether I was managing a nonprofit’s Instagram page, designing flyers as the

routine, only this time slightly more aware of the paradox of modern America, and the layers of lies that have been fed to you since birth – that we are the good guys, you can live out the American dream and we live in a time of peace.

The power structure of modern capitalism is so rigid, it cannot be changed with just one revolutionary act. It is the compounding of revolutionary acts that brings change. When will people choose to no longer remain complacent in the corruption that controls our world, even if it doesn’t serve their short-term self interest? Even if it is career ending?

There is undoubtedly a base level of violence necessary to create change. But apparently, the death of a CEO is not enough. The murder of thousands of innocent civilians and the destruction of entire cities is not enough. The prolonged invasion of a sovereign nation is not enough. Such violence doesn’t create change but rather upholds the current system by controlling people through fear.

Those who lead through fear only stay in power as long as those they govern lack courage. We are comfortable enough to participate in the current economic system because there is no currently viable option that enough people are united on to shift to and expunge the current one. As long as there is more comfortability in complacency and too much uncertainty in what is revolutionary, this cycle will inevitably continue.

The case of Mangione gives me hope for where we’re at, but even greater clarity on how much farther we need to go. It is more important now than ever to support the parts of our justice system that challenge injustice. Education and awareness of issues is the first step to knowing how to solve them. With how much there is out there, this task isn’t to be done alone. We all play a part, no act is too small, every thought counts. We have more power than we think.

Misinformation thrives when we stop learning Mariya Yasinovska, OpinionEditor Inaneraofmisinformation,engagingwithlong-formmediaisapoliticalact.

Learning does not stop when you graduate high school, college, or obtain any sort of degree. It is a lifelong process, and we are all responsible for participating in it. The way we consume media directly impacts our understanding of the world, shaping our perspectives, beliefs and ability to engage in meaningful conversations. However, in an era of bite-sized content — 30-second videos, short social media posts and attention-grabbing headlines — it’s easy to mistake surface-level engagement for true knowledge.

Short-form content has its place. It can introduce new ideas, provide quick updates or entertain. But it is often oversimplified, stripped of necessary context and inherently biased because it is only a small part of a larger conversation. If we rely solely on these snippets, we risk developing shallow perspectives and reinforcing echo chambers. True learning requires depth, nuance and critical thinking — things that cannot be condensed into a single viral clip.

This is why long-form media is so important.

Reading books and feature articles, listening to in-depth podcasts, watching well-researched documentaries and engaging with thoughtful discussions all contribute to a more informed and well-rounded worldview. These formats allow for complexity, present multiple viewpoints and encourage deeper reflection. They challenge us to think critically, ask questions and recognize the broader context behind any issue.

Being an active participant in media consumption means seeking out diverse perspectives, questioning sources and understanding that knowledge is not static — it evolves. In a world flooded with information, the responsibility to stay informed and continue learning falls on each of us. Choosing depth over convenience, engagement over passivity and education over ignorance is what sets lifelong learners apart.

Fascist governments have always relied on misinformation to maintain control. The less people know, the easier they are to manipulate. Historically, authoritarian leaders have sought to suppress education, limit access to diverse viewpoints and flood the public with propaganda to create a population that does not question authority.

We are seeing the same patterns play out in the

United States today, particularly in how education is being targeted as a political battleground. Republican lawmakers are counting on the fact that people are not educated enough to recognize the harmful effects of the new legislation they are introducing.

There are already significant educational disparities between red states and blue states, with many conservative-led states restricting curricula, banning books and downplaying critical thinking in favor of ideological conformity to “traditional Catholic values.” This is not accidental.

A well-educated population is harder to control because education fosters curiosity, skepticism and the ability to challenge false narratives. It is much easier to govern a population that lacks these tools.

This is exactly why Trump and his allies have consistently attacked the Department of Education. By weakening national education standards, they create an environment where misinformation thrives, and people are more likely to accept whatever they are told without questioning it. It is also why Trump has a welldocumented disdain for fact-checkers and independent journalism — because the more people question his claims, the less power he has over them.

Many of Trump’s supporters do not actually believe in all of his policies or even fully understand them. Instead, they blindly follow his rhetoric, trapped in ideological bubbles where misinformation is constantly reinforced.

Religious indoctrination plays a role as well — those who have been conditioned to accept authority without question are more likely to apply the same mindset to political leaders. The result is a base that remains fiercely loyal, not because of an informed agreement with his positions, but because they lack the critical thinking skills to see beyond the narratives they are fed.

This is why media consumption matters. A society that prioritizes education and critical thinking is a society that is harder to deceive. Engaging with longform, well-researched content is not just about personal growth — it is a political act. It is a commitment to truth, to resisting propaganda and to ensuring that future generations inherit a world where knowledge is valued over blind obedience.

Nejla Hodzic, DesignEditor Howmaking60-secondvideoshelpedmefindmyvoiceatSLU

unofficial poster-designer of my class or capturing the tens of thousands of photos and videos in my camera roll, I felt seen and represented creatively and socially. While I have always been a creative person, I also grew up in a tight-knit Muslim community and spent much of my time creating content centered around my identities and stories. I was not initially sure how I would take these activities and feelings with me to SLU.

