The Pitt News
The independent student newspaper of the University of Pittsburgh | PIttnews.com | October 5, 2017 | Volume 108 | Issue 38
POETS AND PERFORMERS EXPLORE BLACK FUTURES
GEEKING OUT
Anna Bongardino Contributing Editor Projected onto a screen behind the stage of the Frick Fine Arts building, images of demolition were overlaid with the slow motion image of a woman twirling in a bright blue skirt. Colors shifted from negatives to sepia tone to a washed-out golden color which reflected the clouds of dust and destruction as the building was demolished. Letasha N. Nevada Diggs and Val Jeanty’s performance filled the auditorium with the rapid pulse of percussion, followed by the softer melody of a string instrument at the Black Futures event this Wednesday as they played to an audience of nearly 100 people. Hosted by the Center for African American Poetry and Poetics, Black Futures combined poetry readings by John Keene and Renee Gladman with the vocal and electronic art of Diggs and Jeanty. The event celebrated and explored the possibility of black futures — which Gladman described as the spaces, identities and emotions that cannot yet be expressed but are “becoming.” Jeanty — an Afro-electronica artist — played electronic percussion sounds that correlated with the emotion and tempo of Diggs’ vocals. Diggs, a writer, vocalist and sound artist, ended the piece with a tribute to Geri Allen — the former director of Jazz Studies at Pitt — who passed away this June. “I’ve been shot. I’ve seen purgatory. See Black Futures on page 3
Shushma Gudla (left), Marialice Skabardonis (middle) and Natalie Colantuono spoke at Meet the Geeks, hosted by FEM. Issi Glatts | STAFF PHOTOGRAPHER
COMMISSION AND COMMUNITY CONSIDER STATUES’ FATE Madeline Gavatorta Staff Writer At yesterday’s public hearing, three minutes wasn’t enough time for Marshall Goodwin to express his opinion about the Stephen Foster statue. After presenting his viewpoint, Goodwin — an on-and-off resident of Pittsburgh for 50 years who now resides in Schenley Park — asked multiple times to speak again and briefly argued with the chair of the Art Commission, Rob Indovina. “I was always fascinated and amazed by this person playing the banjo and the smile on his face and [the statue] just, there is something inspiring to me about it,” Goodwin said. “Music has been the one place
where race doesn’t matter.” The City of Pittsburgh Art Commission held a public hearing Wednesday night to hear from community members about whether or not the Stephen Foster statue, which sits on Forbes Avenue near the Carnegie Museum of Art, should stay. Seventeen community members from the audience provided their input at the hearing. The Art Commission — comprised of seven members appointed by the mayor — is responsible for reviewing works of art owned by the City of Pittsburgh. Commission members sat in a row at the front of the hearing, which took place Downtown at the John P. Robin Civic Building. Rachel O’Neill, assistant city solicitor at the City of Pittsburgh Law Depart-
ment, was the first person to speak. O’Neill opened up the meeting by saying the commission has four options to choose from for the statue. “The city code designates this commission has the authority to review the alteration, relocation or removal of art in possession of the city,” O’Neill said. “And four actions have been proposed for your consideration — the additional of interpretive signage to the statue, relocation of the statue, removal of the statue and no action.” The Stephen Foster statue commemorates Stephen Foster, a Pittsburgh native and musical composer. The statue displays a well-dressed Foster transcribing one of See Stephen Foster on page 3