Ms sect b 20161009 sunday

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SUNDAY, OCTOBER 9, 2016

Adelle Chua, Editor / Joyce Pangco Pañares, Issue Editor

Opinion

mst.daydesk@gmail.com

EDITORIAL

‘Better man tomorrow’

“I

SAID it, I was wrong and I apologize....I have said and done things I regret. These words don’t reflect who I am.”

So said the Republican nominee for the United States presidential contest, billionaire Donald Trump, referring to a video released by the Washington Post that showed him making lewd and disparaging comments about women more than 10 years ago. In 2005, Trump was on his way to make a cameo appearance at a “Days of our Lives” episode when he happily talked to

a reporter about groping women. “When you’re a star, they let you do it...you can do anything.” The release of the video has prompted condemnations not just from Trump’s rival Hillary Clinton and Democrats but also from among the Republicans. House Speaker Paul Ryan said he was sickened by what he had heard. John McCain, the Republican presidential candidate in 2008, said “[Trump] alone bears the burden of his conduct and alone should suffer the consequences.” Trump has been disinvited to a party event, reports say. The release of the video and the billionaire’s apology comes before

the second presidential debate on Sunday night (Monday morning in the Philippines). It would be interesting to know how Trump would defend himself and attempt to answer substantive questions on what he intends to do if he does become president. Hereabouts, we are no longer strangers to officials making inappropriate, lewd and incendiary statements. With President Rodrigo Duterte, each day is a surprise. As a result, his alter egos hasten to explain what he means, or what they think he means, to an aghast public. If the reaction is particularly adverse, the President takes it upon himself to apologize, after which he is hailed for

being humble enough to admit his mistakes. But the people do not need their leader apologizing all the time. Once or twice may show humility, but a habitual taking back of one’s inflammatory language signals a lack of deliberation by someone who should consider every word that comes out of his mouth. Everything we utter in our unguarded moments approximate our true beliefs and the actual state of our minds. It is tempting to imagine a cozy, colorful conversation between our President and Trump, assuming he wins. Then again, we push the thought out of our minds, because it is just so unsettling. POP GOES THE WORLD JENNY ORTUOSTE

Troya cuts slices of life on the fringes

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Presscon season LONG STORY SHORT ADELLE CHUA IT’S that time of the year again. I refer to the annual Schools Press Conference organized by the Department of Education and participated in by thousands of young campus journalists. Whether or not the children actually pursue careers in journalism is another thing. For now, the students who are writers for their school newspapers and generally among the top performers in their class, gather in one school alongside their counterparts and compete in their respective categories: newswriting, editorial writing, feature writing, editorial cartoon drawing, sportswriting,

copyreading and headline writing, photojournalism. There are other collaborative, tech-based categories that have emerged, as well. The months of September and October are normally for the division-level competitions. This means that students from within the same cities are pitted against each other. Ten winners are chosen from a city, who will then advance to the regional finals. Again, ten will be chosen who will advance to the nationals. This now provides an opportunity for the students to travel; contest venue for the last stage moves from region to region; last year, the final rounds were held in Koronadal, South Cotabato. The “presscon” occasions good memories, personal ones. As a high school campus writer I used to compete in the same contest,

under different categories (feature writing sophomore year, editorial writing junior year, and newswriting senior year) and reaching different levels of success. In my time at the nationals, though, the venue was NCR. Not much travel there—but I got to spend a full week billetted at the spacious Rizal High School in Pasig.

It’s more than a contest.

These days, every year for the past six or seven years I have been fortunate to be a speaker/ judge in some of the contest categories. There are many from

the industry who do the same, perhaps out of a sense of civic duty to act as mentors to the young. I do it whenever I can because I see myself in every student who is eager to learn to write better. The apparent continued links with this event has given rise to some realizations. Foremost, that school paper advisers are silent heroes. These are the ones who spend long hours after school and on weekends to train the student writers. Sometimes, they fork out money from their own pockets during contest dates when funding from the school is slow in coming. They also get all the pressure to deliver. And on days when traffic or the weather is bad, they also end up bringing the students home to their worried parents.

And if the adviser is truly something else, he or she can influence the student to pursue a career in the field— as my own late school paper adviser, Reynaldo Binuya, did. Second, judging is hard. At first glance it appears easy; you’re a professional, anyway, and you are used to deadlines. But think of the implications of your actions: your decisions can make or break a young person’s dreams. One must not take light the duty of judiciously choosing who deserves to move on to the next level—and who needs more practice. I have also observed how competitive some teachers, principals and divisions/regions can be. Certainly there must be some form of incentive for finishing among the best in Turn to next page

UNIVERSITY of Santo Tomas literature professor Joselito “Jowie” delos Reyes proves once more the fecundity of his imagination with the publication of Troya: 12 Kuwento. The book was released close on the heels of his Titser Pangkalawakan and in time for the recent Manila International Book Fair, where Troya sold out on the Saturday of the event. (Stocks were replenished the following day.) Delos Reyes has received many awards for his work—the National Book Award for essay in Filipino for Istatus Nation, 2013 Makata ng Taon of the Komisyon ng Wikang Filipino, and the 2013 National Commission for Culture and the Arts Writers Prize for short story in Filipino for three of the stories in this collection. A condition of the prize was that he had to write nine more stories, bringing the Troya trove to an even dozen. “I almost failed to finish my dissertation because I had to do this first,” he said. “This collection was six years in the making.” Delos Reyes built the stories on the chess theme. “Chess pieces are the motifs of each story,” he said. “Barangay Pinagpala Namin” is a rook, “Derby” is a bishop, and so on. The tales, set in the Camanava (Caloocan, Malabon, Navotas, Valenzuela) area, feature common folk as protagonists engaged in daily activities. Another theme that surfaces is gambling. The rook story features “a mystified Lotto outlet,” Delos Reyes says; “Derby” cockfighting, and “Bethany” the card game pusoy. So detailed are the descriptions of the games that the passages referring to these can serve as instruction manuals. Interwoven with the action of the characters are narratives of corruption and abuse of power and authority by petty officials in marginalized communities. The burden these aggressions and oppressions place on the survival efforts of the meek and masa are recounted with verisimilitude: Delos Reyes speaks truth to power. There is a sense of him pounding the streets to get his material, inhaling the pavement dust stirred up by his footsteps as he tarries here to talk to a metallizing technician, there to converse with a conman running a text scam.

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