The Red Book Magazine • Fall 2018

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COSTUME COLLABORATORS ART IN THE FAMILY THE NEW ‘BOURBONAIRES’

The ARTS

ISSUE

Fall 2018 | $5.99

GOLF FOR GOOD BLACK-TIE TRENDS ELECTRIC DESERT SOCIAL HIGHLIGHTS

and more


YUA HENRI MATISSE AND THE INNER ARCTIC SPIRIT

Original Works by Henri Matisse and the Native Alaskan Masks that Inspired Him Only at the Heard Museum | Oct. 29, 2018 - Feb. 3, 2019

Henri Matisse, Esquimau. Lithograph, ca. 1947, Plate I (frontispiece) from Georges Duthuit’s Une Fête en Cimmérie, 1963. Collection Musée départemental Matisse, Le Cateau-Cambrésis, France. Gift of Barbara and Claude Duthuit, 2010. # 2010-1-6 (2-1). © 2018 Succession H. Matisse / Artists Rights Society (ARS), New York

Members see it f irst matisse.heard.org 2301 N Central, Avenue Phoenix, Arizona


VICE PRESIDENT JOE BIDEN

DR. JANE GOODALL

CONDOLEEZZA RICE

DR. SANJAY GUPTA

JAMES COMEY

PAUL NICKLEN

CAPT. SCOTT KELLY

The Arizona Speaker Series inaugural season

Seven powerful evenings up-close and personal with luminaries of our time. Taking place at Comerica Theatre in the heart of downtown Phoenix. November 14, 2018 through March 25, 2019 On Sale Now

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CONTENTS

46

FEATURES 40 C OSTUME COLLABORATORS

46 A RT IN THE FAMILY

54 THE NEW ‘BOURBONAIRES’

New-York based costume designer

One Scottsdale family makes a

It’s “not your granddad’s drink

Fabio Toblini is creating the

strong case that art might run in

anymore,” says a new generation of

costumes for Ballet Arizona’s The

their genes. Each grew up in an

craft bourbon enthusiasts. Is there

Firebird, debuting Valentine’s Day

artistically nourishing household.

room on Arizona’s barstools for

2019. Following the Nutcracker,

While they create in different

the new bourbon boom? A classic

Diversions and Eroica, this is

mediums – ceramics, sculpture/

old-school aficionado meets and

Toblini’s fourth collaboration with

painting and jewelry – they share

compares notes with members of

Ballet Arizona artistic director

common inspirations.

the younger set who are drawn to

Ib Andersen.

4 / The Red Book Magazine

the spirit.


VOLUME 2, ISSUE 1 Society • Culture • Luxury

MANAGING EDITOR Cindy Miller cmiller@azredbook.com MARKETING DIRECTOR Perrine Adams padams@azredbook.com ART DIRECTOR David Imes icdesign1@mac.com PRODUCTION ASSISTANCE Mary Winters CONTRIBUTING WRITERS Leigh Farr Michelle Glicksman Jimmy Magahern Deborah Sussman Lisa Van Loo CONTRIBUTING PHOTOGRAPHERS Tina Celle Tim Fuller Mark Lipczynski Jill Richards EVENT PHOTOGRAPHY Courtesy Organizations CONNECT WITH US 910 E. Osborn Road, Suite C Phoenix, AZ 85014 602-445-7168 Email info@azredbook.com Twitter @azredbook.com Instagram @azredbook.com Facebook @azredbook.com

Copyright 2018 by ON Media. All rights reserved. No part of this publication can be reprinted or reproduced without the publisher’s permission. The Red Book Magazine assumes no responsibility for unsolicited materials. Statements and opinions printed in The Red Book Magazine are those of the authors and not necessarily of The Red Book Magazine. September 2018 | 5


CONTENTS DEPARTMENTS

DISCOVERY 11 Valley Native Peng Shepherd Publishes Debut Novel 12 A New Scent, A New Baby, A New Boutique STYLE 16 Nature-Inspired Earrings 18 Evening Wear For Her 20 Not-So-Black Tie 22 Reflected Style SOCIETY 25 Spring Arts Fundraisers PERSONALITY 34 Valley glass and metal artist Caleb Siegler plays with fire. The results are spectacular. 38 Lauren and Mark Teahen harness the power of community to eliminate domestic violence. CALENDAR 62 Fall Social Events CULTURE 70 E xhibits, Performances and Experiences You Shouldn’t Miss AFTER-PARTY 72 Electric Desert

ON THE COVER Concept costume for The Firebird Photograph by Tim Fuller

6 / The Red Book Magazine

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LIGHT UP VOLUME 2, ISSUE 1

Society • Culture • Luxury

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Cindy Blaisure Copyright 2018 by ON Media. All rights reserved. No part of this publication can be reprinted or reproduced without the publisher’s permission. The Red Book Magazine assumes no responsibility for unsolicited materials. Statements and opinions printed in The Red Book Magazine are those of the authors and not necessarily of The Red Book Magazine.

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FROM THE EDITOR

Fire + Passion + Grit

G

reat art reflects the fire in the belly of its creator and his or her passion for perfection. Then the labor of love begins.

In this issue, we offer a glimpse into the creative process,

the vision of the artist and the development of the art. New York-based Fabio Toblini, costume designer for Ballet Arizona’s The Firebird, which will debut Valentine’s Day 2019, began conceptual work for Firebird in spring 2018. In a way, he has been preparing for this opportunity from the time he was growing up in Italy and began working in the fashion industry. We look at his journey and how his collaboration with Ballet Arizona artistic director Ib Andersen results in the magic we see on stage. Read more on p. 40. Ceramicist Nicholas Bernard shapes clay into perfection before he adds texture, pattern and color. His pots require heavy lifting and his world-renowned PHOTO BY MARK LIPCZYNSKI

work is the result of years of study, appreciation for both the natural world and cultural past, practice and evolving vision. Also artists, his wife, Linda Margaret Kilgore, and his daughter, Rosa Kilgore, share his artistic values. Their story begins on p. 46. Is distilling bourbon an art or a craft? We talk with bourbon lovers from two generations. Pretty sure they’d say distilling and enjoying bourbon is an art. See p. 54. And then there’s local metal and glass sculptor Caleb Siegler, who began honing his flameworking craft at age 16. He used the money in his piggy bank for entry-level equipment and practiced blowing glass in the laundry room every day after school. He now shows – and sells – his amazing work at high-level art shows. His hands hold the torch, above left.

Cindy Miller Managing Editor cmiller@azredbook.com

Correction: In the March 2018 issue, a portrait by William Miller in the story “Portrait Power” was incorrectly identified as Mickey Rufenacht. The correct name of the portrait is “Jim’s Dad.”

8 / The Red Book Magazine


THE DAY-DATE 40 The international symbol of performance and success, reinterpreted with a modernized design and a new-generation mechanical movement. It doesn’t just tell time. It tells history.

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OUR A RT GA LLER I ES AR E THE R E A L D E A L .

or so we’ve heard.

Old Town’s Arts District is acclaimed for its heavy concentration of high caliber

art galleries, all within walking distance of each other. Enjoy an eclectic selection of paintings, sculptures, unique works of art from local, national and international artists. Purchase a beautiful piece of art for your home or office. The Scottsdale ArtWalk occurs every Thursday evening. OLDTOWNSCOTTSDALEAZ.COM Old Town Scottsdale ArtWalk


DISCOVERY

H

ave you ever thought about what would happen if you lost your shadow? Phoenix native Peng Shepherd has. She weaves a captivating tale in her debut novel, The Book of M, about a

dangerous near-future world where shadows disappear and, with them, a person’s memories. “I always knew I wanted to write something with shadows in it because they are so powerful, eerie and mysterious,” Shepherd explains. A graduate of North High School and Arizona State University, with graduate degrees from New York University and the University of London, the daughter of former local news anchor Lin Sue Cooney and David Shepherd has always been intrigued by the power of a story. “At just age 5, I was trying to write books of my own on paper,” she recalls. “My mom would take them to work and laminate them, and I thought I was published.” The Book of M shares the story of Ory and his wife, Max, who for a while escape the Forgetting. When Max finally loses her shadow, she runs away in an

NOVEL NEWS

effort to avoid hurting Ory. A testament to the bond of love, Ory sets out after her, beginning a saga of survival, heartache, hope and friendship. “The book asks a lot of questions, such as, ‘What makes you, you?’ or ‘What are the things that are most important to you and what would you give up to keep them?’” Shepherd says. “How far would we go or what would we do for the people we love?” The Book of M, published by William Morrow, was released on June 5, 2018, and is available at bookstores nationwide. – Michelle Glicksman

Fall 2018 / 11


DISCOVERY

CLASSIC CALIFORNIA

T

he desert is the perfect place to wear

bold prints and bright hues, both signatures of label Trina Turk. Founded in 1995, the brand celebrates California’s BOTTLED ARIZONA

vibrant multicultural

C

mix, architecture and landscape.

onnect with Arizona. New York label Proenza Schouler invites the modern woman to feel

and smell the Southwest desert with its first Eau

This fall, the designer brings her modern and

de Parfum. With an innovative floral note of white

optimistic collection to

cactus flower never before used in perfumery

Scottsdale. The store,

combined with a creamy orris note, Arizona is an

scheduled to open in

untraditional scent. A solar, mineral and feminine

November at Scottsdale

vibe pops out the debut fragrance. Inspired by founding designers Jack

Fashion Square, will include women’s ready-

McCollough and Lazaro Hernandez’s road trip

to-wear, swimwear and

to the American West, Arizona is a fragrance

accessories, as well as

born of the duo’s respect of nature and love of

the MR TURK menswear

blending contrasting elements. The Arizona bottle is a work of art in itself.

collection.

