Dennis
Adele
David
Dennis
Adele
David
Dear Members of The Ringling, I am pleased to present you with our Annual Review for the 2023–24 fiscal year. I hope you enjoy this compendium of accomplishments and activities from last year.
We experienced record-breaking numbers in admissions and earned income. We welcomed 406,510 visitors, making it our 4th highest attended year and the best visitation since 2019. Earnings from admission reached $6,072,647 for the year, setting a record for admissions income. We ended the year with an income of $25,546,551 and expenses of $24,872,678 leaving a surplus of $673,874.
All tour programs renewed operation, and our volunteer corps has been restructured since the pandemic and counts over 400 members. Our Guide Program encompasses the largest volunteer group, which conducts tours of Ca’ d’Zan, the Museum of Art, and our grounds. We expanded the Guide Program to include more opportunities to experience everything The Ringling offers.
Education staff worked with volunteers and community organizations around the region to foster powerful experiences in art. We opened the MakerSpace in the JohnsonBlalock Education Center to create a drop-in venue for families and expand hands-on art making programs for youth and adults. With funds from E.A. Michelson Philanthropy, we developed art making programs for the 55+ community. We also hired artists to work with community partners to engage their clients in creative learning. In June, our Director of Education and Tibbals Curator of Circus headed up a major conference at The Ringling that brought together 47 speakers from across the country to explore the use of “wonder.” 1,666 attendees enjoyed the conference during 3 days of programming.
Of the 11 exhibitions presented, our curators developed all but one. Our collections are in demand from institutions around the country and world. Two European paintings were borrowed for the Making Her Mark exhibition in Baltimore and Toronto, and two Japanese works were showcased in the Meiji Modern: 50 Years of New Japan in Chicago and Houston.
Our performing arts program presented 12 artist companies and launched the season with a performance by La Dame Blanche, with an audience of over 1,000 people. The HAT’s attendance increased, and many performances sold out. The HAT Lounge on the Benfer Courtyard became the place to be after every show to meet the performers and enjoy drinks and conversation.
After six years of development, The Greatest Show On Earth® Gallery, in collaboration with FELD Entertainment® opened, combining the history of the Feld family’s ownership, the hundreds of artists they presented, and an immersive screen where visitors experience the excitement of a circus performance.
I want to acknowledge Florida State University’s President Richard McCullough, Provost James Clark, and The Ringling’s Board of Directors for their enthusiastic support of our work. To our volunteers and members, your support means so much to all of us. Thank you, and I look forward to seeing you soon at The Ringling.
Cover: Collections Department preparing to move Guercino's Annunciation for the exhibition 'Guercino’s Friar with a Gold Earring: Fra Bonaventura Bisi, Painter and Art Dealer' Left: The Greatest Show On Earth® Gallery
Steven High Executive Director
• We welcomed 406,510 visitors, representing not only a 7.5% increase in visitors compared to last year but the first year since the onset of the COVID-19 pandemic that our attendance surpassed 400,000.
• Our admissions income of $6,072,647, representing a 19.3% increase from last year, was the largest in our history.
• Our $25,546,551 in revenue exceeded budgeted revenue by .26%, and our expenses of $24,872,678 were 2.45% under budgeted. We therefore ended the fiscal year with a surplus of $673,874.
ATTENDANCE
406,510 VISITORS IN TOTAL
$25.55 M REVENUE
$24.87 M EXPENSES
$674 K SURPLUS
$2.4 M DRAW FROM ENDOWMENTS
The Ringling’s combined endowments (The John & Mable Ringling Museum of Art Foundation and the Florida State University Foundation) at year-end totaled $58.9 million with annual draw from endowments of $2.4 million.
Guercino’s Friar with a Gold Earring: Fra Bonaventura Bisi, Painter and Art Dealer
OCT 14, 2023 – JAN 7, 2024
This international loan exhibition investigated the life and work of Fra Bonaventura Bisi (1601–1659), a Franciscan Minor Conventual friar whose portrait by the Italian Baroque master Guercino was acquired by The Ringling in 2015. Bisi’s activity as an art dealer, printmaker, and celebrated painter of miniatures made him a major figure in the artistic culture of 17th-century Bologna. Offering a captivating glimpse into the worlds of art making and art collecting in Baroque Italy, the exhibition explored Fra Bisi’s artistic training, his close relationships with Guercino and other Bolognese artists and intellectuals, his extraordinary painted miniatures, his dogged pursuit of artworks for princely collectors, and his passionate efforts to promote the appreciation and collecting of drawings as an art form. Loans from important museums and private collections in both Italy and the US joined selections from our own exceptional collection of Italian Baroque art.
Organized by David M. Stone, Guest Curator, and Sarah Cartwright, Chief Curator and Ulla R. Searing Curator of Collections. The exhibition was supported by the Kathleen Binnicker Swann Foundation, the Robert Lehman Foundation, the Paul Grootkerk Memorial Fund at The Ringling, The Sir Denis Mahon Foundation, Margaret and Mark Hausberg, the Samuel H. Kress Foundation, Mike and Karen Urette, and the Ringling Museum endowment funds of Bob and Diane Roskamp and Steve and Stevie Wilberding. It was paid for in part by Sarasota County Tourist Development Tax revenues, and the Florida Department of State, Division of Arts and Culture.
Princeton University Art Museum
OCT 15, 2023 – JAN 21, 2024
The Princeton University Art Museum’s collection of Italian drawings is renowned for its quality, scope, and scholarly importance. This exhibition showcased 95 works from the late 15th to early 20th centuries by numerous artists including Parmigianino, Guercino, Gian Lorenzo Bernini, Giovanni Battista Tiepolo, and Amedeo Modigliani. 500 Years of Italian Drawings explored topics such as technique, artistic education, experimentation, and the pivotal role played by drawing in the creative process.
This exhibition was organized by the Princeton University Art Museum. Gian Lorenzo Bernini (1598–1680; born Naples; died Rome), Seated Male Nude, ca. 1618–24. Red chalk heightened with white chalk on buff laid paper; 42.2 × 27.2 cm. Princeton University Art Museum. Museum purchase, Laura P. Hall Memorial Fund and Fowler McCormick, Class of 1921, Fund (2005-128)
The Ringling’s Photography Collection
AUG 26, 2023 – MAR 10, 2024
The Industrial Revolution of the 18th and 19th centuries radically changed the nature of human labor. That era is defined by a global shift from producing goods by hand to manufacturing by machines and technologies that emphasized efficiency. Photography was introduced to the public in 1839 as, among other things, a timeand labor-saving technology to record images from the visible world more quickly and accurately than painting or drawing. This exhibition explored the myriad ways in which photographs have communicated ideas about labor since the 19th century through examples from our permanent photography collection.
Curated by Christopher Jones, Stanton B. and Nancy W. Kaplan Curator of Photography and Media Art. Special thanks to Anna Gliwski, 2023 Coville Intern in Photography at The Ringling, for her assistance.
