T.A.D.O. Architecture Portfolio

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ARCHITECTURE PORTFOLIO AUGUST 2011-2017

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Lets Cook A Delicious Design“ “ Theodorus Alryano Deotama Ohmar S.T. (Bachelor of Architecture) Yogyakarta, December, 29th 1992 Male Single Catholic Mother’s Language is Bahasa Indonesia Perumahan Pelem Sewu Baru Blok P8, Sewon, Bantul, DIY, Indonesia, Post Code: 55188 +6282134318380 theodorusalryano@gmail.com

ABOUT ME Theodorus Alryano Deotama Ohmar (Deo) th was born in Yogyakarta on 29 December 1992. He was graduated from SMA Kolese De Britto Yogyakarta in 2011. He did his Bachelor of Architecture in Atma Jaya Yogyakarta University . In 2012, He was nominated and chosen as leader of youth society in Pelem Sewu Residence, Sewon-Bantul, DIY. In 2013, Deo joined Himpunan Mahasiswa Arsitektur Tricaka 2013/2014 and was chosen as the treasurer. He was delegated as Daerah Istimewa Yogyakarta Province's representation in FKTKI-MAI (Forum Komunikasi Temu Karya Ilmiah Mahasiswa Arsitektur Indonesia).

In 2014, Deo joined survey team of RTBL (Rencana Tata Bangunan dan Lahan) Kutoarjo City, Central Java under coordination of Wisanggeni Studio Yogyakarta.

In the same year, Deo also took part in Steering Committee on Faculty of Architecture's biggest annual

event “Sepekan Arsitektur” with Archipelago as the main theme.

Deo was eager to join various national and international architecture design competitions. He was a finalist in NPYDA 2013 (Nippon Paint Young Designer Award 2013), which opened the opportunity for him to be an intern in PT. Ong & Ong for 6 months. He won a rd Merit Award in Futurarc Prize 2014, and he won 3 place in Sayembara Homestay Nusantara by Propan Raya. th He was graduated on 29 July 2016 from Universitas Atma Jaya Yogyakarta with Bachelor of Architecture and awarded Cum Laude Predicate (GPA: 3.66/4.00). Now, he’s working at PT. Ong & Ong as architecture designer since September 2016.

EXPERIENCES TIMELINE Youth Leader in Perumahan Pelem Sewu Baru Taman Layak Anak Design Competition Sepekan Arsitektur 2013 Design Competition Bantul Main Gate Design Competition Bekasi Landmark Design Competition Hima Tricaka Treasurer Period 2013-2014 FKTKI-MAI DIY Representation Kawasan Masuk Prambanan Design Competition ARBBI Design Award 2013 Wiswakharman Expo 2014 Design Competition Steering Comitee at Sepekan Arsitektur 2014 Sepekan Arsitektur 2014 Design Competition Rumah Kayu Intaran Design Competition Nippon Paint Young Designer Award 2014 SML Young Architect Competition 2014 RTBL Kutoarjo Survey Team Residential Mid-End House Design Competition Futurarc Prize 2015 KKN UAJY at Ketapang, Kalimantan Barat Ong & Ong Internship Program Sepekan Arsitektur 2015 Design Competition Nippon Paint Young Designer Award 2015 Sepekan Arsitektur 2016 Design Competition Architecture Final Project Competition 2016 Homestay Nusantara Design Competition Indian War Museum International Competition BCA Facade Competition Architecture Designer at PT. Ong and Ong

2011

2012

2013

2014

SKILL* Manual Sketch Autocad Google Sketchup Vray Render Adobe Photoshop Corel Draw Office Ecotect Analysis Lumion Adobe Illustrator English Language *Self Assessment

2015

2016

2017

-Contents1 5x20 Home Bantul Pottery Craft Centre 45 5 Antropoz World Gunung Gamping Eocene Site Museum 49 9 Cilik, Gratisan, Tur Pinter Ong & Ong Indonesia’s Internship Project 56 13 Srengenge Nyunar Rumah Moro 59 17 Gondar Indian Non-War Museum 63 21 ANT Philosculture Facade 67 25 IJO The Eden 71 29 Coral Reef Rejuvenation Basuki Rahmat Development 75 33 New-Life Reuse Giant Chicken Church Wedding Pavilion in Dreamland 79 37 Krobelus Saumata Residence 83 41 Ledhok Timoho Waste Product Craft Centre Other Project 87

5x20 HOME “ “ ARBBI Design Award 2013 (Rumah Urban Indonesia) Yogakarta, Indonesia, September 2013- February 2014 Jurrors: Wiyoga Nurdiansyah, Ary Indra, Hendry Sjarifudin In Collaboration with Tandean Jonathan G.H.P. and Elly Mariana Dewi Status: Competition Entry

“Living” offers comfortable residential with high quality and efficient space. Our concept tries to keep the connection between the resident and the natural environments with the inside inner court. “Working” offers urban farming concept which will bring independent and productive family into reality.

“Recreation” offers relaxation spaces where social interactions will be bonded in the family.

Review: In our opinion, the design has a few minuses. We did not take notice about family growth.

We should include “grow house” concept inside our design.

Urban House concept become the best alternative to build house in recent years. This concept especially popular in big, populous cities. In this competition, we will offer you with our signature urban house design with 5 x 20 meters' surface area.

We choose the location at small area inside Jalan Janti's corridor, Daerah Istimewa Yogyakarta Province.

This location is special because it is located at Primary Collector Street and a lost space. Lost spaces exist as an excess of urban development and vastly unmaintained. We choose it as our initial step in urban house design.

Our urban house design will be focused in 3 functional elements: living, working, and recreation.

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10 11 7

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1ST FLOOR PLAN O

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2ND FLOOR PLAN

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SECTION A-A’ O

4. Diningroom 5. Inner Court 6. Familyroom

7. Main Bedroom 8. Bathroom 9. Urban Farming

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4 5m

10. Children Bedroom 11. Bathroom 12. Toilet

N

Janti Street

East Ring Road

1. Carport 2. Terrace 3. Livingroom

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URBAN FARMING AS PRODUCTIVE FAMILY MEDIATION

Bayam Merah

Sambung Nyawa

Brotowali

Dada Serep

Iler Leaf

Kemangi Wulung

Eggplant

Encok Leaf

Sintok

Seribu Leaf

Beluntas

Sawi Putih

Family Room

Living Room

Inner Court

Urban Farming Area

ANTROPOZ WORLD“ “ Wiswakharman Expo 2014 Competition (Evolve to Human) Earth, Milkyway, March 2014- April 2014 Jurrors: Budi Prayitno, Adi Purnomo, Sweta Kartika In Collaboration with Otniel Willien Wijaya and Eko Priyo Herlambang Status: Competition Entry

the doomsday. Nearly all species on earth was wiped out, leave alone aves class. The huge explosion on earth generated enormous radiation which radicalise genetic structure in the survivors. For the bird race, radiation increase their brain capacity and their body growth. In the latest evolution the ancient bird race become the legendary human-bird race which named Homo archeopterya.