The glass design, a see-through crystal with abstract shapes and curves, is fashioned after the Sonoran Desert. Arizona Eau de Parfum is available at Saks Fifth Avenue, Biltmore Fashion Park. OH, BABY!

L

ike most newborns, Rafiki was

male Masai giraffe, Miguu (Mee-goo).

a little squirmy and hard to

Miguu came to Phoenix in 2010 from

measure at her first check-up. But the animal keeper estimates

the Los Angeles Zoo. Rafiki spent her first few weeks in

the female baby Masai giraffe

the giraffe barn, under the protection

who arrived June 26 weighed

of her mother. She can now be seen

approximately 250 pounds at birth

strolling the Savanna with Imara.

and was over 6 feet tall. Rafiki was born to Imara, a 7-year-old

Nearly 16,000 people cast votes to determine her name. Rafiki – a Swahili

Masai giraffe who arrived at Phoenix

name that means “friend” – won

Zoo to breed with the 9-year-old

almost 40 percent of the vote.

12 / The Red Book Magazine

PHOTO COURTESY TRINA TURK, PHOENIX ZOO, SAKS FIFTH AVENUE

the ravines and ridges that define the horizon of


IN THE GARDEN

CELEBRATING THE START OF THE

SIXTIETH ANNIVERSARY SEASON OF PHOENIX ART MUSEUM AND HONORING

MICHAEL CROW

PRESIDENT, ARIZONA STATE UNIVERSITY

SATURDAY, NOVEMBER 3, 2018 SIX THIRTY IN THE EVENING

The evening will feature an exclusive viewing of the exhibition Ragnar Kjartansson: Scandinavian Pain and Other Myths, an elegant dinner, and custom cocktails. Space is limited. To reserve tickets early or for more information, please contact specialevents@phxart.org.

1625 NORTH CENTRAL AVENUE | PHOENIX, ARIZONA 85004 | phxart.org


“Best Polo Event in The World.” - Ricky Cooper, Wales Polo Team Captain

FOR TICKETS, TABLES & TENTS. 480.423.1414

THEPOLOPARTY.COM NOV. 10 & 11 WESTWORLD OF SCOTTSDALE TH

TH

Arizona’s Most Beautiful Event • First Time Appearance By World’s Most Famous Pro And Ralph Lauren model Nacho Figueras • Six Polo Matches Over Two Days • AZ Polo Club vs. Italy Polo Team • Palm Beach vs. Santa Ynez Wine Country • Aspen Valley Polo Club (Defending Champs) vs Centtrip Wales Polo Team • Polo Azteca vs. Work To Ride • Battle Of The Sexes • The International Match • World’s Longest Catwalk Fashion Show • World’s Farthest Rugby Sevens Match • Scottsdale Maserati Sunday Brunch • The Arizona Humane Society Canine Couture: A Dog Fashion Show Like No Other Presented by Lugari Pet Salon • BarrettJackson & Scottsdale Arabian Horse Show Sneak Previews • Performances by the Phoenix Symphony, Phoenix Opera, Phoenix Boys Choir and others • New Tents by Dierks Bentley’s Whiskey Row, El Hefe, and Riot House • Expanded field-side Sanderson Lincoln Black Label Lounge • Amazing VIP tents by Molina Fine Jewelers, Neiman Marcus, Steak 44 and Barrett-Jackson.


STYLE By PERRINE ADAMS â?– Photos COURTESY COMPANIES

Cactus de Cartier High Jewelry bracelet, 18k yellow gold, emeralds, diamonds, price upon request, at CARTIER, Scottsdale Fashion Square

EXQUISITELY PRICKLY Desert-inspired fashion trends have graced the runways for a few years. Parisian house Cartier turns its attention to the current plant du jour, the succulent. The Cactus de Cartier collection steals the spotlight.

Fall 2018 / 15


STYLE

1

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TROPICAL FLORA

THE EARTH COLLECTION From the grace of an animal to the delicacy of a flower, nature inspires jewelers to create bold earrings

4

NATURAL WONDERS

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5

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WILD FAUNA

1. Water lily earrings by LELE SADOUGHI, $220, Saks Fifth Avenue, Biltmore Fashion Park 2. Petunia earrings by OSCAR DE LA RENTA, $420, Saks Fifth Avenue, Biltmore Fashion Park 3. Opal and diamonds drop earrings, $11,900, OLIVER SMITH JEWELER, The Shops Gainey Village 4. Q uartz geodes and diamonds earrings by ZAFFIRO, $4,785, French Designer Jeweler 5. Wild Pop collection High jewelry earrings, price upon request, BVLGARI, Scottsdale Fashion Square 6. P anthère de Cartier earrings, $24,700, CARTIER, Scottsdale Fashion Square

Christopher K. Coffin Studio by appointment • 480-540-7724 christopherkcoffin.com

CHRISTOPHER K. COFFIN


STYLE

1

2

CRYSTAL

BALL This season, elevate your black-tie staples with a bold and shiny update

3

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ACCEPTING FINE CONSIGNMENTS of FURNISHINGS & ART

4

Darlene Richert, Proprietor

5

1. 2 4+ ct. round brilliant diamonds necklace, $75,000, OLIVER SMITH JEWELER, The Shops Gainey Village 2. B eaded illusion gown by TALBOT RUNHOF, $9,995, Saks Fifth Avenue, Biltmore Fashion Park 3. C rystal knot clutch, $5,700, BOTTEGA VENETA, Scottsdale Fashion Square, and Saks Fifth Avenue, Biltmore Fashion Park 4. R ose gold, black jade and diamond earrings by ROBERTO COIN, $15,000, Saks Fifth Avenue, Biltmore Fashion Park 5. C rystal and ostrich feather stilettos, $1,895, JIMMY CHOO, Scottsdale Fashion Square, and Saks Fifth Avenue, Biltmore Fashion Park

A

very Lane could easily be found among the chic design and home furnishing shops of Paris, yet is only minutes from the Scottsdale Quarter. Avery Lane offers top quality, one-of-a kind consignments and unique French, Italian and American antiques from Scottsdale’s most fabulous homes – all at prices you won’t believe.

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10% OFF ANY SINGLE ITEM Must present ad at time of purchase. Expires: 11-30-2018


STYLE

1

NOT-SO-BLACK

TIE

Wear the freshest tuxedos in non-black, plus some accessory alternatives

3

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The Valley of the Sun JCC invites you to an extraordinary evening, celebrating Sue and Bud Selig’s commitment to culture and community, as they receive the inaugural William S. Levine Family Community Excellence Award

4

Saturday, December 8 6:30pm 5

Arizona Biltmore Featured Entertainment

1. P avé chevron cuff links, $1,600, DAVID YURMAN, Scottsdale Fashion Square, and Saks Fifth Avenue, Biltmore Fashion Park 2. S lim-fit wool tuxedo, $2,700, SALVATORE FERRAGAMO, Scottsdale Fashion Square, and Saks Fifth Avenue, Biltmore Fashion Park 3. Polished leather oxford shoes, $960, SALVATORE FERRAGAMO, Scottsdale Fashion Square, and Saks Fifth Avenue, Biltmore Fashion Park 4. S ilk bow tie by ETON, $145, Saks Fifth Avenue, Biltmore Fashion Park 5. S ilk pocket square, $145, GUCCI, Scottsdale Fashion Square

Jay Leno

vosjcc.org/selig

Benefiting the

Fall 2018 / 21


STYLE

ELONGATE THE ROOM

HANG ART

Quieter than a large

In a minimal decor, a mirror can serve as a

round and softer than

bold, central statement

a rectangle, the classic

that demands attention.

oval is a powerful

Set with more than

design element.

20,000 Swarovski crystal

Welcome a departure

stones, this mirror is a

from the standard

dazzling alternative for

square to exude pure elegance.

wall art.