OCT 28, 2023 – APR 21, 2024
Cats have lived in close proximity with humans on the Japanese archipelago for millennia, fostering a cross-species friendship that is reflected in over one thousand years of written and visual records. This small exhibition, encompassing woodblock prints, paintings, lacquerware, ceramics, and metalwork, introduced the feline subject in Japanese art from the early 19th century to the mid-20th century.
Curated by Rhiannon Paget, Curator of Asian Art.
MAR 16 – JUN 9, 2024
Over 7 years ago, our conservators began a comprehensive examination of the Watermelon Regatta, a fascinating early18th century Italian painting that had suffered significant damage. This extended study led to a painstaking conservation treatment that commenced in 2017 and since then has been carried out intermittently. Our painting conservators were assisted by several conservation interns and fellows, as well as contracted conservators. This oil painting on canvas has been attributed to The Master of the Fertility of the Egg, a name used by art historians for a still-unidentified painter active in northern Italy around 1700. Watermelon Regatta was displayed with a PowerPoint projection showcasing the conservation process. This painting and its conservation efforts were the focus of The Ringling’s 2016 Giving Challenge, supported by numerous local donors. Conservation work was more recently supported by the David A. Straz, Jr. Foundation.
Photos, top to bottom:
Bill Owens (American, born 1938), Industrial burger maker, Tri-Valley Area, Northern California (detail), from the series Working, 1974-1976. Gelatin silver print, 6 7/16 x 9 1/16 in. Gift of John Chatzky and Debbie Mullin, 2021, 2021.51.31. © Bill Owens
Saitō Kiyoshi (Japanese, 1907–1997), Two Cats, designed 1954, printed 1955. Woodblock print; ink and color on paper, 16 3/4 × 23 1/16 in. Gift of Charles and Robyn Citrin, 2015. SN11495.35
The Master of the Fertility of the Egg, Watermelon Regatta (detail), SN657, after treatment
NOV 18, 2023 – JUN 2, 2024
Miami, Florida native Michele Oka Doner is an internationally acclaimed artist best known for her work inspired by the wonderment and awe of flora and fauna. In addition to her study of the natural world, Oka Doner has simultaneously sustained a decades-long poetic exploration of the human figure. The artist’s first solo exhibition at The Ringling, Michele Oka Doner: The True Story of Eve, included examples of works on paper, wood, ceramics, bronze, and glass ranging from the 1960s to the present. These highly intuitive works evoke natural forms and pay homage to the local environment, while poignantly reminding us of our increasingly precarious ecosystem.
Curated
by
Ola Wlusek, Keith D. Monda Curator of Modern and Contemporary Art.
AUG 5, 2023 – JUN 23, 2024
Curious rocks have been venerated in China since ancient times. The wealthy elite of the Tang dynasty (618–907) sought out magnificent limestone boulders for their gardens. During the Song dynasty (960–1279), scholars began collecting smaller rocks with sculptural shapes, interesting surface textures, and striking colors. These became known as gonshi, meaning “spirit stones.” Because of their association with literati culture across East Asia, they are called “scholars’ rocks” in English. The rich culture of appreciating scholars’ rocks has diffused across East Asia and beyond. As well as objects from China, this exhibition included objects from Japan, Korea, Canada, and Italy. On view for the first time at The Ringling were scholars’ rocks recently donated from the extensive collection of Nancy and Stan Kaplan, a new acquisition funded by Lucia and Steven Almquist, and paintings on loan from the Dongguan Lou Collection.
Curated by Rhiannon Paget, Curator of Asian Art. This exhibition was supported by the Chao Ringling Museum Endowment and the E. Rhodes and Leona B. Carpenter Foundation.
The Greatest Show On Earth® Gallery PERMANENT EXHIBIT, OPENED APR 5, 2024
The Greatest Show On Earth® Gallery modernizes the museum’s expansive history of the circus by exploring the first 50 years of the Feld family’s stewardship during which the spectacle of the show brought the circus experience to new heights. The new exhibit continues the story, found throughout the Circus Museum, of how Ringling Bros. and Barnum & Bailey® grew to become one of the most well-recognized brands in the world. The gallery space is designed to evoke the excitement of seeing a live show, while also representing the full spectrum of a production from both front- and back-of-house perspectives. Visitors can explore artifacts, costumes, and media footage in an engaging and multisensory experience throughout the exhibition area.
Curated by Jennifer Lemmer Posey, Tibbals Curator of Circus with partial funding from the Feld Family.
DEC 16, 2023 – JAN 5, 2025
This year-long, multi-gallery installation placed the work of contemporary artist Shinique Smith (American, b. 1971) in direct dialogue with historic European art, a first in Smith’s career. Several of her large-scale sculptures, along with smaller works, were displayed in the permanent collection galleries of the Museum of Art. PARADE spoke to the European artistic tradition revealing the universality of human experience explored by artists throughout time while also foregrounding notions of Black femininity and the history of the circus.
Curated by Sarah Cartwright, Chief Curator and Ulla R. Searing Curator of Collections. Shinique Smith: PARADE was generously supported by the Ellin Family Art of Our Time Endowment Fund and the Ringling Museum General Development Fund. It was paid for in part by Sarasota County Tourist Development Tax revenues and by the Florida Department of State, Division of Arts and Culture.
MAY 25, 2024 – JAN 26, 2025
Skyway 2024: A Contemporary Collaboration, a partnership between 5 arts institutions in the Tampa Bay area, was a celebration of the region's artistic practices. Working together, curators from each institution offered context for the diversity of art being made in Hillsborough, Manatee, Pasco, Pinellas, and Sarasota Counties.
This exhibition was funded in part by the Peter & Mary Lou Vogt Ringling Exhibition Fund, the Stephen V.C. Wilberding Ringling Endowment, Gulf Coast Community Foundation, Florida Department of State Division of Arts & Culture, Sarasota County TDC/A, The Gobioff Foundation, and the Stanton Storer’s Embrace the Arts Foundation.
MAR 2, 2024 – SEP 21, 2025
EMBODIED expanded the definition of the human figure by bringing together diverse representations in painting, sculpture, fiber, video, and mixed media by some of the most exciting artists working in the 20th and 21st centuries. Artists in the exhibition included William Villalongo who merges tropes from the European still life painting tradition with elements from Black histories, pop culture, and mass media. Tony Tiger’s abstract painting, Time and Place: Egmont Key-Indian Territory-LA-Oklahoma, is the first abstract painting by a contemporary Native American artist acquired by The Ringling. Other works embodied the artists’ personal experiences and broader observations on sociopolitical issues through abstraction and nonobjective art.
Curated by Ola Wlusek, Keith D. Monda Curator of Modern and Contemporary Art. Paid for in part by Sarasota County Tourist Development Tax Revenues. Additional support was provided by the Gulf Coast Community Foundation and the Amicus Foundation Fund.