Review: The human bird retains its ability to fly hence we design their residence in Ear th's tropospheric layer. However, like in the real world, their development devastates the earth. It makes their urban design is static and rigid.

The competition invites architect students to imagine how human evolve if our ancestors didn't come from primate. How the relevant residential concept will be? In our opinion, this is a complex competition. We need to imagine initial step of alternate human development and fit the imagination into recent development and mode. We collected several animal class and make a simple research about their evolution process. We decided aves as an alternate human ancestor. Our decision is strengthened from Mayan legend which said that long time ago lived bird-human race. This myth race leaved earth to search better dwelling.

250-140 million years ago, carnivore and reptile were possessor of earth. It was all changed in 5

How if Human’s Evolved were not 250-210 MILLION BC wellborn from the primate, but from TRIAS AGE the bird?

210-140 MILLION BC JURA AGE

140 MILLION BC DOOMSDAY

1,7 MILLION BC-NOW QUARTER AGE

65-1,7 MILLION BC NEW ERA

HOMO ARCHEOPTERYA EVOLUTION

The evolution was started in the New Era, 65 million years ago. The mutation generated by the huge explosion made birds smarter and larger. Their body growth emerged additional bones in their wings.

The evolution kept going after the New Era. The bird intelligence was increasing. They started to develop hands so they can hunt and build simple settlement.

Around 1.7 million years ago, bird posture changed dramatically. They started to stand up straight, became bigger and taller. Their hands became more skilled. The Homo archeopterya rises.

A DISTRICT

Central Park Government Education Facilities Recreation Facilities

A REGION

Residential Work and Research Transportation Gate Magnetic Binding

A CITY

A NATION

Energy Catcher Power Supply

ANTROPOZ HOME

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CILIK, GRATISAN, TUR PINTER“ “ Sepekan Arsitektur 2014 Design Competition (Rumah Belajar Anak) Yogyakarta, Indonesia, February 2014- April 2014 Jurrors: Prof. Totok Roesmanto, M. Eng., Prof. Dr. Ir. Josef Prijotomo, M. Arch., Ir. F. Christian J. Sinar Tanudjaja, MSA Individual Work Status: 24 Best Design

to dead-end road. I decided to use this location for my design.

My design use very small space and local materials, which is reflected in my design name. This is particularly to avoid high cost. My design offers micro library so children in neighbourhood can enrich their knowledge. My design offers biological garden to teach them productivity. My design offers stage for cultural show so they can keep and learn their identity as Indonesian.

Being smart doesn't need a huge space.

Being smart doesn't mean learn with school uniform.

Being smart doesn't need to spend much money.

Those statements are Indonesian majority's dream.

Most of them never experience formal education.

Many of them lives in trash scavenger village Ledhok Timoho. The adult in this village works as trash scavenger with a very low income. Hence, no funds for their children to go to school. The children in this village are taught to be a scavenger. They help their parents from an early age. I am concerned about this particular condition. To help them is my strong cause to join this competition.

It was difficult to determine the place for my education house design. It is because people of Ledhok Timoho lives in slum near Gajah Wong riverbank. In my last search, I found small bridge lead 9

Gaja h Wo ng

Rive

r

Ledhok Timoho Village

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1. Study Area 2. Stage (for Cultural Shows) 3. Planting Area 4. Mini Botanical Garden Area 5. Shoot Marbles Area

2ND & 3RD FLOOR PLAN O

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2

3

6. Mini Library 7. Vertical Access 8. Bookcase 9. Pigeon Stable 10. Children Playing Area

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2

5

4 5m

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SECTION A-A’ O

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2

3

4

5m

SRENGENGE NYUNAR“ “Rumah Kayu Intaran Design Competition Bali, Indonesia, May 2014- July 2014 Jurrors: Eko Prawoto, Ida Bagus Agung Partha, Gede Kresna In Collaboration with Waya Theresia Utomo Status: 50 Best Design

hope and vibrancy. Sunset embodies gratefulness to God for everything we have been passed. In this design philosophy, humanity will live harmonically and the balance between micro and macro cosmos will emerge.

The images in internet are more than enough evidence about the beautiful scenery in Intaran village, Bali. Beauty of the nature also embodied in their society. They prize their ancient values such as gotong royong (do everything together and help each other). In this competition we want to design sentry tower in Intaran village. The sentry tower can be used as contemplation space for people of Intaran.

Contemplation intends to balance jagad alit (micro cosmos) with jagad ageng (macro cosmos), which they do frequently.

The design offer 2 different sides, East and West. The 2 different sides depicture sunrise and sunset movement. Sunrise embodies lives with new 13

SUNSET Thank Memories

CONTEMPLATION

W

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SUNRISE Hope Spirit

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1ST FLOOR PLAN

A’

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SECTION A-A’

2ND FLOOR PLAN

Character Identification Area Relax Bench Contemplasi Area East Stairs West Stairs

GONDAR (CORRUPTOR DWELLS 2030)“ “ Nippon Paint Young Designer Award 2014 (Re-Think Re-Create Future Living 2030) Nusakambangan, Indonesia, August 2014 Jurrors: Ahmad Djuhara, Andra Matin, Cosmas D Gozali, David I Tay, Francis Surjaseputra, Edward Kusma, Kurjanto Slamet, Roland Adam, Sibarani Sofian, Wendy Djuhara Individual Work Status: Finalist

My design will be focused on those two essentials. My design will be built in Nusa Kambangan prison complex, where their dreadful reputation is retained, but in underwater. The location will prevent the corruptors to escape. The design will also be built with counselling rooms, where they will be help to fix their mentality. In this building, the inmate will process their own faeces to be fertilizer which will be used in mangrove forest in the area.

According to Corruption Perception Index (CPI) in 2013, Indonesia was placed 114th from 117th countries. It means Indonesia is 3rd most corrupt country in the world. It is a very alarming news.

I am very upset with the corrupt rats in this country. My feelings go stronger because they are not properly sentenced. What the Fu**! Their sentence is lighter than mere crime such as petty thief. They are sent to jail but with luxury rooms, some of them even can go out freely.