Etched mirror with Alps marble, $2,000, ROCHE BOBOIS, Scottsdale

Handmade mirror with Swarovski crystals by MARQUETTE HOME, $17,995, Del Adora, La Mirada Shopping Center

THINK ROUND Round mirrors can anchor a room by creating a highimpact focal point. Go with a thin edge or frameless, or dramatic and glam with a jewellike surround. Brass mirror, $1,200, DESIGN WITHIN REACH, Scottsdale Quarter

REFLECTE 22 / The Red Book Magazine

TYLE


Certified Diamonds

Expert Watch Repair Custom Design


broadway HerbergeR at the

september 4-16

march 8-24

july 12-28 presenting partner

24 / The Red Book Magazine

Please contact the HTC Box Office for Bundle Pricing

602.252.8497 | herbergertheater.org


SOCIETY

PHOTO BY BILL TIMMERMAN, COURTESY PHOENIX ART MUSEUM

Spring 2018 Arts Fundraisers

The Bridge House by Allen + Philp Partners

ART + ARCHITECTURE Phoenix Art Museum and Contemporary Forum, one of its support groups, presented the second Art + Architecture Weekend from April 13 through April 15. Attendees visited custom Valley homes that celebrate the synergy between art and architecture. Proceeds benefited Contemporary Forum’s efforts to help build the contemporary art collection, support exhibitions of contemporary art, strengthen the Museum’s regional and national presence and enhance art education initiatives.

Fall 2018 / 25


SOCIET Y PHOTOS COURTESY ARIZONA OPERA

Spring Arts Fundraisers MARCH 17 LUNCHEON ON THE RHINE Arizona Opera More than 250 patrons attended Arizona Opera’s Gala Luncheon at the Omni Scottsdale Resort & Spa at Montelucia. The Saturday afternoon party raised

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$220,000-plus for the company. Shoshana B. Tancer and Jo Kuchai Pulvermacher co-chaired the event, where Roma B. Wittcoff of Phoenix, Marlys A. Beiderr of Tucson and Opera America of New York were honored. Internationally acclaimed baritone Richard Paul Fink made a special guest appearance. 4

5

6

1. Jean Cooper, Taylor Brewster and Tracy Brewster 2. Katrina Galka and Jarrett Porter 3. Floral centerpieces 4. Patricia Peterson, Ashton Bates and Kimberly Peterson 5. John Balding and Julie Swanson-Balding 6. Marilyn Kluge, Nils Lindfors and Jo Pulvermacher, gala co-chair

26 / The Red Book Magazine

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SOCIET Y Spring Arts Fundraisers APRIL 7 ART FROM THE HEART ART AUCTION Free Arts for Abused Children of Arizona The 15th Annual Art from the Heart Art Auction raised almost $100,000 to benefit Free Arts for Abused Children of Arizona. The event at Saks Fifth Avenue in Biltmore Fashion Park included a silent auction with works of art from featured artist Fred Tieken of Tieken Studio and Gallery AZ, along with works from other prominent Arizona artists. Megan Nordquist Schwallie and Lisa Portigal co-chaired the evening.

1. Jace Ryden 2. Linda Nordquist and Megan Nordquist Schwallie 3. Monique Gilbert-Janowitz and Baine Janowitz 4. Alicia Sutton Campbell, Free Arts executive director, with Gail and Fred Tieken 5. Robb and Nicole Royse 6. Sydney Portigal, Blair Portigal and Lisa Portigal

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PHOTOS COURTESY FREE ARTS FOR ABUSED CHILDREN OF ARIZONA

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BARROW 3.0 Reinventing Excellence.

R

einventing excellence is not easy. Especially when that excellence is based on the legacy of accepting challenges, rejecting norms and pushing the boundaries of the way things have traditionally been done. That legacy, 57 years in the making, through the leadership of Dr. John Green and Dr. Robert Spetzler, has forged an institute of icons. And, now, driven by the vision of Dr. Michael Lawton, which he calls Barrow 3.0, we are poised to become an iconic institution. Barrow 3.0 will reinvent excellence by pushing the boundaries of neuroscience in ways never thought possible. Through the use of artificial intelligence and mixed reality technology, deep data mining leading to personalized medicine, centers of excellence in the treatment and research of the most debilitating brain and spine afflictions such as Alzheimer’s, stroke, Parkinson’s, brain tumors and aneurysms, and a new Neuroplex campus that will bring together Barrow’s leading clinicians to innovate and, ultimately, save patients’ lives, Barrow will establish itself as the world’s premier neuroscience center. And along the way, it will help to establish Phoenix and Arizona as a global innovation hub. Reinventing excellence is not easy. But that’s never stopped us before. Join us in supporting Barrow 3.0 and be part of a fundamental transformation in medicine. Because excellence is what our patients deserve.

SupportBarrow.org


SOCIET Y Spring Arts Fundraisers APRIL 28 DINNER ON THE DESERT Desert Botanical Garden The 32nd Annual Dinner on the Desert raised $450,000 to support Sonoran Desert field trips for students, care for the facility’s plant collection and conservation efforts of the Garden’s field botanists. Guests enjoyed an extensive silent auction featuring garden art and unique experiences. Hyatt/Copper Square Kitchen catered an al fresco dinner, followed by dancing under the stars. Kathleen and Steve Taddie chaired the event.

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1. Jan Kaneko, Velocity, Head, 2009, cast bronze and enamel paint 2. Kolby Moffatt and Ardie Evans 3. Ken Schutz, DBG executive director, and event chairs Kathleen and Steve Taddie 4. Martin and Eva Perez 5. Charlie Ray, Scott Burdick and Jack Black 6. Jan and Tom Lewis

30 / The Red Book Magazine

PHOTOS COURTESY DESERT BOTANICAL GARDEN

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Fall 2018 / 31 OWNED AND M A N AG E D B Y


SOCIET Y Spring Arts Fundraisers MAY 5 GO, DOG. GO! GALA Childsplay The Childsplay Go, Dog. Go! Gala put fun into fundraising. The theater company for young audiences hosted 230 guests at Events on Jackson in downtown Phoenix and netted $85,000 to support its arts-ineducation programs. Guests enjoyed dinner catered by Fabulous Food and performances from the company’s national tour of Go, Dog. Go! Lost Our Home Pet Rescue brought in adoptable puppies and dogs for photos and snuggling. 1

PHOTOS BY DURANT PHOTOGRAPHY, COURTESY CHILDSPLAY

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32 / The Red Book Magazine

1. David Saar, center, with cast members Micheal Thompson, Caitlin Dhuse, Jennie Rhiner, Jon Gentry, Brynn Lewallen and Adam Sowards 2. Mark Mettes, Judd and Billie Jo Herberger, Shirley Hawley and Bill Blair 3. Jon Gentry, Debra K. Stevens, John Back and Diane Haas 4. Tim and Revan Rottach 5. Candice Clarida, Rogelio Mendiola, Ryan Torain and Silvia FrancoVargas 6. Shelley Cohn with Andrea and Tim Whitset


PERSONALITY

PASSIONATE PEOPLE Light the Way Chandelier by CALEB SIEGLER ❖ Photo by MARK LIPCZYNSKI

Fall 2018 / 33


PERSONALIT Y

34 / The Red Book Magazine


Flame Thrower Fire fuels artist’s imagination

O

Text by LISA VAN LOO ❖ Photo by MARK LIPCZYNSKI

f all the things Caleb Siegler could have predicted he would need the night before his first time showing at Celebration of Fine Art in Scottsdale, it’s safe to say a headlamp was probably at the bottom of the list. But, at 4 a.m., it was the only light he had.

With dawn looming, Siegler spent the waning darkness inside

a frigid tent assembling the largest and most complicated piece he had made to date, using those last precious hours before opening day in 2017 to will it all together. “If I had broken something, it would have been game over,” Siegler says, remembering the intensity of the situation from his workshop in Tempe. “Everything was going wrong. It was crazy. It just all came together.”

Fall 2018 / 35


THIS PAGE: Glass sculpture featured at Celebration of Fine Art in spring 2018 NEXT PAGE: This dramatic chandelier, created by Caleb Siegler, is made of blown glass tubes and can be controlled from either a smart-home system or a wall switch. With a smart-home system, an app on the smart phone allows the owner to turn it on, dim the lights and change the color. The colors can cycle through various hues or remain stationary. The photo on p. 33 was shot looking up from directly under the chandelier. In that image, the colors were manipulated to show a range of possibilities.

36 / The Red Book Magazine


PERSONALIT Y

Siegler, an artist who marries steel and blown glass,

“I was coming home from school and blowing glass in the

needed to mount 36 pieces of glass onto an 18-square-

laundry room,” Siegler says, underscoring the support he

foot metal frame. The 150-pound piece sold to a well-

received from his parents. “I didn’t want to have to get a day job.”

known collector, confirming that Siegler had made the right decision to enter the show, despite having no inventory at the time and despite the fact that he needed to learn to weld and to create a patina on the steel before getting there. “It was the hardest thing I had ever done in my life,” he says

What began as a hobby grew into a respectable business, and by his early 20s he was supporting himself with his craft. “If, when I turned 18, my parents had made me move out, I would have had to get a day job,” he says. Now, he’s branching out. Having learned how to weld,

of the piece. “I had never done anything that big. It almost

he’s continuing to experiment with the medium and finding

killed me.”

new ways to integrate it into glass pieces. He’s also learning

Fine art was a new venue for him at the time.

more about “furnace working,” which is a different type of

Siegler’s gateway into this new world of artistry came

glass-blowing technique that requires a willing partner and

when a professor at a local community college encouraged him to participate in the 10-week art show after seeing

unspeakable heat. “It’s like honey,” Siegler says of the glass when its blown

his work and understanding his potential as a student in a

with a “furnace working” technique. “It’s a completely

chandelier class. By then, Siegler had been honing his “flame

different skill set.”

working” craft for a few years, after learning about it during a class at age 16, and then using all the money in his piggy bank to purchase the entry-level equipment he needed to start making pieces from blown glass.