Photos, top to bottom:
Shinique Smith, Stargazer (2022) installed in front of Guercino's Annunciation in Gallery 8 of the Museum of Art Saumitra Chandratreya (Indian, born 1990), Royal Poinciana Reflections, 2022. Cyanotype on Sateen, 40 x 60 in. Courtesy of the artist. © Saumitra Chandratreya
William Villalongo, (American, b. 1975), Still Life with Quilt and Drinking Gourds, 2021. Acrylic and velvet flock on wood panel, 72 x 56 x 2 in. Museum purchase with funds from Drs. George and Sarah Pappas Art Acquisition Fund, 2022, 2022.33. © William Villalongo. Courtesy of © Villalongo Studio LLC. Photo: Bill Massey.
50,941 TOTAL EDUCATION VISITORS
19,167 PUBLIC TOURS PARTICIPANTS
10,678 STUDENTS ON SCHOOL VISITS
1,252 HOMESCHOOL PROGRAM PARTICIPANTS
5,711 FAMILY PROGRAM PARTICIPANTS
6,107 OUTREACH PROGRAM PARTICIPANTS
3,320 ADULT PROGRAM PARTICIPANTS
406 ARTS & HEALTH PARTICIPANTS
8 LIFELONG ARTS WORKSHOPS
$466,000 IN GRANTS AWARDED FOR EDUCATION PROGRAMS
Through expanded programming to better welcome and serve our community:
• the number of visitors on Public Tours increased by 349% with the support of updated training and new Volunteer Guides. Expanded Guide offerings included:
• November through May Bayfront Gardens tours
• an increase in Museum of Art tours from twice weekly to 4 times daily due to 52 new Guides
• revenue-generating tours in Ca’ d’Zan brought in $571,740
School tours returned to pre-pandemic numbers. Students:
• engaged in a new school program, Art Extensions, which teaches art skills complementing the artworks students viewed
• visited from 3 Title I schools as part of the Sarasota County Schools Summer Learning Academy and countered summer learning loss
Free family programming, which includes Museum Admission, continued throughout the year, increasing during the summer with the return of Open Studio and the addition of new programs such as:
• MakerSpace Mondays, where visitors of all ages made art as part of free Mondays
• Teen Mindfulness in the Museum, in partnership with Girls Inc.
• Family Nights @ Art After 5
2 new teaching artist positions increased the impact of arts education on children in our communities, serving:
• 19 partners including Boys & Girls Clubs of Manatee County, Forty Carrots Family Center, Girls Inc., Sarasota African American Cultural Coalition, Sarasota Housing Authority, and Sarasota Public Libraries
Gallery Talks, Viewpoint Lectures, and Workshops continued. Yearly highlights included:
• a new Lifelong Arts Program that provided hands-on art making and community building for adults aged 55+, which was generously funded by E.A. Michelson Philanthropy
• the addition of an Arts and Health Program Coordinator, who rekindled longstanding partnerships with a focus on accessibility, expanded and professionalized this program. She:
• restarted visual description tours for partner health organizations and individual visitors who are blind or have visual impairments
• provided healthcare professionals at Sarasota Memorial Hospital (SMH) professional development opportunities Using Art to Open Minds and The Art of Caring
• expanded robot tours for patients at SMH
THE COMMUNITY GALLERY
Exhibitions included:
• Art of Recovery, presented by The Academy at Glengary from August to December 2023
• Who We Are, presented by Easterseals of Southwest Florida, from December 2023 to April 2024
• Shared Vision: Art and Empathy, presented by Boys & Girls Clubs of Manatee County from April to August 2024
The Ringling received $466,000 to support educational programs this year, including:
• $250,000 from FORE to support the Wonder: Human Experience and the Arts symposium
• $109,900 from E.A. Michelson Philanthropy to start the Lifelong Arts program
• $60,000 from private donors to support Outreach programs
• $45,000 from the Community Foundation of Sarasota County to support health and accessibility programming and the Community Gallery
• $1,000 from private donors to support the Guide Program
The Wonder: Human Experience and the Arts symposium was the first of its kind, focused on exploring the concept of wonder and how the arts influence and impact our shared humanity.
KEYNOTE SPEAKERS INCLUDED
• Kaywin Feldman, Director of the National Gallery of Art
• Shinique Smith, Los Angeles-based artist featured in the exhibition Shinique Smith: PARADE
• Dr. Erin Clabough, Assistant Professor of Neuroscience at the University of Virginia
FEATURED DISCIPLINES INCLUDED
• art and art history
• astronomy
• circus arts and history
• disability studies
• interior design
• library services
• linguistics
• magic
SPECIAL PUBLIC EVENTS INCLUDED
• museum studies
• neuroaesthetics
• public health services
• Ringling WONDERground, a fresh take on Ringling Underground
• Wonder Walk at FAM, a free family program in which families used a handheld guide to explore the collections, galleries, and grounds through the lens of wonder
“The symposium was thoughtful, inspiring, and full of creativity!”