It is predicted that the corruption trends will increase until 2030. I want to make real contribution to decreasing the corruption rates hence as an architect I come out with a design. I offer you with “Gondar” which is specially designed prison for the corruptors. I find out 2 essentials thing the corruptors afraid of: exile and impoverishment.

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2nd Storey 1st Storey Base Storey -1st Storey -2nd Storey -3rd Storey -Corruptor Capsule

ANT “ “ Sinar Mas Land Young Architect Competition 2014 (Residential Category) Tangerang, Indonesia, June 2014-September 2014 Jurrors: Theodore Thenoch, Elena Trisnawati, Gregorius Supie Yolodi, IAI., Alexander Sastrawan In Collaboration with Waya Theresia Utomo and Vincencius Oktsaga P.A. Status: Competition Entry

nowadays pragmatic house design. Seems like a good idea, eh?

Our house design also gives special attention into the owner relations with nature. We provide a green open space in every house where the house owner can do sport, socializing, and have fun. We add a clock as the landmark in every open space as a reminder to take time and enjoy yourself.

Review: We make a dynamic house design with good open green space. Unfortunately, we missed to calculate the amount of house we can built in the same space.

In our opinion, majority housing design become static and boring. The houses are built with same facades, interior, and even accessories.

Meanwhile the urban design become more pragmatic and simple, they are losing their very own soul: personality uniqueness.

In an attempt to answer this issue, we make a dynamic house design using unique “jendela nako” or louvre windows as the main show. Jendela Nako ensure an optimum air circulation. The uniqueness of Jendela Nako lays in easy replaceable glass within the windows. This glass can be replaced with various colour and texture. The diverse design of the glass also exposes the business opportunity which we offer to Sinar Mas Land. The Jendela Nako will grants opportunity to the house owner so they can add their own taste and personality without sacrifice the 21

1 EXISTING

2 GEOMETRY

Backyard in Every Dwells

3 ORGANIZATION

Reflection Lake

4 OPEN SPACE CIRCULATION

5 DATUM

6 TYPE CLASSIFICATION

Type 4

Datum Open Space

Type 3

Type 2

ANT Time Landmark

Type 1

TYPE 1 (SOLENOPSIS)

Livingroom

Kitchen & Dinning

Bathroom

Circulation

Familyroom

Main Bedroom

Children Bedroom

TYPE 2 (LINEPITHEMA)

Service

Entrance

Livingroom

Kitchen & Dinning

Bathroom

TYPE 3 (DORYLUS)

Livingroom

Kitchen & Dinning

Bathroom

Circulation

Familyroom

Main Bedroom

Children Bedroom

Circulation

Familyroom

Main Bedroom

Children Bedroom

Service

Entrance

Service

Entrance

TYPE 4 (MYRMECIA)

Service

Entrance

Livingroom

Kitchen & Dinning

Bathroom

Circulation

Familyroom

Main Bedroom

Children Bedroom

IJO “ “ Residential Mid End House Design Competition Indonesia, October 2014-November 2014 Jurrors: Yori Antar, Antony Liu, Sardjono Sani In Collaboration with Waya Theresia Utomo and Ryan Arianto P. Status: Competition Entry

The terrace garden hence will grant the “personality uniqueness” in our design.

Review: Af ter we conducted a closer examination, we found that the design is not suitable for disabled person. In this case, we offer an option to change the elevation in the house into ramp which is more friendly design for disabled person.

“We are more numbers than individual”.

This sentence was said by Yori Antar, an architect, to express his opinion about mass housing architecture when he was interviewed by housing-estate, April 2009. Still in the same spirit and concern, we explore “personality uniqueness” into the new depth. The challenge is: Integrating tropical house design into different personalities.

We decide to combine the value of tropical house design such as: simplicity, transparency, functionality, regenerating ecological value, renewable energy, life cycle thinking, health and wellness, enhanced passive system, and sustainable material into our very own “personality uniqueness” design. We make our signature “terrace garden” along with a lot of green space. The terrace garden can be planted with various plant the owner desire.

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SIMPLICITY

REGENERATING ECOLOGICAL VALUE

TER

Additive

12m

25m

Subtractive

Green

HEALTH AND WELLNESS

RAC

ING

Paving

Soft Sport: yoga, meditation, etc Hard Sport: Football, Stretching, etc

TRANSPARENCY IDENTITY

RENEWABLE ENERGY (BIOMASSA) ENHANCED PASSIVE SYSTEM

Glass

Baseplan Bonsai/ Toga/ Decorated Plant/ etc Backyard Shady Plant Terracering

FUNCTIONALITY

LIFE CYCLE THINKING

Void Circulation Entrance Master Bedroom Diningroom Livingroom

Bedroom Service Area Maid Bedroom Bathroom Baseplan Approach

Family Recreation Area Family Relaxation Area Front Yard Terrace

Sunlight Wind Rain Permeability

SUSTAINABILITY MATERIAL

Concrete Profile Hollow Tempered Glass Wood Laminated

+8.44 ±7.67

±7.67

K. Tidur Anak +4.67

+4.67

Transision Bridge ±4.67

+4.00

Backyard

±0.65

Toilet

+0.80

+0.95 +1.00

Central Garden

Fish Pond

+0.90

+0.50

Terracering

+0.15

Frontyard

+0.10

Boulevard

±0.00

SECTION

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9

8 6

7

4 5 3

1 2

1 2 3 4

Granit Floor 40x40 Wood Laminated Floor Concrete I (Trass+Portland 1:5) Oxida Titan Concrete I (Trass+Portland 1:5) Oxida Mangan

5 Concrete II (Trass+Portland 1:3) Oxida Titan 6 Tempered Glass 7 Frame UPVC

8 Gypsum Ceiling 9 Hi Steel Profil Hollow Steel

10 Polycarbonate (PC)

REEF REJUVENATION“ “CORAL Futurarc Prize 2015 (Regenerating Life) Indonesia, September 2014-December 2014 Jurrors: Nirmal Kishnani (Singapore), PhD., Sanjay Prakash (India) B. Arch., A.I.I.A., Tan Pei Ing Ada Fung (Hong Kong), Prof. Donald Leslie Bates (Australia) In Collaboration with Andreas Kurniantoro, Elly Mariana, and Waya Theresia Utomo Status: Merit Award

education with the coral reef revitalization process.