Since that first show, Siegler has seen his business go from “5 miles per hour to 100 miles per hour.” “I don’t feel like I’ve arrived,” he says. “I have ginormous dreams.” ❖

Fall 2018 / 37


PERSONALIT Y

“The event started from our backyard, but the community has really gotten behind it.” – Mark Teahen

38 / The Red Book Magazine


GOLF for

GOOD Lauren and Mark Teahen are on a personal quest to help domestic violence victims

M

Text by LEIGH FARR ❖ Photo by TINA CELLE

ore than 50 celebrity athletes gathered at the 7th Annual Driving Out Domestic Violence Celebrity Golf Tournament to benefit Chrysalis, a Valley nonprofit that provides solutions for families whose lives have been affected by domestic violence. Held at Talking Stick Resort on Nov. 2 and 3, 2017, the tournament, followed by a gala hosted by

Jet Linx Scottsdale, netted close to half a million dollars. “The event started from our backyard, but the community has really gotten

behind it. It’s continued to grow every year,” says Mark Teahen, a retired professional baseball player and event co-chair with his wife, Lauren. “It’s nice to have so many professional athletes involved. We’re fortunate to have so many friends in the baseball community as well as in the PGA, NFL and NBA, and it’s been really cool to see the support. It makes it a pretty unique event.” For the Teahens, founding an annual golf and gala charity event was a personal quest. When Lauren was in elementary school, she and her mother escaped a domestic violence situation. She wanted to honor her late mother, Shelley, and to help families going through similar experiences. “Lauren has been the backbone of the event from day one,” Teahen says. “Her passion has become my passion, but she’s the driving force.” With funds raised by the golf tournament and gala since 2011, Chrysalis has upgraded its facilities and expanded its scope of services for families affected by domestic abuse. The Teahens will host the 8th Annual Driving Out Domestic Violence Celebrity Golf & Gala on Nov. 2 and 3, 2018. The Nov. 2 golf invitational is at Talking Stick Golf Club, and the gala, on Nov. 3, will be held at Ross Aviation. Dr. Anthony Admire and his wife, Victoria, will serve as honorary co-chairs. ❖ For more information, visit noabuse.org. Fall 2018 / 39


40 / The Red Book Magazine


How Ib Andersen and Fabio Toblini conjure costume magic for Ballet Arizona

COSTUME

Collaborators Text by DEBORAH SUSSMAN ❖ Photos by TIM FULLER ❖ Sketches by FABIO TOBLINI

Fall 2018 / 41


W

hen Ib Andersen,

said, ‘Even better, we’ll do this together.’

in Milan and worked in the fashion

artistic director of

He said for something that is so popular,

industry there for several years before

Ballet Arizona, first

like Nutcracker, if you use a ballet

having what he calls “a big existential

reached out to New

designer you get the usual. He wanted

crisis.”

York-based costume designer Fabio Toblini to work on costumes for a production of The Nutcracker, Toblini thought it was a prank.

an outsider.”

He realized that fashion was, as he

A great partnership was born.

puts it, “creating these vapid images

“I had a lot of wacky ideas, and

for insecure people like myself. …

together we made it work,” Toblini says.

Everything I was doing was about

Andersen had left a phone message

That first collaboration led to three

creating masks for people to hide behind

for Toblini – “this was the early 2000s;

more, including 2013’s Diversions, 2018’s

– and that’s what I wanted to stop doing

I still had an answering machine,”

Eroica and The Firebird, which will debut

myself.”

Toblini recalls. But Toblini had never

Feb. 14, 2019. Andersen says of Toblini,

heard of Ballet Arizona. Nor had he

“We speak sort of the same language, in a

moved to England, where he attended a

designed costumes for the ballet; he was

funny way.”

college based on the holistic educational

primarily a theater designer. “I called back, and it was real,” Toblini says. He still sounds surprised. “I talked to Ib, and he said he liked my use of color. I said I never designed for ballet but I always wanted to, and he 42 / The Red Book Magazine

The two men come from very different backgrounds, but they share a deep appreciation of craft and of the creative process. Toblini grew up in a small town in northern Italy, then studied fashion

He quit the fashion business and

philosophy of Rudolf Steiner, founder of Waldorf education. “I did courses in weaving, drama, painting; I did voice, gardening, sculpture, bookbinding. I could really explore all of these different arts with an


approach that was not about professionality. That really helped me.” After two years in England, he spent a year in Germany focusing on music and singing. It was during a production of Henry Purcell’s A Fairy Queen, in which Toblini was performing, that someone asked him to handle the costumes. “I said no,” he recalls. But then when nobody else stepped in, he did. He describes the experience as “a revelation. All of a sudden here I am creating images for characters, trying to create their truth. It’s the performing arts, not fashion. But I could apply everything I’d learned. That was a big shift.” Andersen traveled a more linear path. Born in Copenhagen, he literally grew up in the Royal Danish Ballet, where he had costumes fitted on him from the time he was 7 years old. He started as a student in the school, then joined the ballet when he was 16 and went on, four years later, to become the youngest principal dancer in the company’s history. “They have the most amazing costume department there,” he says. “They do ballet, opera and theater. They had departments where they only did hats, where they only did artificial flowers. I saw all that.” Designing costumes for the ballet, he says, “is sort of in my kinetic memory.” Given budget constraints, Andersen often designs the costumes himself for the ballets he choreographs. But he relishes the opportunity to work with a partner like Toblini. His favorite part is “the ping pong, the back and forth.” That process starts with a conversation. In the case of The Firebird, Andersen knew two things at the outset: He wanted the ballet to take place in the future “in some kind of undefined space.” And he didn’t want it to look Russian, “because usually it looks very Russian folk/fairy tale.” The Firebird usually looks Russian because the story is rooted in Russian fairy tales, the music is by the Russian composer Igor Stravinsky (written for the 1910 Paris season of Sergei Diaghilev’s Ballets Russes), and the original costumes were by legendary Russian scene and costume designer Leon Bakst. “I love Bakst and the Ballets Russes – it’s one of my great passions,” Toblini says, “but they are not the type of costumes we want to do.” For one thing, Toblini says, it’s “too much clothes. I want to see (the dancers’) bodies in contemporary

Fabio Toblini

Fall 2018 / 43


PHOTO BY TZU CHIA HUANG

Ib Andersen, Ballet Arizona artistic director, and Fabio Toblini

The FIREBIRD

T

he world premiere of The Firebird opens Feb. 14, 2019, at

Symphony Hall. It explores themes of love, fantasy and escapism. Ballet Arizona’s Dance With Me – A Ballet Gala is scheduled for Jan. 25, 2019, at Phoenix Art Museum. In addition to dinner and dancing with Ballet Arizona’s company members, guests will preview a short film documenting the making of Ib Andersen’s The Firebird. More information is available at balletaz.org.

ballet; I don’t want to see clothes hanging

they can see how the costumes move on the

on them. Basically I’m a costume designer

dancers.

who doesn’t want to see clothes on people. I

“Because I am not a ballet designer, I

really start from the human form and try to

might not be aware of everything that a

give it something to become the character.”

designer for costumes for ballet needs,”

After the conversation come sketches and then more conversation. “When I did a first draft (of The Firebird)

me is the ideas I have, and then we work to adapt those ideas to ballet and

I still did something that was some kind of a

choreography. It’s a pretty unusual way of

tutu and some kind of a bird,” Toblini says.

proceeding. It has to be really tailored to the

“And Ib responded, ‘I don’t really want it to

relationship that we have, which is great.”

look like a bird. Think more about an alien

Speaking several months in advance

warrior.’ And I thought, ‘This is going to be

of Ballet Arizona’s production of The

so much fun!’”

Firebird, Andersen describes the result of

Toblini also develops a color proposal. “I

his work with Toblini as “a combination

draw with a pencil, then I scan the pencil

of things. God knows if we will succeed or

drawing and I use Photoshop to paint it so I

not, but we have a vocabulary now. Will

can change color at any time. I try to really

it look futuristic? Yeah, somewhat. But I

commit as late as possible in the process. As

think we have a look in the design. It’s not

the process continues, you gather more info

so this or that. But it’s not Russian.”

and your choice is more informed.” Then Toblini and Andersen select fabrics together and create mockups, so 44 / The Red Book Magazine

Toblini says. “What Ib really likes about

Looking ahead, do Andersen and Toblini plan to do another ballet? “Together?” Andersen says. “I hope so!” ❖


LIGHT UP YOUR NIGHT

DESERT, LIGHT AND SOUND UNITE IN A MESMERIZING DISPLAY LIKE NEVER BEFORE.