—Wonder Attendee
2.5 DAYS OF WONDER
3
KEYNOTE SPEAKERS
28 SESSIONS
47
EXPERTS FROM INTERDISCIPLINARY FIELDS
2 PUBLIC EVENTS WELCOMING
1,750 PEOPLE
12
ARTIST COMPANIES
11 COUNTRIES REPRESENTED
32
TOTAL PERFORMANCES
6,544
AUDIENCE AT ART OF PERFORMANCE SHOWS AND FILMS
24,016
AUDIENCE AT SUMMER CIRCUS SPECTACULAR 2023
18 ENGAGEMENT ACTIVITIES
1,094 ATTENDEES IN COMMUNITY ENGAGEMENT EVENTS
7
ARTISTS IN RESIDENCE
5
FILM SCREENINGS
• introduced audiences to live performance events by fresh, provocative, and globally relevant artists in the Historic Asolo Theater, the Museum of Art Courtyard, the Perret Performance Studio, and other sites on The Ringling grounds
• offered varied programs of mainstage shows, artist residencies, films, talks, community workshops, and masterclasses. Art of Performance also:
• emphasized works from artists from and inspired by the Francophone world
• presented Summer Circus Spectacular in partnership with the Circus Arts Conservatory
2023–24 ART OF PERFORMANCE SEASON:
La Dame Blanche & White Hot Fête
OCT 20, 2023
Israel Fernández & Diego del Morao in Concert
NOV 2, 2023
Lo Preciso by Rafael Ramírez
NOV 4 & 5, 2023
Congo Jazz Band by Les Francophonies
NOV 16–18*, 2023
La Santa Cecilia
DEC 12, 2023
MicroWIP
JAN 26, 2024
Creole Soul by Etienne Charles FEB 15 & 16, 2024
Rave Lucid
FEB 22–24*, 2024
BélO in Concert
MAR 8 & 9, 2024
Florida Woman
MAR 22–24, 2024
Un Poyo Rojo
APR 6 & 7, 2024
La Famille GoldenCrust by Les Deux de Pique
APR 18–21, 2024
Parisian Refraction by ensembleNEWSRQ
MAY 9–11, 2024
*Free student matinees offered for local public schools and colleges
ARTISTS-IN-RESIDENCE INCLUDED
Modesto “flako” Jimenez
Moira Finucane
Rosie Herrera
Leah Verier-Dunn
Brinae Ali
Vijayalakshmi
John Heginbotham / Dance Heginbotham
MASTERCLASSES INCLUDED THE
• Hot Salsa Dance Series with DK Dance
• Sevillanas Intensive with Irene Rodríguez
• Bulerías de Jerez Intensive with Irene Rodríguez
• Flamenco Dance Masterclass with Rafael Ramírez
• Electro Dance Masterclass with Mazelfreten
• Brinae Ali’s Get Your Sole Fixed Open-level Tap Masterclass
• Vijayalakshmi Classical Indian Dance Masterclass
WORKSHOPS INCLUDED
• Staff Comedy Masterclass with Les Deux de Pique
• Un Poyo Rojo Masterclasses at Booker High School
ARTIST TALKS AND COMMUNITY GATHERINGS INCLUDED THE
• Artist Reading and Talk Back with “flako” Jimenez
• Talk with Hassane Kassi Kouyaté
• Florida Woman Artist Talk with Florida choreographers Alex Springer and Xan Burley
• BélO Community Reception with Haitian Connection of Manasota
• The Baby Laurence Legacy Project Lecture Demonstration with Brinae Ali
• MicroWIP Talkback with Leah Verier-Dunn
• Vijayalakshmi Film and Talkback
THE RINGLING PARTNERED WITH
• Circus Arts Conservatory of Sarasota
• Booker High School
• DK Dance
Staff supported regularly scheduled gallery rotations of lightsensitive material in the Ting Tsung and Wei Fong Chao Center for Asian Art, and the Kotler-Coville Glass Pavilion, and planned and executed 19 exhibitions including:
• 18 organized in-house by Ringling Museum staff
19 EXHIBITION PROJECTS
• 1 traveling project coordinated by another institution
• Exhibition projects of note such as Mountains of the Mind: Scholars’ Rocks in China and Beyond; Guercino’s Friar with a Gold Earring: Fra Bonaventura Bisi, Painter and Art Dealer; Michele Oka Doner: The True Story of Eve; Shinique Smith: PARADE; The Greatest Show On Earth® Gallery; On the Road: Photographs of the Traveling Circus and Carnival by Jill Freedman and Randal Levenson; Watermelon Regatta; and Skyway 2024: A Contemporary Collaboration
Collections supported the lending of 36 objects from the permanent collection. Of these:
• 33 traveled domestically and 3 traveled internationally
• 5 were individual loans with 7 borrowing institutions
• notable loans included Angelica Kauffmann’s Sappho Inspired by Love (SN329) and Fede Galizia’s Judith with the Head of Holofernes (SN684) to the Baltimore Museum of Art and the Art Gallery of Ontario; Giovanni Battista Moroni’s Mario Benvenuti (SN106) to the Intesa Sanpaolo at the Gallerie d'Italia in Milan, Italy; and Utagawa Kunimasa IV’s Kabuki performance of "Chiarini's Celebrated Circus" (2020.14) and Toyohara Chikanobu’s Chiarini: World’s Greatest Circus (2020.16) to the Smart Museum of Art and the Museum of Fine Arts, Houston
Of the 415 objects acquired, impactful acquisitions included:
• over 120 circus posters and advertisements from the Big Apple Circus
• photography portfolios by the artists Shen Wei (Almost Naked) and Jess T. Dugan (Every Breath We Drew)
• a textile sculpture by the artist Shinique Smith
• 3 glass works by Stephen Powell, Sonja Blomdahl, and Preston Singletary
• 3 textile and beaded works by Brian Zepeda
• a selection of over 80 Japanese prints from donors Chuck and Robyn Citrin
• 10 rare Saitō Kiyoshi drawings, as well as a Saitō Kiyoshi folding screen
• 6 kimono from the 19th and 20th centuries
• a variety of items from the wardrobe of noted circus performer, Barbara Nadel
As faculty members at Florida State University and subject matter experts for the collections, curators serve The Ringling’s mission in many ways.
Research is at the heart of curatorial work and underpins everything we do, including exhibitions, publications, conference presentations, public lectures, gallery tours, media interviews, and caring for and expanding the museum’s collections.
Highlights included:
• 17 original in-house exhibitions, encompassing shows drawn entirely from the permanent collection as well as those with loans from other institutions, private collections, and artists
• 1 traveling exhibition organized by Princeton University Art Museum
• more than 15 public programs related to these exhibitions
• Art of Performance season (see pp. 12-13)
• 2 exhibition catalogues published by The Ringling: Guercino’s Friar with a Gold Earring: Fra Bonaventura Bisi, Painter and Art Dealer and Skyway 2024: A Contemporary Collaboration
• 9 presentations delivered at national and international professional conferences, and attendance at 10 more
• co-organization of a 3-day symposium on Wonder at The Ringling
• 7 invited lectures, both in-person and online
• 3 books published by outside entities
• 2 articles in scholarly journals
• service as reviewers/editors for 2 scholarly journals or volumes
• 2 elections to professional organizations and committees
• Research, writing, and planning for:
• at least 15 upcoming exhibitions or installations
• at least 7 publications
• the upcoming performance season and a symposium
• 415 works accepted into the collection through donation and purchase
• more than $365,000 in grant funds awarded for exhibitions and performance, from both government and private grantors
• providing input on numerous conservation projects, including the Aeolian organ, architectural preservation, outdoor sculpture, and fountain restoration
• research and professional development travel to places including Miami; New York; Washington, DC; Santa Fe; Baltimore; Kansas City; Montreal; Italy; Brazil; Japan; Spain; and the Netherlands
• tours of Art Basel Miami Beach and associated fairs as part of a trip organized by Development
• completed an assessment of the circus, Wild West Shows, and allied arts holdings to gain intellectual and physical control of collections
• facilitating a new collection arrangement, purchased 2 new compact shelving units, one purchased by the museum and the second unit by Symes Brightman
• completed 400 accessions dating from 1973 to 2024
• arranged and described 80 linear feet of standard and oversized photographs by topic
• reorganized 75 linear feet of 3D objects
• relocated the moving image collections
• installed a PhaseOne camera system in the Archives Digital Capture Lab
The purchase of a PhaseOne camera system has set a new standard in The Ringling Archives. Investigating a collection management system for the Archives that will operate well with the Ringling’s DAM solution has been underway, and with these workflow changes, the Archives is planning for a very productive future.
