rattler A S T. M A R Y ’ S P U B L I C AT I O N S I N C E 1 9 1 9 Vol 107 | Issue 3 | Oct.24, 2018 | San Antonio, Texas
Sandra Cisneros
OPINION
su vida y historias MIRIAM ROBLES & VICTORIA SALDANA EDITOR-IN-CHIEF & NEWS EDITOR
Sandra Cisneros, a renowned poet and novelist, visited St. Mary’s to talk about her work and her experiences as a writer of color. Cisneros has won numerous awards, but among her most recent accolades are the Ford Foundation’s Art of Change Fellowship and The National Medal of the Arts awarded by President Obama. Cisneros’ most wellknown and acclaimed book is “The House on Mango Street” published in 1985 and it is read at all levels of academia, as it highlights the struggles of minorities in race and gender—a common theme in Cisneros’ writing. While this acts as a solid foundation to teach young students about these topics, it also exhibits what Cisneros herself is passionate about. She is not only a writer, but also a social justice advocate. In light of this passion, Cisneros has founded two non-profits, the Macondo Foundation and the Alfred Cisneros Del Moral Foundation, both of which serve to engage and support writers. “It is amazing to have someone as respected and celebrated as Ms. Cisneros on campus visiting with our students,” said Dr. Refugio Romo, associate professor of English and communication studies. “Most importantly, it is truly beautiful to
have such a celebrated Mexican-American writer serve as a role model not only for the almost 70% Latino undergraduate student body, but for all our students who aspire to serve the underserved community, something really close to Ms. Cisneros’ heart.” Cisneros, who had previously visited St. Mary’s, expressed her joy to be back on campus, speaking to a packed classroom. “I was that girl in the class who never spoke. … I was the last person a teacher would expect to be speaking to so many people and have [them] listen.” The Chicago native, who found herself inspired by the work of writers of color like James Baldwin, read excerpts from an upcoming collection of short stories and poems. Having spent a significant amount of time in San Antonio as a writer-in-residence at Our Lady of the Lake University, Cisneros felt greatly tied to the South Texan Latino community, and touched upon the way that women of color were perceived in Texas. “I think it’s important to consider how [the media] present[s] women of color in Texas.” Regarding her position as a cornerstone of Mexican-American literature, Cisneros says that the best way to go about that is to avoid trying to write for people, but instead to allow their stories to present themselves. “I realized I don’t have to write for people.” Cisneros’ advice for writers is to let all work be an act of service and love, not an act of ego. “As soon as you’re thinking about [ego] it will block the art from coming,” said Cisneros. The awardwinning writer also says to write without concern for the reader, and instead to WWwrite for oneself. “We all have individual ways of saying things. … You have to write about things that only you know about.” Cisneros will be a featured guest at the Texas Book Festival on Sunday, Oct.
Community event fosters literary discourse with local columnist JAMIRA RICHARDSON COPY EDITOR
Indicative of the School of Humanities and Social Sciences’ mission to engage members of the St. Mary’s community in a hands-on, interactive literary experience and foster meaningful conversations with local published authors, the department of English literature and language hosted the annual Community Reading Experience on Oct. 23. This year’s Community Reading Experience featured St. Mary’s alumnus and former San Antonio Express-News
columnist Cary Clack (B.A. ’85). Paying homage to the San Antonio native’s lucrative journalistic career, the event highlighted Clack’s “Clowns and Rats Scare Me”—a book comprised of 84 columns encapsulating thirteen years’ worth of Clack’s rumination on social ills. From its satirized depictions of police brutality and the comical reincarnation of racist historical figures to the poignant collection of columns analyzing the tragedy of Sept. 11, 2001, “Clowns and Rats Scare Me” sheds light on contentious social issues through hyperbolic humor—while remaining firmly rooted in the unique culture of
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