46 / The Red Book Magazine


Art in the

Family Three Arizona artists make a strong case for good genes Text by PERRINE ADAMS ❖ Photos by JILL RICHARDS

T

hroughout history, artistic talent has seemed to run through the genes of many families. Such is the case of Austrian master of symbolism Gustav

Klimt and his history-painter brother, or co-creator of cubism Pablo Picasso and his father, painter and art teacher. Sometimes marriage, too, has tied gifted soul mates together. Art enthusiasts don’t forget couples like New York painters Edward and Josephine Hopper or French-German artists Yves Klein and Rotraut Klein-Moquay. Is creativity hereditary? Working in different mediums, three Arizona artists make a strong case for good genes. The Bernard-Kilgore clan is one example of how family ties play out in the arts. While artistic prowess runs in the household, inspiration ties them together.

Fall 2018 / 47


48 / The Red Book Magazine


The color, texture and shape of Nick Bernard’s pots relate to the natural world.

FORM IS EVERYTHING Studio potter Nicholas Bernard has been crafting ceramics for more than 30 years, living and working in Arizona for much of that time. His work has always been low-fire earthenware. Bernard wants to convey aesthetic knowledge and technical mastery. His artistic goal is “to make beautiful objects that have no pretention or contrivance.” Pushed by his archeologist mother, 10-year-old Bernard took ceramics classes at the Barnsdall Art Center in his native Los Angeles. After a few years of education on the East Coast, he transferred to Arizona State University in 1978. Not long after he earned his bachelor’s degree in ceramics, he established his studio in Tempe, then later on Cattle Track Road in Scottsdale, where he eventually settled in 1989. For Bernard, “form is everything.” A successful outcome begins with shaping the clay. “Texture, pattern and color are successful additions when the shapes are impeccable,” he says. Pottery is among the oldest art forms throughout the world, and undoubtedly, his mother passed on to him the love of the ancient. His influences are scattered from the classic vessel forms of antiquity, to the graceful Japanese raku ware, to the simple pots made by indigenous peoples of the American Southwest and also the work of modern studio potters. Italy, Turkey, Greece and many other destinations have also swayed Bernard’s artistic career. Visiting a museum full of 2,000-year-old pots in Rhodes, Greece, was an epiphany. He recalls that “simple forms with no contrivance or pretension filled room after room.” Seeing those pots 15 years ago triggered Fall 2018 / 49


Linda Margaret Kilgore surrounded by painted steel pieces from her Night Sky series, and Mountain Way, a mixed media piece with natural pigments, charcoal, Arizona mica, acrylic and rainwater

his current evolution, beginning with soft colors and

attend a kiln opening at the Cattle Track studio. The day

classic shapes, with a feel for the ancient. Today, hot

Bernard opens a fired kiln always feels like Christmas.

colors and simple closed forms with controlled and organized textures dominate. High-fire porcelain –

DESERT IS THE THING

with its many eccentricities – is now part of the mix.

Bernard’s wife, metal sculptor and painter Linda

Sometimes, the color, texture and shape of the pots

Track home, grew up in Sedona. At a very young age,

from the surrounding desert like my garden filled with

Kilgore started her artistic journey, surrounded by

cacti and succulents,” says Bernard. The Phoenician

countless influential artists and fine art connoisseurs

Resort recently commissioned 12 earthenware vessels

who frequented her mother’s art gallery. Showing

abstractly referencing cacti and desert plants to

primarily Navajo and Hopi art, her mother sold Hopi

display in their main lobby.

Kachinas to German sculptor and painter Max Ernst,

Bernard’s work appears worldwide in public, private and corporate collections and in museums including the ASU Art Museum Ceramics Research Center. The best way to discover his work, however, might be to

50 / The Red Book Magazine

Margaret Kilgore, who also has a studio in their Cattle

relate to the natural world. “I take lots of inspiration

a key figure in Dada and Surrealist movements, and his wife, surrealist artist Dorothea Tanning. Multi-lingual, Kilgore has lived and traveled extensively abroad. After college, she moved to Rome,


Nick’s Favorites

COLOR: Black and white SHAPE: Round TEXTURE: Organized SMELL: Basil FLOWER: Cactus CITY: Paris ARTIST: Franz Kline ALTERNATE CAREER: A professional surfer ARTISTIC DREAM: To keep working and evolving, to keep getting better

Linda’s Favorites

COLOR: Black and white (right now) SHAPE: Circles and squiggles TEXTURE: Crusty and dusty SMELL: Cedar FLOWER: Peony roses Partially painted steel flowers Kilgore created in memory of the poppies along the river Tiber in Rome

CITY: Rome and Paris ARTIST: Marisa Merz, Meret Oppenheim and Mark Bradford ALTERNATE CAREER: A poet, a mystic or a musician ARTISTIC DREAM: To keep working

where she remembers feeling “completely inspired by the love of art that surrounds one there.” At that time, she started working on collage and pastel painting. Later, in London, she spent many afternoons in the studio of English pop artist Peter Blake, who mentored her about the art of collage. In addition to studying anthropology, ethnology and art, Kilgore found great inspiration from her pilgrimages to ancient and prehistoric sites. Cultivating a spiritual freedom from her travels, she now works in multiple mediums and her interests are diverse. The artist defines success on her own terms. Her work, she says, “varies greatly, and it flows along on its own trajectory. It isn’t constrained by materials, methods or techniques.” Kilgore sees art as a means of communication, with

Rosa’s Favorites COLOR: Black

SHAPE: Round TEXTURE: Anything but smooth SMELL: Petrichor FLOWER: Proteus CITY: Somewhere I haven’t been yet ARTIST: Brâncuși ALTERNATE CAREER: A personal stylist ARTISTIC DREAM: To open stores

sculpture and painting being their own languages.

Fall 2018 / 51


Rosa Kilgore filing a cuff bracelet to remove rough spots before sanding

“Art is an emotional bridge with the world that opens

EVERYTHING BUT SMOOTH

cultural doors,” she says.

In a sense, jewelry artist Rosa Kilgore, Linda’s

After years of a semi-nomadic lifestyle across

entire life. Her mother certainly influenced her, but

9/11. “The desert is always a huge influence for me,”

she also fondly remembers watching her uncle Jesse

she says, “the low desert, the lean harshness of the hot

Monongye, a Navajo jeweler, create masterpieces in his

windswept places, the pale soft colors of the ironwood

home studio.

trees and dusty creosote colors.” Meteorite powder,

During her childhood in London, she visited the

flower petals, charcoal from forest fires, Sedona’s red

jewelry-making studio of David Courts, the artist

earth and Navajo colors pigments are just a few of

who made the original skull ring still worn by Keith

the unconventional components Kilgore turns into

Richards of the Rolling Stones. She recalls being

sculptures and paintings. Fittingly many of her nature-

impressed by “his small messy studio filled with grit

incorporated artworks land outside.

and determination.”

The Sanctuary Camelback Mountain Resort and

52 / The Red Book Magazine

daughter, has been preparing for her artistic career her

Europe, Kilgore fully returned to her native desert after

Focusing on form and texture, Kilgore creates

Spa tabbed Kilgore as the curator for its fall 2018 –

jewelry for stylish and confident women. Recycled

winter 2019 Artist in Residence program. Kicking off

sterling silver, ancient bronze, freshwater pearls, pyrite,

in November, the series exhibits artworks of Arizona

amethyst, American turquoise, semi-precious stones

artists, and holds workshops and sunset receptions.

and shells are among the raw materials the artist turns


Sterling silver and ancient bronze bracelets handcrafted by Rosa Kilgore

into unique, yet classic and timeless, accessories. Kilgore says her mother didn’t push her to pursue

classic shapes and combines them with unusual textures. To her, the mix of form and surface creates

art as a career, but she gravitated to it after earning a

“an irresistible combination that brings a form of

bachelor’s degree in sociology when she realized she

magic in everyday life.”

longed to “work with her hands.” In 2006, she enrolled

Another significant source of inspiration for the

in metalsmithing classes at a community college in the

jeweler is her home state. A fifth generation Arizona

Los Angeles area.

native, she has been steeped in the culture, landscape

A year later, she learned how to master the

and romance of Arizona her entire life. The rugged

traditional tufa casting – pouring melted silver or gold

textures of the red rocks of Sedona, the volcanic

into molds created out of tufa stone – directly from

remnants of northern Arizona, and Native American

Navajo jeweler Dorothy Jeffrey. Native tribes in the

artifacts and people influence her work daily.

Southwest have been creating ornamental jewelry for

Rosa embraces her family’s strong interest in art,

hundreds of years using this labor-intensive process.

archeology and cultures of the world. “While we all

In her Flagstaff studio, Kilgore uses the ancient

work in different mediums,” she says, “our work is

technique of lost-wax casting. Unlike tufa casting,

textural and based in a love of the ancient.” All three

this process allows her to produce the same cast

artists are inspired by what was made in the past,

piece multiple times. Inspired by ancient designs,

yet it is the splendor of the surrounding desert that

contemporary art and current trends, she creates

nourishes their creativity. ❖

Fall 2018 / 53


54 / The Red Book Magazine


It’s “not your granddad’s drink anymore,” says a new generation of craft bourbon enthusiasts. Is there room on Arizona’s barstools for the new bourbon boom?