The Archives continues to process collections and make them accessible online at DigiNole, including:
• The Eric and Patricia Beheim Circus Collection of recorded sound, 1940s, 1950s, and 1960s
• Nathan’s Postcards, a collection of postcards written by a roustabout on the Barnum and Bailey Circus, 1908
• Fletcher Fowler Family Circus Papers, 1930, 1932, 1934, and 1959
• additions to The Ringling’s Governing Board meeting minutes
• additions to the Tibbals Circus Collection of programs and trade cards
Finding aids written included:
• Al Halpern Ringling Bros. and Barnum & Bailey Circus Hartford, CT Fire Research Collection, 1964–1966
• Ada and Charles Kalmo Collection, 1907–1949
• The Ringling Bros.’ World’s Greatest Shows Booking Correspondence, 1914–1916
• Charles Josef Ringling Personal Papers and Circus Collection 1897–2002, bulk 1920–1968
• John N. Ringling Records of Julius W. Böhler, 1925–1948, bulk dates 1925–1932
Chief Conservator Barbara A. Ramsay, Conservator of Sculpture and Decorative Arts Emily Brown, and Objects Conservation Fellow Tara Johnston conducted inhouse conservation examination of several hundred objects for acquisition, loan, exhibitions, and installations.
Brown managed the Cypriot object conservation project and treated objects— preparing works for the 2025 reinstallation of Gallery 12. Johnston examined, documented, and treated at least 61 Cypriot objects plus others in the collection.
Contracted conservation treatments were completed by:
• Dimitra Pantoulia and RLA Conservation, who treated Cypriot objects onsite
• Sonja Jordan-Mowery, who examined and treated works on paper and photographs
• Jackson Art Care, who treated the Angelica Kauffmann Sappho Inspired by Love in August prior to loan to the Baltimore Museum of Art and Art Gallery of Ontario. In February, Jackson carried out the final touches of inpainting on the Watermelon Regatta by The Master of the Fertility of the Egg, completing a multi-year in-house major treatment project. The painting was displayed in the Museum of Art from March through June, with a projected PowerPoint describing the conservation process.
EverGreene Architectural Arts provided numerous condition assessments, treatment proposals, and cost estimates for projects including:
• more than 64 outdoor sculptures, mainly in the Museum of Art Courtyard
• Museum of Art West Courtyard Fountain and associated elements
• Ca’ d’Zan’s patio wall, damaged during Hurricane Ian in 2022
• Ca’ d’Zan’s lower dock marble tiles, heavily damaged during the storm surge of Hurricane Idalia in 2023
EverGreene also completed several conservation treatments on:
• Beverly Pepper’s Cor-ten Diamond Sentinel II
• the historic iron gates on the north loggia of the Museum of Art
• Jorge Marín’s bronze and steel La Gloria, partially funded by the Giving Challenge 2024
• Beverly Pepper’s Cor-ten Curvae in Curvae
• Alfredo Halegua’s Cor-ten Colossus
• the 20th-century Italian bronze Farnese Bull
• Ca’ d’Zan’s south patio wall damaged by Hurricane Ian in 2022
• Ca’ d’Zan’s historic east kitchen door
In addition, EverGreene completed a large proportion of the major restoration treatment of the Museum of Art West Courtyard Fountain below David, a project generously funded by an anonymous donor. Work included conservation of the upper and lower fountain basins, cast stone walls, and balustrade on the bridge. 3D scanning of the fountain’s 3 deteriorated marble hippocampi sculptures was completed prior to replication in cast stone. The project continues into FY 2024–25, when the hippocampi will be installed, 2 monumental bronze sculptures conserved, and the fountain plumbing system revamped to reintroduce the spouting and spillover water features.
New blue porcelain tiles were ordered for the Bolger Family Reflecting Pool. Replicating the original swimming pool floor, they will replace the failed 2018 blue tiles, with installation expected in late 2024–early 2025.
2
FELLOWSHIPS
29
INTERNSHIPS
“It was a great learning experience, and a great opportunity to see how a large museum functions.”
—Ringling 2024 Summer Intern
Governed by Florida State University (FSU), The Ringling offers critical yearround academic and professional development for emerging museum and cultural heritage professionals, providing skill advancement, research opportunities, and hands-on training within one of the largest university museums in North America. Our academic programs expanded their reach, hosting 2 fellowships and 29 internships, compared to 0 and 21 last year, respectively.
Fellowships are full-time visiting appointments that promote career development. The Ringling hosted:
• the Objects Conservation Fellow, who worked on projects across all Ringling collection areas
• the Eleanor Merritt Fellow, who worked across departments, completing projects that included conducting research in Archives and Curatorial, object handling training with Collections Management, and developing Education programs for Ringling’s strategic community partners
In its 24th year, The Ringling hosted 29 internships across 9 departments, bringing the total number of Ringling interns to 342 since being under FSU governance. Of these interns:
• 93% were paid
• 44% earned college credit
• 38% were paid and earned college credit
• 55% were from local schools like New College of Florida (NCF), State College of Florida (SCF), and the University of South Florida (USF)
• 28% were from schools outside of Florida
2 FSU students completed their Master of Arts degrees at The Ringling through The Ringling Course, a second-year option of the Museum and Cultural Heritage Studies (MCHS) program. This in-residence opportunity included 2 graduate seminars focused on studying exhibitions and public programs, rotating internships through 9 departments, and completing required research capstone projects—all while completing duties as graduate assistants.
The Frank E. Duckwall Foundation provided the funding for 2 extremely rare books for The Ringling Art Library’s Special Collection: Vita Beati P. Ignatii Loiolae and Emblemata D. A. Alciati. Dr. Joseph Antinoro-Polizzi gifted his personal collection of more than 800 books that focus on Italian art, architecture, gardens, and culture to the Library. The Library also:
• hosted tours for museum Guides, students, visitors, and new Ringling staff
• sent books and scanned articles to academic and museum libraries around the US through Interlibrary Loan and facilitated the borrowing of materials for Ringling staff
• shared library materials with students and staff at FSU and borrowed heavily from the FSU collection for research purposes
MEMBERSHIP HOUSEHOLDS 24
LITERATI BOOK CLUB MEETINGS WITH
257 PARTICIPANTS
BY PROGRAM
3 ONGOING CAMPUS SURVEYS (SINCE 2007)
20 EXHIBITIONS (SINCE 2014)
24 ART OF PERFORMANCE (SINCE 2014)
GUEST COMMENT SUMMARY (most frequently used words)
The Ringling established a formal Audience Research program within the Academic Affairs department, with the goal of aligning audience research and processes to support Strategic Plan commitments. Listening to and learning more from people who visit us is a vital part of our new Strategic Plan supporting the first commitment to broaden and deepen our impact. This work helps staff and volunteers uphold our mission to inspire, educate, and entertain while striving toward the vision to be more inclusive and accessible to all.
Since 2007, The Ringling has gathered 29,676 guest responses from paper comment cards, digital surveys, and academic visitor studies conducted by Florida State University graduate students.
