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Wyoming hate crime highlighted in Black Maskers production COLLEGE DECISIONS, page 20
GRAPHIC BY ALISA GAO
RM students whip up new traditions for the upcoming dance by Laura Chang
PHOTO COURTESY OF LIFE TOUCH
Black Maskers perform “The Laramie Project: Ten Years Later” for the Friday audience. by Maureen Zeufack On the last two weekends of March, crowds of approximately 150 people gathered to watch RM’s spring play, “The Laramie Project: Ten Years Later”. The Black Maskers drama organization, including a cast of 19 students, crews and other members, put the production together in about six weeks. The play is an epilogue to the awardwinning play “The Laramie Project,” written by Moisés Kaufman and other members of the Tectonic Theater Project. “The Laramie Project” was performed by the RM Black Maskers in 2011.
In October of 1998, a gay 21-year-old college student named Matthew Shepard was severely beaten, tied to a fence, and left to die outside Laramie, Wyoming in a hate crime. A few weeks after this tragedy, Moisés Kaufman and his fellow members of the Tectonic Theater Project travelled to Laramie and conducted more than 200 interviews with citizens of the town over the course of a year. The play “The Laramie Project” is an example of documentary theater, and was conceived as a product of these interviews. The play chronicles the life of the town of Laramie in the year following the murder. The Laramie Project is now one of the most performed plays in the U.S. today. LARAMIE, page 3
With prom season here, the hallways will soon be buzzing with excitement over promposals and plans, which are often unconsciously shaped by common social expectations. There are spoken rules, such as the dress code, and unspoken rules, like the tradition of boys making the first move. These conventions impose traditional, and often sexist, gender expectations upon students. However, feminism is unraveling some of these strict social expectations, and the roles of both sexes are becoming more flexible. In the past, girls were expected to wear dresses to school dances and boys were encouraged to wear suits. Dress codes affirmed these traditions. Some schools set unreasonable guidelines for the size, shape and style of outfits. Many feel that
traditional dress codes punish women for being too “scandalous” and “exposing skin.” Today, the public attitude toward what people should and should not wear has shifted, and free expression is promoted by more relaxed dress codes. “You should be able to wear whatever you want. If you want to wear a tight dress, you do you,” senior Chloe Dinman said. “People shouldn’t be judging you for that. If you don’t want to wear a dress and you want to wear a suit instead, that’s completely fine too.” Although the prom dress code at RM is relatively unrestrictive, the push for gender equality at school dances has not taken place everywhere. “School dance dress codes have definitely changed, because girls can now wear suits and guys can wear dresses at certain schools,” sophomore Piper Feldman explained. “But in some places, it really hasn’t, and that needs to be fixed.” DANCES, page 6
National budget cuts defund arts by Magali Ngouabou
SENIOR WILLS, page 12-13
GRAPHIC BY ALISA GAO
Inside The Tide...
Opinions, 8 Legacy and college admissions
President Trump’s budget proposal has received criticism across the political spectrum, and as the president scrambles to get the measure passed, many government run programs are in danger of being defunded as government workers anxiously worry over funding issues. Among the programs that may face complete elimination is the National Endowment for the Arts (NEA). Defunding the arts is not a new concept. Art teachers around the nation often have to find creative ways to work around an already
limited art budget. “There’s some schools that get 11 cents for students all year long—that’s literally what’s afforded a student for their supplies for the entire year,” art teacher Katherine Stanton said. The NEA aims to fund the proliferation of art on a local level, which, depending on allocations at the state level, may or may not affect schools, but will have a definite effect on students pursuing art outside of the academic environment, which many RM students do. Around the country, many arts programs see their futures hanging in the balance, as very few, according to the Washington ARTS DEPARTMENT, page 17
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