Text by JIMMY MAGAHERN ❖ Photos by MARK LIPCZYNSKI

efore visitors get to see Larry Winget’s personal bourbon collection, they must first pass by his bookshelf holding more than 125 pairs of custom-made cowboy boots. The shelving lines an entire wall in the guest house of the sprawling ranch-style Paradise Valley home the professional motivational speaker and author shares with his wife of 35 years, Rose Mary.

Fall 2018 / 55


“ It sounds really cliché, but there’s something manly about having a good shot of whiskey and smoking a cigar.”

~ Larry Winget

Larry Winget and Jason Grossmiller, Arizona Distilling Company founder and distiller, sample their favorites

cape – one of about 20 limited-edition

daiquiri. “It just ties it all together.”

says Rose Mary, with a laugh. Larry, a

“He’s got way more shoes than me,”

Elvis decanters produced for Jim Beam

Winget even has his own Ocean’s

former Okie (and telephone operator)

that Winget proudly displays atop the

Eleven rat pack of old drinking buddies

from Muskogee, Okla., who made his

wraparound shelves. “That’s what my

he assembles each year in different

fortune advising business conference

ashes are going to be buried in,” Winget

party destinations. They jokingly call

audiences to Shut Up, Stop Whining &

says, in all seriousness. “My sons will pop

themselves the “Bourbonaires.”

Get A Life, to quote the title of his first

the lid on that one, have a drink out of it

New York Times best seller, adds, “I’ve

and then they’ll fill it.” Rose Mary winces.

slowly disappearing – and the 65-year-

also got over 400 cowboy shirts and

“What can I say? I’m a big Elvis guy.”

old man’s man knows it. “I’ve only been to

about 20 cowboy hats. If you know me, one of anything is never enough!”

Though he’s certainly on the extreme

But his kind of bourbon drinker is

one meeting with the Arizona Bourbon

end, Winget, with a grey handlebar

Society,” Winget says, referring to the

That certainly applies to Winget’s

moustache now topping his trademark

invitation-only Facebook group of local

bourbon collection, a walk-in closet full

goatee, embodies the classic image of

bourbon enthusiasts that now boasts

of 250-plus varieties of the barrel-aged

the good ol’ boy bourbon drinker. It

1,300-plus members. “They’re all half my

brown liquor in addition to some 60 to

spills out into the aggressively Western

age, first of all. And they get a little snooty

70 Scotch and Irish whiskies. He hides

décor of his guest house/home office

about the stuff: ‘This is about a 94.5

his most valuable Pappy Van Winkle,

(complete with decidedly non-PC

proof.’ ‘No, I had it at 94.7.’ I just shake

a ridiculously sought-after 15-year-old

cigar store Indians), and seeps through

my head and say, ‘You guys have made

blend purchased on the “brown market”

Winget’s high-testosterone world view,

drinking work!’”

for somewhere between $7,500 and

parlayed into the weekly How to Be a

$15,000 (he won’t specifically quote the

Real Man podcasts he records in the

bourbon drinking a popular hipster

price in front of Rose Mary), behind a

guest house with fellow motivational

pastime, fueled by the foodies’ drive for

$65 bottle of Breaker Wheated Bourbon.

macho man Chris Widener. “It sounds

all things authentic and the scenemaker’s

But his pride and joy is the 1982 Elvis

really cliché, but there’s something manly

thirst for something beyond craft

Presley porcelain decanter depicting

about having a good shot of whiskey and

beer. Fully a third of today’s bourbon

the king of rock ’n’ roll with outstretched

smoking a cigar,” says Winget, who won’t

consumers are younger than 35. Women

arms forming an angelic figure with his

go anywhere near an umbrella-topped

comprise 33 percent. Together, this new

56 / The Red Book Magazine

Indeed, younger drinkers have made



generation of artisan bourbonaires is

think the younger generations are drawn

propelling a major boom. In 2016, U.S.

to that now.”

bourbon sales topped 20 million cases

Of course, they’re also Instagraming

“I started with Jack Daniels, then I went to Maker’s, and then I found High West, which is a non-mass-produced

for the first time in more than three

each storied bottle and engaging in the

craft whiskey,” says Maggie Flores,

decades, raking in over $3 billion.

inevitable social media one-upsmanship,

a 31-year-old former model who

in the process willingly paying more for

blogs about whiskey and bourbon on

drink anymore,” says John Amann, the

“super-premium” brands like Maker’s

Instagram, where she has nearly 7,600

40-year-old president of the Arizona

Mark, Knob Creek and beyond (what

followers, and Facebook, where she

Bourbon Society who works by day as

delighted marketing executives call

has another 300. “I call High West my

a senior district manager at Bed Bath

“graduating within the segment”). As

Aladdin, because it showed me there was

& Beyond and taste-tests by night with

a result, higher-priced bourbons rose

way more out there than I knew before.”

fellow Generation X-ers. “Authentic is

in sales by 10.5 percent last year to 5

Snapping selfies while holding bottles

trendy, and bourbon is authentic. It takes

million cases, buoying a new golden

of her latest finds (“For a while I paired a

patience to make, and there’s always a

era for the distillery industry – and

look with the bottle, changing my makeup

story behind it. Every step of American

new opportunities for social media

and hair to go with how the bottle made

history is littered with bourbon. And I

“influencers.”

me feel”), the Tempe beauty has become

“Look, it’s not your granddad’s

58 / The Red Book Magazine


“We want to show the world that you can make good bourbon outside of Kentucky.” ~ Jason Grossmiller

Fall 2018 / 59


an in-demand endorser in the suddenly lucrative field of influencer marketing, although her end game is more ambitious. “I’d like to get into distilling here in the Valley,” she says, citing Marianne Barnes, Kentucky’s first female master bourbon distiller, as inspiration. “I want to create something magical of my own.” Her friend Brittni Koski is already there, working as an assistant distiller at Adventurous Stills in Tempe, where the 30-year-old helps mash the grains, adjust the pH during fermentation and handle other key parts of the process. “In Arizona, we actually have four distilleries with women in ownership roles, and three distilleries with female assistant distillers, including myself,” says Koski, who started out brewing craft beer in Denver. “So women are already in the industry a little bit more than people realize.” For Arizona Distilling Company founder and distiller Jason Grossmiller, who got into home beer brewing while working as a blackjack dealer at a Valley casino but decided there were already too many craft beer brewers in town, making bourbon is a way to reclaim some of Arizona’s rich frontier history while forging new frontiers himself. “That’s the whole reason we came out with a bourbon first, because that’s what they were drinking back in the olden days: bourbon and rye,” he says, admitting that he first sourced the juice from a mega distillery in Lawrenceburg, Ind., that actually supplies most of the bourbon many so-called craft distilleries merely finish in their own barrels. The Tempe company now distills six different spirits using almost exclusively Arizona ingredients, most notably a unique grain harvested in Casa Grande primarily used in pasta. Its Desert Durum Wheat Whiskey recently took home a silver award in the San Francisco World Spirits Competition. “Truthfully, I’m surprised it took Arizona so long to get back into distilling,” says Grossmiller, noting that his company’s Copper City Bourbon, when introduced in 2013, was the first legally distilled spirit made in Arizona since Prohibition. Grossmiller estimates there are now about 20 micro-distillers in the state, up from only three when Arizona Distilling Company started. “We want to show the world that you can make Larry Winget

60 / The Red Book Magazine

good bourbon outside of Kentucky,” he says. “But it’s hard disrupting an industry that loves tradition.” ❖


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Waves of Change for Epilepsy Gala Epilepsy Foundation of Arizona Mountain Shadows Resort, 6 p.m. epilepsyaz.org

Schechterle Gala 100 Club of Arizona Westin Kierland Resort & Spa, 6 p.m. 100club.org

SEPT. 23 KidsROCK Fundraiser Devereux Advanced Behavioral Health Arizona El Casino Ballroom, 12 p.m. devereuxazevents.org

OCT. 5 Smiles for Success Gala Smiles Beyond the Bars Hyatt Regency Scottsdale at Gainey Ranch, 5:30 p.m. smilesbeyondthebars.org

Night of Hope Gala Amanda Hope Rainbow Angels JW Marriott Scottsdale Camelback Inn Resort & Spa, 6 p.m. amandahope.org

SEPT. 25 6th Annual Community Luncheon Feeding Matters Arizona Biltmore, 11 a.m. feedingmatters.org

Enchanted Trail Audubon Arizona Downtown Phoenix, 5:30 p.m. riosalado.audubon.org

SEPT. 26 Lunch for Love Child Crisis Arizona Arizona Biltmore, 11:30 a.m. childcrisisaz.org

Zoofari: An Island Soiree Phoenix Zoo/Arizona Center for Nature Conservation Phoenix Zoo, 7 p.m. phoenixzoo.org

OCT. 11 12th Annual Taste of the Biltmore United Cerebral Palsy of Central Arizona National Bank of Arizona Corporate Office, 6 p.m. nbazcharities.org 7th Annual Mayor’s Arts Awards Phoenix Center for the Arts Margaret T. Hance Park, 6:30 p.m. phoenixcenterforthearts.org OCT. 12 Connections of Hope Teen Lifeline Omni Scottsdale Resort & Spa at Montelucia, 6 p.m. teenlifeline.org

For continually updated information, visit azredbook.com/calendar 62 / The Red Book Magazine


FLAGSHIP PROPERTIES, INC. Specializing In

CORONADO WATERFRONT PROPERTY SO

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1099 1st St., #308 - $2,095,000 F

SA OR

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1500 Orange Ave, #13

$3,999,000

Hotel Del Coronado, Beach Village Condo Whole Ownership/ Limited Use

OCT

19 Project Pink

Call for status or other available units!