Education process is limited to witnessing coral reef by using visual presentation. Biorock can promote coral reef growth rate up to five times more efficient compared to coral reefs' self recovery. Biorock system which is mentioned above makes use of the converted kinetic energy from fans which are propelled by the wind to fasten sea water electrolysis to make more potassium carbonate. Potassium carbonate is used by coral reefs as coral buds substance. Furthermore, better coral reef condition can promote habitat survivability thus increasing the marine biota.

In accordance with the vision of Reef Rejuvenation, coral reef ecosystem is revitalized, coral reefs' function as marine life habitat is restored, and people's quality of living will improve.

Indonesia is world's biggest maritime nation with 17.504 islands and 60 million residents who rely on marine resources. Indonesia owns coral reef 2 resources reaching up to 50.875 km equivalent to 18% of world's coral reef. However, only 5.3% of those coral reefs are in good condition. National Oceanic and Atmospheric Administration (NOAA) projected that in 2030 and 2050, coral reef damage will reach Alert 2 Bleaching. The causes of coral reef damage are nature and human activities. Out of 95% coral reef in Indonesia which is damaged from local human activities, 35% are classified in high threat and very high threat. The offered solution coming from our concern on coral reef problem covers damaged coral reef regeneration by using biorock, biofilter for polluted marine areas by using seaweed, and coral reef education. The design collaborates coral reef 29

PRESENT

OUR IDEA

EXISTING

VISION

ZONING Biorock System Biofilter System

2030 2030

Sumenep Regency Talango Subdistrict

SITE located in Talango Subdistrict, Sumenep Regency, Madura, East Java.

2050 2050

Coral Reef Frequency (years percentage) Level 2 alert bleaching reported by NOAA 0-10 11-20 21-30 31-40 41-50 51-60 61-70 71-80 81-90 91-100 *World Resources Institute (WRI)

PRESENT Present

recover damaged coral reef ecosystem with BIOROCK system to regain coral reef function a livelihood of coastal population who depends on marine commodity.

“pukat harimau” marine polluted

INDONESIA

village abrasion 17504

60

islands in Indonesia

million Indonesian population lives in coastal area

50875 km2 of coral reefs live in Indonesia/ 18% of world’s coral reef

only 5,3% are in good condition

coral reef damaged

OUR IDEA 10 YEARS LATER

column+biorock structure+turbine+dock

column+biorock structure+turbine

column+biorock structure

VIEW

VIEW

VIEW

step 3

VIEW

step 2

VIEW

step 1

EDUCATION FOR EVERYONE

VIEW

as marine-life habitat and guarantee the

BIOROCK CONSTRUCTION

column

APLICATION

OUR IDEA 20 YEARS LATER

step 4

Proposed Future

“pukat harimau”

River Flow Area

x

bioabsorbsion rumput laut stable land biorock system regeneration life

River Flow Area village

BIOROCK FOR CORAL REEF REGENERATION Biorock’s Work System

-+ -+

wind

-+

24 volt A/C ZnSO4 (aq)

CuSO4 (aq)

Legend :

CaCo 3 sea water

Float turbine generator - + deck anoda + acretion katoda column struktur biorock structure

+

+

-

-

REUSE GIANT CHICKEN CHURCH “ “ NEW-LIFE Sepekan Arsitektur 2015 Design Competition (Space for Sanity) Magelang, Indonesia, April 2015-May 2015 Jurrors: Eddy Arinto, Arif H. Swasono, Budi Pradono Individual Work Status: 9 Best Design

battling the increasing life pressure. The project will come in 2 phases: Man with Other (Improve Resilience with Forming a Community) phase and continued with Man with Nature (Improve Resilience with Absorbing Energy of the Universe) phase.

There is a mysterious enormous building in certain side of Menoreh Karst. In the quick glance, the building resembles a body of dove. The legend said that God himself came to Daniel Alamsjah dream and commanded him to build a place to pray in the hill. A devout Christian, Daniel bought the land and built a church with dove form so it will be protected by the holy spirit. Giant Chicken Church is the name given by locals.

After many years, the building is in the sorry state. Vandalism took over the once beautiful church.

I was questioned myself, “how to make the building radiate its former glory?”. I decide to do “new-life reuse”. I will revive the building spirit and history but not in the same function.

My idea is to design a meditation space in the building. Meditation is enthused in recent society to 33

PRESENT 6

5 3 4

2

1

1ST FLOOR PLAN 0

2ND STOREY BIG HALL

2m

HALL

2ND FLOOR PLAN

4m 6m 8m 10m 12m

0

2m

4m 6m 8m 10m 12m

VOID VOID

ENTRANCE FROM 1ST FLOOR TALE BODY HEAD

ENTRANCE FROM 2ND FLOOR 1ST STOREY BIG HALL FOR PRAY SHADING INNER COURT

FUTURE PROPOSE

6 3

Concrete

1

Wood Laminated

5 Tempered Glass

4 2 Steel Hollow

KETERANGAN 1. Meditation Area A 2. Meditation Area B 3. Meditation Area C 4. Meditation Area D 5. Inner Court 6. Entrance

YOGA AREA

“HENING” TERRACERING

REFLECTION POND

MEDITATION BOX

RENEWABLE STRATEGY OF JAKARTA CEMETERY)“ “KROBELUS (THE Nippon Paint Young Designer Award 2015 (Design with Hearth) Jakarta, Indonesia, July 2015-September 2015 Jurrors: David I Tay, Rina Renville, SamuelA. Budino, Fendarie Su, Edward Kusma Kurjanto Slamet, Sibarani Sofian Individual Work Status: Competition Entry

cemetery and Krobelus will be on the right place to slowing the conversion.

Review: The idea itself is unique and a real solution. However, majority of Indonesian is conservative and will strongly decline this idea.

“You must not die in Jakarta!”. This sentence is weird but embrace a grim reality. Jakarta is under an unusual crisis: the crisis of burial site. The gap between supply and demand is so high, even the plantation and paddy field are converted into cemetery. Answering the theme of NPYDA 2015 “heart”, I will try to solve the crisis with my cemetery design “Krobelus”. I interpret heart as the symbiosis between the life and the death.

Krobelus design uses 8 strategies: compact and simple, 5years timeout, active and recreative, multi productive, green and smart, vertical graveyards, united ziarah space, and zero energy.