Collection methods and responses included:
• paper comment cards: 7,589 (2007–2020)
• email: 2,234 (2020–present)
• iPad Survey Kiosks: 17,810 (2019–present)
• QR Codes: 527 (2020–present)
• in-person: 327 (2016–present)
TOTAL RESPONSES (LAST FIVE FISCAL YEARS)
EXPERIENCE RATING
Rating scale: 1 to 5; 5 being the highest
The Ringling is governed by Florida State University, a recipient of state and federal funding. Collecting certain demographic information helps us meet reporting requirements.
Strong support from FSU has enabled progress on a wide range of projects, such as restoration and maintenance of the buildings on campus, grounds care, and collaboration with historic architects and conservators on projects focused on historic campus elements.
Building restoration and maintenance included:
• 2 major roofing projects, for which we received deferred maintenance funding totaling around $5 million, including work on:
• the Ca’ d’Zan roof, now scheduled to start in April 2025, with HVAC replacement beginning during the project’s second half
• the Museum of Art roof, for which a design was completed, with preparation to go out to bid in the fall of 2024
• anticipation of awaited equipment to update the lighting of Joseph’s Coat: A Skyspace by James Turrell this fall
• work on the former Banyan Café, which will return to its 1961 configuration by William Rupp and has entered a design phase
• renovations to the MakerSpace in the Johnson-Blalock Education Center in collaboration with the Education Department
• major maintenance on our chiller plant, which is owned jointly with New College of Florida
• installation of emergency backup power for all our lift stations
The grounds at The Ringling are a Level 2 Arboretum as designated by ArbNet, the arboretum accreditation body of the Morton Arboretum. Updates to the grounds included:
• increased in-house staffing, decreasing reliance on contractual staffing
• replacement of the iconic palm trees west of the cast-bronze replica of Michelangelo’s David in the Museum of Art Courtyard
• work on a complete renewal of the surrounding landscape
• repairs and repaving of the south drive and north parking lot
• replacement of mulch with limerock in the overflow parking area
• focus on storm preparation and recovery following Hurricane Idalia
Our members and donors are the backbone of The Ringling. You inspire us to be creative, reach out into our greater community, develop new audiences, and attract people to our campus. You help us conserve and restore while giving to help us expand our collections. You embrace new media, contemporary works, and unique programming. Whether you support circus, performances, gardens, glass, or art, our members and donors have a significant impact in moving us forward and keeping us relevant as a living museum. Membership alone brought in over $1.6 million in support, while your giving beyond membership provided us the opportunity to address critical needs and pursue new ideas. You:
• funded and helped us open the Greatest Show On Earth® Gallery, a new permanent exhibition
• funded the first ever Wonder: Human Experience and the Arts symposium
• funded new internships and fellowships
• funded the long-anticipated restoration of the Museum of Art West Courtyard Fountain at the feet of David
MEMBERSHIP 8,866 MEMBERSHIP HOUSEHOLDS
138 CIRCLE HOUSEHOLDS IN TOTAL @ THE RINGLING $11 M RAISED
• gave from your collections to help us significantly enhance our holdings of Japanese prints, surimono, paintings, photography, glass, and circus history
• supported our Art of Performance season and the magical evening of Wine & Roses
• funded our Outreach and Education programs, delivered by teaching artists, impacting over 6,000 participants and 16 partnering organizations while providing 2,800 Ringling-branded art kits for children in our community to take home to continue pursuing their creative ideas and develop their skills
All this to say, you make a big difference. It is clear that you have taken ownership of your museum through volunteerism, engagement, and generosity. Thank you!
TOTAL RAISED FY 23/24: $11,072,531 (Includes Membership)
22%
*includes support from individuals, private foundations, Sarasota County TDC, and Florida Department of State Arts & Culture
THANK YOU FOR YOUR SUPPORT!
ANNUAL GIVING JULY 1, 2023 – JUNE 30, 2024
$1,000,000+
Florida State University
Florida State University Foundation
The John and Mable Ringling Museum of Art Foundation
$100,000–999,999
David W. and Mary S. Benfer
Semmes L. Brightman
Andrew and Judith* Economos
Florida Department of State Division of Arts and Culture
Gordon J. Gilbert and Michele A. Kidwell-Gilbert
Stanton and Nancy Kaplan
E.A. Michelson Philanthropy
Janice S. Tibbals Mobley and D. Gary Mobley
Sarasota County TDC
The Trust Company/Tibbals Foundation
$25,000–99,999
E. Rhodes & Leona B. Carpenter Foundation
John J. Clopine Fund
Warren R. Colbert and Marie J. Colbert
Community Foundation of Sarasota County
Leon R. and Margaret M. Ellin
Fidelity Charitable Gift Fund
Roy and Robin Grossman
Gulf Coast Community Foundation
Meg and Mark Hausberg
Samuel H. Kress Foundation, administered by the Foundation for Advancement in Conservation
J. Richard and Cornelia Matson
National Endowment for the Arts
Sarah H. and George* Pappas
David J. Patten Trust
Wyncote Foundation
$10,000–24,999
Zella I. and Junius F. Allen Fund
James and Maryann Armour Foundation
Robert G. and Sara R. Arthur
Charles & Margery Barancik Foundation
Bernstein Philanthropic Impact Fund
Gerald L. and Sandra Biller
Don and JoAnn Burhart
Michael and Kathy Bush/Home Resource Inc.
Robyn L. and Charles M. Citrin
Collinsworth Family Foundation
Walter Francis Conniff and
Phyllis Sloat Conniff Fund
The Linnie E. Dalbeck Memorial Foundation
Arthur T. Esslinger Memorial Fund
Jan and Bill Farber
Michael A. Fornaro and Christopher E. Iansiti
Moira and Mark Hintsa/The Midvale Foundation
Dale and Patsy Hosman Family Foundation
Robert D. and Marie C. Hunter
Ann R. Jackson
Dorothy and Charles Jenkins, Jr.
Kenneth H. and Gwendolyn H. Katz
Michael P. Landy
Marietta F. Lee
Mildred Schwartz Lentini Fund
Robert A. and Mary Levenson
Ludmilla P. Malmberg
Joy McCann Foundation
Thomas E. and Paula C. McInerney
E. Marie McKee and Robert H. Cole
Elizabeth Moore
Frederic D. and Janet L. Pfening
Richard L. and Ellen R. Sandor
John F. and Mayra N. Schmidt
Stephen G. and Judith F. Shank/
The Shank Family Foundation
Lynda N. Simmons
Edward M. and Lucinda B. Smith
Keebler J. Straz/Straz Family Foundation
Paul C. and Carolyn D. Vegliante/ Vegliante Family Foundation
$5,000–9,999
Paul C. Allen/Wealth Strategies Partners
Peggy C. Allen and Steven C. Dixon
Steven D. and Lucia F. Almquist
O'Brien Antoine Fund at the Community Foundation of Sarasota County
Dennis W. and Trudy D. Archer
Adele F. and Lawrence S. Bacow
Barbara U. Campo
Candace Cox and Francis L. Crimmins
Neil & Sandra DeFeo Family Foundation
Daniel J. Denton
Patricia F. Fjetland and Linda Newton
Gobioff Foundation
Patricia L. Gondelman
Brent L. Henry and Minnie V. Baylor-Henry
Steven and Lisa Lee High
Jeffrey R. Hotchkiss and Betsy W. Winder
The Huisking Foundation, Inc.