OCT. 13 Evening of Trends Trends Charitable Fund Omni Scottsdale Resort & Spa at Montelucia trendscharitablefund.org Talent Slam! National Kidney Foundation of Arizona Mesa Arts Center, 10 a.m. azkidney.org Indulge Food & Wine Fundraiser Devereux Advanced Behavioral Health Arizona Children’s Museum of Phoenix, 6 p.m. devereuxazevents.org Night for Sight Foundation for Blind Children Dominick’s Steakhouse, 6 p.m. seeitourway.org Bright Lights, Shining Stars Midwestern University, 6 p.m. midwestern.edu

SO

927 1st St. $5,843,000

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855 Alameda Blvd $2,950,000.

221 Ocean Dr. $5,750,000

TCH Monster Mash The Centers for Habilitation, 6:30 p.m. tchmash.com

Information about Coronado Properties for sale:

www.Flagship.net

1014 Ninth St., Coronado, CA

Carrie O'Brien@ 619.847.3524 cobrien@flagg.com Cal BRE #01144127

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A NEIGHBORHOOD SCHOL ARSHIP

HELP PROVIDE HIGH SCHOOL SENIORS FROM INNER-CITY SCHOOLS WITH SCHOLARSHIPS!

Each year, GCU awards scholarships to seniors who meet academic criteria* and demonstrate financial need**. Scholarship recipients then pay it forward as college students by volunteering in the GCU Learning Lounge® — GCU’s on-campus source of academic assistance for students of all ages — serving as a tutor and mentor to the next generation of students behind them.

DONATE TODAY AT: gcuscholarshipfoundation.org

*Academic requirement: 3.5 GPA or greater, demonstrate a financial need, attend high school in either Glendale UHSD, Phoenix Union HSD, Bourgade Catholic HS, or Glenview College Prep, acquire 100 study hours in the GCU Learning Lounge by senior year, and receive a recommendation from a GCU LEAD. **Financial need is determined by the Office of Financial Aid. Students must apply for the FAFSA. If eligible, federal and state grants/loans in addition to other need-based aid are subtracted from student’s tuition and fees unless they are being used for costs not covered in the scholarship program such as housing and meal plans. The remaining cost of tuition and fees up to a maximum of $18,000 will be covered by this scholarship package. GCU, while reserving its lawful rights in light of its Christian mission, is committed to maintaining an academic environment that is free from unlawful discrimination. Further detail on GCU’s Non-Discrimination policies can be found at gcu. edu/titleIX The information printed in this material is accurate as of AUGUST 2018. For the most up-to-date information about admission requirements, tuition, scholarships and more, visit gcu.edu ©2018 Grand Canyon University 18GCU0103


CALENDAR

OCT

OCT OCT

20 Applause! Gala OCT. 14 Taste of Brunch Arthritis Foundation, Arizona Arizona Heritage Museum, 10 a.m. arthritis.org OCT. 16 Celebrity Catwalk Debbie Gaby Charities Omni Scottsdale Resort & Spa at Montelucia, 11 a.m. debbiegabycharities.org OCT. 17 Cronkite Award Luncheon Walter Cronkite School of Journalism Sheraton Grand Phoenix, 11:30 a.m. cronkite.asu.edu Fountain of Friends Cocktail Party Help in Healing Home Campus, 5:30 p.m. helpinhealinghome.org OCT. 18 Reception ArtWins Arizona Molina Fine Jewelers, 5 p.m. artwins.org

Gala 20 NiteFlite Night of Gold

OCT. 19 Project Pink Fashion Show & Luncheon Arizona Assistance in Healthcare The Wigwam, 11 a.m. goodyear.aih.org OCT. 20 11th Annual Anam Cara Gala Irish Cultural Center and McClelland Library, 5 p.m. azirish.org Applause! Gala Phoenix Theatre, 5:30 p.m. phoenixtheatre.com 25th Anniversary Gala – Art Heals Free Arts for Abused Children of Arizona JW Marriott Scottsdale Camelback Inn Resort & Spa, 5:30 p.m. freeartsaz.org Dinner for Dignity Central Arizona Shelter Services Phoenix Country Club, 6 p.m. cassaz.org Desert Sky Gala Care Fund Fairmont Scottsdale Princess, 8 p.m. thecarefund.org

Heritage Award Arizona Jewish Historical Society The Scottsdale Plaza Resort, 6 p.m. azjhs.org Wishes for Wildlife Liberty Wildlife Rob and Melani Walton Campus of Liberty Wildlife, 6 p.m. libertywildlife.org Night of Gold HonorHealth Foundation Arizona Biltmore, 6:30 p.m. give.honorhealth.com NiteFlite Gala Scottsdale Active 20-30 Club W Scottsdale, 6:30 p.m. scottsdale2030.org Casino Chorale Gala Phoenix Boys Choir Headquarters 6:30 p.m. boyschoir.org OCT. 21 Dish It Out Boys & Girls Clubs of Metro Phoenix High Street, 5 p.m. dishitoutaz.org

For continually updated information, visit azredbook.com/calendar Fall 2018 / 65


Because everyone should have

ACCESS TO THE ARTS For hundreds of thousands of students and families in Arizona, the opportunity to experience the arts is beyond their reach. Through Act One Field Trips for students from Title 1 schools and the Act One Culture Pass available at libraries, Act One and our arts partners provide free opportunities for more than 40,000 students and 500,000 families to experience the transformative power of the arts every year.

Join us to support access to the arts for all! www.act1az.org | 602.343.6239


CALENDAR

OCT

20

NOV

10 McNight to Remember

NiteFlite Gala

OCT. 26 9th Annual Buckles & Bangles Gala UMOM New Day Centers JW Marriott Scottsdale Camelback Inn Resort & Spa, 6 p.m. umom.org

NOV. 1 Leaders & Legends Celebration Luncheon College Success Arizona Arizona Biltmore, 11:30 a.m. collegesuccessarizona.org

OCT. 27 Herberger Festival of the Arts Herberger Theater Center, 11:30 a.m. herbergertheater.org

Arizona Sports Hall of Fame Arizona Sports & Entertainment Commission The Scottsdale Plaza Resort, 5:30 p.m. azsportshof.com

The Pulse of the City Soiree Banner Health Foundation Omni Scottsdale Resort & Spa at Montelucia, 6 p.m. give.bannerhealth.com

Signature Event St. Joseph’s Foundation St. Joseph’s Hospital and Medical Center, 6 p.m. supportstjosephs.org

CopaBall Maricopa Health Foundation JW Marriott Scottsdale Camelback Inn Resort & Spa, 5:30 p.m. maricopahealthfoundation.org

NOV. 2 Discovery Through the Eyes of a Child Celebration Children’s Action Alliance Phoenix Zoo, 4 p.m. azchildren.org

Champions Banquet OCJ Kids Cave Creek Outfitters, 6 p.m. ocjkids.org Moondance Heard Museum, 6 p.m. heard.org

10th Annual Suit for the Stars Gala Dress for Success, Phoenix Affiliate The Scottsdale Resort at McCormick Ranch, 5:30 p.m. phoenix.dressforsuccess.org

Badge Bash Girls Scouts – Arizona CactusPine Council Inc. The Bob and Renee Parsons Leadership Center for Girls and Women, 6 p.m. girlscoutsaz.org 45h Annual Holiday Dinner and Auction Xavier College Preparatory, 6 p.m. xcpmg.org NOV. 3 The pARTy in the Garden Phoenix Art Museum, 6:30 p.m. phxart.org Salud! Gabriel’s Angels Omni Scottsdale Resort & Spa at Montelucia, 6 p.m. gabrielsangels.org Knuckle Ball The Joe Niekro Foundation Hyatt Regency Scottsdale at Gainey Ranch, 6 p.m. joeniekrofoundation.com Driving Out Domestic Violence Gala Chrysalis Talking Stick Resort, 7 p.m. noabuse.org

For continually updated information, visit azredbook.com/calendar Fall 2018 / 67


CALENDAR

NOV

NOV

15 Old Bags Luncheon NOV. 3 Tom Lehman Celebrity Gala Elevate Phoenix Phoenix Country Club, 5 p.m. elevatephoenix.org NOV. 9 Fashion Show and Luncheon Brophy College Preparatory JW Marriott Scottsdale Camelback Inn Resort & Spa, 10:30 a.m. brophyprep.org Dinner with Kennedy “An Evening in Camelot” Sandra Day O’Connor Institute The Phoenician, 6 p.m. oconnorinstitute.org 2nd Annual Wine and Food Pairing Charity Auction St. Jude Children’s Research Hospital The Clayton House, 6 p.m. stjude.org NOV. 10 Beaux Arts Gala Scottsdale Artists’ School, 5:30 p.m. scottsdaleartschool.org