TPU (public cemetery) Tegal Alur is my chosen place. The cemetery consists of vast area of 62.08 Ha. However, all of the area but 10 Ha is productive land. The area is rapidly converted into 37

+-100 People

Die in Jakarta everyday

96% Religion

Only 31,3 Ha

895 H

Forbid cremation before enter into purgatory

Cemetery areas ready in Jakarta

Agricul

Muslim

1400 Ha

8000000

Jakarta : 74000 Ha

7000000

1200 Ha

6000000

If a person needs 2sqm

1000 Ha

5000000

800 Ha

4000000 600 Ha 3000000

31,3 Ha

2000000 1000000

Then, Jakarta needs +-200sqm/day

400 Ha

Protestan

200 Ha Katholik

Hindhu

0

Forbid Cremation

BUILT VERTICAL

Budha

Konghucu

Allow Cremation

Etc

POCKET SYSTEM

12 Storeys

0 Ha

Don’t Know

MAKE CONNECTION & PLAZA

1920 Slots

160 slots/floor

11 Storeys

Ramp Circulation

160 slots/floor

1760 Slots

40 m

Memorial Plaza Green Ramp

m 25

1000sqm (Today): +-400 slots

1000sqm (Future): 3680 slots

Maximised Limited Site

900% More

Easy Mobility for Every People

JAKARTA ISSUES TODAY

Ha Remaining

lture field which may be sacrificed

2009

2010

2011

2012

2013

“KIBLAT” ORIENTATION

R Rare

VR Very Rare

Pedestrian Walk

Peacefulness

City Park

Healthy Food

Good Traffic

Urban Forest

Rice Field

Land Porosity

Good Sanitation

UR Ultra Rare

Fresh Air

Clean Water

Dump Space

Land Use

Cemetery

AGRICULTURE INTEGRATED

THE KROBELUS

Verticulture

Rice Field

Respect the Jakarta Majority Religion

Toward the Multi-Productive Building

Make Copies?

+38.5 +35.0 +31.5

+28.0 +24.5

+21.0 +17.5

Contemplative Ramp Verticulture

+14.0

Corpse Biogas +10.5

Cemetery Pocket Front Yard

+7.00

Rice Field

+3.50

Gas Holder Gas Engine

Generator

SECTION 0 1m

3m

7m

Heart

Beloved People

Alive

Remember

Jakarta Problem

Land Crisis

Remembered

Need Cemetery

Scarcity of Cemetery

YT

AR

MP

5 Years Timeout

Active & Recreatice

Multi Productive

GS

VG

US

ZE

Green & Smart

Vertical Cemetery

Unite Ziarah Space

Zero Energy

MAIN IDEA

Life Symbiosis Die

CS Compact & Simple

Renewable Strategy

KROBELUS JAKARTA URBAN CEMETERY

TIMOHO WASTE PRODUCT CRAFT CENTRE “ “ LEDHOK Sepekan Arsitektur 2016 Design Competition (Arsitektur Ruang Bebas) Yogyakarta, Indonesia, March 2016-May 2016 Jurrors: Baskoro Tedjo, Florian Heinzelmann, Djoko Istiadji Individual Work Status: 2nd Place

corners of the city are controlled by "the lobster eater"?

Then, if there is no space for small communities to express their freedom, to maximize their abilities and creativity. At least the design of Ledhok Timoho Waste Product Craft Centre could accommodate the villagers' freedom to be creative in waste processing, improve their living standards, educate people, give them the opportunity to interact with the wider community, and increase awareness of environmental care.

The entire population of Ledhok Timoho village works as scavenger. It is safe to assume that they rely on trash to make living (Astramaya). So, what happen to the trash? Based on survey, 70% of the trash are sold to collectors, only 8% are recycled, and the rest are neglected. Limited access make this village is "less-noticed" and hard to sell their recycle products . Therefore, with the construction of Pusat Kerajinan Sampah (Waste Product Craft Center) that is located at Jalan Timoho, it is expected to expose their product, so that the villagers could be more eager to develop their skills in waste processing.

The idea of this design is expected to answer a question, "Are small communities ready to face the AEC (Asean Economic Community)?" This question came from a statement, "the rich become richer, and the poor become poorer." What would happen if all the 41

LEDHOK TIMOHO SCAVENGER VILAGE

Timoho Stre

et

Polisi Istimewa Street

SITE

Main Road Alleyway

Site Front View

Timoho Street View

Circulation Ver tical circulation towards the second floor using a ramp with a slope of 7 degrees. In addition as a tool for disabled people , can also be used to enjoy the surrounding scenery.

En tra 25 nce m

50 m

Massing There are 2 separate building mass based on the axis drawn on the site.

Zoning of the building include: Sales Area Workshop Area Toilet

Recycle Plastic Bottle Cooling System

Landscape Zoning of the landscape include: Plaza Temporary Installation Area Vegetation Planted Area Waste Art Installation Amphitheatre

Inside o o Cool X -5 Celcius (Based on Daulatdia Research)

Facade Mouth of Bottles inserted into holes on the board

Higher Pressure on Mouth Outside o Hot X Celcius

Transparent Glass to Support View

Yogyakarta Waste Phenomenon 250

72%

10%

5%

5%

8%

Tons/Day

Transported to Landfill

Buried

Burnt

Recycled

Neglected

Future ?

Dirty, Disease, Land Crisis Or Can be the “Diamond”

Reduce Landfill Waste Sales

Workshop

Inorganic Waste

Make Products Temporary Performing in Ledhok Timoho Arts Exhibition Community Hall (Existing on Their Village) Pusat Kerajinan Sampah Activities

NATURAL COOLING PROCESS FROM WASTE BOTTLES

Happy Villagers

Tourism Destination

ROOF 20cm thick Concrete

BEAM Reinforced Concrete 15/25

CURTAIN WALL 122x244 cm Transparent Glass with mullion The analogy of system works is very simple, following the working system of human mouth . When breath with mouth opened, the air that comes out very hot. But if shut the mouth , the air that comes out to can be colder.

STORAGE SPACE UNDER THE FLOOR ON WORKSHOP AREA

Storage room located under the floor , it aims to save space , so space can be more efficient, practical , and flexible.

FLOOR 20cm thick Concrete WALL OF WASTE BOTTLE inserted into 1,5cm thick Board RAMP Concrete Ramp <7o COLUMN Reinforced Concrete 15/25 INSTALLATION STAND Used Bricks TEMPORARY INSTALLATION AREA Used Ceramics 3D TEXT Sawdust Processed PLAZA Grass Block PLANTED AREA Grass, Shade Tree, Bamboo

h (m)

0.70

0.95

0.70

0.75

4.15

0.65

0.70 0.95

0.70

-0.45

0.45

4.15

0.95

0.75

0.60

0.45

0.30

0.15 2.25

0.0

Hot

Cool

-A’ Section A Section B-B’

CRAFT CENTRE â&#x20AC;&#x153; â&#x20AC;&#x153; BANTUL POTTERY Architectural Studio 5th Kasongan Village, Bantul, Indonesia, 2013

My design also offers workshop area. This area will give visitors opportunity to learn about terracotta art. There will be a small inn purposely built for visitors that want to experience live as people of Kasongan village.