Icard Merrill
Ronald A. Johnson and Irene Oakley-Johnson
George F. and Susan D. Loesel
William T. and Linda M. Mitchel
Keith D. Monda and Veronica B. Brady
Richard H. and Betty Watts Nimtz
Joanne Olian/The Olian Foundation Inc.
Peck Stacpoole Foundation
Peter S. and Joanne Powers
Publix Super Markets Charities, Inc.
Margaret A. Rolando
Kelly A. and Burton M. Romanoff
Stephen W. Sanger and Karen Sanger
Edward M. and Mary M. Schreck
Walter D. Serwatka and Constance L. Holcomb
South Arts
The Gondelman Foundation
Robert J. and Sarah S. Theis
John G. & Anna Maria Troiano Foundation, Inc.
UBS Financial Services Inc
Kirk K. and Liang Wang
Edris C. and David H. Weis
Williams Parker Attorneys at Law
$2,500–4,999
American Endowment Foundation
Harvinder P. and Jasleem Anand
Alexandra Armstrong
James D. and Sara A. Bagley
Sylvia S. Barber
John Bean and Alexandra Jupin/Ideal Foundation
Amy D. Berk
George A. Bikos
Francine B. Birbragher and Leslie A. Rozencwaig
Ian Black Real Estate
Robert C. Blattberg and Rebecca Donelson
Gilbert B. Bosse, Jr.
Murray H. Bring and Kathleen H. Delaney
Diana S. Clagett
Karl A. Copas
Michael V. Corrigan
Julius A. and Susan G. Desantis
Heather and Timothy Dull
Frances D. Fergusson and John D. Bradbury
Mary A. Findling and John C. Hurt
Christopher M. Flack
James H. and Ann Frauenberg
Thomas L. and Linda S. Garden, Sr.
Anne G. Giesecke and Daniel G. Steffen
Elma and Coby Glisson
Scott Gurr
Joseph Hargrove and Tina Stark
Mary S. and Sidney E. Harris
Paul and Jenni Hudson
Charlie Klippel
Beverly L. Koski
Philip and Nancy Kotler
Krivi Arts Humanities and Sciences Fund at Bank of America Charitable Gift Fund
Steven J. and Karen A. Lee
Bruce A. Lehman Karen L. Lehman
$2,500–4,999 (continued)
Mildred Schwartz Lentini Fund of the Community Foundation of Sarasota County
Harry P. Leopold and Audrey B. Robbins
Bartram H. and Joan Levenson
Barry K. and Karen A. Levin
Tomas A. Martinez and Mercedes Soler-Martinez/ Solmart Media LLC
Frank A. and Katherine A. Martucci
Gerda Maceikonis
Donald D. and Marcia L. Miller
Joseph Militello
Rick Miners and Jeri Sedlar
Jonathan E. and Michelle Mitchell
Richard A. and Pamela R. Mones
Karl E. and Ann Newkirk
Howard and Barbara Noble
Simone Friend-Norton
Ingrid C. Nutter
Peter J. Offringa and Allison L. Gregory
Gregory and Kimberly D. Parris
The Patterson Foundation
Michael R. and Marie L. Pender
Harsha N. and Srilatha L. Reddy
Nickolas and Jourdan Reinhart
Rosemary Reinhardt and David P. Welle
Larry Cuervo Jr. and Jennifer D. Reiss
Genie and Donald Rice Charitable Trust
Burton M. and Gail P. Sack
Samuel and Donna Scott
Candra Seley
Zuheir and Susan Sofia
James B. Stewart and Caryl Sheffield
Barbara A. and Robert L. Swan
Michael G. and Madelyn K. Tetmeyer
Michael E. and Karen G. Urette
Clifford L. and Susan E. Walters, III
Joyce J. and Benjamin White
Larry A. Wickless and Carole Crosby
Lady Lynn Wilson and Sir William Spohrer*
Peter Zane
$1,000–2,499
Mary O. Aaland and Richard Quinn
Janette S. Albrecht
Jules Axelrod and Tammi Holihan
John E. and Melinda Baum
Matt M. Beall, III and Krystel N. Beall
Stephen M. and Jill M. Bell
Benevity Community Impact Fund
Robert G. and Marlene C. Blalock
Gloria Bracciano, Pllc
Patrick J. Bradley and Patty A. Carney-Bradley
Michael H. and Kathleen J. Brown
Francis N. Burzik
Miles S. and Barbara Capron
Michael J. and Cindy Chianese
Manny and Ruthy Cohen Foundation
Saul B. and Naomi R. Cohen
Betsy P. Colburn
Thomas Costello, III and Rosemary Costello
Dallas L. Sheinberg and Caitlin C. Coviello
Robert E. and Linda M. Crootof
Kenneth S. and Anne O. Culotta
Thomas J. Degnan, III and Deborah W. Degnan
Eugene G. and Fiona Dougherty
Michael J. and Sharon Z. Doyle
Duke Energy Foundation
Fred J. and Donna K. Ebeling
Deborah J. Eddy
Roger C. and Sally I. Effron
David L. and Elizabeth J. Emison
David M. Epstein and Dani Clevens
Beatrice Fernandez and Nancy J. Platkin
Kenneth and Marsha Fischl
Terence R. and Barbara Flannery
William C. Fletcher, II and Joyce K. Fletcher
Orlis Fossum
Barry and Suzan Friedman
Edmund F. Garno, Jr. and Patricia A. Garno
$1,000–2,499 (continued)
Lawrence W. and Jennifer C. Goichman
Raymond S. and Leah D. Greenberg
The Gutenstein Family Foundation
Tammi Hall and James Nichols
Terry A. and Jane E. Hamlin
Robert Hassmer Charitable Fund of Gulf Coast Community Foundation
John M. and Betty Y. Herr
Lee F. and Clifford* R. Hinkle
Everette I. Howell, Jr. and Sherry Howell
Benjamin and Giselle Huberman
Jorgen J. and Esther K. Jensen
Barbara L. and Joseph Justiz
Frank D. Kistler
Gregory and Patti Kuisel
Douglas A. Kuperman and Maureen Maguire
Thomas H. LeVebre
Matthew G. Lerner
H. Lee Levins
Judith Lomax and Stephen Cooley
John F. and Sandra Long
Robert L. and Sara J. Lumpkins
Manatee Community Foundation
James and Amy C. McClennnen
Michael J. and Amy C. McGowan
James W. and Meg M. McLane
Gregory S. and Lori A. McMillan
Cynthia L. Miller
Ronald E. and Jean Milligan
Marjorie Morrell
Alka D. and Deepak G. Nair
Nancy Newcomb and Gerald H. Werfel
Northern New York Community Foundation, Inc.