I knew I was not the first incoming college freshman facing this transition that felt worried.

However, as a visibly Muslim woman, a first-generation college student and someone seeking opportunities for creativity and connection, my hopes were mixed with valid worries. Would I find a space for me? Would I just have to make my own?

When I submitted my content creation portfolio for consideration for this role, I showed up as my authentic self — showcasing my identities, communities and passions just as I wanted to present them at SLU. Now, I strive to keep showcasing that in my content for the role.

I show my favorite coffee shops and local spots to

put a spotlight on how much my hometown of St. Louis has to offer. I highlight what my week looks like juggling my studies and involvement to help other students feel represented. I share clips showcasing my many identities and stories, from going to the mosque to designing pages for The University News, because all of them play a role in making my college experience what it is.

Creating content for Project Billiken has helped me step into spaces that have embraced me and make my own spaces. It takes courage, even for a self-proclaimed extrovert like myself, to turn on the camera and talk to thousands of my fellow Billikens with confidence, but doing so has helped me build that courage.

Looking back, this role was somewhat of a catalyst for the rest of what I became involved in at SLU.

Preparing to see your face and words projected on social media is pretty good practice for putting yourself out there elsewhere on campus, so I did. Beyond just other opportunities, though, this role has allowed me to pursue deeper drives in my content creation.

I am driven to keep making my content when my sisters in the Muslim Student Association tell me

about their excitement seeing someone who looks like them on SLU’s social media pages. I am driven to keep making my content when my friends, family and SLU community remind me how much my content could help even one student feel more represented. I am driven to keep making my content by my belief that all of us have a place at SLU. Being a “SLUfluencer” on the Project Billiken team is a role I cherish not just for giving me an outlet for my content creation passion, but for giving me an outlet to find my voice and roles at SLU. These days, as a new semester is in full swing, I take short clips here and there with my phone or snap pictures with my pocket digital camera in pursuit of my next project, excited at the prospect of continuing to make meaningful content true to me and, I hope, true to one or more of my fellow Billikens.

I am driven to keep making my content when my friends, family and SLU community remind me how much my content could help even one student feel more represented. I am driven to keep making my content by my belief that all of us have a place at SLU.

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In case you missed

Quarrelsome Coffee’s sudden closure

Andy Cullinane, Assistant Arts & Life Editor

Quarrelsome Coffee, a beloved coffeehouse and roastery just minutes away from campus, permanently closed its doors on Sunday, Feb. 2.

The coffee shop posted to their Instagram on Saturday with little warning to the community, “All goodbyes are hard, but this one may be the hardest,” the post read. “We have loved being a part of the neighborhood and your everyday coffee routine.”

The closure came unexpectedly just two years after their grand opening in the Central West End. Quarrelsome boasted ethically sourced coffee and a fermentation brewing process for their drinks.

Due to the shop’s location at 33 N Sarah St., many Saint Louis University students called Quarrelsome their study spot of choice. Quarrelsome’s unique and artsy branding and modern yet comfortable interior, attracted the attention of anyone looking to settle down, plug in a laptop and enjoy what the cafe had to offer.

Owner Mark Schwarz provided a brief statement to The University News about the closure and expressed gratitude for the community’s love for the shop.

“I know our closing has come as a shock to those who have grown to love [and perhaps depend on] our coffee and cafe. Since the announcement, it’s been incredibly humbling to hear from so many people about the meaningful impact Quarrelsome has had on their day-to-day lives. Unfortunately, our closing is for financial reasons. Choosing to open where we did, in such a vibrant neighborhood, was an easy decision so hopefully another business can pick up where we left off.”

For some students like Kim Tran, a freshman, the closure of Quarrelsome represents the loss of a beloved spot.

“I loved the walk there. Calming and peaceful,” Tran said.

Tran went on to say that she was in denial that the coffee shop was closing, praising their matcha and the positive energy of the cafe.

“I just went there last Saturday… I can’t believe they’re closing already,” Tran said.

Many students and local patrons have speculated why the location suffered and was forced to close its doors financially. Freshman Ruby Weekes suggested the cafe’s limited seating.

“I went to study with a friend. The vibes were okay… it was really hard to find seating,” Weekes said. “I don’t feel like they were taking advantage of the fact that they were next to a college.”

This issue is part of a larger trend in coffee houses around the country. Small businesses are struggling with customers overstaying their welcome by ordering a single inexpensive item and setting up to occupy tables for extended periods of time. This takes up valuable space from other paying customers.

With the steady increase in work-from-home individuals since the pandemic, this has become a major issue for small, local businesses that cannot afford to lose what little space they have.

When a cafe does not have open seats, incoming customers are forced to either take their coffee togo and leave or stand and wait, leading to customer dissatisfaction and less than preferable sales. For this reason, many cafes are implementing no laptop policies or WiFi caps to prevent “squatters” from taking up space and bringing down the atmosphere.

The question remains on what kind of new business will take up the coffeehouse’s vacant space, but until then, those in mourning can still purchase merch or coffee from Quarrelsome’s online website, https://quarrelsome.coffee/ while supplies last.

Lauren Hutchens

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