In the colonial era, people of Kasongan village terrified with the Dutch policy about plantation.

The people leaved their right to own a land and become a terracotta maker. This people was the beginning of renowned terracotta industry in Kasongan Village. In 1971, Sapto Hudoyo, a great artist form Yogyakarta, help Kasongan people to rapidly develop the industry into nowadays state.

Highly recognised with superb quality of terracotta, Kasongan Village doesn't have a landmark to exhibit their work. I am interested to design a central gallery as a landmark of Kasongan Village.

My design offers a small modular showroom area. The design is fitted with the building composition on the surrounded area. Traditional style in my design is purposed to assimilate further into Kasongan village ambience.

45

BUILDING TRAN

NSFORMATION

LEGEND 1. Lobby 2. Café 3. Management Area 4. Tools Room 5. Workshop Area 6. Production Area 7. Woman Toilet 8. Man Toilet 9. Locker Room 10. Staff Toilet

1ST MASS 1ST FLOOR PLAN 0

5

10 15

20 25m

LEGEND 1. Inn 2. Cleaning Room 3. Relax Area

1ST MASS 2ND FLOOR PLAN 0

5

10 15

20 25m

LEGEND 1. Main Entrance 2. Showroom Modul 3. Central Plaza

2ST MASS FLOOR PLAN 0

5

10 15

20 25m

LEGEND 1. Showroom Modul 2. Central Plaza 3. Garden

SECTION A-A’ 0

2

4

6

8 10m

LEGEND 1. Production Area 2. Inn 3. Workshop Area 4. Tool Room

SECTION B-B’ 0

WEST ELEVATION

EAST ELEVATION

2

4

6

8 10m

NORTH ELEVATION

SOUTH ELEVATION

GUNUNG GAMPING EOCENE SITE MUSEUM“ “ Final Project and UAJY Representation for Architecture Final Project Competition 2016 Yogyakarta, Indonesia, July 2016 Jurrors: Endy Subijono, IAI., Paramita Atmodiwirjo, Florian Heinzelmann Status: Competition Entry

Past

Present

potential, I want to revitalise the Cagar Alam dan “ Taman Wisata Alam ” (recreation park) Gunung Gamping so it can be included into Objek dan Daya Tarik Wisata Alam (ODTWA). The project will be named Museum Situs Gunung Gamping Eosen (Gunung Gamping Eocene Site Museum).

As the majority of residence in the project site is strictly conservative, the approach in the design will be: The Obscure: Primordial and Untouched Theory which will analyse intangible matters and The Role of Nature in Architectural Creativity Theory which will analyse tangible matters.

According to research by Professor Gerth (1929) and Purnamaningsih (1972), the limestone on the “Cagar Alam” (nature preserve) Gunung Gamping, Ambarketawang, Sleman contains marine fossils from Eocene epoch. The Eocene epoch happened in the Cenozoic era, 56.7-35.5 million years ago. The data shows that the limestone in the sanctuary is the oldest on Java island. In unfortunate coincidence, massive exploitations in 1756, the sanctuary is left with nothing but 10 meters high chunk of limestone.

The majority of people around the sanctuary still follow the ancient custom. They did “Saparan Bekakak”, an ancient sacrificial ritual. They sacrifice a pair of husband and wife, symbolise with sticky rice human dolls, as a tribute to spirits that dwell in the limestone mountain. This ritual is commemorated every Javanese month of Sapar. Realising the 49

7 6 8 5 4

9

3

1 2

TEN S E -PR

1 Main Gate 2 Motorcycle Parking Building

6

Management Bulding

7

Pendopo

3 Nature Preserve Gate

8

Mushola

4 Gunung Gamping Eosen Site

9

Public Toilet

5 Bekakak Sacrifice Altar

10 Main Gate (New)

A’ B’

16

17

18 7 15

B

13 5 4 12 10

11

14

N

A

IG ES -D

S PO O PR

11 “Pemutihan” pond 12 “Sembah Cipta” Gate

16 1st Mass (Management, Service) 17 2nd Mass (Exhibition, Curatorial, Research)

13 Amphitheatre 14 Sentry Tower

18 3rd Mass (Exhibition, Education, Public Facility)

15 Social Bench

E-

PRESERVING BIGGER!

CURATORIAL

RESEARCH

2

LIBRARY

1 NOW 11

SOUVENIR

3

3

8

4

4

6

LIBRARY CAFÃ&#x2030;

9 7

5

5

SEQUENCE IN TIME LEGEND

10

6 Archaeological Ypresian Age (56-48 Ma) Display Area

1 Gunung Gamping Eosen Site

7 Archaeological Lutetian Age (48-41 Ma) Display Area

2 Lobby

8 Archaeological Bartonian Age (41-38 Ma) Display Area

3 History Display Area 4 Art Display Area (Pesanggerahan Kraton Relic)

9 Archaeological Prabonian Age (38-35 Ma) Display Area 10 Foyer *Assumption

5 Archaeological Display Area (Underground Site)*

11 Recreation Park

(Non Clastic Morphology)

11

INTANGIBLE The Primordially Obscure

INTANGIBLE The Primordially Obscure INTANGIBLE The Primordially Obscure INTANGIBLE The Primordially Obscure

Entrance

4 3

Pond Gate

In Putri (Woman) Building

Out Kakung (Man) Building

Myth The building composition will be based on the sacrificial ritual the Saparan Bekakak myth. The building itself will embody the pair of husband and wife.

INTANGIBLE The Primordially Obscure

Pebble

Boundary (Plant Box 30cm) Nature Preserve

1

2 Down

Amphitheatre

Customs Giving space for the visitors to witness Saparan Bekakak ritual. The ritual itself is degrading slowly in this modern world.

Ritual Ceremonies - Linguistic Hints

1

Sembah Raga 2 Sembah Cipta 3 Sembah Jiwa Step on river Cross the pond of Bow and walk pebble resemble water with 20 cm under 150 cm the equal dignity deep resemble the gate resemble for all humanity. cleansing of bad restrain of lust. omen.

Down to Basement

4

Sembah Rasa Cross the circular ramp resemble understanding about the cycle of life.