Northern Trust Corporation
Terrell R. and Beverly K. Oetzel
Greg T. and Nancy K. Parkinson
Nancy H. Petree
Robert D. Potts and Laurie Lafontaine
Robert C. and Elizabeth K. Pozen
Charles S. Raizen Foundation, Inc.
Emily Riddell
Jose Rivera
Barry Douglas and Elise C. Robbins
Emilie Wood Robinson Fund
Michael D. and Chandra K. Rudd
Gerald L. and Peggy J. Ruff
Varda and Uzi Ruskin
Robert and Marcia Schaub
Florian and Katrin S. Schuetz
Schwab Charitable Fund
Anthony and Anne Surdula
Jeff and Lisa Silvershein
Maria and Andrew Smith
Les and Judy Smout Foundation, Inc.
Willie M. and Rosa L. Stanfield
Lois S. Stulberg
Paul A. and Jayne S. Thompson
Elizabeth M. Timm
Garrett A. Turner Foundation Fund of Manatee Community Foundation
U.M.R. Foundation, Inc.
United Jewish Foundation
Francis J. Ward and Valerie M. Utley
Charles B. and Betsy H. Watkins
Thomas H. Wentz, III and James J. Whalen
John H. Whitfield
Arthur P. and Judith A. Whitson
John A.T. and Penelope A. Wilson
Robert Wood
Jean-Michel Zakhour and Marie N. Gervais
Gwen J. and Joe Ziomek
Media In-Kind Partners
Observer Media Group
Sarasota Magazine
SRQ Magazine
WUSF
Solmart Media
Scene Magazine
Hospitality In-Kind Partners
Cafe L'Europe
Culinary Creations by Metz
Gold Coast Eagle Distributing
Hyatt Place
JD Productions
Mattison's Catering Company
Michael's on East
Milan Catering
So Staged - Event Design + Rentals + Florals
Total Wine & More
US Tent
Stephen Leonard Johnston Adam Trust
Martha J. Allen
Miranda T. and Robert B. Anderson
Barbara J. and Martin* Arch
Judy Axe*
Janet N. and Larry R. Bandera
Sylvia S. Barber
Ellen Berman
Madeleine H. and Mandell L. Berman*
Ruth D. Bernat
Susan Berg Besemer and Gary* Besemer
Mary T. Bessemer*
Robert G. and Marlene C. Blalock
Francine J. Blum
Dr. Susan M. Brainerd* and Alan R. Quinby
Michael and Kathy Bush
Domenica T. Cipollone and Henry E. Warren
Eleene L. Cohen*
Collinsworth Family Foundation
Thomas E. Coundit
Warren and Margot Coville*
Herta K. Cuneo*
John F. Cuneo Jr.*
Linnie E. Dalbeck Memorial Foundation
W. H. Chris Darlington and Eleanor L. Merritt-Darlington*
Daniel J. Denton and Ramses S. Serrano
John F. Dexter*
Rebecca Donelson and Robert C. Blattberg
Joanne Dowell Trust
John H. Dryfhout
Andrew and Judith* Economos
Margaret and Leon Ellin
George R. Ellis*
David M. and Margaret M. Essenfeld
Darrel E. Flanel and Laura Lobdell
Donald G. Fosselman
Patrick J. Foy
Larry D. and Rosanne Francis
Arnold L. Greenfield*
Allison Gregory and Peter Offringa
Nancy A. Gross
Laurie and Michael Harrison
Joanne Hastings*
Charles G. Hattendorf and Scott M. Nutter
Meg and Mark Hausberg
Janet E. Hevey*
Steven High and Lisa Lee-High
Father George Gerald Hogan*
Terry W. and Andrea J. Honroth
Jeffrey R. Hotchkiss and Elizabeth W. Winder
Paul G. Hudson and Jennifer L. Hudson
Huisking Family
Robert D. and Marie C. Hunter
Heidi Turner Jacobson*
Duncan* and Ingrid James
Christine L. Jennings
Susan K. Johnson
Stanton B. and Nancy W. Kaplan
Robert* and Beverly L. Koski
Cheryl Krumholz
Gunther L. Less*
Dr. Bartram H. and Joan Levenson
Virginia F. Linscott*
James M. and Patricia R. Lombard
Winona H. Lowe*
Legacy Society (continued)
Thomas B. MacCabe Jr.*
John W. Markham III
Cornelia Matson
Louise Mazius
Joy McCann*
Estate of Joseph A. McGarrity
Joan McKniff in honor of Mr. Ridha Bouaziz
Wilda Q. Meier
Keith D. Monda
Richard R. Mottino*
Scott M. Nutter and Charles G. Hattendorf
George* and Sarah H. Pappas
David J. Patten*
Wilmer I. Pearson
Michael R. and Marie L. Pender
Barbara Pickrell
Dennis L. Pierce* and David A. Schuler
Virginia W. Powel Trust
Nancy and Howard E. (Peter) Reinheimer Jr.
Norman and Pam Reiter
John and Mable Ringling*
James F. and Sharon E. Roth
T. Marshall Rousseau*
Tana and John Sandefur*
Roberta* and Louis Schaumleffel
Ulla R. Searing and Arthur F. Searing*
Dr. David E. Seil*
Debra J. and Stephen F. Short
Ellen D. Silkes
Hudson C. and Anne R. Smith
Mary C. Smolenski
Syd and Ann F. Solomon*
Louise B. Sulzberger*
Edward and Claudia A. Swan
Margery B. Tate
Howard C.* and Janice Tibbals
James B. and Susan S. Tollerton
Michael E. and Karen G. Urette
Clifford L. and Susan E. Walters
Thomas H. Wentz, III
James J. Whalen
Robert and Kate Wickham*
Richard and Ann Wiechmann
Charles and Robyn Citrin
Matthew Edlund
Gordon J. Gilbert and Michele A. Kidwell-Gilbert
Mary Jane Hathaway
Allen and Stephanie Hochfelder
Noël Kurdi and Carrie Mackin
Sachin Lulla
Jan H. Lungmus and John B. Lungmus Sr.
José Antonio Martínez
Ted Miller
Thomas Murray
Barbara Nadel
Fred D. Pfening, III
Beth Powell and Laura Clark
The Rothschild Family
Richard and Ellen Sandor
Kalman Schoor
Alan and David Slifka
Bill and Roberta Stein
Family of Henry S. Van Os
Shen Wei
Mirella Cimato
Dr. Joseph A. Polizzi
Tom Walker
and those who wish to remain anonymous. *Deceased
VOLUNTEERS
373 32,540
VOLUNTEERS HOURS SERVED