Heart Ball

A McNight to Remember Ronald McDonald House Charities of Central and Northern Arizona JW Marriott Scottsdale Camelback Inn Resort & Spa, 6 p.m. rmhccnaz.org Promise Ball JDRF Desert Southwest Chapter The Phoenician, 6 p.m. jdrfpromiseballphoenix.org NOV. 11 Signature Chefs Auction March of Dimes Talking Stick Resort, 4 p.m. signaturechefs.marchofdimes.org Live & Local Boys & Girls Clubs of Greater Scottsdale Desert Ridge, 6 p.m. bgcs.org NOV. 13 16th Annual Heroes Patriotic Luncheon Veterans Medical Leadership Council Arizona Biltmore, 11 a.m. arizonavmlc.org

17

NOV. 14 5th Annual Champions in Education Night Arizona Council on Economic Education Scottsdale Resort at McCormick Ranch, 6 p.m. azecon.org NOV. 15 Old Bags Luncheon Homeward Bound Arizona Biltmore, 11 a.m. homewardboundaz.org NOV. 17 Heart Ball American Heart Association/American Stroke Association The Phoenician, 6:30 p.m. heart.org NOV. 27 Women’s Empowerment Luncheon Arizona YWCA Metropolitan Phoenix Omni Scottsdale Resort & Spa at Montelucia, 11 a.m. ywcaaz.org NOV. 30 dreamBIG ICAN: Positive Programs for Youth Sheraton Grand at Wild Horse Pass, 6 p.m. icanaz.org

For continually updated information, visit azredbook.com/calendar 68 / The Red Book Magazine


ARIZONA’S LE ADE R IN MUS IC AL THE ATRE

SEASON 14

titanic oct 12 - nov 10, 2018

miracle on 34th street

mamMa mia

Guys & dolls

Mar 15 - apr 14, 2019

apr 26 - may 26, 2019

nov 23 - dec 29, 2018

ADDITIONAL SE A SON 14 SHOWS INCLUDE: an american in paris

the addams family

Jan 23 - mar 1, 2019

JUne 7 - july 6, 2019

SEASON 14 SPONSORED BY:

SISTER ACT

XANADU

JULY 26 - AUG 24, 2019

SEPT 6 - 29, 2019

Fall 2018 / 69

623.776.8400 | AZBROADWAY.ORG | 7701 w paradise ln, peoria, AZ 85382


Audio-vox Model 336

LEARN ABOUT THE ELECTRIC GUITAR’S INFLUENCE Based on the extraordinary private collection of guitar historian Lynn Wheelwright, this exhibit examines how popular culture was transformed by the never-been-heard-before sounds of the electrically amplified guitar. EXPERIENCE LARGER-THAN-LIFE ANIMATRONIC BUGS The “Bugs. Big Bugs!” exhibit showcases 21 gigantic animatronic bugs, as well as encounters with live bugs and other activities. “Bugs. Big Bugs!” Oct. 27 - April 28, 2019 Phoenix Zoo

“The Electric Guitar: Inventing an American Icon” Opens Nov. 9 Musical Instrument Museum

Things This fall the Valley brims with exhibits exploring renowned artists and their inspiration, musical instruments, illuminating canal art, archaeological artifacts, bold dance moves and animatronic bugs Text by MICHELLE GLICKSMAN

Tomanik (wind-maker) dance mask, c. 1900 Wood, feathers, pigment Collection of the National Museum of the American Indian, Smithsonian Institution

VIEW THE MASKS THAT INSPIRED HENRI MATISSE Get a rare look into the artistic and spiritual connection between the indigenous people of the Arctic and the 20th century French modern master, Henri Matisse, with paintings by Matisse, Yup’ik masks, cultural objects, archival photos and film. “Yua: Henri Matisse and the Inner Arctic Spirit” Oct. 29 through January 2019 Heard Museum

70 / The Red Book Magazine

Ballet Arizona dancers in Ib Andersen’s “Rio”

BE ENTHRALLED AS UNEXPECTED MOVES FILL A STAGE Ballet Arizona kicks off its season with a show of daring works by Ib Andersen, Justin Peck, Nayon Iovino and more. “New Moves 2018” Sept. 27 - 30 Orpheum Theatre

PHOTOS COURTESY: PHOENIX ZOO, LYNN WHEELWRIGHT, ALEXANDER IZILIAEV, NMAI PHOTO SERVICES

Noted


Circular relief, 300–450. Stone. Museo Nacional de Antropología

CULTURE

EXPLORE THE ARCHAEOLOGICAL HISTORY OF TEOTIHUACAN More than 250 objects from the National Museum of Anthropology in Mexico City are on display, providing insight into the art, everyday life, religion and influence of Teotihuacan, the first and most influential metropolis on the American continent. “Teotihuacan: City of Water, City of Fire” Oct. 6 - Jan. 27, 2019 Phoenix Art Museum

A rendering of “ARIZONA!” by Choi + Shine Architects

INAH, SCOTTSDALE ARTS, LOREN ANDERSON PHOTOGRAPHY

FIND TRADITIONAL ITEMS WITH A CONTEMPORARY EDGE Award-winning and renowned Hopi artists, including 28 ceramicists and nine katsina doll carvers, show how contemporary artists push the boundaries of their work, yet also stay true to time-honored methods. “A Spotlight on Contemporary Hopi Ceramicists and Katsina Doll Carvers” Through Nov. 25 Western Spirit: Scottsdale’s Museum of the West

Elmer Adams (Hopi, life dates unknown), Koshare Clown, Cottonwood root, paint.

IMMERSE YOURSELF IN THE EXPERIENCE OF WATER, ART AND LIGHT The Arizona Canal at the Scottsdale Waterfront is transformed with 10 temporary, large-scale art installations. Events include artist talks, live music, dance and spoken word performances. Canal Convergence Nov. 9 - 18 Scottsdale Waterfront

For more cultural events, visit azredbook.com/calendar

Fall 2018 / 71


PHOTO BY KLIP COLLECTIVE

AFTER-PARTY

E

ELECTRIC DESERT specially in the cool of the evening as the sun

on an immersive journey. “I look at the plants, the

lowers over Papago Park, there’s no prettier

geography and the topography. I look at the cacti and

or more serene place to unwind than the

figure out how I’m going to light it,” Rivera says.

paths of Desert Botanical Garden. Special events

throughout the garden, each with its own look and

longest running tradition, draw thousands to enjoy

feel. To accomplish the installation, production,

music, sip hot chocolate or a glass of wine, and enjoy

lighting, sound and support teams worked

holiday camaraderie.

throughout the evenings for several weeks in late

Over the years, Desert Botanical Garden has magnified the experience with special exhibitions – Chihuly in the Garden, Big Bugs, Bruce Munro Sonoran

summer. Computers and projectors “talk with each other” to create a magical, seamless journey. While Rivera and his team have been formulating

Light and more. This season’s unique installation

the concept for the Garden for the better part of a year,

promises the same. From Oct. 12, 2018, to May 12, 2019,

sometimes, things “just happen,” Rivera says. “The

the Garden will host Klip Collective’s Electric Desert.

best pieces make themselves. There is no narrative,

Cacti and other desert vegetation will become a living canvas for the work of Ricardo Rivera of Klip Collective, an experiential video shop based in Philadelphia. Rivera uses projected light and original music to take guests

72 / The Red Book Magazine

Electric Desert comprises seven locations

such as Las Noches de las Luminarias, the garden’s

just an experience.” Klip Collective’s first garden installation was at Longwood Gardens in Pennsylvania. Electric Desert is its first in a desert environment. ❖



Walt Danley Christie’s International Real Estate

3BR | 2.5BA | 2,684 SQ FT $1,150,000 | MLS# 5738129 3173 East Stella Lane Phoenix, Arizona Catherine Jacobson | 602.790.1992

6BR | 6BA | 6,185 SQ FT $2,495,000 | MLS# 5689503 3427 East Rancho Drive P a r a d i s e Va l l e y , A r i z o n a Anita Best | 602.463.7143

4BR | 6BA | 7,258 SQ FT $4,700,000 | MLS# 5548384

5BR | 6.5BA | 7,178 SQ FT $3,850,000 | Private Listing

5144 East Palomino Road Phoenix, Arizona Nancy Kaplan | 602.615.1246

4601 East Ocotillo Road P a r a d i s e Va l l e y , A r i z o n a Christy Dean | 602.327.0697

5BR | 6.5BA | 7,487 SQ FT $3,500,000 | MLS# 5602409

4BR | 4.5BA | 8,873 SQ FT $3,699,500 | MLS# 5689311

6830 North Desert Fairways Drive P a r a d i s e Va l l e y , A r i z o n a Catherine Jacobson | 602.790.1992

For More Photos and Information on These and Other Fine Properties, Visit WaltDanley.com

5800 North 39th Street P a r a d i s e Va l l e y , A r i z o n a Libby Cohen | 602.291.1446


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