INTANGIBLE The Primordially Obscure INTANGIBLE Hibernating Untouched

Religious Factors Understanding of Javanese belief about the balance between “Jagat Ageng” (Macro cosmos) and “Jagat Alit” (Micro cosmos) is embodied in lookout tower.

TANGIBLE The Role of Nature

Kraton Relic

Find Pattern

Best Spot

?

Site Morphology

Break to Simplify

Landscape Bridge

Garden Design Area

Putri (Woman) Building Miscellaneus Topics Palace complex of Kraton Ambarketawang (1756) leaved a brick wall heritage. The pattern from this wall will be used in the project landscape.

Affiliative Tendencies The principle “Gotong Royong dan Hidup Rukun” in this modern world will be reappeared by social bench in strategic points.

?

Kakung (Man) Building

Symbol Along with the time, the meeting point between Kakung (the male) building and Putri (the female) building will be interpreted as a various symbol by the locals. Ex: Candi Prambanan.

The Cosmic and The Sensual The building interface concept is simplified from the limestone figure. The glass screen concept is my attempt to balance outer room layout with inner room layout.

5 1

2

3

4

17

8 7

12

13

15

9

18

14

10

11

16

2nd Storey Ground Floor

Retaining Wall (Thick 400 mm)

Roof Slab (Thick 600 mm)

Roof Slab (Thick 600 mm)

21

22

19

20

Side Wall (Thick 500 mm)

Basement 1 Basement 2

6 Retaining Wall (Thick 400 mm)

23

Basement 3

LONGITUDINAL SECTION A-A’

Base Slab (Thick 600 mm)

PARTIAL SECTION A-A’ LEGEND 1 Ticketing Area 2 Information

7 Amphitheatre 8 Sentry Tower

0 5m

15m

30m

13 Book Area 19 Ypresian Age (56-48 Ma) Display Area 14 Reading Area 20 Lutetian Age (48-41 Ma) Display Area

3 “Pemutihan” Pond 9 Social Bench 15 Kitchen 4 Gunung Gamping Nature Preserve 10 Conection Bridge 16 Dining Area 5 Gunung Gamping Eosen Site 11 The Rooftop 17 Lift 6 Underground Site 12 Office (Library) 18 Ramp

21 Bartonian Age (41-38 Ma) Display Area 22 Prabonian Age (38-35 Ma) Display Area 23 Underground Site Area

4

Finish

Start

3

1

5

7

Retaining Wall (Thick 400 mm)

2

7

2nd Storey 6

Ground Floor

+6.82 +3.62 0.00

Retaining Wall (Thick 400 mm)

-13.80 8

8

Side Wall (Thick 500 mm)

Basement 1

Roof Slab (Thick 600 mm)

Basement 2 12 11

10

9

Basement 3

Base Slab (Thick 600 mm)

-18.40 -23.00

-33.20

LONGITUDINAL SECTION B-B’ 0 5m

PARTIAL SECTION B-B’ LEGEND 1 Temporary Exhibition Area 5 Social Bench 2 Lobby Entrance 6 Sentry Tower 3 Dining Area 4 Foyer

7 Lift 8 Ramp

15m

30m

9 Men Toilet 10 Disability Toilet 11 Woman Toilet 12 Underground Site Area

DEVELOPMENT “ “ ANCOL MIXED USE Ong & Ong Internship Program Indonesia, 2015

SATORIA TOWER “ “ Ong & Ong Internship Program Indonesia, 2015

RUMAH MORO â&#x20AC;&#x153; â&#x20AC;&#x153; HOMESTAY NUSANTARA COMPETITION BY PROPAN RAYA (MOROTAI DESTINATION) Morotai, Indonesia, September 2016 Jurrors: In Collaboration with Andi Subagio Status: 3rd Place

Moro of Morotai. Moro people is the indigenous trible who first lived on Morotai. Even Morotai was named after them. Nowadays, Moro people are no longer existed in modern life. They are believed as disappeared to the forest since world war and colonialism by western. Their buildings were demolished . No more evidences and signs of their existence except story and myth around Morotai.

Some people would calls them as local myth.

Even many believe that they are still live in Morotai Island. Nowadays Morotai Island is habited by Tobelo and Galela from North Halmahera as the closest district to Morotai.

59 49

Sasadu as form inspiration, and take roof form as main form.

The middle part of the b u i l d i n g i s l owe r e d down to earth.

T h e b ot to m p a r t i s dredged to create space inside the form. To have 2 major spaces as living on top area and social s k i l l i n t h e b o t to m adapting from Sasadu.

As a retaining wall, seat form is created to enhance social space underneath. Also opening to create â&#x20AC;&#x153;no doorâ&#x20AC;? space and blurred boundar y between inside and nature.

Since it will be built inside a forest and to adopt Moroâ&#x20AC;&#x2122;s essentia living spirit of disappearing in nature. In harmony with Sasadu form as effort to live together between Tobelo/Galela with Moro.

INDIAN NON-WAR MUSEUM â&#x20AC;&#x153; â&#x20AC;&#x153; INDIAN NATIONAL WAR MUSEUM INTERNATIONAL COMPETITION New Delhi, India, October 2016 Jurrors: In Collaboration with Andi Subagio, Danna Rasyad, and Anindhita Sunartio Status: Competition Entry

Mandala Pattern

Chand Baoiru Steo Well

The design of National War Museum in this proposal emphasizes on the way a new cultural hub can influence and be influenced by its surrounding, through physical aspect ( such as physical simillarities and visual connection with landmark and heritage buildings ), programmatical aspect ( cultural inspired, educative programs ) and sustainability aspect. Along the process, broad range of local and global inspiration influenced the design, from local pattern that becomes the main generator of the structure, to religious buildings around the world that are able to promote "peace" as a counter idea to "war" as a main content of the museum.

RE-SCALING THE HEXAGON : HUMANIZING THE SCALE OF THE URBAN SPACES the geometric plans and infrastructure of New Delhi might has impacted the city's traffic issues. its car driven planning that lacks of human scale

New Delhi Geometric Plan

consideration needs to be improved to solve the traffic issues such as providing spaces that are walking distance, human proportion, and comfortable. The building, which located right in front of the hexagon, used the pattern and the scale of the hexagon as a starting point, which later is applied in many different forms, including structures, circulations , programs, etc.

The scale and the building height is adjusted to surrounding buildings, and the focus is to create human friendly icon.

