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PHOTO © 2015 EYE ON THE BALL
Black Maskers thrilled audiences with performance of Agatha Christie’s “And Then There Were None.”
And then there was applause by Fonda Shen Ten people are lured to an island by a mysterious man named U.N. Owen. During dinner the first night, a recorded message accuses each of them of having a guilty secret, and before nightfall hits, one of the guests is dead. Who did it, and why? Such were the questions presented by the Black Maskers’ spring play, “And Then There Were None,” which thrilled theatergoers for the past two weekends. The play, based on the lengendary Agatha Christie mystery novel of the same name, is a continuous build-up of
suspense. On the secluded island, the guests die one by one, and the surviving characters come to realize that the murderer is among them. According to the cast members, the script was simply spectacular. “Agatha Christie’s writing style is amazing. There is some humor, not a lot mind you, but just enough to break the tension, and there’s just a lot of clever references to the characters,” said junior Yashi Janamanchi, who plays exinspector Blore in the play. In the opening to her novel, Christie notes that the book was remarkably challenging to write. For the Black Maskers cast, the production was just
as demanding. The play was presented by two casts, which gave everyone an excuse to see the performance twice. This added to the difficulties of production as everything had to be rehearsed by two sets of students, led by student assistant directors and managing director Emily Davis. “We haven’t had two casts since “Chicago,” quite a few years ago, and it essentially creates two different shows all together so it’s been really cool seeing how the plays have evolved,” said senior Matt Winstel, one of the assistant directors. More coverage of the show, with exclusive interviews and behind-thescenes coverage on production crews, can be found on page 16.
Dress code conflict Ms. Wall remembers her roots by Alex Hu Have you ever been stopped by staff members who think the clothes you wear are not “schoolappropriate?” You must have at least noticed the administration’s new emphasis on upholding a stricter dress code. The issue of wearing “schoolappropriate” clothes has been expressly addressed at the beginning-of-the-year assembly and subsequent announcements, as well as every day during RMBC, when teachers are requested to check if students are properly dressed. Now with weather getting warmer, conflicts regarding the dress code are once again heating up the halls of Richard Montgomery.
Most have felt that with the new administration under Mr. Monteleone, enforcing the dress code has been taken more seriously than ever before. Currently, the rules state that “clothing that is deemed to be inappropriate, disruptive, offensive, or disrespectful to the learning environment is prohibited.” On this point, it seems that every teacher and student agrees, but conflicts arise upon a failure to agree upon what constitutes inappropriateness. First off, it is important to clarify that the controversy deals with styles that are deemed inappropriate because they are too revealing or too sexual. The controversy has nothing to do with clothing that promotes dangerous activities or displays obscene language and/or imagery. DRESS, cont. page 8
by Andy Kostka and Shelby Stevens Many people at Richard Montgomery are familiar with the Wallfice; a room famous for its five Walls. However, one such Wall is more famous than
the rest. That Wall is none other than Claire Wall, the attendance secretary. The story behind the cheery Ms. Wall inside the room with five walls starts in Chicago. It was the 1960s, the time of the afro, Bellbottom jeans, and The Beatles, although The Grateful Dead
PHOTO BY MADDIE FRANKE
Ms. Wall has traveled far and wide outside of her attendance office.
aligns more with Ms. Wall’s taste. Every summer since she was four, the Walls have traveled up to a Northern Wisconsin lake after Ms. Wall’s parents finished teaching in Chicago Public Schools; the location of the original room with five Walls: her father’s class. It was at the lake of a small Jewish Girl’s summer camp where her parents were counselors that Claire Wall found her second home. Once that camp closed, the Wall’s purchased a plot of land on the lake, and stone by stone, began the building process of the Wall Cottage. “That fireplace, we picked all those rocks. [The house] has our energy and our love in it,” Ms. Wall said. “I love it. Every single day I think about the lake. I feel like it’s my duty to take care of what my father and mother built.” WALL, cont. page 18
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