63 49

Street Alignment

Base Massing

Substraction

Re-Using Exixting Structure

Structral Intervention

Design Proposed

Locality

Column Strategy

PH

HR

Philosophy

History

Construction

AC Air Circulation

Green

Exhibition Support

ST

UT

Structure

Utility

DI

BS

Display

Braille Support

WT

NL

AS

LT

Water Collector

Natural Lighting

Acoustic

Lighting

rain

150 300450 600 sunlight

900

600 450300 150

150 300450 600 sunlight

rain

rain

900

600 450300 150

rain

lighting

pond

lighting acoustic

acoustic

air circulation

air circulation

braille wall

TYPE 1

TYPE 2

WT AS ST UT PH HR

AC NL WT AS ST UT PH HR

DI BS AC

braille wall

TYPE 3

TYPE 4

LT WT AS ST UT PH HR

DI BS AC NL WT ST UT PH HR

FACADE “ “ PHILOSCULTURE BCA FACADE COMPETITION Indonesia, November 2016 Jurrors: In Collaboration with Michael Susanto and Giovany Ramadhinara Status: Competition Entry 1

2

Proses menanam butuh kesabaran dan kerajinan

3

Setelah bertahuntahun baru dapat mengeluarkan kuncup bunga

4

4

Setelah puluhan tahun baru diperlukan regenerasi

Produksi melipat ganda jika dirawat dengan rajin

5

Pattern

Design Proposed

Philosophy

“Senantiasa di Sisi Anda”

Dinamic Facade

“Pilar Perekonomian”

“Cengkeh” Metamorphosis

Visual Gradation

Natural Lighting

Vertical Orientation

Agriculture

Bioclimatic Support

Agricultural Waste Material

Cengkeh Waste Panel

PF Philosculture Facade

49 67

Enhanced Natural Passive Cross Ventilation System

KANTOR CABANG UTAMA

6 5 4

Legend 1. Hollow Structure 60mm x 60mm 2. Agricultural Waste Material Panel 2mm thickness 3. Modular Pattern 1200mm x 2400mm 4. Aluminium Composite Panel 300mm x 300mm 5. Rangka Besi 80mm x 80mm 6. Covered Restricted Area

2

3

1

KANTOR CABANG PEMBANTU

6

5 4

Legend 1. Hollow Structure 60mm x 60mm 2. Agricultural Waste Material Panel 2mm thickness 3. Modular Pattern 1200mm x 2400mm 4. Aluminium Composite Panel 300mm x 300mm 5. Rangka Besi 80mm x 80mm 6. Covered Restricted Area

2

3

1

KANTOR RUKO

6

5

Legend 1. Hollow Structure 60mm x 60mm 2. Agricultural Waste Material Panel 2mm thickness 3. Modular Pattern 1200mm x 2400mm 4. Aluminium Composite Panel 300mm x 300mm 5. Rangka Besi 80mm x 80mm 6. Covered Restricted Area

4

3

2

1

“ THE EDEN “ PT. ONG & ONG PROJECT Tangerang, Indonesia, October 2016 Site Area: Plot 1 (21.595 sqm), Plot 2 (62.380 sqm) Function: Residential, Retail, and Ruko Status: Feasibility Study and Concept Design

Concept Keyword: Engaging to Waterfront

49 71

Maximum Site Coverage

Maximum Building Height

North-South Break Down

Response to Waterfront

Maximise Frontage Line

Maximise Waterfront View

“ BASUKI RAHMAT DEVELOPMENT “ PT. ONG & ONG PROJECT Jakarta, Indonesia, November 2016 Site Area: 38.000 sqm Function: Retail and Residential Status: Feasibility Study and Ideation

Concept Keyword: Beyond Shoppers

49

Indoor

Indoor-Outdoor

Outoor

Atrium Subtractive for Different Activities

Maximise Infinity View

Garden Loop

Maximise Frontage

“Every Floor is Groundfloor”

“ WEDDING PAVILION IN DREAMLAND“ PT. ONG & ONG PROJECT Jakarta, Indonesia, December 2016 Site Area: 80.000 sqm (total development area), 100 sqm (Wedding Pavilion Area) Function: Wedding and Ritual Ceremonies Status: Concept Design and Schematic Design

Concept Keyword: Gapura Philosophy “Welcoming a Bright New Life”

49 59

SHADOW STUDY

Morning (08.00-09.00)

Noon (1

12.00)

Afternoon (16.00-17.30)

“ SAUMATA RESIDENCE “ PT. ONG & ONG PROJECT Tangerang, Indonesia, January 2017 Site Area: 20.000 sqm Function: Residential Status: Concept Design

Concept Keyword: The Green Gateway “Compact and Elegant Living”

49 83

“ OTHER WORKS “

87 49

-Other Projects-

“Java Paragon Idea” PT. Ong & Ong Project Surabaya, Indonesia, 2016

“Berkah Dalem (Homeless Activity Centre)” Sepekan Arsitektur 2013 Design Competition Yogyakarta, Indonesia, 2013

“Ramayana Culture Walk” Kawasan Masuk Prambanan Design Competition Prambanan, Indonesia, 2013

“Kutoarjo Pedestrian Walk Revitalization” RTBL Kutoarjo Survey Team Kutoarjo, Indonesia, 2014

“Marvel City Facility Floor” PT. Ong & Ong Project Surabaya, Indonesia, 2016

“Tugu Tripanca” Bekasi Landmark Design Competition Bekasi, Indonesia, 2013

“Hospital in Wonosari” Architectural Studio 6th Gunung Kidul, Indonesia, 2014

“Bull-X Tower” Structure and Construction of Building 3rd Jakarta, Indonesia, 2014

-Artworks-

“Side Chapels in The Cistercian Monastery of La Tourette” Pencil Skecth Yogyakarta, Indonesia, 2011

“Pendopo in Kraton Yogyakarta” Pen Sketch Yogyakarta, Indonesia, 2012

“Ellen’s Birthday Gift” Pop Artwork Yogyakarta, Indonesia, 2014

“Map for Paroki Maria Assumpta, Ketapang” KKN UAJY Mapping Program West Borneo, Indonesia, 2015

“Bamboo Installation” Workshop SCAN #4 Best Installation Yogyakarta, Indonesia, 2013

“Campuss Welcome Installation” New University Student Welcoming Yogyakarta, Indonesia, 2013

“EUREKA Logogram” Separs 2014 Logogram Competition (Finalist) Yogyakarta, Indonesia, 2014

“Gunung Gamping Eosen Museum Site” Final Project Maquette Yogyakarta, Indonesia, 2016

“ SPECIALTo THANK “ My Parent, Brother, and Sister Ellen Yuliani Saul Albertus Gian Dessayes Adriano and Christian Darmabrata Universitas Atma Jaya Yogyakarta

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